Writing a book in 365 days – 11/12

Days 11 and 12

It’s a writing exercise, not one I particularly like, but it’s another step – building characters

This one, a car lover, has more interest in his car than anything else. We’re looking to gauge his reactions when various events occur.

I must say, I don’t really know anyone like this.

Firstly, the car was stolen but returned a week later undamaged and a full tank of petrol.

Well, it’s certainly not a group of 12 to 14-year-olds stealing cars, they’d wrap it around a lamp post and kill everyone but the driver who would be unscathed, taken to the station, charged, let out because he’s a juvenile, and get caught the following week doing the same thing.

But that’s not the brief.

What really happened? A relative borrowed the vehicle. Who else would do such a thing?

Second, a tree falls on it and wrecks it, and the son of the car lover thinks it’s funny.

It probably is, to a certain degree. The irony of someone who so lovingly cares for it, watches it get destroyed with such ease? There’s always insurance, isn’t there?

Third, While cleaning the truck he finds a secret compartment and a note.

Yes, this is the stuff to feed a fertile imagination. My reaction, a note left by a previous lover after they made out on the back seat, advising him he’s a father. The fact he had a girlfriend, married her, and had children already, this has to be a shock.

There is a dozen other scenarios, and maybe it might fuel a story … one day.

“Sunday in New York”, a romantic adventure that’s not a walk in the park!

“Sunday in New York” is ultimately a story about trust, and what happens when a marriage is stretched to its limits.

When Harry Steele attends a lunch with his manager, Barclay, to discuss a promotion that any junior executive would accept in a heartbeat, it is the fact his wife, Alison, who previously professed her reservations about Barclay, also agreed to attend, that casts a small element of doubt in his mind.

From that moment, his life, in the company, in deciding what to do, his marriage, his very life, spirals out of control.

There is no one big factor that can prove Harry’s worst fears, that his marriage is over, just a number of small, interconnecting events, when piled on top of each other, points to a cataclysmic end to everything he had believed in.

Trust is lost firstly in his best friend and mentor, Andy, who only hints of impending disaster, Sasha, a woman whom he saved, and who appears to have motives of her own, and then in his wife, Alison, as he discovered piece by piece damning evidence she is about to leave him for another man.

Can we trust what we see with our eyes or trust what we hear?

Haven’t we all jumped to conclusions at least once in our lives?

Can Alison, a woman whose self-belief and confidence is about to be put to the ultimate test, find a way of proving their relationship is as strong as it has ever been?

As they say in the classics, read on!

Purchase:

http://tinyurl.com/Amazon-SundayInNewYork

In a word: Under

Under by itself is a rather boring word, you know, under the moon, under the sea, under the influence, which is not hard to be if you’ve been hypnotised or after a few drinks.

Under is anything beneath something else.

But let’s add it to some other words like,

Underrated, which means it is better than what others give it credit for.

Underwear is what you would wear underneath your clothes.

An understudy is a person who takes over a lead role when the lead is incapacitated. And how many understudies are guilty of harming the lead, in order to get a big break?

And not get away with it?

Understood, an agreement that might or might not be in writing that something will happen, that is, it is understood that I will be the next president.

Or not. Who on earth would really want to be president of anything?

So in the spirit of trying to confuse everyone all of the time, I have a conundrum in the form of a question, what is the difference between under and underneath?

To me there is none, you can be under the sea or underneath the sea, or under the table or underneath the table, but then there’s another, you can be under the influence but not underneath the influence, though technically you could, if you wanted to use confusing English.

And, just to add to the confusion further, I can say that the submarine sailed under the sea, underneath the sea, but, in actual fact, it doesn’t.

What is under the sea is the sand, or sea bed, and a submarine does not plough its way through the sand, does it?

What we really should be saying is that a submarine moves through the water.

Just saying…

“Echoes From The Past”, the past doesn’t necessarily stay there


What happens when your past finally catches up with you?

…

Christmas is just around the corner, a time to be with family. For Will Mason, an orphan since he was fourteen, it is a time for reflection on what his life could have been, and what it could be.

Until a chance encounter brings back to life the reasons for his twenty years of self-imposed exile from a life only normal people could have. From that moment Will’s life slowly starts to unravel and it’s obvious to him it’s time to move on.

This time, however, there is more at stake.

Will has broken his number one rule, don’t get involved.

With his nemesis, Eddie Jamieson, suddenly within reach, and a blossoming relationship with an office colleague, Maria, about to change everything, Will has to make a choice. Quietly leave, or finally, make a stand.

But as Will soon discovers, when other people are involved there is going to be terrible consequences no matter what choice he makes.

https://amzn.to/2CYKxu4

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The cinema of my dreams – It continued in London – Episode 24

What’s the Opera got to do with it?

…

I had hoped never to see Rodby again, and yet here I was in that oppressively warm wood polish-smelling office of his, sitting uncomfortably opposite him, a very large and clear desk between us.

In all the time I’d known him, and those visits to his office, there had never been anything on it.  Not even a phone.

The last time I was in this position, to inform him of my retirement, I’d been reluctant to put the resignation envelope on the pristine surface.

Significantly, it was a month to the day after I left Larry’s mother’s house in Sorrento.

The day after I went with Cecilia to her audition, and she smashed it, getting the role from a rather astonished casting director, and director.  He was calling it a possible break-out performance, in a whole different language that I didn’t understand.

That same night I found Juliet dining alone in the hotel restaurant and told her the good news, but her brother had already called her.  We had dinner, and it could have been more, but there was that Cecilia thing in the back of her mind so we parted as friends.

And at a loose end, Venice no longer hold any significance for me, I moved back to London.

I should have gone to Paris.  There, it would have been harder for Alfie to find me.

He had been giving me the ‘come back’ look, one that I had taken a long time to learn how to ignore.

Seeing he wasn’t making any impact, he said, “They found Larry.”

An enigmatic statement.  Who found Larry?

“The Italian police recovered the body, in a little-used area of Lake Como.  No signs of physical damage, not shot or stabbed, but apparently, he died of natural causes.  We’re still waiting for a definitive coroner’s report.  You never really elaborated on what happened at his mother’s house.”

My report was short and lacked detail, more notable for what I didn’t say rather than what I did.

“Nothing to tell.  Brenda just told him his days of running the organization were over, she and Jaime Meyers had collaboratively taken over, and things would be different.  I notice several other hard-line criminals have been taken off the streets since, so Inspector Crowley’s arrangement with her is working.  A win-win situation.  And you don’t have to deal with Larry anymore.”

“That’s the problem.  If something is too good to be true, it generally is. I have to wonder what has replaced him.”

“I’m retired sir.  No longer interested.  Why am I here?”

I could see he had more, possibly to pique my interest, but just shrugged.

“Nothing of any importance.  I thought you might want to know what happened to Larry.  And Martha wants me to go to the opera tonight and she specifically asked me to ask you, and as you know she does not take no for an answer.”

I shrugged.  He was right about his wife, a force of nature to be reckoned with.  I had met her several times, and she had been intrigued with Violetta and had been devastated when she learned of her death.

“Then I guess I’d better dust off the monkey suit.”

“Good.  I’ll text you where and when and send a driver to pick you up.”

© Charles Heath 2022

The cinema of my dreams – Was it just another surveillance job – Episode 26

I’m back home and this story has been sitting on a back burner for a few months, waiting for some more to be written.

The trouble is, there are also other stories to write, and I’m not very good at prioritizing.

But, here we are, a few minutes opened up and it didn’t take long to get back into the groove.

Maury drops in for a search

 

I moved to the doorway and switched off the light, sending the room back into inky darkness.  Not good for the eyes, going bright light to instant dark.  We stood together behind the door as it opened inwards, Jan ready with her gun.

The door opened slowly, at the same time letting light in from the corridor, making it easier to see.

Opened fully, the visitor tentatively stepped into the room, and once the shape moved past the door, I slammed it shut and Jan lunged with the gun.  

I was not sure what result she was expecting but the person fought back, and as they turned to wrench the gun out of her hand, I let loose a punch, aiming for the head, and as hard as I could.  I head a cracking sound followed by a thump as the body hit the ground.

When I turned the light back on, there were two surprises.  The first, that I’d managed to knock someone out, and the second, Maury was back for a second look.

Why?

It didn’t matter.  He wasn’t going to be unconscious for very long.  Jan had some twine in her room, I wasn’t going to ask why, and she tied his hands and legs together, trussed almost like a turkey.

We left him on the floor when he’d fallen.  Unconscious, he was too heavy to move, or lift.

“Is this man Severin, Maury or Nobbin?” she asked.  She’d saved the questions until after he’d been neutralized, and we’d taken his gun off him.  Also, a knife.  She’d also look through his pockets to see if he carried any identification.  He didn’t, and I wouldn’t expect to find anything.  At the moment I was the same, and since I threw the phone’s sim card, I was now completely anonymous.

“Maury,” I said.

“The attack dog?”

“Not able to attack us at the moment, but yes.  I wonder why he came back?”

“We should ask him,” she said, “when he wakes up.”

We were sitting in the chairs, turned around to face Maury lying on the ground.  He had wriggled, and realizing he was tied up, tried harder to escape the bonds, and then relaxed when he realized he couldn’t.

His eyes turned to us, and it felt like a death stare.  

“This is a mistake,” he said.  “untie these ropes and I might make an exception for you.

“Why are you here?” I asked him.

“That’s none of your business.”

“But it is mine.  This is my flat, and you’re trespassing,” Jan said.

He switched his death gaze to her.

“I’m not here to cause trouble.”

“Then why are you here?”

“To ask you if your next-door neighbor left anything here with you to collect at a later date.”

No doubt with a menacing attitude, which would end in violence because Maury was not the sort to take no for an answer.

“Most people would knock on the door, and politely wait until it was answered.”

Most people.

“I was told there would be no one at home.”

“And it couldn’t wait until I returned?  I’m sorry, but you have broken into my flat and I’m going to call the police.”

He looked at me.

“That’s not a good idea.  Tell her, Jackson.”

“I don’t work for you, or Severin, anymore.  In fact, when I went back into the office, I got dragged aside and interrogated.  No one seems to know who you and Severin are.”

“That’s because our operation was on a need to know basis.  How do you think our business works?  Not by telling everyone what you’re doing.  Now untie me, and I’ll be on my way.”

“No,” Jan said.  “Not until you tell us exactly who you are and who you work for, and why you deemed it necessary to murder O’Connell.”

Maury looked at me again, and there was no mistaking the anger.

“You do understand what the Official Secrets Act means, don’t you Jackson?”

“More or less.  But it depends on who it is you speak to whether that’s relevant or not.”

Back to Jan.  

“Who are you, then?”

“As you keep pulling out of your hat, it’s on a need to know basis, and, of course, we just tell everyone what we’re doing either.  But one thing I’m sure of, we do not go around killing agents.  As far as I can tell, O’Connell was working for an agency, possibly yours but I don’t think so, and in the course of his investigation, he came across some valuable information.  Information, I’m told, you want.  What is it and why?”

“Are you serious?”

He shifted his glare back to me.

“Seriously Jackson, who is this person?”

“Someone, I fear, who is going to cause you a great deal of grief if you don’t answer her questions.”

“Don’t be ridiculous.  I don’t have to tall you or anyone else the nature of my business.”

I saw her shake her head.  “I take it, that’s a no.”  She shrugged and pulled out her phone and dialed a number.  “Always the hard way with you people.”

“Sir,” she said when the call was answered.  “I’ve got a character named Maury tied up in my flat.  Breaking and entering for starters.  Yes, I’ll be here.”

She put the phone back in her bag.  “They’ll be here in ten minutes.”

All we had to do was hope that Maury didn’t have a backup.

© Charles Heath 2020

A photograph from the inspirational bin – 21

Looking for something to suit my mood.

I’ve been reading the headlines and it seems that nothing else is going on except Trump, so a plane crash, and residual fallout from the explosion in Beirut, if there was one, would be good.

All bad news unfortunately, so I need to find something uplifting.

There’s nothing like a walk in the park on a bright sunny day.

Is there?

What could possible happen?

Writing a book in 365 days – 10

Day 10

Apparently, we are still discussing the implements with which we choose to put words on paper, and it seems that choice of implement might make a difference.

I have a degree of scepticism because I generally get words down on my phone, the only implement that is nearby at all times., no matter where I am.

Of course, many years ago I always travelled with little pocket-sized notebooks and a pen, rather than a pencil, to write. I still have all of these, several hundred in fact, in several shoeboxes in the cupboard in my writing room.

Over the years I have accumulated many A5-sized notebooks I bought where there were stationery sales, and now use these to both make notes or write. I tend not to use the smaller notebooks now, but I have a hundred or so sitting in a drawer just in case.

But do you like to write using a biro, with smudgy ink, a pen with a rollerball tip with less smudge, a felt-tip pen, which, depending on the paper type, can leach through, making it difficult to write on both sides, a fountain pen with ink, the old-fashioned way of writing letters, and some of the older writers back in the day?

I remember my early days in school, grade three in fact, when we switched from pencil to pen and ink. It was very messy, to begin with, but I remember vividly being the ink monitor, the one who filled the ink wells, and discovering my schoolmate’s prelidiction for stuffing bits of blotting paper into the well for whatever reason.

Even now it would be a messy way to write.

But the choice is yours.

Tomorrow, at last, we get to do some more writing.

Searching for Locations: Waitomo caves house, North Island, New Zealand

A relatively unassuming lane leads to what could be described as a grand hotel, called Waitomo Caves Hotel.

The original hotel was built in 1908, and it was later extended in 1928.  Part of it is ‘Victorian’, based on an eastern Europe mountain chalet, and part of it is ‘Art Deco’, the concrete wing, and a feature, if it could be called that, is none of the four corners are the same.

Views from the balcony show part of the surrounding gardens
 

and the town of Waitomo in the distance.
 

In gloomy weather, it does look rather spooky, and I suspect there may be a ghost or two lurking somewhere in the buildings.
 

 
But…
 

This a a very interesting, and the words of one of my younger grand daughters, a very creepy place. It would make an excellent base for paranormal activity, and there could very well be ghosts walking the corridors of this hotel.

It has the long darkish passageways that lead in all directions and to almost hidden rooms, a creepy nighttime aspect, and the creaky woodwork.

I know when we were exploring, it was easy to lose your bearings, if not get lost, trying to find certain places, and once found, hard to find your way back.

All in all, it was one of the best stays in a very old place going through the throes of modernisation.

And looking at it from the outside at night, I’ll leave you with that thought…

I’ve got words on paper, but

They’re not exactly Nobel prize-winning prose.

Well, not yet.

I guess the point is that I have at least crystallised my thoughts on paper so that I can do something with them.  After all, anything is better than nothing, isn’t it?

Sometimes I wonder.  I look back on a lot of the stuff I wrote forty or fifty years ago and it looks bad.  The thing is, then, I thought it was great, and that I was destined to do great things with the written word.

Pity, all this time later, I’ve turned into a self-critical monster, where it seems nothing I write is any good.

So, does that mean we need to be less critical of our work?  After all, through the years, when I’ve shared novels and short stories with others, they have all universally said they’re quite good.

So…

It’s time to go back to the previous day’s work and rework it.  Yes, the idea that I wanted to write about is where I wanted the story to go, it’s just the execution.

The problem is, since then a few other ideas have been running around in the back of my head, and these could be added or used to further the current plotline.

The other problem is, it is one of the six stories that I’m writing by the seat of my pants, you know, the way some pilots like to fly a plane, without all that computer backup.  Similarly, this is the way I sometimes like to write.

It’s as much a surprise to me is it is to the reader.

There’s good arguments for having planned the story from start to finish, but with these, I like to write it and see where it takes me.  They’re episodic, so sometimes I get to write three of four episodes at a time, and these would most likely in a book become a chapter.

Last night I wrote two episodes, but it seems that it might need pointers back in previous episodes, because we all like to leave a trail of crumbs for the reader so when they get to the denouement, they remember, ah yes, back in chapter two such and such happened, but why am I only remembering it now?

Ok, enough convincing myself I’m a good writer, it’s time to get back to work…