Tag: Author

Another excerpt from “Strangers We’ve Become” – A sequel to ‘What Sets Us Apart’

…

It was the first time in almost a week that I made the short walk to the cafe alone.  It was early, and the chill of the morning was still in the air.  In summer, it was the best time of the day.  When Susan came with me, it was usually much later, when the day was much warmer and less tolerable.

On the morning of the third day of her visit, Susan said she was missing the hustle and bustle of London, and by the end of the fourth she said, in not so many words, she was over being away from ‘civilisation’.  This was a side of her I had not seen before, and it surprised me.

She hadn’t complained, but it was making her irritable.  The Susan that morning was vastly different to the Susan on the first day.  So much, I thought, for her wanting to ‘reconnect’, the word she had used as the reason for coming to Greve unannounced.

It was also the first morning I had time to reflect on her visit and what my feelings were towards her.  It was the reason I’d come to Greve: to soak up the peace and quiet and think about what I was going to do with the rest of my life.

I sat in my usual corner.  Maria, one of two waitresses, came out, stopped, and there was no mistaking the relief in her manner.  There was an air of tension between Susan and Maria I didn’t understand, and it seemed to emanate from Susan rather than the other way around.  I could understand her attitude if it was towards Alisha, but not Maria.  All she did was serve coffee and cake.

When Maria recovered from the momentary surprise, she said, smiling, “You are by yourself?”  She gave a quick glance in the direction of my villa, just to be sure.

“I am this morning.  I’m afraid the heat, for one who is not used to it, can be quite debilitating.  I’m also afraid it has had a bad effect on her manners, for which I apologise.  I cannot explain why she has been so rude to you.”

“You do not have to apologise for her, David, but it is of no consequence to me.  I have had a lot worse.  I think she is simply jealous.”

It had crossed my mind, but there was no reason for her to be.  “Why?”

“She is a woman, I am a woman, she thinks because you and I are friends, there is something between us.”

It made sense, even if it was not true.  “Perhaps if I explained…”

Maria shook her head.  “If there is a hole in the boat, you should not keep bailing but try to plug the hole.  My grandfather had many expressions, David.  If I may give you one piece of advice, as much as it is none of my business, you need to make your feelings known, and if they are not as they once were, and I think they are not, you need to tell her.  Before she goes home.”

Interesting advice.  Not only a purveyor of excellent coffee, but Maria was also a psychiatrist who had astutely worked out my dilemma.  What was that expression, ‘not just a pretty face’?

“Is she leaving soon?” I asked, thinking Maria knew more about Susan’s movements than I did.

“You would disappoint me if you had not suspected as much.  Susan was having coffee and talking to someone in her office on a cell phone.  It was an intense conversation.  I should not eavesdrop, but she said being here was like being stuck in hell.  It is a pity she does not share your love for our little piece of paradise, is it not?”

“It is indeed.  And you’re right.  She said she didn’t have a phone, but I know she has one.  She just doesn’t value the idea of getting away from the office.  Perhaps her role doesn’t afford her that luxury.”

And perhaps Alisha was right about Maria, that I should be more careful.  She had liked Maria the moment she saw her.  We had sat at this very table, the first day I arrived.  I would have travelled alone, but Prendergast, my old boss, liked to know where ex-employees of the Department were, and what they were doing.

She sighed.  “I am glad I am just a waitress.  Your usual coffee and cake?”

“Yes, please.”

Several months had passed since we had rescued Susan from her despotic father; she had recovered faster than we had thought, and settled into her role as the new Lady Featherington, though she preferred not to use that title, but go by the name of Lady Susan Cheney.

I didn’t get to be a Lord, or have any title, not that I was expecting one.  What I had expected was that Susan, once she found her footing as head of what seemed to be a commercial empire, would not have time for details like husbands, particularly when our agreement made before the wedding gave either of us the right to end it.

There was a moment when I visited her recovering in the hospital, where I was going to give her the out, but I didn’t, and she had not invoked it.  We were still married, just not living together.

This visit was one where she wanted to ‘reconnect’ as she called it, and invite me to come home with her.  She saw no reason why we could not resume our relationship, conveniently forgetting she indirectly had me arrested for her murder, charges both her mother and Lucy vigorously pursued, and had the clone not returned to save me, I might still be in jail.

It was not something I would forgive or forget any time soon.

There were other reasons why I was reluctant to stay with her, like forgetting small details, an irregularity in her character I found odd.  She looked the same, she sounded the same, she basically acted the same, but my mind was telling me something was not right.  It was not the Susan I first met, even allowing for the ordeal she had been subjected to.

But, despite those misgivings, there was no question in my mind that I still loved her, and her clandestine arrival had brought back all those feelings.  But as the days passed, I began to get the impression my feelings were one-sided and she was just going through the motions.

Which brought me to the last argument, earlier, where I said if I went with her, it would be business meetings, social obligations, and quite simply her ‘celebrity’ status that would keep us apart.  I reminded her that I had said from the outset I didn’t like the idea of being in the spotlight, and when I reiterated it, she simply brushed it off as just part of the job, adding rather strangely that I always looked good in a suit.  The flippancy of that comment was the last straw, and I left before I said something I would regret.

I knew I was not a priority.  Maybe somewhere inside me, I had wanted to be a priority, and I was disappointed when I was not.

And finally, there was Alisha.  Susan, at the height of the argument, had intimated she believed I had an affair with her, but that elephant was always in the room whenever Alisha was around.  It was no surprise when I learned Susan had asked Prendergast to reassign her to other duties. 

At least I knew what my feelings for Alisha were, and there were times when I had to remember she was persona non grata.  Perhaps that was why Susan had her banished, but, again, a small detail; jealousy was not one of Susan’s traits when I first knew her.

Perhaps it was time to set Susan free.

When I swung around to look in the direction of the lane where my villa was, I saw Susan.  She was formally dressed, not in her ‘tourist’ clothes, which she had bought from one of the local clothing stores.  We had fun that day, shopping for clothes, a chore I’d always hated.  It had been followed by a leisurely lunch, lots of wine and soul searching.

It was the reason why I sat in this corner; old habits die hard.  I could see trouble coming from all directions, not that Susan was trouble or at least I hoped not, but it allowed me the time to watch her walking towards the cafe in what appeared to be short, angry steps; perhaps the culmination of the heat wave and our last argument.

She glared at me as she sat, dropping her bag beside her on the ground, where I could see the cell phone sitting on top.  She followed my glance down, and then she looked unrepentant back at me.

Maria came back at the exact moment she was going to speak.  I noticed Maria hesitate for a second when she saw Susan, then put her smile in place to deliver my coffee.

Neither spoke nor looked at each other.  I said, “Susan will have what I’m having, thanks.”

Maria nodded and left.

“Now,” I said, leaning back in my seat, “I’m sure there’s a perfectly good explanation as to why you didn’t tell me about the phone, but that first time you disappeared, I’d guessed you needed to keep in touch with your business interests.  I thought it somewhat unwisethat you should come out when the board of one of your companies was trying to remove you, because of what was it, an unexplained absence?  All you had to do was tell me there were problems and you needed to remain at home to resolve them.”

My comment elicited a sideways look, with a touch of surprise.

“It was unfortunate timing on their behalf, and I didn’t want you to think everything else was more important than us.  There were issues before I came, and I thought the people at home would be able to manage without me for at least a week, but I was wrong.”

“Why come at all.  A phone call would have sufficed.”

“I had to see you, talk to you.  At least we have had a chance to do that.  I’m sorry about yesterday.  I once told you I would not become my mother, but I’m afraid I sounded just like her.  I misjudged just how much this role would affect me, and truly, I’m sorry.”

An apology was the last thing I expected.

“You have a lot of work to do catching up after being away, and of course, in replacing your mother and gaining the requisite respect as the new Lady Featherington.  I think it would be for the best if I were not another distraction.  We have plenty of time to reacquaint ourselves when you get past all these teething issues.”

“You’re not coming with me?”  She sounded disappointed.

“I think it would be for the best if I didn’t.”

“Why?”

“It should come as no surprise to you that I’ve been keeping an eye on your progress.  You are so much better doing your job without me.  I told your mother once that when the time came I would not like the responsibilities of being your husband.  Now that I have seen what it could possibly entail, I like it even less.  You might also want to reconsider our arrangement, after all, we only had a marriage of convenience, and now that those obligations have been fulfilled, we both have the option of terminating it.  I won’t make things difficult for you if that’s what you want.”

It was yet another anomaly, I thought; she should look distressed, and I would raise the matter of that arrangement.  Perhaps she had forgotten the finer points.  I, on the other hand, had always known we would not last forever.  The perplexed expression, to me, was a sign she might have forgotten.

Then, her expression changed.  “Is that what you want?”

“I wasn’t madly in love with you when we made that arrangement, so it was easy to agree to your terms, but inexplicably, since then, my feelings for you changed, and I would be sad if we parted ways.  But the truth is, I can’t see how this is going to work.”

“In saying that, do you think I don’t care for you?”

That was exactly what I was thinking, but I wasn’t going to voice that opinion out loud.  “You spent a lot of time finding new ways to make my life miserable, Susan.  You and that wretched friend of yours, Lucy.  While your attitude improved after we were married, that was because you were going to use me when you went to see your father, and then almost let me go to prison for your murder.”

“I had nothing to do with that, other than to leave, and I didn’t agree with Lucy that you should be made responsible for my disappearance.  I cannot be held responsible for the actions of my mother.  She hated you; Lucy didn’t understand you, and Millie told me I was stupid for not loving you in return, and she was right.  Why do you think I gave you such a hard time?  You made it impossible not to fall in love with you, and it nearly changed my mind about everything I’d been planning so meticulously.  But perhaps there was a more subliminal reason why I did because after I left, I wanted to believe, if anything went wrong, you would come and find me.”

“How could you possibly know that I’d even consider doing something like that, given what you knew about me?”

“Prendergast made a passing comment when my mother asked him about you; he told us you were very good at finding people and even better at fixing problems.”

“And yet here we are, one argument away from ending it.”

I could see Maria hovering, waiting for the right moment to deliver her coffee, then go back and find Gianna, the café owner, instead.  Gianna was more abrupt and, for that reason, was rarely seen serving the customers.  Today, she was particularly cantankerous, banging the cake dish on the table and frowning at Susan before returning to her kitchen.  Gianna didn’t like Susan either.

Behind me, I heard a car stop, and when she looked up, I knew it was for her.  She had arrived with nothing, and she was leaving with nothing.

She stood.  “Last chance.”

“Forever?”

She hesitated and then shook away the look of annoyance on her face.  “Of course not.  I wanted you to come back with me so we could continue working on our relationship.  I agree there are problems, but it’s nothing we can’t resolve if we try.”

I had been trying.  “It’s too soon for both of us, Susan.  I need to be able to trust you, and given the circumstances, and all that water under the bridge, I’m not sure if I can yet.”

She frowned at me.  “As you wish.”  She took an envelope out of her bag and put it on the table.  “When you are ready, it’s an open ticket home.  Please make it sooner rather than later.  Despite what you think of me, I have missed you, and I have no intention of ending it between us.”

That said, she glared at me for a minute, shook her head, then walked to the car.  I watched her get in and the car drive slowly away.

No kiss, no touch, no looking back. 

…

© Charles Heath 2018-2025

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NANOWRIMO – November 2025 – Day 6

…

The Third Son of a Duke

…

It was the golden age of travel, where the opulence of the Titanic filtered down into the ships that went in the opposite direction.

It was also the golden age for migration from England to Australia, with ships leaving from a number of ports, a wave that had started in the mid-1800s.

I discovered which ship my grandmother took from Tilbury to Melbourne, the RMS “Orama”, over 10,000 tons and the latest iteration in the design that saw four of five similar ships before it, run by the Orient Shipping Line, and these ships departed every 14 days.

First class, second class, and third class, which sounds so much better than steerage.  The second-class ticket cost 40 pounds, which could be regarded as a small fortune back then, when wages were about 80 pounds a year.

My grandmother had a little inheritance money, and having cousins living in Australia, I am sure her intention was to simply visit them for a while and then go back home.

Of course, there was just one problem.

World War One was brewing in Europe. 

Perhaps if she thought it might all blow up, she could have stayed at home. But I think there was another reason why she was making such a journey.

…

1610 words, for a total of 9620 words.

Writing a book in 365 days – 293

Day 293

Show, Don’t Tell: Painting Pictures with Your Words

We’ve all heard the writing advice: “Don’t use adjectives to describe.” It sounds like a recipe for bland, uninspired prose. “I feel terrible,” or “It was a delightful surprise” – these phrases are so common, they barely register. The instruction isn’t to eliminate description, but to evolve it. The real challenge, and immense reward, lies in crafting your words so that your reader experiences the feeling you want to convey, arriving at their own perfect description.

Think of yourself as a painter, not a labeler. A painter doesn’t just write “sad” over a canvas. They blend blues and grays, create drooping lines, and shade in hollows under the eyes. They evoke sadness through imagery, through the subtle manipulation of color and form. Your words are your brushstrokes.

So, how do you achieve this evocative power? It’s about engaging your reader’s senses and emotions, and letting them do the heavy lifting. Here’s how to move beyond tired adjectives and paint vivid pictures that resonate:

1. Embrace Sensory Details: The Five Pillars of Experience

Adjectives often serve as a shortcut to describe a sensory input. Instead of saying something was “loud,” show the impact of that loudness.

  • Instead of: The music was loud.
  • Try: The bass vibrated through the floorboards, rattling the glassware on the counter. My ears rang long after the final chord.

This immediately tells the reader about the volume and its physical, visceral effect.

  • Instead of: The food was delicious.
  • Try: The aroma of roasting garlic and rosemary filled the air, mingling with the sweet scent of caramelized onions. The first bite melted on my tongue, a perfect balance of savory and tangy.

Here, the reader can almost taste and smell the food, leading them to their own conclusion of deliciousness.

2. Focus on Actions and Reactions: What Do They Do?

How does your character, or the subject of your description, behave when experiencing a certain emotion or state? Their actions are far more telling than a simple adjective.

  • Instead of: She was angry.
  • Try: Her jaw clenched, and a muscle pulsed in her cheek. She slammed the cupboard door shut, the sound echoing through the silent kitchen. Her gaze, sharp and unwavering, bore into him.

These actions paint a picture of contained fury, a volcano ready to erupt.

  • Instead of: It was a surprising victory.
  • Try: The scoreboard blinked, then blinked again, showing the impossible score. A collective gasp swept through the stadium, followed by a roar that shook the foundations. Players stumbled over each other, faces a mixture of disbelief and elation.

The crowd’s reaction, the players’ astonishment – these are powerful indicators of surprise.

3. Use Vivid Verbs and Specific Nouns: The Building Blocks of Power

Often, a strong verb or a precise noun can carry the weight of an adjective.

  • Instead of: He was a timid person.
  • Try: He shuffled his feet, his eyes darting to the floor whenever someone spoke to him. His voice was a low murmur, barely audible above the din.

The verbs “shuffled” and “darting” create an image of hesitation and nervousness.

  • Instead of: The city was beautiful at night.
  • Try: The cityscape shimmered, a galaxy of twinkling lights against the velvet darkness. Neon signs bled vibrant colors onto the rain-slicked streets, painting fleeting masterpieces.

“Shimmered,” “twinkling,” and “bled” are much more evocative than “beautiful.”

4. Show Internal States Through Physical Manifestations: The Body Knows

Emotions often manifest physically. By describing these physical cues, you allow the reader to infer the internal state.

  • Instead of: He was nervous.
  • Try: His palms were slick with sweat, and he kept running his tongue over his dry lips. A tremor ran through his leg as he tried to stand still.

This shows the physical symptoms of nervousness.

  • Instead of: She was happy.
  • Try: A wide smile stretched across her face, crinkling the corners of her eyes. She bounced on the balls of her feet, humming a tuneless melody.

The physical expression of joy is undeniable.

5. Employ Figurative Language: Similes and Metaphors

Similes and metaphors are your secret weapons for painting abstract concepts in concrete terms.

  • Instead of: The idea was terrible.
  • Try: The idea landed with the sickening thud of a lead weight in the pit of her stomach.

The metaphor clearly conveys the negative impact of the idea.

  • Instead of: The conversation was enjoyable.
  • Try: The conversation flowed like a gentle stream, each remark a smooth stone polished by friendly tides.

This simile creates a sense of ease and pleasure.

The Power of the Reader’s Interpretation

When you “show” instead of “tell,” you invite your reader into an active role. You’re not dictating their feelings; you’re providing the raw material for them to discover those feelings. This is where the magic happens. Your reader, drawing on their own experiences and emotions, will fill in the blanks with the perfect adjective, the precise nuance, the exact word that resonates most deeply with them.

So, the next time you find yourself reaching for a familiar adjective, pause. Ask yourself: What does this feel like? What does it look like? What does it sound like? What does it do? By painting with your words, you’ll create a richer, more immersive, and ultimately more unforgettable experience for your readers. Let them come to their own delightful surprise, and you’ll know you’ve truly succeeded.

Writing a book in 365 days – 293

Day 293

Show, Don’t Tell: Painting Pictures with Your Words

We’ve all heard the writing advice: “Don’t use adjectives to describe.” It sounds like a recipe for bland, uninspired prose. “I feel terrible,” or “It was a delightful surprise” – these phrases are so common, they barely register. The instruction isn’t to eliminate description, but to evolve it. The real challenge, and immense reward, lies in crafting your words so that your reader experiences the feeling you want to convey, arriving at their own perfect description.

Think of yourself as a painter, not a labeler. A painter doesn’t just write “sad” over a canvas. They blend blues and grays, create drooping lines, and shade in hollows under the eyes. They evoke sadness through imagery, through the subtle manipulation of color and form. Your words are your brushstrokes.

So, how do you achieve this evocative power? It’s about engaging your reader’s senses and emotions, and letting them do the heavy lifting. Here’s how to move beyond tired adjectives and paint vivid pictures that resonate:

1. Embrace Sensory Details: The Five Pillars of Experience

Adjectives often serve as a shortcut to describe a sensory input. Instead of saying something was “loud,” show the impact of that loudness.

  • Instead of: The music was loud.
  • Try: The bass vibrated through the floorboards, rattling the glassware on the counter. My ears rang long after the final chord.

This immediately tells the reader about the volume and its physical, visceral effect.

  • Instead of: The food was delicious.
  • Try: The aroma of roasting garlic and rosemary filled the air, mingling with the sweet scent of caramelized onions. The first bite melted on my tongue, a perfect balance of savory and tangy.

Here, the reader can almost taste and smell the food, leading them to their own conclusion of deliciousness.

2. Focus on Actions and Reactions: What Do They Do?

How does your character, or the subject of your description, behave when experiencing a certain emotion or state? Their actions are far more telling than a simple adjective.

  • Instead of: She was angry.
  • Try: Her jaw clenched, and a muscle pulsed in her cheek. She slammed the cupboard door shut, the sound echoing through the silent kitchen. Her gaze, sharp and unwavering, bore into him.

These actions paint a picture of contained fury, a volcano ready to erupt.

  • Instead of: It was a surprising victory.
  • Try: The scoreboard blinked, then blinked again, showing the impossible score. A collective gasp swept through the stadium, followed by a roar that shook the foundations. Players stumbled over each other, faces a mixture of disbelief and elation.

The crowd’s reaction, the players’ astonishment – these are powerful indicators of surprise.

3. Use Vivid Verbs and Specific Nouns: The Building Blocks of Power

Often, a strong verb or a precise noun can carry the weight of an adjective.

  • Instead of: He was a timid person.
  • Try: He shuffled his feet, his eyes darting to the floor whenever someone spoke to him. His voice was a low murmur, barely audible above the din.

The verbs “shuffled” and “darting” create an image of hesitation and nervousness.

  • Instead of: The city was beautiful at night.
  • Try: The cityscape shimmered, a galaxy of twinkling lights against the velvet darkness. Neon signs bled vibrant colors onto the rain-slicked streets, painting fleeting masterpieces.

“Shimmered,” “twinkling,” and “bled” are much more evocative than “beautiful.”

4. Show Internal States Through Physical Manifestations: The Body Knows

Emotions often manifest physically. By describing these physical cues, you allow the reader to infer the internal state.

  • Instead of: He was nervous.
  • Try: His palms were slick with sweat, and he kept running his tongue over his dry lips. A tremor ran through his leg as he tried to stand still.

This shows the physical symptoms of nervousness.

  • Instead of: She was happy.
  • Try: A wide smile stretched across her face, crinkling the corners of her eyes. She bounced on the balls of her feet, humming a tuneless melody.

The physical expression of joy is undeniable.

5. Employ Figurative Language: Similes and Metaphors

Similes and metaphors are your secret weapons for painting abstract concepts in concrete terms.

  • Instead of: The idea was terrible.
  • Try: The idea landed with the sickening thud of a lead weight in the pit of her stomach.

The metaphor clearly conveys the negative impact of the idea.

  • Instead of: The conversation was enjoyable.
  • Try: The conversation flowed like a gentle stream, each remark a smooth stone polished by friendly tides.

This simile creates a sense of ease and pleasure.

The Power of the Reader’s Interpretation

When you “show” instead of “tell,” you invite your reader into an active role. You’re not dictating their feelings; you’re providing the raw material for them to discover those feelings. This is where the magic happens. Your reader, drawing on their own experiences and emotions, will fill in the blanks with the perfect adjective, the precise nuance, the exact word that resonates most deeply with them.

So, the next time you find yourself reaching for a familiar adjective, pause. Ask yourself: What does this feel like? What does it look like? What does it sound like? What does it do? By painting with your words, you’ll create a richer, more immersive, and ultimately more unforgettable experience for your readers. Let them come to their own delightful surprise, and you’ll know you’ve truly succeeded.

NANOWRIMO – November 2025 – Day 5

…

The Third Son of a Duke

…

I have been on an ocean voyage.

Once.

It might not seem like that when I say it was supposed to be an overnight crossing from Devonport to Melbourne in a ship called the Princess of Tasmania, and the stretch of water was Bass Strait, one of the top five worst stretches of open seas in the world.

I know that for a fact.

We had stabilisers and still corkscrewed while facing into the huge seas for eight or six hours before it subsided enough for us to continue.

Everyone was seasick.  It was a terrible crossing, and all I remember was wishing I were dead after dry reaching for hours.

So, here we are, March 1914, leaving Plymouth after a rather rough crossing from Tilbury and maintaining contact, just, with the southern British coastline, just leaving for Gibraltar, about to cross the Bay of Biscay.

Those passengers have no idea what they’re in for, but I do.  Rough seas, corkscrew motion, and questions why the Line said that the ship could handle this sort of ocean weather, and by day two, more than half the ship is down with sea sickness.

And, if you’re not, then good luck trying to eat in the dining room with the ship’s motion.

Four days later, off the Portuguese coast, a semblance of normality returns, though by this time a new benchmark for normal had to be set.  The sun is out, the weather is less blustery and wet, and the seas are calmer.

I have a copy of a seagoer’s diary for a similar ship at the same time.  For me, it would be fun.  I’m not so sure what those who had never been on a ship before might have thought of it.

At least in the second class, they were above the waterline.

…

1785 words, for a total of 8010 words.

Writing about writing a book – Day 19 Continues

I’ve just been watching Air America, a fictionalised movie of goings on that could hardly be believed as possible, and yet there is the CIA and some of the stuff they’ve done, well, it gives pause for thought.

So, I asked Google for an opinion

…

Cargo of Shadows: Unpacking the CIA’s Air America and the Vietnam War’s Dark Underbelly

The Vietnam War, a conflict already steeped in tragedy and controversy, has spawned countless legends and dark whispers. Among the most enduring is the story of Air America – a seemingly innocent civilian airline operating in Southeast Asia, but widely believed to be a clandestine arm of the CIA, flying not just supplies, but also engaging in drug trafficking, weapon running, and other “shady operations.”

So, how likely is it that the CIA had a thing called Air America running in the Vietnam War, shifting drugs and weapons, and running shady operations? Let’s unpack the layers of secrecy and come to a conclusion that’s more nuanced than a simple yes or no.

What Was Air America, Officially?

From 1950 to 1976, Air America was a U.S. proprietary airline, owned and operated by the CIA. Its official mission was to provide air support for covert operations in Southeast Asia, particularly Laos, which was caught in a brutal “Secret War” between the Royal Lao Government and the communist Pathet Lao, supported by North Vietnam.

Given that Laos was officially neutral, direct U.S. military involvement was prohibited. Enter Air America. Operating out of bases like Udorn in Thailand and Long Tieng in Laos, its pilots, often ex-military, flew everything from fixed-wing transports like C-47s and C-123s to helicopters like the Bell 204/205 (Huey).

Their supposed tasks were benign: resupplying remote outposts, ferrying personnel, evacuating refugees, and delivering humanitarian aid. But beneath this veneer of legitimacy lay a far more complex and morally ambiguous reality.

The “Secret War” and Plausible Deniability

The need for Air America stemmed directly from the CIA’s efforts to fight communism in Indochina without direct military intervention. The agency armed and advised indigenous forces, most notably the Hmong ethnic minority led by General Vang Pao, who became key allies against the Pathet Lao.

These were guerrilla fighters operating in incredibly difficult, mountainous terrain. Regular supply lines were impossible. Air America became their lifeline, delivering weapons, ammunition, food, and other necessities to sustain the fight. This aspect – running weapons and essential supplies to proxy forces – is not just likely; it is a documented and undeniable fact of Air America’s mission. That was its primary, stated (within covert circles) purpose.

The Allegations: Drugs and Shady Operations

Now, to the darker allegations:

  1. Drug Trafficking (Opium & Heroin): This is where the story gets truly controversial. The highlands of Laos were part of the “Golden Triangle,” a prime opium-producing region. Many of the Hmong, the CIA’s primary allies, were traditional opium growers. As their communities were disrupted by war, and as they fought on the CIA’s behalf, their need for income became desperate.
    • The Allegation: Air America aircraft, it is widely claimed, were used to transport raw opium and even refined heroin from remote poppy fields to larger airfields for distribution. Some accounts suggest the CIA actively facilitated this trade, either directly profiting or, more plausibly, “turning a blind eye” or even assisting the drug trade of their allies to fund their war effort and secure their loyalty.
    • The Evidence: While no smoking-gun document has ever explicitly shown the CIA itself directly running a drug syndicate for profit, numerous credible historical accounts, particularly Alfred W. McCoy’s seminal book “The Politics of Heroin: CIA Complicity in Global Drug Trafficking,” present substantial circumstantial evidence and eyewitness testimonies. McCoy argues that the CIA’s actions created an environment where drug trafficking flourished, and that Air America aircraft were indeed used to move drugs, sometimes out of necessity for their allies, sometimes as a means of payment, and sometimes simply because they were the only available transport. The U.S. State Department even acknowledged that Lao government generals, who were U.S. allies, were involved in the drug trade.
    • Likelihood: It is highly probable that Air America aircraft, wittingly or unwittingly by some of its personnel, transported opium and heroin for its allies. It is also highly probable that the CIA, at a minimum, tolerated or ignored the drug trade of its Hmong and Lao allies, understanding it was a vital source of income for them to continue fighting. Whether the CIA itself directly profited from this trade is less clear and less substantiated, but its indirect complicity in facilitating it, or at least enabling it by controlling the only air transport network, is very difficult to dispute.
  2. Shady Operations: This is a broad category, but given the nature of a covert airline operating in a secret war, it’s almost a given.
    • Personnel Insertion/Extraction: Dropping off or picking up intelligence operatives, special forces (often disguised as civilians), and allied commanders in hostile territory.
    • Intelligence Gathering: Reconnaissance flights, monitoring enemy movements.
    • Black Operations: While less commonly documented in detail, the infrastructure of Air America certainly provided the means for clandestine actions, sabotage, or psychological warfare if needed.
    • Likelihood: Undoubtedly true. These “shady operations” are exactly what a covert intelligence agency’s proprietary airline is designed for. The entire existence of Air America was a “shady operation” in itself, designed to obscure U.S. involvement.

Conclusion: How Likely?

Let’s break it down:

  • Running Air America as a CIA front airline: 100% likely. This is an officially acknowledged historical fact.
  • Shifting weapons and essential supplies to proxy forces: 100% likely. This was the core mission and extensively documented.
  • Running other “shady operations” (covert personnel transport, intelligence gathering, etc.): Extremely likely, bordering on certainty. This is standard operating procedure for a covert airline.
  • Shifting drugs (opium/heroin) for profit or as a critical part of their allies’ financing: Highly probable. While direct CIA profit is debated, the evidence strongly suggests Air America’s network was used to facilitate drug transport for its allies, and the CIA was, at minimum, complicit through tolerance or indirect assistance, seeing it as a necessary evil to maintain the war effort.

The story of Air America is a stark reminder of the moral compromises and complex realities of covert warfare. In the shadows of neutrality, an airline became an indispensable tool for a secret war, its legacy forever entwined with both heroism and the dark underbelly of the Golden Triangle’s illicit trade. It’s a testament to how far nations will go, and what lines they will blur, in the pursuit of geopolitical objectives.

You are free to make up your own mind, but it does give pause for thought…

What are your thoughts on Air America’s role in the Vietnam War? Share your perspective in the comments below!

Writing a book in 365 days – 291/292

Days 291 and 292

Writing exercise

…

Taking a cross-country trek together, two people discover secrets about each other.

…

It was a silly ritual, but when four of us graduated high school, we made a pact on Prom Night that we would meet up every year, New Year’s Eve, on the 81st floor lookout of the Empire State Building, every year until we couldn’t, literally the only excuse not to be there was death.

We thought it was original, but of course, lots of movies immortalised the same thing, making it a little passe. And with it, there were gaps when others didn’t make it.

I, on the other hand, had been to every one. When others didn’t, I was disappointed, but then that wasn’t the only disappointment in my life.

John Rogers, who was keen on Alison West, prom king and queen, didn’t stay together very long; their fields of study and universities meant the tyranny of distance would eventually take its toll. Daniel Franks, that was me, and Marjourie Leyton were not a couple but had gone to the prom together, because we could have been an item, but neither of us pressed it. We parted and saw each other from time to time, and now, mostly at the Empire State Building. She was the second most attended member.

We had eventually all gone in different directions, and the last time we met was at the high school reunion. The other three were married, successful, great partners and children they were proud to show off, and I, well, I was the odd one out. The girl that I wanted to marry just didn’t know I existed, and though I had tried with others, from home and away, it just didn’t have the same thing about it.

Maybe one day, before I die.

…

The cell phone rang shrilly, waking me from a restless sleep. I glanced over at the clock on the far bedside table, and it read 2:37 a.m.

I normally had it switched off overnight for just that reason, not to be woken in the middle of the night. It was always difficult to fall asleep; it was far worse if I was woken soon after.

I looked at the screen. ‘Private Number’.

No one that I would normally answer. I let it ring out and then switched it off.

Five minutes later, another cell phone rang, a phone that I had used three times in eighteen years, the last time precipitating the most anxious three weeks of my life.

It was a call I could not ignore.

I dragged myself out of bed and got to it just as it rang out. No matter, I knew who it was, and called straight back.

“Danny. Bad time?”

“Very.”

“Still a light sleeper?”

“One eye open and a gun under the pillow, some things never change. What do you want, Fred?”

“Texting an address. Extraction. You have thirteen hours and five minutes.”

After the last time he called, I thought I’d drawn a line under this sort of affair. “I don’t do this anymore.”

“You left the phone on. Naughty boy. Sorry. On your horse.”

The phone went dead.

I glared at it, then put it on the desk. It chimed. Message, the address, and when I looked it up, it was a back alley in the financial district of St Louis in Illinois. I lived in Minneapolis in Minnesota, and to get to St Louis in Missouri, and would have to take I-35 south. Easy as. It was just that it was a 9-hour drive, without breaks, so I just had enough time to get there.

I shook my head, considering I should just ring back and say I was done with him and his antics.

Should, but wouldn’t. Perhaps this was what I needed to get me out of the despondency I’d fallen into.

…

A half hour later, refreshed and ready to go, I headed to the lockup at the rear of the property I lived on and dragged the cover off the 2016 Silver Ford Fusion sedan. It was once described as the ultimate invisible car, and the reason why I owned one. It had fifteen sets of plates, and today it was running with my home state. That would change when I got to St Louis, and again, depending on where I was told to take the target.

When I reached Cedar Rapids, I stopped for an hour for coffee and breakfast of pancakes, bacon and eggs, at a diner where the place was clean, the staff were friendly, and the service was quick. The food wasn’t bad either.

Outside St Louis I changed the plates and paperwork, changed into different clothes, the sort that when the police asked a witness to describe me, it would be average height, average weight, average clothes, you know, check shirt, well-worn North Face parka, well-worn hiking boots, faded well-worn jeans, and a well-worn face that had had spent a lot of time outdoors.

The sort of person a mother wouldn’t recognise if he were standing next to her on a bus. It was the part of the training I liked the most – becoming invisible.

Then, ten minutes before the appointed time, I sent the location to a burner number, a street corner where I could stop for just long enough for someone to get in, and we could keep moving. This was a critical part of the operation and required precision timing. The only thing that could mess this up was an accident, and I’d checked the route; nothing was going to cause a problem.

At the precise moment, I stopped the car, released the door lock, and someone got in the back. They were covered, protected from the cold, and I didn’t look other than to make sure they were in and the door closed before I drove off. In all, I was there for 7 seconds.

After sending an acknowledgement text to the boss, he sent the destination. There was generally no conversation with the target; it was pick up and deliver. Food was in a hamper on the back seat. We would not be stopping for anything other than gas and restroom visits.

…

There was no communication with the target; it was just my job to take them from point A to point B, which this time, was outside Saks, Fifth Avenue, New York. I would have guessed a safe house, not a place where the target could do some indulgent shopping. I sighed inwardly.

A glance in the back told me very little, other than this time it was a woman, and that she would not be recognisable as anyone I would know or attempt to guess at. Because we both worked for the same man, she would have the same training as I had, except I didn’t get to go into the field as a primary agent; I had only qualified for work in Section 5, support services.

There had been times when I was disappointed, but sometimes running support could also be as dangerous as an agent on the ground, especially when it was a hot extraction.

At the first restroom stop, I pulled into the carpark close to the building, and she got out, taking a small backpack with her. I had not seen it when she got in, but that meant little. I waited half an hour, the maximum time before I had to go check, but she reappeared, having changed her appearance, but still as anonymous as before.

I was not meant to, but I watched her walk from the front door of the cafe, towards the car before turning to the front as she neared. It reminded me of someone from a distant past, but exactly who eluded me.

The door shut, and I drove off.

Once past the city limits, she asked, quite unexpectedly, “What’s your name?” The voice was distorted through the mask.

“Against protocol, ma’am.”

“We’re out in the middle of nowhere. Surely it doesn’t matter.”

“Not my call. The boss is insistent. No names, no conversation.”

I heard a sigh, and then she settled into the seat. The car wasn’t exactly the most comfortable, but Services had upgraded the seating, especially for the driver, knowing how long we might have to drive in a single sitting. Moving an agent was by car. Any other form of travel left a trail.

A half hour later, I heard the sounds of sleep. I would get mine after I dropped her off.

…

Darkness settled slowly until the inky blackness swallowed us up, and then it was a matter of watching the headlights of the cars opposite come and go, and the cars and trucks behind and in front pass or get passed. There was a reasonable amount of traffic, and for the first few hours of darkness, it was almost boring.

There was no movement from the back seat.

Then, “I need a break. Find some facilities.”

I checked the GPS and there was one ten minutes ahead. “Ten minutes or so.”

“Thanks.”

Ten minutes, I pulled off the main road and stopped at a BP petrol station at a place called Straughan. She got out and went inside. I filled the tank with Premium, paid the bill in cash and got back in the car.

That’s when I saw a car, sitting in the truck park, no lights, but suddenly, the flaring of a match lit a cigarette. Not enough light to see the driver’s face, but an outline. A large man in a small car.

It could be nothing.

The door opened and closed. I started the car and drove out slowly. I watched the car behind me. It didn’t move. I turned and went back the way we came to the on ramp of the I-70 and soon was back up to speed.

Back on the highway, I switched on the cruise control and relaxed. A glance every now and then in the exterior rear vision mirror showed the usual traffic, except after an hour, a set of headlights appeared a distance back and then stayed there, sometimes falling back, sometimes moving faster, but never beyond a certain point.

Damn!

It could be my imagination, but I didn’t think so. There was that car on the side of the road back at the gas station, but the fact that it had taken hours to locate us suggested only one possibility.

“Excuse me?”

A few seconds of silence, then “I thought we were not to speak.”

“True, but there might be a problem. I would like you to check everything you have and make sure there isn’t a tracking device.”

“We have a tail?”

“We might, or it might be my paranoia.”

“It’s not possible.”

“Humour me.”

I heard her mutter something under her breath, and then reluctantly search. A minute later, a sharp gasp, the window opening and then closing.

“How?” I asked.

“I was with the target, who seemed a little more anxious than usual. I left as soon as I could without raising suspicion, called the controller and requested extraction. There were other red flags, and it was time.”

“Once they realise you tossed the tracker, the excitement begins.”

I had three guns, a modified car that could outrun the car behind me, theoretically, but they had time to set up a blockage further along, depending on how desperate they were to capture my passenger. I guess we’d soon find out.

“Settle in. This could take a while.”

Except, not long after, the headlights appeared behind me again. There were two trackers. I wouldn’t bother her about the second, just wait and see what they were prepared to do. I was on a major highway, and there were a lot of trucks to use as cover.

…

At the next gas station, near Akron, I sent a text message requesting another car and a device that would knock out anything transmitting a signal, which meant we would not have any communications. That would not be a problem for the short time it took for us to get away. I also requested her to double-check everything she had with her and on, just to make sure.

I didn’t ask, and she didn’t say whether there was another device, but it was clear she had completely changed everything and left the other clothes and belongings behind.

At Akron, we changed cars.

I also made an alarming discovery. The woman in the back of my car was a girl I used to know back in high school, the one who never gave me a second look. When I did know her, it was she who had suggested, with the grades I had, that I should apply to the FBI. She didn’t say she was, but it surprised me that she suggested it.

Annabel Tyler.

Undercover agent for? I was tempted to ask, but it was not my business. She wouldn’t remember me, not if she had evolved into many different identities and personas. She probably didn’t know who she was herself.

We lost the tail. There were no more trackers, and I arrived at Saks Fifth Avenue.

When I stopped the car outside the building, she leaned forward and offered a card. It had a number scribbled on it.

“What’s this?”

“My number, Daniel. I was far too focused on turning into whatever this is I am now, and lost sight of everything that should matter. I’m tired and need a break. You call this number, and I;’ll answer, any time of the day or night.”

“Why?”

“You now know my secret, and I know yours. You are the only person I can trust. What do you think? Don’t disappoint me a second time.”

And then she was gone. Just like that. Into thin air. I put the card in my pocket and pulled out into the traffic.

…

©  Charles Heath  2025

Writing a book in 365 days – 291/292

Days 291 and 292

Writing exercise

…

Taking a cross-country trek together, two people discover secrets about each other.

…

It was a silly ritual, but when four of us graduated high school, we made a pact on Prom Night that we would meet up every year, New Year’s Eve, on the 81st floor lookout of the Empire State Building, every year until we couldn’t, literally the only excuse not to be there was death.

We thought it was original, but of course, lots of movies immortalised the same thing, making it a little passe. And with it, there were gaps when others didn’t make it.

I, on the other hand, had been to every one. When others didn’t, I was disappointed, but then that wasn’t the only disappointment in my life.

John Rogers, who was keen on Alison West, prom king and queen, didn’t stay together very long; their fields of study and universities meant the tyranny of distance would eventually take its toll. Daniel Franks, that was me, and Marjourie Leyton were not a couple but had gone to the prom together, because we could have been an item, but neither of us pressed it. We parted and saw each other from time to time, and now, mostly at the Empire State Building. She was the second most attended member.

We had eventually all gone in different directions, and the last time we met was at the high school reunion. The other three were married, successful, great partners and children they were proud to show off, and I, well, I was the odd one out. The girl that I wanted to marry just didn’t know I existed, and though I had tried with others, from home and away, it just didn’t have the same thing about it.

Maybe one day, before I die.

…

The cell phone rang shrilly, waking me from a restless sleep. I glanced over at the clock on the far bedside table, and it read 2:37 a.m.

I normally had it switched off overnight for just that reason, not to be woken in the middle of the night. It was always difficult to fall asleep; it was far worse if I was woken soon after.

I looked at the screen. ‘Private Number’.

No one that I would normally answer. I let it ring out and then switched it off.

Five minutes later, another cell phone rang, a phone that I had used three times in eighteen years, the last time precipitating the most anxious three weeks of my life.

It was a call I could not ignore.

I dragged myself out of bed and got to it just as it rang out. No matter, I knew who it was, and called straight back.

“Danny. Bad time?”

“Very.”

“Still a light sleeper?”

“One eye open and a gun under the pillow, some things never change. What do you want, Fred?”

“Texting an address. Extraction. You have thirteen hours and five minutes.”

After the last time he called, I thought I’d drawn a line under this sort of affair. “I don’t do this anymore.”

“You left the phone on. Naughty boy. Sorry. On your horse.”

The phone went dead.

I glared at it, then put it on the desk. It chimed. Message, the address, and when I looked it up, it was a back alley in the financial district of St Louis in Illinois. I lived in Minneapolis in Minnesota, and to get to St Louis in Missouri, and would have to take I-35 south. Easy as. It was just that it was a 9-hour drive, without breaks, so I just had enough time to get there.

I shook my head, considering I should just ring back and say I was done with him and his antics.

Should, but wouldn’t. Perhaps this was what I needed to get me out of the despondency I’d fallen into.

…

A half hour later, refreshed and ready to go, I headed to the lockup at the rear of the property I lived on and dragged the cover off the 2016 Silver Ford Fusion sedan. It was once described as the ultimate invisible car, and the reason why I owned one. It had fifteen sets of plates, and today it was running with my home state. That would change when I got to St Louis, and again, depending on where I was told to take the target.

When I reached Cedar Rapids, I stopped for an hour for coffee and breakfast of pancakes, bacon and eggs, at a diner where the place was clean, the staff were friendly, and the service was quick. The food wasn’t bad either.

Outside St Louis I changed the plates and paperwork, changed into different clothes, the sort that when the police asked a witness to describe me, it would be average height, average weight, average clothes, you know, check shirt, well-worn North Face parka, well-worn hiking boots, faded well-worn jeans, and a well-worn face that had had spent a lot of time outdoors.

The sort of person a mother wouldn’t recognise if he were standing next to her on a bus. It was the part of the training I liked the most – becoming invisible.

Then, ten minutes before the appointed time, I sent the location to a burner number, a street corner where I could stop for just long enough for someone to get in, and we could keep moving. This was a critical part of the operation and required precision timing. The only thing that could mess this up was an accident, and I’d checked the route; nothing was going to cause a problem.

At the precise moment, I stopped the car, released the door lock, and someone got in the back. They were covered, protected from the cold, and I didn’t look other than to make sure they were in and the door closed before I drove off. In all, I was there for 7 seconds.

After sending an acknowledgement text to the boss, he sent the destination. There was generally no conversation with the target; it was pick up and deliver. Food was in a hamper on the back seat. We would not be stopping for anything other than gas and restroom visits.

…

There was no communication with the target; it was just my job to take them from point A to point B, which this time, was outside Saks, Fifth Avenue, New York. I would have guessed a safe house, not a place where the target could do some indulgent shopping. I sighed inwardly.

A glance in the back told me very little, other than this time it was a woman, and that she would not be recognisable as anyone I would know or attempt to guess at. Because we both worked for the same man, she would have the same training as I had, except I didn’t get to go into the field as a primary agent; I had only qualified for work in Section 5, support services.

There had been times when I was disappointed, but sometimes running support could also be as dangerous as an agent on the ground, especially when it was a hot extraction.

At the first restroom stop, I pulled into the carpark close to the building, and she got out, taking a small backpack with her. I had not seen it when she got in, but that meant little. I waited half an hour, the maximum time before I had to go check, but she reappeared, having changed her appearance, but still as anonymous as before.

I was not meant to, but I watched her walk from the front door of the cafe, towards the car before turning to the front as she neared. It reminded me of someone from a distant past, but exactly who eluded me.

The door shut, and I drove off.

Once past the city limits, she asked, quite unexpectedly, “What’s your name?” The voice was distorted through the mask.

“Against protocol, ma’am.”

“We’re out in the middle of nowhere. Surely it doesn’t matter.”

“Not my call. The boss is insistent. No names, no conversation.”

I heard a sigh, and then she settled into the seat. The car wasn’t exactly the most comfortable, but Services had upgraded the seating, especially for the driver, knowing how long we might have to drive in a single sitting. Moving an agent was by car. Any other form of travel left a trail.

A half hour later, I heard the sounds of sleep. I would get mine after I dropped her off.

…

Darkness settled slowly until the inky blackness swallowed us up, and then it was a matter of watching the headlights of the cars opposite come and go, and the cars and trucks behind and in front pass or get passed. There was a reasonable amount of traffic, and for the first few hours of darkness, it was almost boring.

There was no movement from the back seat.

Then, “I need a break. Find some facilities.”

I checked the GPS and there was one ten minutes ahead. “Ten minutes or so.”

“Thanks.”

Ten minutes, I pulled off the main road and stopped at a BP petrol station at a place called Straughan. She got out and went inside. I filled the tank with Premium, paid the bill in cash and got back in the car.

That’s when I saw a car, sitting in the truck park, no lights, but suddenly, the flaring of a match lit a cigarette. Not enough light to see the driver’s face, but an outline. A large man in a small car.

It could be nothing.

The door opened and closed. I started the car and drove out slowly. I watched the car behind me. It didn’t move. I turned and went back the way we came to the on ramp of the I-70 and soon was back up to speed.

Back on the highway, I switched on the cruise control and relaxed. A glance every now and then in the exterior rear vision mirror showed the usual traffic, except after an hour, a set of headlights appeared a distance back and then stayed there, sometimes falling back, sometimes moving faster, but never beyond a certain point.

Damn!

It could be my imagination, but I didn’t think so. There was that car on the side of the road back at the gas station, but the fact that it had taken hours to locate us suggested only one possibility.

“Excuse me?”

A few seconds of silence, then “I thought we were not to speak.”

“True, but there might be a problem. I would like you to check everything you have and make sure there isn’t a tracking device.”

“We have a tail?”

“We might, or it might be my paranoia.”

“It’s not possible.”

“Humour me.”

I heard her mutter something under her breath, and then reluctantly search. A minute later, a sharp gasp, the window opening and then closing.

“How?” I asked.

“I was with the target, who seemed a little more anxious than usual. I left as soon as I could without raising suspicion, called the controller and requested extraction. There were other red flags, and it was time.”

“Once they realise you tossed the tracker, the excitement begins.”

I had three guns, a modified car that could outrun the car behind me, theoretically, but they had time to set up a blockage further along, depending on how desperate they were to capture my passenger. I guess we’d soon find out.

“Settle in. This could take a while.”

Except, not long after, the headlights appeared behind me again. There were two trackers. I wouldn’t bother her about the second, just wait and see what they were prepared to do. I was on a major highway, and there were a lot of trucks to use as cover.

…

At the next gas station, near Akron, I sent a text message requesting another car and a device that would knock out anything transmitting a signal, which meant we would not have any communications. That would not be a problem for the short time it took for us to get away. I also requested her to double-check everything she had with her and on, just to make sure.

I didn’t ask, and she didn’t say whether there was another device, but it was clear she had completely changed everything and left the other clothes and belongings behind.

At Akron, we changed cars.

I also made an alarming discovery. The woman in the back of my car was a girl I used to know back in high school, the one who never gave me a second look. When I did know her, it was she who had suggested, with the grades I had, that I should apply to the FBI. She didn’t say she was, but it surprised me that she suggested it.

Annabel Tyler.

Undercover agent for? I was tempted to ask, but it was not my business. She wouldn’t remember me, not if she had evolved into many different identities and personas. She probably didn’t know who she was herself.

We lost the tail. There were no more trackers, and I arrived at Saks Fifth Avenue.

When I stopped the car outside the building, she leaned forward and offered a card. It had a number scribbled on it.

“What’s this?”

“My number, Daniel. I was far too focused on turning into whatever this is I am now, and lost sight of everything that should matter. I’m tired and need a break. You call this number, and I;’ll answer, any time of the day or night.”

“Why?”

“You now know my secret, and I know yours. You are the only person I can trust. What do you think? Don’t disappoint me a second time.”

And then she was gone. Just like that. Into thin air. I put the card in my pocket and pulled out into the traffic.

…

©  Charles Heath  2025

NANOWRIMO – November 2025 – Day 4

…

The Third Son of a Duke

…

So, here’s the quandary that research can dump on you.  Trains in 1914 traditionally left from Fenchurch Street Station for Tilbury, but there is other evidence that special Tilbury trains ran from Paddington.  What do you pick for your story?

The thing is, once you start poking around, looking for dated photos of the dock at Tilbury that was at the end of the railways, the fact that there was a shed when the shipping agents were waiting for baggage that wasn’t sent ahead. And passengers who would show their tickets and be directed to the correct gangway, if, of course, the ship was tied up at the wharf, because there is evidence that the ships were moored off the pier and people were taken by tender to the ship.

What is the truth, what is inferred, what is known?  Research sometimes can leave you with an incomplete picture.

Then, we have to get the passengers aboard the ship, boarded by the correct gangway for their class, because the class system was alive and well in Edwardian England, and then, well, you get the picture.  Travelling on a state-of-the-art 10,000-ton vessel that took about 1400 passengers, much have been some undertaking.

How I would have loved to have been there in person.

…

1245 words, for a total of 6225 words.

Writing a book in 365 days – My Story 44

The end is not the place to start finding plot holes

…

Third Edit, Big Plot Hole? It’s a Gift, Not a Disaster (and How to Fix It!)

You’re deep into your third edit. The words are starting to gleam, the narrative arc feels solid, and you can almost taste that “FIN” key. Then it hits you. A moment, a scene, a fundamental piece of your carefully constructed world… and it makes no sense.

Your stomach drops. Your heart sinks. A gaping, undeniable plot hole stares back at you from the page, like a canyon you somehow missed seeing until now. “Third edit?!” you scream internally. “How could I have missed this? My book is fundamentally broken! I’m a fraud! It’s over!”

Stop. Breathe. You’re not alone, and this isn’t the end. In fact, finding a big plot hole late in the game is not a disaster – it’s an opportunity.

Why You Absolutely Should NOT Panic

Let’s talk you off the ledge, writer. Here’s why this unexpected discovery is actually a good thing:

  1. You Found It! This is the single most important reason not to panic. Imagine if a reader found it after publication. Ouch. You, the diligent author, caught it before it became a problem for anyone else. Give yourself a pat on the back for your keen editorial eye.
  2. It Means You’re Getting Better. Spotting a plot hole on the third edit, rather than the first, shows your critical faculties are sharpening. You’re viewing your work with fresh, more discerning eyes, like a seasoned detective.
  3. It’s Fixable (Seriously). Very few plot holes are truly unfixable without rewriting the entire book. Most can be patched, rewoven, or even transformed into something stronger.
  4. It Can Make Your Story Stronger. Often, fixing a plot hole isn’t just about patching a flaw; it’s about deepening character motivation, adding a surprising twist, or solidifying your world-building in a way you hadn’t considered before. What felt like a weakness can become a new strength.
  5. It Happens to Everyone. Every single writer, from debut authors to multi-published bestsellers, grapples with plot logic. Stories are complex beasts, and human brains are fallible. This is part of the process.

How to Fix That Pesky Plot Hole: A Step-by-Step Guide

Okay, now that we’ve established your book isn’t doomed, let’s roll up our sleeves.

Step 1: Disengage and Diagnose

  • Step Away: The worst thing you can do is try to fix it immediately while you’re still in “panic mode.” Go for a walk, make some tea, watch an episode of your favorite show. Let your subconscious marinate.
  • Pinpoint the Genesis: Identify the exact moment or decision where the logic breaks. Is it a character doing something illogical? A timeline inconsistency? A magical rule being broken? A piece of information that shouldn’t exist yet?
  • Trace the Impact: How far does this plot hole ripple through your story? What other scenes, character motivations, or plot points does it implicitly invalidate? Don’t just look at the hole; look at what falls into it.

Step 2: Brainstorm Solutions (No Bad Ideas Yet!)

Get out a fresh notebook or open a blank document. For 15-20 minutes, just write down any idea that comes to mind, no matter how silly or impossible.

  • “Character X secretly had a twin!” (Probably too much, but write it down.)
  • “The magic system actually has this obscure loophole!”
  • “That scene never happened, it was a dream!” (Again, likely not the best, but capture it.)
  • “What if Character Y’s motivation was actually Z, which explains the moment?”
  • “Could I add a short scene earlier to explain this?”
  • “What if I just cut that entire problematic subplot?”

The goal here is quantity, not quality. Don’t filter.

Step 3: Employ Your Writer’s Toolbox

Now, let’s get strategic with some common plot-hole-fixing techniques:

  1. The Foreshadow/Setup: This is often the cleanest solution. Can you add a small detail, a throwaway line, an earlier scene, or even a brief internal thought a few chapters (or even many chapters) before the plot hole appears, that subtly explains or justifies it?
    • Example: If your character can suddenly fly, have them dream about flying earlier, or overhear a strange comment about ancient powers.
  2. Reverse-Engineer the Logic: What needs to be true for the problematic moment to work? Can you build that truth into your world or character history?
    • Example: Character had to be at Location A, but they were established at Location B. What if the journey from B to A is shorter than you thought? Or what if there’s a secret tunnel? Or what if they sent a proxy?
  3. Deepen Character Motivation: Often, a plot hole stems from a character making an inconsistent or illogical choice. Can you:
    • Give them a secret motivation for that action?
    • Add internal conflict or external pressure that forces their hand?
    • Show them making a flawed, very human decision under stress?
    • Sometimes a character’s mistake IS the plot point.
  4. World-Building Expansion/Clarification: If the hole is due to inconsistencies in your magic system, technology, or societal rules, can you:
    • Add a new rule or caveat that explains it?
    • Clarify an existing rule?
    • Show a character misunderstanding or misinterpreting a rule?
  5. The “Consequences” Approach: Instead of trying to erase the illogical moment, what if you embrace it and explore its consequences? The plot hole becomes a new catalyst for conflict.
    • Example: If a character’s decision was illogical, what are the immediate, negative repercussions? How do they deal with the fallout? This can be incredibly rich for storytelling.
  6. Information Management: Did you give the reader too much or too little information at a crucial point?
    • Too much: Can you withhold a detail for longer to maintain suspense and prevent the reader from spotting the flaw too soon?
    • Too little: Can you provide a key piece of information subtly earlier to make the problematic moment click into place?
  7. The Pruning Shears: Is the problematic scene, character, or subplot truly essential? Sometimes, the most elegant solution is to simply remove the offending element entirely. If it’s creating more problems than it solves, it might not belong.

Step 4: Implement and Re-read (with a Partner if Possible)

Once you’ve chosen a solution, carefully integrate it. This might mean adding a few lines, a paragraph, or even rewriting a small scene. Then, read through the entire section, or even the whole manuscript again, specifically looking for new inconsistencies your fix might have created.

If you have a trusted beta reader or critique partner, this is an excellent time to get their eyes on it. Explain the original plot hole and your proposed solution, and ask them if it now makes sense and feels organic.

You Got This.

Finding a big plot hole on your third edit isn’t a sign of failure; it’s a badge of honor. It means you care enough about your story, and your readers, to make it the absolute best it can be. Embrace the challenge, apply these strategies, and watch as that gaping chasm transforms into a seamlessly integrated, stronger part of your narrative.