“Sunday in New York”, a romantic adventure that’s not a walk in the park!

“Sunday in New York” is ultimately a story about trust, and what happens when a marriage is stretched to its limits.

When Harry Steele attends a lunch with his manager, Barclay, to discuss a promotion that any junior executive would accept in a heartbeat, it is the fact his wife, Alison, who previously professed her reservations about Barclay, also agreed to attend, that casts a small element of doubt in his mind.

From that moment, his life, in the company, in deciding what to do, his marriage, his very life, spirals out of control.

There is no one big factor that can prove Harry’s worst fears, that his marriage is over, just a number of small, interconnecting events, when piled on top of each other, points to a cataclysmic end to everything he had believed in.

Trust is lost firstly in his best friend and mentor, Andy, who only hints of impending disaster, Sasha, a woman whom he saved, and who appears to have motives of her own, and then in his wife, Alison, as he discovered piece by piece damning evidence she is about to leave him for another man.

Can we trust what we see with our eyes or trust what we hear?

Haven’t we all jumped to conclusions at least once in our lives?

Can Alison, a woman whose self-belief and confidence is about to be put to the ultimate test, find a way of proving their relationship is as strong as it has ever been?

As they say in the classics, read on!

Purchase:

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The cinema of my dreams – I never wanted to go to Africa – Episode 20

Our hero knows he’s in serious trouble.

The problem is, there are familiar faces and a question of who is a friend and who is foe made all the more difficult because of the enemy, if it was the enemy, simply because it didn’t look or sound or act like the enemy.

Now, it appears, his problems stem from another operation he participated in.

…

Lallo gave me a minute or two to read what amounted to two lines, that my co-operation was expected, and to be given.  It wasn’t exactly addressed to me personally, but a blanket authorization to interview anyone involved in that operation.

I handed the letter back, but not before I noticed it had been unfolded and refolded several times as if it had been used before.  Had Lallo already interrogated Treen, the only other survivor?

Lallo’s first question: “Do you know who was responsible for organising that operation?”

It was rather an odd question, asking a Sergeant who was assigned at the last minute.

“Look, at the time I was assigned to non-combat duties, not as an on-call commando.  I was a late replacement for the member of the team who had to withdraw due to an accident. I was simply ordered to join the team at the airfield.  Given the results, I’m hoping whoever it was that organized and authorized that operation got the bollicking they deserved.”

I had been annoyed at the time, but I’d got over it.  In keeping with a lot of the operations I’d been involved with; very few had a successful outcome, but usually with fewer casualties.

He gave me a sidelong glance, close to an admonishment.  “Just stick to the facts when answering questions.  The other survivor was Lieutenant Treen, correct?”

Not a happy man was the Lieutenant.  Not happy that the operation was changed at the last minute or the fact the odds had been stacked against us, and not happy I’d been flown in as a replacement what he regarded as his personal group.

“Yes.”

“Are you aware he requested an investigation into that operation?”

It came as no surprise.  On the flight over, he had expressed more than one concern about the lack of intelligence and what the real situation was like on the ground.

“No.”

“Were you aware that a week ago Lieutenant Treen was found dead in his quarters, from an apparent suicide?”

Treen if anything was a soldier’s soldier, and the last man to contemplate suicide for any reason.  Surviving, just, that botched operation would not be a catalyst for such an event for such a man.

“No.”

“Odd then, don’t you think, you are nearly sent to your death the day after?”

If that was the case, and on the face of it, it seemed so, that wasn’t the only oddity about this whole affair.  I remembered the date of the General’s letter, the one telling me to be co-operative. It was the day before Treen’s suicide.

I didn’t think it was a coincidence?

It was quite clear someone didn’t want the General or whoever Lallo was working for, to question the last two survivors.

The question now was: what did we know, or what they thought we knew that was so important, that silencing us was necessary.

And would ‘they’ try again?

…

© Charles Heath 2019-2022

“Echoes From The Past”, the past doesn’t necessarily stay there


What happens when your past finally catches up with you?

…

Christmas is just around the corner, a time to be with family. For Will Mason, an orphan since he was fourteen, it is a time for reflection on what his life could have been, and what it could be.

Until a chance encounter brings back to life the reasons for his twenty years of self-imposed exile from a life only normal people could have. From that moment, Will’s life slowly starts to unravel, and it’s obvious to him that it’s time to move on.

This time, however, there is more at stake.

Will has broken his number one rule: don’t get involved.

With his nemesis, Eddie Jamieson, suddenly within reach, and a blossoming relationship with an office colleague, Maria, about to change everything, Will has to make a choice. Quietly leave, or finally, make a stand.

But as Will soon discovers, when other people are involved there is going to be terrible consequences no matter what choice he makes.

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The cinema of my dreams – It continued in London – Episode 42

Meeting the Rodby’s

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I picked a safe place to meet Rodby.

I called him directly, which is what none of his agents did, ever.  That was because no one knew his private number.  No one except perhaps Mrs Rodby and, now, myself.

It didn’t elicit kind words.

When he answered with a tentative yes, I started with, “One day you are going to tell me just a little more than you think I need to know.”

“Evan?”

“Who else would have the audacity to talk to you in such a manner?”

“Someone with either suicidal tendencies or one with a death wish.  I don’t see you as having the former, so I’ll run with the second.  You are aware I could have you arrested and worse?”

The thought had occurred to me.  There were certain people in the organisation that were untouchable, and he was one of them.

“You can do that if you like, but there will be consequences.  It might be an idea to wait until after we’ve met.”

“Come into the office.  I’ll be here all morning.”

“Not this morning.  Somewhere else, today.  Trafalgar Square, fifteen minutes.  I won’t bother asking you to come alone but be aware I’m not pleased with you.”

I hung up before he could ask why.

I did several circuits of the perimeter, then observed the tourists from the stairs of the gallery behind, then waited until I saw Rodby, with Mrs Rodby as I hoped, coming towards the square from Haymarket.

The fact it concerned the countess almost ensured that Mrs Rodby would be along to find out what happened to her friend.  But, to me, she could do that just as easily by being on the end of the telephone.  Rodby himself had laid down the law about bringing civilians into organisational matters, and Mrs Rodby was a civilian.

There was not one law for the boss and one law for everyone else.  Rodby was not like that, so there had to be a compelling reason why she was being included.

I watched them walking slowly and thought what an unconventional sight they made.  All the time I knew Rodby, he never walked anywhere. And he definitely would never be seen with Martha.  His enemies if they were out and about would have leverage being dangled in front of them, which is why we seemed to live such monastic lives or quit so we could have a normal one.

Once again, I thought this very unconventional.

Though at this very minute, I could snatch her off the street.

It was incentive enough to maintain vigilance and note where every unsavoury character was.  And there were a lot of them judging by appearances.

As I followed from behind, I sent a text message to Cecelia to tell the countess she would be able to talk to Mrs Rodby in about fifteen minutes.  I had managed to clone Mrs Rodby’s phone and get the number.

I timed my arrival to close to them as they crossed the road in front of the gallery coming up behind them, and as they stepped onto the footpath on the other side I said, “Nice to see you both out and about together.  Is this a prelude to retirement?”

Both stopped and turned around.

OK, there was a mental note about to be stored.  Mrs Rodby was the same height and wearing heels.  What relevance was that she didn’t wear heels for one very specific reason, it made her taller than her husband and that was one part of his ego you didn’t mess with.

Mrs Rodby had got shorter.  Of course, I hadn’t seen her for a while and there didn’t seem to be a height difference the night of the opera, so perhaps it was just my view from where I was standing.

“Are you trying to give us heart attacks, Evan?”  Martha spoke, while Rodby was looking around.  Fifteen minutes was too short a time to get a team of agents on the ground, but there would be one.  He would have people observing via the CCTV camera.

“It was not my intention.”

Standing on the path was blocking the foot traffic and we moved towards one of the fountains.  I kept an eye on the direction from where they came, but they were not being followed.  We were not far from the fountain when we stopped.

Rodby looked annoyed.  “Enough with the theatrics.  Where is the countess?  From what Alf told me, she should be with you, the reason why you summoned us here.”

“Toy told me to find her, not bring her to you.”

“You’re not one to interpret orders, Evan, although I should have factored in your unorthodox method of doing the job.”

“I was thinking that was why you asked me, and not one of the other dozen or so people you could have.”

That was another thought that just popped into my head.  Why me?  I was not his first choice for this type of mission, and I had long discounted the original contrived reason for meeting the countess, that Martha might be matchmaking, a suggestion dropped by the countess herself.

I knew Mrs Rodby, and she was not a matchmaker or the sort who would interfere in anyone’s life.  Granted she knew about Violetta, but that was only after she was diagnosed, and Rodby let us into a small part of his life, and that was only because I had retired and there was no conflict of interest.  Which flicked my attention back to Martha.

She had aged a lot since I saw her last when it seemed she could not be perturbed by anything.  Violetta, in fact, had said she was as close to an angel as she would ever get to see.

Now that angel was not looking happy.  “You met and talked to her?”  Mrs Rodby asked.

“Yes, and she insists that she left the hotel as a precautionary measure, unsure of Alesandro’s intentions.  She seemed to believe he was being manipulated by his mother, who I think might be a problem.  I spoke to Alessandro, and he assured me he had nothing to do with her departure.”

Rodby had maintained continuous surveillance of the square and then brought his eyes back to me.  It wasn’t exactly a look of daggers, but close.  “Do you think she might harm the countess?”

“I have no idea where she fits into the equation though on the surface it seems she wants to be in control of the family business, if indeed she hasn’t been all along.”

“It could just be a family feud, fuelled by the fact that it’s possible the running of the business might fall to the countess, who is for all intents and purposes, an outsider.  Everything was fine while he was alive, it’s only since he died, that she has been having difficulties.”

Could that be a subtle hint that she might have killed the count herself to get control of everything?  Would the countess do that?  Not the woman that I met at the opera, and then later on, whether she was brandishing a gun at me or not.

“So, it’s possible the family might be trying to stop her from inheriting.  That’s a bit hard under Italian law isn’t it?”

“Not if she’s dead.”

“And if there’s a daughter?”

“Same problem arises, needing a similar solution.”

With mafia connections that wouldn’t be too much of a difficulty to arrange.  Not surprising then that Mrs Rodby was worried about her friend.

“Then given Anthony told us that we were, yes, to find her, but also to make the problems go away, though not exactly in those words, what exactly was I supposed to do.  I didn’t interpret that as going in and taking out the family.  He didn’t mention any extraction team, nor did he say I had to tell you where she was, only to provide an update.  I am, here.”

“What about that daughter you mentioned, Juliet Ambrose.  Don’t you find it coincidental she pops up as a key player, the daughter of a maid, Vittoria Romano, who by all accounts is trying to eliminate the countess?”

“It’s a small world.  What can I say?  It was a surprise to learn of her involvement, and no doubt Alfie told you I met up with her and also told that I saved her from being killed?”

“By whom?”

“It could be anybody.  She had dealt with one too many bad people of the years, but it’s possible it might be the Burkehardt’s.  The count did tell the countess that she existed, as he did to Alessandro, but he would not have disclosed her actual identity.”

“Then the countess doesn’t know who she is?” Martha seemed surprised.

“She does now.  that’s where I found the countess, in Juliet’s flat.”

“And they’re together still?”

“Last I heard.”

“Would that be a very bad idea, especially if the mother found them?  You can be sure this Juliet and her mother are not plotting…”

“…to kill the countess and step in as another legitimate heir?  I don’t think so.”

I found it surprising that Martha was so well-read into the case, perhaps better than I was.

“Have you met her mother?”

“Cecelia has.  And that’s another question.  Why did you reassign me to her, that’s not usual practice.”

“She’s used to your maverick ways, and last assignment you two worked well together.”

“It might also mean she’s become a maverick too?”

“I told her to learn only the good aspects of being an agent from you, though I’m beginning to question that decision.  Where is she?”

“In Italy watch over the countess, and keep an eye on the mother.”

Mrs Rodby had been watching us.  “Are you two like this all the time?  How did anything get done?”

“Slowly,” I said.  “It’s a bit hard to do anything when you don’t get the whole story.  But, for now, the countess is safe.  Cecelia is investigating Vittoria and I know where Juliet is, and what her involvement is.  None.  For now.  But that might change when her mother appears.”

A few seconds of silence, and then Mrs Rodby’s phone rang.

She pulled the phone out of her bag, looked at the screen, and then answered it with a tentative ‘Yes?”

She then turned to Rodby, “It’s the countess.”  She put it on speakerphone, and I moved away so I couldn’t hear her, but within reach of them if anything happened.

Nothing did.

Five minutes later, Rodby stepped away and came over to me.  “Get over to Italy and find the lawyer handling her side of the inheritance.  You need to get her to him before they meet with the family lawyers.  Whatever you do, ensure you keep her safe.”

“What about the matriarch?”

“Ignore her.  Your priority is the countess.”

I watched them walk away thinking I’d got out of that way too easily.  And wondering if I should have remained within earshot of the conversation.  Something about this whole affair suddenly wasn’t adding up.

© Charles Heath 2023

The 2am Rant: All I wanted was a cup of coffee

How can something so simple become so complicated and complex?

In New York, it seemed impossible to get exactly what you would like.  The coffee there is driven by what the machine interprets you want, aside from the language constraints due to the fact that English (or American) comes in a zillion different flavours.

So, what do I like (you notice I don’t say ‘want’)

A double shot Latte with two sugars and half a shot of vanilla.  That’s in a large cup.

As we all know coffee can come in a regular, large, or extra-large cup, but, hang on, these cup sizes sometimes have names, and you need to know what these names are.

My efforts of pointing to the cup size in New York often had horrendous consequences, when the cup piles were close together.  Sometimes it was a double shot in a regular, and a single shot in an extra-large cup.

One even had the name benti, or bento, or something like that.

Being old and decrepit, my memory for cup sizes isn’t all that great, so using a name in one shop that doesn’t have that size, well, you get it.

It seems not only coffee makers in New York have a problem producing consistent coffee.

Perhaps, then that’s half the charm of drinking it, the fact that no cup is ever the same.

And, when an outlet gets it right, finally, they go and change the coffee bean supplier, and all of a sudden, it’s bitter, or it’s lighter, as coffee shops try to reduce their costs and maximise profits.

Six dollars is a lot of money for a cup of coffee unless of course, you have to feed that addiction in which case, you’ll have a cup at whatever the cost.

I need coffee right now, so its off te the cupboard to see what’s available.

Maccona instant, which is not bad

A Nespresso long black – ok, don’t get me started with Nespresso because they have numbers from 1 to 12, possibly more, recognising strengths, and I usually have a double shot using a 10 and a 12.

And, yes, they fool around with the type of beans they use because there seem to be inconsistencies in potency from time to time.

Then there’s coffee bags, much the same as tea bags, which produces and interestingly flavoured brew which I’m still trying to figure out.  It tastes like coffee, but there’s something else there, like … paper?

I opt for an instant.

Yes, I needed a coffee after writing this.

What I learned about writing – Poetry – or my thoughts on it

I have often wondered what the interest in poetry is because I have read those same poems that people wax lyrical about, and they just don’t have the same effect.

But…

Then I did some digging…

Poetry requires words written in lines for a specified number of lines about almost anything.

Two, three, four, five lines, and more.

Words that rhyme, words that do not, there are rules and types, and then there is not.

It encompasses anything and everything. It can read at a fast or slow pace, professing undying love or utter hatred, and can describe something familiarly or make the familiar sound like something else.

Objects become feelings, and feelings become objects.

Some poets are famous; there are poets we like and poets we hate.  Some poets are just there.  There are poets we should read and poets we shouldn’t, though why is anyone’s guess.

There are poets we know, not because we have read them but because they are in the collective consciousness, poets like Burns, W B Yeats, Walter Whitman, Shakespeare, and Emily Dickinson.

I even know them because people who are in the TV shows and movies are always reciting them.

Perhaps I appreciate poetry more than I care to admit.

In writing this and taking a deep dive into the world of poems and what it is all about, I have come across some rather meaningful poetry.

Perhaps I might find one that encapsulates my life and ask for it to be read at my funeral.  At the very least, the attendees will be utterly surprised. 

365 Days of writing, 2026 – 128

Day 128 – A Thousand words a day

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Beyond the Grind: Why Writing 1,000 Words a Day is Your Greatest Asset

In the modern world of “hustle culture,” we are constantly bombarded with advice on how to optimise every second of our lives. It’s easy to get cynical about productivity. We’re told to wake up at 4:00 a.m., take ice baths, and track our output down to the millisecond.

Let’s be clear: productivity isn’t everything. Your worth as a human being is not tied to your daily tax output or the number of rows in your spreadsheet. If you neglect your health, your relationships, and your peace of mind in the name of output, you’ve missed the point of living.

However, productivity is important. It is the bridge between having a dream and holding a finished product. For writers, designers, and creators, the gap between “I have an idea” and “I have a career” is filled with consistent, disciplined work.

If you want to sharpen your craft, there is one rule of thumb that stands above the rest: write a thousand words a day.

The Arithmetic of Ambition

A thousand words might sound like a lot, especially when you’re staring at a blinking cursor on a blank screen. But let’s look at the numbers. If you write 1,000 words a day, you are producing 7,000 words a week. By the end of a month, you have a 30,000-word manuscript. In three months, you have a book.

The math is undeniable, but it isn’t just about the volume. It’s about the compounding interest of skill.

Writing is a Muscle

There is a common misconception that writing is a magical act of inspiration that strikes only when the muses are aligned. Professional writers know better: writing is a muscle. The more you use it, the stronger it gets.

When you commit to writing 1,000 words daily, you aren’t just filling pages; you are refining your voice. You learn how to cut the fluff. You learn how to structure an argument, how to build suspense, and how to transition between thoughts.

The more you write, the better you get. But there is a secondary benefit that is arguably even more practical: the more you write, the more you have to publish.

The “Publishing Paradox”

Many aspiring writers spend years—or even decades—polishing the same fifty pages. They are terrified of hitting “publish” because they feel their work isn’t “perfect” yet.

Here is the secret: perfection is the enemy of progress. If you are writing 1,000 words a day, you stop obsessing over every single syllable because you have another 1,000 words to write tomorrow. You become comfortable with the idea of a “first draft.” By creating a high volume of work, you give yourself the freedom to experiment. You’ll find that your best ideas often come from the quantity, not the agonising deliberation of a single sentence.

Furthermore, having a backlog of content gives you the leverage to build an audience. In the digital age, visibility is currency. If you have nothing to publish, you have no presence. If you write 1,000 words a day, you have a constant stream of content to share, iterate on, and refine.

Is it Daunting? Maybe.

It is perfectly natural to feel intimidated by the idea of writing a thousand words every single day. Some days, your brain will feel like a dry well. Other days, life will get in the way.

But here is the truth that sets you free: anyone can write a thousand words a day.

It doesn’t have to be a masterpiece. It doesn’t have to be published in The New York Times. Sometimes, those 1,000 words will be trash. Sometimes, they will be the best things you’ve ever written. The magic isn’t in the quality of the words you write today; it’s in the habit of showing up.

How to Start

If you want to make this a reality, stop aiming for “greatness” and start aiming for “completion.”

  1. Set a timer: Give yourself an hour. If you don’t hit 1,000, don’t sweat it—just keep going tomorrow.
  2. Eliminate distractions: Close your email, put your phone in another room, and silence your notifications.
  3. Embrace the “Bad” Draft: Give yourself permission to write poorly. You can’t edit a blank page, but you can always fix a bad paragraph.

Productivity is a tool, not a lifestyle. Use it to build the life you want, one thousand words at a time. Your future self will thank you for the progress you made today.

Searching for locations: The canals of Suzhou, China

This morning is a boat ride that will take us along a small portion of the main canal, and we head through a number of back streets, to a landing where there are a number of boats all vying with each other to get us passengers on boats.

But…

These boats don’t have a wharf to tie up to and then put out a stable gangplank.  No.  They just more into a concrete step and you take your life in your hands getting on.  One wrong step and you’re in the canal.  And not a very clean one at that.

That’s if another boat doesn’t come along and bumps you, knocking you off balance.  We managed not to lose anyone in boarding the vessel.

This is where we get on the boat

We go along what appears to be downstream towards another larger canal, past tree-lined streets until the canal narrows and we’re looking at the backs of houses, which look very dilapidated.

And the canals?  Well, it’s not quite like it is in Venice

Though some parts of the canal look better than others

What doesn’t bear thinking about is the electrical wiring which is a nightmarish spider web of cables going off in all directions.  How anyone could troubleshoot problems is beyond me.

We pass under a number of bridges, and then, about 30 minutes after leaving, we reach a larger canal and do a 180-degree turn, and head back to a drop off point the will enable us to walk through a typical everyday Chinese market for food and the other items.

This drop off point is much the same as the starting point, a concrete step which is as hazardous as the first.  At least we don’t have to compete with other boats for the landing spot.

We take a leisurely stroll down a small section of Pingjiang Road with small shops on either side, selling all manner of goods

but my interest is in the food and the prices, which at times seem quite expensive for so-called local people, so maybe because the tourists go down this street every day, the prices have been inflated accordingly.

I find it rather disappointing.

We walk to the bridge, go under to the other side crossing the canal and find the coffee shop which is also the meeting place.

So…

When is a coffee shop not a coffee shop, when it takes an eternity to make a cup of coffee, we waited 25 minutes?

We also ordered beef black pepper rice and it took 20 minutes before it arrived, but it was well worth the wait.  Strands of perfectly cooked beef with onion, carrot, and capsicum, with a very peppery and spicy sauce, with a side of boiled rice.

A pizza was ordered too but it did not arrive at all before we left.

In a word: Vision

I had one myself once, whether it was a peek into my future, or whether it was just playing out a scene for one of my stories, it was rather intense.

That variation of the word vision is one that uses one’s imagination. I do it quite a lot, and I call it the cinema of my dreams.

But…

Vision, in the simplest sense of the word, is sight, what you see.

People can try to make it better, like movie studios, who have called it rather interesting titles such as VistaVision or Panavision, either of which sounds quite remarkable, and it may have been back in the day, but it’s probably quite ordinary these days.

A vision, in another sense, might be something like a dream as mentioned before, which might happen when we are asleep, but if awake, it might be because we are very bored with our job and we’re imagining what it would be like at Santorini or the Bahamas, or anywhere but where you are now.

It might also describe our particular slant on what else we would like to happen, whether at work or somewhere else, but it’s usually confined to our closest circle of friends. Bosses never invite nor want to hear plebs ideas of improving their lot.

Hence, I have a vision…

But no one will listen. Perhaps if I was Martin Luther King, things might be different.

Then, at the end of it all…

There are visions and then there are visions, like seeing something that no one else can see, whether driven by hallucinogenic drugs or magic mushrooms, or you just happened to be there to see what no one else could.

Dragons, lizard people, or the Virgin Mary.

And no, I have not seen any of the above.

Yet.

‘What Sets Us Apart’ – A beta reader’s view

There’s something to be said for a story that starts like a James Bond movie, throwing you straight in the deep end, a perfect way of getting to know the main character, David, or is that Alistair?

A retired spy, well, not so much a spy as a retired errand boy, David’s rather wry description of his talents, and a woman that most men would give their left arm for, not exactly the ideal couple, but there is a spark in a meeting that may or may not have been a setup.

But as the story progressed, the question I kept asking myself was why he’d bother.

And, page after unrelenting page, you find out.

Susan is exactly the sort of woman to pique his interest.  Then, inexplicably, she disappears.  That might have been the end of it, but Prendergast, that shadowy enigma, David’s ex-boss who loves playing games with real people, gives him an ultimatum: find her or come back to work.

Nothing like an offer that’s a double-edged sword!

A dragon for a mother, a sister he didn’t know about, Susan’s BFF who is not what she seems or a friend indeed, and Susan’s father, who, up till David meets her, couldn’t be less interested, his nemesis proves to be the impossible dream, and he’s always just that one step behind.

When the rollercoaster finally came to a halt, and I could start breathing again, it was an ending that was completely unexpected.

I’ve been told there’s a sequel in the works.

Bring it on!

…

The book can be purchased here:  http://amzn.to/2Eryfth

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