If I only had one day to stop over in – Warsaw – what would I do?

How to Make a One-Day Warsaw Stopover Unforgettable: Your Ultimate Guide

So, you’ve got a one-day stopover in Warsaw, and you’re wondering how to make the most of it. Maybe it’s a layover on your way to another European city, or perhaps it’s a quick visit squeezed into a packed itinerary. Either way, Warsaw—a city of resilience, history, and vibrant culture—is waiting to surprise you. With just 24 hours, it might seem impossible to capture the essence of Poland’s capital, but trust me: one place can make your day truly memorable.

The challenge? Warsaw is packed with incredible spots: the historic Old Town (a UNESCO World Heritage site), the hauntingly powerful Warsaw Uprising Museum, the lush Łazienki Park, and the bustling Nowy Świat street. But if you only have time for one standout experience, I’d point you straight to the Warsaw Uprising Museum.

Why the Warsaw Uprising Museum?

Yes, it’s a museum—but not just any museum. This is a visceral, immersive journey into the soul of Warsaw. In 1944, the city’s residents rose up against Nazi occupation in a brave, tragic 63-day struggle. The museum doesn’t just tell that story; it makes you feel it. From the moment you step inside, you’re surrounded by the sights, sounds, and emotions of that pivotal moment in history. It’s a tribute to courage, sacrifice, and the incredible rebirth of a city that was nearly destroyed.

What Makes It So Special for a Short Visit?

  1. Emotional Impact: You’ll leave moved and inspired. It’s a powerful reminder of why Warsaw is called the “Phoenix City”—rebuilt from ashes with unwavering spirit.
  2. Central Location: Easily accessible by public transport or taxi from the city centre or airport (Chopin Airport is just a 20-minute drive away).
  3. Efficient Experience: You can spend 2–3 hours here and come away feeling like you’ve truly connected with Warsaw’s heart. It’s time well spent, offering more depth than a quick stroll through tourist spots.

Making Your Stopover Memorable: A Quick Plan

  • Morning: Head straight to the Warsaw Uprising Museum (book tickets online to skip lines). Allow yourself to absorb the exhibits—don’t rush.
  • Afternoon: Grab a traditional Polish lunch at a nearby milk bar (like “Bar Bambino”) for pierogi or żurek soup. Then, take a short walk to the reconstructed Old Town to see the Royal Castle and Market Square—it’s a beautiful contrast to the museum’s history, showcasing Warsaw’s renewal.
  • Evening: If time allows, enjoy a coffee or craft beer in the trendy Powiśle district before heading back to the airport.

But What If Museums Aren’t Your Thing?

If you’re craving something lighter, Warsaw’s Old Town is a fantastic alternative. Stroll through its colourful streets, admire the meticulous post-war reconstruction, and climb the bell tower of St. Anne’s Church for panoramic views. It’s a testament to beauty rising from destruction.

Final Tips for Your One-Day Adventure

  • Transport: Use Warsaw’s efficient public transport or Bolt/Uber for convenience.
  • Currency: Have some Polish złoty for small purchases, though cards are widely accepted.
  • Mind the Time: Keep an eye on your flight schedule—allow ample time to return to the airport.

A one-day stopover in Warsaw doesn’t have to be a blur. By choosing one meaningful place—like the Warsaw Uprising Museum—you’ll take home more than just photos; you’ll carry a piece of Warsaw’s indomitable spirit. Whether you’re a history buff, a curious traveller, or someone seeking authentic experiences, this city will leave a lasting impression.

So, go ahead—turn that layover into a memorable chapter of your journey. Warsaw is ready to welcome you.

365 Days of writing, 2026 – Beyond the second novel

Planning to write a series

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If You’re Going to Write a Series, You Need a Plan: Here’s Exactly How to Do It

Whether you’re writing a sprawling fantasy epic, a gripping romance sequence, a non-fiction masterclass, or a serialized content marketing campaign for your brand, one golden rule reigns supreme: If you are going to write a series, you need a plan.

It’s easy to get swept up in the adrenaline of Book 1. You have a brilliant premise, a head full of steam, and a blank document waiting to be conquered. But what happens when you reach the end of that first installment? If you haven’t mapped out the bigger picture, you risk painting yourself into a narrative corner, dropping vital plot threads, or watching your reader engagement plummet because Book 2 feels directionless.

Series planning isn’t about killing your spontaneity—it’s about building a sturdy scaffolding so your creativity can safely soar.

Just how do you plan a series without losing your mind? Let’s break down the step-by-step roadmap to building a cohesive, binge-worthy series from scratch.


Phase 1: Define the Scope and Structure

Before you write a single scene, you need to understand what kind of series you are building. Not all series are created equal, and your planning strategy will depend heavily on your format.

  • The Epic/Arc-Driven Series (e.g., Harry Potter, The Lord of the Rings): Each book has its own conflict, but they all feed into one massive, overarching plot that concludes in the final book.
  • The Episodic/Character-Driven Series (e.g., Jack Reacher, most cozy mysteries): Each book stands completely on its own, tied together only by the recurring protagonist and setting.
  • The Non-Fiction/Content Series: A sequence of blogs, emails, or modules designed to take a customer or reader from point A to point B on a specific journey.

Ask yourself: How many installments will this take? Is it a trilogy? A duology? An open-ended series? Knowing your endpoint helps you pace the reveals.


Phase 2: Map the Macro-Story (The Big Picture)

If you’re writing a connected series, you must know your destination before you take the first step. You don’t need every single sentence figured out, but you need the major milestones.

  1. Define the Ultimate Climax: What is the final question your series is trying to answer? (e.g., Will the hero defeat the dark lord? Will the two lovers finally end up together?). Write down how the series ends.
  2. Break Down the Major Beats by Book: Divide your overarching plot into major milestones.
    • Book 1: Introduce the world, the characters, and the inciting incident of the macro-plot. End with a major victory that reveals a bigger threat.
    • Book 2: The “dark middle” where things get worse for the protagonists. Stakes are raised; loyalties are tested.
    • Book 3: The convergence, the final battle, and the resolution.
  3. Plant the Seeds Early: If a character is going to betray the protagonist in Book 3, you need to lay subtle clues in Book 1. Macro-planning allows you to weave these rewarding “Easter eggs” into your early chapters.

Phase 3: Treat Characters Like Investments

In a series, your characters are your stock in trade. If they stagnate, your readers will leave. When planning a series, you need to map out character arcs, not just plot arcs.

  • The Core Wound: What internal flaw is your main character overcoming across the entire series? How does Book 1 chip away at it? How does the final book heal it?
  • Supporting Cast Evolution: Plan how your side characters will grow, change, or exit the narrative. Nothing is more frustrating than a companion character who serves no purpose other than holding a flashlight for three books.
  • The Villains: If you have an overarching antagonist, map out their evolution too. Are they always in the background, or do they step into the spotlight gradually?

Phase 4: Create a Series “Bible”

Organization is the secret weapon of prolific series authors. As your world grows, your brain will inevitably drop important details—like the name of the tavern your characters visited in Book 1, or the exact rules of your magic system (or your brand’s content framework).

Create a digital Series Bible (using Notion, Scrivener, or even a simple Google Doc) that includes:

  • Character Profiles: Physical descriptions, backstories, quirks, and arc trajectories.
  • World-Building Lore: Geography, history, rules, terminology, or product lines.
  • Timeline: A master chronology to ensure events line up properly across multiple installments.
  • Open Threads: A running list of unanswered questions or subplots you need to resolve later.

Phase 5: Pace the Information (The “Iceberg” Method)

One of the biggest mistakes creators make in a series is dumping all their best ideas into Book 1. They empty the tank, leaving nothing exciting for the sequels.

Use the Iceberg Method. Show only 10% to 20% of your world, lore, or strategy in the first installment. Hint at the 80% lurking beneath the surface. This creates immediate intrigue and gives you plenty of room to expand in subsequent books without feeling repetitive or forced.


Final Thoughts: Be Flexible, But Stay Grounded

Remember, a plan is a roadmap, not a prison sentence. As you actually sit down to write Book 1, your characters might surprise you, or a better plot twist might reveal itself. That’s okay!

The beauty of having a series plan is that it gives you the freedom to pivot. When you know where you are ultimately going, you can take creative detours along the way without getting lost.

So, before you write that thrilling opening sentence, take a step back. Grab a notebook, map out the horizon, and set yourself up for a series your readers won’t be able to put down.

…

365 Days of writing, 2026 – 254

Day 254 – Get to the point

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The Art of the Slow Burn: Why You Need to Hook Your Readers Early (Even When Taking Your Time)

We’ve all heard the golden rule of writing: Start with a bang. Grab the reader by the lapels on page one, throw them into a high-stakes action scene, or drop a mind-bending mystery that demands an immediate answer.

It’s solid advice. But what if your story isn’t built that way?

What if you are writing an atmospheric literary drama, an intricate, world-building-heavy fantasy, or a psychological thriller that relies on a slow, simmering escalation of tension? As writers, we often fall into the trap of believing that “taking our time” gives us a free pass to wander. We spend the first three chapters describing the weather, establishing generational family trees, or letting characters slowly drink their morning coffee.

Here is the hard truth every writer needs to hear: Some stories can take their time before sinking the hook in, but it’s best to give the reader a reason to keep turning the page.

Let’s explore how to master the delicate balance of the “slow burn” without putting your reader to sleep.


The Misconception of the “Slow Burn”

When readers pick up a slow-burn story, they aren’t looking for instant gratification—they are looking for immersion. They want to be enveloped in a rich environment or watch a relationship evolve over hundreds of pages.

However, slow burn does not mean stagnant.

Stagnation happens when nothing of emotional, psychological, or narrative consequence is happening. A slow burn, on the other hand, is about anticipation. It’s the feeling of walking down a dark hallway where you know something is waiting for you at the end. You aren’t running yet, but your senses are heightened.

If your story requires a gentle, unhurried opening, you cannot afford to be passive. You have to actively manufacture curiosity.


4 Ways to Hook Your Reader While Taking Your Time

If you aren’t starting with an explosion or a murder, what should you put on page one? How do you keep the reader invested while you lay your narrative foundation?

1. Weaponize the “Promise of the Premise”

Even if your plot is moving at a leisurely pace, the reader needs to know the journey is worth the mileage. Establish the stakes or the core question early, even if you don’t answer it for a long time.

  • Example: If your novel is about two people who slowly fall in love over a ten-year friendship, show a flash-forward of them at a crossroads, or establish early on that one of them is moving away forever. The reader now has a ticking clock in the back of their mind, making the slow, cozy scenes that follow infinitely more poignant.

2. Create Immediate Character Intrigue

If the plot isn’t racing forward, the characters must carry the weight. But backstory dumps won’t save you here. Instead, hook the reader with behavioral anomalies or compelling contradictions.

  • Introduce a character who is outwardly charming but makes a deeply unsettling observation.
  • Show someone reacting to a mundane situation in an entirely unexpected way.
  • Curiosity is an itch. If you give the reader a psychological puzzle to solve about a character on page two, they will keep reading just to figure out what makes that person tick.

3. Establish an Irresistible Atmosphere

If you are going to take your time getting to the plot, the world you are building better be a place the reader actually wants to inhabit. Atmosphere can be a powerful hook in its own right. Think of gothic horror or cozy mysteries. The pacing is often deliberate, but the sensory details—the chill in the air, the creak of the floorboards, the smell of rain on dust—create a mood so intoxicating that the reader forgets they haven’t reached the inciting incident yet.

4. Ask a Question the Reader Needs Answered

You don’t need a dead body to create mystery. You just need a gap in information. Drop a subtle hint about something that happened in the past, or introduce an unspoken tension between two characters. When a writer hints at a secret without immediately revealing it, they are playing a game of psychological chess with the reader. The reader keeps turning the page not because they are running from danger, but because they are chasing an answer.


The Golden Rule: Respect Your Reader’s Patience

Readers are generous. They will happily go on a long, winding journey with you—if they trust you.

Trust is built in the opening pages. It comes from tight prose, a distinct narrative voice, and the subtle, underlying sense that the author knows exactly where they are taking you, even if they are taking the scenic route.

Take your time, breathe life into your world, and let your characters develop organically. Just make sure that as you weave your slow-burn tapestry, you’re handing the reader a thread they can’t help but follow.

…

If I only had one day to stop over in – Warsaw – what would I do?

How to Make a One-Day Warsaw Stopover Unforgettable: Your Ultimate Guide

So, you’ve got a one-day stopover in Warsaw, and you’re wondering how to make the most of it. Maybe it’s a layover on your way to another European city, or perhaps it’s a quick visit squeezed into a packed itinerary. Either way, Warsaw—a city of resilience, history, and vibrant culture—is waiting to surprise you. With just 24 hours, it might seem impossible to capture the essence of Poland’s capital, but trust me: one place can make your day truly memorable.

The challenge? Warsaw is packed with incredible spots: the historic Old Town (a UNESCO World Heritage site), the hauntingly powerful Warsaw Uprising Museum, the lush Łazienki Park, and the bustling Nowy Świat street. But if you only have time for one standout experience, I’d point you straight to the Warsaw Uprising Museum.

Why the Warsaw Uprising Museum?

Yes, it’s a museum—but not just any museum. This is a visceral, immersive journey into the soul of Warsaw. In 1944, the city’s residents rose up against Nazi occupation in a brave, tragic 63-day struggle. The museum doesn’t just tell that story; it makes you feel it. From the moment you step inside, you’re surrounded by the sights, sounds, and emotions of that pivotal moment in history. It’s a tribute to courage, sacrifice, and the incredible rebirth of a city that was nearly destroyed.

What Makes It So Special for a Short Visit?

  1. Emotional Impact: You’ll leave moved and inspired. It’s a powerful reminder of why Warsaw is called the “Phoenix City”—rebuilt from ashes with unwavering spirit.
  2. Central Location: Easily accessible by public transport or taxi from the city centre or airport (Chopin Airport is just a 20-minute drive away).
  3. Efficient Experience: You can spend 2–3 hours here and come away feeling like you’ve truly connected with Warsaw’s heart. It’s time well spent, offering more depth than a quick stroll through tourist spots.

Making Your Stopover Memorable: A Quick Plan

  • Morning: Head straight to the Warsaw Uprising Museum (book tickets online to skip lines). Allow yourself to absorb the exhibits—don’t rush.
  • Afternoon: Grab a traditional Polish lunch at a nearby milk bar (like “Bar Bambino”) for pierogi or żurek soup. Then, take a short walk to the reconstructed Old Town to see the Royal Castle and Market Square—it’s a beautiful contrast to the museum’s history, showcasing Warsaw’s renewal.
  • Evening: If time allows, enjoy a coffee or craft beer in the trendy Powiśle district before heading back to the airport.

But What If Museums Aren’t Your Thing?

If you’re craving something lighter, Warsaw’s Old Town is a fantastic alternative. Stroll through its colourful streets, admire the meticulous post-war reconstruction, and climb the bell tower of St. Anne’s Church for panoramic views. It’s a testament to beauty rising from destruction.

Final Tips for Your One-Day Adventure

  • Transport: Use Warsaw’s efficient public transport or Bolt/Uber for convenience.
  • Currency: Have some Polish złoty for small purchases, though cards are widely accepted.
  • Mind the Time: Keep an eye on your flight schedule—allow ample time to return to the airport.

A one-day stopover in Warsaw doesn’t have to be a blur. By choosing one meaningful place—like the Warsaw Uprising Museum—you’ll take home more than just photos; you’ll carry a piece of Warsaw’s indomitable spirit. Whether you’re a history buff, a curious traveller, or someone seeking authentic experiences, this city will leave a lasting impression.

So, go ahead—turn that layover into a memorable chapter of your journey. Warsaw is ready to welcome you.

First Dig Two Graves

A sequel to “The Devil You Don’t”

…

Revenge is a dish best served cold – or preferably so when everything goes right

Of course, it rarely does, as Alistair, Zoe’s handler, discovers to his peril. Enter a wildcard, John, and whatever Alistair’s plan for dealing with Zoe was dies with him.

It leaves Zoe in completely unfamiliar territory.

…

John’s idyllic romance with a woman who is utterly out of his comfort zone is on borrowed time. She is still trying to reconcile her ambivalence after being so indifferent for so long.

They agree to take a break, during which she disappears. John, thinking she has left without saying goodbye, refuses to accept the inevitable and calls on an old friend for help in finding her.

After the mayhem and being briefly reunited, she recognises an inevitable truth: there is a price to pay for taking out Alistair; she must leave and find them first, and he would be wise to keep a low profile.

But keeping a low profile just isn’t possible, and enlisting another friend, a private detective and his sister, a deft computer hacker, they track her to the border between Austria and Hungary.

What John doesn’t realise is that another enemy is tracking him to find her too. It could have been a grand tour of Europe. Instead, it becomes a race against time before enemies old and new converge for what will be an inevitable showdown.

If I only had one day to stop over in – Lisbon – what would I do?

One Day in Lisbon: The One Place You Must Visit

So, you’ve got a layover in Lisbon—just one day to dip your toes into the magic of Portugal’s sun-drenched capital. Maybe you’re en route to somewhere else, or perhaps it’s a quick escape squeezed between commitments. Whatever the reason, you’re here now, with 24 hours to uncover a piece of Lisbon’s soul. The city is bursting with charm—colourful tiled buildings, steep hills, and the scent of pastéis de nata around every corner. But with limited time, where do you go to make that single day truly unforgettable?

Lisbon offers countless gems, from the historic Belém Tower to the lively streets of Alfama. Yet, if I had to choose one place that captures the essence of Lisbon—its beauty, its spirit, and its heartbeat—it would be Miradouro da Senhora do Monte.

Why This Spot?

Perched on one of Lisbon’s highest hills in the Graça neighbourhood, Miradouro da Senhora do Monte is more than just a viewpoint—it’s an experience. While other miradouros (viewpoints) like Portas do Sol or São Pedro de Alcântara are popular, this one feels like a local secret. It offers a breathtaking, panoramic vista of the entire city: the red rooftops cascading toward the Tagus River, the majestic São Jorge Castle, and the iconic 25 de Abril Bridge stretching into the distance. It’s peaceful, often less crowded, and provides a moment of quiet awe amidst a bustling city.

Making Your Day Memorable

Start your morning here. Grab a coffee and a fresh pastel de nata from a nearby bakery, find a spot on the wall, and watch Lisbon wake up. The soft morning light paints the city in golden hues, and you’ll hear the distant sounds of trams clattering and church bells ringing. It’s the perfect introduction to Lisbon’s laid-back yet vibrant vibe.

From there, wander through Graça’s cobbled streets, explore the historic Alfama district (just a short walk downhill), and maybe catch a live Fado performance later in the day. But it’s that serene moment at Miradouro da Senhora do Monte that will stick with you—the feeling of being on top of the world, with all of Lisbon spread out at your feet.

A Tip for the Journey

Wear comfortable shoes—Lisbon’s hills are no joke! And don’t rush. The beauty of a one-day stopover is in savouring small moments. Whether you’re travelling solo, with a partner, or with friends, this viewpoint offers a slice of Lisbon’s magic that’s both intimate and grand.

So, if you have just one day in Lisbon, make your way to Miradouro da Senhora do Monte. Let the view steal your breath, and let Lisbon steal your heart. Até logo, and safe travels

365 Days of writing, 2026 – 254

Day 254 – Get to the point

…

The Art of the Slow Burn: Why You Need to Hook Your Readers Early (Even When Taking Your Time)

We’ve all heard the golden rule of writing: Start with a bang. Grab the reader by the lapels on page one, throw them into a high-stakes action scene, or drop a mind-bending mystery that demands an immediate answer.

It’s solid advice. But what if your story isn’t built that way?

What if you are writing an atmospheric literary drama, an intricate, world-building-heavy fantasy, or a psychological thriller that relies on a slow, simmering escalation of tension? As writers, we often fall into the trap of believing that “taking our time” gives us a free pass to wander. We spend the first three chapters describing the weather, establishing generational family trees, or letting characters slowly drink their morning coffee.

Here is the hard truth every writer needs to hear: Some stories can take their time before sinking the hook in, but it’s best to give the reader a reason to keep turning the page.

Let’s explore how to master the delicate balance of the “slow burn” without putting your reader to sleep.


The Misconception of the “Slow Burn”

When readers pick up a slow-burn story, they aren’t looking for instant gratification—they are looking for immersion. They want to be enveloped in a rich environment or watch a relationship evolve over hundreds of pages.

However, slow burn does not mean stagnant.

Stagnation happens when nothing of emotional, psychological, or narrative consequence is happening. A slow burn, on the other hand, is about anticipation. It’s the feeling of walking down a dark hallway where you know something is waiting for you at the end. You aren’t running yet, but your senses are heightened.

If your story requires a gentle, unhurried opening, you cannot afford to be passive. You have to actively manufacture curiosity.


4 Ways to Hook Your Reader While Taking Your Time

If you aren’t starting with an explosion or a murder, what should you put on page one? How do you keep the reader invested while you lay your narrative foundation?

1. Weaponize the “Promise of the Premise”

Even if your plot is moving at a leisurely pace, the reader needs to know the journey is worth the mileage. Establish the stakes or the core question early, even if you don’t answer it for a long time.

  • Example: If your novel is about two people who slowly fall in love over a ten-year friendship, show a flash-forward of them at a crossroads, or establish early on that one of them is moving away forever. The reader now has a ticking clock in the back of their mind, making the slow, cozy scenes that follow infinitely more poignant.

2. Create Immediate Character Intrigue

If the plot isn’t racing forward, the characters must carry the weight. But backstory dumps won’t save you here. Instead, hook the reader with behavioral anomalies or compelling contradictions.

  • Introduce a character who is outwardly charming but makes a deeply unsettling observation.
  • Show someone reacting to a mundane situation in an entirely unexpected way.
  • Curiosity is an itch. If you give the reader a psychological puzzle to solve about a character on page two, they will keep reading just to figure out what makes that person tick.

3. Establish an Irresistible Atmosphere

If you are going to take your time getting to the plot, the world you are building better be a place the reader actually wants to inhabit. Atmosphere can be a powerful hook in its own right. Think of gothic horror or cozy mysteries. The pacing is often deliberate, but the sensory details—the chill in the air, the creak of the floorboards, the smell of rain on dust—create a mood so intoxicating that the reader forgets they haven’t reached the inciting incident yet.

4. Ask a Question the Reader Needs Answered

You don’t need a dead body to create mystery. You just need a gap in information. Drop a subtle hint about something that happened in the past, or introduce an unspoken tension between two characters. When a writer hints at a secret without immediately revealing it, they are playing a game of psychological chess with the reader. The reader keeps turning the page not because they are running from danger, but because they are chasing an answer.


The Golden Rule: Respect Your Reader’s Patience

Readers are generous. They will happily go on a long, winding journey with you—if they trust you.

Trust is built in the opening pages. It comes from tight prose, a distinct narrative voice, and the subtle, underlying sense that the author knows exactly where they are taking you, even if they are taking the scenic route.

Take your time, breathe life into your world, and let your characters develop organically. Just make sure that as you weave your slow-burn tapestry, you’re handing the reader a thread they can’t help but follow.

…

Another excerpt from ‘Betrayal’; a work in progress

…

My next destination in the quest was the hotel we believed Anne Merriweather had stayed at.

I was, in a sense, flying blind because we had no concrete evidence she had been there, and the message she had left behind didn’t quite name the hotel or where Vladimir was going to take her.

Mindful of the fact that someone might have been following me, I checked to see if the person I’d assumed had followed me to Elizabeth’s apartment was still in place, but I couldn’t see him. Next, I made a mental note of seven different candidates and committed them to memory.

Then I set off to the hotel, hailing a taxi. There was the possibility that the cab driver was one of them, but perhaps I was slightly more paranoid than I should be. I’d been watching the queue, and there were two others before me.

The journey took about an hour, during which time I kept an eye out the back to see if anyone had been following us. If anyone was, I couldn’t see them.

I had the cab drop me off a block from the hotel and then spent the next hour doing a complete circuit of the block the hotel was on, checking the front and rear entrances, the cameras in place, and the siting of the driveway into the underground carpark. There was a camera over the entrance, and one we hadn’t checked for footage. I sent a text message to Fritz to look into it.

The hotel lobby was large and busy, which was exactly what you’d want if you wanted to come and go without standing out. It would be different later at night, but I could see her arriving about mid-afternoon, and anonymous among the clientele the hotel attracted.

I spent an hour sitting in various positions in the lobby simply observing. I had already ascertained where the elevator lobby for the rooms was, and the elevator down to the car park. Fortunately, it was not ‘guarded’, but there was a steady stream of concierge staff coming and going to the lower levels, and, just from time to time, guests.

Then, when there was a commotion at the front door, what seemed to be a collision of guests and free-wheeling bags, I saw one of the seven potential taggers sitting by the front door. Waiting for me to leave? Or were they wondering why I was spending so much time there?

Taking advantage of that confusion, I picked my moment to head for the elevators that went down to the car park, pressed the down button, and waited.

There was no car on the ground level, so I had to wait, watching, like several others, the guests untangling themselves at the entrance, and keeping an eye on my potential surveillance, still absorbed in the confusion.

The doors to the left car opened, and a concierge stepped out, gave me a quick look, then headed back to his desk. I stepped into the car, pressed the first level down, the level I expected cars to arrive on, and waited what seemed like a long time for the doors to close.

As they did, I was expecting to see a hand poke through the gap, a latecomer. Nothing happened, and I put it down to a television moment.

There were three basement levels, and for a moment, I let my imagination run wild and considered the possibility that there were more levels. Of course, there was no indication on the control panel that there were any other floors, and I’d yet to see anything like it in reality.

With a shake of my head to return to reality, the car arrived, the doors opened, and I stepped out.

A car pulled up, and the driver stepped out, went around to the rear of his car, and pulled out a case. I half expected him to throw me the keys, but the instant glance he gave me told him he was not the concierge, and instead he brushed past me like I wasn’t there.

He bashed the up button several times impatiently and cursed when the doors didn’t open immediately. Not a happy man.

Another car drove past on its way down to a lower level.

I looked up and saw the CCTV camera, pointing towards the entrance, visible in the distance. A gate that lifted up was just about back in position, then clunked when it finally closed. The footage from the camera would not prove much, even if it had been working, because it didn’t cover the lift lobby, only what was in the direction of the car entrance.

The doors to the other elevator car opened, and a man in a suit stepped out.

“Can I help you, sir? You seem lost.”

Security, or something else. “It seems that way. I went to the elevator lobby, got in, and it went down rather than up. I must have been in the wrong place.”

“Lost it is, then, sir.” I could hear the contempt for Americans in his tone. “If you will accompany me, please.”

He put out a hand ready to guide me back into the elevator. I was only too happy to oblige him. There had been a sign near the button panel that said the basement levels were only to be accessed by the guests.

Once inside, he turned a key and pressed the lobby button. The doors closed, and we went up. He stood, facing the door, not speaking. A few seconds later, he was ushering me out to the lobby.

“Now, sir, if you are a guest…”

“Actually, I’m looking for one. She called me and said she would be staying in this hotel and to come down and visit her. I was trying to get to the sixth floor.”

“Good. Let’s go over to the desk and see what we can do for you.”

I followed him over to the reception desk, where he signalled one of the clerks, a young woman who looked and acted very efficiently, and told her of my request, but then remained to oversee the proceeding.

“Name of guest, sir?”

“Merriweather, Anne. I’m her brother, Alexander.” I reached into my coat pocket and pulled out my passport to prove that I was who I said I was. She glanced cursorily at it.

She typed the name into the computer, and then we waited a few seconds while it considered what to output. Then, she said, “That lady is not in the hotel, sir.”

Time to put on my best-confused look. “But she said she would be staying here for the week. I made a special trip to come here to see her.”

Another puzzled look from the clerk, then, “When did she call you?”

An interesting question to ask, and it set off a warning bell in my head. I couldn’t say today, it would have to be the day she was supposedly taken.

“Last Saturday, about four in the afternoon.”

Another look at the screen, then, “It appears she checked out Sunday morning. I’m afraid you have made a trip in vain.”

Indeed, I had. “Was she staying with anyone?”

I just managed to see the warning pass from the suited man to the clerk. I thought he had shown an interest when I mentioned the name, and now I had confirmation. He knew something about her disappearance. The trouble was, he wasn’t going to volunteer any information because he was more than just hotel security.

“No.”

“Odd,” I muttered. “I thought she told me she was staying with a man named Vladimir something or other. I’m not too good at pronouncing those Russian names. Are you sure?”

She didn’t look back at the screen. “Yes.”

“OK, now one thing I do know about staying in hotels is that you are required to ask guests with foreign passports their next destination, just in case they need to be found. Did she say where she was going next?” It was a long shot, but I thought I’d ask.

“Moscow. As I understand it, she lives in Moscow. That was the only address she gave us.”

I smiled. “Thank you. I know where that is. I probably should have gone there first.”

She didn’t answer; she didn’t have to, her expression did that perfectly.

The suited man spoke again, looking at the clerk. “Thank you.” He swivelled back to me. “I’m sorry we can’t help you.”

“No. You have more than you can know.”

“What was your name again, sir, just in case you still cannot find her?”

“Alexander Merriweather. Her brother. And if she is still missing, I will be posting a very large reward. At the moment, you can best contact me via the American Embassy.”

Money is always a great motivator, and that thoughtful expression on his face suggested he gave a moment’s thought to it.

I left him with that offer and left. If anything, the people who were holding her would know she had a brother, that her brother was looking for her, and equally that brother had money.

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© Charles Heath – 2018-2025

365 Days of writing, 2026 – 253

Day 253 – Writing is hard work

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Why Writing is the Hardest (and Noblest) Work in the World

“Writing is the hardest work in the world… writing is harder, lonelier and nobler and more exciting!”  – Harlan Ellison

Few quotes capture the paradoxical nature of the writing life as well as this one. To the outside observer, writing looks deceptively simple. It is just a person sitting at a desk, tapping at a keyboard or moving a pen across paper. No heavy lifting, no hazardous machinery, no immediate physical exhaustion.

Yet, any writer—from the novelist crafting a sweeping epic to the copywriter drafting a landing page—knows the truth: Writing is agonising. It is a profound psychological wrestling match, a solitary confinement of the mind, and simultaneously, one of the most thrilling endeavors a human being can undertake.

Why is writing the hardest work in the world? And more importantly, why do we keep doing it? Let’s break down the beautiful, brutal reality of the craft.


1. Harder: The Agony of the Blank Page

Why is writing harder than physical labour? Because physical labor has a beginning, a middle, and an end. You dig a ditch, and when the sun goes down, the ditch is there. You feel a satisfying ache of completion.

Writing offers no such guarantees. You can stare at a blank white screen for four hours, type three sentences, delete all of them, and end the day with less than nothing. You are pulling something entirely out of the ether—translating abstract thoughts, emotions, and half-formed concepts into a linear sequence of universally understood symbols (words).

It is an act of creation from absolute void. As the late writer Gene Fowler famously put it: “Writing is easy. You just stare at a blank sheet of paper until drops of blood form on your forehead.”

2. Lonelier: The Solitary Confinement of the Mind

Most jobs involve collaboration, socialisation, and external feedback. Even remote work usually includes Zoom calls, Slack messages, and team updates.

Writing, however, is intensely, ruthlessly solitary. You cannot write a book, an essay, or even a deeply resonant blog post by committee. Ideas are forged in silence. The heavy lifting of editing, pacing, and structuring takes place in the quiet echo chamber of your own skull.

Worse still is the isolation of doubt. When you are stuck in the middle of a messy first draft, you cannot turn to a coworker and ask, “Does this make sense?” You are the creator, the critic, the taskmaster, and the audience, all rolled into one. That profound isolation is why so many writers lean into eccentric habits or struggle with imposter syndrome—you spend hours inside your own head, and eventually, the walls start closing in.

3. Nobbler: The Pursuit of Truth and Connection

If writing is so difficult and lonely, why don’t we all just quit? Because of the noble element.

Writing matters because it is an act of extreme empathy. When you write, you are attempting to bridge the gap between two isolated human consciousnesses. You take your specific, subjective experiences of joy, grief, confusion, and wonder, and you distil them into ink and pixels so that a stranger, sitting hundreds of miles away and years in the future, can read them and say: “I thought I was the only one who felt that way.”

Writing immortalizes ideas. It challenges injustice, preserves history, heals trauma, and sparks revolutions. To put words on a page with the intent to move, educate, or inspire another human being is a sacred trust. It elevates the mundane to the meaningful.

4. More Exciting: The Rush of Discovery

And finally, there is the excitement—the addictive, elusive high that keeps every writer coming back to the desk, morning after morning.

Writing is an adventure of discovery. Great writers often say that they don’t write to know what they think; they write in order to find out what they think.

There are moments—rare, magical moments—when the friction stops. The cursor flies across the screen, the right metaphors seem to assemble themselves, and you surprise even yourself. You unlock a door in your subconscious that you didn’t know was locked. You realise, mid-sentence, the true point of the piece you’ve been struggling with for a week.

That rush of sudden clarity, that lightning-strike moment of creative flow, is unlike anything else in the world. It is the carrot at the end of the psychological stick that makes all the agony worthwhile.


The Verdict: Embrace the Struggle

If you are a writer experiencing the crushing weight of a difficult draft, take heart. The struggle is not a sign that you are failing; the struggle is the job.

Writing is the hardest work in the world. It is supposed to stretch you, break you down, and rebuild you. But in doing so, it offers a rare kind of nobility and an unmatched thrill.

So, sit back down at the desk. Stare at the blank page. Let the drops of blood form on your forehead—because on the other side of that blank space lies a connection waiting to be made.


Are you currently battling a blank page, or are you chasing the high of a breakthrough? Let’s talk about the writing struggle in the comments below!

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If I only had one day to stop over in – Lisbon – what would I do?

One Day in Lisbon: The One Place You Must Visit

So, you’ve got a layover in Lisbon—just one day to dip your toes into the magic of Portugal’s sun-drenched capital. Maybe you’re en route to somewhere else, or perhaps it’s a quick escape squeezed between commitments. Whatever the reason, you’re here now, with 24 hours to uncover a piece of Lisbon’s soul. The city is bursting with charm—colourful tiled buildings, steep hills, and the scent of pastéis de nata around every corner. But with limited time, where do you go to make that single day truly unforgettable?

Lisbon offers countless gems, from the historic Belém Tower to the lively streets of Alfama. Yet, if I had to choose one place that captures the essence of Lisbon—its beauty, its spirit, and its heartbeat—it would be Miradouro da Senhora do Monte.

Why This Spot?

Perched on one of Lisbon’s highest hills in the Graça neighbourhood, Miradouro da Senhora do Monte is more than just a viewpoint—it’s an experience. While other miradouros (viewpoints) like Portas do Sol or São Pedro de Alcântara are popular, this one feels like a local secret. It offers a breathtaking, panoramic vista of the entire city: the red rooftops cascading toward the Tagus River, the majestic São Jorge Castle, and the iconic 25 de Abril Bridge stretching into the distance. It’s peaceful, often less crowded, and provides a moment of quiet awe amidst a bustling city.

Making Your Day Memorable

Start your morning here. Grab a coffee and a fresh pastel de nata from a nearby bakery, find a spot on the wall, and watch Lisbon wake up. The soft morning light paints the city in golden hues, and you’ll hear the distant sounds of trams clattering and church bells ringing. It’s the perfect introduction to Lisbon’s laid-back yet vibrant vibe.

From there, wander through Graça’s cobbled streets, explore the historic Alfama district (just a short walk downhill), and maybe catch a live Fado performance later in the day. But it’s that serene moment at Miradouro da Senhora do Monte that will stick with you—the feeling of being on top of the world, with all of Lisbon spread out at your feet.

A Tip for the Journey

Wear comfortable shoes—Lisbon’s hills are no joke! And don’t rush. The beauty of a one-day stopover is in savouring small moments. Whether you’re travelling solo, with a partner, or with friends, this viewpoint offers a slice of Lisbon’s magic that’s both intimate and grand.

So, if you have just one day in Lisbon, make your way to Miradouro da Senhora do Monte. Let the view steal your breath, and let Lisbon steal your heart. Até logo, and safe travels