Tag: #amediting

Writing can be, should be, ok, why can’t it be a breeze?

It’s Monday again.

Or on this side of the world, it’s actually Tuesday morning.

Very, very early in fact.

Very cool too, which is strange for a city near the tropics in mid summer.  Also, it’s raining for the first time in a month or so, and we really need the rain.

I survived another week, still working on priorities, and the fact I’m juggling too many stories at once.  You’d think it was easy by now, finding something that resembles a routine.

First, stick to one story at a time, then

Outline the story, write the chapters, bundle it all up and let it stew in the back of your mind for a few months.

In that time, write the blog, work on the 3,4,5, or is it 6 stories being written as episodes.  I wanted to get a feel for what it was like for Charles Dickens all those years ago, writing stories in parts.

Then, after doing that and clearing the mind,

Come back and do the first edit, find all the grammatical errors, fix holes in the plot, make sure the subplots don’t take over, or minor characters steal the limelight.

It’s where a character mysteriously changed name, went from being a son to a nephew, or an aunt was an aunt from the wrong side of the family.  A car that was red is suddenly blue, a man who smokes cigars now hates them, and the Mercedes changed model five times, about the same times as the age of the mother in the story.

Who said art imitates life?

Or was it that I was missing character motivation.  The main character was drifting, much like I am, and I realized there was a little of my circumstances coming across to the story.  Time to push those thoughts to the curb, and fill him with someone else’s ego.

So they’re fixed.  Now it’s the time to cut, slash, and burn.

Back to the blog and episodic stories for another month or so, just to let those new changes swill around.

Piece of cake.

I’ve got this writing thing down!

What story was I working on again????

Writing can be, should be, ok, why can’t it be a breeze?

It’s Monday again.

Or on this side of the world, it’s actually Tuesday morning.

Very, very early in fact.

Very cool too, which is strange for a city near the tropics in mid summer.  Also, it’s raining for the first time in a month or so, and we really need the rain.

I survived another week, still working on priorities, and the fact I’m juggling too many stories at once.  You’d think it was easy by now, finding something that resembles a routine.

First, stick to one story at a time, then

Outline the story, write the chapters, bundle it all up and let it stew in the back of your mind for a few months.

In that time, write the blog, work on the 3,4,5, or is it 6 stories being written as episodes.  I wanted to get a feel for what it was like for Charles Dickens all those years ago, writing stories in parts.

Then, after doing that and clearing the mind,

Come back and do the first edit, find all the grammatical errors, fix holes in the plot, make sure the subplots don’t take over, or minor characters steal the limelight.

It’s where a character mysteriously changed name, went from being a son to a nephew, or an aunt was an aunt from the wrong side of the family.  A car that was red is suddenly blue, a man who smokes cigars now hates them, and the Mercedes changed model five times, about the same times as the age of the mother in the story.

Who said art imitates life?

Or was it that I was missing character motivation.  The main character was drifting, much like I am, and I realized there was a little of my circumstances coming across to the story.  Time to push those thoughts to the curb, and fill him with someone else’s ego.

So they’re fixed.  Now it’s the time to cut, slash, and burn.

Back to the blog and episodic stories for another month or so, just to let those new changes swill around.

Piece of cake.

I’ve got this writing thing down!

What story was I working on again????

Brainstorming, or is it barnstorming?

Perhaps it should be brainstorming in a barn!

It’s a weird word that describes a process where a bunch of people get together and throw ideas around, though others may have different permutations on what brainstorming is.

Reading through the current blogs sent to my reader, the word ‘brainstorming’ got my attention.

I use it, well, I try to use it.

I’m still working on the YA novel, you know the sort, a far off land where there’s kingdoms, kings, queens, princes and princesses, witches, no dragons and the jury’s still out on a unicorn.

I have three grandchildren, all girls, who wanted me to write a story for them.  Not that thriller stuff, or murder, but what sort of life they’d like to have in they could live in a different world.

Fortunately, both still have an imagination, a prime requisite for them to transition through their childhood to young adult, smoothing out the bumps.  They are avid readers, so I have an untapped source of ideas.

Or so you would think.

This is how it started:  A few years ago I told the eldest, who’s 18 this year, to stop acting like a princess.  She didn’t get the inference because it was an ‘adult’ concept when dealing with children.

What she did say was how she was going to be a princess when she grew up.  I said there were not enough real-life princes to go around, a point she took on board with all the aplomb of as she was then 12-year-old, so it graduated to becoming a princess in a story.

Somehow she ended up with the name Marigold.

She decided Marigold was going to be a haughty, self-indulgent, spoilt brat.  That condescending tone, those flicks of the hair, those sharp put-downs, a princess indeed.   It was as if she had acting lessons from the Disney ‘bad princess’ school of acting.

But …

As all haughty and condescending people do, the princess is taught an invaluable lesson in humility when her Kingdom is invaded, her brother, next in line to the throne, murdered, the king thrown in the dungeons, and her mother put to the sword and left for dead.  She flees the castle and her betrothed prince who is leading the invasion of their Kingdom, and who is now regarded as both unworthy and dangerous, goes after her.

The first few ‘brainstorming’ sessions saw the addition of two sisters (her two real life cousins, one back then who was ten and other six), a healer (another name for a witch as witches are outlawed in her Kingdom), magic spells, and a quest to save her family and the land.

It’s been done before, but this is without the Knight in shining armour, and where a young girl who has never had to fend for herself has to come to grips with a completely alien environment, and the fact none of her companions believe she is going to be of any help whatsoever.

Several sessions later we came up with the quest.

What has surprised me, for a generation of children brought up with video games, endless violence, and the endless pressures on youth these days versus what I had in my day, they have this amazing ability to take a step back and see themselves in such a different light.

I’ve always had an overactive imagination borne from a time where we didn’t have any of the facilities children have these days.  We had to make our own adventures, not live them out on TV and in video games.

I dragged them into my world, and now, together, we have a bond that will never be shaken.  I am the storyteller, they are Marigold, Ophelia and Nerida, princesses.

They are as different as chalk and cheese.  Ophelia wants her own story, the princess who battles against the magic within her.  Nerida has a quite simple aim in life, having been taught swordplay by her brother, she wants to slay a dragon.

The first story is now nearly finished, and at the rate I’m going I’ll be lucky to see it published by her 18th Birthday.

Still, how good would it be to be handed a book that was specially commissioned by, and written for her?

The cinema of my dreams – It’s a treasure hunt – Episode 19

Here’s the thing…

Every time I close my eyes, I see something different.

I’d like to think the cinema of my dreams is playing a double feature but it’s a bit like a comedy cartoon night on Fox.

But these dreams are nothing to laugh about.

Once again there’s a new instalment of an old feature, and we’re back on the treasure hunt.

And the perils of writing on the fly often leads to back revisions to aid moving forward, and this is one of those occasions.  A few revisions were required.

 

Short of jumping over the side, there was no way we were getting away.  And judging from the expression on Rico’s face, now very plain to see halfway along the pier, he was not happy to see us.

Boggs stepped off the deck and joined me on the pier, just as Rico made it to where we were standing, just as it started in a gentle up and down motion with the water, churned up by a passing speed boat, but it was fear rather than the pier’s motions making me feel sick.

The sound of another boat caused me to glance in the opposite direction, out towards the sandbar, where I could see another large boat coming in our direction very quickly, and by the shape of it, quite possibly a police launch or the coast guard. 

Rico had seen it too.  “What have you done?”

“I called the police,” I said, trying to act braver than I felt.  Even with the police on their way, Rico could still do something we’d all regret.

“Why?”

Movement by the fishing store caught my eye, and I saw it was two of the men who’d left the boat with Rico earlier, retreating.  They’d seen the situation and were retreating.  A police car with its siren blaring and lights flashing just stopped at the entrance to the pier and two officers were getting out, guns in hand.

Those men would getaway.  Rico had seen them too and looked relieved.  Odd for a man about to find himself in a lot of trouble.

Boggs blurted out, “There’s a dead body in the cabin.”

Rico shook his head.  “That’s not possible.  I’ve been gone for an hour and it isn’t possible he put himself there.”

He looked around to see the officers coming from the land side of the pier.  There was no escape for him, or for us, but this could still end up a sticky situation for us if Rico decided to shoot his way out.  Boggs said he owned a gun, and if it was not on him, it might be in the boat.

Rico climbed on board and then moved to the hatch.  He lifted the hatch cover and folded it back to show an opening into the cabin.  It hadn’t been locked; it just looked like it was.  Just as the officers made it to the boat, he stepped in, then down into the cabin.

A minute later, when he came up  Rico looked visibly shaken like he’d seen a ghost.

The police launch had arrived just off the stern, kicking up the water and causing the boat and pier to rock violently, two men at either end ready to secure their boat to ours.  The land-based officers also arrived, somewhat out of breath, to join Boggs and I on the pier.

I recognised the officer who appeared to be in charge, a man called Johnson, the police chief’s deputy.  He was known to shoot first and ask questions later.  What worried me the most, he had his gun drawn and ready to shoot.

He looked at me, Rico, Boggs, then back to me.  “What’s this all about?”

“There’s a body in the cabin,” Boggs said before I could say a word, still sounding very frightened, but whether it was the body in the cabin, Rico’s fury at his meddling or the fact the police were involved was hard to say.

He switched his glare to Rico.  “That true?”

Rico nodded.  “I don’t know where it came from, but it wasn’t there an hour ago.”  A last look back at the cabin, he stepped off the boat onto the pier.

The seaman aboard the police launch slipped a rope over the bollard at the rear of our boat and then jumped on board to secure it.  Another seaman did the same at the bow.  Two more jumped on board, one covering Rico and the other going into the cabin.

When he came back up on deck he was talking into his cell phone.

I think Rico had a lot of explaining to do.

 

© Charles Heath 2019

The cinema of my dreams – It’s a treasure hunt – Episode 15

Here’s the thing…

Every time I close my eyes, I see something different.

I’d like to think the cinema of my dreams is playing a double feature but it’s a bit like a comedy cartoon night on Fox.

But these dreams are nothing to laugh about.

Once again there’s a new instalment of an old feature, and we’re back on the treasure hunt.

 

Five minutes past the appointed time, I sat on the end of the clean bed and waited.  The single chair didn’t look very comfortable.

It didn’t worry me she was late, she had not specifically stated how long she would be, but to be there in an hour.  If she had business with dark glasses, then she might be a while.  Giving me the key to her room suggested she was not bringing him back with her.

There was a light rapping on the door, hinting at a sense of urgency.  Without looking,. I opened the door, and she slid through and I closed it quickly and quietly.

“I thought you might not be coming?”

I went to switch on the light, but heard her say, “No lights.”

My eyes were already adjusted to the light, or lack of light, and I could see her standing by the door to the bathroom.  Everything about her manner suggested she was ill at ease, or perhaps frightened of something or someone.

Or waiting for Vince, and had to string me along until he arrived.

“Why?”

“No one knows I’m here.”

“Not even Vince?”

“No.  Especially him.”

“He was here about twenty minutes ago, went into the office and came out with a briefcase.”

“I suggest you forget you ever saw that.”

Drugs then, or protection money, or…  OK forgotten.  “Duly forgotten as requested.”

“Is this pace one of the Cossatino’s places?”

“If you saw Vince, then it is.  It never used to be.  The Benderby’s used to bring their clients here, back in the day.  Vince had some of the rooms wired, you know, blackmail, that kind of stuff.”

I could imagine.  I’m sure the ‘clients’ never brought their wives here to have a good time.

“Why are you staying here?”

“Can’t stay at home.  Things have changed.  I’m not interested in working with the family business.  It’s why I left in the first place.”

Imagination running wild, I think I began feeling sorry for her.  Beautiful girl, stupid men, caught in a seedy hotel.  My respect for old man Cossatino just took a dive.

“Why come back then?”

“Alex.  He’s a bastard, just like his father.  All those Benderby’s are the same.  You say you’ve got a plan that might help get him off my back?”

She took off her coat and threw it on the bed with the other clothes.  It wasn’t that dark I couldn’t see her outline and had to look away.

“A possible plan.  One that might kill two birds with one stone.  I have to look out for Boggs because he had got himself into a mess that he doesn’t realise the full potential of yet.”

“The treasure map?”

“I wish people would stop calling it that.  It’s just a piece of paper with a drawing on it.  I’m sure the whole myth was concocted by Boggs’ father as another one of his schemes.”

Everyone knew Boggs father was a touch crazy and had come up with a number of schemes, some even calling the ‘get rich quick’ schemes, and one had landed him in jail.  He never quite understood the nature of the schemes he’d bought off other people in the hope of getting rich himself.  The treasure map, that was a new one for him, but one of his previous customers had caught up with him, and he’d not lived long enough to play this one out.

Boggs unfortunately, was doing it for him.

“You don’t think it’s real?”

“What I think is irrelevant.”

She moved closer and sat on the side of the bed, not far from me.

“So what is this plan?”

“I get you a copy of the map, you give it to Alex, see what he says.  You know you can’t trust him, or anything he says.”

She was too close, so I moved, trying to look like I was not moving.  But at the same moment, I had no idea what it was about her that scared me.  It was apparent she hadn’t told Vince about this meeting.

“It’s a chance I have to take, and you are right, I don’t want to cosy up to Rico.  I have had previous dealings with him, and he is not nice.  But, if you are willing to do this for me, what do you want in return?”

The inevitable question and I think I could guess what she thought I might want.  And that thought did cross my mind.

“Nothing.”

“That is not possible.  All men want something.”

“I’m not all men.  I owe Alex a little payback and this will be a small cog in a big wheel.  If it helps you, good, but I know the Benderby’s and nothing is easy with them.”

“This plan…”

“The less you know the better.”  I stood, and then moved to the door.  “I’m only going to be able to see you in the early hours of the morning.  I’m working an afternoon shift till midnight, and I don’t want to come here in the daylight.”

She stood and came over to join me.

“You are going to have to do something about Rico because Alex will ask him.”

It was something that also occurred to me just before she raised it.  I knew there was going to be a problem, I just hadn’t realised it at the time.  Now, it seemed like another of those insurmountable things.

“I’ll think of something.”

“Then soon.”  She put a piece of paper in my hand.  “My cell number.  Send me a text before you come.”  

Our hands touched briefly and it sent a shiver down my spine.

“I will.”

There was a moment, looking into her eyes where I didn’t want to leave, but fortunately, common sense kicked in, I opened the door and slipped out in the cold night air.  As it shut behind me I shivered.

It had nothing to do with the cold.

 

© Charles Heath 2019

Time flies, almost another year gone!

It’s amazing just how fast the weeks are slipping by.

And how I don’t seem to be getting much done.  It’s like looking at a big circle that charts your times for the week.

Staring into space looking for inspiration, 85%

Getting distracted, 13%

Writing, 1%

Undecided, 1%

But I guess I am getting a lot of the preparatory work done, like setting up the next 5 Being Inspired posts – adding the photographs to be used as inspiration

See an example:  http://bit.ly/2lXcRrw

Adding the next few episodes of PI Walthenson’s second case, and re-writing as the second draft of his first case.

See an example:  https://bit.ly/33x5YQT

Then I had to create Twitter ads for the last 15 or so blog entries, which I’ve been putting off

See an example:  http://bit.ly/349udmn

But what I finally got done, and is probably the most important job, was fix my author website.

See it here https://cwhmailuser.wixsite.com/authorcharles

Did I get to read?  No.  Unless you count a number of blog posts from bloggers I follow.

Did I get to work on any of the WIP books?  Some, but writing five or six stories on the go can be a little daunting at times.  It certainly makes for confusing dreams and crossovers which are practically unintentional.

So, perhaps next week will have a more positive aspect.

Tune in to find out!

Time flies, almost another year gone!

It’s amazing just how fast the weeks are slipping by.

And how I don’t seem to be getting much done.  It’s like looking at a big circle that charts your times for the week.

Staring into space looking for inspiration, 85%

Getting distracted, 13%

Writing, 1%

Undecided, 1%

But I guess I am getting a lot of the preparatory work done, like setting up the next 5 Being Inspired posts – adding the photographs to be used as inspiration

See an example:  http://bit.ly/2lXcRrw

Adding the next few episodes of PI Walthenson’s second case, and re-writing as the second draft of his first case.

See an example:  https://bit.ly/33x5YQT

Then I had to create Twitter ads for the last 15 or so blog entries, which I’ve been putting off

See an example:  http://bit.ly/349udmn

But what I finally got done, and is probably the most important job, was fix my author website.

See it here https://cwhmailuser.wixsite.com/authorcharles

Did I get to read?  No.  Unless you count a number of blog posts from bloggers I follow.

Did I get to work on any of the WIP books?  Some, but writing five or six stories on the go can be a little daunting at times.  It certainly makes for confusing dreams and crossovers which are practically unintentional.

So, perhaps next week will have a more positive aspect.

Tune in to find out!

Don’t you just love those little notes from the editor?

Although it is necessary, it’s almost as bad as marketing.

For instance, I have been toiling over one of my books for a few weeks after my editor sent in back with an overall complaint that continuity needed some work.

Just that!

Continuity needs some work.

OK, I’ll admit that it was a story I wrote in the mid-1970s, and only just dragged it back out of mothballs. A quick read of the 200 odd pages, making corrections where needed, I thought it held together quite well.

Apparently not.

So, I sat down and read it again, and by the end, was surprised I had the temerity to send it to my editor in such a state.

What sometimes happens when working on a book over a period of time, is that unless you read what you’ve amended from start to finish again, you’re going to be in trouble.

And, yes, I’m in trouble.

So, I’ve had to go back to square one and draw up a continuity plan and then start filling in the gaps, and sowing proper seeds that grow into plot lines later.

That was a few months ago, when I was two-thirds of the way through with a 64-page notebook full of notes to keep the story flowing correctly, and inevitably, the book had grown to 436 pages and was likely to be longer by the end of the process.

And I can see it now, before I send it back, with corrections. New editor terse note to me: the book is too long. Cut, cut, cut.

So, getting back to the drawing board, reading and re-reading, adding and subtracting, and putting in the effort it requires, there’s only one part left to write, one that I keep putting off for some obscure reason.

Pity this wasn’t a movie. Cutting is so much easier.

The new first draft, which should probably be called the second draft, is a few pages over 500, but each and everyone is necessary to relate the story properly. I’ve read it twice, and it all makes sense. Let the editor make suggestions, and like always I will take them under advisement.

Enough with the complaining. It’s time to get back to work and get that last part done.

Then I can move on to the next project.

Don’t you just love those little notes from the editor?

Although it is necessary, it’s almost as bad as marketing.

For instance, I have been toiling over one of my books for a few weeks after my editor sent in back with an overall complaint that continuity needed some work.

Just that!

Continuity needs some work.

OK, I’ll admit that it was a story I wrote in the mid-1970s, and only just dragged it back out of mothballs. A quick read of the 200 odd pages, making corrections where needed, I thought it held together quite well.

Apparently not.

So, I sat down and read it again, and by the end, was surprised I had the temerity to send it to my editor in such a state.

What sometimes happens when working on a book over a period of time, is that unless you read what you’ve amended from start to finish again, you’re going to be in trouble.

And, yes, I’m in trouble.

So, I’ve had to go back to square one and draw up a continuity plan and then start filling in the gaps, and sowing proper seeds that grow into plot lines later.

That was a few months ago, when I was two-thirds of the way through with a 64-page notebook full of notes to keep the story flowing correctly, and inevitably, the book had grown to 436 pages and was likely to be longer by the end of the process.

And I can see it now, before I send it back, with corrections. New editor terse note to me: the book is too long. Cut, cut, cut.

So, getting back to the drawing board, reading and re-reading, adding and subtracting, and putting in the effort it requires, there’s only one part left to write, one that I keep putting off for some obscure reason.

Pity this wasn’t a movie. Cutting is so much easier.

The new first draft, which should probably be called the second draft, is a few pages over 500, but each and everyone is necessary to relate the story properly. I’ve read it twice, and it all makes sense. Let the editor make suggestions, and like always I will take them under advisement.

Enough with the complaining. It’s time to get back to work and get that last part done.

Then I can move on to the next project.

Writing about writing a book – Day 33

So, it seems there’s going to be a few problems at work.  People are dying and no one really knows why.

Perhaps it has something to do with the computer systems and the network.  In the time this novel is set, networking personal computers was in its infancy and a veritable rabbit hole to go down.

We need to throw in a bit more background and involve others, but to what extent should these other people have influence over the storyline?

This is why there are puzzling aspects of Richardson’s death, and why is Aitchison so interested?

Says Aitchison…

…

“I knew the man better than most.  But even if he was going through a bad patch, and he was a little down, he would not have killed himself, not the way it was presented in his office.  The gun was in the wrong hand, his left hand.  He was ambidextrous to a certain point, left-handed in some cases, right-handed in others.  I knew for a fact he could only shoot with his right hand.  Same as golf.  But most people here would have seen him use only his left hand.”

I let his words sink in for a moment.  How could he possibly know what hand Richardson used for what purpose?  Perhaps golf because it was open to Company employees of any level, but shooting?

It came out of my mouth before I could stop it.  “How …”

“..do I know about his shooting hand?  I ran into him once at the range.  I used to shoot a few skeets back in the day.  Eyesight has gone to pot these days, so it’s been a while.”  The last part was related more for his own benefit.

Good enough answer.  I didn’t know Aitchison was a shooter.  The office grapevine wasn’t as extensively knowledgeable as it purported to be.

“Then is it possible someone here killed him?”

“Like the woman he was supposedly having an affair or her jealous husband?”  He laughed, and it wasn’t a particularly nice one.  “The mystery woman he was spending time with was his daughter.  He asked me to get her a job, but not to let on that he knew her.  Didn’t want her to think he was meddling in her affairs, and that anyone else would see it as favors from the executive to certain employees.”

Aitchison’s voice shook, and he poured another drink to try and steady his nerves.  He was agitated, I could see that.  And he had evidence that the police would need to help solve this crime.  Yet, by the way, he was talking; I don’t think he believed any of what he had just told me would be deemed as relevant.

And I was yet to see a reason why this would affect him so.

“Have you told the police this?

“Yes, but the detective they sent this morning wasn’t interested.”

Perhaps he was writing more into it than there was.  I didn’t know what to say and tried to look noncommittal.  Then he looked at me with a piercing stare, like the thought had just occurred to him.  “You two clashed, heatedly at times.  Did you do this?

Perhaps not quite the question I was expecting from him or anyone.

I was innocent, but I had one of those faces when someone puts a question to you rather abruptly, that reddened, either with embarrassment or guilt.  I had very little control over it.

But to be accused of murder?

I had an alibi; I was home alone in bed trying to sleep.  OK.  It was shaky but the truth.

“No.  Why would I?”

If I was going to kill anyone in this place, it would be Benton, or even Kowalski, another thorn in my side.  Richardson was not on the list, and never would be.  He was just old and pedantic, set in his ways.  He clashed with everyone at one time or another.  In my case, he was just cranky because I replaced his pen and paper accounting with a new application on that computer he refused to use.

He nodded to himself.  “I thought not, but I had to ask.”

He stood and went over to the window and looked out.  Taking time, I guessed, to collect his thoughts.  He remained there with his back to me for a few minutes.  It didn’t seem to be a long time.

Then he said, quietly, “It appears there’s something else going on, something that none of us in the Executive know anything about.”

I was not sure I liked the sound of that or the fact he was telling me.  This was not something I should be privy to.  But that still didn’t stop me from asking, “Like what for instance?”

“The existence of another network.”

“What do you mean?”  Another network?  There was only one.  I had seen it installed, and went through the teething process of getting it up and running, as every bit as hard as bringing a new baby into the world.

I would know if there was another network.  Wouldn’t I?

“Apparently there is supposedly another network of computers running in this office.  I have only the word of a policeman by the name of Chief Inspector Gator, a computer expert, and a consultant from Interpol.  How the hell did this information get to Interpol, of all people?”

I couldn’t tell him.  This was news to me.

“What evidence have they got that this ‘other network’ exists?”

“Intercepted telephone calls reporting a connection error to a network system by the name of Starburst.  There was a log entry on Richardson’s computer referring to it, about the time of a power failure last night.  The computer expert is down in the server room now looking for this other network.”

He swiveled around and looked down at me with a thunderous expression.  “You didn’t set anything up for Halligan, did you?”

“No.”

I was surprised he asked.  We had a discussion some months ago about the fact most of the AGM’s came directly to me to sort out their computer issues.  Halligan was the worst of all of them, using his position to browbeat me into doing work that could only be described as off-book.  Whilst strictly speaking, as AGM – Information Technology, Halligan was quite within his purview to make such requests; it was the security aspects that had to be signed off on before executing such requests.  It added a new level of pain to the approvals process and had made Halligan an enemy of both Aitchison and myself, even though I had nothing to do with it.

The problem was, like all members of the Executive, Halligan was his own worst enemy.  Each of their areas of responsibility was like fiefdoms, and none of them like the others to encroach on their territory.  Halligan’s was the only area that had a shared responsibility with security.  Soon after the new arrangements were put in place, and the fact I had been left off the list of people to be informed, Halligan had asked me to do some work, and not aware of any change in procedure, did it.

Then, playing the usual game of one-upmanship, Halligan told the Executive of the new initiative and left a smoldering Aitchison in his wake.  In the end, all it did was cause me trouble, a severe reprimand, and no apology for being left off the distribution list informing of the new arrangements.

It was still a raw nerve and he had touched it.

…

© Charles Heath 2015-2021