A photograph from the inspirational bin – 50

What story does it inspire?

…

…

There is always something not quite right when you literally reach the end of the road.

At the time we were looking for a place called Never Never.

Yes, you read that correctly, Never Never. It is a place on the map, and the GPS navigator knew where we were going, and took us to where it thought it was.

That place you can see is identified by the red plastic fencing across the road. The truth of the matter, we were not allowed to go to Never Never.

So, as for inspiration, it seems we have Never Never, the Americans have got Area 51.

And no, I’m not hanging around to see if spacemen and UFOs are coming to visit after darkness falls.

Writing a book in 365 days – 38

Day 38

Today’s trick of the trade dovetails very neatly with the previous day’s exploration of keeping the reader’s attention.

This time it is about not writing flowery prose. Perhaps you might know it by another name, writing about the background, the location, characters, anything but advance the story.

Here’s the thing.

Most readers get bored with flowery prose.

Of course, it is always a matter of opinion what is flowery prose and what isn’t, but I find that sometimes a detailed description of the place and time will match the mood and temperament of the characters.

Thus, a day could be very hot, then training, and then steaming, and a character could be sweating profusely, getting soaking wet, and then getting all steamed up, and not necessarily because it’s wet and hot.

Readers, as writers, need their senses stimulated in time to the cadence of the novel. We’ve been there. and sometimes it’s nice to read about someone who is, after all, like us. We don’t want all our characters to be beyond our reach or comprehension.

Just the same as a description of our characters, who has;t had the typical school mistress, tracking nun who is a monster, teacher who was a disciplinarian, or a friend who stabbed us in the back, or who we thought was a friend.

Descriptions yes, flowery maybe, but necessary, yes.

Searching for locations: An old country homestead, Canungra, Australia

Or to be more precise, the homestead at what is now O’Reilly’s vineyard, where there is a pleasant lawn out back running down to the river for picnics, an alpaca farm next door, and the homestead plays host to functions and wine tastings

My interest was that we had assumed there was a restaurant, and we were going to have lunch. There might be one, but not the day we visited, it was just cafe food or a picnic available.

I was more interested in the old homestead because it was a fine example of the homesteads built in the ‘outback’.

…

Today we are having lunch in the Platypus room, in the O’Reilly’s vineyard farmhouse, which, if you close your eyes and let your imagination run free, could see it as the master bedroom of a homestead.

Certainly, the building is old, made completely of timber, inside and out, with the traditional high ceilings to keep the heat at bay.

At one end, a large bay window, which would be ideal to sit and view the outside, past the sweeping verandah.  There is a small lawn and a rotunda, but beyond that what might have been extended gardens, is the vineyard.

The homestead is in an ideal position midway between the main road and the river, has the traditional surrounding verandah, and shows signs of being extended on almost all sides.

On the other side of the wide corridor that leads you to the bar, and, coincidentally, down the centre of the house, is a smaller bedroom, also used as a dining room, and ubiquitously named the library.

It may be small but it does have a fireplace, which the assumed master bedroom does not, but now I’m thinking that room might have been the morning room.

Behind the room, we’re in is another bedroom, or perhaps this might be the master because it does have a fireplace and is quite large.  And a name, the Ambassador room.  Now it serves as the pickup place for picnic baskets.

There is another room on the opposite side of the corridor called the Drawing Room but is not open to the public.  But, going into the room with the fireplace adjacent to it, you can sell the aroma of pizzas, so it’s probably an extension of the kitchen, and, walking around the outside that side of the house proves it to be the case.

After all, they do catering for weddings and need a very large food preparation area which I discovered runs down the whole of that side of the house.

At the end of the corridor I’d the bar and spare space, and running off that and behind that is where there is a large dining area, perhaps prior to COVID, the restaurant.

It’s not hard to imagine that area as a very large entertaining area, either for very large dinner parties, or dancing.

As for the food, it’s either a picnic basket or pizzas.  We chose the latter, not realising the bases were not homemade, but bought in.  

The toppings however were both plentiful and tasty.  It could have been hotter, because it was a cold day, and it was cold in the room.

As for something to do other than taste the wine, and buy a few bottles, you can get up close to the vines, which, at this time of the year gave been pruned back and look quite dead, look at or walk an alpaca, even feed it, or all of them, or go down to the river and see if you can spot a Platypus.

Perhaps next time we’ll have a picnic down by the river.

Where am I today?

Long after you have been on a holiday and forgotten about it, basically those places you visited are just a distant memory.

Let’s face it unless something calamitous happens to remind you, and generally not in a good way, those places just disappear as distant memories.

And, let’s face it, in this current hectic world we live in, those places have gone literally the day after you get back.

And then, the only reminder that you actually had a holiday, is the last of the washing.

What you need are little reminders that you actually went. This might take the form of postcards or fridge magnets, but these tend to get lost among the everyday collections of bills and children’s paintings, drawings, or certificates.

And there’s only so much you can stick on the fridge door.

But there is another way.

If you stay in hotels as most of us do, they always, or nearly always, provide you with several very important items that can give you a little reminder of where we have been and the associated memories, whether good or bad, but hopefully good.

The first is a writing pad and pen. You don’t get a lot of paper on that pad so it’s only good for writing down plot points, if you’re a writer like me, particularly if you’re in an overseas location.

The second is the toiletries, like hair shampoo and conditioner, along with other items, like soap and bath gel. These invariably have the hotel name and sometimes location on them, but often the hotel name is all that is needed.

Of course, some hotels are different, like the Hilton, because every Hilton has the same pen and the same toiletries, so with these hotels, you’re going to have to have a good memory, or as I do, take the pad. It has the hotel’s address.

With other hotels, like the Bruneschelli in Florence, or the Savoir in Venice, they have their name on both.

Some people will use the toiletries and therefore will not have a keepsake reminder, or they may not see the use in taking the pen or the pad that comes with the room, but I suggest you do.

Then, when you least expect it, there will be that little reminder of where you have been and hopefully, it will bring back good memories, and that, for me, is in the shower.

Like today.

I’m in Florence.

Well, for the duration of the shower, that is.

Inspiration, maybe – Volume 1

50 photographs, 50 stories, of which there is one of the 50 below.

They all start with –

A picture paints … well, as many words as you like.  For instance:

lookingdownfromcoronetpeak

And the story:

It was once said that a desperate man has everything to lose.

The man I was chasing was desperate, but I, on the other hand, was more desperate to catch him.

He’d left a trail of dead people from one end of the island to the other.

The team had put in a lot of effort to locate him, and now his capture was imminent.  We were following the car he was in, from a discrete distance, and, at the appropriate time, we would catch up, pull him over, and make the arrest.

There was nowhere for him to go.

The road led to a dead-end, and the only way off the mountain was back down the road were now on.  Which was why I was somewhat surprised when we discovered where he was.

Where was he going?

“Damn,” I heard Alan mutter.  He was driving, being careful not to get too close, but not far enough away to lose sight of him.

“What?”

“I think he’s made us.”

“How?”

“Dumb bad luck, I’m guessing.  Or he expected we’d follow him up the mountain.  He’s just sped up.”

“How far away?”

“A half-mile.  We should see him higher up when we turn the next corner.”

It took an eternity to get there, and when we did, Alan was right, only he was further on than we thought.”

“Step on it.  Let’s catch him up before he gets to the top.”

Easy to say, not so easy to do.  The road was treacherous, and in places just gravel, and there were no guard rails to stop a three thousand footfall down the mountainside.

Good thing then I had the foresight to have three agents on the hill for just such a scenario.

Ten minutes later, we were in sight of the car, still moving quickly, but we were going slightly faster.  We’d catch up just short of the summit car park.

Or so we thought.

Coming quickly around another corner we almost slammed into the car we’d been chasing.

“What the hell…” Aland muttered.

I was out of the car, and over to see if he was in it, but I knew that it was only a slender possibility.  The car was empty, and no indication where he went.

Certainly not up the road.  It was relatively straightforward for the next mile, at which we would have reached the summit.  Up the mountainside from here, or down.

I looked up.  Nothing.

Alan yelled out, “He’s not going down, not that I can see, but if he did, there’s hardly a foothold and that’s a long fall.”

Then where did he go?

Then a man looking very much like our quarry came out from behind a rock embedded just a short distance up the hill.

“Sorry,” he said quite calmly.  “Had to go if you know what I mean.”

I’d lost him.

It was as simple as that.

I had been led a merry chase up the hill, and all the time he was getting away in a different direction.

I’d fallen for the oldest trick in the book, letting my desperation blind me to the disguise that anyone else would see through in an instant.

It was a lonely sight, looking down that road, knowing that I had to go all that way down again, only this time, without having to throw caution to the wind.

“Maybe next time,” Alan said.

“We’ll get him.  It’s just a matter of time.”

© Charles Heath 2019-2021

Find this and other stories in “Inspiration, maybe”  available soon.

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Searching for locations: Somewhere in Tuscany, Italy, a hilltop town

It’s a town we visited in Italy when on a private tour.  Of course, I wrote it down on a notepad app on my phone at the time, and, yes, not long after that, an accidental reset lost all the data.

Now, I have no idea with the name of the town is, just that it was a picturesque stopover in the middle of a delightful private tour of Tuscany.

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There are narrow laneways that I suspect no one 300 hundred years ago planned for cars

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Narrower walkways that lead to very dark places

 

Walkways on the side of the hills that look down on the picturesque valleys

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And rather interesting hillsides, some of which provided inspiration for Leonardo da Vinci

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Or maybe it was this landscape, though it is difficult to see what could be found as inspiration in such a bland hillside

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A lot of houses, some of them quite large, nestled in amongst the trees

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Gardens, of sorts, balcony’s, not so big, and hidden doorways

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Even not so secret passageways between houses.

All in all, it was an interesting visit, and it made me wonder what it would be like to live here, all crowded together, rather than living on our relatively isolated quarter-acre blocks.

An excerpt from “Strangers We’ve Become” – Coming Soon

I wandered back to my villa.

It was in darkness.  I was sure I had left several lights on, especially over the door so I could see to unlock it.

I looked up and saw the globe was broken.

Instant alert.

I went to the first hiding spot for the gun, and it wasn’t there.  I went to the backup and it wasn’t there either.  Someone had found my carefully hidden stash of weapons and removed them.

Who?

There were four hiding spots and all were empty.  Someone had removed the weapons.  That could only mean one possibility.

I had a visitor, not necessarily here for a social call.

But, of course, being the well-trained agent I’d once been and not one to be caught unawares, I crossed over to my neighbor and relieved him of a weapon that, if found, would require a lot of explaining.

Suitably armed, it was time to return the surprise.

There were three entrances to the villa, the front door, the back door, and a rather strange escape hatch.  One of the more interesting attractions of the villa I’d rented was its heritage.  It was built in the late 1700s, by a man who was, by all accounts, a thief.  It had a hidden underground room which had been in the past a vault but was now a wine cellar, and it had an escape hatch by which the man could come and go undetected, particularly if there was a mob outside the door baying for his blood.

It now gave me the means to enter the villa without my visitors being alerted, unless, of course, they were near the vicinity of the doorway inside the villa, but that possibility was unlikely.  It was not where anyone could anticipate or expect a doorway to be.

The secret entrance was at the rear of the villa behind a large copse, two camouflaged wooden doors built into the ground.  I move aside some of the branches that covered them and lifted one side.  After I’d discovered the doors and rusty hinges, I’d oiled and cleaned them, and cleared the passageway of cobwebs and fallen rocks.  It had a mildew smell, but nothing would get rid of that.  I’d left torches at either end so I could see.

I closed the door after me, and went quietly down the steps, enveloped in darkness till I switched on the torch.  I traversed the short passage which turned ninety degrees about halfway to the door at the other end.  I carried the key to this door on the keyring, found it and opened the door.  It too had been oiled and swung open soundlessly.

I stepped in the darkness and closed the door.

I was on the lower level under the kitchen, now the wine cellar, the ‘door’ doubling as a set of shelves which had very little on them, less to fall and alert anyone in the villa.

Silence, an eerie silence.

I took the steps up to the kitchen, stopping when my head was level with the floor, checking to see if anyone was waiting.  There wasn’t.  It seemed to me to be an unlikely spot for an ambush.

I’d already considered the possibility of someone coming after me, especially because it had been Bespalov I’d killed, and I was sure he had friends, all equally as mad as he was.  Equally, I’d also considered it nigh on impossible for anyone to find out it was me who killed him because the only people who knew that were Prendergast, Alisha, a few others in the Department, and Susan.

That raised the question of who told them where I was.

If I was the man I used to be, my first suspect would be Susan.  The departure this morning, and now this was too coincidental.  But I was not that man.

Or was I?

I reached the start of the passageway that led from the kitchen to the front door and peered into the semi-darkness.  My eyes had got used to the dark, and it was no longer an inky void.  Fragments of light leaked in around the door from outside and through the edge of the window curtains where they didn’t fit properly.  A bone of contention upstairs in the morning, when first light shone and invariably woke me up hours before I wanted to.

Still nothing.

I took a moment to consider how I would approach the visitor’s job.  I would get a plan of the villa in my head, all entrances, where a target could be led to or attacked where there would be no escape.

Coming in the front door.  If I was not expecting anything, I’d just open the door and walk-in.  One shot would be all that was required.

Contract complete.

I sidled quietly up the passage staying close to the wall, edging closer to the front door.  There was an alcove where the shooter could be waiting.  It was an ideal spot to wait.

Crunch.

I stepped on some nutshells.

Not my nutshells.

I felt it before I heard it.  The bullet with my name on it.

And how the shooter missed, from point-blank range, and hit me in the arm, I had no idea.  I fired off two shots before a second shot from the shooter went wide and hit the door with a loud thwack.

I saw a red dot wavering as it honed in on me and I fell to the floor, stretching out, looking up where the origin of the light was coming and pulled the trigger three times, evenly spaced, and a second later I heard the sound of a body falling down the stairs and stopping at the bottom, not very far from me.

Two assassins.

I’d not expected that.

The assassin by the door was dead, a lucky shot on my part.  The second was still breathing.

I checked the body for any weapons and found a second gun and two knives.  Armed to the teeth!

I pulled off the balaclava; a man, early thirties, definitely Italian.  I was expecting a Russian.

I slapped his face, waking him up.  Blood was leaking from several slashes on his face when his head had hit the stairs on the way down.  The awkward angle of his arms and legs told me there were broken bones, probably a lot worse internally.  He was not long for this earth.

“Who employed you?”

He looked at me with dead eyes, a pursed mouth, perhaps a smile.  “Not today my friend.  You have made a very bad enemy.”  He coughed and blood poured out of his mouth.  “There will be more …”

Friends of Bespalov, no doubt.

I would have to leave.  Two unexplainable bodies, I’d have a hard time explaining my way out of this mess.  I dragged the two bodies into the lounge, clearing the passageway just in case someone had heard anything.

Just in case anyone was outside at the time, I sat in the dark, at the foot of the stairs, and tried to breathe normally.  I was trying not to connect dots that led back to Susan, but the coincidence was worrying me.

A half-hour passed and I hadn’t moved.  Deep in thought, I’d forgotten about being shot, unaware that blood was running down my arm and dripping onto the floor.

Until I heard a knock on my front door.

Two thoughts, it was either the police, alerted by the neighbors, or it was the second wave, though why would they be knocking on the door?

I stood, and immediately felt a stabbing pain in my arm.  I took out a handkerchief and turned it into a makeshift tourniquet, then wrapped a kitchen towel around the wound.

If it was the police, this was going to be a difficult situation.  Holding the gun behind my back, I opened the door a fraction and looked out.

No police, just Maria.  I hoped she was not part of the next ‘wave’.

“You left your phone behind on the table.  I thought you might be looking for it.”  She held it out in front of her.

When I didn’t open the door any further, she looked at me quizzically, and then asked, “Is anything wrong?”

I was going to thank her for returning the phone, but I heard her breathe in sharply, and add, breathlessly, “You’re bleeding.”

I looked at my arm and realized it was visible through the door, and not only that, the towel was soaked in blood.

“You need to go away now.”

Should I tell her the truth?  It was probably too late, and if she was any sort of law-abiding citizen she would go straight to the police.

She showed no signs of leaving, just an unnerving curiosity.  “What happened?”

I ran through several explanations, but none seemed plausible.  I went with the truth.  “My past caught up with me.”

“You need someone to fix that before you pass out from blood loss.  It doesn’t look good.”

“I can fix it.  You need to leave.  It is not safe to be here with me.”

The pain in my arm was not getting any better, and the blood was starting to run down my arm again as the tourniquet loosened.  She was right, I needed it fixed sooner rather than later.

I opened the door and let her in.  It was a mistake, a huge mistake, and I would have to deal with the consequences.  Once inside, she turned on the light and saw the pool of blood just inside the door and the trail leading to the lounge.  She followed the trail and turned into the lounge, turned on the light, and no doubt saw the two dead men.

I expected her to scream.  She didn’t.

She gave me a good hard look, perhaps trying to see if I was dangerous.  Killing people wasn’t something you looked the other way about.  She would have to go to the police.

“What happened here?”

“I came home from the cafe and two men were waiting for me.  I used to work for the Government, but no longer.  I suspect these men were here to repay a debt.  I was lucky.”

“Not so much, looking at your arm.”

She came closer and inspected it.

“Sit down.”

She found another towel and wrapped it around the wound, retightening the tourniquet to stem the bleeding.

“Do you have medical supplies?”

I nodded.  “Upstairs.”  I had a medical kit, and on the road, I usually made my own running repairs.  Another old habit I hadn’t quite shaken off yet.

She went upstairs, rummaged, and then came back.  I wondered briefly what she would think of the unmade bed though I was not sure why it might interest her.

She helped me remove my shirt, and then cleaned the wound.  Fortunately, she didn’t have to remove a bullet.  It was a clean wound but it would require stitches.

When she’d finished she said, “Your friend said one day this might happen.”

No prizes for guessing who that friend was, and it didn’t please me that she had involved Maria.

“Alisha?”

“She didn’t tell me her name, but I think she cares a lot about you.  She said trouble has a way of finding you, gave me a phone and said to call her if something like this happened.”

“That was wrong of her to do that.”

“Perhaps, perhaps not.  Will you call her?”

“Yes.  I can’t stay here now.  You should go now.  Hopefully, by the time I leave in the morning, no one will ever know what happened here, especially you.”

She smiled.  “As you say, I was never here.”

…

© Charles Heath 2018-2022

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What I learned about writing – Do not write flowery prose

Day 38

Today’s trick of the trade dovetails very neatly with the previous day’s exploration of keeping the reader’s attention.

This time it is about not writing flowery prose. Perhaps you might know it by another name, writing about the background, the location, characters, anything but advance the story.

Here’s the thing.

Most readers get bored with flowery prose.

Of course, it is always a matter of opinion what is flowery prose and what isn’t, but I find that sometimes a detailed description of the place and time will match the mood and temperament of the characters.

Thus, a day could be very hot, then training, and then steaming, and a character could be sweating profusely, getting soaking wet, and then getting all steamed up, and not necessarily because it’s wet and hot.

Readers, as writers, need their senses stimulated in time to the cadence of the novel. We’ve been there. and sometimes it’s nice to read about someone who is, after all, like us. We don’t want all our characters to be beyond our reach or comprehension.

Just the same as a description of our characters, who has;t had the typical school mistress, tracking nun who is a monster, teacher who was a disciplinarian, or a friend who stabbed us in the back, or who we thought was a friend.

Descriptions yes, flowery maybe, but necessary, yes.

“Sunday in New York”, a romantic adventure that’s not a walk in the park!

“Sunday in New York” is ultimately a story about trust, and what happens when a marriage is stretched to its limits.

When Harry Steele attends a lunch with his manager, Barclay, to discuss a promotion that any junior executive would accept in a heartbeat, it is the fact his wife, Alison, who previously professed her reservations about Barclay, also agreed to attend, that casts a small element of doubt in his mind.

From that moment, his life, in the company, in deciding what to do, his marriage, his very life, spirals out of control.

There is no one big factor that can prove Harry’s worst fears, that his marriage is over, just a number of small, interconnecting events, when piled on top of each other, points to a cataclysmic end to everything he had believed in.

Trust is lost firstly in his best friend and mentor, Andy, who only hints of impending disaster, Sasha, a woman whom he saved, and who appears to have motives of her own, and then in his wife, Alison, as he discovered piece by piece damning evidence she is about to leave him for another man.

Can we trust what we see with our eyes or trust what we hear?

Haven’t we all jumped to conclusions at least once in our lives?

Can Alison, a woman whose self-belief and confidence is about to be put to the ultimate test, find a way of proving their relationship is as strong as it has ever been?

As they say in the classics, read on!

Purchase:

http://tinyurl.com/Amazon-SundayInNewYork

In a word: Order

I gave the order to my assistant to order the supplies we needed in order to maintain stock levels.

Oh, yes, the word order is one of my favourites, because it can confuse the hell out of many people in its simplicity and yet complexity.

I gave the order, it’s what happens in the armed forces, and a lot of other places, but mostly we would associate it with organisations that have hierarchical authority.

The military, for one, cut orders, the means of sending one of its minions to another place, or to do a specific job.

Order supplies, well, just about anyone can order something from somewhere, usually on the internet, and sometimes require or are given an order number so it can be tracked.

In order to maintain, in order to get what I want, in order to get elected, this is just another way of using the word, with the aim of achieving something, though I’m sure there’s probably a better way of expressing these sentiments.

Law and order, well, doesn’t everyone want this, and doesn’t it always turn up in an election campaign, and seems to be the first thing sacrificed after the election.  The thing is, no one can guarantee law and order.

There is the law and there is administering it.  There is no order that comes with it, we just hope that order is maintained, and deplore the situation when it isn’t.

Perhaps in order to maintain law and order, we might need more police.

Then, of course, there is alphabetical order, and numerical order, where things can be designated from A to Z, like this challenge, or from 1 to 10, or more.  We can sort words alphabetically, numbers numerically and data items by keys or an index.

This is naturally called a sort order.

Then there is my car, or bike, or washing machine, or mixmaster.  They are currently in good working order, though that might not last.

And lastly, in deference to all those out there who are thinking of becoming dictators, it’s always possible, one day, there will be a new world order.  They might actually be in their own particular order, whose intellect might be (?) of the highest order.

Surely that is one order too many.