Tag: Author

Searching for locations: The Jade Factory, Beijing, China

The first stop is at a Jade Museum to learn the history of jade. In Chinese, jade is pronounced as “Yu” and it has a history in China of at least four thousand years.  On the way there, we are given a story about one of the guide’s relatives who had a jade bracelet, and how it has saved her from countless catastrophes.It is, quite literally ‘the’ good luck charm.  Chinese gamblers are known to have small pieces of jade in their hands when visiting the casinos, for good luck.  I’m not sure anything could provide a gambler with any sort of luck given how the odds are always slanted towards the house.

At any rate, this is neither the time of the place to debunk a ‘well-known fact’.

 On arrival, our guide hands us over to a local guide, a real staff member, and she begins with a discussion on jade while we watch a single worker working on an intricate piece, what looks to be a globe within a globe, sorry, there are two workers, and the second is working on a dragon.

At the end of the passage that passes by the workers, and before you enter the main showroom, you are dazzled by the ship and is nothing short of magnificent.

Then it’s into a small room just off the main showroom where we are taken through the colors, and the carving process in the various stages, without really being told how the magic happens.

Then it’s out into the main showroom where the sales are made, and before dispersing to look at the jade collection, she briefly tells us how to tell real and fake jade, and she does the usual trick of getting one of the tour group to model a piece.

Looks good, let’s move on.  To bigger and better examples.

What interested me, other than the small zodiac signs and other smallish pieces on the ‘promotion’ table, was the jade bangle our tour guide told us about on the bus.  If anyone needs one, it is my other half, with all the medical issues and her sometimes clumsiness, two particular maladies this object is supposed to prevent.
Jade to the Chinese is Diamonds to westerners, and the jade bangle is often handed down to the females of the family from generation to generation, often as an engagement present, to be worn on the left hand, the one closest to the heart.

There are literally thousands of them, but, they have to be specially fitted to your wrist because if it’s too large, you might lose it if it slips off and I didn’t think it could be too small.  
Nor is it cheap, and needing a larger size, it is reasonably expensive.  But it is jadeite, the more expensive of the types of jade, and it can only appreciate in value, not that we are interested in the monetary value, it’s more the good luck aspect.

We could use some of that.

But, just to touch on something that can be the bugbear of traveling overseas, is the subject of happy houses, a better name for toilets, and has become a recurrent theme on this tour.  It’s better than blurting out the word toilet and it seems there can be some not so happy houses given that the toilets in China are usually squat rather than sit, even for women.
And apparently, everyone has an unhappy house story, particularly the women, and generally in having to squat over a pit.  Why is this a discussion point, it seems the jade factory had what we have come to call happy, happy houses which have more proper toilets, and a stop here before going on the great wall was recommended, as the ‘happy house’ at the wall is deemed to be not such a happy house.

Not even this dragon was within my price range.  Thank heaven they had smaller more affordable models.  The object of having a dragon, large or small, is that it should be placed inside the main door to the house so that money can come in.

It also seems that stuffing the dragon’s mouth with money is also good luck.  We passed on doing that.

After spending a small fortune, there was a bonus, free Chinese tea.  Apparently, we will be coming back, after the Great Wall visit, to have lunch upstairs.

           

Writing a book in 365 days – 73

Day 73

Editing – getting the reader invested

…

There are two, possibly more, but two fundamental questions you have to ask yourself when you are reading through your work, and perhaps for the first time after finishing writing that first draft.

What am I saying?

What happens next for the characters?

Here’s the thing…

What your saying is what the reader wants to know, what sets the tone, what sets up the story. I like to throw readers in the deep right from the start, to give the reader a sense of who they’re going on the journey with.

In my opinion, a book is a journey and the more compelling you can make it, the more invested the reader will be.

Your ultimate aim: that the reader cannot put the book down. They just have to read a bit more to see what happens.

It is always going to be what happens next, whether our protagonist is hanging out of a helicopter trying to avoid being killed, or chasing a lead (or person), chasing a suspect or a person of interest, or just a red herring or entanglement.

And there is always that trope, the cliff hanger at the end of every chapter.

Writing a book in 365 days – 72

Day 72

Originality

…

So, can you write a completely original fiction story? Some would say they could, but every time you pick up a book, can you say that you have not seen parts of it before, in one form or another?

It is said that there are only seven basic plots that are used over and over again.

Others will say there are three, six, or thirty-six. No one can seem to agree on a number, but they all believe there is just a small number of master plots from which every story is written.

  1. Overcoming the Monster
  2. Rags to Riches
  3. The Quest
  4. Voyage and Return
  5. Rebirth
  6. Comedy
  7. Tragedy

This is from The Seven Basic Plots: Why We Tell Stories by Christopher Booker.

There are endless variations, some end happy, others sad, and what is left in tragedy.

I like to have happy endings and am not a fan of sad endings, there’s enough of those on TV, and I think the last thing we want before we go to bed is to see a show that reflects daily life. I like to see the good guys win every now and then just to restore my faith in human nature.

Writing a book in 365 days – 72

Day 72

Originality

…

So, can you write a completely original fiction story? Some would say they could, but every time you pick up a book, can you say that you have not seen parts of it before, in one form or another?

It is said that there are only seven basic plots that are used over and over again.

Others will say there are three, six, or thirty-six. No one can seem to agree on a number, but they all believe there is just a small number of master plots from which every story is written.

  1. Overcoming the Monster
  2. Rags to Riches
  3. The Quest
  4. Voyage and Return
  5. Rebirth
  6. Comedy
  7. Tragedy

This is from The Seven Basic Plots: Why We Tell Stories by Christopher Booker.

There are endless variations, some end happy, others sad, and what is left in tragedy.

I like to have happy endings and am not a fan of sad endings, there’s enough of those on TV, and I think the last thing we want before we go to bed is to see a show that reflects daily life. I like to see the good guys win every now and then just to restore my faith in human nature.

Writing a book in 365 days – 71

Day 71

Editing, and the effect on length

…

Sometimes editing has a different effect on how long the book will be.

Sending it to an editor with the instruction to lose 20,000 words of a novel that is 110,000 words long will get just that. That’s the editor’s job.

Sending a book to another editor and telling them to make sure the story is written properly, that there’s continuity, and the character’s timelines and backstories are fitting, may add another 20,000 words.

As a case in point, one of my stories started out at 365 pages. It was read by three different beta readers who all said the same thing. There were parts of the novel ‘missing’.

I read it, then reread it, and could see what they meant. I sat down and rewrote it, filling in the gaps, and when I was finished, it was 535 pages, and a completely different, but much better, story.

Sometimes it’s not a matter of cutting things out, not unless they don’t add to the story, but more that the story cannot have gaps, plot holes, and stuff happening without content or relevance.

To me, a story takes as many pages as it does to get it from the start to the end and make sense to the reader. The editor with then make suggestions on whether more is needed or less. We all tend to waffle at times, so be prepared for cuts, but these might not be as bad as it seems.

Writing a book in 365 days – 71

Day 71

Editing, and the effect on length

…

Sometimes editing has a different effect on how long the book will be.

Sending it to an editor with the instruction to lose 20,000 words of a novel that is 110,000 words long will get just that. That’s the editor’s job.

Sending a book to another editor and telling them to make sure the story is written properly, that there’s continuity, and the character’s timelines and backstories are fitting, may add another 20,000 words.

As a case in point, one of my stories started out at 365 pages. It was read by three different beta readers who all said the same thing. There were parts of the novel ‘missing’.

I read it, then reread it, and could see what they meant. I sat down and rewrote it, filling in the gaps, and when I was finished, it was 535 pages, and a completely different, but much better, story.

Sometimes it’s not a matter of cutting things out, not unless they don’t add to the story, but more that the story cannot have gaps, plot holes, and stuff happening without content or relevance.

To me, a story takes as many pages as it does to get it from the start to the end and make sense to the reader. The editor with then make suggestions on whether more is needed or less. We all tend to waffle at times, so be prepared for cuts, but these might not be as bad as it seems.

Writing a book in 365 days – 70

Day 70

Writing exercise – end the story with the line ‘ “I know, trust me, I do,” she said, “But this way we live. Isn’t that what you want?” ‘

…

A wise man once told me that I would, one day, have to make a compromise that I wouldn’t like. At the time, I thought that I had everything under control. The pieces of my life were coming together one by one, after a lot of hard work.

There was a party, more a gathering of colleagues and a few friends, to celebrate my recent promotion. More money, meaning I could move into a better apartment, and finally ask Bernice to move in, if she wanted to.

I was not sure how she felt about me, other than that we were very good friends, and I was ready for the next step. But I soon would, we were meeting up after this was over. No one would be staying late, we all had early mornings.

Jack Bosworth, one of the three candidates for the position I finally got, was happy for me.

“Just glad Ansen didn’t get it,” he said.

We both were, Ansen was an ass who was only in it for himself and what he could get out of it. There were too many like that already. The company needed new blood if it was going to move forward.

Then Ansen wandered over. Five thousand dollar suits and one thousand dollar shoes, and I didn’t hear what the pure gold tie clip cost, he made sure everyone knew what he was worth.

“Brick.”

He knew my name was Hohn Brock, but pretended he could never remember. He knew it well enough when he was trying to convince the selection committee when he ‘confidentially’ told them about my shortcomings.

“Brock, Ansen, which you know is my name.”

“Brick, Brock, Brack, it’s just a name. Well played, this time. Just don’t get too comfortable. A few weeks, we’ll see how it goes.”

Always flanked by his wingmen, he simply smiled, and they moved on to the next junior executive whose aspirations they could quash. Being related to the boss I guess had its privileges, he might not get the position, but he would never get fired.

“Slimeball.” Bosworth didn’t like him, none of us did.

“Be that as it may, he’ll probably be my boss next week. I have to play nice.”

“We shouldn’t have to do anything.”

“It’s a game. It’s the same everywhere, there’s always one adversary who seems to have a charmed life. But let us not dwell, the bar closes soon and there’s a few drinks I’ve yet to try.”

…

An hour later I dashed into the restaurant five minutes late and Benice was already at the table looking annoyed. She did not like tardy people.

“Sorry,” I said, sliding into the chair after hanging my coat on the back of the chair.

“You wouldn’t have to be if you were on time. This is the second time, there will not be a third.”

Well, that took all of the euphoria out of the promotion, and the news I was going to tell her.

I sighed. “Are you ready to order?”

Her expression brooked no small talk. She was an eat-and-run girl, forever telling me her time was precious. The waiter was hovering. She asked for the salad, and I said ditto. No point in having more food than she, I would not get to finish it.

The waiter was gone, drinks poured, and she looked around the room. This was my moment. Her eyes came back to me.

“Not a good day at the office?” I was going to dance with the devil.

“It’s never a good day at the office.”

I saw her eyes wander over to the entrance to the restaurant, and three men came in. Her eyes lingered on them for a moment longer than they should, have before one pulled out a shotgun under his coat and fired into the roof, making a loud bang and a lot of mess.

“Now I have your attention. James Brock. Stand up now or I will start shooting diners till you do.”

I looked at Benice who was shaking her head.

He had the gun pointing at a woman’s head next to where he was standing.

I stood.

“Excellent. We’re leaving. Bring your friend.”

“She’s not involved.”

“I decide who’s involved or not.” By that time he had one of the other men dragging her out of her seat.

“Alright, alright.”

Thirty seconds, a police siren in the distance, we were bundled into a white van and it left the curb before the door was shut. Then, a needle to the neck and nothing.

Why me?”

…

When I woke I found myself in a chair, bound and gagged, opposite Bernice. She was looking at me.

Some people looked terrified and others were terrified, and Benice looked terrified. I’d expected she would be fighting the bindings and making noises, but she was sitting there, not calmly, but there again not as if she was trying to escape.

Me, I was just plain terrified. Men with guns, who might use them. A few TV scenarios ran through my mind, the most pertinent in this situation, that they would use her as leverage to get what they wanted. The question was how far they would go?

The bindings were tight and inescapable. The chair was bolted to the floor so no trying to fall over or break it. We were not blindfolded, and we had seen the faces of our captors. Not good.

The man with the shotgun appeared out of the gloom and stopped not far from Bernice, a silenced pistol in his right hand.

“I’m sorry about the interruption to your dinner, but I’m in a hurry, and you have something I need.”

I shrugged. No point answering while I was gagged.

He removed it, and Bernice’s. Surprisingly she didn’t speak.

“What do you need?”

“A code. A code only you know, I have been told.”

Who could have told him? Bernice didn’t because I’d never told her, and it was only known to three people, me, my boss, and the head of the IT department.

“I don’t know what you’re talking about.” Bluff first, though the tone I used sisn;t exactly sell it.

“You do. Let’s cut to the chase.”

“If I don’t.”

“Missy here dies from a nasty gunshot wound to the head.”

“You’re going to do that anyway. There’s no way you’re going to let us live now we’ve seen you.”

“We have anonymous faces. Facial recognition won’t match us with anything you will remember. just give me the code and I’m gone, and you two can spend the rest of your lives doing whatever it is you want.”

I could see Bernice following the conversation. “Just give him the code.”

Just like that.

“No. Either way, we’re both going to die. If I give it to him, they’ll know who did it, and they will execute me for treason. There’s no incentive.”

She glared at the man. “You’re not selling it. If what he says is true, then even I wouldn’t give it to you.”

The man looked at both of us. Then he raised the gun and shot at her, not fatally but the bullet hitting her arm and she screamed.

“Let there not be a second.”

I looked at her and could feel her pain. “I can’t, no matter how much I want to.”

“I know, trust me, I do,” she said, “But this way we live. Isn’t that what you want?”

…

©  Charles Heath  2025

Writing a book in 365 days – 70

Day 70

Writing exercise – end the story with the line ‘ “I know, trust me, I do,” she said, “But this way we live. Isn’t that what you want?” ‘

…

A wise man once told me that I would, one day, have to make a compromise that I wouldn’t like. At the time, I thought that I had everything under control. The pieces of my life were coming together one by one, after a lot of hard work.

There was a party, more a gathering of colleagues and a few friends, to celebrate my recent promotion. More money, meaning I could move into a better apartment, and finally ask Bernice to move in, if she wanted to.

I was not sure how she felt about me, other than that we were very good friends, and I was ready for the next step. But I soon would, we were meeting up after this was over. No one would be staying late, we all had early mornings.

Jack Bosworth, one of the three candidates for the position I finally got, was happy for me.

“Just glad Ansen didn’t get it,” he said.

We both were, Ansen was an ass who was only in it for himself and what he could get out of it. There were too many like that already. The company needed new blood if it was going to move forward.

Then Ansen wandered over. Five thousand dollar suits and one thousand dollar shoes, and I didn’t hear what the pure gold tie clip cost, he made sure everyone knew what he was worth.

“Brick.”

He knew my name was Hohn Brock, but pretended he could never remember. He knew it well enough when he was trying to convince the selection committee when he ‘confidentially’ told them about my shortcomings.

“Brock, Ansen, which you know is my name.”

“Brick, Brock, Brack, it’s just a name. Well played, this time. Just don’t get too comfortable. A few weeks, we’ll see how it goes.”

Always flanked by his wingmen, he simply smiled, and they moved on to the next junior executive whose aspirations they could quash. Being related to the boss I guess had its privileges, he might not get the position, but he would never get fired.

“Slimeball.” Bosworth didn’t like him, none of us did.

“Be that as it may, he’ll probably be my boss next week. I have to play nice.”

“We shouldn’t have to do anything.”

“It’s a game. It’s the same everywhere, there’s always one adversary who seems to have a charmed life. But let us not dwell, the bar closes soon and there’s a few drinks I’ve yet to try.”

…

An hour later I dashed into the restaurant five minutes late and Benice was already at the table looking annoyed. She did not like tardy people.

“Sorry,” I said, sliding into the chair after hanging my coat on the back of the chair.

“You wouldn’t have to be if you were on time. This is the second time, there will not be a third.”

Well, that took all of the euphoria out of the promotion, and the news I was going to tell her.

I sighed. “Are you ready to order?”

Her expression brooked no small talk. She was an eat-and-run girl, forever telling me her time was precious. The waiter was hovering. She asked for the salad, and I said ditto. No point in having more food than she, I would not get to finish it.

The waiter was gone, drinks poured, and she looked around the room. This was my moment. Her eyes came back to me.

“Not a good day at the office?” I was going to dance with the devil.

“It’s never a good day at the office.”

I saw her eyes wander over to the entrance to the restaurant, and three men came in. Her eyes lingered on them for a moment longer than they should, have before one pulled out a shotgun under his coat and fired into the roof, making a loud bang and a lot of mess.

“Now I have your attention. James Brock. Stand up now or I will start shooting diners till you do.”

I looked at Benice who was shaking her head.

He had the gun pointing at a woman’s head next to where he was standing.

I stood.

“Excellent. We’re leaving. Bring your friend.”

“She’s not involved.”

“I decide who’s involved or not.” By that time he had one of the other men dragging her out of her seat.

“Alright, alright.”

Thirty seconds, a police siren in the distance, we were bundled into a white van and it left the curb before the door was shut. Then, a needle to the neck and nothing.

Why me?”

…

When I woke I found myself in a chair, bound and gagged, opposite Bernice. She was looking at me.

Some people looked terrified and others were terrified, and Benice looked terrified. I’d expected she would be fighting the bindings and making noises, but she was sitting there, not calmly, but there again not as if she was trying to escape.

Me, I was just plain terrified. Men with guns, who might use them. A few TV scenarios ran through my mind, the most pertinent in this situation, that they would use her as leverage to get what they wanted. The question was how far they would go?

The bindings were tight and inescapable. The chair was bolted to the floor so no trying to fall over or break it. We were not blindfolded, and we had seen the faces of our captors. Not good.

The man with the shotgun appeared out of the gloom and stopped not far from Bernice, a silenced pistol in his right hand.

“I’m sorry about the interruption to your dinner, but I’m in a hurry, and you have something I need.”

I shrugged. No point answering while I was gagged.

He removed it, and Bernice’s. Surprisingly she didn’t speak.

“What do you need?”

“A code. A code only you know, I have been told.”

Who could have told him? Bernice didn’t because I’d never told her, and it was only known to three people, me, my boss, and the head of the IT department.

“I don’t know what you’re talking about.” Bluff first, though the tone I used sisn;t exactly sell it.

“You do. Let’s cut to the chase.”

“If I don’t.”

“Missy here dies from a nasty gunshot wound to the head.”

“You’re going to do that anyway. There’s no way you’re going to let us live now we’ve seen you.”

“We have anonymous faces. Facial recognition won’t match us with anything you will remember. just give me the code and I’m gone, and you two can spend the rest of your lives doing whatever it is you want.”

I could see Bernice following the conversation. “Just give him the code.”

Just like that.

“No. Either way, we’re both going to die. If I give it to him, they’ll know who did it, and they will execute me for treason. There’s no incentive.”

She glared at the man. “You’re not selling it. If what he says is true, then even I wouldn’t give it to you.”

The man looked at both of us. Then he raised the gun and shot at her, not fatally but the bullet hitting her arm and she screamed.

“Let there not be a second.”

I looked at her and could feel her pain. “I can’t, no matter how much I want to.”

“I know, trust me, I do,” she said, “But this way we live. Isn’t that what you want?”

…

©  Charles Heath  2025

Writing a book in 365 days – 69

Day 69

People are plotters

…

The plot line for any story is about the actions of people and the consequences of their actions.

Let’s face it, people, well most people are plotters and schemers, looking to do good or bad, though we always seem to focus on the bad. It wouldn’t;t be much of a story if everyone wanted to do good, would it?

So we have an example, the Gunpowder Plot, you know back in the dark ages someone wanted to blow up the houses of parliament in London.

It wouldn’t be a plot without the plotter, Sir Guy Fawkes. A plotter. A schemer. The person who got the gunpowder convinced a few conspirators and nearly got away with it.

Stories often lurch from one thing to the next as the people involved make decisions and take actions rightly or wrongly that lead to an inevitable conclusion.

That inevitable conclusion may not necessarily be the original inevitable conclusion you considered in the master plan, but having an eventuality in mind can give you a basis to reverse plot the actions needed to get there.

And like in real life when you plan for an outcome, sometimes it doesn’t quite go to plan.

I know quite a few of my stories have rather interesting endings, but that’s simply because characters, like real people, sometimes have a mind of their own, and another plot in mind. How can they, if they are just characters in your imagination?

I’ll let you think about that, and we’ll revisit it later on.

Writing a book in 365 days – 69

Day 69

People are plotters

…

The plot line for any story is about the actions of people and the consequences of their actions.

Let’s face it, people, well most people are plotters and schemers, looking to do good or bad, though we always seem to focus on the bad. It wouldn’t;t be much of a story if everyone wanted to do good, would it?

So we have an example, the Gunpowder Plot, you know back in the dark ages someone wanted to blow up the houses of parliament in London.

It wouldn’t be a plot without the plotter, Sir Guy Fawkes. A plotter. A schemer. The person who got the gunpowder convinced a few conspirators and nearly got away with it.

Stories often lurch from one thing to the next as the people involved make decisions and take actions rightly or wrongly that lead to an inevitable conclusion.

That inevitable conclusion may not necessarily be the original inevitable conclusion you considered in the master plan, but having an eventuality in mind can give you a basis to reverse plot the actions needed to get there.

And like in real life when you plan for an outcome, sometimes it doesn’t quite go to plan.

I know quite a few of my stories have rather interesting endings, but that’s simply because characters, like real people, sometimes have a mind of their own, and another plot in mind. How can they, if they are just characters in your imagination?

I’ll let you think about that, and we’ll revisit it later on.