That is a fantastic shift! Santorini is world-famous for the caldera view, but if you venture away from the main settlements of Fira and Oia, you’ll find the authentic, Cycladic heart of the island.
Here are five next best places or activities to explore on the road less travelled in Santorini:
1. Pyrgos Kallistis Village
What it is: The highest village on Santorini, offering 360-degree views of the entire island. It was the former capital until 1800.
Why it’s less travelled: While tour buses stop here, they rarely spend the evening, meaning it’s wonderfully quiet outside of midday. Its labyrinthine, uphill streets were built to confuse pirates, and its architecture is a beautiful mix of Cycladic and Venetian styles, culminating in a Venetian castle (Kasteli) at the peak.
Activity: Wander the quiet alleyways in the late afternoon, climb to the top of the Kasteli, and have dinner at a traditional taverna as the sun sets, without the shoulder-to-shoulder crowds of Oia.
2. Akrotiri Lighthouse
What it is: Located on the southernmost tip of the island, this is one of the oldest lighthouses in Greece, built in 1892.
Why it’s less travelled: It requires a dedicated drive, and most tourists stop short at the famous Akrotiri archeological site or Red Beach. This spot offers a stunning, completely different perspective on the caldera and the Aegean Sea.
Activity: Pack a small picnic and head here for a truly quiet and spectacular sunset view. You’ll be watching the sun sink into the sea from a peaceful, historic spot, rather than looking at it over the main villages.
3. Vlychada Beach and its Volcanic Cliffs
What it is: A beach on the south side of the island famous for its towering, sculpted white cliffs composed of volcanic ash, which have been eroded by wind and sea into incredible, moon-like shapes.
Why it’s less travelled: It’s far from the main villages and has a wilder, more remote feel than the popular black sand beaches (Perissa/Perivolos).
Activity: Take a long walk along the unique shoreline, where the “moonscape” cliffs provide a naturally shaded, artistic backdrop. The beach itself is a mix of black sand and pebbles, offering a dramatic setting for relaxation and photography.
4. Hiking to Ancient Thera
What it is: The ruins of an ancient city built on the steep, rocky Mesa Vouno mountain, which separates the beaches of Perissa and Kamari.
Why it’s less travelled: It requires a rigorous 30-45 minute uphill hike (or a drive up a steep, winding road) to reach, which deters most casual tourists.
Activity: Climb up in the morning before the heat hits, and explore the remains of Hellenistic temples, Roman baths, and Byzantine walls. You’ll be rewarded with incredible panoramic views over the black sand beaches on one side and the eastern coast on the other.
5. Wine Tasting in Mesa Gonia (Ghost Village)
What it is: A collection of traditional wineries located in the inland vineyards, away from the caldera, in a village often referred to as a “ghost village” because many inhabitants left after the 1956 earthquake.
Why it’s less travelled: The island’s wine culture (using the unique kouloura basket-pruning technique) is often overlooked in favour of beach time. The village itself is authentic and unrenovated.
Activity: Visit a local winery like Gavalas or Koutsoyannopoulos Wine Museum (which is underground) to taste the local Assyrtiko, Nykteri, and Vinsanto wines. This gives you a true appreciation for the island’s unique volcanic soil and agricultural traditions.
That’s a great question! While Rhodes is famous for its Colossus and the Old Town, the island is large enough to hide numerous quieter corners.
Here are five places or activities to explore on a road less travelled in Rhodes:
1. The Medieval Fortress of Monolithos
What it is: A picturesque, ruined 15th-century castle built by the Knights of St. John, perched atop a massive, isolated rock overlooking the sea on the southwest coast.
Why it’s less travelled: It’s located far from the main resort towns and requires a dedicated drive. The destination itself is just the ruin and a small, functional chapel (Agios Panteleimonas), offering a quiet, reflective experience.
Activity: Climb the stone steps to the top for incredible panoramic views of the rugged coastline, the sea, and the nearby small island of Halki, especially beautiful at sunset.
2. Exploring the South Coast Beaches (e.g., Agathi or Prasonisi)
While the northern beaches are packed, the southern tip of the island offers wilder, quieter, and more remote stretches of sand.
Prasonisi: This is a small peninsula connected to Rhodes by a narrow strip of sand, creating two bays. It’s a spectacular natural spot.
Activity: It’s famous for windsurfing and kitesurfing due to the strong winds, offering an active alternative to sunbathing. One side is calm, and the other is wavy.
Agathi Beach (Golden Sand Beach): Though not completely unknown, it is significantly quieter than Faliraki or Tsambika, featuring fine golden sand and shallow, crystal-clear water.
3. The Seven Springs (Epta Piges) Tunnel Walk
Located inland, this is a cool, forested area offering a unique, slightly adventurous activity away from the beaches.
What it is: A lush oasis where seven natural springs converge to feed a river. The water is channelled through a dark, narrow, man-made tunnel built in 1931.
Activity: Walk the 186-meter-long tunnel! The water is shallow, but it’s pitch black, cold, and narrow, making it an adventurous and refreshing walk (if you prefer to stay dry, there is a path overground). It leads to a small lake where you can relax.
4. The Petaloudes Valley (Valley of the Butterflies)
While it attracts visitors, the Valley of the Butterflies offers a unique natural experience that takes you away from the coastal towns and focuses on nature conservation.
What it is: A unique habitat and one of the only places in Europe where the Panaxia Quadripunctaria (Jersey Tiger Moth) gathers in large numbers during the summer months (usually July and August).
Activity: Follow the gentle hiking path that winds through the cool, shaded valley, crossing small wooden bridges and waterfalls. It’s less about beach time and more about appreciating the island’s biodiversity and unique microclimate.
5. The Kamiros Ruins and Traditional Village of Embona
Kamiros and Embona offer a deep dive into the island’s history and local life, away from the bustling tourist centres.
Kamiros: Located on the west coast, this is one of the three ancient cities of Rhodes (alongside Lindos and Ialysos). It is a quieter, less-visited archaeological site.
Activity: Explore the well-preserved ruins of the Hellenistic city, which was abandoned centuries ago, giving you a sense of a genuine, unearthed ancient town without the crowds of a major landmark.
Embona: A traditional, mountainous village located on the slopes of Mount Attavyros (the island’s highest peak).
Activity: Embona is the centre of the island’s wine production. Visit a local winery, taste the indigenous varieties, and enjoy a traditional Greek lunch far from the tourist tavernas.
With Only Six Minutes to Live – What Would Your Story Look Like?
“If you could see the end of your life, would you want to?” A question that feels like a scene ripped straight from a thriller, yet it lives in the quiet corners of our minds every time we glance at a ticking clock. Imagine the timer on your life’s narrative dropping to six minutes. No more coffee breaks, no “later, I’ll finish that project,” and no chance to scroll through one more meme. What would your story look like in that final, frantic, beautiful sprint?
1. The Flash‑Forward: A Rapid‑Fire Montage
When we think of dying, movies often give us a slow‐motion, tear‑stained goodbye. In six minutes, there’s no room for a soundtrack that swells over a long farewell. Instead, your brain would likely fast‑forward through the most vivid moments — a rapid montage that feels both cinematic and intimate.
Minute
What Pops Up
Why It Matters
0–1
The first time you felt truly alive – maybe standing on a mountaintop, your first kiss, or that “aha!” moment at work.
A reminder that life is made of peaks, not just the plateau.
1–2
The faces of people who shaped you – a parent’s smile, a mentor’s steady hand, a friend’s reckless laugh.
They’re the anchors that kept you tethered to humanity.
2–3
The mistakes you regretted – a broken promise, a missed chance, a harsh word.
In the end, we’re rarely defined by perfection; we’re defined by how we learned from the cracks.
3–4
Small joys you rarely mentioned – the smell of rain, a favorite song, the feel of a dog’s head on your lap.
These are the sensory stitches that quilt our daily comfort.
4–5
Your “why” – the purpose that pulled you through the mundane: a child’s hopeful eyes, a cause you championed, a dream you pursued.
Purpose gives the story its spine, the reason we keep turning pages.
5–6
A single, final image: a blank page waiting for the next writer, or perhaps a sunrise you’ll never see.
The ending is both a conclusion and a promise that stories never truly stop.
2. The Tone of a Six‑Minute Story
If a novel can be a slow burn, a six‑minute story is a sprint. The tone shifts from reflective to urgent, from lingering nostalgia to a fierce gratitude. Think of it as a haiku rather than an epic: every word must count, every image must hit.
“In six breaths, I’m whole.” – a line you might whisper to yourself as the seconds slip away.
This rapid cadence forces us to strip away fluff and get to the marrow. It’s less about the how and more about the what that matters most.
3. What We Usually Forget in the Rush
When the clock is ticking, we often overlook the small, uncelebrated moments that actually define a life.
The Quiet Acts: Holding a door, sharing a joke, listening without judgment.
The Unfinished Projects: Not the grand visions, but the half‑drawn doodles, the recipes you never perfected.
The “Almost” Stories: The road not taken, the love that could’ve been.
These are the hidden threads that, when pulled quickly, reveal the texture of who we really are.
4. A Mini‑Exercise: Write Your Six‑Minute Story
Grab a pen, your phone, or whatever medium feels natural. Set a timer for six minutes. Then answer these three prompts as fast as you can:
Who made you feel seen?
What moment made you feel truly alive?
What simple pleasure would you share with the world right now?
Don’t edit. Don’t overthink. Let the words flow like a sprint through a hallway you’ve run down a thousand times.
Example (under 60 seconds): “My mother’s laugh, the smell of pine after a winter storm, and the way my cat curls around my ankle when I’m reading.”
You’ll notice that, even in a frantic rush, the core of your narrative shines through.
5. Why This Thought Experiment Matters
a. It Re-Prioritises
By confronting the imminent end, we’re forced to reorder our priorities. The next time you’re stuck in a meeting that could be an email, ask yourself: “Will this be part of my six‑minute montage?”
b. It Sparks Empathy
If we all imagined our own six‑minute finale, we might speak softer, listen harder, and love deeper. Empathy becomes the default setting, not an afterthought.
c. It Fuels Action
A vivid, finite timeline can be a catalyst. You might finally call that friend you’ve been meaning to, start that side project, or simply put your phone down and look at the sky.
6. The Gift of a Blank Page
Six minutes may sound like a cruel limit, but it’s also a gift: the chance to see your story stripped down to its essential narrative arc. It asks you to:
Celebrate the peaks.
Own the valleys.
Embrace the in‑betweens.
And when the timer finally hits zero, the story doesn’t end; it passes – like a baton handed to the next generation, a memory whispered to a child, or an idea that sparks a future conversation.
Closing Thought: The Six‑Minute Challenge
I challenge you: live each day as if you only had six minutes left. Not in a morbid, anxiety‑inducing way, but as a reminder that time is precious, finite, and spectacularly yours.
When you next scroll past a notification, pause. When you hear a stranger’s laugh, linger. When you feel the weight of a deadline, ask: “Will this matter in my six‑minute story?”
Because in the end, the measure of a life isn’t the number of seconds it occupies, but the quality of moments we choose to fill them with.
What would your six‑minute story look like? Share in the comments – I’m eager to read the flash‑forwards that make us all feel a little more alive.
If you had only six minutes left, your story would be a rapid montage of peaks, people, regrets, tiny joys, purpose, and a final image of continuation. This thought experiment helps us re-prioritise, build empathy, and act with intention. Try the six‑minute writing exercise and see what truly matters to you.
Revenge is a dish best served cold – or preferably so when everything goes right
Of course, it rarely does, as Alistair, Zoe’s handler, discovers to his peril. Enter a wildcard, John, and whatever Alistair’s plan for dealing with Zoe was dies with him.
It leaves Zoe in completely unfamiliar territory.
…
John’s idyllic romance with a woman who is utterly out of his comfort zone is on borrowed time. She is still trying to reconcile her ambivalence, after being so indifferent for so long.
They agree to take a break, during which she disappears. John, thinking she has left without saying goodbye, refuses to accept the inevitable, calls on an old friend for help in finding her.
After the mayhem and being briefly reunited, she recognises an inevitable truth: there is a price to pay for taking out Alistair; she must leave and find them first, and he would be wise to keep a low profile.
But keeping a low profile just isn’t possible, and enlisting another friend, a private detective and his sister, a deft computer hacker, they track her to the border between Austria and Hungary.
What John doesn’t realise is that another enemy is tracking him to find her too. It could have been a grand tour of Europe. Instead, it becomes a race against time before enemies old and new converge for what will be an inevitable showdown.
All stories require some form of research, quite often to place a character in a place at a particular time, especially if it is in a historical context. This series will take you through what it was like in 1914 through 1916.
I. Strategic Context: Navigating Administrative Jurisdiction in Australia (March 1915)
The mobilisation of a British subject from Queensland, Australia, for direct Imperial Army service in Egypt during March 1915 presents a unique logistical problem defined by the necessity of bypassing the highly organised and centrally administered Australian Imperial Force (AIF). While the Australian Government had pledged substantial forces to Britain and recruitment for the AIF was proceeding robustly across the Dominion 1, the individual mandate to report for enlistment specifically to an overseas Imperial camp compels a fundamentally different administrative and financial pathway.
A. The Mandate: Imperial Service vs. Dominion Enlistment
In August 1914, recruitment offices for the AIF were swiftly established across Australia, rapidly processing thousands of volunteers willing to support the British Empire.2 By early 1915, AIF recruitment was centralised in major cities and towns, often relying on massive urban depots like those in Sydney and Melbourne.3 Volunteers for the AIF benefited significantly from this national mobilisation structure. New AIF recruits received a free railway ticket to the nearest city where basic military training was established, indicating that the Commonwealth absorbed all initial domestic travel costs.2 Furthermore, troops were transported overseas on requisitioned vessels designated as HMATs (His Majesty’s Australian Transports).4
The user’s explicit requirement to avoid AIF enlistment means forgoing this entire subsidised logistical chain. Since UK conscription was not enacted until January 1916 6, the individual is proceeding as a volunteer, potentially a reservist, reporting directly to the War Office authority overseas. This administrative difference means the entire journey must be treated as a self-funded civilian mobilisation, requiring specific clearance.
B. Administrative Requirement: Securing Imperial Clearance and Financial Liability
The first administrative step, after determining the intention to serve the Imperial forces directly, is securing documentation. Given the AIF’s effective monopoly on local military recruitment 7, the individual must locate the nearest representative of the Imperial military authority, likely a British naval attaché or consular office in Brisbane or, more probably, Sydney. This official would need to register the subject’s status and issue necessary travel documentation (such as a warrant or passport endorsement) confirming the destination in Egypt. This documentation is critical for legitimate disembarkation in the highly controlled military zone around the Suez Canal.
The avoidance of the AIF structure carries a substantial financial implication. Where AIF troops were transported free of charge, the independent Imperial subject must acquire commercial passage. An analysis of commercial fares advertised around 1914 and early 1915 confirms this significant expenditure. Saloon (First Class) tickets from Australia to London (which passed through the Suez Canal) were priced around £40, while the economically necessary Third Class (Steerage) fares ranged from £16 16/ to £18 18/.8 This outlay, borne entirely by the individual, contrasts sharply with the zero cost for AIF volunteers and represents a fundamental logistical burden imposed by the choice of Imperial service.
II. The Queensland Dilemma: Securing Commercial Maritime Passage
The location of the individual in Brisbane, Queensland, necessitates an initial phase of internal travel to secure a suitable vessel for the long-haul transit to the Suez Canal zone, as Brisbane was not the primary wartime hub for major Imperial sailings.
A. Brisbane’s Role in Wartime Logistics
In March 1915, the overwhelming majority of Australian contingent movements—both the initial First Convoy (November 1914) and the Second Convoy (December 1914)—departed from southern and western ports, specifically Albany, Melbourne, or Sydney.9 Brisbane was primarily integrated into the inter-state coastal steamer network.10 To secure a booking on a commercial passenger liner operating the Imperial route via Suez—vessels belonging to lines such as P. & O. Branch Service, White Star, or Aberdeen Lines 8—the individual must transit from Brisbane to a larger, federally important embarkation point, such as Sydney or Melbourne. This domestic travel segment must be self-funded, compounding the initial financial burden.
B. Commercial Shipping Availability and Viable Vessels
Despite the requisitioning of numerous vessels for military service (HMATs), key British passenger lines maintained irregular commercial services to the United Kingdom via the Suez Canal route.5 The operational environment in March 1915 was characterised by rapid military requirements leading to the constant conversion of ships, such as the Wandilla, which was converted to a troopship in March 1915.12
Crucially, the historical record confirms that individual transports, or ships carrying reinforcements, were sailing to Egypt in this precise timeframe. Documentation shows that a soldier identified as “Arthur” embarked on 13 March 1915, sailing directly to Alexandria, Egypt.13 This confirms the existence of vessels cleared for passage that month. The individual, having obtained Imperial clearance, would need to secure a berth on one of these commercial liners or, if permitted by Imperial authorities, a space aboard an official reinforcement transport sailing to the Middle East, which was the established training area before the Gallipoli campaign began the following month.14 Regardless of the specific vessel, the booking would require adherence to stringent naval control measures implemented for wartime security.
The divergent requirements for the individual, compared to the majority of men enlisting, are summarised below:
Commercial Passage Feasibility (Brisbane to Suez, March 1915)
Criterion
AIF Route (Rejected)
Imperial Subject (Required Route)
Local Enlistment
AIF Depot (Sydney/Melbourne) 3
British Consular/Naval Authority (Self-report)
Initial Travel (Qld to Port)
Free Railway Pass 2
Self-funded Rail or Coastal Steamer to Sydney/Melbourne 10
Vessel Type
HMAT (Requisitioned Transport) 4
Commercial Liner or Reinforcement Transport 11
Passage Cost (Australia to Suez)
Free (Covered by AIF)
£16 16/ to £40 (Third Class/Saloon) 8
Documentation
AIF Paybook/Identity Disc
Imperial travel permit and proof of personal funds
III. The Voyage: Conditions and Duration (Australia to Port Said)
The maritime journey from the Australian eastern seaboard to the Suez Canal zone constituted the longest and most physically demanding segment of the mobilisation process, typically lasting over one month and exposing the traveller to inherent wartime dangers.
A. Estimated Duration and Route
The voyage length depended heavily on the number of port calls and the speed of the vessel, which, in wartime, was often dictated by naval requirements rather than commercial schedules. Historical accounts from mid-1915 voyages indicate that the transit from a major departure port (such as Sydney/Melbourne) to the Suez Canal area (Suez port) averaged approximately 31 days.15
Accounting for the necessary internal transit from Brisbane to the southern departure port, the total time commitment from Queensland to disembarkation in Egypt would likely range between five and seven weeks. The established Imperial route proceeded across the Indian Ocean, typically involving a significant refuelling and provisioning stop at Colombo, before proceeding via Aden and into the Red Sea.4
B. Wartime Conditions and Naval Security
As an independent paying civilian, the individual’s journey would be defined by the security protocols governing merchant shipping. While the largest Australian troop contingents were often grouped into convoys for naval protection 4, many transport vessels in 1915 were dispatched alone, sometimes without naval escort, underlining the inherent risks of trans-oceanic travel in a global conflict.5
The physical environment during the final approach to Egypt was notoriously difficult. Upon entering the Red Sea, the heat became “terrific”.15 This extreme climate, combined with the inevitable crowding and potentially inadequate sanitation common to vessels repurposed for wartime use or carrying large numbers of steerage passengers, represented a significant test of endurance before active service even began.
C. Transit Through the Suez Zone
The journey culminated in transit through the Suez Canal area, a vital strategic waterway fiercely protected by British and Indian forces against Ottoman threats.17 Disembarkation points for troops included Alexandria, Suez, and Port Said.19 Troops arriving at the southern end of the Canal (Suez) often anchored for up to two days before disembarking.15 For the purpose of reaching the camps near Cairo, Port Said (at the northern terminus) or Suez (at the southern terminus) were the most likely points of entry for onward military travel.
IV. Arrival in Egypt: Port Said, Rail Transit, and Entry into the Force in Egypt
Upon arrival in the Suez Canal zone, the British subject transitioned instantly from self-funded civilian traveller to an inducted military asset under the direct control of the British Army’s command structure in Egypt.
A. Disembarkation Protocol and Military Control
Egypt served as a British Protectorate and a massive logistical staging ground for campaigns against the Ottoman Empire.21 The arrival port (Port Said or Suez) was a high-security military zone, vital for unloading not only manpower but also animals, guns, and supplies.19
Immediately upon disembarkation, the individual would fall under the strict military jurisdiction of the local garrison command, which was responsible for managing the massive influx of personnel. Administrative priorities focused heavily on sanitation and discipline. Newly arrived troops were subject to mandatory lectures on personal hygiene and venereal disease (VD) prevention.9 Specific areas of port cities and Cairo, known for vice, were designated “out of bounds” by military orders to mitigate health and discipline issues that were rampant among the high number of foreign troops.9
The Force in Egypt, commanded by General John Maxwell, was the established formation responsible for garrisoning the armed forces and defending the Suez Canal in 1915.17 The independent Imperial subject would be channelled directly into this British administrative structure, effectively segregating their processing from the vast, concurrent mobilisation of the ANZAC forces.
B. Rail Transit to the Cairo Camp Complex
The final movement from the port to the capital region relied upon the military-controlled Egyptian railway system, a critical logistical artery running along the Suez Canal.18 Travel by train from Suez overland to Cairo was documented as taking approximately seven hours.15
The destination for the independent British subject would be a British-controlled military establishment in the Cairo area, as opposed to the primary Australian hub. While Australian troops were famously concentrated at Mena Camp, a vast training facility near the Giza pyramids approximately 16 kilometres from Cairo 9, the British forces utilised other established bases. The Imperial recruit would likely be routed to one of several key British camps or barracks:
Zeitoun Camp: A significant British base in the Cairo area.19
Kasr el-Nil barracks: A key British presence located directly in Cairo’s Ismailiya district, near the administrative headquarters in Azbakiyya Square.19
Tel el Kebir: A major training centre located roughly halfway between Port Said and Cairo, used for reinforcement training.19
The individual would be reporting to the Force in Egypt headquarters, which was centred in Cairo (e.g., the Cosmopolitan Hotel served as the military headquarters).21
The summary of the final logistical stage is as follows:
In-Theatre Transit (Port Said/Suez to Cairo, March 1915)
Stage
Start Point
End Point
Mode of Transport
Estimated Duration
Administrative Context
Disembarkation
Canal Zone Transport
Suez or Port Said Quay 19
Port/Naval Transfer
1–2 days
Immediate imposition of military rule; health protocols initiated 9
Camp Transit
Port Said/Suez
Cairo Area (British Bases) 19
Military Railway 18
~7 hours
Movement into the core staging and training areas of the Force in Egypt17
Induction
British Camp (Zeitoun/Kasr el-Nil) 19
Training Barracks
Foot/Internal Transport
1–3 days
Medical examination, documentation processing, and kit issue 22
V. Reception and Integration: Induction into the Imperial Force in Egypt (1915)
The final administrative step involved the induction process into the existing British military establishment in Egypt, which, in 1915, was primarily focused on canal defence and preparing troops for potential deployment elsewhere.
A. Induction Process and Logistical Shortages
Upon arrival at the assigned British camp near Cairo, the recruit would undergo formal administrative processing under the authority of the Force in Egypt.17 Given the immense volunteer rush experienced globally by the British Army in the initial phase of the war, the processing system was often strained and characterised by haste.22
The initial medical examination was designed to quickly vet the volunteer’s fitness for service.22 Historical evidence suggests that early in the war, the pressure to acquire manpower often led recruiting sergeants and medical officers to relax physical standards, resulting in men with existing medical conditions being accepted.23 The individual should expect a rapid, possibly perfunctory, medical inspection before formal attestation.
Following acceptance, the new soldier would be issued equipment and a uniform.24 However, the logistical infrastructure in 1914–1915 struggled to keep pace with the huge volume of incoming volunteers. As a result, conditions in training camps were often basic, and supplies of necessary equipment were limited.22 The issued uniform might be ill-fitting or incomplete, a common complaint among new recruits during this period.24
B. Training Environment and Camp Life
The newly inducted soldier would be assigned to a unit or a general reinforcement depot, likely at Zeitoun or possibly Tel el Kebir, joining the stream of Territorial Force or New Army reinforcements funnelling through Egypt.19
Training was immediate and intensive, typically involving six days of activity per week.9 While the physical environment was novel, camp life was highly disciplined. The proximity of the military camps to Cairo meant that the new troops were introduced immediately to an exotic, yet volatile, urban environment. Soldiers were allowed to explore Cairo city, renowned for its bazaars, cafés, and vice districts.9 This interaction frequently led to tension and physical confrontations with local residents, who were sometimes viewed with mistrust by the soldiers, particularly the well-paid Dominion troops.9 The infamous “Battles of the Wazzer” (May/June 1915) were violent clashes involving troops and local business owners in Cairo’s entertainment district, a direct consequence of the strain placed on the city by the large military presence.21
To combat disciplinary problems and prevent the spread of disease, the military established strict controls, including declaring certain city areas off-limits and even setting up medically controlled brothels overseen by the Medical Corps.9 The new recruit, therefore, entered a training environment defined not only by drill and fitness but also by strict adherence to military regulations aimed at minimising cultural friction and preserving public health within the crucial Egyptian staging ground.
Conclusions
The administrative requirement for a British subject in Queensland to report directly for Imperial enlistment in Egypt in March 1915 critically defined their logistical experience. By avoiding the AIF’s streamlined and subsidised mobilisation, the individual assumed full financial responsibility for travel, requiring an outlay of between £16 and £40 for commercial passage via the Suez Canal route.8
The journey required a mandatory, self-funded internal transit from Brisbane to a major southern port (Sydney or Melbourne) to secure passage on an irregular commercial liner or reinforcement transport sailing to the Middle East. The long voyage, lasting approximately 31 days across the Indian Ocean and through the intensely hot Red Sea, culminated in disembarkation at a military port like Suez or Port Said.
The final leg of the journey involved transfer by military railway (approximately seven hours) to a British training establishment in the Cairo area, such as Zeitoun Camp or Kasr el-Nil barracks, distinct from the large Australian training area at Mena. Induction would be swift, marked by potentially rushed medical inspection and the issuance of basic, possibly incomplete, kit. The soldier was immediately integrated into the volatile military ecosystem of the Force in Egypt, characterised by intense training, stringent discipline, and high cultural tension with the local population.
Crafting Believable, Powerful Female Protagonists Without Alienating Your Readers
In recent years, the demand for strong, dynamic female protagonists has surged. Audiences are rejecting outdated, passive female characters and instead championing stories where women take the lead. But as writers, how do we create compelling, powerful female heroes without veering into caricature or alienating readers who crave authenticity and relatability? A powerful protagonist isn’t about being the “strongest,” “toughest,” or “most fearless” at all costs. It’s about building a character who feels real—flawed, complex, and driven by something deeper than a checklist of “strong traits.” Here’s how to strike that balance.
1. Power ≠ Perfection: Give Her Flaws
One of the biggest pitfalls in creating “strong” female characters is making them infallible. Perfection is unrelatable. A woman who never doubts herself, never stumbles, and never shows vulnerability is not powerful—she’s a robot.
Take Daenerys Targaryen (Game of Thrones) as an example. Her early portrayal as the “Mother of Dragons,” a noble, idealistic leader, made her relatable. Her later arc, while controversial, was memorable because it humanized her: her rage, her mistakes, and the consequences of her ambition made her a complex character, not just a “warrior queen.”
The lesson: Strength is not the absence of weakness. A powerful female protagonist should struggle with fears, insecurities, or ethical dilemmas. Let her fail. Let her grow. Imperfection makes her human.
2. Motivate Her Power: What Does She Want?
Why is she powerful? What drives her? A compelling protagonist doesn’t exist in a vacuum; her strengths and flaws should serve her goals and the story’s stakes.
Consider Hermione Granger (Harry Potter). Her intelligence is not just a trait—it’s the engine of her character. She’s driven by a love of learning, a desire to prove herself, and a fierce loyalty to her friends. Her “strength” is in how she uses her knowledge, not just in being “smarter than everyone else.”
The lesson: Give her a clear, grounded motivation. Whether it’s protecting her family, righting a wrong, or proving her worth, her power should be deeply tied to her emotional core.
3. Balance Strength With Relatability
A powerful protagonist doesn’t have to be a one-woman army. Her strength can be emotional, intellectual, or moral. It just needs to resonate with her world and the challenges she faces.
For instance, Eleanor Shellstrop (The Good Place) is powerful in her wit, resilience, and ability to connect with others—even when she’s flawed, selfish, or insecure. Her journey from self-centeredness to heroism is far more engaging than if she’d been written as a “perfect” woman from the start.
The lesson: Let her power reflect the story’s context. In a thriller, it might be resourcefulness under pressure. In a romance, it might be emotional honesty. In a fantasy, it might be leadership or magical skill.
4. Avoid the “Manhater” Trap
A powerful female character doesn’t need to prove her strength by rejecting or defying men. In fact, this trope often backfires, reducing her to a caricature of feminism. A character who is simply “angry at men” without deeper motivation is not empowering—she’s unappealing.
Take Pepper Potts (Iron Man) as a contrast. She’s a smart, capable leader who runs a global tech empire, but her relationship with Tony Stark isn’t a subplot about “dominating men” or “rejecting them.” She’s focused on her own growth and doing the right thing, which is far more compelling.
The lesson: Her relationships with other characters (including men) should serve the story, not act as a crutch for “her being strong.” Let her have autonomy and agency separate from gender dynamics.
5. Give Her a Unique Voice and Perspective
Powerful protagonists often have strong wills, but their personalities need to be distinctive and nuanced. A “strong” character isn’t just loud or bold—they might be quiet, observant, or introspective. Their voice should reflect who they are.
Consider Rey (Star Wars: The Force Awakens). Her strength isn’t just in wielding a lightsaber—it’s in her selflessness, perseverance, and quiet determination to do good in a galaxy full of chaos. Her journey resonates because it’s not about brute force, but about heart.
The lesson: Let her personality shine. Is she a strategic thinker, a passionate advocate, or a pragmatic problem-solver? Her voice should reflect this, making her memorable without being performative.
6. Context Matters: Tailor Her Power to the Setting
A powerful female protagonist should be shaped by her world. In a medieval fantasy, her strength might be in diplomacy or magic. In a modern workplace drama, it might be in negotiation or resilience under pressure.
Take Katsa (Graceling), whose physical strength is both a gift and a curse in a rigid, hierarchical society. Her power is tied to her culture’s values and prejudices, making her struggle universal.
The lesson: Research and build her power around her environment. How does her strength interact with the world’s rules, norms, and conflicts?
The Key to Universal Appeal: Depth Over Stereotype
A powerful female protagonist isn’t defined by how many obstacles she “overcomes” or how many people she outmaneuvers. It’s about how deeply readers connect with her humanity. Avoid reducing her to a symbol of “strength”; instead, make her a real person with relatable struggles, unique goals, and a voice that lingers long after the story ends.
By grounding her in authenticity, you’ll create a character who isn’t just “strong”—they’re unforgettable.
What makes a female protagonist memorable to you? Share your favourites in the comments!
That’s a great question! While Rhodes is famous for its Colossus and the Old Town, the island is large enough to hide numerous quieter corners.
Here are five places or activities to explore on a road less travelled in Rhodes:
1. The Medieval Fortress of Monolithos
What it is: A picturesque, ruined 15th-century castle built by the Knights of St. John, perched atop a massive, isolated rock overlooking the sea on the southwest coast.
Why it’s less travelled: It’s located far from the main resort towns and requires a dedicated drive. The destination itself is just the ruin and a small, functional chapel (Agios Panteleimonas), offering a quiet, reflective experience.
Activity: Climb the stone steps to the top for incredible panoramic views of the rugged coastline, the sea, and the nearby small island of Halki, especially beautiful at sunset.
2. Exploring the South Coast Beaches (e.g., Agathi or Prasonisi)
While the northern beaches are packed, the southern tip of the island offers wilder, quieter, and more remote stretches of sand.
Prasonisi: This is a small peninsula connected to Rhodes by a narrow strip of sand, creating two bays. It’s a spectacular natural spot.
Activity: It’s famous for windsurfing and kitesurfing due to the strong winds, offering an active alternative to sunbathing. One side is calm, and the other is wavy.
Agathi Beach (Golden Sand Beach): Though not completely unknown, it is significantly quieter than Faliraki or Tsambika, featuring fine golden sand and shallow, crystal-clear water.
3. The Seven Springs (Epta Piges) Tunnel Walk
Located inland, this is a cool, forested area offering a unique, slightly adventurous activity away from the beaches.
What it is: A lush oasis where seven natural springs converge to feed a river. The water is channelled through a dark, narrow, man-made tunnel built in 1931.
Activity: Walk the 186-meter-long tunnel! The water is shallow, but it’s pitch black, cold, and narrow, making it an adventurous and refreshing walk (if you prefer to stay dry, there is a path overground). It leads to a small lake where you can relax.
4. The Petaloudes Valley (Valley of the Butterflies)
While it attracts visitors, the Valley of the Butterflies offers a unique natural experience that takes you away from the coastal towns and focuses on nature conservation.
What it is: A unique habitat and one of the only places in Europe where the Panaxia Quadripunctaria (Jersey Tiger Moth) gathers in large numbers during the summer months (usually July and August).
Activity: Follow the gentle hiking path that winds through the cool, shaded valley, crossing small wooden bridges and waterfalls. It’s less about beach time and more about appreciating the island’s biodiversity and unique microclimate.
5. The Kamiros Ruins and Traditional Village of Embona
Kamiros and Embona offer a deep dive into the island’s history and local life, away from the bustling tourist centres.
Kamiros: Located on the west coast, this is one of the three ancient cities of Rhodes (alongside Lindos and Ialysos). It is a quieter, less-visited archaeological site.
Activity: Explore the well-preserved ruins of the Hellenistic city, which was abandoned centuries ago, giving you a sense of a genuine, unearthed ancient town without the crowds of a major landmark.
Embona: A traditional, mountainous village located on the slopes of Mount Attavyros (the island’s highest peak).
Activity: Embona is the centre of the island’s wine production. Visit a local winery, taste the indigenous varieties, and enjoy a traditional Greek lunch far from the tourist tavernas.
Crete is a large island with many stunning locations that are far from the main tourist crowds. To help you on your road less travelled, here are five “next best” places and activities offering unique and authentic Cretan experiences.
1. Loutro: The Car-Free Seaside Village
Loutro is one of Crete’s most idyllic hidden gems, tucked away on the southwest coast. It is famously accessible only by boat or on foot, ensuring its protected, tranquil, and car-free atmosphere.
What makes it “Road Less Travelled”: The inability to drive directly to the village makes it a natural barrier to mass tourism. It feels like a remote, car-free island escape.
Activity: Relax on the small pebble beach, swim in the turquoise waters of the Libyan Sea, or use it as a base to hike to nearby coastal attractions.
2. Sarakina Gorge: The Hidden Canyon
While Samaria Gorge is famous and crowded, the Sarakina Gorge (sometimes called Sarantapichos Gorge) offers a shorter, equally stunning, and much less-trafficked hiking adventure in southeastern Crete, near the village of Mithi.
What makes it “Road Less Travelled”: It’s often overlooked by tourists heading to the larger, better-known gorges, offering a raw, untouched hiking experience.
Activity: Hike through the narrow canyon. Be prepared for a challenging trek that involves crossing the riverbed and may require wading through water in some sections, depending on the season.
3. Xerokampos: The Unspoilt Beaches of the East
Located on the far eastern coast of Crete, Xerokampos is a small, quiet settlement known for its collection of unspoilt, undeveloped beaches. The drive there is winding and remote, contributing to its solitude.
What makes it “Road Less Travelled”: Its remote location requires a dedicated drive on mountain roads, meaning few constructions and a distinct lack of crowds, even during high season.
Activity: Enjoy pristine sand and crystal-clear waters on a truly secluded beach day. The landscape is unique, with mountains dropping down to the sea.
4. The Abandoned Village of Aradaina: An Atmospheric Ghost Town
Near the Sfakia region in western Crete, the village of Aradaina was deserted in 1948 following a tragic family vendetta. Today, it stands as an atmospheric ghost town overlooking the dramatic Aradena Gorge.
What makes it “Road Less Travelled”: It is a haunting historical site, not a resort or commercial centre, offering a quiet, slightly eerie, and historically rich stop.
Activity: Stroll through the narrow paths and empty stone houses to experience the region’s complex history. You can access it via a long metal bridge that spans the canyon.
5. Agrotouristic Village of Vamos: Authentic Cultural Immersion
The traditional village of Vamos, 25km southeast of Chania, is a pioneer in eco-tourism. A collective of locals has committed to preserving its authentic character and offering traditional experiences.
What makes it “Road Less Travelled”: This is a chance to move beyond sightseeing and participate in the local, daily life of the island.
Activity: Stay in a preserved old mansion, take part in local activities like making bread in a wood-fired oven, picking olives, or learning to prepare raki, the local pomace brandy.
My next destination in the quest was the hotel we believed Anne Merriweather had stayed at.
I was, in a sense, flying blind because we had no concrete evidence she had been there, and the message she had left behind didn’t quite name the hotel or where Vladimir was going to take her.
Mindful of the fact that someone might have been following me, I checked to see if the person I’d assumed had followed me to Elizabeth’s apartment was still in place, but I couldn’t see him. Next, I made a mental note of seven different candidates and committed them to memory.
Then I set off to the hotel, hailing a taxi. There was the possibility the cab driver was one of them, but perhaps I was slightly more paranoid than I should be. I’d been watching the queue, and there were two others before me.
The journey took about an hour, during which time I kept an eye out the back to see if anyone had been following us. If anyone was, I couldn’t see them.
I had the cab drop me off a block from the hotel and then spent the next hour doing a complete circuit of the block the hotel was on, checking the front and rear entrances, the cameras in place, and the siting of the driveway into the underground carpark. There was a camera over the entrance, and one we hadn’t checked for footage. I sent a text message to Fritz to look into it.
The hotel lobby was large and busy, which was exactly what you’d want if you wanted to come and go without standing out. It would be different later at night, but I could see her arriving about mid-afternoon, and anonymous among the type of clientele the hotel attracted.
I spent an hour sitting in various positions in the lobby simply observing. I had already ascertained where the elevator lobby for the rooms was, and the elevator down to the car park. Fortunately, it was not ‘guarded’ but there was a steady stream of concierge staff coming and going to the lower levels, and, just from time to time, guests.
Then, when there was a commotion at the front door, what seemed to be a collision of guests and free-wheeling bags, I saw one of the seven potential taggers sitting by the front door. Waiting for me to leave? Or were they wondering why I was spending so much time there?
Taking advantage of that confusion, I picked my moment to head for the elevators that went down to the car park, pressed the down button, and waited.
The was no car on the ground level, so I had to wait, watching, like several others, the guests untangling themselves at the entrance, and an eye on my potential surveillance, still absorbed in the confusion.
The doors to the left car opened, and a concierge stepped out, gave me a quick look, then headed back to his desk. I stepped into the car, pressed the first level down, the level I expected cars to arrive on, and waited what seemed like a long time for the doors to close.
As they did, I was expecting to see a hand poke through the gap, a latecomer. Nothing happened, and I put it down to a television moment.
There were three basement levels, and for a moment, I let my imagination run wild and considered the possibility that there were more levels. Of course, there was no indication on the control panel that there were any other floors, and I’d yet to see anything like it in reality.
With a shake of my head to return to reality, the car arrived, the doors opened, and I stepped out.
A car pulled up, and the driver stepped out, went around to the rear of his car, and pulled out a case. I half expected him to throw me the keys, but the instant glance he gave me told him was not the concierge, and instead brushed past me like I wasn’t there.
He bashed the up button several times impatiently and cursed when the doors didn’t open immediately. Not a happy man.
Another car drove past on its way down to a lower level.
I looked up and saw the CCTV camera, pointing towards the entrance, visible in the distance. A gate that lifted up was just about back in position and then made a clunk when it finally closed. The footage from the camera would not prove much, even if it had been working, because it didn’t cover the life lobby, only in the direction of the car entrance.
The doors to the other elevator car opened, and a man in a suit stepped out.
“Can I help you, sir? You seem lost.”
Security, or something else. “It seems that way. I went to the elevator lobby, got in, and it went down rather than up. I must have been in the wrong place.”
“Lost it is, then, sir.” I could hear the contempt for Americans in his tone. “If you will accompany me, please.”
He put out a hand ready to guide me back into the elevator. I was only too happy to oblige him. There had been a sign near the button panel that said the basement levels were only to be accessed by the guests.
Once inside, he turned a key and pressed the lobby button. The doors closed, and we went up. He stood, facing the door, not speaking. A few seconds later, he was ushering me out to the lobby.
“Now, sir, if you are a guest…”
“Actually, I’m looking for one. She called me and said she would be staying in this hotel and to come down and visit her. I was trying to get to the sixth floor.”
“Good. Let’s go over the the desk and see what we can do for you.”
I followed him over to the reception desk, where he signalled one of the clerks, a young woman who looked and acted very efficiently, and told her of my request, but then remained to oversee the proceeding.
“Name of guest, sir?”
“Merriweather, Anne. I’m her brother, Alexander.” I reached into my coat pocket and pulled out my passport to prove that I was who I said I was. She glanced cursorily at it.
She typed the name into the computer, and then we waited a few seconds while it considered what to output. Then, she said, “That lady is not in the hotel, sir.”
Time to put on my best-confused look. “But she said she would be staying here for the week. I made a special trip to come here to see her.”
Another puzzled look from the clerk, then, “When did she call you?”
An interesting question to ask, and it set off a warning bell in my head. I couldn’t say today, it would have to be the day she was supposedly taken.
“Last Saturday, about four in the afternoon.”
Another look at the screen, then, “It appears she checked out Sunday morning. I’m afraid you have made a trip in vain.”
Indeed, I had. “Was she staying with anyone?”
I just managed to see the warning pass from the suited man to the clerk. I thought he had shown an interest when I mentioned the name, and now I had confirmation. He knew something about her disappearance. The trouble was, he wasn’t going to volunteer any information because he was more than just hotel security.
“No.”
“Odd,” I muttered. “I thought she told me she was staying with a man named Vladimir something or other. I’m not too good at pronouncing those Russian names. Are you sure?”
She didn’t look back at the screen. “Yes.”
“OK, now one thing I do know about staying in hotels is that you are required to ask guests with foreign passports their next destination, just in case they need to be found. Did she say where she was going next?” It was a long shot, but I thought I’d ask.
“Moscow. As I understand it, she lives in Moscow. That was the only address she gave us.”
I smiled. “Thank you. I know where that is. I probably should have gone there first.”
She didn’t answer; she didn’t have to, her expression did that perfectly.
The suited man spoke again, looking at the clerk. “Thank you.” He swivelled back to me. “I’m sorry we can’t help you.”
“No. You have more than you can know.”
“What was your name again, sir, just in case you still cannot find her?”
“Alexander Merriweather. Her brother. And if she is still missing, I will be posting a very large reward. At the moment, you can best contact me via the American Embassy.”
Money is always a great motivator, and that thoughtful expression on his face suggested he gave a moment’s thought to it.
I left him with that offer and left. If anything, the people who were holding her would know she had a brother, that her brother was looking for her, and equally that brother had money.
Crafting Believable, Powerful Female Protagonists Without Alienating Your Readers
In recent years, the demand for strong, dynamic female protagonists has surged. Audiences are rejecting outdated, passive female characters and instead championing stories where women take the lead. But as writers, how do we create compelling, powerful female heroes without veering into caricature or alienating readers who crave authenticity and relatability? A powerful protagonist isn’t about being the “strongest,” “toughest,” or “most fearless” at all costs. It’s about building a character who feels real—flawed, complex, and driven by something deeper than a checklist of “strong traits.” Here’s how to strike that balance.
1. Power ≠ Perfection: Give Her Flaws
One of the biggest pitfalls in creating “strong” female characters is making them infallible. Perfection is unrelatable. A woman who never doubts herself, never stumbles, and never shows vulnerability is not powerful—she’s a robot.
Take Daenerys Targaryen (Game of Thrones) as an example. Her early portrayal as the “Mother of Dragons,” a noble, idealistic leader, made her relatable. Her later arc, while controversial, was memorable because it humanized her: her rage, her mistakes, and the consequences of her ambition made her a complex character, not just a “warrior queen.”
The lesson: Strength is not the absence of weakness. A powerful female protagonist should struggle with fears, insecurities, or ethical dilemmas. Let her fail. Let her grow. Imperfection makes her human.
2. Motivate Her Power: What Does She Want?
Why is she powerful? What drives her? A compelling protagonist doesn’t exist in a vacuum; her strengths and flaws should serve her goals and the story’s stakes.
Consider Hermione Granger (Harry Potter). Her intelligence is not just a trait—it’s the engine of her character. She’s driven by a love of learning, a desire to prove herself, and a fierce loyalty to her friends. Her “strength” is in how she uses her knowledge, not just in being “smarter than everyone else.”
The lesson: Give her a clear, grounded motivation. Whether it’s protecting her family, righting a wrong, or proving her worth, her power should be deeply tied to her emotional core.
3. Balance Strength With Relatability
A powerful protagonist doesn’t have to be a one-woman army. Her strength can be emotional, intellectual, or moral. It just needs to resonate with her world and the challenges she faces.
For instance, Eleanor Shellstrop (The Good Place) is powerful in her wit, resilience, and ability to connect with others—even when she’s flawed, selfish, or insecure. Her journey from self-centeredness to heroism is far more engaging than if she’d been written as a “perfect” woman from the start.
The lesson: Let her power reflect the story’s context. In a thriller, it might be resourcefulness under pressure. In a romance, it might be emotional honesty. In a fantasy, it might be leadership or magical skill.
4. Avoid the “Manhater” Trap
A powerful female character doesn’t need to prove her strength by rejecting or defying men. In fact, this trope often backfires, reducing her to a caricature of feminism. A character who is simply “angry at men” without deeper motivation is not empowering—she’s unappealing.
Take Pepper Potts (Iron Man) as a contrast. She’s a smart, capable leader who runs a global tech empire, but her relationship with Tony Stark isn’t a subplot about “dominating men” or “rejecting them.” She’s focused on her own growth and doing the right thing, which is far more compelling.
The lesson: Her relationships with other characters (including men) should serve the story, not act as a crutch for “her being strong.” Let her have autonomy and agency separate from gender dynamics.
5. Give Her a Unique Voice and Perspective
Powerful protagonists often have strong wills, but their personalities need to be distinctive and nuanced. A “strong” character isn’t just loud or bold—they might be quiet, observant, or introspective. Their voice should reflect who they are.
Consider Rey (Star Wars: The Force Awakens). Her strength isn’t just in wielding a lightsaber—it’s in her selflessness, perseverance, and quiet determination to do good in a galaxy full of chaos. Her journey resonates because it’s not about brute force, but about heart.
The lesson: Let her personality shine. Is she a strategic thinker, a passionate advocate, or a pragmatic problem-solver? Her voice should reflect this, making her memorable without being performative.
6. Context Matters: Tailor Her Power to the Setting
A powerful female protagonist should be shaped by her world. In a medieval fantasy, her strength might be in diplomacy or magic. In a modern workplace drama, it might be in negotiation or resilience under pressure.
Take Katsa (Graceling), whose physical strength is both a gift and a curse in a rigid, hierarchical society. Her power is tied to her culture’s values and prejudices, making her struggle universal.
The lesson: Research and build her power around her environment. How does her strength interact with the world’s rules, norms, and conflicts?
The Key to Universal Appeal: Depth Over Stereotype
A powerful female protagonist isn’t defined by how many obstacles she “overcomes” or how many people she outmaneuvers. It’s about how deeply readers connect with her humanity. Avoid reducing her to a symbol of “strength”; instead, make her a real person with relatable struggles, unique goals, and a voice that lingers long after the story ends.
By grounding her in authenticity, you’ll create a character who isn’t just “strong”—they’re unforgettable.
What makes a female protagonist memorable to you? Share your favourites in the comments!