An excerpt from “Echoes from the Past”

Available on Amazon Kindle here:  https://amzn.to/2CYKxu4

…

With my attention elsewhere, I walked into a man who was hurrying in the opposite direction.  He was a big man with a scar running down the left side of his face from the eye socket to the mouth, and he was wearing a black shirt with a red tie.

That was all I remembered as my heart almost stopped.

He apologised as he stepped to one side, the same way I stepped, as I also muttered an apology.

I kept my eyes down.  He was not the sort of man I wanted to recognise later in a lineup.  I stepped to the other side, and so did he.  It was one of those situations.  Finally getting out of sync, he kept going in his direction, and I went towards the bus, which was now pulling away from the curb.

Getting my breath back, I just stood riveted to the spot watching it join the traffic.  I looked back over my shoulder, but the man I’d run into had gone.  I shrugged and looked at my watch.  It would be a few minutes before the next bus arrived.

Wait, or walk?  I could also go by subway, but it was a long walk to the station.  What the hell, I needed the exercise.

At the first intersection, the ‘Walk’ sign had just flashed to ‘Don’t Walk’.  I thought I’d save a few minutes by not waiting for the next green light.  As I stepped onto the road, I heard the screeching of tyres.

A yellow car stopped inches from me.

It was a high-powered sports car, perhaps a Lamborghini.  I knew what they looked like because Marcus Bartleby owned one, as did every other junior executive in the city with a rich father.

Everyone stopped to look at me, then the car.  It was that sort of car.  I could see the driver through the windscreen shaking his fist, and I could see he was yelling too, but I couldn’t hear him.  I stepped back onto the sidewalk, and he drove on.  The moment had passed, and everyone went back to their business.

My heart rate hadn’t come down from the last encounter.   Now it was approaching cardiac arrest, so I took a few minutes and several sets of lights to regain composure.

At the next intersection, I waited for the green light, and then a few seconds more, just to be sure.  I was no longer in a hurry.

Next, I heard what sounded like a gunshot.  A few people looked around, worried expressions on their faces, but when it happened again, I saw it was an old car backfiring.  I also saw another yellow car, much the same as the one before, stopped on the side of the road.  I thought nothing of it, other than it was the second yellow car I’d seen.

At the next intersection, I realised I was subconsciously heading towards Harry’s new bar.   It was somewhere on 6th Avenue, so I continued walking in what I thought was the right direction.

I don’t know why I looked behind me at the next intersection, but I did.  There was another yellow car on the side of the road, not far from me.  It, too, looked the same as the original Lamborghini, and I was starting to think it was not a coincidence.

Moments after crossing the road, I heard the roar of a sports car engine and saw the yellow car accelerate past me.  As it passed by, I saw there were two people in it, and the blurry image of the passenger was a large man with a red tie.

Now my imagination was playing tricks.

It could not be the same man.  He was going in a different direction.

In the few minutes I’d been standing on the pavement, it had started to snow; early for this time of year, and marking the start of what could be a long, cold winter.  I shuddered, and it was not necessarily because of the temperature.

I looked up and saw a neon light advertising a bar, coincidentally the one Harry had ‘found’ and, looking once in the direction of the departing yellow car, I decided to go in.  I would have a few drinks and then leave through the back door if there were one.

Just in case.

…

© Charles Heath 2015-2020

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The cinema of my dreams – Was it just another surveillance job – Episode 43

I’m back home and this story has been sitting on the back burner for a few months, waiting for some more to be written.

The trouble is, there are also other stories to write, and I’m not very good at prioritizing.

But, here we are, a few minutes opened up and it didn’t take long to get back into the groove.

Chasing leads, maybe

—–

“You left a paper trail, a car registration form at the flat in Bromley.”

I saw him shake his head. “I thought I’d removed any evidence.”

“Good thing then, that I found it, and not Severin who was next through the door.”

He nodded towards Jennifer. “What’s she doing here, she was one of your surveillance team.”

“She came with me. The department threw her out, I found her and asked her if she wanted to find out what was going on. Apparently, she did. Everyone can put their guns down now. We are, believe it or not, all friends here.”

Jennifer put her gun back in a pocket I hadn’t seen before.

Adam lowered his, but it was still ready to shoot if either of us made the wrong move. The old woman’s aim hadn’t changed; she was still intent on shooting me if I moved.

“Mother, give it up.”

A few seconds later she lowered the weapon, but it was still ready. To fire if I moved.

“Can we sit,” I asked. Having a gun aimed at you tended to make you feel week in the knees. I was.

There were three chairs in front of the fireplace, this room also having a fire ready but not lit, and one chair by the writing-table. We sat in the three chairs, the old woman over by the table. She put the rifle down on the desktop, within easy reach.

“My first question,” I said, “has to be, how are you still alive?”

“You left when Severin’s crew arrived to clean up. He left at the same time. Luckily. Then two of Dobbin’s agents arrived and cleaned up the cleaners, as it were, and took me to a safe place where it was discovered my injuries were not fatal.”

“You were hit by a sniper, that’s hard to believe he, or she, aimed to miss.”

“They didn’t. I think I moved slightly because of you, so I have you to thank for my life. Something else to remember, Dobbin doesn’t know I’m here, and I think the only link was that registration certificate. No one actually knows me by Adam Quigley, except, of course, my mother.

“And the USB everyone is after?”

A few seconds of silence, then, “It’s missing.”

“Were you the only one who knew where it was?”

“No, but as far as I’m aware, that person is dead, killed by the explosion you witnessed. We were due to meet there, just before the explosion which is why I was heading there.”

“You walked past it, as I recall.”

“Standard procedure. I walk past, check to see if the contact is there, then come back a few minutes later. I was running late, just got past when it went up. We would have both been in there, and dead.”

“And the USB gone with it?”

“Yes. My friend had it with him at the time. I was going there to pick it up.”

“No copies?” It was too much to expect there would be, even if it was worth more than life itself.

“No. That sort of information needs to be in as few places as possible.”

“You knew what it was about?”

“Yes.”

“And…”

“It’s above all our pay grades. But something I can tell you; I know why your Severin and Maury wanted it back.”

“It was theirs?”

“Yes. They originally stole it. I stole it from them and trying to return it to whom it belonged.”

“Nobbin?”

“God, no. I’ve since discovered he’s as crooked as all the rest. But now that it’s gone, it doesn’t matter who the owner of the information is. Just staying one step ahead of the jackals, that’s the job in hand.”

——-

© Charles Heath 2020-2021

Inspiration, maybe – Volume 1

50 photographs, 50 stories, of which there is one of the 50 below.

They all start with –

A picture paints … well, as many words as you like.  For instance:

lookingdownfromcoronetpeak

And the story:

…

It was once said that a desperate man has everything to lose.

The man I was chasing was desperate, but I, on the other hand, was more desperate to catch him.

He’d left a trail of dead people from one end of the island to the other.

The team had put in a lot of effort to locate him, and now his capture was imminent.  We were following the car he was in, from a discreet distance, and, at the appropriate time, we would catch up, pull him over, and make the arrest.

There was nowhere for him to go.

The road led to a dead-end, and the only way off the mountain was back down the road we were now on.  Which was why I was somewhat surprised when we discovered where he was.

Where was he going?

“Damn,” I heard Alan mutter.  He was driving, being careful not to get too close, but not far enough away to lose sight of him.

“What?”

“I think he’s made us.”

“How?”

“Dumb bad luck, I’m guessing.  Or he expected we’d follow him up the mountain.  He’s just sped up.”

“How far away?”

“A half-mile.  We should see him higher up when we turn the next corner.”

It took an eternity to get there, and when we did, Alan was right, only he was further on than we thought.”

“Step on it.  Let’s catch him up before he gets to the top.”

Easy to say, not so easy to do.  The road was treacherous, and in places, just gravel, and there were no guard rails to stop a three-thousand-foot fall down the mountainside.

Good thing then, I had the foresight to have three agents on the hill for just such a scenario.

Ten minutes later, we were in sight of the car, still moving quickly, but we were going slightly faster.  We’d catch up just short of the summit car park.

Or so we thought.

Coming quickly around another corner, we almost slammed into the car we’d been chasing.

“What the hell…” Aland muttered.

I was out of the car and over to see if he was in it, but I knew that it was only a slender possibility.  The car was empty, and no indication of where he had gone.

Certainly not up the road.  It was relatively straightforward for the next mile, at which we would have reached the summit.  Up the mountainside from here, or down.

I looked up.  Nothing.

Alan yelled out, “He’s not going down, not that I can see, but if he did, there’s hardly a foothold and that’s a long fall.”

Then where did he go?

Then a man looking very much like our quarry came out from behind a rock embedded just a short distance up the hill.

“Sorry,” he said quite calmly.  “Had to go if you know what I mean.”

I’d lost him.

It was as simple as that.

I had been led a merry chase up the hill, and all the time he was getting away in a different direction.

I’d fallen for the oldest trick in the book, letting my desperation blind me to the disguise that anyone else would see through in an instant.

It was a lonely sight, looking down that road, knowing that I had to go all that way down again, only this time, without having to throw caution to the wind.

“Maybe next time,” Alan said.

“We’ll get him.  It’s just a matter of time.”

…

© Charles Heath 2019-2026

…

Find this and other stories in “Inspiration, maybe”, available soon.

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The cinema of my dreams – I always wanted to see the planets – Episode 8

A trip back through memory lane.

…

We were diverting to Venus, sitting out there on screen, lonely as a cloud, if there could be clouds in space.

So, I wondered if the Captain had a special reason why I should head the team going to the freighter.

It was an opportunity to take one of the new class of shuttles, reported to be faster, more stable, and larger so that we could carry more people and cargo. It would be overkill today.

The crew assigned to collect the cargo was aboard, and my co-pilot for want of a better name was Myrtle, an officer that joined the ship with me, and had excellent qualifications.

We were going through the preflight, ready to lift off.

“First time?”

“In a shuttle, no. In space, real space, more or less.”

I don’t think I wanted to know what more or less meant.

“There’s nothing to it.”

The captain’s voice came over the speaker, “You’re cleared for departure, they’re expecting you imminently.”

“Very good, sir.”

It was never a gentle lift-off, unlike landing, and that initial jerk was an annoyance. Then engaging the thrusters, we began to move forward slowly towards the cargo door, and at the synchronised time, the doors opened and there was nothing but empty space before us.

Outside, we increased speed, turned, and flew under our ship, just to get a look at it, something I knew the people aboard might be interested in seeing, then onto the Aloysius 5 drifting off our port bow.

“Do you see what I see?” Nice to see Myrtle wasn’t blind.

“I do, and that’s worrying.”

What was it? A scorch mark on the side of the Aloysius 5, in a place where we couldn’t see it from our ship, and a direct hit on one of the exhaust manifolds. That would stop a ship dead in its tracks without wrecking it.

“Captain,” I said, hoping he was listening.

“Number one?”

“I think we have a problem.”

…

© Charles Heath 2021

The 2am Rant: I should be on holiday but…

You would think that going away for a few days, you would be able to drag yourself away from writing.

You would think, after doing it every day for the last six months, it would be time to take a break. But the trouble with good intentions and being in a different place is that there’s a ton of new and different sights and things to write about.

We are away primarily for a wedding, with part of it being a Chinese Tea Ceremony, and of course, I’ve been reading up on it, and there are several descriptions, making it difficult to get a clear idea of what happens.

I guess I’m going to have to wait until the day, next Friday.

In between, there will be a dinner that will have as the centrepiece, Peking Duck, my absolute favourite duck dish.

I had it last in Hong Kong two years back, before the riots at the restaurant in the Peninsula Hotel, and it was exquisite.

Then it’s my brother’s 70th birthday. As he is working feverishly on the family history, and having jetted off many times overseas tracking down the long lost relatives we knew nothing about, it’ll be time for a progress report.

I must admit that some of those relatives have roused my writer’s curiosity. When I helped clear out my parents’ house after they moved into a retirement home, we found a great deal of ancestral material, the most interesting of which was, would you believe, about my mother.

We have found a whole lot of letters she received from her first boyfriend and then from my father. It shows a side to her I never knew about, and a side to my father that, given what I know of him, is totally out of character.

There will no doubt be more on this subject later.

And finally, but not least, there was a baby announcement, always a subject of much joy and happiness.

This is only day two. There is definitely more to come.

What I learned about writing – A magical few hours lost in living history

Or as it might more commonly be known as, spending a few hours in a historical museum. which just happens to cover some of the material you need for a school project.

I brought up the subject of living history yesterday after we all packed off to have an hour ride on a steam train and accompanying equally aged carriages.

Since these trains have been missing for nearly fifty years, there is basically two generations of people who have never had the chance to travel in such a manner in their lifetime, unless, of course, they have found a tourist train like our example, the Mary Valley Rattler.

It’s the same as the early days of finding gold in Gympie, in Queensland, Australia.  It dates back to the 1860s, and one can only imagine what it was like because most of the history is in books.  Yes, they have sketches, and sometimes photographs, but these do not generally date back to the middle of the nineteenth century.

But, visiting a living example of what it was like in ‘the old days’ can give those generations a glimpse of what it was like.

Single room schools, because unlike today when schools now cater to over 1,000 children in varying years, one school held about 20 or 30 in all grades, with a single teacher.

In fact, today, I saw a collection of readers that I remember reading when I was in grade school, a long time ago.  Even the desks and the ink wells brought back interesting memories, one of which when I was ink monitor.

But housed in a number of old-style buildings was the information on the diggings, the mines and the impact of gold in general, and, at the very end, the children got to do a little panning for gold, and found a number of small fragments of real gold.

Once they’d been shown by a panning expert that looked as if he had been transported into this time from the past.

There are similar places elsewhere in this country that preserve the past to show future generations what it was like.

After this weekend, we have more than enough information to work on the project, based around gold mining, and it’s impact on the people, the area, and the government.

And best of all, it has generated an interest in the past, reading more, and perhaps if we’re lucky, an interest in writing something based on history, which sometimes is quite difficult when it has to compete with more interesting pastimes like computer games.

365 Days of writing, 2026 – 254

Day 254 – Get to the point

…

The Art of the Slow Burn: Why You Need to Hook Your Readers Early (Even When Taking Your Time)

We’ve all heard the golden rule of writing: Start with a bang. Grab the reader by the lapels on page one, throw them into a high-stakes action scene, or drop a mind-bending mystery that demands an immediate answer.

It’s solid advice. But what if your story isn’t built that way?

What if you are writing an atmospheric literary drama, an intricate, world-building-heavy fantasy, or a psychological thriller that relies on a slow, simmering escalation of tension? As writers, we often fall into the trap of believing that “taking our time” gives us a free pass to wander. We spend the first three chapters describing the weather, establishing generational family trees, or letting characters slowly drink their morning coffee.

Here is the hard truth every writer needs to hear: Some stories can take their time before sinking the hook in, but it’s best to give the reader a reason to keep turning the page.

Let’s explore how to master the delicate balance of the “slow burn” without putting your reader to sleep.

The Misconception of the “Slow Burn”

When readers pick up a slow-burn story, they aren’t looking for instant gratification—they are looking for immersion. They want to be enveloped in a rich environment or watch a relationship evolve over hundreds of pages.

However, slow burn does not mean stagnant.

Stagnation happens when nothing of emotional, psychological, or narrative consequence is happening. A slow burn, on the other hand, is about anticipation. It’s the feeling of walking down a dark hallway where you know something is waiting for you at the end. You aren’t running yet, but your senses are heightened.

If your story requires a gentle, unhurried opening, you cannot afford to be passive. You have to actively manufacture curiosity.

4 Ways to Hook Your Reader While Taking Your Time

If you aren’t starting with an explosion or a murder, what should you put on page one? How do you keep the reader invested while you lay your narrative foundation?

1. Weaponize the “Promise of the Premise”

Even if your plot is moving at a leisurely pace, the reader needs to know the journey is worth the mileage. Establish the stakes or the core question early, even if you don’t answer it for a long time.

  • Example: If your novel is about two people who slowly fall in love over a ten-year friendship, show a flash-forward of them at a crossroads, or establish early on that one of them is moving away forever. The reader now has a ticking clock in the back of their mind, making the slow, cozy scenes that follow infinitely more poignant.

2. Create Immediate Character Intrigue

If the plot isn’t racing forward, the characters must carry the weight. But backstory dumps won’t save you here. Instead, hook the reader with behavioral anomalies or compelling contradictions.

  • Introduce a character who is outwardly charming but makes a deeply unsettling observation.
  • Show someone reacting to a mundane situation in an entirely unexpected way.
  • Curiosity is an itch. If you give the reader a psychological puzzle to solve about a character on page two, they will keep reading just to figure out what makes that person tick.

3. Establish an Irresistible Atmosphere

If you are going to take your time getting to the plot, the world you are building better be a place the reader actually wants to inhabit. Atmosphere can be a powerful hook in its own right. Think of gothic horror or cozy mysteries. The pacing is often deliberate, but the sensory details—the chill in the air, the creak of the floorboards, the smell of rain on dust—create a mood so intoxicating that the reader forgets they haven’t reached the inciting incident yet.

4. Ask a Question the Reader Needs Answered

You don’t need a dead body to create mystery. You just need a gap in information. Drop a subtle hint about something that happened in the past, or introduce an unspoken tension between two characters. When a writer hints at a secret without immediately revealing it, they are playing a game of psychological chess with the reader. The reader keeps turning the page not because they are running from danger, but because they are chasing an answer.

The Golden Rule: Respect Your Reader’s Patience

Readers are generous. They will happily go on a long, winding journey with you—if they trust you.

Trust is built in the opening pages. It comes from tight prose, a distinct narrative voice, and the subtle, underlying sense that the author knows exactly where they are taking you, even if they are taking the scenic route.

Take your time, breathe life into your world, and let your characters develop organically. Just make sure that as you weave your slow-burn tapestry, you’re handing the reader a thread they can’t help but follow.

…

If I only had one day to stop over in – Warsaw – what would I do?

How to Make a One-Day Warsaw Stopover Unforgettable: Your Ultimate Guide

So, you’ve got a one-day stopover in Warsaw, and you’re wondering how to make the most of it. Maybe it’s a layover on your way to another European city, or perhaps it’s a quick visit squeezed into a packed itinerary. Either way, Warsaw—a city of resilience, history, and vibrant culture—is waiting to surprise you. With just 24 hours, it might seem impossible to capture the essence of Poland’s capital, but trust me: one place can make your day truly memorable.

The challenge? Warsaw is packed with incredible spots: the historic Old Town (a UNESCO World Heritage site), the hauntingly powerful Warsaw Uprising Museum, the lush Łazienki Park, and the bustling Nowy Świat street. But if you only have time for one standout experience, I’d point you straight to the Warsaw Uprising Museum.

Why the Warsaw Uprising Museum?

Yes, it’s a museum—but not just any museum. This is a visceral, immersive journey into the soul of Warsaw. In 1944, the city’s residents rose up against Nazi occupation in a brave, tragic 63-day struggle. The museum doesn’t just tell that story; it makes you feel it. From the moment you step inside, you’re surrounded by the sights, sounds, and emotions of that pivotal moment in history. It’s a tribute to courage, sacrifice, and the incredible rebirth of a city that was nearly destroyed.

What Makes It So Special for a Short Visit?

  1. Emotional Impact: You’ll leave moved and inspired. It’s a powerful reminder of why Warsaw is called the “Phoenix City”—rebuilt from ashes with unwavering spirit.
  2. Central Location: Easily accessible by public transport or taxi from the city centre or airport (Chopin Airport is just a 20-minute drive away).
  3. Efficient Experience: You can spend 2–3 hours here and come away feeling like you’ve truly connected with Warsaw’s heart. It’s time well spent, offering more depth than a quick stroll through tourist spots.

Making Your Stopover Memorable: A Quick Plan

  • Morning: Head straight to the Warsaw Uprising Museum (book tickets online to skip lines). Allow yourself to absorb the exhibits—don’t rush.
  • Afternoon: Grab a traditional Polish lunch at a nearby milk bar (like “Bar Bambino”) for pierogi or żurek soup. Then, take a short walk to the reconstructed Old Town to see the Royal Castle and Market Square—it’s a beautiful contrast to the museum’s history, showcasing Warsaw’s renewal.
  • Evening: If time allows, enjoy a coffee or craft beer in the trendy Powiśle district before heading back to the airport.

But What If Museums Aren’t Your Thing?

If you’re craving something lighter, Warsaw’s Old Town is a fantastic alternative. Stroll through its colourful streets, admire the meticulous post-war reconstruction, and climb the bell tower of St. Anne’s Church for panoramic views. It’s a testament to beauty rising from destruction.

Final Tips for Your One-Day Adventure

  • Transport: Use Warsaw’s efficient public transport or Bolt/Uber for convenience.
  • Currency: Have some Polish złoty for small purchases, though cards are widely accepted.
  • Mind the Time: Keep an eye on your flight schedule—allow ample time to return to the airport.

A one-day stopover in Warsaw doesn’t have to be a blur. By choosing one meaningful place—like the Warsaw Uprising Museum—you’ll take home more than just photos; you’ll carry a piece of Warsaw’s indomitable spirit. Whether you’re a history buff, a curious traveller, or someone seeking authentic experiences, this city will leave a lasting impression.

So, go ahead—turn that layover into a memorable chapter of your journey. Warsaw is ready to welcome you.

In a word: Story

All of us writers know what this is, the sort of combination of words that all come together as a story.  A tale about anything, whether it is true or just plain fiction.

A story can be long, or it can be short.  It could be a magazine or newspaper article, or it could be what a child tells their mother or father when they get into trouble.

Come to think of it, I think that’s where I got an interest in writing stories, because as a child, I was always in trouble.

Of course, if you are telling certain types of stories, then it’s bound to be a lie.  And made even worse if it is gossip!

That story might even be my interpretation of events, and as it happens, no two stories may be the same, especially if I and others had witnessed the same event.

This is not to be confused with the other version, storey, which is a single level in a building, one that might have thirty or more stories.

And, just to add to the confusion, living in Brisbane in Australia, we have the Storey Bridge.

First Dig Two Graves

A sequel to “The Devil You Don’t”

…

Revenge is a dish best served cold – or preferably so when everything goes right

Of course, it rarely does, as Alistair, Zoe’s handler, discovers to his peril. Enter a wildcard, John, and whatever Alistair’s plan for dealing with Zoe was dies with him.

It leaves Zoe in completely unfamiliar territory.

…

John’s idyllic romance with a woman who is utterly out of his comfort zone is on borrowed time. She is still trying to reconcile her ambivalence after being so indifferent for so long.

They agree to take a break, during which she disappears. John, thinking she has left without saying goodbye, refuses to accept the inevitable and calls on an old friend for help in finding her.

After the mayhem and being briefly reunited, she recognises an inevitable truth: there is a price to pay for taking out Alistair; she must leave and find them first, and he would be wise to keep a low profile.

But keeping a low profile just isn’t possible, and enlisting another friend, a private detective and his sister, a deft computer hacker, they track her to the border between Austria and Hungary.

What John doesn’t realise is that another enemy is tracking him to find her too. It could have been a grand tour of Europe. Instead, it becomes a race against time before enemies old and new converge for what will be an inevitable showdown.