Investigation of crimes doesn’t always go according to plan, nor does the perpetrator get either found or punished.

That was particularly true in my case.  The murderer was incredibly careful in not leaving any evidence behind, to the extent that the police could not rule out whether it was a male or a female.

At one stage the police thought I had murdered my own wife though how I could be on a train at the time of the murder was beyond me.  I had witnesses and a cast-iron alibi.

The officer in charge was Detective First Grade Gabrielle Walters.  She came to me on the day after the murder seeking answers to the usual questions like, when was the last time you saw your wife, did you argue, the neighbors reckon there were heated discussions the day before.

Routine was the word she used.

Her fellow detective was a surly piece of work whose intention was to get answers or, more likely, a confession by any or all means possible.  I could sense the raging violence within him.  Fortunately, common sense prevailed.

Over the course of the next few weeks, once I’d been cleared of committing the crime, Gabrielle made a point of keeping me informed of the progress.

After three months the updates were more sporadic, and when, for lack of progress, it became a cold case, communication ceased.

But it was not the last I saw of Gabrielle.

The shock of finding Vanessa was more devastating than the fact she was now gone, and those images lived on in the same nightmare that came to visit me every night when I closed my eyes.

For months I was barely functioning, to the extent I had all but lost my job, and quite a few friends, particularly those who were more attached to Vanessa rather than me.

They didn’t understand how it could affect me so much, and since it had not happened to them, my tart replies of ‘you wouldn’t understand’ were met with equally short retorts.  Some questioned my sanity, even, for a time, so did I.

No one, it seemed, could understand what it was like, no one except Gabrielle.

She was by her own admission, damaged goods, having been the victim of a similar incident, a boyfriend who turned out to be an awfully bad boy.  Her story varied only in she had been made to witness his execution.  Her nightmare, in reliving that moment in time, was how she was still alive and, to this day, had no idea why she’d been spared.

It was a story she told me one night, some months after the investigation had been scaled down.  I was still looking for the bottom of a bottle and an emotional mess.  Perhaps it struck a resonance with her; she’d been there and managed to come out the other side.

What happened become our secret, a once-only night together that meant a great deal to me, and by mutual agreement, it was not spoken of again.  It was as if she knew exactly what was required to set me on the path to recovery.

And it had.

Since then, we saw each about once a month in a cafe.   I had been surprised to hear from her again shortly after that eventful night when she called to set it up, ostensibly for her to provide me with any updates on the case, but perhaps we had, after that unspoken night, formed a closer bond than either of us wanted to admit.

We generally talked for hours over wine, then dinner and coffee.  It took a while for me to realize that all she had was her work, personal relationships were nigh on impossible in a job that left little or no spare time for anything else.

She’d always said that if I had any questions or problems about the case, or if there was anything that might come to me that might be relevant, even after all this time, all I had to do was call her.

I wondered if this text message was in that category.  I was certain it would interest the police and I had no doubt they could trace the message’s origin, but there was that tiny degree of doubt, about whether or not I could trust her to tell me what the message meant.

I reached for the phone then put it back down again.  I’d think about it and decide tomorrow.

© Charles Heath 2018-2020

Can you actually say you know the exact moment a story is done, finished, and that’s it?

For me, the end never quite seems to be the end, that point where you finally draw a line in the sand and say, that’s it, I’m done, step away from the typewriter.

But are we ever satisfied the story is done, can we not make one more change, it’s just a little tweak, it won’t take long.

Please!

My editor tolerated three ‘minor’ changes.

Firstly, a change of name for a character

Secondly, consistency of word use, such as times and contractions

Thirdly, I wasn’t happy with the overall story, and it needed some more action. More writing, more editing, more prevaricating.

It took three weeks to sort out all of those issues, and last night I send the final draft to the Editor.

It’s like watching your child go to school on their first day. Not knowing what will happen but expecting everything will be fine.

This morning I sat in front of the computer, a blank sheet of paper on the screen. I know it’s not a matter of starting the next story from scratch; I have so many started and finished, sitting in the wings to be ‘tinkered with’.

It’s my way of savoring the moment.

Just before I dive back into the murky waters.

It’s the obvious items in the photograph that you see first, or that your eyes go to first.

The ocean, the beach, the buildings. You can see a shopping mall with MacDonald’s sign above it.

Yes, it’s late afternoon, and you can see long shadows of the buildings.

So, if I asked you what did you see in this photo, what would your reply be?

From a thriller writer or murder mystery writer’s point of view, it’s what you don’t necessarily see.

So, for the purposes of the story, the opening line for the world-weary detective, handing the photo to his partner, “What’s is it you can’t see in this photo?”

A partner that hadn’t been on the job very long, in from the suburbs, and had seen little more than break and enters car theft, and school kids hi-jinks.

“What am I supposed to be looking for?”

“You want to be a detective, or be looking for old ladies cats?”

His partner takes the photo in hand and looks at it again.  There has to be a reason why the old man had given it to him, or perhaps there wasn’t and he was just playing with him again.

No, he thought, there has to be something…

And then he saw it, quite by accident.  A hand, a gun, and following the line of fire, at the end, what looked like someone in the bushes.

In a photo taken from a higher floor of the building over the road, looking down on what was supposed to be a rooftop recreational area.

Only there had been no report of a missing person or a gunshot wound in the last seven days.

“When was it taken?”

“Two days ago?”

“And no reports of a shooting, or a body?”

“No.  And yet the person who took this swears he saw a body, but by the time he came back, there was nothing.”

The detective handed his partner a second photo.  Time-stamped five minutes later.  With no gun and no body.

What will happen next?

Does the captain have a plan?

…

I saw the alien visitor tilt his head, as if someone had just whispered in his ear, if he had an ear that is, and then made a guttural sound.

Seconds later a beam appeared, and he or she, was gone.

“What just happened?” It was out before I could stop myself.

“I suspect he just beamed off our ship to his.”

The captain pushed a button on his desk communicator, and barked, “where is that foreign ship?”

The voice of the second officer came back, “just reappeared, then disappeared again, like it isn’t there, or we just can’t detect its presence.”

“This is like an old scifi show, sir. They have what I think was called cloaking.” It would be awesome if they did, but more awesome if we had it too.

Then another beam appeared, where the captain was sitting, and then he was gone too.

OK, now we were in trouble.

I ran to the desk and pushed that same button to get the attention of the bridge.

“That ship reappear?”

The second officer was quick to reply. “Yes.”

“And I take it, it has gone again?”

“Yes. What just happened?”

“Do a crew count, now. I’ll wait.”

In those next few moments a great many thoughts passed through my mind, not the least if which centred on one of our crew, there mostly to keep an eye on some of our systems.

The more obvious, that without the captain, I had just got a field promotion, one I was neither looking for, or had the experience or training to fulfil. I had been hoping over the next ten years to get both the trains and the experience.

After the seconds report my first action would be to call space command.

The second officers voice came back, “both the captain and Lieutenant Myers are both not aboard sir.”

I was expecting the obvious question but it didn’t come.

Lieutenant Myers was a nuclear scientist. The alien had been keeping us amused while his men captured the Lieutenant. And he was not chasing the pirates, he was the chief pirate.

Damn.

“Can we trace that ship?”

“I’ve got people working on it, but it seems so. It’s leaving a trail we can pick up on our sensors.”

“Good, get after it, and that’s an order.”

A minute later I could feel the gentle tug as we accelerated.

I pushed the button to get the second officer.

“Sir?”

“You have the bridge. Let me know our progress in about 15 minutes. I have a call to make.”

…

© Charles Heath 2021

Here’s the thing…

Every time I close my eyes, I see something different.

I’d like to think the cinema of my dreams is playing a double feature but it’s a bit like a comedy cartoon night on Fox.

But these dreams are nothing to laugh about.

Once again there’s a new instalment of an old feature, and we’re back on the treasure hunt.

 

The pier had been moving gently up and down in response to a passing speed boat that had flouted the minimum speed law, like most of the speed boat owners.

On board the boat, the movement was more pronounced, and it was a bad time to remember that I get seasick, even standing on the pier.  My stomach was suddenly queasy.

Boggs was standing by the hatch that led down below.  It was locked with a big padlock so there was no way we were getting below.  Along the side of the boat was a raised section with windows, but there were curtained off, and the material was faded and looked dirty.

Boggs walked along the narrow walkway to the bow and tried the hatch in the middle of the foredeck.

I noticed the boat was tied to the pier fore and aft with some think rope and funny looking knots.  I don’t think I’d make a very good sailor.  I looked up to the top of the mast and it made me feel dizzy.  It was a long way up.

Behind me was an area where people could seat, and further back a large wheel which I assumed was how the boat was steered.  I could just see Rico standing behind it, captain’s hat on, looking all business-like.

“There’s nothing to see here,” I said, turning back towards Boggs, who was now coming along the other side of the cabin.  One slip and he’d be in the ocean.  I looked over the side and it didn’t look very deep.  I could even see some small fish swimming near the pylon that was covered below the waterline with seaweed.

Boggs stopped at the last window, then knelt down and peered in.

“What do you see?”

“There’s someone in there?”

“Rico?”

“No.  I saw him leave earlier.  Someone else.”

“You know who it is?”

“No.  Never seen him before.  A guy in a suit.  Not the sort of person I’d expect Rico to know, or have as a friend.”

“What’s he doing?”

Boggs changed his position to get a better look.  “He’s just sitting…oh my God, there’s blood.”

“Where?”

I moved quickly over to where Boggs was crouched.  “Give us a look?”  Curiosity was overtaking concern.

“Oh my God, oh my God,” Boggs said over and over.

I pulled out my phone and dialled 911.  When they asked me who I wanted, I said Police.  Then I looked over at the fishing shop and saw Rico and his friends coming back.

“Boggs.”

He ignored me, trying to get a better view.

“Boggs.  It’s Rico.”

Then the policeman answered, “What’s the nature of your emergency?”

“Dead man on a boat, Eden’s Landing, Pier 5, a boat called ‘Freedom Runner’.  And you’d better hurry.”

“Why?”

“Because the owners coming and he doesn’t look happy.”

Then to Boggs, “We got to get the hell out of here, now.”

But, by that time, there was nowhere to go.  Rico had seen us and was all but running to cut off our escape.

 

© Charles Heath 2019

There’s something to be said for a story that starts like a James Bond movie, throwing you straight in the deep end, a perfect way of getting to know the main character, David, or is that Alistair?

A retired spy, well not so much a spy as a retired errand boy, David’s rather wry description of his talents, and a woman that most men would give their left arm for, not exactly the ideal couple, but there is a spark in a meeting that may or may not have been a setup.

But as the story progressed, the question I kept asking myself was why he’d bother.

And, page after unrelenting page, you find out.

Susan is exactly the sort of woman to pique his interest.  Then, inexplicably, she disappears.  That might have been the end to it, but Prendergast, that shadowy enigma, David’s ex-boss who loves playing games with real people, gives him an ultimatum, find her or come back to work.

Nothing like an offer that’s a double-edged sword!

A dragon for a mother, a sister he didn’t know about, Susan’s BFF who is not what she seems or a friend indeed, and Susan’s father who, up till David meets her, couldn’t be less interested, his nemesis proves to be the impossible dream, and he’s always just that one step behind.

When the rollercoaster finally came to a halt, and I could start breathing again, it was an ending that was completely unexpected.

I’ve been told there’s a sequel in the works.

Bring it on!

…

The book can be purchased here:  http://amzn.to/2Eryfth

…

To write a private detective serial has always been one of the items at the top of my to-do list, though trying to write novels and a serial, as well as a blog, and maintain a social media presence, well, you get the idea.

But I made it happen, from a bunch of episodes I wrote a long, long time ago, used these to start it, and then continue on, then as now, never having much of an idea where it was going to end up, or how long it would take to tell the story.

That, I think is the joy of ad hoc writing, even you, as the author, have as much idea of where it’s going as the reader does.

It’s basically been in the mill since 1990, and although I finished it last year, it looks like the beginning to end will have taken exactly 30 years.  Had you asked me 30 years ago if I’d ever get it finished, the answer would be maybe?

My private detective, Harry Walthenson

I’d like to say he’s from that great literary mold of Sam Spade, or Mickey Spillane, or Phillip Marlow, but he’s not.

But, I’ve watched Humphrey Bogart play Sam Spade with much interest, and modelled Harry and his office on it.  Similarly, I’ve watched Robert Micham play Phillip Marlow with great panache, if not detachment, and added a bit of him to the mix.

Other characters come into play, and all of them, no matter what period they’re from, always seem larger than life.  I’m not above stealing a little of Mary Astor, Peter Lorre or Sidney Greenstreet, to breathe life into beguiling women and dangerous men alike.

Then there’s the title, like

The Case of the Unintentional Mummy – this has so many meanings in so many contexts, though I imagine that back in Hollywood in the ’30s and ’40s, this would be excellent fodder for Abbott and Costello

The Case of the Three-Legged Dog – Yes, I suspect there may be a few real-life dogs with three legs, but this plot would involve something more sinister.  And if made out of plaster, yes, they’re always something else inside.

But for mine, to begin with, it was “The Case of the …”, because I had no idea what the case was going to be about, well, I did, but not specifically.

Then I liked the idea of calling it “The Case of the Brother’s Revenge” because I began to have a notion there was a brother no one knew about, but that’s stuff for other stories, not mine, so then went the way of the others.

Now it’s called ‘A Case of Working With the Jones Brothers’, finished the first three drafts, and at the editor for the last.

I have high hopes of publishing it in early 2021.  It even has a cover.