Writing a book in 365 days – 125

Day 125

Writing exercise – Sometimes spontaneity is the most sparkling kind of beauty.

Let’s try!

I was sitting in the half light, almost mesmerised by the stroboscopic effect of the light reflecting off the slowly rotating fan.

On a relatively warm, balmy night after a hot day, I’d taken a moment to find an uninhabitable room for some reflection.

The chair was very comfortable, with a wide armrest that on one side rested a tumbler with ice and rum, with a splash of lime.  It wasn’t a drink I’d usually partake in, but tonight, it was almost sublime.

In front of me, the glass patio doors led out onto a paved area, then the southern lawn, and beyond that the sea, with the full moon both illuminating the gardens and shimmering on a calm ocean.

Evert now and then, the gentle breeze would ruffle the leaves of nearby bushes, adding to the soothing effect of near silence and half light.

It would be an understatement to say I was exhausted.  A few difficult cases that required navigating levels of society I was not accustomed to dealing with had left me at odds with both my superiors and the people they had to deal with.

Now, with the latest case solved, though I was not sure everyone was happy with the result, the parents of the young girl who had been assaulted and left for dead had invited me to a celebration of her return to society.

I wasn’t so sure it was what she wanted, but as I understood it, very few people denied her father’s wishes.

I heard a slight rustle to my left, towards the entrance to the room, and I turned my head slightly.

A tall, lissom young girl in a stunning evening gown that, by my estimation, would cost about a year’s salary was standing just inside the doorway.

She had a cocktail in one hand and a cigarette in the other.  The last time I’d seen a picture like that was on the cover of a Great Gatsby book.

“You’re a slippery fellow, aren’t you?”

It was a voice you would never expect from what you saw, one that managed to send shivers down my spine.

“Uncomfortable.”

She had greeted me at the door when I had arrived a few hours earlier, along with her father, mother, and older brother.

“You look rather elegant in a tuxedo.”

She took a few steps further into the room and stood framed by the doorway, with the moon at her back. 

She had physically recovered, but by my estimation, she would take a lot longer to mentally recover.  She had suffered badly at the hands of her attackers.

“Flattery will get you nowhere, Melissa.  I’m only here because your father insisted.  I don’t belong in this world.”

My mind went back to the day she came to visit and handed me the gold-embossed invitation.  I knew then that there was something else in play and did my best to convince her that my role in her life was over.

Being the one who found her and, for all intents and purposes, saved her, she had taken that as a sign.  Her father had recognised it, but for the sake of his ‘little girl’ asked me if I would indulge her until she recovered.

I had, and now it was time to move on.  The only one who didn’t understand was Melissa.

“It’s not fair.  I don’t think I will ever feel safe again.  Daddy just doesn’t understand.”

“I assure you, he does.  He cares a great deal about your welfare.”

“You understand.”

“I understand that you are still feeling vulnerable, and it’s to be expected.  Your father had employed security for you, and I helped him find the right person.  Anna is very good at what she does.”

“But. .”

“There are no buts, Melissa.”  I dragged myself out of the chair and went over to her. “I’ll take you back now.  Many people care about you, and they all want you to get on with your life.  I want you to get on with your life.”

Music drifted in from the ballroom, just down the passage and outside a front door. Her father had brought in a full orchestra. I would be lucky to have a gramophone.

She put down the glass and stubbed out the cigarette.  I watched the last tendrils of smoke rise and then disappear.

“We should dance,” she said, holding out her hand.

“Back in the ballroom.”

“On the patio.  I get self-conscious in front of all those people.  Please?”

One dance, I told myself.

©  Charles Heath  2025

Writing a book in 365 days – 125

Day 125

Writing exercise – Sometimes spontaneity is the most sparkling kind of beauty.

Let’s try!

I was sitting in the half light, almost mesmerised by the stroboscopic effect of the light reflecting off the slowly rotating fan.

On a relatively warm, balmy night after a hot day, I’d taken a moment to find an uninhabitable room for some reflection.

The chair was very comfortable, with a wide armrest that on one side rested a tumbler with ice and rum, with a splash of lime.  It wasn’t a drink I’d usually partake in, but tonight, it was almost sublime.

In front of me, the glass patio doors led out onto a paved area, then the southern lawn, and beyond that the sea, with the full moon both illuminating the gardens and shimmering on a calm ocean.

Evert now and then, the gentle breeze would ruffle the leaves of nearby bushes, adding to the soothing effect of near silence and half light.

It would be an understatement to say I was exhausted.  A few difficult cases that required navigating levels of society I was not accustomed to dealing with had left me at odds with both my superiors and the people they had to deal with.

Now, with the latest case solved, though I was not sure everyone was happy with the result, the parents of the young girl who had been assaulted and left for dead had invited me to a celebration of her return to society.

I wasn’t so sure it was what she wanted, but as I understood it, very few people denied her father’s wishes.

I heard a slight rustle to my left, towards the entrance to the room, and I turned my head slightly.

A tall, lissom young girl in a stunning evening gown that, by my estimation, would cost about a year’s salary was standing just inside the doorway.

She had a cocktail in one hand and a cigarette in the other.  The last time I’d seen a picture like that was on the cover of a Great Gatsby book.

“You’re a slippery fellow, aren’t you?”

It was a voice you would never expect from what you saw, one that managed to send shivers down my spine.

“Uncomfortable.”

She had greeted me at the door when I had arrived a few hours earlier, along with her father, mother, and older brother.

“You look rather elegant in a tuxedo.”

She took a few steps further into the room and stood framed by the doorway, with the moon at her back. 

She had physically recovered, but by my estimation, she would take a lot longer to mentally recover.  She had suffered badly at the hands of her attackers.

“Flattery will get you nowhere, Melissa.  I’m only here because your father insisted.  I don’t belong in this world.”

My mind went back to the day she came to visit and handed me the gold-embossed invitation.  I knew then that there was something else in play and did my best to convince her that my role in her life was over.

Being the one who found her and, for all intents and purposes, saved her, she had taken that as a sign.  Her father had recognised it, but for the sake of his ‘little girl’ asked me if I would indulge her until she recovered.

I had, and now it was time to move on.  The only one who didn’t understand was Melissa.

“It’s not fair.  I don’t think I will ever feel safe again.  Daddy just doesn’t understand.”

“I assure you, he does.  He cares a great deal about your welfare.”

“You understand.”

“I understand that you are still feeling vulnerable, and it’s to be expected.  Your father had employed security for you, and I helped him find the right person.  Anna is very good at what she does.”

“But. .”

“There are no buts, Melissa.”  I dragged myself out of the chair and went over to her. “I’ll take you back now.  Many people care about you, and they all want you to get on with your life.  I want you to get on with your life.”

Music drifted in from the ballroom, just down the passage and outside a front door. Her father had brought in a full orchestra. I would be lucky to have a gramophone.

She put down the glass and stubbed out the cigarette.  I watched the last tendrils of smoke rise and then disappear.

“We should dance,” she said, holding out her hand.

“Back in the ballroom.”

“On the patio.  I get self-conscious in front of all those people.  Please?”

One dance, I told myself.

©  Charles Heath  2025

Writing a book in 365 days – 123/124

Days 123 and 124

A review of the progress of my story

It’s a third of the way through the year, and theoretically a third of the way through the book.

There have been 16 updates so far, which gives the barest of outlines of what the story is about.

This story started when I was away for business, and I woke up disoriented, having suffered a delay in a connection in an airport that really wasn’t a nice place to be. Firstly, I had a good view of the military running security, not the police or the airport security. They had cars with mounted machine guns. They had people walking around the airport with machine guns on full display.

That’s a very frightening scenario when you are not used to it back home.

Then. on arrival in a place where so many people had advised me that no where was really safe, I got there late, had to get a car from the airport to the hotel, and was basically scared half out of my wits that I was going to be kidnapped, killed, or worse.

Then, waking up, the hotel room was hot, there was a fan rotating slowly circulating the turgid air making the atmosphere in the room worse, and that abnormal silence, with the hum of the air conditioning, or other appliances, made me thing, for just one moment, that there had been a coup de etat, the power and communications were out, and I assumed the airports would be closed.

All that was missing was gunfire in the streets.

It doesn’t pay to have an overactive imagination.

Anyway, a piece of paper was shoved under the door, explaining the temporary lack of power, which came back on a few minutes later. But a story was born in those few moments.

I don’t plan, just write, and while I was away, with nothing better to do with my spare time, I threw words on paper, taking advantage of my surroundings, and the type of country it was, the sort that had in the past been subjected to a coup. How hard could it be to add a few agents from the premier spy agencies and have them all vying for a seat at the table?

The only point left was to decide whether to back the rebels or keep paying the military junta the necessary bribes to maintain the premise that it was all in the aid of democracy.

I think my sense of irony saw the idea of holding a human rights conference in a country that abuses human rights as a nod to the stories written by Graham Greene.

So, before I left that city, and country, I had all the basic elements, the environment, the corrupt government with a figurehead leader, the military junta, the fierce and highly dangerous leader of the secret police, the secret police, the notion of rebels, a rebel leader that was missing, feared captured and languishing in a cell somewhere, a bunch of rebels that for want of another description, really had no idea what they were doing.

In other words, the right person, at the right time, in the right place, with the right people, could make this work. Maybe.

Let’s add another couple of elements. There is a proper police force, with real police men from France, the colonial power that looked after the country before it gained independence, a non-corrupt police chief, and, because of the conference, a press corps.

Wondering why I’m mentioning the press corps? Fear no longer. I’ve decided to get the spy agencies to use the cover of journalists for their agents. Well, that was the premise I came up with in the beginning.

So one of the questions I should be asking right about now is, how is the plot holding up? Is it how I envisaged it in the beginning?

Well, since I don’t plan, the answer is yes. Holding up well. However, what has changed as the story has developed? The addition of an assistant, the girl with a checkered past.

Then rather than start slap bang in the middle of waking up in a sweating nightmare, the story starts with the mission that went bad and put our protagonist on the recovery list, and made this mission the first after being shot to pieces, and being the last man standing.

That was the reason for the assistant.

And then I added another element, one that might go before the story ends, the search for reasons why that mission was shot to pieces, and who it was that wanted the organisation, and the man currently in charge of it, to fail.

There’s nothing like having a sub-plot simmering along with the main problem about to blow up in everyone’s face.

Yes, there are rumours of a coup, and everyone is gearing up to square off, perhaps in the catacombs.

Well, it seemed like a good idea at the time to add an underground network of caves that used to be part of the castle defences, the castle that is not the presidential palace.

So parts of the story getting written are:

An intro to the characters, and where they fit into the fabric of the story

A conference, its effect on the people and their rulers, and all those who are here for it

A pre-conference ball, and the first of the rebels’ forays

Endless distractions, and dancing with police, military, and secret police

The story behind the missing rebel leader, or rather, the once-leader of the opposition. We’re not going to be using poison-tipped umbrellas or assassins with poison-laced needles or tossing people out of 20-story windows.

That should be enough to keep me amused.

We’ll be back with another update in a hundred days.

Writing a book in 365 days – 123/124

Days 123 and 124

A review of the progress of my story

It’s a third of the way through the year, and theoretically a third of the way through the book.

There have been 16 updates so far, which gives the barest of outlines of what the story is about.

This story started when I was away for business, and I woke up disoriented, having suffered a delay in a connection in an airport that really wasn’t a nice place to be. Firstly, I had a good view of the military running security, not the police or the airport security. They had cars with mounted machine guns. They had people walking around the airport with machine guns on full display.

That’s a very frightening scenario when you are not used to it back home.

Then. on arrival in a place where so many people had advised me that no where was really safe, I got there late, had to get a car from the airport to the hotel, and was basically scared half out of my wits that I was going to be kidnapped, killed, or worse.

Then, waking up, the hotel room was hot, there was a fan rotating slowly circulating the turgid air making the atmosphere in the room worse, and that abnormal silence, with the hum of the air conditioning, or other appliances, made me thing, for just one moment, that there had been a coup de etat, the power and communications were out, and I assumed the airports would be closed.

All that was missing was gunfire in the streets.

It doesn’t pay to have an overactive imagination.

Anyway, a piece of paper was shoved under the door, explaining the temporary lack of power, which came back on a few minutes later. But a story was born in those few moments.

I don’t plan, just write, and while I was away, with nothing better to do with my spare time, I threw words on paper, taking advantage of my surroundings, and the type of country it was, the sort that had in the past been subjected to a coup. How hard could it be to add a few agents from the premier spy agencies and have them all vying for a seat at the table?

The only point left was to decide whether to back the rebels or keep paying the military junta the necessary bribes to maintain the premise that it was all in the aid of democracy.

I think my sense of irony saw the idea of holding a human rights conference in a country that abuses human rights as a nod to the stories written by Graham Greene.

So, before I left that city, and country, I had all the basic elements, the environment, the corrupt government with a figurehead leader, the military junta, the fierce and highly dangerous leader of the secret police, the secret police, the notion of rebels, a rebel leader that was missing, feared captured and languishing in a cell somewhere, a bunch of rebels that for want of another description, really had no idea what they were doing.

In other words, the right person, at the right time, in the right place, with the right people, could make this work. Maybe.

Let’s add another couple of elements. There is a proper police force, with real police men from France, the colonial power that looked after the country before it gained independence, a non-corrupt police chief, and, because of the conference, a press corps.

Wondering why I’m mentioning the press corps? Fear no longer. I’ve decided to get the spy agencies to use the cover of journalists for their agents. Well, that was the premise I came up with in the beginning.

So one of the questions I should be asking right about now is, how is the plot holding up? Is it how I envisaged it in the beginning?

Well, since I don’t plan, the answer is yes. Holding up well. However, what has changed as the story has developed? The addition of an assistant, the girl with a checkered past.

Then rather than start slap bang in the middle of waking up in a sweating nightmare, the story starts with the mission that went bad and put our protagonist on the recovery list, and made this mission the first after being shot to pieces, and being the last man standing.

That was the reason for the assistant.

And then I added another element, one that might go before the story ends, the search for reasons why that mission was shot to pieces, and who it was that wanted the organisation, and the man currently in charge of it, to fail.

There’s nothing like having a sub-plot simmering along with the main problem about to blow up in everyone’s face.

Yes, there are rumours of a coup, and everyone is gearing up to square off, perhaps in the catacombs.

Well, it seemed like a good idea at the time to add an underground network of caves that used to be part of the castle defences, the castle that is not the presidential palace.

So parts of the story getting written are:

An intro to the characters, and where they fit into the fabric of the story

A conference, its effect on the people and their rulers, and all those who are here for it

A pre-conference ball, and the first of the rebels’ forays

Endless distractions, and dancing with police, military, and secret police

The story behind the missing rebel leader, or rather, the once-leader of the opposition. We’re not going to be using poison-tipped umbrellas or assassins with poison-laced needles or tossing people out of 20-story windows.

That should be enough to keep me amused.

We’ll be back with another update in a hundred days.

Writing a book in 365 days – My story 16

More about my story

So, the jig is up, the ex, well, it’s hard to say what she is now to the protagonist, but let’s say she’s an ex girl friend (two words) and they have discovered they are in the same place at the same time, and knowing what he does, she knows why he is there.

Perhaps it is ‘convenient’ to stay in close proximity, or with her, for her ‘protection’. It’s not an ideal situation.

And, of course, there is the problem of the new assistant, though it should not be a problem, but for some reason, it is causing him angst.

But there it is. It’s not sleeping with the enemy, or is it?

There’s just one small issue that’s been bugging him. After all, it’s always the small things that cause the biggest problems. How did the rebels know where to go in the convention centre, and know where his charge would be, because there was no doubt why they were there, and who they were after?

And what sort of impact they were going to have on the proceedings. In that state, with the secret police and their leader, there was no doubt how that particular episode would end, and it would not be pretty, for anyone, and especially his charge. She would get caught in the crossfire, and he would be the one blamed for the mess.

Stay close was a good plan, but not that close. Well, all very well to take the moral high ground, but alcohol and old times are not a good mix.

Is there going to be another attempt?

You’ll have to wait and find out.

Writing a book in 365 days – My story 16

More about my story

So, the jig is up, the ex, well, it’s hard to say what she is now to the protagonist, but let’s say she’s an ex girl friend (two words) and they have discovered they are in the same place at the same time, and knowing what he does, she knows why he is there.

Perhaps it is ‘convenient’ to stay in close proximity, or with her, for her ‘protection’. It’s not an ideal situation.

And, of course, there is the problem of the new assistant, though it should not be a problem, but for some reason, it is causing him angst.

But there it is. It’s not sleeping with the enemy, or is it?

There’s just one small issue that’s been bugging him. After all, it’s always the small things that cause the biggest problems. How did the rebels know where to go in the convention centre, and know where his charge would be, because there was no doubt why they were there, and who they were after?

And what sort of impact they were going to have on the proceedings. In that state, with the secret police and their leader, there was no doubt how that particular episode would end, and it would not be pretty, for anyone, and especially his charge. She would get caught in the crossfire, and he would be the one blamed for the mess.

Stay close was a good plan, but not that close. Well, all very well to take the moral high ground, but alcohol and old times are not a good mix.

Is there going to be another attempt?

You’ll have to wait and find out.

Writing a book in 365 days – 122

Day 122

The use and abuse of obscenities.

I’ll say it straight up: I don’t believe it’s necessary to use obscenities in most of my stories, and I don’t. They do appear in the odd story, but you can count on the fingers of one hand how many times I use these words.

Sometimes, the odd ‘f’ word or the ‘s’ word is used for dramatic effect, but there are others that I would never use. The point is that I rarely use those words in general speech myself. I don’t see the point.

But..

All around me, wherever I go, the language is terrible, and by people so young they should not, and probably don’t know the meaning of the words they are using. My grandchildren use that language as a matter of speaking and forget sometimes that we don’t like to hear it, but they are getting better. i know for a fact that my two children use it all the time, so it’s a case of what you hear all the time in the home is what you consider normal.

I’m told all the kids at school swear, so I’m guessing there’s no discipline to stamp it out. These days, teachers have no authority to do anything, so it’s only going to get worse.

So, while I don’t appreciate it, and try not to go to any movies that have obscene language, which means we don’t see very many, or watch TV shows with it, I don’t use it as an excuse not to read something that I’ve been asked to critique. I have to get on board with the way the wind is blowing.

But I don’t have to like it.

And yes, as you’ve probably guessed, I’m one of those really old fuddy-duddies.

Writing a book in 365 days – 122

Day 122

The use and abuse of obscenities.

I’ll say it straight up: I don’t believe it’s necessary to use obscenities in most of my stories, and I don’t. They do appear in the odd story, but you can count on the fingers of one hand how many times I use these words.

Sometimes, the odd ‘f’ word or the ‘s’ word is used for dramatic effect, but there are others that I would never use. The point is that I rarely use those words in general speech myself. I don’t see the point.

But..

All around me, wherever I go, the language is terrible, and by people so young they should not, and probably don’t know the meaning of the words they are using. My grandchildren use that language as a matter of speaking and forget sometimes that we don’t like to hear it, but they are getting better. i know for a fact that my two children use it all the time, so it’s a case of what you hear all the time in the home is what you consider normal.

I’m told all the kids at school swear, so I’m guessing there’s no discipline to stamp it out. These days, teachers have no authority to do anything, so it’s only going to get worse.

So, while I don’t appreciate it, and try not to go to any movies that have obscene language, which means we don’t see very many, or watch TV shows with it, I don’t use it as an excuse not to read something that I’ve been asked to critique. I have to get on board with the way the wind is blowing.

But I don’t have to like it.

And yes, as you’ve probably guessed, I’m one of those really old fuddy-duddies.

Writing a book in 365 days – 121

Day 121

Word work is sublime – so is the writing we produce, the measure of our lives?

I guess it depends on what you write. Certainly, if you were to ask me if my writing was to a certain extent based on my life experiences, or at the very least, influenced by my life experiences, I’d probably have to say it was.

I mean, what else can you write about? Someone else’s life experiences. Perhaps, if you have a passion for writing other people’s biographies.

Otherwise, what we may see, consciously or unconsciously, is the baring of your soul in your writing.

Of course, if you are a prolific reader and you have an interest in the ways of what the world used to be like, or the particular ways of a certain group of people, this acquired knowledge might also turn up in your work.

As a writer of period romances, or stories that have their setting in days past, a great amount of research might be required to capture the places, the people, and how they behaved or reacted in those days, because not a lot of those old ways are around today.

Back then, they didn’t have mobile phones or any phones at all. They certainly couldn’t;t jump on a plane and be on the other side of the country in a matter of hours, or on the other side of the world in half a day. Travel used to be by ship and took weeks, even months, to get from one side of the world to the other.

Trains were different, run by steam, and took longer to get to destinations; cars were rare and only affordable for the rich, and places like Africa, and the Middle East, even the Orient, were totally different than they are today, and a person who lived in that time would be shocked at how the world had changed particularly since the end of the second world war.

We only know of today, and what life is like now. Some of us know what the world was like 50 years ago, and it was different then, there was still a British Commonwealth, and we still learned about the British Empire and its kings and Queens. America was a different place, but the only way we knew of it;s colourful past was through the movies Hollywood made.

And the diversity that was out there in the world was only brought to us by immigration from all over the world.

So, we are products of out times, our words reflect what we knew, and what we know, and our perception of the world changes with each new generation of writers who entertain us with their vision of our world, the measure of what our lives are now, and not what they once were.

And some would argue that change is not always for the better.

Writing a book in 365 days – 121

Day 121

Word work is sublime – so is the writing we produce, the measure of our lives?

I guess it depends on what you write. Certainly, if you were to ask me if my writing was to a certain extent based on my life experiences, or at the very least, influenced by my life experiences, I’d probably have to say it was.

I mean, what else can you write about? Someone else’s life experiences. Perhaps, if you have a passion for writing other people’s biographies.

Otherwise, what we may see, consciously or unconsciously, is the baring of your soul in your writing.

Of course, if you are a prolific reader and you have an interest in the ways of what the world used to be like, or the particular ways of a certain group of people, this acquired knowledge might also turn up in your work.

As a writer of period romances, or stories that have their setting in days past, a great amount of research might be required to capture the places, the people, and how they behaved or reacted in those days, because not a lot of those old ways are around today.

Back then, they didn’t have mobile phones or any phones at all. They certainly couldn’t;t jump on a plane and be on the other side of the country in a matter of hours, or on the other side of the world in half a day. Travel used to be by ship and took weeks, even months, to get from one side of the world to the other.

Trains were different, run by steam, and took longer to get to destinations; cars were rare and only affordable for the rich, and places like Africa, and the Middle East, even the Orient, were totally different than they are today, and a person who lived in that time would be shocked at how the world had changed particularly since the end of the second world war.

We only know of today, and what life is like now. Some of us know what the world was like 50 years ago, and it was different then, there was still a British Commonwealth, and we still learned about the British Empire and its kings and Queens. America was a different place, but the only way we knew of it;s colourful past was through the movies Hollywood made.

And the diversity that was out there in the world was only brought to us by immigration from all over the world.

So, we are products of out times, our words reflect what we knew, and what we know, and our perception of the world changes with each new generation of writers who entertain us with their vision of our world, the measure of what our lives are now, and not what they once were.

And some would argue that change is not always for the better.