First Dig Two Graves

A sequel to “The Devil You Don’t”

…

Revenge is a dish best served cold – or preferably so when everything goes right

Of course, it rarely does, as Alistair, Zoe’s handler, discovers to his peril. Enter a wildcard, John, and whatever Alistair’s plan for dealing with Zoe was dies with him.

It leaves Zoe in completely unfamiliar territory.

…

John’s idyllic romance with a woman who is utterly out of his comfort zone is on borrowed time. She is still trying to reconcile her ambivalence after being so indifferent for so long.

They agree to take a break, during which she disappears. John, thinking she has left without saying goodbye, refuses to accept the inevitable and calls on an old friend for help in finding her.

After the mayhem and being briefly reunited, she recognises an inevitable truth: there is a price to pay for taking out Alistair; she must leave and find them first, and he would be wise to keep a low profile.

But keeping a low profile just isn’t possible, and enlisting another friend, a private detective and his sister, a deft computer hacker, they track her to the border between Austria and Hungary.

What John doesn’t realise is that another enemy is tracking him to find her too. It could have been a grand tour of Europe. Instead, it becomes a race against time before enemies old and new converge for what will be an inevitable showdown.

365 Days of Writing, 2026 – 279

Day 279 – Writing Exercise

…

We’ve all been there.

When you’re sitting around the table with ops and the briefing teams, you trust that they have researched the subject and checked the details, so when you go in, nothing is left to chance.

Trust.

Except in my experience, you sit there listening to the plan and hearing the confidence they have and the level of detail, and you think, what could go wrong.

For the first few missions, I trusted nothing would go wrong, and it didn’t.  Not majorly anyway.

Then one did, but we were trained to deal with setbacks and disasters mostly from last-minute changes or a single missed detail.

Too many missions, too long in the field, too on edge, approaching burnout

Then the trust turns to hope.

But it’s not until there’s a problem you can’t solve – not immediately – and you get into a situation where the training is there, but it goes only so far.

For me, it was capture.

Berlin, three months ago, in the wrong place at the wrong time, there’s only so much you can do or say before the heavyweights come in.

A foreign agent in a place where he should not be, captured and unable to firmly convince the interrogators they’ve made a mistake, ends up in a dark, damp cell, at the end of a week’s conditioning.   Weeks of sensory deprivation and psychological torture.

Before the real interrogation starts.

My breaking point in training was thirty-six days.  We were at sixty.  My mind was swivelling from the overwhelming desire to give in, then to looking for a means of escape.

On the sixty-first day, I was being dragged from the cell to the interrogation room.  The guard team leader had used me as a punching bag before ordering his men to scrape me off the floor.

It was one hundred and thirty-three steps to the interrogation room.  We made one hundred and seven before a figure in black shot the three; then, as the interrogators came out to see what was happening, they were shot too.

Then a whispered in my ear, “Can you run?”

“Try to stop me.”  I didn’t think I could, but that’s what the person in black wanted to hear.

We ran.  Six more guards died.  I made it to a paddock where a helicopter was waiting.  I was literally thrown on board and took off whilst the person in black and the crew member were still climbing aboard.

That was all I could remember.

…

I woke up in the Department C training centre hospital, my handler, Dr Hawkins, sitting across the room doing what I thought was the Times cryptic crossword.

He had sent me into hell, and at least once during each of those sixty-one days in captivity I had devised a new way to mete out a long, slow, excruciating death to him and anyone else who created that fiasco.

The thing was, i knew sooner or later a mission would go south.  We all knew that our number could be up at any time.  After all, we were doing stuff that was technically illegal, and often impossible.

We would do the same to them, that they did to us.  It still didn’t make me feel any better.

He peered over the paper, then put it down.  “Ah, Vance, you’re awake.  Good.”

Like nothing had happened.  To him we were machines: come back damaged, we got sent to the repair shop, sent out for a test run and then back into service.

You didn’t quit and you didn’t retire.  I hadn’t yet discovered what happened to you if you could no longer work.

Right then, looking at his cold, expressionless face, I didn’t want to.

…

Debriefing, deprogramming, call it what you like, was as bad as what came before it.

I may have seemed normal the moment I woke up, but I’d been in captivity for sixty days, and he wanted to know what they had done.

I tried to help.  Unfortunately, all it did was make me cynical, hyper-vigilant, and desperate to prove that I wasn’t broken.

Three weeks, four, Hawkins drew a line under the mess he created and gave me a return-to-light-duty lies ticket.

I could go back to work, but nothing too complicated.  Those were the dream jobs: cushy surveillance, observe and record.

It didn’t require briefing teams, just ops one-on-one with a purple folder.

The brief:  stationed in a quiet, rain-swept Scottish seaside village.  The assignment was, if anything, laughably simple: to observe a low-level embassy clerk suspected of leaking minor logistical data decades ago.

It was purely meant to decompress me, and ease my way back in.  I read the file, threw what I would need in my backpack, along with a few dog-eared paperback spy novels and headed to Port Crudon, the village by the sea, to join the winter tourists.

Instead of a hotel room, I had a small cottage.  The day I arrived, the air had the mixed aromas of sea salt, damp wool and peat smoke.

Parked outside and sitting in the battered Volvo, the sort of car an absent-minded professor would own, I looked out through the rhythmic slap of the windshield wipers at my new home.

My grip on the steering wheel was so tight my knuckles were white, and I was consciously flouncing my breaths, in four, hold four, out four, a CBT technique Hawkins had given me to combat sensory flashbacks.

That wasn’t the worst of it; I had acquired a hyper-awareness of everything around me: the number of fishing boats in the small harbour, seven, the precise angle of the rear-view mirror, the ticking of the analogue watch.  The silence that surrounded me felt heavier than the noise.

I hadn’t told him the true nature of what I was experiencing, or I’d still be back in the hospice.

It took five minutes to get out of the car.  Gull’s Rest was an apt name.  There was a dozen on the roof, watching him.  A small, whitewashed cottage with a slate roof, it overlooked the rocky shoreline.

Home away from home.  That’s how it was described to him.

He assumed the neighbour to the left was out, and the one on the right had a light on.  And was that a gentle brush of the curtain?

Before going in, I did a sweep of the perimeter, something that was instilled in us and automatically done without thinking.

Escape routes up and down the road, the houses nearby and who, if anyone, was in them, and how far to the village itself, and most importantly, a cafe where he could have breakfast, and a restaurant for dinner, a shop for supplies.

And the pub for a drink.

He grabbed his duffel bag, and after another intense stare up and down the road, he pushed open the squeaky gate, noting the picket fence was leaning in places and in need of repairs, and passed through.

The front door was solid and recently repaired.  The key was under the flowerpot, as advised, and the door opened silently.  It belied an external facade that looked neglected.

He shook his head.  There are no conspiracies.

Just the same, the scan of the cottage was instinctive and compulsive, checking the floorboards for weight traps, examining the door and window locks, possible entrances and exits, and sight measured the drop from the bedroom window to the ground.

I stopped when I realised I was checking behind a painting that hadn’t been moved for years, looking for a hidden microphone.  I forced a small laugh and said quietly to myself, “Relax, you’re just a tourist now.”

But was I?  I sat down and looked around.  Could I ever be just a tourist?  I swallowed and could still taste the copper and adrenaline left over from those sixty days of captivity.

A sharp, erratic knock at the door broke the silence and my thoughts with a jolt.  On my feet in a second, reaching for my gun and realising I didn’t have it, a momentary sense of utter shock was replaced with adopting a defensive stance.

A deep breath, exhale, then I opened the door.

It was an elderly woman huddled under a faded wool tartan shawl, holding a steaming ceramic bowl.  She shivered slightly, emphasising the cold air that rushed past her and inside when he opened the door.

“My name is Gable, Molly to friends.  I feel we will be,” she said in thick, warbling Scottish dialect.  “It’s cold, late, and you will be hungry.  I brought some hot cock-a-leekie soup to ward off the coastal chill.”

She ended it with a lopsided smile.

Habit taught you things you never stop doing, and as she spoke, I discovered a threat assessment.  He lopsided stance meant she’d been in an accident and possibly limped; she had thick cataract glasses that made her eyes impossibly large, and her hands had a slight tremor after she handed him the pot.

A harmless, eccentric local.

He smiled as he took the soup and thanked her.

“Come for the sea air?”

“Rest.”  He almost added recreation, making him sound like a soldier, or worse, a spy on sabbatical.

Gentle interrogation.

“We all need that every now and then.  You’ve come to the right place.  Perhaps we’ll run into each other.  Its a small village.  She smiled and left, definitely displaying a limp, slight but there.

He put the bowl on the table, quickly checking for foreign objects out of pure habit, and then had a small taste.  It tasted delicious, and best of all, hot.

It was a shame he didn’t have any bread to go with it.

…

The next morning, after a fitful night and a battle to light the fire in the bedroom, I got to work.  Dressing casually and looking touristy.

My cover story was that I’d been a manager in a large factory on stress leave after a breakdown.  It was almost true, the breakdown part anyway.

I walked to the village’s only pub, The Rope and Anchor, aptly named, as the inside was a collection of anchors and rope knots, and pictures of sailing ships adorning the walls.  Despite the hour, I ordered a pint.  I was not the only one and received a few dismissive looks.  I doubt I was the first southern stranger to wander in.

Mt Target, old Arthur Pindleton was already there, propping up the bar, hunched over his pint, and didn’t bother looking up when I stood beside him to order mine.

He looked like the frail, retired embassy clerk, a man who looked like he couldn’t copy a grocery list let alone state secrets.

Of course, I could be wrong, and appearances were deceptive.  And my mission was to watch him.

I went over to a corner by the windows that looked out over the street where I could see everyone coming, going, and padding by.

He sees a man with a plot and a bucket of tools walk over to the shop opposite.  A window cleaner.  He potters, then goes inside to fill the bucket, and a chat with the owner

Business is slow.

When he returns, he sees the man glance towards the pub, and I instinctively shrink back.  Moments later I could hear the squeak, squeak followed by the tap-tap of the squeegee.

I could feel a flash of fear running through me.  My mind instantly went back to the damp concrete floor in Verlin, the blinding overhead light, and the precise Morse code tapping on the pipes outside his cell, U-R-M-G.  Compromised

For a moment I couldn’t breathe, and panic was setting in.  My vision blurred.  Jesus.

I gripped the edge of the wooden table, glanced at the old frail clerk and then back at the harmless windows cleaner.  I shook my head and relaxed, quietly laughed to myself, just loud enough for the bartender to glance at me in concern.

I smiled in his direction, and he went back to polishing glasses.

I whispered to myself, “It’s just a squeegee, Alec.  You’re not losing your mind yet.”

Just the same, it was once said during training that sometimes it was the little things that could bring you down.

I looked at the barely touched pint, shrugged and took a dip.  It had to be residual effects from the last mission, and it was up to him to bury the past and believe not everything was part of a conspiracy.

…

That would have been the case if…

His mind had been finely tuned to trust no one or anything.  There were no such things as coincidences, and over the years he had proved that time and time again.

And if it just been the window cleaner, he would have eventually dismissed it.

Unfortunately, it was not.

On his third pint, noting that Prindleton only stirred to take a drink and spoke only when he needed a refill.  He spoke to no one else, and they didn’t speak to him.

An oddity in itself, unless being English made them all ostracise him.  For that matter, they didn’t approach me either, simply because I was new, and new in a place like this usually attracts attention.

That it didn’t, ran another red flag up the pole.

I looked out the window and saw a Royal Mail delivery van.  I looked at my watch, an old surveillance habit, and it was 11:14.  Then, as it approached the intersection to turn, the driver stepped on the brake three times.

Something in my mind clicked.  The three flashes were the Stasi-era emergency abort signal, the one he had recently used in Berlin.  And if that didn’t set his mind down a dark path, the 1114 was the exact registry number of the ambulance used by his captors to abduct him.

He laughed inwardly.  As if the postman was an ex-KGB operative.

I had to stop looking for ‘clues’.

It had to be that exact moment that the pub’s background music started up, filling the eerie silence with an odd assortment of atmospheric jazz, pleasant, drone-like, and utterly forgettable to the average patron.

An employee’s playlist, except…

His heart missed a beat.

The track that was playing right now included a subtle, low-frequency hum, the exact white noise frequency used in the sensory deprivation tank where I spent two gruelling weeks.  It was meant to trigger a mild panic attack.

What the hell is going on?

I went over to the bar and ordered another pint, desperately trying to not show how badly my hands were shaking.

I stayed until Prindleton went to the fish and chip shop and then went home.  I went to the bakery and bought a loaf of sourdough to have with what was left of the soup.  It was delicious.

When I got home and went to cut some slices, the flour dusted on the crust had been scored with a specific crosshatch pattern.

I shook my head, closed my eyes, then hoped I wasn’t seeing what I thought it was seeing: the story was a replica of the grid coordinates of the Berlin Safehouse where I was tortured.

I mean, seriously.  It was just bread.

He shoved it in the toaster.

…

Just as the sun set, I called it a day.  I wasn’t going to watch Prindleton 24 hours a day.  A man could not drink that much and then go out all night doing spy stuff.

If he was a spy, those days were over.

I just managed to get the fire on in the lounge room and think about what I was going to do for dinner.  Go out, perhaps the fish and chips shop.

That thought was arrested by a knock on the door.  When I opened it, it was the Gable woman, different oversized jumper, same glasses, same lopsided stance, and a grin, perhaps knowing she was irritating me.

“Mrs Gable.”  I thought I’d better address her properly.

She had another porcelain container.  “Lamb stew.  Went crazy making food.  There is enough for you, so I brought it over.”

“I can cook.”

She rolled her eyes, or her best attempt at it.  “Most, no, all of the men I know can’t, or do not want to.  I’m happy to cook for two again.”

“You’re not married?”

“Not anymore; the lying, cheating bastard took off with my younger sister.  She can have him.  It’s a lot quieter without him.”

I took the bowl.  “Thank you.  It’s greatly appreciated.”

She smiled.  “Storms are coming.  Keep an eye on the weather when you’re out.  It can get nasty very quickly.”

“I will.  Thanks again.”

“You’re welcome.”

…

After making more toast and dismissing the crosshatch grid as my imagination going wild, I turned in and started my surveillance early.

Something was not right about Prindleton.  Years of observing and reading body language told me Prindleton was not quite what was portrayed to be.

The fire kept the room warm, and as comfortable as the bed was, I didn’t sleep.  My mind was not going to let go of the coincidences.  One or two, maybe, but four.  That was stretching it.

Still half asleep, I heard the radio cut out, having left it on to use the classical music as an aid to sleep, followed by three short clicks, the old Soviet dead drop confirmation signal.  Faulty wiring?

I was up before the sun came up and left just as dawn was breaking.  No movement from one neighbour, but Mrs Gates, she was up, and I could swear her eyes were boring holes in my back.

Could she have been a spy back in her younger days?  There was something about her I couldn’t quite put my finger on.

The lights were on in his cottage, and there was movement behind the curtains.  A half hour in that early morning freeze had me so that I nearly missed him leaving, and that stride to the front gate was not that of a retired Embassy clerk.

He left the cottage at precisely 08:37 am, and if I thought about it, it was the same as my cell number when in captivity, but perhaps it was just a cruel mathematical coincidence.

Mental notes to store away.

I followed a fair distance from him so it would not look like I was following him.  I followed him to the cafe.  He ordered a coffee and a croissant and sat near the door.

After a few minutes, I followed him in and ordered a coffee but not a croissant.  I sat a few tables away.

I did my usual scan and noticed the man sitting at the corner table.  Nothing unusual about him, other than the usual office types: young, eager, new suit.

Keen to make his mark.

Except…

After he turned the pages, I could see a distinct hand-drawn symbol in the margins, the same duress cypher my captors used in Berlin to signal an impending execution.

I felt my heart go into overdrive.  I told myself it was my fractured mind connecting dots that weren’t there, that it was a textbook post-traumatic flashback.

The coffee had gone cold, but Prindleton was on the move.

Next stop the grocery store when something else caught his eye, the knots used to tie up the grocery crates were the same one his captors used to tie his wrists months ago.

If I wrote everything my mind was telling me was an omen, or that I was suddenly living in the middle of a living nightmare, Dr Harrison would have me thrown out in a heartbeat.

I could not tell anyone he was seeing ghosts, but there had to be a reason why I was seeing this stuff.  It had to be my mind playing tricks.

This went on for a week, in various locations, but each signifying an event that all led back to that period in captivity. It was almost a form of mental torture in itself.

By that time I was almost at the end of my tether and finally realised it was Mrs Gates keeping me from completely immersing myself in the conspiracy.  She brought hot food. And then during the day, she asked me over for a cup of tea and cake on the pretext that she hated dining alone.

She didn’t invite me to dinner, though.

At the end of that week, Mrs Gates did not turn up with food, and I missed her. I always felt better after she had gone.  My paranoia hit fever pitch, so I decided on a course of action.

I followed Prindleton to an alley behind the pub today’s; he had used it before, and it struck me that it was for clandestine movements that no one else knew about.

I was going to break protocol and confront Prindleton directly.  A street back from entering the alley, he went straight; I turned left.  And ran.

Three minutes later, it was standing in front of Prindleton.  Or whoever it was, because this was not an old man.

“What’s going on here?”

He looked startled when I stepped out from the corner and neatly barrelled into me.

“Who are you? What do you want?”

“This is some sort of operation the department is running.”

“You’re mad.  I have no…”

Out of the corner of my eye, I saw the black car stop just back from the entrance to the alley.  I stepped forward, and suddenly the man fell backwards, blood staining his shirt, the result of a sniper shot.

He was dead before he hit the ground.

It was a set-up.

…

I disappeared up the alley, shouting and footsteps behind me.  I had five minutes before they reached the cottage.  I could get there in two.

One minute later, I found the digital recording device behind the bathroom window, a high-end, department-issue digital recording unit.

Then I found three others.

This wasn’t a mission; it was a stress test to test the first stress test.  And based on all my reactions, if I were calling the shots, I’d be put in an asylum.

Only with me it was a little more complicated than that.  I vaguely remembered Harrison telling me about stress triggers, and that I might experience some, all very explainable considering my last few months, and that he expected me to report them at the end of each week.

I didn’t, for obvious reasons.

Jesus.  I felt like a cornered rat, and for a second, I didn’t know what to do.  I was astonished that I had lasted this long.

The horrifying truth dawned on him in that moment: this was never a decompression assignment.  The entire village, the civilian anomalies – it was all a controlled environment constructed by his own department.  They weren’t trying to heal him; they were stress-testing him to see if his psychological breaking point in Berlin was permanent, using his own trauma triggers against him.

He slid down the wall, laughing almost hysterically at the absurdity of it, echoing through the cottage, so close to cracking.

Except…

The kitchen door swung open.  What he believed was one of the department’s sweep team operatives stepped in, uniform immaculate, weapon drawn.  But instead of shooting, the operative kicked the door, pulled off a highly realistic silicone throat piece, and spoke in a familiar voice.  “Keep laughing, Alec, make them think you’ve completely lost it.”

Maya.  Last he was told she had died in Berlin.  He hadn’t believed them; she was too good an operative.

“Haven’t got much time, but you’re not the only one in this chicken coop.  They’re stress testing all the top agents to see how much they can take before they break. They tried it on me.”  She smiled.  “You were saved by some deft cooking.  I’ll explain later.  We have to go.”

“Where?”

“Anywhere but here.”  She held out her hand.  “Come.”

…

©  Charles Heath  2026

Another excerpt from ‘Betrayal’; a work in progress

…

My next destination in the quest was the hotel we believed Anne Merriweather had stayed at.

I was, in a sense, flying blind because we had no concrete evidence she had been there, and the message she had left behind didn’t quite name the hotel or where Vladimir was going to take her.

Mindful of the fact that someone might have been following me, I checked to see if the person I’d assumed had followed me to Elizabeth’s apartment was still in place, but I couldn’t see him. Next, I made a mental note of seven different candidates and committed them to memory.

Then I set off to the hotel, hailing a taxi. There was the possibility that the cab driver was one of them, but perhaps I was slightly more paranoid than I should be. I’d been watching the queue, and there were two others before me.

The journey took about an hour, during which time I kept an eye out the back to see if anyone had been following us. If anyone was, I couldn’t see them.

I had the cab drop me off a block from the hotel and then spent the next hour doing a complete circuit of the block the hotel was on, checking the front and rear entrances, the cameras in place, and the siting of the driveway into the underground carpark. There was a camera over the entrance, and one we hadn’t checked for footage. I sent a text message to Fritz to look into it.

The hotel lobby was large and busy, which was exactly what you’d want if you wanted to come and go without standing out. It would be different later at night, but I could see her arriving about mid-afternoon, and anonymous among the clientele the hotel attracted.

I spent an hour sitting in various positions in the lobby simply observing. I had already ascertained where the elevator lobby for the rooms was, and the elevator down to the car park. Fortunately, it was not ‘guarded’, but there was a steady stream of concierge staff coming and going to the lower levels, and, just from time to time, guests.

Then, when there was a commotion at the front door, what seemed to be a collision of guests and free-wheeling bags, I saw one of the seven potential taggers sitting by the front door. Waiting for me to leave? Or were they wondering why I was spending so much time there?

Taking advantage of that confusion, I picked my moment to head for the elevators that went down to the car park, pressed the down button, and waited.

There was no car on the ground level, so I had to wait, watching, like several others, the guests untangling themselves at the entrance, and keeping an eye on my potential surveillance, still absorbed in the confusion.

The doors to the left car opened, and a concierge stepped out, gave me a quick look, then headed back to his desk. I stepped into the car, pressed the first level down, the level I expected cars to arrive on, and waited what seemed like a long time for the doors to close.

As they did, I was expecting to see a hand poke through the gap, a latecomer. Nothing happened, and I put it down to a television moment.

There were three basement levels, and for a moment, I let my imagination run wild and considered the possibility that there were more levels. Of course, there was no indication on the control panel that there were any other floors, and I’d yet to see anything like it in reality.

With a shake of my head to return to reality, the car arrived, the doors opened, and I stepped out.

A car pulled up, and the driver stepped out, went around to the rear of his car, and pulled out a case. I half expected him to throw me the keys, but the instant glance he gave me told him he was not the concierge, and instead he brushed past me like I wasn’t there.

He bashed the up button several times impatiently and cursed when the doors didn’t open immediately. Not a happy man.

Another car drove past on its way down to a lower level.

I looked up and saw the CCTV camera, pointing towards the entrance, visible in the distance. A gate that lifted up was just about back in position, then clunked when it finally closed. The footage from the camera would not prove much, even if it had been working, because it didn’t cover the lift lobby, only what was in the direction of the car entrance.

The doors to the other elevator car opened, and a man in a suit stepped out.

“Can I help you, sir? You seem lost.”

Security, or something else. “It seems that way. I went to the elevator lobby, got in, and it went down rather than up. I must have been in the wrong place.”

“Lost it is, then, sir.” I could hear the contempt for Americans in his tone. “If you will accompany me, please.”

He put out a hand ready to guide me back into the elevator. I was only too happy to oblige him. There had been a sign near the button panel that said the basement levels were only to be accessed by the guests.

Once inside, he turned a key and pressed the lobby button. The doors closed, and we went up. He stood, facing the door, not speaking. A few seconds later, he was ushering me out to the lobby.

“Now, sir, if you are a guest…”

“Actually, I’m looking for one. She called me and said she would be staying in this hotel and to come down and visit her. I was trying to get to the sixth floor.”

“Good. Let’s go over to the desk and see what we can do for you.”

I followed him over to the reception desk, where he signalled one of the clerks, a young woman who looked and acted very efficiently, and told her of my request, but then remained to oversee the proceeding.

“Name of guest, sir?”

“Merriweather, Anne. I’m her brother, Alexander.” I reached into my coat pocket and pulled out my passport to prove that I was who I said I was. She glanced cursorily at it.

She typed the name into the computer, and then we waited a few seconds while it considered what to output. Then, she said, “That lady is not in the hotel, sir.”

Time to put on my best-confused look. “But she said she would be staying here for the week. I made a special trip to come here to see her.”

Another puzzled look from the clerk, then, “When did she call you?”

An interesting question to ask, and it set off a warning bell in my head. I couldn’t say today, it would have to be the day she was supposedly taken.

“Last Saturday, about four in the afternoon.”

Another look at the screen, then, “It appears she checked out Sunday morning. I’m afraid you have made a trip in vain.”

Indeed, I had. “Was she staying with anyone?”

I just managed to see the warning pass from the suited man to the clerk. I thought he had shown an interest when I mentioned the name, and now I had confirmation. He knew something about her disappearance. The trouble was, he wasn’t going to volunteer any information because he was more than just hotel security.

“No.”

“Odd,” I muttered. “I thought she told me she was staying with a man named Vladimir something or other. I’m not too good at pronouncing those Russian names. Are you sure?”

She didn’t look back at the screen. “Yes.”

“OK, now one thing I do know about staying in hotels is that you are required to ask guests with foreign passports their next destination, just in case they need to be found. Did she say where she was going next?” It was a long shot, but I thought I’d ask.

“Moscow. As I understand it, she lives in Moscow. That was the only address she gave us.”

I smiled. “Thank you. I know where that is. I probably should have gone there first.”

She didn’t answer; she didn’t have to, her expression did that perfectly.

The suited man spoke again, looking at the clerk. “Thank you.” He swivelled back to me. “I’m sorry we can’t help you.”

“No. You have more than you can know.”

“What was your name again, sir, just in case you still cannot find her?”

“Alexander Merriweather. Her brother. And if she is still missing, I will be posting a very large reward. At the moment, you can best contact me via the American Embassy.”

Money is always a great motivator, and that thoughtful expression on his face suggested he gave a moment’s thought to it.

I left him with that offer and left. If anything, the people who were holding her would know she had a brother, that her brother was looking for her, and equally that brother had money.

…

© Charles Heath – 2018-2025

365 Days of Writing, 2026 – 278

Day 278 – Acceptable writing

…

Embracing the Writer’s Growth Mindset: Lessons from Anne Perry’s Quote on Acceptance and Improvement

“I never assume that what I write will necessarily be acceptable. I take very little for granted – fairness, help, yes, but not acceptance. I am always trying to improve. Aren’t we all?”
— Anne Perry

Anne Perry’s words cut straight to the heart of what it means to be a writer today: a relentless pursuit of betterment, grounded in humility and an openness to feedback. In a world where likes, shares, and instant validation can masquerade as success, her reminder is a powerful antidote. Let’s unpack the quote, explore why acceptance shouldn’t be taken for granted, and see how we can turn this mindset into concrete, daily habits that elevate our craft.


1. Why Acceptance Isn’t a Given (and Why That’s Healthy)

The Myth of Instant Approval

  • Social media metrics can create a false sense of “acceptance.” A post that garners thousands of likes may still miss the mark with a core audience or fail to advance your skills.
  • Editorial gatekeepers (agents, publishers, editors) often reject work not because it’s bad, but because it doesn’t fit a current market need or lacks a specific polish.

The Value of Humility

Accepting that acceptance is uncertain forces us to:

  1. Stay curious – We keep asking, “How can this be clearer, more compelling, or more true?”
  2. Remain teachable – Feedback becomes a gift rather than a threat.
  3. Focus on process, not outcome – The act of writing improves, even when a particular piece isn’t published or praised.

SEO Tip: Sprinkle the phrase “writing acceptance isn’t guaranteed” naturally in the first 100 words and again in a subheading to capture long‑tail queries around writer’s doubt and resilience.


2. The Core Pillars We Can Count On: Fairness and Help

Perry distinguishes two things she does take for granted: fairness and help. These are the bedrock of a supportive writing ecosystem.

PillarWhat It Means for WritersHow to Cultivate It
FairnessBelieving that effort, honesty, and integrity will eventually be recognised, even if not immediately.• Set personal standards (word counts, revision cycles) and stick to them.
• Celebrate incremental wins (finished draft, solved plot hole).
HelpTrusting that mentors, peers, and resources are available when we seek them.• Join a critique group or writing forum (e.g., Scribophile, local NaNoWriMo meet‑ups).
• Schedule regular “help hours” – time to ask a beta reader or coach for specific feedback.

By anchoring ourselves in these reliable supports, we free up mental energy to focus on improvement rather than chasing fleeting validation.


3. Building a Growth‑Oriented Writing Practice

A. Adopt a Growth Mindset (Carol Dweck)

  • Fixed mindset: “I’m either a good writer or I’m not.”
  • Growth mindset: “My abilities expand with deliberate practice and learning.”

Action: After each writing session, jot down one thing you learned and one tweak you’ll try next time.

B. Set Process‑Driven Goals

Goal TypeExampleWhy It Works
OutputWrite 500 words daily.Builds habit, reduces perfectionism.
SkillStudy one dialogue technique per week.Targets measurable improvement.
FeedbackShare a scene with a critique partner every two weeks.Externalizes blind spots.

C. Embrace Iterative Revision

  1. Draft – Get ideas down without judgment.
  2. Rest – Step away for 24‑48 hours.
  3. Read Aloud – Spot awkward phrasing and pacing issues.
  4. Edit for Clarity – Trim redundancies, tighten logic.
  5. Seek Feedback – Incorporate specific, actionable notes.
  6. Polish – Focus on grammar, style, and voice.

Repeating this loop transforms each piece into a stepping stone rather than a final verdict.


4. Practical Steps to Keep Improving (SEO‑Friendly Checklist)

  • Read Widely & Critically – Alternate between genres; note what works and why.
  • Study Craft Books – On Writing Well (Zinsser), Bird by Bird (Lamott), The Elements of Style (Strunk & White).
  • Take Online Courses – Platforms like MasterClass, Coursera, or Reedsy Learning offer targeted lessons on plot, voice, SEO copywriting, etc.
  • Analyse Your Own Metrics – Use Google Analytics or platform insights to see which topics retain readers longest; treat data as feedback, not judgment.
  • Attend Live Events – Writer’s conferences, webinars, or open‑mic nights provide real‑time interaction and inspiration.
  • Mentor Someone Else – Teaching reinforces your own knowledge and highlights gaps you might have missed.

Keyword Integration: Throughout this section, naturally include phrases like “writing improvement tips,” “self‑improvement for writers,” and “continuous learning for authors.” These align with common search queries and help the post rank for long‑tail traffic.


5. Community: The Help We Can Rely On

Writing may feel solitary, but the most resilient writers build support ecosystems.

  • Critique Circles: Small groups (3‑5 members) that exchange work weekly.
  • Accountability Partners: Pair up to share goals and check progress bi‑weekly.
  • Online Forums: Reddit’s r/writing, Absolute Write, or genre‑specific Discord servers.
  • Workshops & Retreats: Immersion experiences that combine learning with networking.

When we view help as a given, we’re more likely to ask for it—turning isolation into collaboration.


6. Aren’t We All? – The Universal Call to Grow

Anne Perry’s closing question—“Aren’t we all?”—is an invitation to recognise that the drive to improve isn’t exclusive to published authors; it’s a human trait. Whether you’re drafting a novel, crafting SEO copy, journaling, or posting on LinkedIn, the same principles apply:

  1. Assume nothing about acceptance.
  2. Lean on fairness and help as constants.
  3. Commit to tiny, consistent upgrades.

When we internalise this mindset, every piece becomes a lesson, every critique a gift, and every day a chance to be a slightly better writer than yesterday.


7. Conclusion & Call to Action

Anne Perry’s succinct reminder packs a lifetime of writerly wisdom into two sentences: humility fuels growth, acceptance is a bonus—not a guarantee, and the journey of improvement is shared by all who dare to create.

Your next step: Choose one actionable item from the checklist above and implement it today. Whether it’s setting a 500‑word daily target, joining a critique forum, or reading a chapter of a craft book, commit to that habit for the next 21 days. Track your progress in a simple log or spreadsheet, and revisit this post at the end of the month to see how far you’ve come.

Remember: The path isn’t about achieving perpetual acceptance; it’s about showing up, learning, and getting a little better each time you put pen to paper (or keyboard).


Ready to grow? Share your commitment in the comments below—let’s build a community of writers who never take acceptance for granted, but always strive to improve.

…

Top 5 sights on the road less travelled – London

London’s Secret Charms: 5 Uncrowded Gems with Unforgettable Features

London. The very name conjures images of iconic landmarks, bustling streets, and a vibrant energy that pulses through its historic veins. But let’s be honest, that energy often translates into crowds – a beautiful, diverse, fascinating crowd, but a crowd nonetheless.

What if you yearn for a different rhythm? A London where you can connect with history, art, and nature without constantly jostling for a view? A London where distinctive features truly shine, allowing you to savour every unique detail?

Fear not, intrepid explorer! I’ve curated a list of five phenomenal London attractions that deliver on distinctive character without the typical tourist throngs. These are the places where you can breathe, ponder, and truly absorb the magic of this incredible city.


1. Sir John Soane’s Museum: A Collector’s Labyrinth of Wonders

What makes it distinctive? Imagine stepping into the mind of an eccentric 19th-century architect, where every surface, every nook, and every cranny is crammed with art, antiquities, and architectural fragments. Sir John Soane’s Museum is not a typical museum; it’s a meticulously preserved house that he designed to display his vast and eclectic collection exactly as he wanted it. Expect a fascinating, almost overwhelming, visual feast. Highlights include an Egyptian sarcophagus, a room of hidden paintings on hinged panels, and ceilings adorned with fragments of Roman sculpture.

Why it’s uncrowded: Its very nature – a house packed to the rafters – means visitor numbers are carefully controlled. It’s a small, intimate space, encouraging quiet contemplation rather than rapid sightseeing. You’ll often find yourself with plenty of room to explore.

Insider Tip: Look out for the “picture rooms” where walls literally open up to reveal more art behind them. It’s a delightful, theatrical surprise!


2. The Wallace Collection: Opulence and Masterpieces in a Grand Mansion

What makes it distinctive? Housed in Hertford House, a magnificent stately home in Marylebone, The Wallace Collection offers a truly unique experience: a peerless collection of 18th-century French art, furniture, porcelain, and old master paintings, all displayed in the sumptuous setting of a historic private residence. It feels less like a public gallery and more like you’ve been invited into a wealthy collector’s home. From rococo masterpieces like Fragonard’s “The Swing” to an impressive armoury, the sheer quality and variety are astonishing.

Why it’s uncrowded: While well-known, it often gets overlooked in favour of the larger, more public museums. Its location, slightly off the main tourist drag, also helps keep numbers manageable. Plus, it’s completely free to enter!

Insider Tip: Don’t miss the stunning central courtyard, which has been beautifully enclosed to create a light-filled restaurant – perfect for a refined coffee or lunch break.


3. Chelsea Physic Garden: London’s Oldest Botanic Oasis

What makes it distinctive? Tucked away behind high walls near the Thames, the Chelsea Physic Garden is a living museum of plants with a fascinating history. Established in 1673 by the Worshipful Society of Apothecaries, it was created specifically for the study of medicinal plants. Today, it’s a tranquil four-acre oasis showcasing around 5,000 different species, including the largest fruiting olive tree in Britain and the world’s most northerly grapefruit tree. It’s a place where history, science, and nature intertwine beautifully.

Why it’s uncrowded: It charges a modest entrance fee and isn’t on the primary tourist routes, ensuring a peaceful atmosphere. It’s a favourite among locals seeking serenity, rather than a must-see for first-time visitors ticking off landmarks.

Insider Tip: Check their website for workshops, talks, and guided tours which offer deeper insights into the garden’s extensive collections and history.


4. St. Dunstan in the East Church Garden: A Ruined Beauty Reclaimed by Nature

What makes it distinctive? This is perhaps one of London’s most visually stunning “hidden” gems. What once was a grand medieval church, later rebuilt by Sir Christopher Wren, was largely destroyed during the Blitz in 1941. Instead of rebuilding, the ruins were transformed into a public garden. Ivy-clad walls, elegant Gothic arches, and a Wren tower now frame a vibrant collection of trees and plants. It’s an ethereal, almost magical space that perfectly blends history with nature’s resilience.

Why it’s uncrowded: Despite its proximity to the Tower of London and Monument, it’s tucked away down a side street, making it easy to miss if you don’t know it’s there. It’s a favourite spot for city workers on their lunch break and photographers, but rarely overwhelmed by tourists.

Insider Tip: Visit on a sunny day when the light filters through the archways and foliage, creating a truly enchanting atmosphere. Find a bench and simply soak in the tranquility.


5. Leighton House: An Artist’s Victorian Fantasy

What makes it distinctive? Step into the fantastical home and studio of Victorian artist Frederic, Lord Leighton, and prepare to be mesmerised. The crowning glory is the “Arab Hall,” a breathtaking space inspired by Leighton’s travels to the Middle East. Adorned with over 1,000 iridescent Islamic tiles, a golden dome, and a tranquil fountain, it’s like stepping into a dream. Beyond this, the house offers beautiful period rooms, Leighton’s grand studio, and a collection of his and his contemporaries’ art. It’s a truly unique architectural and artistic vision.

Why it’s uncrowded: Located in Holland Park, West London, it’s a little further out than central attractions, which naturally reduces footfall. It also requires a timed ticket, ensuring a pleasant visitor experience.

Insider Tip: Look closely at the tiles in the Arab Hall – many are original 16th and 17th-century pieces, carefully acquired by Leighton himself.


So, the next time you find yourself in the magnificent city of London, consider taking a detour from the main thoroughfares. These five distinctive, uncrowded attractions offer a chance to connect with a different side of the capital – one that’s rich in history, beauty, and quiet wonder. Happy exploring!

Have you discovered any other uncrowded London treasures? Share them in the comments below!

If I only had one day to stop over in – Brisbane, Australia – what would I do?

One‑Day Brisbane Stop‑Over: The One Spot That Turns a Quick Layover into a Memorable Adventure

You’ve just landed in Brisbane, the sun‑kissed capital of Queensland, and your flight schedule gives you just one day to soak up the city before you’re back on a plane. The clock is ticking, the luggage is already on the carousel, and you’re wondering: What single place can I visit that will make this 24‑hour lay‑over feel like a mini‑vacation rather than a rushed transit stop?

The answer: South Bank Parklands – Brisbane’s vibrant, riverside playground.

It’s not just a park; it’s a compact, walkable micro‑city that bundles everything a first‑time visitor craves—stunning river views, iconic attractions, a taste of local cuisine, and a splash of Australian wildlife—all within a 30‑minute train ride from the airport.

Below is my insider’s itinerary, plus practical tips so you can maximise every minute without breaking a sweat.


Why South Bank Beats All the Other “Must‑See” Options

FeatureSouth Bank ParklandsLone Pine Koala SanctuaryMount Coot‑tha LookoutBrisbane River Cruise
Proximity to Airport20 min via Airtrain (Civic to South Bank)30 min + bus transfer35 min + shuttle20 min + ferry
Time Required3–4 hrs (full experience)2–3 hrs (animal‑focused)1 hr (view only)1 hr (scenic)
What You GetCity skyline, beach, restaurants, museums, art, playgrounds, free Wi‑FiKoalas, kangaroos, farm‑style demosPanoramic city & Moreton BayNarrative history + photo ops
All‑Weather?Yes (covered cafés, indoor museums, heated “Streets Beach”)Mostly outdoorOutdoor (best on clear days)Dependent on rain

South Bank delivers the most diverse, self‑contained experience in the shortest amount of time, making it the perfect single‑spot highlight for a whirlwind lay‑over.


The 4‑Hour South Bank Sprint

Quick note: All times below assume you’ve already cleared customs and stored your luggage in an airport locker (or are traveling light).

1️⃣ Arrive & Orient – 20 min

  • From the airport: Grab the Airtrain from Brisbane Airport to South Bank (stop “South Bank”). Trains run every 10 minutes; the journey is 18 minutes.
  • Ticket tip: Use the TransLink go card (or the “QR‑code & go” option on your phone) – it’s cheaper than buying a paper ticket, and you’ll need it later for a quick ferry ride if you’re feeling adventurous.

2️⃣ Stroll the Parklands – 40 min

  • Enter via the Civic Centre gateway and follow the riverside promenade.
  • Snap your first photo at the Mural Wall—a massive, ever‑changing street‑art canvas that instantly feels “Brisbane”.
  • Head toward the iconic Streets Beach, a man‑made lagoon with a gentle wave‑pool and sandy shoreline. Even if you don’t dip in, the beach‑side loungers make for a perfect Instagram moment.

3️⃣ Lunch with a View – 60 min

  • Choose a waterfront eatery:
    • River Quay (modern Aussie, great seafood)
    • Mosaic on the Park (Asian‑fusion, vegetarian‑friendly)
    • The Milk Bar (classic Aussie café fare, perfect for a quick bite).
    All have outdoor seating that overlooks the Brisbane River—so you can watch the ferries glide by while you refuel.
  • Dish recommendation: Try the Moreton Bay bug (a type of flat lobster) on a herb butter or the locally sourced beetroot & feta salad for a fresh, Queensland twist.

4️⃣ Iconic Experiences – 80 min

ActivityTimeWhy It’s Worth It
Wheel of Brisbane15 min (ride)Offers a 360° view of the skyline and the river—great for a quick “I’m on a Ferris wheel in Brisbane!” selfie.
Queensland Museum & Sciencentre30 minA compact, free‑entry museum that showcases Aboriginal culture, natural history, and interactive science exhibits—perfect for a quick cultural deep‑dive.
GOMA (Gallery of Modern Art)20 min (quick wander)If you love contemporary art, GOMA’s rotating exhibitions are always provocative and photogenic.
Picnic at the Arboretum15 minGrab a takeaway coffee, find a shady spot under the native eucalypts, and watch the river’s gentle current—this is Brisbane’s version of “slow living”.

Tip: If the weather turns rainy, head straight to the Queensland Museum and GOMA, which are both indoor and free, ensuring your day stays memorable regardless of the sky.

5️⃣ Depart – 20 min

  • Walk back to South Bank Station, hop on the Airtrain, and you’ll be back at the airport in under 25 minutes—plenty of time for security and a final coffee at the terminal.

Pro‑Tips for Making the Most of Your One‑Day Stop‑Over

TipDetails
Luggage LockersUse the secure lockers at Airport Domestic Terminal – Level 1 (AU$7 for 24 hrs). This frees you up to roam unburdened.
CurrencyAustralian dollars are the norm, but most venues accept major credit cards. Have a small amount of cash for food stalls or the occasional tip.
Dress CodeBrisbane’s climate in summer (Dec‑Feb) is hot and humid (30‑35 °C). Light, breathable clothing + a hat + sunscreen. If you’re visiting in winter (Jun‑Aug), a light jacket is enough; temperatures sit around 12‑20 °C.
Sun ProtectionThe UV index can be “extreme”. Reapply sunscreen every two hours, even on cloudy days.
Wi‑FiFree public Wi‑Fi is available throughout South Bank (look for “South Bank Free Wi‑Fi”). Great for checking flight updates on the go.
Time ManagementSet a timer for each activity (e.g., “30 min at the museum”) to avoid getting stuck and missing your train.
Emergency ContactDial 000 for police, fire, or ambulance. For non‑emergencies, call 131 444 (Queensland Police Assistance).

A Quick Recap: The South Bank Blueprint

TimeActivity
00:00–00:20Airtrain to South Bank
00:20–01:00Stroll the parklands & snap the mural wall
01:00–02:00Lunch with river views
02:00–03:20Wheel of Brisbane → Queensland Museum → GOMA → Arboretum picnic
03:20–03:40Return to Airtrain, head back to airport
03:40–04:00Clear security, grab a final coffee, board your next flight

Final Thought

A stopover can feel like a logistical hurdle, but when you zero in on South Bank Parklands, you’re essentially plugging into Brisbane’s heart in a single, seamless stretch. From dazzling river panoramas to world‑class art, from a beach‑side lounge to a bite of fresh seafood, South Bank delivers a compact, unforgettable taste of Queensland—all without the need for a rental car or a marathon of bus transfers.

So the next time your itinerary gives you a 24‑hour window in Brisbane, skip the checklist of “must‑see” spots and let South Bank be your single, unforgettable destination. Trust me: you’ll step back onto that plane with a grin, a handful of great photos, and a story that says, “I only had a day, but I made it count.”

Happy travels, and may your lay‑over be anything but ordinary! 🌞🚉📸

365 Days of Writing, 2026 – 278

Day 278 – Acceptable writing

…

Embracing the Writer’s Growth Mindset: Lessons from Anne Perry’s Quote on Acceptance and Improvement

“I never assume that what I write will necessarily be acceptable. I take very little for granted – fairness, help, yes, but not acceptance. I am always trying to improve. Aren’t we all?”
— Anne Perry

Anne Perry’s words cut straight to the heart of what it means to be a writer today: a relentless pursuit of betterment, grounded in humility and an openness to feedback. In a world where likes, shares, and instant validation can masquerade as success, her reminder is a powerful antidote. Let’s unpack the quote, explore why acceptance shouldn’t be taken for granted, and see how we can turn this mindset into concrete, daily habits that elevate our craft.


1. Why Acceptance Isn’t a Given (and Why That’s Healthy)

The Myth of Instant Approval

  • Social media metrics can create a false sense of “acceptance.” A post that garners thousands of likes may still miss the mark with a core audience or fail to advance your skills.
  • Editorial gatekeepers (agents, publishers, editors) often reject work not because it’s bad, but because it doesn’t fit a current market need or lacks a specific polish.

The Value of Humility

Accepting that acceptance is uncertain forces us to:

  1. Stay curious – We keep asking, “How can this be clearer, more compelling, or more true?”
  2. Remain teachable – Feedback becomes a gift rather than a threat.
  3. Focus on process, not outcome – The act of writing improves, even when a particular piece isn’t published or praised.

SEO Tip: Sprinkle the phrase “writing acceptance isn’t guaranteed” naturally in the first 100 words and again in a subheading to capture long‑tail queries around writer’s doubt and resilience.


2. The Core Pillars We Can Count On: Fairness and Help

Perry distinguishes two things she does take for granted: fairness and help. These are the bedrock of a supportive writing ecosystem.

PillarWhat It Means for WritersHow to Cultivate It
FairnessBelieving that effort, honesty, and integrity will eventually be recognised, even if not immediately.• Set personal standards (word counts, revision cycles) and stick to them.
• Celebrate incremental wins (finished draft, solved plot hole).
HelpTrusting that mentors, peers, and resources are available when we seek them.• Join a critique group or writing forum (e.g., Scribophile, local NaNoWriMo meet‑ups).
• Schedule regular “help hours” – time to ask a beta reader or coach for specific feedback.

By anchoring ourselves in these reliable supports, we free up mental energy to focus on improvement rather than chasing fleeting validation.


3. Building a Growth‑Oriented Writing Practice

A. Adopt a Growth Mindset (Carol Dweck)

  • Fixed mindset: “I’m either a good writer or I’m not.”
  • Growth mindset: “My abilities expand with deliberate practice and learning.”

Action: After each writing session, jot down one thing you learned and one tweak you’ll try next time.

B. Set Process‑Driven Goals

Goal TypeExampleWhy It Works
OutputWrite 500 words daily.Builds habit, reduces perfectionism.
SkillStudy one dialogue technique per week.Targets measurable improvement.
FeedbackShare a scene with a critique partner every two weeks.Externalizes blind spots.

C. Embrace Iterative Revision

  1. Draft – Get ideas down without judgment.
  2. Rest – Step away for 24‑48 hours.
  3. Read Aloud – Spot awkward phrasing and pacing issues.
  4. Edit for Clarity – Trim redundancies, tighten logic.
  5. Seek Feedback – Incorporate specific, actionable notes.
  6. Polish – Focus on grammar, style, and voice.

Repeating this loop transforms each piece into a stepping stone rather than a final verdict.


4. Practical Steps to Keep Improving (SEO‑Friendly Checklist)

  • Read Widely & Critically – Alternate between genres; note what works and why.
  • Study Craft Books – On Writing Well (Zinsser), Bird by Bird (Lamott), The Elements of Style (Strunk & White).
  • Take Online Courses – Platforms like MasterClass, Coursera, or Reedsy Learning offer targeted lessons on plot, voice, SEO copywriting, etc.
  • Analyse Your Own Metrics – Use Google Analytics or platform insights to see which topics retain readers longest; treat data as feedback, not judgment.
  • Attend Live Events – Writer’s conferences, webinars, or open‑mic nights provide real‑time interaction and inspiration.
  • Mentor Someone Else – Teaching reinforces your own knowledge and highlights gaps you might have missed.

Keyword Integration: Throughout this section, naturally include phrases like “writing improvement tips,” “self‑improvement for writers,” and “continuous learning for authors.” These align with common search queries and help the post rank for long‑tail traffic.


5. Community: The Help We Can Rely On

Writing may feel solitary, but the most resilient writers build support ecosystems.

  • Critique Circles: Small groups (3‑5 members) that exchange work weekly.
  • Accountability Partners: Pair up to share goals and check progress bi‑weekly.
  • Online Forums: Reddit’s r/writing, Absolute Write, or genre‑specific Discord servers.
  • Workshops & Retreats: Immersion experiences that combine learning with networking.

When we view help as a given, we’re more likely to ask for it—turning isolation into collaboration.


6. Aren’t We All? – The Universal Call to Grow

Anne Perry’s closing question—“Aren’t we all?”—is an invitation to recognise that the drive to improve isn’t exclusive to published authors; it’s a human trait. Whether you’re drafting a novel, crafting SEO copy, journaling, or posting on LinkedIn, the same principles apply:

  1. Assume nothing about acceptance.
  2. Lean on fairness and help as constants.
  3. Commit to tiny, consistent upgrades.

When we internalise this mindset, every piece becomes a lesson, every critique a gift, and every day a chance to be a slightly better writer than yesterday.


7. Conclusion & Call to Action

Anne Perry’s succinct reminder packs a lifetime of writerly wisdom into two sentences: humility fuels growth, acceptance is a bonus—not a guarantee, and the journey of improvement is shared by all who dare to create.

Your next step: Choose one actionable item from the checklist above and implement it today. Whether it’s setting a 500‑word daily target, joining a critique forum, or reading a chapter of a craft book, commit to that habit for the next 21 days. Track your progress in a simple log or spreadsheet, and revisit this post at the end of the month to see how far you’ve come.

Remember: The path isn’t about achieving perpetual acceptance; it’s about showing up, learning, and getting a little better each time you put pen to paper (or keyboard).


Ready to grow? Share your commitment in the comments below—let’s build a community of writers who never take acceptance for granted, but always strive to improve.

…

365 Days of Writing, 2026 – 276/277

Day 276/277 – Writing exercise

A story based on three photographic elements

…

Then he checked behind him in case he was being followed. He was not. He ducked under an awning as another gust of wind shook it, avoiding a gush of water that fell like a waterfall, then moved on.

Was it Clara Higgins, an informant and a club singer?  He had interviewed her for a case, and they hit it off.  She worked at the ‘Blue Note’.  Her voice was pure velvet and smoke, a sultry husky drawl that had bought and sold a dozen cops and PI’s before him.

She was leaning against his car six weeks ago, smelling of gin and expensive perfume, whispering about a crime that desperate men were about to commit.

It could be her.  She lived in the shadows, but she usually called him Jackie.  The caller didn’t.

Was it Lydia Vance, now Rawlings, his sister, a woman variously in and out of trouble, with a no-good husband he had offered to sort out?

She had a voice that had grown raspy over time from a heavy bourbon habit she said was the only thing keeping her sane.

Their last conversation was a tense, midnight phone call eight months ago, her voice thick and gravelly as she begged for money to clear a gambling debt.

No, she didn’t have the stomach for whatever dangerous game this was.

He shook his head, and the water dripped from his hat brim.  Another glance up and down the road before turning the next corner.  Three suspects, but they were heading in a different direction.

He turned the corner, the lane narrowing, this time not stopping to look up at the rain.  It was falling harder, and he could hear the sound of the drops hitting the ground.

It was the sort of rain that made a familiar sound.

It bounced off the walls of the lane, as did other sounds, though he could not say where they came from. An arguing voice came from above, distorted by the rain and the surrounding walls.

The theatre alleyway was looming ahead, a dark chasm where anyone or anything could be waiting.  Jack slowed his pace as his heart rate increased, and he could feel the sweat from walking fast in anticipation.

Was it Sarah Kelly, the missing journalist?  She was the nosy type who pushed buttons and limits, but good at her job.  He had been quietly helping her.  Her voice was naturally husky, especially when tired and working a lead.

She was sitting on his office desk just three weeks before, her voice dropping to an intense, quiet rasp as she showed him some evidence and city hall shenanigans.  Two days later she vanished.

The cadence matched perfectly. Was she alive?  Was she trying to get a message to him, or was it a trap?

Could be, but…

Was it May Lin, the ex-detective he had just taken on?  She had a cold, raspy cough for the last week from a flu that she refused to take time off to get better.

Just yesterday, at their early morning meet-up at the diner, her voice was a rough, gravelly whisper, warning him that she heard on the grapevine that Internal Affairs was investigating his old cases when he was a cop.

If it was her, why the disguise?

He stopped just short of the turn into the alley. A sixth sense sent a shiver down his spine. The rain eased. His mind settled on two candidates: a desperate Sarah Kelly trying to surface from the dead, and a compromised May Lin playing a double game.

He turned into the narrow, dark alleyway, the neon lights from the main road reflecting in the pools of water that covered the cobblestones at the entrance.

He cursed, just remembering the cracks in the sole of the left shoe as the water seeped in, cold and uncompromising.

He pulled his hat down low, covering his face in case CCTV cameras had recently been installed. Then he looked up and saw a blinking red light mounted near the entrance.

He scurried past, close to the wall.

He travelled the full length of the alleyway, checking doorways and hiding spots for assailants, his hand on the gun in his pocket, just in case.

It was eerily silent, except for the occasional sound of running water. He saw the telephone booth, now disused and grimy, and walked past it, barely able to make out where any evidence might be, before continuing.

On one side, a single lamp cast a dim glow over the telephone itself, but it was not strong enough to reach the ground.

If he was being observed, it would not do to let them know the telephone booth was his destination.  Not yet.

He slowly returned as the rain eased, as if on cue. Above him, several high windows were lit, casting a pale yellowish light into the night. They did not illuminate the alley.

He was here.  Now.  As there was no evidence, he would wait.  Perhaps the husky-voiced woman would come, thrust an envelope into his hands and then disappear.  Dressed in black, she could easily fade into the gloom.

The only sounds now were his breathing and raindrops hitting metal.  Leaning against the telephone booth, he was right under a steady drip onto his hat, so regular, so mesmerising, he closed his eyes for a moment and tried to massage away the tiredness.

The steady drip onto his hat nearly caused him to miss the beam of light from above. It shone directly on a plain, stained and creased envelope sitting atop the pile of rubbish that had accumulated against the booth.

Just as he leaned down to pick it up, the light snapped off, plunging the area into darkness. The sudden change left him temporarily blind.

“Go to the diner and wait.”

The same husky voice.  He swivelled around, but all he could see was darkness, punctuated by a rim of light from the bulb above, and a sloshing sound.

The woman escaping?

It took two minutes for his sight to return.  He had the envelope, but no clue as to the identity of the woman.

He took his torch out of the other coat pocket and opened the envelope.  It contained a photograph.

It was a photograph of him and Jackson Pike, taken a year ago when Vance was a cop investigating a break-in at City Hall. Pike was alleged to have staged the break-in to obtain evidence of a rigged election. The photograph showed Pike handing Vance an envelope.

Evidence of what? Was Vance part of a cover-up?  There had been evidence, but it was not Vance who was the guilty party.  It had been his partner, Elroy Baggins.  Two weeks before, Elroy had been killed in a shootout.

Baggins had died and had taken the truth with him, leaving Vance to explain the unexplainable: that the dead officer was corrupt.  That maybe he was guilty by association or tarred with the same brush.  It was why he quit.  He had been very close to finding the proof, and then the boss called him into the office and gave him a choice: resign or be destroyed.

In the end, he had no choice.

Now, Vance figured, if they couldn’t get Baggins, they would come after him.

May Lin had tried to warn him, but his money was now on Sarah.  She had somehow got hold of the internal affairs evidence and had got the message to Jack via May.

Another look around the alley showed nothing.  She had gone.

There was nothing for it, except to go to the diner and wait.

…

©  Charles Heath  2026

If I only had one day to stop over in – Brisbane, Australia – what would I do?

One‑Day Brisbane Stop‑Over: The One Spot That Turns a Quick Layover into a Memorable Adventure

You’ve just landed in Brisbane, the sun‑kissed capital of Queensland, and your flight schedule gives you just one day to soak up the city before you’re back on a plane. The clock is ticking, the luggage is already on the carousel, and you’re wondering: What single place can I visit that will make this 24‑hour lay‑over feel like a mini‑vacation rather than a rushed transit stop?

The answer: South Bank Parklands – Brisbane’s vibrant, riverside playground.

It’s not just a park; it’s a compact, walkable micro‑city that bundles everything a first‑time visitor craves—stunning river views, iconic attractions, a taste of local cuisine, and a splash of Australian wildlife—all within a 30‑minute train ride from the airport.

Below is my insider’s itinerary, plus practical tips so you can maximise every minute without breaking a sweat.


Why South Bank Beats All the Other “Must‑See” Options

FeatureSouth Bank ParklandsLone Pine Koala SanctuaryMount Coot‑tha LookoutBrisbane River Cruise
Proximity to Airport20 min via Airtrain (Civic to South Bank)30 min + bus transfer35 min + shuttle20 min + ferry
Time Required3–4 hrs (full experience)2–3 hrs (animal‑focused)1 hr (view only)1 hr (scenic)
What You GetCity skyline, beach, restaurants, museums, art, playgrounds, free Wi‑FiKoalas, kangaroos, farm‑style demosPanoramic city & Moreton BayNarrative history + photo ops
All‑Weather?Yes (covered cafés, indoor museums, heated “Streets Beach”)Mostly outdoorOutdoor (best on clear days)Dependent on rain

South Bank delivers the most diverse, self‑contained experience in the shortest amount of time, making it the perfect single‑spot highlight for a whirlwind lay‑over.


The 4‑Hour South Bank Sprint

Quick note: All times below assume you’ve already cleared customs and stored your luggage in an airport locker (or are traveling light).

1️⃣ Arrive & Orient – 20 min

  • From the airport: Grab the Airtrain from Brisbane Airport to South Bank (stop “South Bank”). Trains run every 10 minutes; the journey is 18 minutes.
  • Ticket tip: Use the TransLink go card (or the “QR‑code & go” option on your phone) – it’s cheaper than buying a paper ticket, and you’ll need it later for a quick ferry ride if you’re feeling adventurous.

2️⃣ Stroll the Parklands – 40 min

  • Enter via the Civic Centre gateway and follow the riverside promenade.
  • Snap your first photo at the Mural Wall—a massive, ever‑changing street‑art canvas that instantly feels “Brisbane”.
  • Head toward the iconic Streets Beach, a man‑made lagoon with a gentle wave‑pool and sandy shoreline. Even if you don’t dip in, the beach‑side loungers make for a perfect Instagram moment.

3️⃣ Lunch with a View – 60 min

  • Choose a waterfront eatery:
    • River Quay (modern Aussie, great seafood)
    • Mosaic on the Park (Asian‑fusion, vegetarian‑friendly)
    • The Milk Bar (classic Aussie café fare, perfect for a quick bite).
    All have outdoor seating that overlooks the Brisbane River—so you can watch the ferries glide by while you refuel.
  • Dish recommendation: Try the Moreton Bay bug (a type of flat lobster) on a herb butter or the locally sourced beetroot & feta salad for a fresh, Queensland twist.

4️⃣ Iconic Experiences – 80 min

ActivityTimeWhy It’s Worth It
Wheel of Brisbane15 min (ride)Offers a 360° view of the skyline and the river—great for a quick “I’m on a Ferris wheel in Brisbane!” selfie.
Queensland Museum & Sciencentre30 minA compact, free‑entry museum that showcases Aboriginal culture, natural history, and interactive science exhibits—perfect for a quick cultural deep‑dive.
GOMA (Gallery of Modern Art)20 min (quick wander)If you love contemporary art, GOMA’s rotating exhibitions are always provocative and photogenic.
Picnic at the Arboretum15 minGrab a takeaway coffee, find a shady spot under the native eucalypts, and watch the river’s gentle current—this is Brisbane’s version of “slow living”.

Tip: If the weather turns rainy, head straight to the Queensland Museum and GOMA, which are both indoor and free, ensuring your day stays memorable regardless of the sky.

5️⃣ Depart – 20 min

  • Walk back to South Bank Station, hop on the Airtrain, and you’ll be back at the airport in under 25 minutes—plenty of time for security and a final coffee at the terminal.

Pro‑Tips for Making the Most of Your One‑Day Stop‑Over

TipDetails
Luggage LockersUse the secure lockers at Airport Domestic Terminal – Level 1 (AU$7 for 24 hrs). This frees you up to roam unburdened.
CurrencyAustralian dollars are the norm, but most venues accept major credit cards. Have a small amount of cash for food stalls or the occasional tip.
Dress CodeBrisbane’s climate in summer (Dec‑Feb) is hot and humid (30‑35 °C). Light, breathable clothing + a hat + sunscreen. If you’re visiting in winter (Jun‑Aug), a light jacket is enough; temperatures sit around 12‑20 °C.
Sun ProtectionThe UV index can be “extreme”. Reapply sunscreen every two hours, even on cloudy days.
Wi‑FiFree public Wi‑Fi is available throughout South Bank (look for “South Bank Free Wi‑Fi”). Great for checking flight updates on the go.
Time ManagementSet a timer for each activity (e.g., “30 min at the museum”) to avoid getting stuck and missing your train.
Emergency ContactDial 000 for police, fire, or ambulance. For non‑emergencies, call 131 444 (Queensland Police Assistance).

A Quick Recap: The South Bank Blueprint

TimeActivity
00:00–00:20Airtrain to South Bank
00:20–01:00Stroll the parklands & snap the mural wall
01:00–02:00Lunch with river views
02:00–03:20Wheel of Brisbane → Queensland Museum → GOMA → Arboretum picnic
03:20–03:40Return to Airtrain, head back to airport
03:40–04:00Clear security, grab a final coffee, board your next flight

Final Thought

A stopover can feel like a logistical hurdle, but when you zero in on South Bank Parklands, you’re essentially plugging into Brisbane’s heart in a single, seamless stretch. From dazzling river panoramas to world‑class art, from a beach‑side lounge to a bite of fresh seafood, South Bank delivers a compact, unforgettable taste of Queensland—all without the need for a rental car or a marathon of bus transfers.

So the next time your itinerary gives you a 24‑hour window in Brisbane, skip the checklist of “must‑see” spots and let South Bank be your single, unforgettable destination. Trust me: you’ll step back onto that plane with a grin, a handful of great photos, and a story that says, “I only had a day, but I made it count.”

Happy travels, and may your lay‑over be anything but ordinary! 🌞🚉📸

If I only had one day to stop over in – Montevideo – what would I do?

One‑Day Stopover in Montevideo?

The One Place That Will Make It Unforgettable – Ciudad Vieja (the Old Town)

You’ve just stepped off an international flight, the scent of the Río de la Plata wafts through the airport, and you have exactly 24 hours to soak up Uruguay’s capital. It’s tempting to scatter your time across beaches, museums, and cafés, but if you want to leave Montevideo with a story you’ll actually retell, focus on one place that compresses the city’s soul into a handful of streets: Ciudad Vieja, the historic Old Town.


Why Ciudad Vieja Wins the One‑Place Challenge

What you getHow it fits a 24‑hour lay‑over
Architecture that narrates 200 years of history – from the neoclassical Palacio Salvo to colonial stone houses.A compact, walkable district (≈ 15 min of strolling) that lets you see it all without a frantic schedule.
Cultural highlights in one block – Plaza Independencia, Solís Theatre, the Museo Torres García, and the iconic Gateway of the Constitution.Each landmark is a quick photo‑op or a 10‑minute peek, yet together they paint a vivid portrait of Uruguay’s past and present.
Food that defines Montevideo – the bustling Mercado del Puerto, legendary parrilla (steak) spots, and artisanal coffee cafés.You can grab a world‑class lunch, a quick snack, or a late‑night bite without leaving the area.
Vibrant street life – tango dancers, street artists, and the ever‑present hum of locals in the plazas.Perfect for those “I’m just wandering” moments that turn strangers into friends.
Easy access – a 10‑minute taxi or 20‑minute walk from Carrasco International Airport.No time wasted on long transfers; you’re in the heart of the city almost instantly.

In short, Ciudad Vieja is Montevideo’s living museum, culinary hub, and social lounge all rolled into one – exactly what a short‑stop traveller needs.


A 6‑Hour “Perfect Day” Itinerary in Ciudad Vieja

Tip: Buy a “Montevideo Card” (USD 5) at the airport. It gives you free entry to several museums and a 30‑minute hop‑on hop‑off bus if you feel like hopping back to the airport later.

TimeActivityWhy it matters
08:30 – ArrivalTaxi/ride‑share from the airport to Plaza Independencia (the gateway to the Old Town).The iconic square introduces you to Montevideo’s blend of modernity and tradition.
09:00 – Palacio SalvoSnap a photo of the city’s most recognizable skyline and, if you’re quick, climb the modest observation deck (≈ 5 min).Built in 1928, it’s Montevideo’s answer to the Eiffel Tower – a symbol of ambition.
09:30 – Solís TheatreWalk inside or simply admire the neoclassical façade; catch a brief guided tour if time allows.One of Latin America’s most prestigious theatres; its interior is a golden‑age gem.
10:00 – Museo Torres GarcíaA 20‑minute dive into the work of Uruguay’s avant‑garde master, Joaquín Torres García.The museum is a hidden treasure that showcases the artistic heartbeat of the nation.
10:45 – Coffee Break @ Café BrasilOrder a “café con leche” and a medialuna (croissant‑like pastry).Montevideans take their coffee seriously; this is a perfect pause to people‑watch.
**11:30 – Walk the Calle Sarandí & Calle ABrowse boutique shops, vintage stores, and street‑art murals.The streets themselves are an open‑air gallery, reflecting the city’s contemporary vibe.
12:30 – Mercado del PuertoLunch: Parrillada (mixed grilled meats) + a glass of Tannat or fresh “mate” from a nearby stall.This historic market is the culinary crown jewel of Ciudad Vieja – think of it as Montevideo’s answer to Buenos Aires’ “steakhouse”.
14:00 – Plaza Matriz & CathedralQuick photo stop at the square and the stunning Cathedral of the Immaculate Conception.The square is where festivals happen; the cathedral dates back to 1740.
14:30 – Souvenir HuntPick up a jar of “dulce de leche”, a handmade leather wallet, or a small “candombe” drum.Take a piece of Montevideo home; everything here is made locally.
15:00 – Return to AirportTaxi/ride‑share back to Carrasco (traffic is usually light during midday).You’ll be back with plenty of time for your next flight, and a head full of stories.

Total Time: ~ 6 hours of immersive experiences, plus travel time. You still have a few hours left for a quick beach walk on the Rambla if you feel adventurous, but you’ll leave Montevideo already feeling like you’ve lived a whole week.


Insider Details That Turn a Quick Visit into a Memory

  1. The “Puerta de la Ciudadela” (Gate of the Citadel) – The original entrance to the old fortified settlement. It’s a perfect photo backdrop, especially at golden hour when the light hits the stone arches just right.
  2. Candombe Rhythms on Sundays – If your layover lands on a Sunday, head to Plaza de la Constitución near the gate. Local “candombe” drummers (Afro‑Uruguayan percussion) perform spontaneous shows that echo the city’s African heritage.
  3. Hidden Courtyard at the Palacio Taranco – Even if you don’t have time for the full museum, pop in for a quick look at the courtyard garden; it’s a serene oasis amid the bustling streets.
  4. The “Feria de Tristán Narvaja” – This flea market runs every Saturday. If your stopover includes a Saturday morning, wander the stalls for vintage books, antiques, and quirky souvenirs. It’s less than a 10‑minute walk from Plaza Independencia.
  5. “Mate” Etiquette – When offered a mate (a traditional infused tea) by a local, accept it! It’s a sign of hospitality. You’ll get a quick lesson in the ritual – sip, pass, repeat.

Practical Tips for the One‑Day Explorer

ConcernSolution
Getting there from the airportPre‑book a reputable ride‑share (Uber, Cabify) or use the official Taxi del Aeropuerto service – they have flat rates for the city center (USD 15‑20).
CurrencyUruguay uses the Uruguayan peso (UYU), but most places in Ciudad Vieja also accept USD and credit cards. Have a few pesos for market stalls.
LanguageSpanish is official; however, most restaurant staff and shop owners speak basic English. A simple “Hola, ¿puedo…?” goes a long way.
SafetyCiudad Vieja is safe during daylight. Keep an eye on belongings in crowded spots like the Mercado del Puerto.
LuggageMost hotels/hostels near the airport offer luggage storage for a few dollars. Free yourself to stroll unburdened.
Time zoneMontevideo is UTC‑3 (no daylight‑saving). Adjust your watch accordingly to avoid missing your connecting flight.

The Bottom Line: One Place, Endless Stories

When you have just a day in a city, the temptation is to chase everything. But the most memorable travel moments happen when you immerse yourself in a single, richly layered neighbourhood. In Montevideo, that neighbourhood is Ciudad Vieja – a compact tapestry of history, art, gastronomy, and music that lets you feel the pulse of Uruguay without racing against the clock.

So the next time your itinerary lists a “one‑day stopover in Montevideo,” skip the checklist and head straight to the Old Town. Walk its cobblestones, taste its smoky grills, listen to its drums, and you’ll leave with a story that fits in a paragraph—but feels like a novel.

Bon voyage, and enjoy the heartbeat of Montevideo! 🌎✈️🗺️