In a word: Nobody

This is sometimes how we must feel when overlooked or ignored, like a nobody.

And some people will treat you like a nobody, i.e someone who is just not important.

That’s just one use of the word.

Another might be…

Who did that to your room?

‘Nobody’ is the plaintiff reply.  The infamous Mr. Nobody.  We’ve never met him, but he’s always there.  And, what’s more, he seems to be able to be in more than one place at a time.

Then there’s that time when there’s nobody in the room, nobody agreed with me, hell, that happens all the time, and when I rang your phone nobody answered.

Nobody?  Was I expecting Mr. Nobody to answer?  Surely the response should have been, ‘and you didn’t answer’.

Of course, let’s not delve too deep here, lest we might find out something we didn’t want to know.

I went to your house last night, but nobody was home.

How is it we refer to the people whom we know live in that house as ‘nobody’.  Shouldn’t we be saying, ‘none of you was at home’?

It seems nobody is one of those words we often use in vain.

*** On special – $0.99 – On Special ***

Two novels are on special for $0.99 for the next two weeks.

They are

 

 

for “The Devil You Dont” goto  https://amzn.to/2Xyh1ow

for “Echoes from the Past” goto  https://amzn.to/2CYKxu4

Writing about writing a book – Day 9

Blogging, Social  Media, and other stuff.

 

Aren’t there more important things to do like writing?

I think reading the 101 things to do to establish your author brand is finally getting to me.  I leave this to read the last thing before I go to bed and it’s beginning to give me nightmares.

So, for starters, I’ve created a twitter page but I’m not sure what to do with it.  Yet.

Then I created a Facebook page but there is one for authors and I think l have created the wrong one.  It’s very confusing.

And reading 10 things an author shouldn’t do, one of them was not to use Facebook.  Who to believe?

Now I’m lingering at WordPress after googling writer blogs and got a choice of so many, some free, others quite expensive, and I’m not sure what half the stuff is they’re offering.

There’s also Site blog, and there’s collaborative blogging.  Perhaps it’s time to get back to the easy stuff like plotting and writing my book!

That might have been easy if a little voice in my head wasn’t screaming ‘you need a website’.

Once again I’m googling my fingers to the bone trying to decide if I want a free one or pay.  At least if I pay there might not be ghastly ads for porn sites.  That’s one criticism I read that can be a problem.

I decided to pay a nominal amount but now I strike a new problem, I need to get a domain name such as ‘authorname.com’.

I put in my name and it is taken already so in order not to pay the person who snapped it up in the hope of making a million dollars, or perhaps because he has the same name as me and thought of it first, I have to accept one of the variations.

It then gives me the opportunity to buy right now that particular name because it is free, and I found myself working with a hyphen.  It could be worse, I suppose.

It also offers a few extra web domains with different endings such as .com,.info, etc.

What the hell it’s only a few extra dollars and I’ll worry about what to do with them in two years’ time except for the .com which I’ll use now.

The website started and a month paid for, got a .com to link it to, and now all I have to do something with it.  No, I’m not a web designer even after I picked a template that looked author like.

It can wait.

Social media investigated but looks like its going to suck up a lot of my time.

Better get back to the book and write my page, or 1000 words, or 2000 words for the day.

 

I look over at the rubbish bin and it is overflowing.  It looks like a scene out of a bad movie, where the writer pretends he’s a pro basketball player who can’t shoot.

It’s just not flowing.  I’m beginning to hate Bill as a name.  Perhaps I’ll change it to Tarquin.  No, that’s not quite a name that suits the character.  It leads to a mental debate about what is an appropriate name for a character and sends me off into Google land again to see what various names mean.

The name is Bill until I find something better.

I guess that leads to some introspection on how I see, or what I want, the character to be.  So far he’s been married, and divorced, not been much of a husband to his wife, or children, maybe because of what happened to him when he was in the army, something he knows about in a peripheral sense but is about to learn a whole lot more.

Being shot, ending up in a hospital, sparks a memory, in a dream, brought on by a particular type of painkiller, and he is about to remember who and what he was, stuff that he has previously not realized, or knew about.  Those last traumatic events in the war zone caused his memory to be wiped.

It’s not the sort of memories certain people want to be brought into the open.

OK, finally something to work with.

I need to work on the dream or nightmare sequence.

Pen in hand, I start writing…

 

© Charles Heath 2018-2019

Motive, means, and opportunity – Motive

I’m working on a novella which may boringly be called “Motive, Means and Opportunity” where I will present a chunk of information from which you if you want to, can become the armchair detective.

Here’s the first part, the so-called Motive

 

So, here’s the thing…

I said it.  Not once, in the heat of the moment, but more than once, to several different people.  I wanted James Burgman dead.

Why?

Because I knew he was the man sleeping with my wife, Wendy.

I’d long suspected she was having an affair, you know the signs, not where you expect her to be, making excuses where none were necessary if she was doing what she said she was, and disappearing for hours without an explanation.

And I knew James Burgman was an old boyfriend, a discovery that was made quite by accident.  In fact, I followed her one night, not because I was suspicious, but worried for her safety.

That was where I saw her meet him with more than just a friendly handshake.

I had to say it made me feel gutted.

But would I kill him?

It was not worth the problems it would cause me to do so, and, when push came to shove, neither of them were worth it.  I knew, even if he was out of the way, she would not stay with me. 

That train had left the station about a year ago when our only son had been killed in a senseless road accident.

 

© Charles Heath 2019

I was going to write a movie review but…

It seems nostalgia got in the way.

It’s school holidays on this side of the world and we decided to treat our grandchildren to a film.  Being 8 and 11, it was always going to be one of those children’s films that we either didn’t understand, had minions, monsters, or bratty children.

This didn’t, but it had a baby elephant with large ears.

Dumbo.

Saw the cartoon version, read the book countless times at bedtime, but live action?  I suspect with the advances in movie technology, anything is not possible, even flying elephants.

Yes, and somewhere in the film was the byline, ‘making the impossible possible’.

I guess only Disney and a handful of others could do that.

But…

What interested me the most was the train at the start, the circus winter home, and the manner in which the great circuses moved from town to town throughout the midwest, and other areas of e continental United States.

I may live on the other side of the world, but the magic and mystery of circuses has fed my imagination since childhood, and the notion one day that I might see the circus arrive, led by the steam calliope and followed by a parade of circus performers and animals on their way to the first vacant field.

And the thought of seeing that huge big top tent.

It never happened.

Except in the pages of a book I received one Christmas when I was about 7 or 8, called Toby Tyler first published in 1880, a boy who saw such a circus arrive, and hating his foster life on the farm ran away when the circus left town.

My only other memory of that story, Toby being called ‘the death-defying daredevil of the lemonade stand’ after being promoted from the concession stalls to bareback horse riding, for reasons I cannot remember.

But, today, seeing the film’s opening, it all came back.

Was it a good film?  For kids, yes.  It has the usual message of good triumphing over evil, and that you should follow your dreams.  For those older people like me, well, it will bring back a few other interesting memories, some of which will not include running away from home to become a circus performer.

And the fact they don’t make circuses like they used to.

 

In a word: Tap

There is nothing worse than, when lying in bed unable to get to sleep, you hear every noise in the house and out, but none worse than a dripping tap.

Its often not because someone forgot to turn the tap off, but a washer is on its last legs.

There are taps for the fallen brave, but aside from the fact that is the name of a piece of music, I think it’s also the title of a film.  But taps itself is a bugle call at dusk, and also played at military funerals.

Then there’s that income stream that you can tap into, other than your next-door neighbours power supply.

But what would be far more interesting than to tap into a phone line and listen in?  Despite the fact that eavesdroppers never hear anything good about themselves, you could learn something you didn’t want to know.

Then we can go back to the 1930s and a series of films that starred one of my favourite actors Fred Astaire, who was, of course, a tap dancer, along with Ginger Rogers.

In fact, my middle granddaughter is quite a good tap dancer.

And, lastly, was that a tap on the door, or a tap in the window?

Past conversations with my cat – 34

20160902_093753

This is Chester.  We are having a robust discussion about ethnicity.

I think it may have been a good idea not to bring up the subject of our forthcoming trip to China.

I’m not sure if it is because we’re going away, or because we’re going to China that has set him off.

Chester is Tonkinese.  As far as I’m aware, a Tonkinese is a cross between a Siamese and a Burmese.  They do not come from China.

That doesn’t deter him and he maintains that if I take him with me, he might be able to meet up with some distant relatives.

Maybe, if we were going via Thailand where it’s possible, but I suspect the Siamese relatives wouldn’t want anything to do with him.

Besides, I add, there are quarantine regulations to deal with, and whilst leaving the country might not present a problem, getting into another might.

You might have to stay in a cage for about a year to make sure you’re clear of any diseases or health problems.

Which sounds like a good idea now that you mention it.  You can torment a whole new group of people, and I can truly have a holiday.

You don’t mean that.

I don’t answer.

He sighs.  Maybe I might stay home then. It’ll be a holiday for me too.

Inspiration, maybe

A picture paints … well, as many words as you like.  For instance:

lookingdownfromcoronetpeak

And the story:

 

It was once said that a desperate man has everything to lose.

The man I was chasing was desperate, but I, on the other hand, was more desperate to catch him.

He’d left a trail of dead people from one end of the island to the other.

The team had put in a lot of effort to locate him, and now his capture was imminent.  We were following the car he was in, from a discrete distance, and, at the appropriate time, we would catch up, pull him over, and make the arrest.

There was nowhere for him to go.

The road led to a dead-end, and the only way off the mountain was back down the road were now on.  Which was why I was somewhat surprised when we discovered where he was.

Where was he going?

 

“Damn,” I heard Alan mutter.  He was driving, being careful not to get too close, but not far enough away to lose sight of him.

“What?”

“I think he’s made us.”

“How?”

“Dumb bad luck, I’m guessing.  Or he expected we’d follow him up the mountain.  He’s just sped up.”

“How far away?”

“A half-mile.  We should see him higher up when we turn the next corner.”

It took an eternity to get there, and when we did, Alan was right, only he was further on than we thought.”

“Step on it.  Let’s catch him up before he gets to the top.”

Easy to say, not so easy to do.  The road was treacherous, and in places just gravel, and there were no guard rails to stop a three thousand footfall down the mountainside.

Good thing then I had the foresight to have three agents on the hill for just such a scenario.

 

Ten minutes later, we were in sight of the car, still moving quickly, but we were going slightly faster.  We’d catch up just short of the summit car park.

Or so we thought.

Coming quickly around another corner we almost slammed into the car we’d been chasing.

“What the hell…” Aland muttered.

I was out of the car, and over to see if he was in it, but I knew that it was only a slender possibility.  The car was empty, and no indication where he went.

Certainly not up the road.  It was relatively straightforward for the next mile, at which we would have reached the summit.  Up the mountainside from here, or down.

I looked up.  Nothing.

Alan yelled out, “He’s not going down, not that I can see, but if he did, there’s hardly a foothold and that’s a long fall.”

Then where did he go?

Then a man looking very much like our quarry came out from behind a rock embedded just a short distance up the hill.

“Sorry,” he said quite calmly.  “Had to go if you know what I mean.”

 

I’d lost him.

It was as simple as that.

I had been led a merry chase up the hill, and all the time he was getting away in a different direction.

I’d fallen for the oldest trick in the book, letting my desperation blind me to the disguise that anyone else would see through in an instant.

It was a lonely sight, looking down that road, knowing that I had to go all that way down again, only this time, without having to throw caution to the wind.

“Maybe next time,” Alan said.

“We’ll get him.  It’s just a matter of time.”

 

© Charles Heath 2019

Find this and other stories in “Inspiration, maybe”  available soon.

InspirationMaybe1v1

 

 

The first case of PI Walthenson – “A Case of Working With the Jones Brothers”

This case has everything, red herrings, jealous brothers, femme fatales, and at the heart of it all, greed.

See below for an excerpt from the book…

Coming soon!

PIWalthJones1

 

An excerpt from the book:

 

When Harry took the time to consider his position, a rather uncomfortable position at that, he concluded that he was somehow involved in another case that meant very little to him.

Not that it wasn’t important in some way he was yet to determine, it was just that his curiosity had got the better of him, and it had led to this: sitting in a chair, securely bound, waiting for someone one of his captors had called Doug.

It was not the name that worried him so much, it was the evil laugh that had come after the name was spoken.

Doug what?  Doug the ‘destroyer’, Doug the ‘dangerous’, Doug the ‘deadly’; there was any number of sinister connotations, and perhaps that was the point of the laugh, to make it more frightening than it was.

But there was no doubt about one thing in his mind right then: he’d made a mistake.  A very big. and costly, mistake.  Just how big the cost, no doubt he would soon find out.

His mother, and his grandmother, the wisest person he had ever known, had once told him never to eavesdrop.

At the time he couldn’t help himself and instead of minding his own business, listening to a one-sided conversation which ended with a time and a place.  The very nature of the person receiving the call was, at the very least, sinister, and, because of the cryptic conversation, there appeared to be, or at least to Harry, criminal activity involved.

For several days he had wrestled with the thought of whether he should go.  Stay on the fringe, keep out of sight, observe and report to the police if it was a crime.  Instead, he had willingly gone down the rabbit hole.

Now, sitting in an uncomfortable chair, several heat lamps hanging over his head, he was perspiring, and if perspiration could be used as a measure of fear, then Harry’s fear was at the highest level.

Another runnel of sweat rolled into his left eye, and, having his hands tied, literally, it made it impossible to clear it.  The burning sensation momentarily took his mind off his predicament.  He cursed and then shook his head trying to prevent a re-occurrence.  It was to no avail.

Let the stinging sensation be a reminder of what was right and what was wrong.

It was obvious that it was the right place and the right time, but in considering his current perilous situation, it definitely was the wrong place to be, at the worst possible time.

 

It was meant to be his escape, an escape from the generations of lawyers, what were to Harry, dry, dusty men who had been in business since George Washington said to the first Walthenson to step foot on American soil, ‘Why don’t you become a lawyer?” when asked what he could do for the great man.

Or so it was handed down as lore, though Harry didn’t think Washington meant it literally, the Walthenson’s, then as now, were not shy of taking advice.

Except, of course, when it came to Harry.

He was, Harry’s father was prone to saying, the exception to every rule.  Harry guessed his father was referring to the fact his son wanted to be a Private Detective rather than a dry, dusty lawyer.  Just the clothes were enough to turn Harry off the profession.

So, with a little of the money Harry inherited from one of his aunts, he leased an office in Gramercy Park and had it renovated to look like the Sam Spade detective agency, you know the one, Spade and Archer, and The Maltese Falcon.

There’s a movie and a book by Dashiell Hammett if you’re interested.

So, there it was, painted on the opaque glass inset of the front door, ‘Harold Walthenson, Private Detective’.

There was enough money to hire an assistant, and it took a week before the right person came along, or, more to the point, didn’t just see his business plan as something sinister.  Ellen, a tall cool woman in a long black dress, or so the words of a song in his head told him, fitted in perfectly.

She’d seen the movie, but she said with a grin, Harry was no Humphrey Bogart.

Of course not, he said, he didn’t smoke.

Three months on the job, and it had been a few calls, no ‘real’ cases, nothing but missing animals, and other miscellaneous items.  What he really wanted was a missing person.  Or perhaps a beguiling, sophisticated woman who was as deadly as she was charming, looking for an errant husband, perhaps one that she had already ‘dispatched’.

Or for a tall, dark and handsome foreigner who spoke in riddles and in heavily accented English, a spy, or perhaps an assassin, in town to take out the mayor.  The man was such an imbecile Harry had considered doing it himself.

Now, in a back room of a disused warehouse, that wishful thinking might be just about to come to a very abrupt end, with none of the romanticized trappings of the business befalling him.  No beguiling women, no sinister criminals, no stupid policemen.

Just a nasty little man whose only concern was how quickly or how slowly Harry’s end was going to be.

© Charles Heath 2019

 

Conversations with my cat – 72

20160921_071506

This is Chester.  He’s finally got a starring role in one of my stories.

The thing is, I tried to keep it quiet so he wouldn’t get delusions, but it failed.

I made the mistake of leaving the page with the ‘cat’ part on the screen.  The screen saver should have kicked in, but I think a well-placed paw brought it back to life.

So, the next morning, I come down and see him sitting on the desk, waiting.

It can either be good news or bad news.

“I see you’ve finally written a cat into the plot.”

“It was only a matter of time.  I think you made your case a week ago by sitting on the keyboard until I agreed.  Now, you’re in.”

“Yes.  I see.  Who’s idea was it to call the cat Herman?  I mean to say, really, Herman?”

“I thought it was a great name for a cat.”

“What type of cat is it?”

“I don’t know.  A cat’s a cat isn’t it?”

“Why not a Tonkinese, like me?”

“Alright, I’ll change it.”

“You made him jumpy, skittish even.  I’m not like that.”

“It’s not you in the story.”

“So you’ve found another cat, who is it.  It won’t last long when I get to them.”

Maybe it’s easier to write him out of the story.  I don’t think I can take this criticism.