Writing a book in 365 days – 235/236

Day 235 and Day 236

Imagine a story about an affair that disrupts the life of a married couple.

I put the phone down and leaned back in the chair.

It was not what I expected, and then it was.  I just didn’t think I’d get to hear about it.

And it was nothing I did that precipitated the call.  That came from someone else, a person I was not pleased with.  Saying they would do something after I said I didn’t care showed poor judgment.

I could understand why they did, and in other circumstances, I would probably not feel as bad, but their actions had forced my hand.

“Sir?”

James, the butler who had served my father, then me, the very soul of discretion, looked over from the sideboard.

The question, in not so many words, was whether I wanted a drink, not whether I needed one.  The truth was, I needed one.

A nod in his direction, he put ice in a crystal glass and poured a small quantity of Scotch into it.  He placed it on a tray and brought it over.

“Thank you, James.  That will be all.”

“Yes, sir.  Good night, sir.”

Silence reigned after the door closed for a few minutes before my cell phone, sitting on the armrest of the chair, buzzed.

I looked at the screen.  “Cecily.”

My sister was calling.  Why?  Our business was concluded the week before, and she had promised not to call me unless it was absolutely necessary.  She wanted to run the company her way, and I was happy for her to do so.

I shrugged and answered it.

“Yes, Cecily?”

“I just had a strange call from Jack Burroughs.”

Jack Burroughs was the Chief Financial Officer.  He moved in strange, or what I called strange, circles.  He was also just a little strange himself, but work-related, he was a genius.

“He is strange, Cecily.”

“He told me he saw Margaret in a …” and then didn’t, or couldn’t bring herself to use the words.

I didn’t think she knew that Burroughs was gay simply because he didn’t identify as one. 

“He saw her at Moreno’s.”  Moreno’s was an obscure bar that celebrities sometimes went to so they would not make the media headlines. When I didn’t answer immediately, she took a deep breath, then said, “You know?”

“I got a call from someone else.”

“What is she doing there?”

“What do you think she is doing there?”

Silence as she grappled with the ramifications.

“So, you knew that she was…?”

“I suspected.  She told me before we married that she had been in a relationship with a girl, and it wasn’t who she thought she was.  Seems it’s not the case, and they’re back together.”

“What are you going to do?”

“It’s done.  I’m no longer part of the company or anything.  There’s the prenuptial you insisted on, so no one is walking away from this with anything.  It hasn’t been much of a relationship for nearly six months now, so I’m going to break the news that there’s no more money and we’re moving to the log cabin, courtesy of your generosity.”

“Oh.  Make me the bad guy.”

“You’ll make such a good one.  Don’t worry yourself.  I’m disappointed, but it’s not unexpected.  And I’ll get over it.  I am going to the log cabin, by the way, in the next few days.”

“OK.  Call me if you need anything.”

She took it better than I thought she would.

I waited.

I thought about watching a movie or reading a book, but in the end, I decided to do some reading of a different sort.  I had been sent a prospectus and background paper on a new concept car, one that wasn’t going to destroy the world.

By the time I got through to the end, three hundred pages of technical details that I would have to pass to the research department, I heard the front door open and close.

Frances had returned.

I looked at the clock, and it was 3:13 in the morning.

I heard her take that first step up the staircase to the room, then stopped.  Perhaps she had seen the light under the door in the sitting room.

A moment later, she appeared in the doorway.  She still had that ability to make my heart miss a beat every time I saw her.

I wondered then I’d she ever really loved me.

“You’re up late.”

“Reading, lost track of time.”

“Oh.”  She came in and sat opposite me, slightly askew on the chair.  She never really sat properly in the chair or any chair.

“Did you have a good night?”

She had said she was going out with some of her old friends from school days, and technically, she was not lying.

“I did.”  She gave me a curious look.  “Eloise was there.”

Eloise was the previous girlfriend.  I had our legal department check up on her, and she was one of those people whose private life was private.  She wasn’t married, had male friends, but was financially independent.

I never understood why she had picked Margaret as her lover, but I  freely admit I didn’t know much about love.

“You did say they were your old friends.  Was she happy to see you?”

Again, another curious look, though this time, is more wary.

She sighed.  “How long have you known?” 

“Long enough.  And before you say anything, I’m not surprised.  I haven’t really been there for you of late.  I’m sorry.”

“Who told you?”

“Would you believe me?”

“Eloise.”

“She said you were unhappy when you ran into each other.  It just grew from there.  She said she had never stopped loving you.  I can see why.”

“She asked me to come back.”

“And?”

“I am married to you.  You are my husband, and people have expectations.  You might have expectations.”

I shrugged.  “Maybe once upon a time, but now?  I’m no longer working for the company or any part of it.  Everything I had, the company owned.  If you so desire, you can leave without regret.  There’s nothing more for you to do.”

“You’ll still be that many about town.”

“No.  You’ll find that once people discover you have nothing, no job, no wealth, no status, they simply stop calling and stop inviting.  Cecily had offered me the use of a log cabin my father used to go to when he needed a few days away.  Montana or Wyoming or some such place.”

“Are you alright?  I mean, the company and everything.  It’s your life.”

“Not any more.  It’s Cecily’s now.  Everything.”

“When?”

“About two months ago.  When I realised that whatever we had was over.  Like I said, I don’t blame you.  I did to you what my father did to my mother.  Things are a little different in my case.  You found someone else to fill that void.  My mother simply killed herself.”

It had been preventable, and I had blamed my father for it.  It culminated in the argument that killed him.  Yelling at me, he had a heart attack and dropped dead in front of me.  I hadn’t recovered from that, but bounced into this relationship, then married, and some could say it was doomed from the start.

“I’m sorry.  Why didn’t you tell me?”

“I don’t know.  I was trying to get past it, but instead of sharing, I just threw myself into the job.  There was no need to burden yourself with my problems.”

She shook her head.  “That was silly.  I made the commitment and would have helped in any way I could.  It might have brought us closer together.”

“Or pushed you away.  You can not change who you are, Frances.  It will always be there, and if you have to fight it, it will eventually be a fight you will lose.  I don’t want that for you.”

“But what about you?”

“I’m fine. I’ll get to read the classic, sit by a light fire, catch and eat food that is fresh, not supermarket fresh.  The fresh mountain air, well, that might kill me or cure me.”

She sat, the conversation seemingly over, adjusting her dress and then readjusting it as if something was not quite right.  I knew she preferred tank tops, short skirts, and jeans to the expensive clothes she believed she had to wear.

“I can stay, if you like.  Go up to the cabin, wherever it is.  Are there bears and snakes?”

“Probably.  You don’t have to, but you can’t stay here.  You can take what’s yours, though, but it will have to be before the end of the week.”

She gave me a steely look.  “Then it’s over, we’re over?”

“Yes.  You should have told me, Frances.  I deserved at least that much.”

“I know.  I’m sorry.”

There was another knock on the door.  For the hour of the morning, it was quite busy.

James came out to open it, then ushered the visitor in.  Eloise.

I saw Frances glance at her and mouth the words, “Why are you here?”

“I’ve come to take Frances home.”  She said it in a tone that suggested she wouldn’t take no for an answer.

I looked at her.  “I have no objection if that’s what you think.  Frances has always been free to decide what she wants to do.  I only asked if she was intending to get into trouble, that she be discreet.”

“It has always been so

“Until you went to Moreno’s, which was a calculated move on your part.  Whatever your reasons, it was wasted effort.  I have nothing, I own nothing, nor does Frances.”

“It was not about the money,” Frances said, looking at Eloise, and her expression was priceless.  “Was it?”

Eloise looked at me.  “You’re in the top one hundred richest men in the country.  You can’t tell me that just disappeared overnight.”

“No, you’re right, it didn’t.  That happened last week when I signed the final documents to give it all to my sister Cecily.  I had reached the end of my association, and the company rules state that I could only be in charge for five years, at the end of which I have to walk away.  I didn’t have to forgo my personal wealth during the process, but having it all wasn’t the same as having everything.  Frances, according to her agreement, will be equally as penniless the moment she walks out of this apartment.  She now owns as much as I do.  Nothing. I truly hope you were not asking her to come back because she was about to become a billionaire.”

Judging by the expression on Eloise’s face, I think that was exactly what she believed.

Eloise swivelled on Frances.  “Is this true?”

“Why does it matter?”

“You are entitled to half of everything he had, prenuptial or not.  Even your lawyers would…”

And there she stopped, perhaps realising what she had said and done, because Frances was greatly surprised, and her expression, to me, didn’t augur well for their relationship lasting.

Her tone was soft, and there was a slight tremor in her voice. Perhaps now the full realisation of Eloise’s intent was clear,  “Even if I didn’t divorce him, there was never any money.  There never was because I never needed it.  I had nice things, but they were never mine, and I have no claim on them, nor would I want to.  I told you a while back that I’ve had enough of the high life.  Now I think I would prefer to embrace the country air in Wyoming.”

Perhaps Eloise, too, was beginning to see what the reality of the situation was.  I got the impression Frances had tried to tell her, and she wouldn’t listen. 

“I thought…” Eloise began.

“She was about to become mega-rich?” I finished the sentence for her.  “No.”

I could see the expression on Frances’ face change from surprise, to shock, to something bordering on anger, if not rage.  And come to the same conclusion about the same time I did. 

“You didn’t just run into me, did you?”  Frances said, so quietly I almost missed it.

“You’re a silly girl who will never have anything.  Not unless you stand up for yourself.  I’ll show myself out.”

We both watched her leave.

©  Charles Heath 2025

Another excerpt from “Strangers We’ve Become” – A sequel to ‘What Sets Us Apart’

It was the first time in almost a week that I made the short walk to the cafe alone.  It was early, and the chill of the morning was still in the air.  In summer, it was the best time of the day.  When Susan came with me, it was usually much later, when the day was much warmer and less tolerable.

On the morning of the third day of her visit, Susan said she was missing the hustle and bustle of London, and by the end of the fourth she said, in not so many words, she was over being away from ‘civilisation’.  This was a side of her I had not seen before, and it surprised me.

She hadn’t complained, but it was making her irritable.  The Susan that morning was vastly different to the Susan on the first day.  So much, I thought, for her wanting to ‘reconnect’, the word she had used as the reason for coming to Greve unannounced.

It was also the first morning I had time to reflect on her visit and what my feelings were towards her.  It was the reason I’d come to Greve: to soak up the peace and quiet and think about what I was going to do with the rest of my life.

I sat in my usual corner.  Maria, one of two waitresses, came out, stopped, and there was no mistaking the relief in her manner.  There was an air of tension between Susan and Maria I didn’t understand, and it seemed to emanate from Susan rather than the other way around.  I could understand her attitude if it was towards Alisha, but not Maria.  All she did was serve coffee and cake.

When Maria recovered from the momentary surprise, she said, smiling, “You are by yourself?”  She gave a quick glance in the direction of my villa, just to be sure.

“I am this morning.  I’m afraid the heat, for one who is not used to it, can be quite debilitating.  I’m also afraid it has had a bad effect on her manners, for which I apologise.  I cannot explain why she has been so rude to you.”

“You do not have to apologise for her, David, but it is of no consequence to me.  I have had a lot worse.  I think she is simply jealous.”

It had crossed my mind, but there was no reason for her to be.  “Why?”

“She is a woman, I am a woman, she thinks because you and I are friends, there is something between us.”

It made sense, even if it was not true.  “Perhaps if I explained…”

Maria shook her head.  “If there is a hole in the boat, you should not keep bailing but try to plug the hole.  My grandfather had many expressions, David.  If I may give you one piece of advice, as much as it is none of my business, you need to make your feelings known, and if they are not as they once were, and I think they are not, you need to tell her.  Before she goes home.”

Interesting advice.  Not only a purveyor of excellent coffee, but Maria was also a psychiatrist who had astutely worked out my dilemma.  What was that expression, ‘not just a pretty face’?

“Is she leaving soon?” I asked, thinking Maria knew more about Susan’s movements than I did.

“You would disappoint me if you had not suspected as much.  Susan was having coffee and talking to someone in her office on a cell phone.  It was an intense conversation.  I should not eavesdrop, but she said being here was like being stuck in hell.  It is a pity she does not share your love for our little piece of paradise, is it not?”

“It is indeed.  And you’re right.  She said she didn’t have a phone, but I know she has one.  She just doesn’t value the idea of getting away from the office.  Perhaps her role doesn’t afford her that luxury.”

And perhaps Alisha was right about Maria, that I should be more careful.  She had liked Maria the moment she saw her.  We had sat at this very table, the first day I arrived.  I would have travelled alone, but Prendergast, my old boss, liked to know where ex-employees of the Department were, and what they were doing.

She sighed.  “I am glad I am just a waitress.  Your usual coffee and cake?”

“Yes, please.”

Several months had passed since we had rescued Susan from her despotic father; she had recovered faster than we had thought, and settled into her role as the new Lady Featherington, though she preferred not to use that title, but go by the name of Lady Susan Cheney.

I didn’t get to be a Lord, or have any title, not that I was expecting one.  What I had expected was that Susan, once she found her footing as head of what seemed to be a commercial empire, would not have time for details like husbands, particularly when our agreement made before the wedding gave either of us the right to end it.

There was a moment when I visited her recovering in the hospital, where I was going to give her the out, but I didn’t, and she had not invoked it.  We were still married, just not living together.

This visit was one where she wanted to ‘reconnect’ as she called it, and invite me to come home with her.  She saw no reason why we could not resume our relationship, conveniently forgetting she indirectly had me arrested for her murder, charges both her mother and Lucy vigorously pursued, and had the clone not returned to save me, I might still be in jail.

It was not something I would forgive or forget any time soon.

There were other reasons why I was reluctant to stay with her, like forgetting small details, an irregularity in her character I found odd.  She looked the same, she sounded the same, she basically acted the same, but my mind was telling me something was not right.  It was not the Susan I first met, even allowing for the ordeal she had been subjected to.

But, despite those misgivings, there was no question in my mind that I still loved her, and her clandestine arrival had brought back all those feelings.  But as the days passed, I began to get the impression my feelings were one-sided and she was just going through the motions.

Which brought me to the last argument, earlier, where I said if I went with her, it would be business meetings, social obligations, and quite simply her ‘celebrity’ status that would keep us apart.  I reminded her that I had said from the outset I didn’t like the idea of being in the spotlight, and when I reiterated it, she simply brushed it off as just part of the job, adding rather strangely that I always looked good in a suit.  The flippancy of that comment was the last straw, and I left before I said something I would regret.

I knew I was not a priority.  Maybe somewhere inside me, I had wanted to be a priority, and I was disappointed when I was not.

And finally, there was Alisha.  Susan, at the height of the argument, had intimated she believed I had an affair with her, but that elephant was always in the room whenever Alisha was around.  It was no surprise when I learned Susan had asked Prendergast to reassign her to other duties. 

At least I knew what my feelings for Alisha were, and there were times when I had to remember she was persona non grata.  Perhaps that was why Susan had her banished, but, again, a small detail; jealousy was not one of Susan’s traits when I first knew her.

Perhaps it was time to set Susan free.

When I swung around to look in the direction of the lane where my villa was, I saw Susan.  She was formally dressed, not in her ‘tourist’ clothes, which she had bought from one of the local clothing stores.  We had fun that day, shopping for clothes, a chore I’d always hated.  It had been followed by a leisurely lunch, lots of wine and soul searching.

It was the reason why I sat in this corner; old habits die hard.  I could see trouble coming from all directions, not that Susan was trouble or at least I hoped not, but it allowed me the time to watch her walking towards the cafe in what appeared to be short, angry steps; perhaps the culmination of the heat wave and our last argument.

She glared at me as she sat, dropping her bag beside her on the ground, where I could see the cell phone sitting on top.  She followed my glance down, and then she looked unrepentant back at me.

Maria came back at the exact moment she was going to speak.  I noticed Maria hesitate for a second when she saw Susan, then put her smile in place to deliver my coffee.

Neither spoke nor looked at each other.  I said, “Susan will have what I’m having, thanks.”

Maria nodded and left.

“Now,” I said, leaning back in my seat, “I’m sure there’s a perfectly good explanation as to why you didn’t tell me about the phone, but that first time you disappeared, I’d guessed you needed to keep in touch with your business interests.  I thought it somewhat unwisethat you should come out when the board of one of your companies was trying to remove you, because of what was it, an unexplained absence?  All you had to do was tell me there were problems and you needed to remain at home to resolve them.”

My comment elicited a sideways look, with a touch of surprise.

“It was unfortunate timing on their behalf, and I didn’t want you to think everything else was more important than us.  There were issues before I came, and I thought the people at home would be able to manage without me for at least a week, but I was wrong.”

“Why come at all.  A phone call would have sufficed.”

“I had to see you, talk to you.  At least we have had a chance to do that.  I’m sorry about yesterday.  I once told you I would not become my mother, but I’m afraid I sounded just like her.  I misjudged just how much this role would affect me, and truly, I’m sorry.”

An apology was the last thing I expected.

“You have a lot of work to do catching up after being away, and of course, in replacing your mother and gaining the requisite respect as the new Lady Featherington.  I think it would be for the best if I were not another distraction.  We have plenty of time to reacquaint ourselves when you get past all these teething issues.”

“You’re not coming with me?”  She sounded disappointed.

“I think it would be for the best if I didn’t.”

“Why?”

“It should come as no surprise to you that I’ve been keeping an eye on your progress.  You are so much better doing your job without me.  I told your mother once that when the time came I would not like the responsibilities of being your husband.  Now that I have seen what it could possibly entail, I like it even less.  You might also want to reconsider our arrangement, after all, we only had a marriage of convenience, and now that those obligations have been fulfilled, we both have the option of terminating it.  I won’t make things difficult for you if that’s what you want.”

It was yet another anomaly, I thought; she should look distressed, and I would raise the matter of that arrangement.  Perhaps she had forgotten the finer points.  I, on the other hand, had always known we would not last forever.  The perplexed expression, to me, was a sign she might have forgotten.

Then, her expression changed.  “Is that what you want?”

“I wasn’t madly in love with you when we made that arrangement, so it was easy to agree to your terms, but inexplicably, since then, my feelings for you changed, and I would be sad if we parted ways.  But the truth is, I can’t see how this is going to work.”

“In saying that, do you think I don’t care for you?”

That was exactly what I was thinking, but I wasn’t going to voice that opinion out loud.  “You spent a lot of time finding new ways to make my life miserable, Susan.  You and that wretched friend of yours, Lucy.  While your attitude improved after we were married, that was because you were going to use me when you went to see your father, and then almost let me go to prison for your murder.”

“I had nothing to do with that, other than to leave, and I didn’t agree with Lucy that you should be made responsible for my disappearance.  I cannot be held responsible for the actions of my mother.  She hated you; Lucy didn’t understand you, and Millie told me I was stupid for not loving you in return, and she was right.  Why do you think I gave you such a hard time?  You made it impossible not to fall in love with you, and it nearly changed my mind about everything I’d been planning so meticulously.  But perhaps there was a more subliminal reason why I did because after I left, I wanted to believe, if anything went wrong, you would come and find me.”

“How could you possibly know that I’d even consider doing something like that, given what you knew about me?”

“Prendergast made a passing comment when my mother asked him about you; he told us you were very good at finding people and even better at fixing problems.”

“And yet here we are, one argument away from ending it.”

I could see Maria hovering, waiting for the right moment to deliver her coffee, then go back and find Gianna, the café owner, instead.  Gianna was more abrupt and, for that reason, was rarely seen serving the customers.  Today, she was particularly cantankerous, banging the cake dish on the table and frowning at Susan before returning to her kitchen.  Gianna didn’t like Susan either.

Behind me, I heard a car stop, and when she looked up, I knew it was for her.  She had arrived with nothing, and she was leaving with nothing.

She stood.  “Last chance.”

“Forever?”

She hesitated and then shook away the look of annoyance on her face.  “Of course not.  I wanted you to come back with me so we could continue working on our relationship.  I agree there are problems, but it’s nothing we can’t resolve if we try.”

I had been trying.  “It’s too soon for both of us, Susan.  I need to be able to trust you, and given the circumstances, and all that water under the bridge, I’m not sure if I can yet.”

She frowned at me.  “As you wish.”  She took an envelope out of her bag and put it on the table.  “When you are ready, it’s an open ticket home.  Please make it sooner rather than later.  Despite what you think of me, I have missed you, and I have no intention of ending it between us.”

That said, she glared at me for a minute, shook her head, then walked to the car.  I watched her get in and the car drive slowly away.

No kiss, no touch, no looking back. 

© Charles Heath 2018-2025

strangerscover9

Writing a book in 365 days – 235/236

Day 235 and Day 236

Imagine a story about an affair that disrupts the life of a married couple.

I put the phone down and leaned back in the chair.

It was not what I expected, and then it was.  I just didn’t think I’d get to hear about it.

And it was nothing I did that precipitated the call.  That came from someone else, a person I was not pleased with.  Saying they would do something after I said I didn’t care showed poor judgment.

I could understand why they did, and in other circumstances, I would probably not feel as bad, but their actions had forced my hand.

“Sir?”

James, the butler who had served my father, then me, the very soul of discretion, looked over from the sideboard.

The question, in not so many words, was whether I wanted a drink, not whether I needed one.  The truth was, I needed one.

A nod in his direction, he put ice in a crystal glass and poured a small quantity of Scotch into it.  He placed it on a tray and brought it over.

“Thank you, James.  That will be all.”

“Yes, sir.  Good night, sir.”

Silence reigned after the door closed for a few minutes before my cell phone, sitting on the armrest of the chair, buzzed.

I looked at the screen.  “Cecily.”

My sister was calling.  Why?  Our business was concluded the week before, and she had promised not to call me unless it was absolutely necessary.  She wanted to run the company her way, and I was happy for her to do so.

I shrugged and answered it.

“Yes, Cecily?”

“I just had a strange call from Jack Burroughs.”

Jack Burroughs was the Chief Financial Officer.  He moved in strange, or what I called strange, circles.  He was also just a little strange himself, but work-related, he was a genius.

“He is strange, Cecily.”

“He told me he saw Margaret in a …” and then didn’t, or couldn’t bring herself to use the words.

I didn’t think she knew that Burroughs was gay simply because he didn’t identify as one. 

“He saw her at Moreno’s.”  Moreno’s was an obscure bar that celebrities sometimes went to so they would not make the media headlines. When I didn’t answer immediately, she took a deep breath, then said, “You know?”

“I got a call from someone else.”

“What is she doing there?”

“What do you think she is doing there?”

Silence as she grappled with the ramifications.

“So, you knew that she was…?”

“I suspected.  She told me before we married that she had been in a relationship with a girl, and it wasn’t who she thought she was.  Seems it’s not the case, and they’re back together.”

“What are you going to do?”

“It’s done.  I’m no longer part of the company or anything.  There’s the prenuptial you insisted on, so no one is walking away from this with anything.  It hasn’t been much of a relationship for nearly six months now, so I’m going to break the news that there’s no more money and we’re moving to the log cabin, courtesy of your generosity.”

“Oh.  Make me the bad guy.”

“You’ll make such a good one.  Don’t worry yourself.  I’m disappointed, but it’s not unexpected.  And I’ll get over it.  I am going to the log cabin, by the way, in the next few days.”

“OK.  Call me if you need anything.”

She took it better than I thought she would.

I waited.

I thought about watching a movie or reading a book, but in the end, I decided to do some reading of a different sort.  I had been sent a prospectus and background paper on a new concept car, one that wasn’t going to destroy the world.

By the time I got through to the end, three hundred pages of technical details that I would have to pass to the research department, I heard the front door open and close.

Frances had returned.

I looked at the clock, and it was 3:13 in the morning.

I heard her take that first step up the staircase to the room, then stopped.  Perhaps she had seen the light under the door in the sitting room.

A moment later, she appeared in the doorway.  She still had that ability to make my heart miss a beat every time I saw her.

I wondered then I’d she ever really loved me.

“You’re up late.”

“Reading, lost track of time.”

“Oh.”  She came in and sat opposite me, slightly askew on the chair.  She never really sat properly in the chair or any chair.

“Did you have a good night?”

She had said she was going out with some of her old friends from school days, and technically, she was not lying.

“I did.”  She gave me a curious look.  “Eloise was there.”

Eloise was the previous girlfriend.  I had our legal department check up on her, and she was one of those people whose private life was private.  She wasn’t married, had male friends, but was financially independent.

I never understood why she had picked Margaret as her lover, but I  freely admit I didn’t know much about love.

“You did say they were your old friends.  Was she happy to see you?”

Again, another curious look, though this time, is more wary.

She sighed.  “How long have you known?” 

“Long enough.  And before you say anything, I’m not surprised.  I haven’t really been there for you of late.  I’m sorry.”

“Who told you?”

“Would you believe me?”

“Eloise.”

“She said you were unhappy when you ran into each other.  It just grew from there.  She said she had never stopped loving you.  I can see why.”

“She asked me to come back.”

“And?”

“I am married to you.  You are my husband, and people have expectations.  You might have expectations.”

I shrugged.  “Maybe once upon a time, but now?  I’m no longer working for the company or any part of it.  Everything I had, the company owned.  If you so desire, you can leave without regret.  There’s nothing more for you to do.”

“You’ll still be that many about town.”

“No.  You’ll find that once people discover you have nothing, no job, no wealth, no status, they simply stop calling and stop inviting.  Cecily had offered me the use of a log cabin my father used to go to when he needed a few days away.  Montana or Wyoming or some such place.”

“Are you alright?  I mean, the company and everything.  It’s your life.”

“Not any more.  It’s Cecily’s now.  Everything.”

“When?”

“About two months ago.  When I realised that whatever we had was over.  Like I said, I don’t blame you.  I did to you what my father did to my mother.  Things are a little different in my case.  You found someone else to fill that void.  My mother simply killed herself.”

It had been preventable, and I had blamed my father for it.  It culminated in the argument that killed him.  Yelling at me, he had a heart attack and dropped dead in front of me.  I hadn’t recovered from that, but bounced into this relationship, then married, and some could say it was doomed from the start.

“I’m sorry.  Why didn’t you tell me?”

“I don’t know.  I was trying to get past it, but instead of sharing, I just threw myself into the job.  There was no need to burden yourself with my problems.”

She shook her head.  “That was silly.  I made the commitment and would have helped in any way I could.  It might have brought us closer together.”

“Or pushed you away.  You can not change who you are, Frances.  It will always be there, and if you have to fight it, it will eventually be a fight you will lose.  I don’t want that for you.”

“But what about you?”

“I’m fine. I’ll get to read the classic, sit by a light fire, catch and eat food that is fresh, not supermarket fresh.  The fresh mountain air, well, that might kill me or cure me.”

She sat, the conversation seemingly over, adjusting her dress and then readjusting it as if something was not quite right.  I knew she preferred tank tops, short skirts, and jeans to the expensive clothes she believed she had to wear.

“I can stay, if you like.  Go up to the cabin, wherever it is.  Are there bears and snakes?”

“Probably.  You don’t have to, but you can’t stay here.  You can take what’s yours, though, but it will have to be before the end of the week.”

She gave me a steely look.  “Then it’s over, we’re over?”

“Yes.  You should have told me, Frances.  I deserved at least that much.”

“I know.  I’m sorry.”

There was another knock on the door.  For the hour of the morning, it was quite busy.

James came out to open it, then ushered the visitor in.  Eloise.

I saw Frances glance at her and mouth the words, “Why are you here?”

“I’ve come to take Frances home.”  She said it in a tone that suggested she wouldn’t take no for an answer.

I looked at her.  “I have no objection if that’s what you think.  Frances has always been free to decide what she wants to do.  I only asked if she was intending to get into trouble, that she be discreet.”

“It has always been so

“Until you went to Moreno’s, which was a calculated move on your part.  Whatever your reasons, it was wasted effort.  I have nothing, I own nothing, nor does Frances.”

“It was not about the money,” Frances said, looking at Eloise, and her expression was priceless.  “Was it?”

Eloise looked at me.  “You’re in the top one hundred richest men in the country.  You can’t tell me that just disappeared overnight.”

“No, you’re right, it didn’t.  That happened last week when I signed the final documents to give it all to my sister Cecily.  I had reached the end of my association, and the company rules state that I could only be in charge for five years, at the end of which I have to walk away.  I didn’t have to forgo my personal wealth during the process, but having it all wasn’t the same as having everything.  Frances, according to her agreement, will be equally as penniless the moment she walks out of this apartment.  She now owns as much as I do.  Nothing. I truly hope you were not asking her to come back because she was about to become a billionaire.”

Judging by the expression on Eloise’s face, I think that was exactly what she believed.

Eloise swivelled on Frances.  “Is this true?”

“Why does it matter?”

“You are entitled to half of everything he had, prenuptial or not.  Even your lawyers would…”

And there she stopped, perhaps realising what she had said and done, because Frances was greatly surprised, and her expression, to me, didn’t augur well for their relationship lasting.

Her tone was soft, and there was a slight tremor in her voice. Perhaps now the full realisation of Eloise’s intent was clear,  “Even if I didn’t divorce him, there was never any money.  There never was because I never needed it.  I had nice things, but they were never mine, and I have no claim on them, nor would I want to.  I told you a while back that I’ve had enough of the high life.  Now I think I would prefer to embrace the country air in Wyoming.”

Perhaps Eloise, too, was beginning to see what the reality of the situation was.  I got the impression Frances had tried to tell her, and she wouldn’t listen. 

“I thought…” Eloise began.

“She was about to become mega-rich?” I finished the sentence for her.  “No.”

I could see the expression on Frances’ face change from surprise, to shock, to something bordering on anger, if not rage.  And come to the same conclusion about the same time I did. 

“You didn’t just run into me, did you?”  Frances said, so quietly I almost missed it.

“You’re a silly girl who will never have anything.  Not unless you stand up for yourself.  I’ll show myself out.”

We both watched her leave.

©  Charles Heath 2025

Writing a book in 365 days – My story 35

More about my story

IT’s time to put together a suitable blurb – or summary

El Qatar: Beyond the Golden Sands – A Destination with Secrets?

Sun-drenched shores, opulent hotels, and a world-class convention scene. Welcome to El Qatar, the glittering jewel of the desert, where luxury knows no bounds and every desire can be met. Or so it seems.

The Gilded Cage: An Invitation to Indulgence

Imagine stepping off the plane into the cool, air-conditioned embrace of San Madre, El Qatar’s vibrant capital and bustling port. You’re whisked away to a six-star resort, where endless amenities await. El Qatar prides itself on being a peaceful, world-class destination, perfect for international conferences, business elite, and those seeking unparalleled indulgence. From gourmet dining to exhilarating desert safaris, every experience is meticulously crafted to ensure your stay is nothing short of spectacular. Here, the phrase “satisfy any appetite” takes on a new, liberating meaning, catering to every whim with discreet efficiency and a touch of local charm. It is, by all accounts, a flawless facade of luxury and freedom, an oasis of calm in a turbulent world.

Whispers in the Desert Wind: A Glimpse Behind the Veil

Yet, beneath the polished marble and towering glass facades, El Qatar is an ancient land – arid, hot, and often dusty. Its history is as deep as the desert wadis, and its governance, while providing stability, operates with a certain… unspoken understanding. The peaceful exterior is a carefully maintained veneer, one that requires the right connections and, naturally, the right reciprocations. For those who look closely, the occasional flicker in the eyes of a local, a hushed conversation in a back alley of San Madre, or a sudden, unexplained absence might hint at a different reality, one far removed from the pristine resort brochures. This is a country where power is absolute, and dissent is a dangerous whisper.

The Looming Storm: A Paradoxical Conference

As the world prepares for a paradoxical Human Rights Conference to be hosted in El Qatar – an event that has raised more than a few eyebrows globally – there’s a palpable shift in the desert air. Whispers of discontent, once suppressed, have grown into a undeniable murmur among the citizens. Old stories of a democratic past are being retold with renewed fervor, and there’s talk of a prodigal son, the heir of a previous, more open government, poised to return and reclaim a legacy, stirring hopes and fears among the populace. The rebel factions, once relegated to the shadows, are growing bolder, sensing an opportunity to ignite a revolution that could redefine El Qatar’s future. The stage is set for an upheaval, disguised as an international gathering, with the very fabric of the nation about to be tested.


Discover the Untold Story: A Thriller Unveiled

It is into this crucible of luxury and rebellion that you are drawn. An unsuspecting visitor, or perhaps, a vital piece in a game you never knew you were playing. With the world’s eyes on El Qatar, and the very foundations of its power about to crack, alliances are fragile, loyalties are tested, and betrayal lurks in the shadows.

Into this powder keg steps our protagonist, tasked with protecting a woman whose safety could unravel everything. In San Madre, amid the gilded cages and the simmering revolution, their mission is not just about survival, but about holding the threads of a nation’s destiny. Will they simply be pawns in this desert game, or the catalysts for a new dawn? Discover the untold story of El Qatar, where the line between peace and revolution is as thin as the desert air, and every secret has a price.

Writing a book in 365 days – My story 35

More about my story

IT’s time to put together a suitable blurb – or summary

El Qatar: Beyond the Golden Sands – A Destination with Secrets?

Sun-drenched shores, opulent hotels, and a world-class convention scene. Welcome to El Qatar, the glittering jewel of the desert, where luxury knows no bounds and every desire can be met. Or so it seems.

The Gilded Cage: An Invitation to Indulgence

Imagine stepping off the plane into the cool, air-conditioned embrace of San Madre, El Qatar’s vibrant capital and bustling port. You’re whisked away to a six-star resort, where endless amenities await. El Qatar prides itself on being a peaceful, world-class destination, perfect for international conferences, business elite, and those seeking unparalleled indulgence. From gourmet dining to exhilarating desert safaris, every experience is meticulously crafted to ensure your stay is nothing short of spectacular. Here, the phrase “satisfy any appetite” takes on a new, liberating meaning, catering to every whim with discreet efficiency and a touch of local charm. It is, by all accounts, a flawless facade of luxury and freedom, an oasis of calm in a turbulent world.

Whispers in the Desert Wind: A Glimpse Behind the Veil

Yet, beneath the polished marble and towering glass facades, El Qatar is an ancient land – arid, hot, and often dusty. Its history is as deep as the desert wadis, and its governance, while providing stability, operates with a certain… unspoken understanding. The peaceful exterior is a carefully maintained veneer, one that requires the right connections and, naturally, the right reciprocations. For those who look closely, the occasional flicker in the eyes of a local, a hushed conversation in a back alley of San Madre, or a sudden, unexplained absence might hint at a different reality, one far removed from the pristine resort brochures. This is a country where power is absolute, and dissent is a dangerous whisper.

The Looming Storm: A Paradoxical Conference

As the world prepares for a paradoxical Human Rights Conference to be hosted in El Qatar – an event that has raised more than a few eyebrows globally – there’s a palpable shift in the desert air. Whispers of discontent, once suppressed, have grown into a undeniable murmur among the citizens. Old stories of a democratic past are being retold with renewed fervor, and there’s talk of a prodigal son, the heir of a previous, more open government, poised to return and reclaim a legacy, stirring hopes and fears among the populace. The rebel factions, once relegated to the shadows, are growing bolder, sensing an opportunity to ignite a revolution that could redefine El Qatar’s future. The stage is set for an upheaval, disguised as an international gathering, with the very fabric of the nation about to be tested.


Discover the Untold Story: A Thriller Unveiled

It is into this crucible of luxury and rebellion that you are drawn. An unsuspecting visitor, or perhaps, a vital piece in a game you never knew you were playing. With the world’s eyes on El Qatar, and the very foundations of its power about to crack, alliances are fragile, loyalties are tested, and betrayal lurks in the shadows.

Into this powder keg steps our protagonist, tasked with protecting a woman whose safety could unravel everything. In San Madre, amid the gilded cages and the simmering revolution, their mission is not just about survival, but about holding the threads of a nation’s destiny. Will they simply be pawns in this desert game, or the catalysts for a new dawn? Discover the untold story of El Qatar, where the line between peace and revolution is as thin as the desert air, and every secret has a price.

Writing a book in 365 days – 234

Day 234

First lines have to make an impact

The Art of the Opening Line: Impact, Promise, and the Perfect Sentence

In the sprawling landscape of literature, where countless stories vie for attention and untold universes beckon, there’s a single, vital pivot point: the first line. It’s more than just a gentle nudge; it’s a carefully constructed piece of prose, a declaration, a whisper, or a shout that sets everything in motion. And if you’re a writer, or simply a discerning reader, you know this truth deep in your bones: the first line has to make an impact.

The immediate, undeniable truth is this: a first line must make an impact. In a world saturated with content, where endless scrolls and countless tabs compete for precious moments, your opening sentence is your do-or-die moment. It isn’t merely about grabbing attention; it’s about demanding it. It might shock, mystify, intrigue, or present a profound truth that resonates instantly. Think of “It was the best of times, it was the worst of times,” or “Call me Ishmael.” These aren’t just words; they’re literary thunderclaps, perfectly thrown darts hitting the bullseye of the reader’s curiosity. They don’t just invite you in; they pull you in, often before you even realize you’ve been hooked.

But impact alone, while crucial, is only half the story. While the subsequent chapters unfurl the full tapestry of your narrative, why wait? Why not offer a tantalizing glimpse, a foundational understanding of what awaits, right from the start? A well-crafted first line or paragraph subtly hints at the genre, the tone, the central conflict, or even the protagonist’s core dilemma. It’s a non-verbal contract with your reader, a promise of the journey to come. It says, “This is what you’re in for. This is the kind of world you’re about to enter.” It might promise wonder, dread, humor, or profound introspection. Even if the full qualification of these hints comes much later, the initial setup creates an expectation, a framework that encourages the reader to lean in and commit.

Which brings us to the bedrock of all this: the art of the sentence itself. The first line isn’t just a container for ideas; it is an idea, perfectly formed. It’s about meticulous word choice, the rhythm and cadence, the conciseness that packs a punch, and the elegance that makes it linger in the mind. Every word must earn its place, every punctuation mark serve a purpose. This isn’t just about conveying information; it’s about crafting an experience. When we talk about the “art of the first line,” we are, in essence, talking about the art of the sentence – its power to evoke, to define, to resonate, and to stand as a miniature masterpiece in its own right. It elevates prose from mere communication to an experience.

So, when you sit down to craft your opening, whether you’re a seasoned novelist or a budding blogger, remember it’s not just a starting point; it’s a destination in itself. It’s the initial impact that makes a reader pause, the subtle promise that makes them stay, and the sheer artistry of the sentence that makes them marvel. Invest in your first line. Polish it, perfect it, and let it sing. For in that one perfect sentence lies the entire universe of your story, waiting to unfold.

Writing a book in 365 days – 234

Day 234

First lines have to make an impact

The Art of the Opening Line: Impact, Promise, and the Perfect Sentence

In the sprawling landscape of literature, where countless stories vie for attention and untold universes beckon, there’s a single, vital pivot point: the first line. It’s more than just a gentle nudge; it’s a carefully constructed piece of prose, a declaration, a whisper, or a shout that sets everything in motion. And if you’re a writer, or simply a discerning reader, you know this truth deep in your bones: the first line has to make an impact.

The immediate, undeniable truth is this: a first line must make an impact. In a world saturated with content, where endless scrolls and countless tabs compete for precious moments, your opening sentence is your do-or-die moment. It isn’t merely about grabbing attention; it’s about demanding it. It might shock, mystify, intrigue, or present a profound truth that resonates instantly. Think of “It was the best of times, it was the worst of times,” or “Call me Ishmael.” These aren’t just words; they’re literary thunderclaps, perfectly thrown darts hitting the bullseye of the reader’s curiosity. They don’t just invite you in; they pull you in, often before you even realize you’ve been hooked.

But impact alone, while crucial, is only half the story. While the subsequent chapters unfurl the full tapestry of your narrative, why wait? Why not offer a tantalizing glimpse, a foundational understanding of what awaits, right from the start? A well-crafted first line or paragraph subtly hints at the genre, the tone, the central conflict, or even the protagonist’s core dilemma. It’s a non-verbal contract with your reader, a promise of the journey to come. It says, “This is what you’re in for. This is the kind of world you’re about to enter.” It might promise wonder, dread, humor, or profound introspection. Even if the full qualification of these hints comes much later, the initial setup creates an expectation, a framework that encourages the reader to lean in and commit.

Which brings us to the bedrock of all this: the art of the sentence itself. The first line isn’t just a container for ideas; it is an idea, perfectly formed. It’s about meticulous word choice, the rhythm and cadence, the conciseness that packs a punch, and the elegance that makes it linger in the mind. Every word must earn its place, every punctuation mark serve a purpose. This isn’t just about conveying information; it’s about crafting an experience. When we talk about the “art of the first line,” we are, in essence, talking about the art of the sentence – its power to evoke, to define, to resonate, and to stand as a miniature masterpiece in its own right. It elevates prose from mere communication to an experience.

So, when you sit down to craft your opening, whether you’re a seasoned novelist or a budding blogger, remember it’s not just a starting point; it’s a destination in itself. It’s the initial impact that makes a reader pause, the subtle promise that makes them stay, and the sheer artistry of the sentence that makes them marvel. Invest in your first line. Polish it, perfect it, and let it sing. For in that one perfect sentence lies the entire universe of your story, waiting to unfold.

Harry Walthenson, Private Detective – the second case – A case of finding the “Flying Dutchman”

What starts as a search for a missing husband soon develops into an unbelievable story of treachery, lies, and incredible riches.

It was meant to remain buried long enough for the dust to settle on what was once an unpalatable truth, when enough time had passed, and those who had been willing to wait could reap the rewards.

The problem was, no one knew where that treasure was hidden or the location of the logbook that held the secret.

At stake, billions of dollars’ worth of stolen Nazi loot brought to the United States in an anonymous tramp steamer and hidden in a specially constructed vault under a specifically owned plot of land on the once docklands of New York.

It may have remained hidden and unknown to only a few, if it had not been for a mere obscure detail being overheard …

… by our intrepid, newly minted private detective, Harry Walthenson …

… and it would have remained buried.

Now, through a series of unrelated events, or are they, that well-kept secret is out there, and Harry will not stop until the whole truth is uncovered.

Even if it almost costs him his life.  Again.

Writing a book in 365 days – 233

Day 233

What is an acceptable age to stop writing

Pen Down? Never! Why There’s No ‘Acceptable Age’ to Stop Writing

It’s a question that might silently gnaw at writers, especially as the years accumulate: “Am I too old to be doing this? Is there an acceptable age to finally put the pen down?”

Let’s take a deep breath and shatter this myth right now.

The beautiful, liberating truth is: there isn’t one.

Unlike professional sports where physical peak defines a career, or industries that demand intense, rapid-fire innovation, writing thrives on something entirely different: life experience, wisdom, observation, and the enduring power of the human spirit. These are qualities that only deepen and enrich with time.

Why the Calendar Doesn’t Define Your Craft

The idea of an “acceptable age” to stop writing is a construct, a societal whisper that has no place in the world of storytelling. Here’s why you should ignore it:

  1. Wisdom is Your Superpower: Youth brings fresh perspectives, but age brings the nuanced understanding that only comes from living through joy, sorrow, triumph, and failure. Every single year you live adds another layer to your understanding of human nature, making your characters richer, your plots more profound, and your themes more resonant.
  2. A Richer Tapestry of Experience: Think of your life as a vast library. With every passing decade, you add new wings, new genres, new collections. This reservoir of lived experience is invaluable for a writer. You have more to draw from, more to reflect upon, and more unique insights to offer your readers.
  3. Writing as Lifelong Learning: The act of writing keeps your mind sharp, your curiosity piqued, and your creative muscles toned. It’s a fantastic form of mental exercise that can genuinely contribute to well-being as we age. Why would you want to stop something that is so beneficial?
  4. The Perspective of Time: Have you ever revisited an old memory and seen it in a completely new light? Age provides that distance and perspective, allowing you to craft narratives that explore complex emotions and historical events with greater clarity and depth. What felt overwhelming at 30 might become a powerful narrative at 70.
  5. Technology is Your Ally: Worried about typing speed or hand cramps? Dictation software, ergonomic keyboards, larger screens, and assistive technologies mean that physical limitations are no longer insurmountable barriers. Adaptation, not cessation, is the key.

Legends Who Wrote On (and On!)

History is filled with writers who found their voice late, or continued to produce masterpieces well into their golden years:

  • Laura Ingalls Wilder: Didn’t publish her first “Little House” book until she was 65!
  • Frank McCourt: Won a Pulitzer for Angela’s Ashes in 1997 when he was 66.
  • Agatha Christie: Continued to write bestsellers and intricate mysteries well into her 80s.
  • Toni Morrison: Published acclaimed novels throughout her 70s and 80s, including God Help the Child at 84.
  • Harriet Doerr: Published her first novel, Stones for Ibarra, and won a National Book Award at 74.

These are not anomalies; they are testaments to the enduring power of the written word and the human capacity for creation.

So, When Is the Acceptable Age to Stop Writing?

When the stories stop calling out to you. When your imagination runs dry. When the desire to connect, to share, to create, finally fades.

For most writers, that moment never truly arrives. The urge to tell stories is intrinsic, deeply woven into the fabric of who we are. It’s a fire that, if tended, can burn brightly for a lifetime.

Don’t let the calendar dictate your creative journey. Pick up that pen, open that laptop, and keep pouring your unique perspective onto the page. The world needs your stories, no matter how many candles are on your birthday cake.


What are your thoughts? Have you ever felt the pressure to “slow down” creatively because of your age? Share your experiences in the comments below!

Writing a book in 365 days – 233

Day 233

What is an acceptable age to stop writing

Pen Down? Never! Why There’s No ‘Acceptable Age’ to Stop Writing

It’s a question that might silently gnaw at writers, especially as the years accumulate: “Am I too old to be doing this? Is there an acceptable age to finally put the pen down?”

Let’s take a deep breath and shatter this myth right now.

The beautiful, liberating truth is: there isn’t one.

Unlike professional sports where physical peak defines a career, or industries that demand intense, rapid-fire innovation, writing thrives on something entirely different: life experience, wisdom, observation, and the enduring power of the human spirit. These are qualities that only deepen and enrich with time.

Why the Calendar Doesn’t Define Your Craft

The idea of an “acceptable age” to stop writing is a construct, a societal whisper that has no place in the world of storytelling. Here’s why you should ignore it:

  1. Wisdom is Your Superpower: Youth brings fresh perspectives, but age brings the nuanced understanding that only comes from living through joy, sorrow, triumph, and failure. Every single year you live adds another layer to your understanding of human nature, making your characters richer, your plots more profound, and your themes more resonant.
  2. A Richer Tapestry of Experience: Think of your life as a vast library. With every passing decade, you add new wings, new genres, new collections. This reservoir of lived experience is invaluable for a writer. You have more to draw from, more to reflect upon, and more unique insights to offer your readers.
  3. Writing as Lifelong Learning: The act of writing keeps your mind sharp, your curiosity piqued, and your creative muscles toned. It’s a fantastic form of mental exercise that can genuinely contribute to well-being as we age. Why would you want to stop something that is so beneficial?
  4. The Perspective of Time: Have you ever revisited an old memory and seen it in a completely new light? Age provides that distance and perspective, allowing you to craft narratives that explore complex emotions and historical events with greater clarity and depth. What felt overwhelming at 30 might become a powerful narrative at 70.
  5. Technology is Your Ally: Worried about typing speed or hand cramps? Dictation software, ergonomic keyboards, larger screens, and assistive technologies mean that physical limitations are no longer insurmountable barriers. Adaptation, not cessation, is the key.

Legends Who Wrote On (and On!)

History is filled with writers who found their voice late, or continued to produce masterpieces well into their golden years:

  • Laura Ingalls Wilder: Didn’t publish her first “Little House” book until she was 65!
  • Frank McCourt: Won a Pulitzer for Angela’s Ashes in 1997 when he was 66.
  • Agatha Christie: Continued to write bestsellers and intricate mysteries well into her 80s.
  • Toni Morrison: Published acclaimed novels throughout her 70s and 80s, including God Help the Child at 84.
  • Harriet Doerr: Published her first novel, Stones for Ibarra, and won a National Book Award at 74.

These are not anomalies; they are testaments to the enduring power of the written word and the human capacity for creation.

So, When Is the Acceptable Age to Stop Writing?

When the stories stop calling out to you. When your imagination runs dry. When the desire to connect, to share, to create, finally fades.

For most writers, that moment never truly arrives. The urge to tell stories is intrinsic, deeply woven into the fabric of who we are. It’s a fire that, if tended, can burn brightly for a lifetime.

Don’t let the calendar dictate your creative journey. Pick up that pen, open that laptop, and keep pouring your unique perspective onto the page. The world needs your stories, no matter how many candles are on your birthday cake.


What are your thoughts? Have you ever felt the pressure to “slow down” creatively because of your age? Share your experiences in the comments below!