What I learned about writing – Editing – 1

The message I’m getting from the inspirational piece is quite bluntly telling you, the author, to be ruthless.

But, is it as much about cutting words as it is about rearranging those you have better?

Some writers write chapters instead of paragraphs, paragraphs instead of sentences, and end up with a book the size of War and Peace. That is not to say Tolstoy should have taken a blue pencil to his work and made it 250 pages. It would not have made sense.

A friend of mine once told me that Harold Robbins was one of those writers who needed to be concise rather than verbose. I didn’t agree with him. I read all of Robbins’ books and loved them.

But…

It is always suggested that first, you write the story. Just get it all down on paper, or in a file on your computer. However long it takes to get it there. One of mine came in at 85,000 words. At the time, I was told the optimum size was around 50 to 60,000 words.

So, it came time for the first edit. I reduced it to around 45,000 words by tasking out what I first deemed unnecessary verbosity. Then I sent it to the editor, who told me there were gaps, gaps that ruined the continuity. He then asked for the missing pages.

I then made the second edit, and it came back at 78,000 words.

Three visits to the editor and four rewrites, the story now has 85,000 words again, but it reads much, much better. It was, in fact, a story I wrote originally about 50 years ago, at a time when love was new to me, and I didn’t understand girls or the myriad of mistakes you could make, and I think what I did back then was chronicle the path I took.

If I was hoping it would make it easier, I was wrong. It was not a revelation to discover that all women are different.

But I digress…

Editing can be about ruthless cutting, but it can also be about adding for clarity and continuity or to make a part of the story clearer by using context or backstory.

Another excerpt from ‘Betrayal’; a work in progress

My next destination in the quest was the hotel we believed Anne Merriweather had stayed at.

I was, in a sense, flying blind because we had no concrete evidence she had been there, and the message she had left behind didn’t quite name the hotel or where Vladimir was going to take her.

Mindful of the fact that someone might have been following me, I checked to see if the person I’d assumed had followed me to Elizabeth’s apartment was still in place, but I couldn’t see him. Next, I made a mental note of seven different candidates and committed them to memory.

Then I set off to the hotel, hailing a taxi. There was the possibility the cab driver was one of them, but perhaps I was slightly more paranoid than I should be. I’d been watching the queue, and there were two others before me.

The journey took about an hour, during which time I kept an eye out the back to see if anyone had been following us. If anyone was, I couldn’t see them.

I had the cab drop me off a block from the hotel and then spent the next hour doing a complete circuit of the block the hotel was on, checking the front and rear entrances, the cameras in place, and the siting of the driveway into the underground carpark. There was a camera over the entrance, and one we hadn’t checked for footage. I sent a text message to Fritz to look into it.

The hotel lobby was large and busy, which was exactly what you’d want if you wanted to come and go without standing out. It would be different later at night, but I could see her arriving about mid-afternoon, and anonymous among the type of clientele the hotel attracted.

I spent an hour sitting in various positions in the lobby simply observing. I had already ascertained where the elevator lobby for the rooms was, and the elevator down to the car park. Fortunately, it was not ‘guarded’ but there was a steady stream of concierge staff coming and going to the lower levels, and, just from time to time, guests.

Then, when there was a commotion at the front door, what seemed to be a collision of guests and free-wheeling bags, I saw one of the seven potential taggers sitting by the front door. Waiting for me to leave? Or were they wondering why I was spending so much time there?

Taking advantage of that confusion, I picked my moment to head for the elevators that went down to the car park, pressed the down button, and waited.

The was no car on the ground level, so I had to wait, watching, like several others, the guests untangling themselves at the entrance, and an eye on my potential surveillance, still absorbed in the confusion.

The doors to the left car opened, and a concierge stepped out, gave me a quick look, then headed back to his desk. I stepped into the car, pressed the first level down, the level I expected cars to arrive on, and waited what seemed like a long time for the doors to close.

As they did, I was expecting to see a hand poke through the gap, a latecomer. Nothing happened, and I put it down to a television moment.

There were three basement levels, and for a moment, I let my imagination run wild and considered the possibility that there were more levels. Of course, there was no indication on the control panel that there were any other floors, and I’d yet to see anything like it in reality.

With a shake of my head to return to reality, the car arrived, the doors opened, and I stepped out.

A car pulled up, and the driver stepped out, went around to the rear of his car, and pulled out a case. I half expected him to throw me the keys, but the instant glance he gave me told him was not the concierge, and instead brushed past me like I wasn’t there.

He bashed the up button several times impatiently and cursed when the doors didn’t open immediately. Not a happy man.

Another car drove past on its way down to a lower level.

I looked up and saw the CCTV camera, pointing towards the entrance, visible in the distance. A gate that lifted up was just about back in position and then made a clunk when it finally closed. The footage from the camera would not prove much, even if it had been working, because it didn’t cover the life lobby, only in the direction of the car entrance.

The doors to the other elevator car opened, and a man in a suit stepped out.

“Can I help you, sir? You seem lost.”

Security, or something else. “It seems that way. I went to the elevator lobby, got in, and it went down rather than up. I must have been in the wrong place.”

“Lost it is, then, sir.” I could hear the contempt for Americans in his tone. “If you will accompany me, please.”

He put out a hand ready to guide me back into the elevator. I was only too happy to oblige him. There had been a sign near the button panel that said the basement levels were only to be accessed by the guests.

Once inside, he turned a key and pressed the lobby button. The doors closed, and we went up. He stood, facing the door, not speaking. A few seconds later, he was ushering me out to the lobby.

“Now, sir, if you are a guest…”

“Actually, I’m looking for one. She called me and said she would be staying in this hotel and to come down and visit her. I was trying to get to the sixth floor.”

“Good. Let’s go over the the desk and see what we can do for you.”

I followed him over to the reception desk, where he signalled one of the clerks, a young woman who looked and acted very efficiently, and told her of my request, but then remained to oversee the proceeding.

“Name of guest, sir?”

“Merriweather, Anne. I’m her brother, Alexander.” I reached into my coat pocket and pulled out my passport to prove that I was who I said I was. She glanced cursorily at it.

She typed the name into the computer, and then we waited a few seconds while it considered what to output. Then, she said, “That lady is not in the hotel, sir.”

Time to put on my best-confused look. “But she said she would be staying here for the week. I made a special trip to come here to see her.”

Another puzzled look from the clerk, then, “When did she call you?”

An interesting question to ask, and it set off a warning bell in my head. I couldn’t say today, it would have to be the day she was supposedly taken.

“Last Saturday, about four in the afternoon.”

Another look at the screen, then, “It appears she checked out Sunday morning. I’m afraid you have made a trip in vain.”

Indeed, I had. “Was she staying with anyone?”

I just managed to see the warning pass from the suited man to the clerk. I thought he had shown an interest when I mentioned the name, and now I had confirmation. He knew something about her disappearance. The trouble was, he wasn’t going to volunteer any information because he was more than just hotel security.

“No.”

“Odd,” I muttered. “I thought she told me she was staying with a man named Vladimir something or other. I’m not too good at pronouncing those Russian names. Are you sure?”

She didn’t look back at the screen. “Yes.”

“OK, now one thing I do know about staying in hotels is that you are required to ask guests with foreign passports their next destination, just in case they need to be found. Did she say where she was going next?” It was a long shot, but I thought I’d ask.

“Moscow. As I understand it, she lives in Moscow. That was the only address she gave us.”

I smiled. “Thank you. I know where that is. I probably should have gone there first.”

She didn’t answer; she didn’t have to, her expression did that perfectly.

The suited man spoke again, looking at the clerk. “Thank you.” He swivelled back to me. “I’m sorry we can’t help you.”

“No. You have more than you can know.”

“What was your name again, sir, just in case you still cannot find her?”

“Alexander Merriweather. Her brother. And if she is still missing, I will be posting a very large reward. At the moment, you can best contact me via the American Embassy.”

Money is always a great motivator, and that thoughtful expression on his face suggested he gave a moment’s thought to it.

I left him with that offer and left. If anything, the people who were holding her would know she had a brother, that her brother was looking for her, and equally that brother had money.

© Charles Heath – 2018-2025

If I only had one day to stop over in – Ankara – what would I do?

One‑Day Stopover in Ankara? Make It Unforgettable With a Single Stop at Anıtkabir

If your flight itinerary or a road‑trip detour leaves you with just 24 hours in Turkey’s capital, you’ll quickly realise that Ankara isn’t a “quick‑look‑and‑leave” city. Its blend of modern governance, Ottoman‑era streets, and ancient history can feel overwhelming when the clock is ticking.

So, what’s the one place you must visit to turn a fleeting layover into a lasting memory?

The answer: Anıtkabir – the Mausoleum of Mustafa Kemal Atatürk

The monumental complex dedicated to Turkey’s founding father is more than a tomb; it’s a masterclass in architecture, a museum of the Republic’s birth, and a panoramic viewpoint over the city’s heart. In a single, well‑planned visit, you’ll:

  • Feel the pulse of modern Turkish identity – Atatürk’s legacy is woven into every corner of contemporary Turkey, and Anıtkabir is the physical embodiment of that narrative.
  • Enjoy a compact, self‑contained experience – The site fits comfortably into a 2‑hour window, leaving you time to sip Turkish tea, wander a nearby market, or catch a late‑night flight.
  • Capture iconic photographs – From the grand staircases to the sprawling lawn framed by the Bosphorus‑blue sky, every angle screams “travel‑worthy.”

Below is a practical guide to make that single stop truly unforgettable.


📍 Where Is Anıtkabir?

  • Address: Anıtkabir, Çankaya, 06570 Ankara, Turkey
  • Coordinates: 39.9250° N, 32.8624° E
  • Getting There:
    • By Taxi / Ride‑Share: 15‑20 min from Ankara Airport (ESB) or the city centre; cost ≈ 30‑40 TL.
    • By Public Transport: Take the EGO bus 301 from the airport to Ulus and then a short 10‑minute walk. The Metro (M1 line) to Kızılay, followed by a 20‑minute bus ride (bus 302) also works.

Pro tip: Purchase a “Anıtkabir 1‑Day Pass” (≈ 25 TL) which includes entry to the mausoleum, the museum, and the Atatürk and War of Independence Hall—all in one ticket.


🕰️ When to Go?

SeasonWeatherBest Time of Day
Spring (Mar‑May)Mild, blossoms in the nearby Gençlik ParkEarly morning – fewer crowds, sunrise light on the columns
Summer (Jun‑Aug)Hot, but the lawns are shaded by large treesLate afternoon – cooler temps, dramatic sunset silhouettes
Autumn (Sep‑Nov)Crisp, golden foliageMid‑day – perfect for museum photography
Winter (Dec‑Feb)Cold, occasional snow – magical on the staircaseLate morning – sunlight hits the marble beautifully

The site opens at 9:00 AM and closes at 7:00 PM (last entry at 6:30 PM). Plan to arrive early to beat the peak tourist wave (typically 11:00 AM‑1:00 PM).


🎟️ What You’ll See – A Quick Walk‑Through

SectionHighlightsTime Needed
Ceremonial Plaza33‑meter high towers representing the 33 years of the Turkish War of Independence.15 min
Road of LionsA marble avenue lined with 24 lion statues, each symbolising virtues like courage and justice.10 min
Mausoleum HallThe sarcophagus of Atatürk rests under a 19-metre-high copper dome; a solemn, reverent atmosphere.10 min
Museum of AtatürkPersonal items, letters, photographs, and a timeline of his life.30 min
War of Independence HallWeapons, maps, and flags displayed in a dramatic, dim‑lit space.20 min
Terrace & ViewsPanoramic sweep of Ankara’s skyline and the verdant Gençlik Park beyond.15 min

Total: Roughly 1.5‑2 hours. Add a short coffee break at the on‑site café for a traditional Turkish tea and a bite of simit (sesame‑seed bagel).


🌟 Why Anıtkabir Beats All Other Options for a One‑Day Stop

FactorAnıtkabirOther Popular Spots (e.g., Museum of Anatolian Civilizations, Ankara Castle)
Time EfficiencyAll‑in‑one complex; minimal transit between sectionsRequires separate trips, more walking, and potentially longer queues
Cultural SignificanceCentral to modern Turkish identity; revered national monumentImportant, but more niche to archaeology or medieval history
Scenic ValueGrand architecture + sweeping city viewsScenic, but generally lower‑profile backdrops
AccessibilityWheelchair‑friendly ramps, audio guides in multiple languagesSome areas (castle walls) are steep and less wheelchair‑friendly
MemorabilityIconic photo‑ops (dome, lion road, burial chamber) that instantly signal “Ankara”Beautiful, yet less instantly recognizable to a global audience

In short, Anıtkabir delivers history, architecture, and visual impact in a compact, visitor‑friendly package—exactly what a short stopover demands.


📸 Snap‑Shot Checklist

  1. “The Lions” Walk – Capture the line of stone lions with the sunrise or sunset casting long shadows.
  2. Dome Detail – A low‑angle shot of the copper dome framed by the marble columns.
  3. Atatürk’s Sarcophagus – Respectful close‑up (no flash) of the simple, dignified stone coffin.
  4. Panorama from the Terrace – Use a wide‑angle lens for the cityscape; the park in the foreground adds depth.
  5. Museum Artifact – A candid of you (or your travel companion) reading Atatürk’s handwritten note.

Tip: Free Wi‑Fi is available in the museum—upload instantly to your travel blog or social feed!


🎒 Practical Tips for a Smooth Visit

TipDetails
Dress CodeModest attire is required (no shorts, miniskirts, or sleeveless tops). A light scarf can be useful.
SecurityExpect metal detectors; large bags are not allowed inside the mausoleum.
Audio GuideAvailable in English, Arabic, Russian, and French; rent for 10 TL.
PhotographyAllowed in the exterior areas; flash prohibited inside the mausoleum hall.
Food & DrinkNo eating inside the complex; there’s a small café just outside offering tea, fresh juice, and light snacks.
Nearby Quick BiteWalk 5 minutes to Beypazarı Şarküteri for a traditional Turkish kebab or Baklava if you have extra time.

🛫 After Your Visit – Making the Most of the Rest of the Day

  • If you have a few hours left: Stroll through Gençlik Park (just south of Anıtkabir). The lake, flower beds, and mini‑cable car offer a pleasant breather.
  • For a taste of local life: Head to Kızılay Square (the city’s bustling hub) for a quick coffee at Café Diyar, then browse the nearby boutiques for souvenirs.
  • Last‑minute transport: Return to the airport via the EGO bus 302 (direct to Esenboğa). The ride takes about 30 minutes and runs every 20‑30 minutes.

✈️ Wrap‑Up: One Stop, One Memory

When the clock is ticking, you need a destination that summarises the soul of the city while staying logistically friendly. Anıtkabir does exactly that. It offers a profound glimpse into Turkey’s modern birth, striking architectural grandeur, and photo‑ready vistas—all within a compact venue that respects your limited schedule.

So next time your itinerary hands you a single day in Ankara, skip the maze of museums and head straight for the lion‑lined road. Walk the steps, stand beneath the dome, and let the spirit of Atatürk’s vision linger long after you’ve boarded your next flight.

Enjoy the journey, and may your stopover become a story you’ll share for years to come! 🌍🕌✨

365 Days of writing, 2026 – My Second Story 6

More about my second novel

OK. So the story is about Alistair’s mother seeking revenge on Zoe for killing her son.

She’s not the only one.

Zoe is or was an assassin. She had a substantial number of kills to her credit, but she doesn’t share numbers, so we won’t find out exactly how many, and others seek revenge, too.

One is co-incidentally, the head of the intelligence service John’s friend Sebastian works for, a man by the name of Worthington, who had a twin brother whom she killed by mistake.

He has been using his position in intelligence to track the woman who executed his brother for some time, and being in Venice at the time of the Alistair affair, he catches sight of Zoe recovering in a hospital after requesting to meet Sebastian’s newest recruit.

Of course, Sebastian is playing fast and loose with the truth, as always, but the damage is done.

Zoe, aka Mary Anne, aka Chantal, is now being hunted by three different people and has just had a bounty put on her head, guaranteeing even more people searching for her.

All while heading to a meeting in Marseilles about a freelance hit.

Yes, it’s going to be the proverbial rollercoaster ride…

365 Days of writing, 2026 – 37

Day 37 – Do writers need to be interested in everything

Is the Accomplished Writer Someone Who Is Interested in Everything?


Introduction

When you flip through the pages of a novel that feels almost cinematic, or when a nonfiction essay makes you see the world in a new light, you’re often witnessing the work of a writer who seems to know everything. From the delicate anatomy of a hummingbird’s wing to the gritty economics of a 19th‑century railway boom, the writer’s knowledge appears boundless.

That impression fuels a common myth: “If you want to be an accomplished writer, you must be interested in everything.”

Is this hyper‑curiosity a prerequisite for literary greatness, or merely a romantic exaggeration? In this post, we’ll unpack the myth, explore the real relationship between curiosity and craft, and give you practical takeaways for your own writing journey.


1. The Appeal of the “Jack‑of‑All‑Trades” Writer

1.1. Breadth as a Narrative Engine

A wide knowledge base gives a writer an arsenal of storytelling tools. When you can weave together disparate subjects—say, a scientist’s obsession with quantum entanglement and a chef’s pursuit of umami—you create surprising juxtapositions that keep readers hooked.

  • Example: Don DeLillo’s novels are peppered with references to pop culture, physics, and corporate jargon, turning his prose into a kaleidoscope of modern life.
  • Result: Readers feel that the author “gets” the world, and they trust the narrative to transport them across it.

1.2. Credibility and Authority

When a writer can cite accurate details, it builds legitimacy. In nonfiction, especially, expertise (or the appearance of it) can be the difference between a bestseller and a footnote.

  • Example: Malcolm Gladwell isn’t a psychologist, sociologist, or historian, yet he commands authority because he consistently digests research from each field and reframes it in accessible stories.

2. Why “Everything” Is a Misleading Goal

2.1. The Curse of the “Polymath‑Trap”

Trying to master everything leads to shallow knowledge, which can manifest as:

  • Superficiality: Dropping jargon without context, leaving readers confused.
  • Inconsistent Voice: Switching tones every time you switch subjects erodes narrative cohesion.

“A writer who knows a little about many things is often less effective than a writer who knows a lot about one thing.” – Haruki Murakami (paraphrased)

2.2. Depth Trumps Breadth in Most Genres

  • Literary Fiction: The emotional truth of a character’s inner life often outweighs how many facts you can slip in.
  • Genre Writing (e.g., mystery, sci‑fi): World‑building thrives on focused expertise. A detective novel benefits more from a deep dive into police procedure than from an encyclopedic survey of kitchen appliances.

2.3. The Opportunity Cost of Over‑Curiosity

Every hour you spend chasing a new hobby is an hour you could be honing your prose, revising drafts, or reading the works that inspired you. The best writers allocate their curiosity strategically, not indiscriminately.


3. What Successful Writers Actually Do

WriterPrimary InterestsHow They Leverage Curiosity
Toni MorrisonAfrican‑American history, music, mythologyIntegrated cultural memory into layered narratives.
Neil GaimanFolklore, comics, filmCross‑medium storytelling, creating a mythic voice.
J.K. RowlingClassical mythology, alchemy, educationBuilt a richly detailed magical world anchored in real‑world concepts.
Rebecca SolnitGeography, politics, art historyCombines seemingly unrelated topics to reveal hidden connections.
George R.R. MartinMedieval history, anthropology, linguisticsConstructs a believable fantasy realm through meticulous research in specific fields.

Key Takeaway: Each writer has a core constellation of interests that they explore deeply, while allowing peripheral curiosities to spark fresh ideas.


4. The Science of Curiosity and Creativity

  • Neuroscience: Studies show that divergent thinking—the ability to generate many possible solutions—strengthens when the brain forms connections across unrelated concepts.
  • Psychology: The “Broaden‑and‑Build” theory (Barbara Fredrickson) posits that positive emotions, often triggered by curiosity, expand our mental repertoire, giving us more raw material for creative work.

In plain terms: Being curious does help you write better—but you don’t need to be curious about everything. You just need enough variety to keep the mental pathways open.


5. How to Cultivate a Productive Curiosity (Without Going Overboard)

  1. Identify Your “Anchor Interests.”
    • List 3–5 subjects you love (e.g., vintage photography, urban gardening, Renaissance art).
    • Make a habit of reading news, books, or podcasts in these areas weekly.
  2. Adopt a “Research‑First” Mindset for Projects.
    • Before you start a story, ask: What knowledge does the world need?
    • Set a research budget (e.g., 5 hours) and focus on depth, not breadth.
  3. Cross‑Pollinate Intentionally.
    • Pair two unrelated interests (e.g., marine biology + corporate law) and brainstorm story premises.
    • Use the “Random Prompt” method: Write a one‑sentence logline that forces you to combine the two.
  4. Limit Consumption, Amplify Production.
    • For every hour spent watching a documentary, write at least 300 words.
    • This “ratio rule” ensures curiosity fuels output rather than replaces it.
  5. Maintain a “Curiosity Journal.”
    • Jot down fleeting questions (“Why do some birds migrate at night?”).
    • Review monthly; pick one that resonates and research it thoroughly.

6. Frequently Asked Questions

QuestionShort Answer
Do I need a formal education in every field I write about?No. A disciplined research process and a willingness to ask experts can substitute for a degree.
Can I become a bestselling author by focusing on a single niche?Absolutely. Ernest Hemingway famously limited his subject matter to war, hunting, and love, yet his work is timeless.
Is it okay to write about topics I’m not an expert in?Yes, if you do thorough research, credit your sources, and avoid misrepresentation.
How do I avoid “information overload” when I’m curious?Set clear limits on research time per project, and prioritize depth over quantity.
Should I read only within my genre to stay “focused”?No. Reading outside your genre fuels innovation, but keep a balance so you don’t lose sight of genre conventions.

7. Bottom Line: Curiosity, Not Everything, Makes the Accomplished Writer

  • Curiosity is the engine. It drives you to ask questions, seek stories, and discover connections.
  • Depth is the fuel. Master a few subjects enough to write with authority and nuance.
  • Focus is the map. Align your curiosity with the story you’re telling, rather than letting it wander aimlessly.

An accomplished writer is not a person who knows everything, but a person who knows how to learn what they need, when they need it, and then transform that knowledge into compelling prose.


Action Plan: 3 Steps to Start Today

  1. Pick Your Anchor: Write down three topics you could talk about for hours.
  2. Schedule a Research Sprint: Allocate a 2‑hour block this week to dig deep into one of those topics—read a scholarly article, watch a documentary, or interview an expert.
  3. Write a Mini‑Story: Using the new knowledge, craft a 500‑word piece that integrates the information organically.

Repeat the cycle, and watch your writing evolve from “interesting” to illuminating.


Closing Thought

The next time you admire a writer who seems to have woven the universe into their pages, remember: they didn’t achieve that by trying to master everything. They mastered the art of selective curiosity—knowing what to explore, how deep to go, and, most importantly, how to turn that exploration into a story that matters.

If you adopt that mindset, you’ll be well on your way to joining the ranks of accomplished writers—without ever having to become a walking encyclopedia.

Happy writing!


If you found this post helpful, share it with fellow word‑smiths and subscribe for more insights on crafting great prose.

If I only had one day to stop over in – Ankara – what would I do?

One‑Day Stopover in Ankara? Make It Unforgettable With a Single Stop at Anıtkabir

If your flight itinerary or a road‑trip detour leaves you with just 24 hours in Turkey’s capital, you’ll quickly realise that Ankara isn’t a “quick‑look‑and‑leave” city. Its blend of modern governance, Ottoman‑era streets, and ancient history can feel overwhelming when the clock is ticking.

So, what’s the one place you must visit to turn a fleeting layover into a lasting memory?

The answer: Anıtkabir – the Mausoleum of Mustafa Kemal Atatürk

The monumental complex dedicated to Turkey’s founding father is more than a tomb; it’s a masterclass in architecture, a museum of the Republic’s birth, and a panoramic viewpoint over the city’s heart. In a single, well‑planned visit, you’ll:

  • Feel the pulse of modern Turkish identity – Atatürk’s legacy is woven into every corner of contemporary Turkey, and Anıtkabir is the physical embodiment of that narrative.
  • Enjoy a compact, self‑contained experience – The site fits comfortably into a 2‑hour window, leaving you time to sip Turkish tea, wander a nearby market, or catch a late‑night flight.
  • Capture iconic photographs – From the grand staircases to the sprawling lawn framed by the Bosphorus‑blue sky, every angle screams “travel‑worthy.”

Below is a practical guide to make that single stop truly unforgettable.


📍 Where Is Anıtkabir?

  • Address: Anıtkabir, Çankaya, 06570 Ankara, Turkey
  • Coordinates: 39.9250° N, 32.8624° E
  • Getting There:
    • By Taxi / Ride‑Share: 15‑20 min from Ankara Airport (ESB) or the city centre; cost ≈ 30‑40 TL.
    • By Public Transport: Take the EGO bus 301 from the airport to Ulus and then a short 10‑minute walk. The Metro (M1 line) to Kızılay, followed by a 20‑minute bus ride (bus 302) also works.

Pro tip: Purchase a “Anıtkabir 1‑Day Pass” (≈ 25 TL) which includes entry to the mausoleum, the museum, and the Atatürk and War of Independence Hall—all in one ticket.


🕰️ When to Go?

SeasonWeatherBest Time of Day
Spring (Mar‑May)Mild, blossoms in the nearby Gençlik ParkEarly morning – fewer crowds, sunrise light on the columns
Summer (Jun‑Aug)Hot, but the lawns are shaded by large treesLate afternoon – cooler temps, dramatic sunset silhouettes
Autumn (Sep‑Nov)Crisp, golden foliageMid‑day – perfect for museum photography
Winter (Dec‑Feb)Cold, occasional snow – magical on the staircaseLate morning – sunlight hits the marble beautifully

The site opens at 9:00 AM and closes at 7:00 PM (last entry at 6:30 PM). Plan to arrive early to beat the peak tourist wave (typically 11:00 AM‑1:00 PM).


🎟️ What You’ll See – A Quick Walk‑Through

SectionHighlightsTime Needed
Ceremonial Plaza33‑meter high towers representing the 33 years of the Turkish War of Independence.15 min
Road of LionsA marble avenue lined with 24 lion statues, each symbolising virtues like courage and justice.10 min
Mausoleum HallThe sarcophagus of Atatürk rests under a 19-metre-high copper dome; a solemn, reverent atmosphere.10 min
Museum of AtatürkPersonal items, letters, photographs, and a timeline of his life.30 min
War of Independence HallWeapons, maps, and flags displayed in a dramatic, dim‑lit space.20 min
Terrace & ViewsPanoramic sweep of Ankara’s skyline and the verdant Gençlik Park beyond.15 min

Total: Roughly 1.5‑2 hours. Add a short coffee break at the on‑site café for a traditional Turkish tea and a bite of simit (sesame‑seed bagel).


🌟 Why Anıtkabir Beats All Other Options for a One‑Day Stop

FactorAnıtkabirOther Popular Spots (e.g., Museum of Anatolian Civilizations, Ankara Castle)
Time EfficiencyAll‑in‑one complex; minimal transit between sectionsRequires separate trips, more walking, and potentially longer queues
Cultural SignificanceCentral to modern Turkish identity; revered national monumentImportant, but more niche to archaeology or medieval history
Scenic ValueGrand architecture + sweeping city viewsScenic, but generally lower‑profile backdrops
AccessibilityWheelchair‑friendly ramps, audio guides in multiple languagesSome areas (castle walls) are steep and less wheelchair‑friendly
MemorabilityIconic photo‑ops (dome, lion road, burial chamber) that instantly signal “Ankara”Beautiful, yet less instantly recognizable to a global audience

In short, Anıtkabir delivers history, architecture, and visual impact in a compact, visitor‑friendly package—exactly what a short stopover demands.


📸 Snap‑Shot Checklist

  1. “The Lions” Walk – Capture the line of stone lions with the sunrise or sunset casting long shadows.
  2. Dome Detail – A low‑angle shot of the copper dome framed by the marble columns.
  3. Atatürk’s Sarcophagus – Respectful close‑up (no flash) of the simple, dignified stone coffin.
  4. Panorama from the Terrace – Use a wide‑angle lens for the cityscape; the park in the foreground adds depth.
  5. Museum Artifact – A candid of you (or your travel companion) reading Atatürk’s handwritten note.

Tip: Free Wi‑Fi is available in the museum—upload instantly to your travel blog or social feed!


🎒 Practical Tips for a Smooth Visit

TipDetails
Dress CodeModest attire is required (no shorts, miniskirts, or sleeveless tops). A light scarf can be useful.
SecurityExpect metal detectors; large bags are not allowed inside the mausoleum.
Audio GuideAvailable in English, Arabic, Russian, and French; rent for 10 TL.
PhotographyAllowed in the exterior areas; flash prohibited inside the mausoleum hall.
Food & DrinkNo eating inside the complex; there’s a small café just outside offering tea, fresh juice, and light snacks.
Nearby Quick BiteWalk 5 minutes to Beypazarı Şarküteri for a traditional Turkish kebab or Baklava if you have extra time.

🛫 After Your Visit – Making the Most of the Rest of the Day

  • If you have a few hours left: Stroll through Gençlik Park (just south of Anıtkabir). The lake, flower beds, and mini‑cable car offer a pleasant breather.
  • For a taste of local life: Head to Kızılay Square (the city’s bustling hub) for a quick coffee at Café Diyar, then browse the nearby boutiques for souvenirs.
  • Last‑minute transport: Return to the airport via the EGO bus 302 (direct to Esenboğa). The ride takes about 30 minutes and runs every 20‑30 minutes.

✈️ Wrap‑Up: One Stop, One Memory

When the clock is ticking, you need a destination that summarises the soul of the city while staying logistically friendly. Anıtkabir does exactly that. It offers a profound glimpse into Turkey’s modern birth, striking architectural grandeur, and photo‑ready vistas—all within a compact venue that respects your limited schedule.

So next time your itinerary hands you a single day in Ankara, skip the maze of museums and head straight for the lion‑lined road. Walk the steps, stand beneath the dome, and let the spirit of Atatürk’s vision linger long after you’ve boarded your next flight.

Enjoy the journey, and may your stopover become a story you’ll share for years to come! 🌍🕌✨

What I learned about writing – Check your work

By any and all means possible, because if you are using the English language, then you’re going to be tripped up.

For instance, just the use of simple words like then, and than, there, and their, and many others. Just the very simplest of words have many meanings, some of them obscure, some of them, well, you get my drift.

ESL students often tear what little hair they have left out over the words. We English users, we are different again, being American English, English English, and a dozen other variations.

There’s centre and centre, just to name one, when it comes to American and English.

It depends on what spell checker you use to check the spelling, and what grammar checker you use, and generally not 100 per cent effective.

I let Microsoft Editor have fun with my writing, and then tend to ignore a lot of the suggestions. They just sound weird.

I have a basic Grammarly, but it doesn’t do a whole lot, and it costs a lot of money to get the so-called good one.

You have to decide the way you want to go, but you will have to have your work checked for grammar, spelling and facts.

And probably read a dozen grammar texts to get the best way to write your sentences. Mine often start out somewhat strange, but we get there in the end.

As a case in point: the word Line

The English language has some marvellous words that can be used to have any number of meanings

For instance,

Draw a line in the sand

We would all like to do this with our children, our jobs, and our relationships, but for some reason, the idea sounds really good in our heads, yet it never quite works out. What does it mean, whatever it is, this I’d where it ends or changes because it can’t keep going the way it is.

Inevitably, it leads to,

You’ve crossed the line

Which, at some point in our lives, and particularly when we were children, we all do a few times until, if we’re lucky, we learn where that line is. It’s usually considered 8n tandem with pushing boundaries.

Of course, there is

A line you should never cross

And I like to think we all know where that is. Unfortunately, some do not and often find their seemingly idyllic life totally shattered beyond repair. An affair from either side of a marriage or relationship can do that.

You couldn’t walk a straight line if you tried

While we might debate what straight might mean in this context, for this adaptation, it means staying on the right side of legality. Some people find a life of crime more appealing than doing honest day’s work.

This goes hand in hand with,

You’re spinning me a line

This means you are being somewhat loose with the truth, perhaps in explaining where you’ve been and what you’ve been doing. I think sometimes liars forget they need to have good memories.

Then there are the more practical uses of the word, such as

I have a new line of products

Is that a new fishing line?

Those, I think, most of us get, but it’s the more ambiguous ones that we have trouble with. Still, ambiguity is a writer’s best friend, and we can make up a lot of stuff from just using one word.

If I only had one day to stop over in – Stockholm – what would I do?

One Day in Stockholm: The One Place You Must Visit for an Unforgettable Day

Stockholm is a city of islands, innovation, and timeless beauty—but what if you only have one day? Whether you’re en route to another destination or squeezing in a whirlwind visit, a short stopover in Sweden’s capital can still be magical. With limited time, the key is to focus on one standout experience rather than rushing between sights.

So, if you have just one day in Stockholm, make it memorable by visiting:

Gamla Stan – The Beating Heart of Stockholm

Gamla Stan, Stockholm’s Old Town, isn’t just a historic district—it’s a living storybook. Founded in the 13th century, this island neighbourhood weaves together medieval charm, royal history, and vibrant culture in a way that captures the essence of Sweden.

Why Gamla Stan?

  • Timeless Atmosphere: Wander through narrow cobblestone lanes, past buildings in shades of gold and rust, under lantern-lit passages that feel frozen in time.
  • Compact & Walkable: Perfect for a day visit, you can explore key highlights on foot without feeling rushed.
  • History at Every Turn: From the Royal Palace to Stortorget square (home to the iconic colorful merchant houses), history isn’t behind glass here—it’s all around you.

Must-Do in Gamla Stan

  1. Stortorget Square – Snap a photo by the iconic row of old merchant houses, and soak in the atmosphere of the oldest square in Stockholm.
  2. The Royal Palace – Even if you don’t go inside, witnessing the daily Changing of the Guard (at 12:15 PM on weekdays, 1:15 PM on Sundays) is a spectacle of tradition.
  3. Mårten Trotzigs Gränd – Walk down Stockholm’s narrowest street (just 90 cm wide) and feel the medieval pulse of the city.
  4. Fika like a Local – Pop into a classic café like Chokladkoppen on the square for coffee and a cinnamon bun—fika is a ritual here.

Make It Memorable

  • Get Lost on Purpose: Put away the map for an hour. Discover hidden courtyards, antique shops, and artisan boutiques.
  • Listen to Stories: Join a short walking tour—many are free or tip-based—and hear tales of kings, legends, and Stockholm’s rise from the water.
  • Sunset Views: End your day by walking to the water’s edge for views of the surrounding islands. In summer, the golden light over Gamla Stan is pure magic.

Practical Tips for Your Stopover

  • Transport: From Arlanda Airport, take the Arlanda Express (20 minutes) to Central Station, then it’s just a short walk or metro ride to Gamla Stan.
  • Luggage: Use left-luggage services at the airport or Central Station to travel light.
  • Timing: Arrive early to beat crowds, especially in summer. Even with just 5–6 hours, you can experience Gamla Stan fully.

One day in Stockholm doesn’t have to be a checklist. By choosing Gamla Stan, you immerse yourself in the soul of the city—where every corner whispers a story, and a single afternoon can feel like a journey through centuries.

So, on your next stopover, step into the charm of the Old Town. Sometimes the most memorable travels aren’t about seeing everything—but about fully experiencing one perfect place.
Hej då and happy travels!

365 Days of writing, 2026 – 37

Day 37 – Do writers need to be interested in everything

Is the Accomplished Writer Someone Who Is Interested in Everything?


Introduction

When you flip through the pages of a novel that feels almost cinematic, or when a nonfiction essay makes you see the world in a new light, you’re often witnessing the work of a writer who seems to know everything. From the delicate anatomy of a hummingbird’s wing to the gritty economics of a 19th‑century railway boom, the writer’s knowledge appears boundless.

That impression fuels a common myth: “If you want to be an accomplished writer, you must be interested in everything.”

Is this hyper‑curiosity a prerequisite for literary greatness, or merely a romantic exaggeration? In this post, we’ll unpack the myth, explore the real relationship between curiosity and craft, and give you practical takeaways for your own writing journey.


1. The Appeal of the “Jack‑of‑All‑Trades” Writer

1.1. Breadth as a Narrative Engine

A wide knowledge base gives a writer an arsenal of storytelling tools. When you can weave together disparate subjects—say, a scientist’s obsession with quantum entanglement and a chef’s pursuit of umami—you create surprising juxtapositions that keep readers hooked.

  • Example: Don DeLillo’s novels are peppered with references to pop culture, physics, and corporate jargon, turning his prose into a kaleidoscope of modern life.
  • Result: Readers feel that the author “gets” the world, and they trust the narrative to transport them across it.

1.2. Credibility and Authority

When a writer can cite accurate details, it builds legitimacy. In nonfiction, especially, expertise (or the appearance of it) can be the difference between a bestseller and a footnote.

  • Example: Malcolm Gladwell isn’t a psychologist, sociologist, or historian, yet he commands authority because he consistently digests research from each field and reframes it in accessible stories.

2. Why “Everything” Is a Misleading Goal

2.1. The Curse of the “Polymath‑Trap”

Trying to master everything leads to shallow knowledge, which can manifest as:

  • Superficiality: Dropping jargon without context, leaving readers confused.
  • Inconsistent Voice: Switching tones every time you switch subjects erodes narrative cohesion.

“A writer who knows a little about many things is often less effective than a writer who knows a lot about one thing.” – Haruki Murakami (paraphrased)

2.2. Depth Trumps Breadth in Most Genres

  • Literary Fiction: The emotional truth of a character’s inner life often outweighs how many facts you can slip in.
  • Genre Writing (e.g., mystery, sci‑fi): World‑building thrives on focused expertise. A detective novel benefits more from a deep dive into police procedure than from an encyclopedic survey of kitchen appliances.

2.3. The Opportunity Cost of Over‑Curiosity

Every hour you spend chasing a new hobby is an hour you could be honing your prose, revising drafts, or reading the works that inspired you. The best writers allocate their curiosity strategically, not indiscriminately.


3. What Successful Writers Actually Do

WriterPrimary InterestsHow They Leverage Curiosity
Toni MorrisonAfrican‑American history, music, mythologyIntegrated cultural memory into layered narratives.
Neil GaimanFolklore, comics, filmCross‑medium storytelling, creating a mythic voice.
J.K. RowlingClassical mythology, alchemy, educationBuilt a richly detailed magical world anchored in real‑world concepts.
Rebecca SolnitGeography, politics, art historyCombines seemingly unrelated topics to reveal hidden connections.
George R.R. MartinMedieval history, anthropology, linguisticsConstructs a believable fantasy realm through meticulous research in specific fields.

Key Takeaway: Each writer has a core constellation of interests that they explore deeply, while allowing peripheral curiosities to spark fresh ideas.


4. The Science of Curiosity and Creativity

  • Neuroscience: Studies show that divergent thinking—the ability to generate many possible solutions—strengthens when the brain forms connections across unrelated concepts.
  • Psychology: The “Broaden‑and‑Build” theory (Barbara Fredrickson) posits that positive emotions, often triggered by curiosity, expand our mental repertoire, giving us more raw material for creative work.

In plain terms: Being curious does help you write better—but you don’t need to be curious about everything. You just need enough variety to keep the mental pathways open.


5. How to Cultivate a Productive Curiosity (Without Going Overboard)

  1. Identify Your “Anchor Interests.”
    • List 3–5 subjects you love (e.g., vintage photography, urban gardening, Renaissance art).
    • Make a habit of reading news, books, or podcasts in these areas weekly.
  2. Adopt a “Research‑First” Mindset for Projects.
    • Before you start a story, ask: What knowledge does the world need?
    • Set a research budget (e.g., 5 hours) and focus on depth, not breadth.
  3. Cross‑Pollinate Intentionally.
    • Pair two unrelated interests (e.g., marine biology + corporate law) and brainstorm story premises.
    • Use the “Random Prompt” method: Write a one‑sentence logline that forces you to combine the two.
  4. Limit Consumption, Amplify Production.
    • For every hour spent watching a documentary, write at least 300 words.
    • This “ratio rule” ensures curiosity fuels output rather than replaces it.
  5. Maintain a “Curiosity Journal.”
    • Jot down fleeting questions (“Why do some birds migrate at night?”).
    • Review monthly; pick one that resonates and research it thoroughly.

6. Frequently Asked Questions

QuestionShort Answer
Do I need a formal education in every field I write about?No. A disciplined research process and a willingness to ask experts can substitute for a degree.
Can I become a bestselling author by focusing on a single niche?Absolutely. Ernest Hemingway famously limited his subject matter to war, hunting, and love, yet his work is timeless.
Is it okay to write about topics I’m not an expert in?Yes, if you do thorough research, credit your sources, and avoid misrepresentation.
How do I avoid “information overload” when I’m curious?Set clear limits on research time per project, and prioritize depth over quantity.
Should I read only within my genre to stay “focused”?No. Reading outside your genre fuels innovation, but keep a balance so you don’t lose sight of genre conventions.

7. Bottom Line: Curiosity, Not Everything, Makes the Accomplished Writer

  • Curiosity is the engine. It drives you to ask questions, seek stories, and discover connections.
  • Depth is the fuel. Master a few subjects enough to write with authority and nuance.
  • Focus is the map. Align your curiosity with the story you’re telling, rather than letting it wander aimlessly.

An accomplished writer is not a person who knows everything, but a person who knows how to learn what they need, when they need it, and then transform that knowledge into compelling prose.


Action Plan: 3 Steps to Start Today

  1. Pick Your Anchor: Write down three topics you could talk about for hours.
  2. Schedule a Research Sprint: Allocate a 2‑hour block this week to dig deep into one of those topics—read a scholarly article, watch a documentary, or interview an expert.
  3. Write a Mini‑Story: Using the new knowledge, craft a 500‑word piece that integrates the information organically.

Repeat the cycle, and watch your writing evolve from “interesting” to illuminating.


Closing Thought

The next time you admire a writer who seems to have woven the universe into their pages, remember: they didn’t achieve that by trying to master everything. They mastered the art of selective curiosity—knowing what to explore, how deep to go, and, most importantly, how to turn that exploration into a story that matters.

If you adopt that mindset, you’ll be well on your way to joining the ranks of accomplished writers—without ever having to become a walking encyclopedia.

Happy writing!


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365 Days of writing, 2026 – 36

Day 36 – Obsessions become inspiration

Turning an Obsession Into Art: How Watching Soap Operas Can Fuel Your Next Story or Play


Introduction

What if the very thing you can’t stop binge‑watching—whether it’s a daily soap opera, a true‑crime documentary, or an endless stream of cooking shows—could become the secret weapon behind your next compelling narrative?

Obsessions are often dismissed as distractions, but for writers, they can be information goldmines. The key is learning how to harvest the patterns, emotions, and structures that keep you glued to the screen, and then re‑engineer them into something fresh, resonant, and uniquely yours.

In this post, we’ll explore:

  1. Why obsessions work – the psychological and creative science behind them.
  2. What soap operas teach us about drama, pacing, and character.
  3. A step‑by‑step framework for turning a viewing habit into a polished story or stage play.
  4. Real‑world examples of writers who turned their fixations into masterpieces.
  5. Practical tips & pitfalls to keep you on track.

Grab a notebook (or open a fresh Google Doc) and let’s turn that guilty pleasure into a creative engine.


1. The Power of Obsession: Why It’s a Writer’s Secret Weapon

A. Cognitive Magnetism

When you repeatedly expose yourself to a particular genre or medium, your brain builds schema—mental frameworks that help you predict what will happen next. This predictive ability frees up cognitive bandwidth for higher‑order thinking: spotting the gaps, subverting expectations, and layering new ideas onto familiar structures.

B. Emotional Hook

Obsessions aren’t just intellectual; they’re emotional. The excitement you feel when a cliff‑hanger resolves, the empathy you develop for a long‑running protagonist—these feelings stick in your memory. Emotional resonance is the lifeblood of any story, and an obsession supplies a ready‑made well of feeling to draw from.

C. Knowledge Accumulation

Every episode you watch deposits data: character arcs, dialogue cadence, set dressing, pacing cues, and even the “rules” that govern the fictional world. Over weeks or months, this repository becomes a research library that you can reference without ever opening a textbook.

Bottom line: An obsession turns you into a subject‑matter specialist while simultaneously priming you to think like a storyteller.


2. Soap Operas as a Masterclass in Drama

If you’re sceptical about using soap operas—a genre sometimes dismissed as “lowbrow”—look closer. The format is a compressed drama laboratory:

ElementWhat Soap Operas Do WellHow It Translates to Writing
Character DepthLong‑term arcs let characters evolve over years.Gives you a model for layered, believable growth.
Cliff‑HangersEvery episode ends on a hook that forces the next viewing.Teaches you how to structure tension and release.
Dialogue RhythmRapid, overlapping conversations mimic real speech.Shows you how to craft snappy, realistic dialogue.
Plot InterweavingMultiple storylines intersect, diverge, and reconverge.Provides a blueprint for complex, multi‑threaded plots.
Emotional CoreStakes are amplified (family secrets, betrayals, love).Demonstrates how to raise emotional stakes without melodrama.
Production ConstraintsLimited budgets force creative staging.Inspires resourceful world‑building on a modest scale.

Even the most cynical critic can acknowledge that soap operas are engineered for maximum emotional throughput—exactly what you want when you sit down to write a story that grabs readers from the first line.


3. From Viewing to Writing: A Practical Framework

Below is a six‑step workflow that turns any obsessive viewing habit into a solid narrative foundation. Feel free to adapt the timeline to fit your schedule (the steps can be compressed into a weekend or stretched over months).

Step 1: Log the Details

  • Create a “Soap‑Log” spreadsheet with columns for episode title, air date, key conflict, main characters, and standout line of dialogue.
  • Tag recurring motifs (e.g., “secret twins,” “return from the dead,” “corporate takeover”).
  • Note personal reactions: what made you laugh, cringe, or feel a pang of sympathy?

Why? The act of recording forces you to observe rather than consume passively, training you to spot narrative mechanics.

Step 2: Identify the Core Mechanics

  • Pattern‑hunt: Which plot devices appear most often? (e.g., “misunderstood love letters”).
  • Structure analysis: Break down a typical episode into beats (inciting incident → rising action → climax → resolution). Use Dan Harmon’s Story Circle or a three‑act template as a reference.

Result: A toolbox of building blocks you can mix, match, and remix.

Step 3: Extract Universal Themes

  • Even the most outlandish storylines tap into fundamental human concerns: power, love, betrayal, and redemption.
  • Write a list of theme statements, such as “the desire for belonging can drive people to deception.”

Why it matters: Themes give your work depth beyond plot mechanics, ensuring it resonates beyond the soap fan base.

Step 4: Subvert and Re-Contextualise

  • Choose one familiar soap trope (e.g., the “evil step‑mother”) and flip it: perhaps the step‑mother is the heroic caretaker in a dystopian future.
  • Change the setting dramatically: move the drama from a small town in Texas to a floating city on a gas giant.

Goal: Keep the emotional pull of the original while delivering something fresh.

Step 5: Draft a Mini‑Pilot

  • Write a 10‑page pilot (or a one‑act play) that incorporates at least three of the identified beats, one subverted trope, and a clear thematic thread.
  • Use the soap‑log as a cheat sheet for dialogue rhythm and cliff‑hanger placement.

Tip: Aim for a tight inciting incident in the first 5 pages—this is the hook that made you binge‑watch the soap in the first place.

Step 6: Iterate with Feedback

  • Share the draft with a mix of soap fans and non‑fans. Ask: “Did the stakes feel real?” and “Did any moment feel cliché?”
  • Revise based on the overlap—what resonates with both groups is the sweet spot where niche expertise meets universal appeal.