Writing about writing a book – Day 29

It is hard sometimes to keep the lid on what might be called justification of your position in a company where there are many naysayers, and little support from those who are supposed to be working together towards a single conclusion.

Not work against you, or to have their own agenda, not only in furthering their career on the back of your mistakes but take the credit for all your hard work.

Every company has them.

I’ve worked in a few where this has happened, but the deciding factor of whether they’re successful or not is when they have to stand on their own two feet when the source of their reputed good work suddenly is unavailable, and the shit hits the proverbial fan.

What is it called?  Art imitates life.

Benton is the proverbial leader who takes credit, but when it comes to the crunch, can’t pull the rabbit out of the hat.

I guess in writing this little piece, I was subconsciously getting back at someone from a real, but now distant, past.

Perhaps there might be a little more about one of the places I worked cropping up from time to time.

It’s not so much writing about what you know, but writing about what happened, and what you might have wanted to happen.  Invariably it never did, because these credit takers are a cunning lot, and sometimes lay the foundations for getting out from under when there is a disaster.

Unfortunately, I’ve been there too.

It’s called cutting your nose off to spite your face.

Be that as it may, I let this little vent run and see where it goes.

It was my responsibility since I’d recommended it and then won the support of management over his objections, and following that it had become a point of continual contention, a petty war neither of us was going to win.

I tried to keep the joy out of my voice.  He’d also vetoed my recommendation for a full-time network engineer as my alternative, making my job become single point sensitive.  There was no one to replace me if anything went wrong.

“Sounds like you’re having fun.”  I had to work hard to keep the amusement out of my tone.

“Fun nothing.”  His tone was reaching that exasperation point.  “There is no one else.”

“Why did you approve my holiday if I can’t have one?” I’d stretch his patience just a little more.

“You promised me the network was stable.”

“It is, and has been for the last six months.  I’ve said so in my last six-monthly reports.  You have been reading them, haven’t you?”

Silence.  It said all I needed to know.

I had a choice sentence to deliver, but an ignominious thought popped into my head.  He could probably use this against me, and would if I gave him the opportunity.  Perhaps I should shelve my differences with him for this morning.

Aside from that, there was a shooting, and we didn’t get one of those every day.  Not that it would probably amount to very much.  During the previous week, the office grapevine had been working overtime on the rumor Richardson was having a relationship with one of the ladies in the Accounts department.  It was just the sort of scandal the data entry staff thrived on.

A shooting and a network failure.  I didn’t know which was worse.  Perhaps if it was Benton they’d shot, there might be some justice…

I decided not to argue with him.  “Give me an hour.”

“Half.  Aitchison wants to see you.”

Werner Aitchison was head of Internal Security and a man who took his job seriously.  Enough, that is, to annoy my staff, and me.  He was ex-military intelligence, so ‘they’ said, but he appeared to me like a man out of his depth in this new age of communications.  Computers had proliferated in our company over the last few years, and the technology to go with them spiraling out of control.

We dealt in billions via financial transactions processed on computers, computers which, we were told often enough, was insecure, and easily taken control of outside their environment.  Aitchison was paranoid, and rightly so, but he had a strange way of going about his business.  He and I had butted heads on many occasions, and we may have had our disagreements, but we were good friends and colleagues outside work.

Just in case Benton was accusing me, I said, as sincerely as I could, “I didn’t do it.”

“Of that, I have no doubt.  He has requested a meeting with you at 10 am.  You will be there.”

“I said I would come in to look at the problem.  I didn’t say I was staying.”

“Let me know when you get in.”  That was it.  No ifs.  No buts.  Just a simple, ‘Let me know…’

I seriously considered ignoring him, but somewhere within me, there was that odd sense of loyalty.  Not to Benton, not to the Company, but to someone else, the man who had given me the job in the first place, who had given me every opportunity.

I was doing it for him and would tell him.

When I found out who it was!

© Charles Heath 2016-2021

There seems to be something missing…

It seems the closer I get to the end of a story, the harder it becomes.

In this case, it is not the first draft, but more like the fifth.  The first is to correct any continuity errors and hidden clues that, when the reader gets to the end, it’s not a case of ‘how the hell did that happen’.

The second and quite possibly the third is to correct all the grammatical and spelling errors.

The fourth is to read it as a reader and to find anything that may have slipped through the first three passes.  You would be amazed, at this point, how many grammatical errors there can be, and even a wrong spelling or two.  Sometimes it seems the eyes see what they assume is right when it is glaringly wrong.

Sometimes there isn’t the fifth reading.  On those very rare occasions when there isn’t, it is when I am satisfied with what I’ve written, but this doesn’t happen too often, because, after the fourth reading, I let it rest, and let it stew in my mind.  If it doesn’t fade away after a week or two, it means there’s something wrong.

Hence the fifth reading.

So, here we are, and there is something not quite right, and it needed a few more pages earlier on to reinforce what comes later, and I get this done.  Now, the conclusion is sounding more plausible, but there’s going to be one less death because I can see, somewhere in a dark and murky future, this person is going to return at an entirely unexpected moment.

Whether it’s to save the day, or something a lot, lot worse, I won’t know until the idea in the back of my mind becomes words on paper.

Maybe next year.

There seems to be something missing…

It seems the closer I get to the end of a story, the harder it becomes.

In this case, it is not the first draft, but more like the fifth.  The first is to correct any continuity errors and hidden clues that, when the reader gets to the end, it’s not a case of ‘how the hell did that happen’.

The second and quite possibly the third is to correct all the grammatical and spelling errors.

The fourth is to read it as a reader and to find anything that may have slipped through the first three passes.  You would be amazed, at this point, how many grammatical errors there can be, and even a wrong spelling or two.  Sometimes it seems the eyes see what they assume is right when it is glaringly wrong.

Sometimes there isn’t the fifth reading.  On those very rare occasions when there isn’t, it is when I am satisfied with what I’ve written, but this doesn’t happen too often, because, after the fourth reading, I let it rest, and let it stew in my mind.  If it doesn’t fade away after a week or two, it means there’s something wrong.

Hence the fifth reading.

So, here we are, and there is something not quite right, and it needed a few more pages earlier on to reinforce what comes later, and I get this done.  Now, the conclusion is sounding more plausible, but there’s going to be one less death because I can see, somewhere in a dark and murky future, this person is going to return at an entirely unexpected moment.

Whether it’s to save the day, or something a lot, lot worse, I won’t know until the idea in the back of my mind becomes words on paper.

Maybe next year.

Brainstorming, or is it barnstorming?

Perhaps it should be brainstorming in a barn!

It’s a weird word that describes a process where a bunch of people get together and throw ideas around, though others may have different permutations on what brainstorming is.

Reading through the current blogs sent to my reader, the word ‘brainstorming’ got my attention.

I use it, well, I try to use it.

I’m still working on the YA novel, you know the sort, a far off land where there’s kingdoms, kings, queens, princes and princesses, witches, no dragons and the jury’s still out on a unicorn.

I have three grandchildren, all girls, who wanted me to write a story for them.  Not that thriller stuff, or murder, but what sort of life they’d like to have in they could live in a different world.

Fortunately, both still have an imagination, a prime requisite for them to transition through their childhood to young adult, smoothing out the bumps.  They are avid readers, so I have an untapped source of ideas.

Or so you would think.

This is how it started:  A few years ago I told the eldest, who’s 18 this year, to stop acting like a princess.  She didn’t get the inference because it was an ‘adult’ concept when dealing with children.

What she did say was how she was going to be a princess when she grew up.  I said there were not enough real-life princes to go around, a point she took on board with all the aplomb of as she was then 12-year-old, so it graduated to becoming a princess in a story.

Somehow she ended up with the name Marigold.

She decided Marigold was going to be a haughty, self-indulgent, spoilt brat.  That condescending tone, those flicks of the hair, those sharp put-downs, a princess indeed.   It was as if she had acting lessons from the Disney ‘bad princess’ school of acting.

But …

As all haughty and condescending people do, the princess is taught an invaluable lesson in humility when her Kingdom is invaded, her brother, next in line to the throne, murdered, the king thrown in the dungeons, and her mother put to the sword and left for dead.  She flees the castle and her betrothed prince who is leading the invasion of their Kingdom, and who is now regarded as both unworthy and dangerous, goes after her.

The first few ‘brainstorming’ sessions saw the addition of two sisters (her two real life cousins, one back then who was ten and other six), a healer (another name for a witch as witches are outlawed in her Kingdom), magic spells, and a quest to save her family and the land.

It’s been done before, but this is without the Knight in shining armour, and where a young girl who has never had to fend for herself has to come to grips with a completely alien environment, and the fact none of her companions believe she is going to be of any help whatsoever.

Several sessions later we came up with the quest.

What has surprised me, for a generation of children brought up with video games, endless violence, and the endless pressures on youth these days versus what I had in my day, they have this amazing ability to take a step back and see themselves in such a different light.

I’ve always had an overactive imagination borne from a time where we didn’t have any of the facilities children have these days.  We had to make our own adventures, not live them out on TV and in video games.

I dragged them into my world, and now, together, we have a bond that will never be shaken.  I am the storyteller, they are Marigold, Ophelia and Nerida, princesses.

They are as different as chalk and cheese.  Ophelia wants her own story, the princess who battles against the magic within her.  Nerida has a quite simple aim in life, having been taught swordplay by her brother, she wants to slay a dragon.

The first story is now nearly finished, and at the rate I’m going I’ll be lucky to see it published by her 18th Birthday.

Still, how good would it be to be handed a book that was specially commissioned by, and written for her?

The cinema of my dreams – Was it just another surveillance job – Episode 16

As we all know, writing by the seat of your pants is almost the same as flying by the seat of your pants, a hazardous occupation.

As it happens, I like writing this way because like the reader, I don’t know what to expect next.

And equally, at times, you can write your self into a corner, much like painting, and then have to go back, make a few changes and//or repairs and then move forward.

It’s part of the writing process, only in this case, the changes occur before you’ve finished the novel if you finish.  Quite often a lot of writers get only so far, then the manuscript hits the bottom drawer, to be brought out on a distant rainy day.

Or your cat has mocked your writing ability one too many times.

Therefore, we’re winding back to Episode 16, and moving forward once again, from there.

O’Connor seemed to be more affluent than I because he was living in a flat located in an upmarket building.  Getting into the ground floor required a passkey, one I suspect might also be needed to get in the front door of his flat, but I’d worry about that later.

My first problem was that front door, and it was not until a tradesman exited that I took the opportunity to appear to arrive at the same time, pretending to find my card, and brushing past him as he was exiting.  He ignored me, his hands full, being in a hurry.

It took a day and a half of watching the building, waiting for an opportunity.  His flat was on the third floor and although there was an elevator, I took the stairs, hoping that I wouldn’t run into anyone.

Quickly and quietly, and thankfully without seeing another resident, I came out into the passageway, and it was about ten steps to his front door.  Number 37.  Not far away, in one direction, the end of the passage, and numbers 38, 39, and 40.  In the other, four more flats and the end of the corridor.  Windows at either end, perhaps an escape route.  I would not use the elevator if I had to leave in a hurry.

There were two elevators and one staircase.  Both elevators were stationary on the ground floor.

I knocked lightly on the door to number 37.

No answer.

I knocked a little harder on the door.  It was quite solid, and I had to wonder if the knocking sound penetrated the solid wood.

I checked the lock.  Simple to open.  We’d been given instruction by a master locksmith, and I’d brought my tools.

I waited a minute, checked to see if the elevators were still on the ground floor, then picked the lock and was inside within a minute.

Silence.

I felt along the wall for a light switch, usually by the door, and found it, and flicked it on.  The sudden light was almost blinding, but then my eyes adjusted.

Trashed, much the same as my flat.

But, with a difference.

A woman was stretched out on the floor, unmoving.  I could see, from where I was standing, she had been hit on the back of the head and could see the wound, and a trickle of blood through her hair.

Five steps to reach her, I reached down to check for a pulse.

Yes, she was alive.

I shook her gently.  She didn’t react.  I shook her a little more roughly and she stirred, then, as expected, lashed out.

I caught her hands, saying, “I just found you.  I’m not your enemy.”

Of course, considering I was a stranger in what could be her flat without permission, I was not surprised she continued to struggle until I tried being reassuring.  Then she stopped and asked, “Who are you?”

“A friend of O’Connor.  I worked with him.  Something happened to him at work and he said if that happened, I was to come here.  He didn’t say anything about you, though.”

“I live here, in the flat next door.  I heard a noise and came to investigate.  That’s all I remember.”

I helped her up into a sitting position, and, holding her head in her hands, looked around.  “Did you do this?”

“No.  Just got here.  But it’s the same at my place.  The people who did this are looking for something.  By the look of it, they didn’t find it here either.”

“I’ll get a damp cloth for your head.  It doesn’t look serious but there might be a slight concussion that might need attention.”

She felt the back of her head, and, when she touched the wound, gasped, “It hurts though.”

I stood and went over to the kitchenette.  O’Connor was not much of a cook, the benches looked new, and there was nothing out.  I looked in a draw near the sink and found a cloth, still with the price tag on it.  So were several utensils in the drawer.  I ran it under the water, then went back to her, now off the floor and sitting on one of the two chairs.  I handed her the wet cloth and she put it against the injured part of her head.

I made a mental note, it didn’t look like O’Connor had been here long, if at all.  Something was not right here, and if that was the case, I should take care when saying anything to this woman.

“Who are you again?” she asked.

“I worked with him.  My name is irrelevant.  It’s unlikely that he mentioned me to you, or anyone.  It’s the nature of our work.”

“Why should I believe you?  You could be my attacker.”

“If that were the case, why would I still be here trying to be helpful.”

A good question that elicited a curious expression.

“What do you do, what did Oliver do?”

Alarm bells were going off.  Oliver was not O’Connor’s first name.

“Nothing very interesting, I can assure you, and definitely nothing that would warrant this happening.  If it had only been me, I would have not thought any more of it, but since we worked together, and this has also happened to him, it seems we are mixed up in something bad.”

“Where is he, by the way?”

“I was hoping you could tell me.  If you live next door and know him well enough to be here, he might have told you.”

“No.  He never spoke about work.”

She was trying to stand so I helped her up and held on when it looked like she was about to collapse.  Last time I had a knock to the head, I had dizziness for a minute of two.  Her knock had been a lot harder.”

“Are you alright?”  She didn’t look it.

“I will be, I’m sure.”

I let her go, and she took several steps, then gave me a rather hard look.  “Why are you here again?”

“Trying to find my friend.”

“How did you get in here?”

Rather than make her disorientated, the knock must have sharpened her senses.  Time to test a theory. 

“I think we should call the police now, and report the break-in.”

I pulled out my phone.

“Look, I don’t want to get mixed up in this.  You go, and I report this when I get back home.  And, if you find him, tell him Josephine is looking for him.”

As I thought.  She was not able to explain to the authorities why she was in this flat, as I’m sure she believed I couldn’t either.

She started walking towards the door.  My staying any longer would raise her suspicions about me, and any search I was going to do would have to wait.  I opened the door, she walked out, and I followed shutting the door after me.

I left her standing outside the door and headed for the stairs.  A last glance back showed her still where I left her.  I went down to the first landing, then stopped.  It was part of the training, to treat everyone as suspicious.

Then I heard her voice, as she passed the top of the staircase, on her way back to her flat.  “He was here, looking for the files.  No, he’s gone.”  A minute’s silence, then “On my way.”

Another minute, I heard the elevator car arrive on the third floor.

I quickly ran down the stairs to the ground floor and waited at the door until she came out of the elevator, heading for the door.

Then as she passed through the front door, I came out into the foyer just in time to see a car stop out the front, and a familiar face out through the rear window.

Nobbin.

© Charles Heath 2019-2022

Writing about writing a book – a novel twist

I have decided to write about the process for me to write a book, working on the book at the same time.  The character writing the book is fictional and bears no relation to me, well, mostly not.

You will join me on the rollercoaster.

It will be appearing a bit at a time over the coming months, with the first instalment below.

Day One

I woke to a day where the sun was shining through the crack in the curtains.  It was not so much the brightness, but the fact it was moving, the gentle breeze moving the curtains and creating a strobing effect.

It was the first day of the rest of my life.

I was about to start the next Pulitzer Prize for literature.  Or something like that.

For so many years now my life had been weighed down by the monotony of a job I hated, a life that was going nowhere, and the pursuit of that no existent fortune that I believed was the answer to all my problems.

Those prayers to the great God Money were never heeded.

So, contrary to the well-meaning advice everyone gave me, I ignored them all, sold off the albatross around my neck, a house with a gigantic mortgage attached, and moved into a small but comfortable garret in a picturesque part of town.

It was called a ‘renovators’ delight.  What did it matter the wallpaper was peeling the paint fading and the carpet had seen better days.

It was mine.

Whether or not in the coming days, weeks, or months, I was a ‘renovator’ would be interesting.

My wife, Anne, had often said I wouldn’t know which end of the hammer to use.

Oh, and did I tell you, I moved on from her, or probably it was the other way around.  I’d let her down one too many times, she said, and found someone else more ‘reliable’.

Good for her, my brother had always said she deserved someone better, and it surprised me the marriage lasted as long as it did.  I still loved her, I always would.

I sprung out of bed and opened the curtains.  Spread out in front of me was a blue sky, bright sunshine casting its glow over the park and gardens opposite.

On my darkest days, I used to sit on a bench and watch the ducks swimming in the pond.  I wanted a carefree life like they had, and that was my dream.

Now I was living the dream.

Or would be till the money ran out.

I had enough for a year.

The second bedroom was the writing room.  The walls were lined with shelves, books by my favourite authors, books on writing, all dog-eared and well-read.

The typewriter was sitting on the desk waiting for the first words to be written.

I had a computer, but I was not going to use it for the second draft.

I had a supply of writing pads.  Like the great authors, I was going to write the first draft by hand, revise, and then type it.

I was going to be old school.

 

I sat down, picked up a pen, and scratched my head.

I began writing, ‘It was a dark and stormy night’.

That was a far as I got.

Maybe this was going to be harder than I thought.

Perhaps after coffee and toast …

 

© Charles Heath 2016-2019

Writing about writing a book – a novel twist

I have decided to write about the process for me to write a book, working on the book at the same time.  The character writing the book is fictional and bears no relation to me, well, mostly not.

You will join me on the rollercoaster.

It will be appearing a bit at a time over the coming months, with the first instalment below.

Day One

I woke to a day where the sun was shining through the crack in the curtains.  It was not so much the brightness, but the fact it was moving, the gentle breeze moving the curtains and creating a strobing effect.

It was the first day of the rest of my life.

I was about to start the next Pulitzer Prize for literature.  Or something like that.

For so many years now my life had been weighed down by the monotony of a job I hated, a life that was going nowhere, and the pursuit of that no existent fortune that I believed was the answer to all my problems.

Those prayers to the great God Money were never heeded.

So, contrary to the well-meaning advice everyone gave me, I ignored them all, sold off the albatross around my neck, a house with a gigantic mortgage attached, and moved into a small but comfortable garret in a picturesque part of town.

It was called a ‘renovators’ delight.  What did it matter the wallpaper was peeling the paint fading and the carpet had seen better days.

It was mine.

Whether or not in the coming days, weeks, or months, I was a ‘renovator’ would be interesting.

My wife, Anne, had often said I wouldn’t know which end of the hammer to use.

Oh, and did I tell you, I moved on from her, or probably it was the other way around.  I’d let her down one too many times, she said, and found someone else more ‘reliable’.

Good for her, my brother had always said she deserved someone better, and it surprised me the marriage lasted as long as it did.  I still loved her, I always would.

I sprung out of bed and opened the curtains.  Spread out in front of me was a blue sky, bright sunshine casting its glow over the park and gardens opposite.

On my darkest days, I used to sit on a bench and watch the ducks swimming in the pond.  I wanted a carefree life like they had, and that was my dream.

Now I was living the dream.

Or would be till the money ran out.

I had enough for a year.

The second bedroom was the writing room.  The walls were lined with shelves, books by my favourite authors, books on writing, all dog-eared and well-read.

The typewriter was sitting on the desk waiting for the first words to be written.

I had a computer, but I was not going to use it for the second draft.

I had a supply of writing pads.  Like the great authors, I was going to write the first draft by hand, revise, and then type it.

I was going to be old school.

 

I sat down, picked up a pen, and scratched my head.

I began writing, ‘It was a dark and stormy night’.

That was a far as I got.

Maybe this was going to be harder than I thought.

Perhaps after coffee and toast …

 

© Charles Heath 2016-2019

“Trouble in Store” – Short Stories my way: Annalisa’s story

 It’s time to look at what’s been written for the unfortunate Annalisa, who had been caught up in a situation that is rapidly getting out of her control, not that she had it under control in the first place.  Perhaps it’s time to start reassessing her bad boy phase and think about a new lifestyle. 

Drugs, for her, were fun to begin with, but she can now see the effect they have on long term users, and the question will be, can she learn from this and move on?

 

Annalisa looked at the two men facing her.

Simmo, the boy on the floor, had told her that the shopkeeper would be a pushover, he was an old man who’d just hand over the drugs, rather than cause trouble for himself.

Where Simmo had discovered what the shopkeeper’s true vocation, dispensing drugs to the neighborhood addicts, she didn’t know, but it was not the first place like this they had visited.

She had always known Simmo had a problem, but he had assured her he had it under control.  Until a month ago, when he had tried something new.

It had changed him.

The breaking point came earlier that day when, seeing how sick he was, she threatened to leave.  It brought out the monster within him, and he threatened to kill her.  Not long after he had changed into a whimpering child pleading with her to stay, that he hadn’t meant anything he’d said before.

All he needed was one more ‘score’ to get his ‘shit’ together, and he would do as she asked, and find help.

She believed him.

He said he knew a place not far from the apartment, a small shop where what he needed was available, and said he had the money.

That should have been the first sign he was not telling the truth because she had been funding his habit until her parents cut off the money supply.  She suspected her father had put a private detective on to find her, had, and reported back, and rather than make a scene, just cut her off so she would have to come home or starve.  Her father was no better than Simmo.

And, as soon as they stepped into the shop, Simmo pulled out the gun,

Instead of the shopkeeper cowered like Simmo said he would, he had laughed at them and told them to get out.  Simmo started ranting and waving the gun around, then all of a sudden collapsed. 

There was a race for the gun which spilled out of Simmo’s hand, and she won. 

That was just before the customer burst into the shop.

It had been shortly before closing time.  Simmo had said there would be no one else around.

Wrong again.

Now she had another problem to deal with, a man who was clearly as scared shitless as she was.

This was worse than any bad hair day, or getting out of the wrong side of bed day, this was, she was convinced, the last day of her life.

She heard a strange sound come from beside her and looked down.  There was a trickle of blood coming out of his mouth and Simmo was making strange sounds like he was choking.

Any other time she might have been concerned, but the hard reality of it was, Simmo was never going to change.  She was only surprised at the fact it took so long for her to realize it.

As for the man standing in front of her, she was safe from the shopkeeper with him around, so he would have to stay.

“No.  Stay.”

Another glance at the shopkeeper told her she had made the right decision, his expression said it all.  Gun or no gun, the moment she was alone with him, he would kill her.

 

© Charles Heath 2018-2020

“Trouble in Store” – Short Stories my way: Annalisa’s story

 It’s time to look at what’s been written for the unfortunate Annalisa, who had been caught up in a situation that is rapidly getting out of her control, not that she had it under control in the first place.  Perhaps it’s time to start reassessing her bad boy phase and think about a new lifestyle. 

Drugs, for her, were fun to begin with, but she can now see the effect they have on long term users, and the question will be, can she learn from this and move on?

 

Annalisa looked at the two men facing her.

Simmo, the boy on the floor, had told her that the shopkeeper would be a pushover, he was an old man who’d just hand over the drugs, rather than cause trouble for himself.

Where Simmo had discovered what the shopkeeper’s true vocation, dispensing drugs to the neighborhood addicts, she didn’t know, but it was not the first place like this they had visited.

She had always known Simmo had a problem, but he had assured her he had it under control.  Until a month ago, when he had tried something new.

It had changed him.

The breaking point came earlier that day when, seeing how sick he was, she threatened to leave.  It brought out the monster within him, and he threatened to kill her.  Not long after he had changed into a whimpering child pleading with her to stay, that he hadn’t meant anything he’d said before.

All he needed was one more ‘score’ to get his ‘shit’ together, and he would do as she asked, and find help.

She believed him.

He said he knew a place not far from the apartment, a small shop where what he needed was available, and said he had the money.

That should have been the first sign he was not telling the truth because she had been funding his habit until her parents cut off the money supply.  She suspected her father had put a private detective on to find her, had, and reported back, and rather than make a scene, just cut her off so she would have to come home or starve.  Her father was no better than Simmo.

And, as soon as they stepped into the shop, Simmo pulled out the gun,

Instead of the shopkeeper cowered like Simmo said he would, he had laughed at them and told them to get out.  Simmo started ranting and waving the gun around, then all of a sudden collapsed. 

There was a race for the gun which spilled out of Simmo’s hand, and she won. 

That was just before the customer burst into the shop.

It had been shortly before closing time.  Simmo had said there would be no one else around.

Wrong again.

Now she had another problem to deal with, a man who was clearly as scared shitless as she was.

This was worse than any bad hair day, or getting out of the wrong side of bed day, this was, she was convinced, the last day of her life.

She heard a strange sound come from beside her and looked down.  There was a trickle of blood coming out of his mouth and Simmo was making strange sounds like he was choking.

Any other time she might have been concerned, but the hard reality of it was, Simmo was never going to change.  She was only surprised at the fact it took so long for her to realize it.

As for the man standing in front of her, she was safe from the shopkeeper with him around, so he would have to stay.

“No.  Stay.”

Another glance at the shopkeeper told her she had made the right decision, his expression said it all.  Gun or no gun, the moment she was alone with him, he would kill her.

 

© Charles Heath 2018-2020

“Trouble in Store” – Short stories my way: Character refinement

I have reworked the first part of the story with a few new elements about the characters and changed a few of the details of how the characters finish up in the shop before the policewoman makes her entrance.

This is part of the new first section is the one that involves Annalisa, and her boyfriend, Simmo:

 

Annalisa looked at the two men facing her.

Simmo, the boy on the floor, had told her that the shopkeeper would be a pushover, he was an old man who’d just hand over the drugs, rather than cause trouble for himself.

Where Simmo had discovered what the shopkeeper’s true vocation, dispensing drugs to the neighborhood addicts, she didn’t know, but it was not the first place like this they had visited.

She had always known Simmo had a problem, but he had assured her he had it under control.  Until a month ago, when he had tried something new.

It had changed him.

The breaking point came earlier that day when, seeing how sick he was, she threatened to leave.  It brought out the monster within him, and he threatened to kill her.  Not long after he had changed into a whimpering child pleading with her to stay, that he hadn’t meant anything he’d said before.

All he needed was one more ‘score’ to get his ‘shit’ together, and he would do as she asked, and find help.

She believed him.

He said he knew a place not far from the apartment, a small shop where what he needed was available, and said he had the money.

That should have been the first sign he was not telling the truth because she had been funding his habit until her parents cut off the money supply.  She suspected her father had put a private detective on to find her, had, and reported back, and rather than make a scene, just cut her off so she would have to come home or starve.  Her father was no better than Simmo.

And, as soon as they stepped into the shop, Simmo pulled out the gun,

Instead of the shopkeeper cowered like Simmo said he would, he had laughed at them and told them to get out.  Simmo started ranting and waving the gun around, then all of a sudden collapsed. 

There was a race for the gun which spilled out of Simmo’s hand, and she won. 

That was just before the customer burst into the shop.

It had been shortly before closing time.  Simmo had said there would be no one else around.

Wrong again.

Now she had another problem to deal with, a man who was clearly as scared shitless as she was.

This was worse than any bad hair day, or getting out of the wrong side of bed day, this was, she was convinced, the last day of her life.

She heard a strange sound come from beside her and looked down.  There was a trickle of blood coming out of his mouth and Simmo was making strange sounds like he was choking.

Any other time she might have been concerned, but the hard reality of it was, Simmo was never going to change.  She was only surprised at the fact it took so long for her to realize it.

As for the man standing in front of her, she was safe from the shopkeeper with him around, so he would have to stay.

“No.  Stay.”

Another glance at the shopkeeper told her she had made the right decision, his expression said it all.  Gun or no gun, the moment she was alone with him, he would kill her.

 

© Charles Heath 2016-2020