What I learned about writing – Minimalist writing

I don’t think this is going to make me a better writer. I like to describe things, set the mood, set the place, set the characters, and then jump in.

Minimalism requires you to strip away all of that baggage and get to the heart of the matter.

Here’s the problem:

I spent the next seven days planning to remove my worst enemy.

Why?

There has to be motivation, though I guess it could be a series of short vignettes that explain the lead-up to this drastic situation.

I have a problem sometimes getting to the point. We get there, but perhaps we should have made a left at Albuquerque and instead, gone on the grand tour.

Just think, if I wanted to see London, Paris and Berlin, what would be the fun in that? I want to see everything possible in between, like the Eurostar, Disneyland, the Rhine and all those castles and vineyards.

Stories are like that, too. We need the details to make educated guesses and keep reading to see if we are right.

If I only had one day to stop over in – Venice – what would I do?

A Day in Venice: Making the Most of Your 24-Hour Stopover

Venice, the City of Water, is a place that has captivated the hearts of travellers for centuries. With its stunning architecture, rich history, and unique culture, it’s no wonder that Venice is a top destination for many. But what if you only have a day to spend in this enchanting city? Is it possible to make the most of your 24-hour stopover and create unforgettable memories? The answer is yes, and it all starts with visiting one iconic place: St. Mark’s Square.

The Heart of Venice: St. Mark’s Square

Located in the heart of Venice, St. Mark’s Square (Piazza San Marco) is the city’s most famous landmark and a must-visit destination for any traveller. This stunning square is surrounded by breathtaking architecture, including the magnificent St. Mark’s Basilica, the Doge’s Palace, and the Campanile di San Marco (St. Mark’s Bell Tower). As you step into the square, you’ll be struck by the sheer beauty and grandeur of your surroundings.

Why St. Mark’s Square is a Must-Visit

So, what makes St. Mark’s Square the perfect place to visit during your one-day stopover in Venice? Here are just a few reasons:

  • Unparalleled Architecture: The square is home to some of the most stunning examples of Byzantine architecture in the world, including the intricate mosaics and golden domes of St. Mark’s Basilica.
  • Rich History: St. Mark’s Square has been the centre of Venetian life for centuries, with a history dating back to the 9th century. You can almost feel the weight of history as you walk through the square.
  • Cultural Significance: The square is a hub of cultural activity, with street performers, musicians, and artists adding to the lively atmosphere.
  • Accessibility: St. Mark’s Square is easily accessible by vaporetto (water bus) or on foot, making it a convenient destination for travellers with limited time.

Tips for Visiting St. Mark’s Square

To make the most of your visit to St. Mark’s Square, here are a few tips to keep in mind:

  • Arrive Early: Get to the square early in the morning to avoid the crowds and enjoy a more peaceful atmosphere.
  • Dress Modestly: Remember to dress modestly when visiting the basilica, as it’s a place of worship.
  • Take a Guided Tour: Consider taking a guided tour of the square and its surrounding attractions to get a deeper understanding of the history and culture.
  • Enjoy the Views: Don’t forget to take in the stunning views of the square from the top of the Campanile di San Marco, which offers breathtaking vistas of the city.

Conclusion

In conclusion, St. Mark’s Square is the perfect destination for travellers with a one-day stopover in Venice. With its stunning architecture, rich history, and cultural significance, this iconic square is sure to leave a lasting impression. By visiting St. Mark’s Square, you’ll be able to experience the essence of Venice and create unforgettable memories of your time in this enchanting city. So, make the most of your 24-hour stopover and head to St. Mark’s Square – you won’t regret it!

365 Days of writing, 2026 – 20

Day 20 – Writing exercise

You are just passing a doorway, and you hear, “the dumb bastard doesn’t know his arse from his elbow”, then “Richards, Monday, I can barely wait to see you.  Bye.”

20 years of blissful marriage just evaporated.

I wondered whether all parties were the same, with over 200 invitees, people with more wealth than the national debt, who all knew the person for whom the party was for.

Isabella Rowena Elizabeth Walthemphere.

I had the distinct honour of knowing that exact person for the last 20 years, and of course, it was the one who had a team of 20 organisers make sure it went off to perfection.

And after a quick waltz around the ballroom, specially built and opened for the occasion, she told me it was the best party she had ever had in her honour.

For the rest of the time, I had watched her weave her magic among the guests, stopping here and there, a quiet word in a war, a gentle hand on an arm, a hug where it was needed.

She had no enemies.

But, a little before midnight, before the fireworks, she disappeared.

Well, not disappear, I had seen her look around first, an expression appearing on her face as it briefly hit the light, an expression I hadn’t seen before.

One of pure joy.

And she had insisted in her hand, just barely visible, a cell phone, one that she promised she would leave in the anteroom along with all the others.

One I saw her put there.

She then stepped back into the house through the summer doors of the morning room, just as I approached on the other side of the pillar.

And the hushed coversation”

“I bet you say that to all the girls…”

“Of course, I adore you.”

“He doesn’t, he couldn’t, he doesn’t know his ass from his elbow…”

“I can’t wait, Richards Cafe, Monday.  See you then.”

It was a conversation that no husband ever wanted to hear, and a conversation, at the very least, not to be having at a party your husband was throwing for you.

If it actually meant what I thought it meant, which didn’t make any sense at all.  Why wait 20 years to cheat on your husband?

The first fireworks exploded, and I just saw her which by, almost running.  She would be missed.  I would not.

Being married to Isabella Raisa Elizabeth Walthemphere was the opportunity of a lifetime, and somehow, out of a mass of very worthy and far more suitable candidates, she picked me.

It was, even for me, an odd choice.  It wasn’t the cut of the tuxedo, it wasn’t my ability to dance like a ballroom professional, it wasn’t the fact I was neither rich nor poor; perhaps it was because I cared.

We met incongruous, I did not know who she was, but just a girl called Margaret on holiday with a friend.

Someone had called out ‘Isabella,’ and in a moment, I saw this poor girl stumble, get up and run, and then completely knock me over.

I cursed her in four languages.

She cursed me back in five.

I helped up.  “If you want to be helpful, get in those people’s way.”

“Why?”

She cursed me again and then ran down a lane, then disappeared.

I got in the way.

“Do you know who that is?”

“No.  Should I?”

“The Countess Isabella… oh, forget it.”

And they took off down the lane much too late to catch her.

A week later he face was plastered all over the newspapers, the Countess was marrying a Prince something or other.

Good luck with that.  The Prince looked like he was a hundred years old, but one day would be king.  She didn’t look like queen material to me.

A week after that, in a dumpy hotel in Paris, at the end of my sojourn from the real world, I ran into her again.

Literally.

She was hiding from the media, and apparently, her mother and the soon-to-be king.  For a reason, her mother wanted her married into the rich and famous so that she could keep the Counts’ castle, after being left penniless when he died.

She had a plan, one I think she formulated after running into me again, testing to brush off runny eggs and greasy bacon, my only clean set of clothes I had to go back home in.

Would I marry her for a week, then get unmarried so she couldn’t marry the prince?  She could not be divorced.

I would get a hundred thousand dollars for my cooperation.

Who would turn down an offer like that?

We married in a quaint church in Paris, her mother married the Prince, the daughter became a princess and wasn’t allowed to divorce.

It was the oddest start to a relationship i ever had, and for a year I was basically a cardboard carpet turning up at events, being the dutiful husband, having promised to go quietly at the end of a contract.

Except here we were 20 years later, doing what I had expected her to 20 days later, but didn’t and hadn’t, until now.

I guess the deciding factor had been the title, and the pile of stones in a wet but beautiful county in
The middle of England.

My father always moaned about the fact that death duties had destroyed the family finances and our ability to pay for the estate’s upkeep.

My older brother consumed a lot of the wealth with gambling debts and got on the wrong side of the loan sharks and my father drank himself to death, leaving my sister and I with a broken mother who lasted six years before dementia took her away from us.

I finished school, went on a gap year holiday to consider what I was going to do, and then it was all decided for me.

Isabella came and conquered; her mother and the prince bailed me out of a very deep hole, and now I was Lord of the Manor.

I didn’t want to be, but for appearances, I had to be.  It became part of Royalty Inc.

20 years playing the game, 20 years of not producing an heir of my own, but Anthea found herself a nice boy and had 6 of her own, one who could take the title if I didn’t reproduce, which seemed unlikely.

20 years after which the train was about to run off the rails.

“Where have you been?”  Anthea was holding the fore, looking every bit the princess herself.

Not quite as famous but every bit as stunning.

She hadn’t believed my luck. 

I hadn’t believed my luck.

Now my luck had run out.

“You know I hate these things.”

“Four times a year, then you can go and hide in the summer house.  Or wherever it is you go.”

I made a face.  “You love this pompous.”

“Of course.  Rubbing shoulders with the cream of society, having every move I make documented for the world at large, taking a platoon of bodyguards in what amounts to a motorcade.”

Last week, meeting an old school friend, male, saw her under a headline ‘stepping out … not with her husband’ and a picture of an innocent kiss.

“Discretion dear.  Discretion.”

Isabella suddenly appeared at my side.  “Where were you?”  It was an innocent question with four barbs attached.

“Looking for you.  The party glow had disappeared.”

“I didn’t disappear.”

“I know you didn’t, dear.”  And smiled in a way that was not usual.

“You’re being strange.  Too much champagne.”

And then caught the eye of a guest and dashed off as she does in the middle of a conversation.

“What’s up with you?”

“Nothing.”

“You think she’s having an affair “

I nearly choked.  How could she possibly think that?

“No.”

“Would it matter if she did?”

Did she know something I didn’t?”

“Everything has a use-by date.  Mine was 19 years ago, but someone rubbed it off.”

She elbowed me in the ribs.  “You’re a fool.  Always was, always will be.  Go and mingle.  They’ll be going home soon.”

“You were acting strange tonight.”  Isabella had flipped into a large lounge chair and kicked off her shoes.

I poured a bottle of beer into a glass and took a sip.  It was uncouth to drink from the bottle.

“You disappeared.  Poof!”

“I did not.  I was probably in the restroom.”

“With your cell phone?”

She glared at me in a manner that could be called disconcerting.  Would she lie?

“I was expecting an important call?”

“Who could be so important that it transcends your birthday party?”

She didn’t answer.  Not immediately.  Instead, I got the, I’m working through a thousand scenarios to find one you will believe.

“No matter,” I said.  “It’s none of my business.  I have an early morning with the horses.”  I went over and kissed her on the cheek.  “Have fun down in London.”

As I stood back up, she took my hand and gave me the most intense look I’d ever received.

“How do you know I’m going to London?”

I gave her my I don’t care what you do look, smiled, and said, “You hate Mondays here, always have, and like always, you will simply leave me a note and flit off on some new adventure.  I know you so well.”

She looked miffed.

“What if, for once, you are wrong?”

“I’m always wrong, dear, it’s part of my job.”

She let go of my hand.  “I love you.  And thank you for a wonderful party.”

“You should thank the 20 event planners you employed for me.”

“Are you deliberately trying to annoy me?”

“After 20 years?  I’m sure I have annoyed you many times before now.”

She stood, brushed the imaginary creases out of her dress and looked me straight in the eye.

“What is going on with you?”

I tried looking inscrutable, but couldn’t.

“Nothing dear.  I’m just tired, and I have an early morning.”

She tilted her head slightly and made a new face, one I hadn’t seen before.

“Come with me.”

This was new, too.  “Where?”

“Wherever.  Anywhere.  Just come with me.”

“And make a mess of whatever it is you have planned.  I don’t think you need me.  I’m the horse and hounds part of this, whatever it is, and you are the brains behind everything else.  I can order gardeners, butlers, farmers and sometimes the livestock about.  That’s it.”

She shook her head.

“Only a fool would believe that Henry.  If I thought that of you, we wouldn’t be here now.”

“No.  You’d probably be a queen.”

“I am a princess.”

“I am a Lord or Marquis or something or other.  Titles don’t define us, Isabella.  What’s in our hearts defines us.  My heart is yours, Bella.  Don’t ever forget that.  Call me when you’re finished doing what you’re doing?”

..

She came into my room at 3am when she thought I was asleep and snuggled into me.

It had been a while since the last time.

She was not the sort who wanted to have sex morning, noon and night or every day of the week, and that suited me as well.

I had thought early on that she preferred that sort of relationship with other men and didn’t bother trying to prove it was the case or not.

Our relationship was built on trust.  I trusted her.  I had no idea what she thought of me. 

She left about three hours later, and when I got out of bed, she was gone.

I made the phone call to a man who sorted problems for me, and gave him some precise instructions, and then thought no more about it.

I did not fear for her safety.  I just wanted to make sure she was protected, even though she had that as the princess, i was never quite sure where anyone’s loyalties lay.

There was mischief afoot in her mother’s kingdom, mischief she continually neglected to tell her daughter about.  The king was old and getting on.  It was time for an heir to take over, which was precisely the problem.  There were six, other than the rightful heir, in contention.

Yes, I had spies everywhere.

I bought some horse I sold some horses, I rode a horse and gave an interview to a nice young lady who could actually ride a horse.

I took lunch in the morning room, took the call from my observer, and received the photos of the man she couldn’t wait to see.  They had lunch, all very dignified, but the looks between them.

I shrugged.

All good things must come to an end.  I sat in the library for over an hour, casting my eyes over the many books, some quite old, but most of the read at one time or another and pondered my fate.

I don’t think I wanted to become a joke among her friends.  I was very aware of what they thought of me, despite being polite.

They were her friends.

Mine, I could count on the fingers of one hand.  The rest, passing acquaintances who lingered to be in the shadow of fame, or as an introduction to the main act.

The place could survive without me.  It would have to eventually.

So, having one of those faces that blended well into the background, I donned my camouflage, went to the airport with the boring nondescript passport and bought a ticket to the third plane out.

Which took me to an interesting place called Queenstown, in one of the mother country’s far-flung colonies, New Zealand, though now it was more interestingly called Aotearoa.

It took a week to get there.  My tourist guide told me there were a lot of places in between that i should visit.  I did.

And the marvellous thing about it.  No one recognised me, I was simply Henry James.  I checked, and no one had reported me missing, only that I was temporarily indisposed.  The world could do very well without me, as could Isabella.

I should have known that any woman with the name Daphne was going to be trouble.

Day two in the idyllic tourist town of Queenstown was dissolving into a perfect sojourn when this wretched American woman practically threw herself into the chair opposite mine at the cafe where I was reading a newspaper and drinking a perfect cup of coffee.

I glared at her over the newspaper.

“You think they could at least make coffee properly.”

Flushed and annoyed, she grimaced.

“If you want American coffee, go to Starbucks.” Then went back to my paper, a suspicious death in Wanaka. 

“Anyone tell you you are rude?”

“Frequently.  It’s a condition that we old people acquire as we get on in years.”

She smiled, and the severity of her expression lessened.  “You’re not that old.”

“Old enough to be your father.  I’m sure he’d be very unhappy about the way you address your elders.”

“My father wouldn’t care.  Not as much as you do, apparently.  My name is Daphne.”

“Do you only have one name, like Cher?  Is that an American thing?”  I didn’t put the paper down, i was hoping she would be insulted and go off in a huff to the nearest Starbucks.

The waitress delivered her coffee and gave me one of those looks, I pity you, and left quickly.  Had she been here before and complained?

“No.  But it is polite to tell me your name in return.”

I sighed.  She was not leaving.  “Henry.”

She waited a minute to see if I was going to add to it, taking a sip of the coffee and making a face.

“Why are you here?”

“I would have thought that was obvious.  Having coffee.  Reading the paper.  Being interrupted by a woman called Daphne, who doesn’t like local coffee.”

“And who is rude?”

“And who is rude.  Why are you here?”  Then, realising I might be opening a can of worms, added, “No, I don’t want to know.”

“Because my girlfriend had to go home to a sick mother and just abandoned me here.”

I’d have a sick mother, too, if this was what Daphne was like.

“Well, I’m sorry about that.  I’m sure there are plenty of others with whom you can talk.  I’m not the talkative or friendly sort.”

“You’re a tourist.”

“I’m here for some lone time.  Get away from everyone and everything.  The rest of the world, and everything in it, at the moment, is something I just don’t want to cope with.”

She gave me a curious look.  “You break up with a wife or girlfriend.  You cheated, she cheated.”

“That’s what happened to you?”

“Me?  No.  Boys don’t see me for who I am, just what I look like.”

I looked at her again, this time looking past the angry American.  Youngish, mid twenties, though I was not an expert, fair, almost perfect skin, brown hair with reddish tinges and blonde highlights, that stuff I knew from Freda and her children, she was under that scruffy exterior quite attractive.

Perhaps it was the reason she was hiding who she was. 

I shrugged.  “You are what you are.  Savour it while you have it.  Now, I’m sure you have better things to do than annoy father figures.  This newspaper isn’t going to read itself.”

“If you had an iPad it would.”.

“I refuse to live in the digital world.”

“You don’t have a phone.”

“So people can’t find me.  We survived without them once; we can do it again.  Try exercising them from your life and see how it changes.”

I didn’t think she would.

I changed cafes, thinking that Daphne would reappear.  I didn’t find out if it was true.

But I did feel a little different after the verbal sparring.  She was a lot like Mandy, Freda’s eldest daughter, overly dependent on devices and taciturn and critical of everything. 

Day five, I took to the water on an old steamship, the TSS Earnslaw, a century-old ship that plied the lake.

It was something that I’d not done before because I was too busy doing all the wrong things when I was younger, and then didn’t have time when I was older

I sat on the deck and soaked up the fresh air.  Winter was coming, and it was getting colder.  The surroundings reminded me of home.

I was almost asleep when someone came and sat next to me.  There wasn’t a dearth of passengers and plenty of other spaces to sit.

Then I got the faint hint of perfume.

Not Daphne.

Isabella.

Damn.

I pretended to ignore her.  She took my hand in hers and squeezed it, then sat there until I could no longer ignore her.

“I was having such a good time.”  I opened my eyes and looked at her. 

She was hardly recognisable without the accoutrements of wealth.  Not even a single necklace that would be worth more than the ship or thereabouts.

No rings, no jewellery, no fancy clothes, nothing that would distinguish her from any other British tourist.

“Without me?”

“Without you.”

“I thought you loved me?”

“I do.  Enough to set you free.”

“Why would you think that?”

“Isn’t that what you want.  After all, I’ve served my purpose; the use-by date has come and gone.  I’m sure there are so many other fish in that sea.”

She looked at me with serious concern.

“What are you babbling about.  Use by date?  Fish.  What had fish got to do with anything?”  Then she stopped, took a breath.  “That’s why you said I was going to London the next morning.  You overheard my conversation.”

“I was wandering around near the morning room.  You weren’t exactly whispering.”

“And you thought…”

“It was time to move on.  You are famous, other than being a princess now, and you don’t need me anymore.  I see you with your people.  They are your sort of people, I’m not.”

She sighed.  “You are a silly, silly man.  I love you more than anything.  Anything Henry.  It’s why I’m here.  I have been beside myself for days, wondering what happened to you.  You’re acting strange.  I thought you were sick.  I thought you were dying.  I didn’t know what to think.”

“It felt like I was dying.”

“I’m not going anywhere.  I made my choice 20 years ago, and I’ve never regretted it.  I’ve been propositioned more times than I can remember, but the only thing that I had on my mind was getting home to you.  I’m not interested in anyone else.  This is a nice place.  What made you come here?”

“The third plane out of the airport after I arrived.”

“Good choice.  Where are we?”

“On a ship.”

“No, where are we?”

“Queenstown.  Going to Walter Peak Farm for morning tea.  Scones, jam and clotted cream, I hope.”

“Not as good as your cook’s, I suspect.”

“She’s not my cook.”

I could see the little wharf in the distance, and we would be arriving soon.  People were moving to the front of the ship to get a look.

“Why didn’t you just talk to me, Henry?”

“You’re busy.  I don’t want to get in the way.”

“Don’t ever do this to me again.  I had to move heaven and earth to find you.  You’re very good at disappearing.”

“Do you have an employee named Daphne, though I refuse to believe that’s her name.”

“She’s going to be your new companion.  There’s trouble at home, and that’s what really scared me when you went missing.  I thought you had been kidnapped.  I was going to tell you but…”

There hadn’t been anything in the papers, but it was not surprising.

“I didn’t know.  And do I have to put up with such a rude person?”

“You were rude first.”

“Is she here?”

“No.  I figured if you saw her again, you’d throw her overboard.  Just so you know, I thought you might do that to me, too?”

“Can you swim?”  Her expression changed.  It was a good thing we were slowing down and making the turn toward the pier.

©  Charles Heath  2026

“The Things we do for Love”, the story behind the story

This story has been ongoing since I was seventeen, and just to let you know, I’m 72 this year.

Yes, it’s taken a long time to get it done.

Why, you might ask.

Well, I never gave it much interest because I started writing it after a small incident when I was 17, and working as a book packer for a book distributor in Melbourne

At the end of my first year, at Christmas, the employer had a Christmas party, and that year, it was at a venue in St Kilda.

I wasn’t going to go because at that age, I was an ordinary boy who was very introverted and basically scared of his own shadow and terrified by girls.

Back then, I would cross the street to avoid them

Also, other members of the staff in the shipping department were rough and ready types who were not backwards in telling me what happened, and being naive, perhaps they knew I’d be either shocked or intrigued.

I was both adamant I wasn’t coming and then got roped in on a dare.

Damn!

So, back then, in the early 70s, people looked the other way when it came to drinking, and of course, Dutch courage always takes away the concerns, especially when normally you wouldn’t do half the stuff you wouldn’t in a million years

I made it to the end, not as drunk and stupid as I thought I might be, and St Kilda being a salacious place if you knew where to look, my new friends decided to give me a surprise.

It didn’t take long to realise these men were ‘men about town’ as they kept saying, and we went on an odyssey.  Yes, those backstreet brothels where one could, I was told, have anything they could imagine.

Let me tell you, large quantities of alcohol and imagination were a very bad mix.

So, the odyssey in ‘The things we do’ was based on that, and then the encounter with Diana. Well, let’s just say I learned a great deal about girls that night.

Firstly, not all girls are nasty and spiteful, which seemed to be the case whenever I met one. There was a way to approach, greet, talk to, and behave.

It was also true that I could have had anything I wanted, but I decided what was in my imagination could stay there.  She was amused that all I wanted was to talk, but it was my money, and I could spend it how I liked.

And like any 17-year-old naive fool, I fell in love with her and had all these foolish notions.  Months later, I went back, but she had moved on, to where no one was saying or knew.

Needless to say, I was heartbroken and had to get over that first loss, which, like any 17-year-old, was like the end of the world.

But it was the best hour I’d ever spent in my life and would remain so until I met the woman I have been married to for the last 48 years.

As Henry, he was in part based on a rebel, the son of rich parents who despised them and their wealth, and he used to regale anyone who would listen about how they had messed up his life

If only I’d come from such a background!

And yes, I was only a run away from climbing up the stairs to get on board a ship, acting as a purser.

I worked for a shipping company and they gave their junior staff members an opportunity to spend a year at sea working as a purser on a cargo ship that sailed between Melbourne, Sydney and Hobart in Australia.

One of the other junior staff members’ turn came, and I would visit him on board when he would tell me stories about life on board, the officers, the crew, and other events. These stories, which sounded incredible to someone so impressionable, were a delight to hear.

Alas, by that time, I had tired of office work and moved on to be a tradesman at the place where my father worked.

It proved to be the right move, as that is where I met my wife.  Diana had been right; love would find me when I least expected it.

lovecoverfinal1

365 Days of writing, 2026 – 19

Day 19 – Which character should tell the story

Who Should Tell the Story? Choosing the Right Narrator for Maximum Impact

Every story begins with a voice. Whether it’s a whisper from the shadows, a confession shouted from the rooftops, or a quiet journal entry scribbled at midnight, the way a story is told is just as important as what happens in it. One of the most crucial decisions a writer makes—often before writing a single sentence—is who will tell the story.

Will it be the protagonist, standing front and centre, eyes wide open to every triumph and tragedy? The casual observer, sipping tea on the periphery while chaos unfolds nearby? Or perhaps a bit player—the stagehand who sees everything but is barely seen?

Each narrative perspective offers unique strengths, limitations, and emotional textures. Let’s explore the three classic choices and discover when each one shines.


1. The Protagonist: The Heart of the Storm

When the main character narrates their own story, readers are granted intimate access to their thoughts, fears, dreams, and flaws. Think of Scout in To Kill a Mockingbird, Holden Caulfield in The Catcher in the Rye, or Katniss Everdeen in The Hunger Games. We don’t just witness the journey—we live it.

Strengths:

  • Deep emotional connection. Readers bond with the narrator through raw honesty and vulnerability.
  • A strong voice and personality can elevate the entire tone of the story.
  • Immediate stakes. When the protagonist speaks, every danger feels personal.

Best Used When:

  • The story is about personal transformation or internal conflict.
  • Voice is a critical element (e.g., a sarcastic teen, a traumatised veteran).
  • You want readers to empathise deeply with the character’s choices—even when they’re flawed.

Caution: A protagonist-narrator can be limited by their own biases and blind spots. You lose the ability to show scenes they weren’t present for, and if the character isn’t compelling, the whole narrative risks falling flat.


2. The Casual Observer: The Quiet Witness

This narrator isn’t swept up in the central action, but stands just close enough to see—and interpret—it all. Think of Nick Carraway in The Great Gatsby, watching Gatsby’s rise and fall with a mix of fascination and detachment. Or Dr Watson, chronicling Sherlock Holmes’ genius with admiration and occasional bewilderment.

Strengths:

  • Offers a more objective lens while still being emotionally engaged.
  • Can provide commentary and reflection, adding layers of meaning.
  • Freedom to step back and describe the bigger picture or societal context.

Best Used When:

  • The protagonist is mysterious, unreliable, or larger-than-life.
  • You want to explore themes like perception, memory, or social critique.
  • The story gains power through contrast—what the observer sees versus what they understand.

Caution: It’s easy for an observer to become passive. To work well, they still need their own arc, stakes, and reasons for telling the story. Otherwise, they risk feeling like a camera on a tripod—recording, but not quite living.


3. The Bit Player: The Unlikely Truth-Teller

These are the characters we might overlook—the secretary, the neighbour, the childhood friend who drifted away. Yet when they take the microphone, their perspective can be revelatory. Consider “The Murder of Roger Ackroyd” by Agatha Christie, in which the seemingly minor character of Dr Sheppard upends everything through his narration.

Strengths:

  • Surprise factor. Readers don’t expect depth or insight from minor characters—so when they deliver, it’s powerful.
  • Access to multiple characters and private moments without being the centre of attention.
  • Can subtly manipulate tone and truth, especially if they have hidden motives.

Best Used When:

  • You want to subvert expectations or play with unreliability.
  • The story benefits from a grounded, realistic perspective amid larger-than-life events.
  • The theme involves invisibility, power dynamics, or the unnoticed threads that hold society together.

Caution: A bit player narrator must be given enough presence and reason to tell the story. Why them? What stakes do they have? Without proper setup, their narration can feel contrived.


So, Who Should Tell Your Story?

Ask yourself:

  • Whose journey matters most? If it’s deeply personal, go with the protagonist.
  • Is the truth elusive? An observer or bit player might reveal it more effectively.
  • What tone do you want? Intimate and urgent? Detached and reflective? Ironic and unreliable?

Sometimes, the magic isn’t in who lives the story, but in who tells it. The same event—a betrayal, a wedding, a war—can feel entirely different depending on whether it’s recounted by the hero, the bystander, or the one who cleaned up the aftermath.

The voice you choose doesn’t just shape the narrative—it shapes the reader’s soul.

So next time you begin a story, don’t just ask, What happens?
Ask, Who gets to say it happened?

Because in storytelling, perspective isn’t just everything—
It’s the only thing.

If I only had one day to stop over in – Venice – what would I do?

A Day in Venice: Making the Most of Your 24-Hour Stopover

Venice, the City of Water, is a place that has captivated the hearts of travellers for centuries. With its stunning architecture, rich history, and unique culture, it’s no wonder that Venice is a top destination for many. But what if you only have a day to spend in this enchanting city? Is it possible to make the most of your 24-hour stopover and create unforgettable memories? The answer is yes, and it all starts with visiting one iconic place: St. Mark’s Square.

The Heart of Venice: St. Mark’s Square

Located in the heart of Venice, St. Mark’s Square (Piazza San Marco) is the city’s most famous landmark and a must-visit destination for any traveller. This stunning square is surrounded by breathtaking architecture, including the magnificent St. Mark’s Basilica, the Doge’s Palace, and the Campanile di San Marco (St. Mark’s Bell Tower). As you step into the square, you’ll be struck by the sheer beauty and grandeur of your surroundings.

Why St. Mark’s Square is a Must-Visit

So, what makes St. Mark’s Square the perfect place to visit during your one-day stopover in Venice? Here are just a few reasons:

  • Unparalleled Architecture: The square is home to some of the most stunning examples of Byzantine architecture in the world, including the intricate mosaics and golden domes of St. Mark’s Basilica.
  • Rich History: St. Mark’s Square has been the centre of Venetian life for centuries, with a history dating back to the 9th century. You can almost feel the weight of history as you walk through the square.
  • Cultural Significance: The square is a hub of cultural activity, with street performers, musicians, and artists adding to the lively atmosphere.
  • Accessibility: St. Mark’s Square is easily accessible by vaporetto (water bus) or on foot, making it a convenient destination for travellers with limited time.

Tips for Visiting St. Mark’s Square

To make the most of your visit to St. Mark’s Square, here are a few tips to keep in mind:

  • Arrive Early: Get to the square early in the morning to avoid the crowds and enjoy a more peaceful atmosphere.
  • Dress Modestly: Remember to dress modestly when visiting the basilica, as it’s a place of worship.
  • Take a Guided Tour: Consider taking a guided tour of the square and its surrounding attractions to get a deeper understanding of the history and culture.
  • Enjoy the Views: Don’t forget to take in the stunning views of the square from the top of the Campanile di San Marco, which offers breathtaking vistas of the city.

Conclusion

In conclusion, St. Mark’s Square is the perfect destination for travellers with a one-day stopover in Venice. With its stunning architecture, rich history, and cultural significance, this iconic square is sure to leave a lasting impression. By visiting St. Mark’s Square, you’ll be able to experience the essence of Venice and create unforgettable memories of your time in this enchanting city. So, make the most of your 24-hour stopover and head to St. Mark’s Square – you won’t regret it!

What I learned about writing – Sometimes it can solve problems

Today, under the guise of words of wisdom, we have a concept that if he wrote it, he could get rid of it.

OK, does that mean the writing goes from the pad straight into the bin? I’m sure all of has had a moment like that more than once.

Or is there something a lot deeper going on here?

I’m going with deep because there is another line. He had gotten rid of many things by writing them.

So does that mean if I write about the things that bug me, they’ll go away?

Sounds interesting.

My slant on this is. If you could write out all your problems and imagine a different, happier ending to all of them. I mean, I don’t really want to send my younger brother to the moon, but the thought is there.

I’m thinking that it might be a way to not pay expensive shrinks to analyse your problems, you could do it yourself, write the problems down like a quadratic equation, and solve them yourself.

Or work out how to send your brother to the moon yourself without having to plead with or pay millions of dollars to NASA.

If I only had one day to stop over in – Paris – what would I do?

 Parisian Odyssey: Making Memories in 24 Hours at the Eiffel Tower
Subtitle: How to Craft an Unforgettable Day in the City of Light

Paris—the city where every cobbled street hums with history, every café table holds a story, and every landmark feels plucked from a dream. But when time is your most coveted luxury (and you’re stuck with just 24 hours), where do you begin? While the Louvre, Notre-Dame, and Montmartre all clamour for attention, there’s one icon that transcends mere sightseeing: the Eiffel Tower. More than a landmark, it’s the heartbeat of Paris. Here’s how to make your brief stopover a day you’ll remember forever.


Morning: Conquer the Iron Lady

Start your day early at the Eiffel Tower to avoid crowds. A pre-booked ticket to the top is non-negotiable—trust us, skipping the queue will save precious minutes. Ascend the 125 meters to the second floor for a panoramic view of the city: the Seine slicing through neighbourhoods, the distant dome of Sacré-Cœur, and the green sprawl of the Bois de Boulogne. If you’re energetic, the 164 steps to the first level (1,710 total to the top) are free, though the lift is worth it for efficiency.

Pro Tip: Grab a pastis or croissant from one of the restaurants on the first floor. It’s breakfast with a view!


Midday: Stroll the Champs-Élysées Backdrop

The Eiffel Tower isn’t an island—it’s a focal point for some of Paris’s most iconic scenery. Walk west toward the Champs-Élysées, a 1.2-mile boulevard that’s the epitome of Parisian glamour. Stop at the Arc de Triomphe for a photo (and climb for an even more divine view), then cruise past luxury shops like Dior and Louis Vuitton. You don’t need to spend a cent—just bask in the je ne sais quoi of Parisian elegance.

Unexpected Detour: Veer south to Trocadéro Gardens, a sprawling park with fountains and shaded paths. It’s a peaceful respite and the perfect spot to picnic with a baguette and fromage from a nearby market.


Afternoon: Seine Secrets and Hidden Gems

By 3 PM, head to the Seine River. The Eiffel Tower is visible from nearly every bridge here, but two spots are must-sees:

  1. Pont d’Iéna (military museum) for a photo-perfect view of the tower against the sunset.
  2. Rive Gauche Promenade for a leisurely walk past Left Bank cafés and the Institut de France.

If time allows, hop on a 1-hour Seine River cruise. As the boat glides past bridges and monuments, the Eiffel Tower will loom like a guardian, its silhouette contrasting with Haussmann-era architecture.


Evening: Twilight Magic and Farewell Glows

As dusk falls, make your way to Port de la Conférence (just south of the Eiffel Tower) or Pont National. Here, you’ll witness the tower’s daily ritual: a sparkling display every hour, where over 20,000 bulbs twinkle for five minutes. It’s romantic, awe-inspiring, and utterly unique to Paris.

Culinary Finale: Dine at a Seine-side restaurant like Le Jules Verne (inside the Eiffel Tower, reservations essential) or Café de l’Escargot for a jazz-tinged bistro vibe. Either way, you’ll cap off your day with the tower as your backdrop.


Why the Eiffel Tower?

In a day, you can’t do everything in Paris. You can’t visit every museum, every bakery, or every cabaret. But with the Eiffel Tower as your anchor, you’ll experience the city’s soul:

  • Iconic Energy: It’s the symbol of Paris you’ll recognise in movies, music, and literature.
  • Versatile Vibe: From bustling tourist hub to tranquil riverside retreat, it adapts to your dream.
  • Time Efficiency: Its centrality lets you explore adjacent neighbourhoods without exhausting yourself.

A 24-hour stopover is fleeting, but a day spent weaving through the Eiffel Tower’s orbit? That’s an hourglass filled with light, history, and memories.

Final Thought: Paris isn’t just seen—it’s felt. Choose the Eiffel Tower, and let it sweep you off your feet. After all, you’re not just visiting a city. You’re stepping into a masterpiece.

Bon voyage, and bon appétit! 🇫🇷

365 Days of writing, 2026 – 19

Day 19 – Which character should tell the story

Who Should Tell the Story? Choosing the Right Narrator for Maximum Impact

Every story begins with a voice. Whether it’s a whisper from the shadows, a confession shouted from the rooftops, or a quiet journal entry scribbled at midnight, the way a story is told is just as important as what happens in it. One of the most crucial decisions a writer makes—often before writing a single sentence—is who will tell the story.

Will it be the protagonist, standing front and centre, eyes wide open to every triumph and tragedy? The casual observer, sipping tea on the periphery while chaos unfolds nearby? Or perhaps a bit player—the stagehand who sees everything but is barely seen?

Each narrative perspective offers unique strengths, limitations, and emotional textures. Let’s explore the three classic choices and discover when each one shines.


1. The Protagonist: The Heart of the Storm

When the main character narrates their own story, readers are granted intimate access to their thoughts, fears, dreams, and flaws. Think of Scout in To Kill a Mockingbird, Holden Caulfield in The Catcher in the Rye, or Katniss Everdeen in The Hunger Games. We don’t just witness the journey—we live it.

Strengths:

  • Deep emotional connection. Readers bond with the narrator through raw honesty and vulnerability.
  • A strong voice and personality can elevate the entire tone of the story.
  • Immediate stakes. When the protagonist speaks, every danger feels personal.

Best Used When:

  • The story is about personal transformation or internal conflict.
  • Voice is a critical element (e.g., a sarcastic teen, a traumatised veteran).
  • You want readers to empathise deeply with the character’s choices—even when they’re flawed.

Caution: A protagonist-narrator can be limited by their own biases and blind spots. You lose the ability to show scenes they weren’t present for, and if the character isn’t compelling, the whole narrative risks falling flat.


2. The Casual Observer: The Quiet Witness

This narrator isn’t swept up in the central action, but stands just close enough to see—and interpret—it all. Think of Nick Carraway in The Great Gatsby, watching Gatsby’s rise and fall with a mix of fascination and detachment. Or Dr Watson, chronicling Sherlock Holmes’ genius with admiration and occasional bewilderment.

Strengths:

  • Offers a more objective lens while still being emotionally engaged.
  • Can provide commentary and reflection, adding layers of meaning.
  • Freedom to step back and describe the bigger picture or societal context.

Best Used When:

  • The protagonist is mysterious, unreliable, or larger-than-life.
  • You want to explore themes like perception, memory, or social critique.
  • The story gains power through contrast—what the observer sees versus what they understand.

Caution: It’s easy for an observer to become passive. To work well, they still need their own arc, stakes, and reasons for telling the story. Otherwise, they risk feeling like a camera on a tripod—recording, but not quite living.


3. The Bit Player: The Unlikely Truth-Teller

These are the characters we might overlook—the secretary, the neighbour, the childhood friend who drifted away. Yet when they take the microphone, their perspective can be revelatory. Consider “The Murder of Roger Ackroyd” by Agatha Christie, in which the seemingly minor character of Dr Sheppard upends everything through his narration.

Strengths:

  • Surprise factor. Readers don’t expect depth or insight from minor characters—so when they deliver, it’s powerful.
  • Access to multiple characters and private moments without being the centre of attention.
  • Can subtly manipulate tone and truth, especially if they have hidden motives.

Best Used When:

  • You want to subvert expectations or play with unreliability.
  • The story benefits from a grounded, realistic perspective amid larger-than-life events.
  • The theme involves invisibility, power dynamics, or the unnoticed threads that hold society together.

Caution: A bit player narrator must be given enough presence and reason to tell the story. Why them? What stakes do they have? Without proper setup, their narration can feel contrived.


So, Who Should Tell Your Story?

Ask yourself:

  • Whose journey matters most? If it’s deeply personal, go with the protagonist.
  • Is the truth elusive? An observer or bit player might reveal it more effectively.
  • What tone do you want? Intimate and urgent? Detached and reflective? Ironic and unreliable?

Sometimes, the magic isn’t in who lives the story, but in who tells it. The same event—a betrayal, a wedding, a war—can feel entirely different depending on whether it’s recounted by the hero, the bystander, or the one who cleaned up the aftermath.

The voice you choose doesn’t just shape the narrative—it shapes the reader’s soul.

So next time you begin a story, don’t just ask, What happens?
Ask, Who gets to say it happened?

Because in storytelling, perspective isn’t just everything—
It’s the only thing.

Another excerpt from “Strangers We’ve Become” – A sequel to ‘What Sets Us Apart’

It was the first time in almost a week that I made the short walk to the cafe alone.  It was early, and the chill of the morning was still in the air.  In summer, it was the best time of the day.  When Susan came with me, it was usually much later, when the day was much warmer and less tolerable.

On the morning of the third day of her visit, Susan said she was missing the hustle and bustle of London, and by the end of the fourth she said, in not so many words, she was over being away from ‘civilisation’.  This was a side of her I had not seen before, and it surprised me.

She hadn’t complained, but it was making her irritable.  The Susan that morning was vastly different to the Susan on the first day.  So much, I thought, for her wanting to ‘reconnect’, the word she had used as the reason for coming to Greve unannounced.

It was also the first morning I had time to reflect on her visit and what my feelings were towards her.  It was the reason I’d come to Greve: to soak up the peace and quiet and think about what I was going to do with the rest of my life.

I sat in my usual corner.  Maria, one of two waitresses, came out, stopped, and there was no mistaking the relief in her manner.  There was an air of tension between Susan and Maria I didn’t understand, and it seemed to emanate from Susan rather than the other way around.  I could understand her attitude if it was towards Alisha, but not Maria.  All she did was serve coffee and cake.

When Maria recovered from the momentary surprise, she said, smiling, “You are by yourself?”  She gave a quick glance in the direction of my villa, just to be sure.

“I am this morning.  I’m afraid the heat, for one who is not used to it, can be quite debilitating.  I’m also afraid it has had a bad effect on her manners, for which I apologise.  I cannot explain why she has been so rude to you.”

“You do not have to apologise for her, David, but it is of no consequence to me.  I have had a lot worse.  I think she is simply jealous.”

It had crossed my mind, but there was no reason for her to be.  “Why?”

“She is a woman, I am a woman, she thinks because you and I are friends, there is something between us.”

It made sense, even if it was not true.  “Perhaps if I explained…”

Maria shook her head.  “If there is a hole in the boat, you should not keep bailing but try to plug the hole.  My grandfather had many expressions, David.  If I may give you one piece of advice, as much as it is none of my business, you need to make your feelings known, and if they are not as they once were, and I think they are not, you need to tell her.  Before she goes home.”

Interesting advice.  Not only a purveyor of excellent coffee, but Maria was also a psychiatrist who had astutely worked out my dilemma.  What was that expression, ‘not just a pretty face’?

“Is she leaving soon?” I asked, thinking Maria knew more about Susan’s movements than I did.

“You would disappoint me if you had not suspected as much.  Susan was having coffee and talking to someone in her office on a cell phone.  It was an intense conversation.  I should not eavesdrop, but she said being here was like being stuck in hell.  It is a pity she does not share your love for our little piece of paradise, is it not?”

“It is indeed.  And you’re right.  She said she didn’t have a phone, but I know she has one.  She just doesn’t value the idea of getting away from the office.  Perhaps her role doesn’t afford her that luxury.”

And perhaps Alisha was right about Maria, that I should be more careful.  She had liked Maria the moment she saw her.  We had sat at this very table, the first day I arrived.  I would have travelled alone, but Prendergast, my old boss, liked to know where ex-employees of the Department were, and what they were doing.

She sighed.  “I am glad I am just a waitress.  Your usual coffee and cake?”

“Yes, please.”

Several months had passed since we had rescued Susan from her despotic father; she had recovered faster than we had thought, and settled into her role as the new Lady Featherington, though she preferred not to use that title, but go by the name of Lady Susan Cheney.

I didn’t get to be a Lord, or have any title, not that I was expecting one.  What I had expected was that Susan, once she found her footing as head of what seemed to be a commercial empire, would not have time for details like husbands, particularly when our agreement made before the wedding gave either of us the right to end it.

There was a moment when I visited her recovering in the hospital, where I was going to give her the out, but I didn’t, and she had not invoked it.  We were still married, just not living together.

This visit was one where she wanted to ‘reconnect’ as she called it, and invite me to come home with her.  She saw no reason why we could not resume our relationship, conveniently forgetting she indirectly had me arrested for her murder, charges both her mother and Lucy vigorously pursued, and had the clone not returned to save me, I might still be in jail.

It was not something I would forgive or forget any time soon.

There were other reasons why I was reluctant to stay with her, like forgetting small details, an irregularity in her character I found odd.  She looked the same, she sounded the same, she basically acted the same, but my mind was telling me something was not right.  It was not the Susan I first met, even allowing for the ordeal she had been subjected to.

But, despite those misgivings, there was no question in my mind that I still loved her, and her clandestine arrival had brought back all those feelings.  But as the days passed, I began to get the impression my feelings were one-sided and she was just going through the motions.

Which brought me to the last argument, earlier, where I said if I went with her, it would be business meetings, social obligations, and quite simply her ‘celebrity’ status that would keep us apart.  I reminded her that I had said from the outset I didn’t like the idea of being in the spotlight, and when I reiterated it, she simply brushed it off as just part of the job, adding rather strangely that I always looked good in a suit.  The flippancy of that comment was the last straw, and I left before I said something I would regret.

I knew I was not a priority.  Maybe somewhere inside me, I had wanted to be a priority, and I was disappointed when I was not.

And finally, there was Alisha.  Susan, at the height of the argument, had intimated she believed I had an affair with her, but that elephant was always in the room whenever Alisha was around.  It was no surprise when I learned Susan had asked Prendergast to reassign her to other duties. 

At least I knew what my feelings for Alisha were, and there were times when I had to remember she was persona non grata.  Perhaps that was why Susan had her banished, but, again, a small detail; jealousy was not one of Susan’s traits when I first knew her.

Perhaps it was time to set Susan free.

When I swung around to look in the direction of the lane where my villa was, I saw Susan.  She was formally dressed, not in her ‘tourist’ clothes, which she had bought from one of the local clothing stores.  We had fun that day, shopping for clothes, a chore I’d always hated.  It had been followed by a leisurely lunch, lots of wine and soul searching.

It was the reason why I sat in this corner; old habits die hard.  I could see trouble coming from all directions, not that Susan was trouble or at least I hoped not, but it allowed me the time to watch her walking towards the cafe in what appeared to be short, angry steps; perhaps the culmination of the heat wave and our last argument.

She glared at me as she sat, dropping her bag beside her on the ground, where I could see the cell phone sitting on top.  She followed my glance down, and then she looked unrepentant back at me.

Maria came back at the exact moment she was going to speak.  I noticed Maria hesitate for a second when she saw Susan, then put her smile in place to deliver my coffee.

Neither spoke nor looked at each other.  I said, “Susan will have what I’m having, thanks.”

Maria nodded and left.

“Now,” I said, leaning back in my seat, “I’m sure there’s a perfectly good explanation as to why you didn’t tell me about the phone, but that first time you disappeared, I’d guessed you needed to keep in touch with your business interests.  I thought it somewhat unwisethat you should come out when the board of one of your companies was trying to remove you, because of what was it, an unexplained absence?  All you had to do was tell me there were problems and you needed to remain at home to resolve them.”

My comment elicited a sideways look, with a touch of surprise.

“It was unfortunate timing on their behalf, and I didn’t want you to think everything else was more important than us.  There were issues before I came, and I thought the people at home would be able to manage without me for at least a week, but I was wrong.”

“Why come at all.  A phone call would have sufficed.”

“I had to see you, talk to you.  At least we have had a chance to do that.  I’m sorry about yesterday.  I once told you I would not become my mother, but I’m afraid I sounded just like her.  I misjudged just how much this role would affect me, and truly, I’m sorry.”

An apology was the last thing I expected.

“You have a lot of work to do catching up after being away, and of course, in replacing your mother and gaining the requisite respect as the new Lady Featherington.  I think it would be for the best if I were not another distraction.  We have plenty of time to reacquaint ourselves when you get past all these teething issues.”

“You’re not coming with me?”  She sounded disappointed.

“I think it would be for the best if I didn’t.”

“Why?”

“It should come as no surprise to you that I’ve been keeping an eye on your progress.  You are so much better doing your job without me.  I told your mother once that when the time came I would not like the responsibilities of being your husband.  Now that I have seen what it could possibly entail, I like it even less.  You might also want to reconsider our arrangement, after all, we only had a marriage of convenience, and now that those obligations have been fulfilled, we both have the option of terminating it.  I won’t make things difficult for you if that’s what you want.”

It was yet another anomaly, I thought; she should look distressed, and I would raise the matter of that arrangement.  Perhaps she had forgotten the finer points.  I, on the other hand, had always known we would not last forever.  The perplexed expression, to me, was a sign she might have forgotten.

Then, her expression changed.  “Is that what you want?”

“I wasn’t madly in love with you when we made that arrangement, so it was easy to agree to your terms, but inexplicably, since then, my feelings for you changed, and I would be sad if we parted ways.  But the truth is, I can’t see how this is going to work.”

“In saying that, do you think I don’t care for you?”

That was exactly what I was thinking, but I wasn’t going to voice that opinion out loud.  “You spent a lot of time finding new ways to make my life miserable, Susan.  You and that wretched friend of yours, Lucy.  While your attitude improved after we were married, that was because you were going to use me when you went to see your father, and then almost let me go to prison for your murder.”

“I had nothing to do with that, other than to leave, and I didn’t agree with Lucy that you should be made responsible for my disappearance.  I cannot be held responsible for the actions of my mother.  She hated you; Lucy didn’t understand you, and Millie told me I was stupid for not loving you in return, and she was right.  Why do you think I gave you such a hard time?  You made it impossible not to fall in love with you, and it nearly changed my mind about everything I’d been planning so meticulously.  But perhaps there was a more subliminal reason why I did because after I left, I wanted to believe, if anything went wrong, you would come and find me.”

“How could you possibly know that I’d even consider doing something like that, given what you knew about me?”

“Prendergast made a passing comment when my mother asked him about you; he told us you were very good at finding people and even better at fixing problems.”

“And yet here we are, one argument away from ending it.”

I could see Maria hovering, waiting for the right moment to deliver her coffee, then go back and find Gianna, the café owner, instead.  Gianna was more abrupt and, for that reason, was rarely seen serving the customers.  Today, she was particularly cantankerous, banging the cake dish on the table and frowning at Susan before returning to her kitchen.  Gianna didn’t like Susan either.

Behind me, I heard a car stop, and when she looked up, I knew it was for her.  She had arrived with nothing, and she was leaving with nothing.

She stood.  “Last chance.”

“Forever?”

She hesitated and then shook away the look of annoyance on her face.  “Of course not.  I wanted you to come back with me so we could continue working on our relationship.  I agree there are problems, but it’s nothing we can’t resolve if we try.”

I had been trying.  “It’s too soon for both of us, Susan.  I need to be able to trust you, and given the circumstances, and all that water under the bridge, I’m not sure if I can yet.”

She frowned at me.  “As you wish.”  She took an envelope out of her bag and put it on the table.  “When you are ready, it’s an open ticket home.  Please make it sooner rather than later.  Despite what you think of me, I have missed you, and I have no intention of ending it between us.”

That said, she glared at me for a minute, shook her head, then walked to the car.  I watched her get in and the car drive slowly away.

No kiss, no touch, no looking back. 

© Charles Heath 2018-2025

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