The cinema of my dreams – I always wanted to write a war story – Episode 4

This is a story inspired by a visit to an old castle in Italy. It was, of course, written while travelling on a plane, though I’m not sure if it was from Calgary to Toronto, or New York to Vancouver.

But there’s more to come. Those were long flights…

And sadly, when I read what I’d written, off the plane and in the cold hard light of dawn, there were problems, which now, in the second draft, should provide the proper start.

…

Another fifty or so feet along, I stopped at an overhead grill.  The metal was showing on the tunnel side, but on the other side, I could see bushes.

I think I knew where we were.  This was where the road crossed a small bridge and headed towards the castle entrance.  It was on the northeastern side of the old battlements, and going straight under the road would take us to the eastern wall.

Whether we could get out of the castle there remained to be seen.

I took a step and saw Jack stop and turn around to look back the way we had come.  A moment later, a beam of light came from the break in the roof of the tunnel.  Perhaps the man had decided there might not be ghosts in the hole.

I heard the man’s voice travel up the tunnel.  “Looks like a cavern of something.”

That is something he might guess to be a tunnel.

We had to go.

I moved quickly in the opposite direction, into the dark, the sound of more rocks falling from the roof following us.

 

After another hundred feet or so, we reached a wall, a dead end to the tunnel.  It looked to me that it had been bricked in the recent past because it consisted of house bricks, not cobblestones.

The surface was wet, and there was the sound of dripping nearby.

Jack sat on the floor.  Nowhere to go, for him it was time to rest.

We couldn’t go back.

I pulled out a knife and poked it into the mortar, and the blade disappeared when I pushed it.  The mortar was soft.

I pushed hard on the wall midway up, and it moved.  I decided it might be wiser to kick at the wall, making it easier if it collapsed.

It created a hole about a foot around.  Further kicking made it bigger so that I could stoop down and climb through.  Jack went first, and I followed.

It came out into a clearing surrounded by trees.  Through the branches, I could see the forest on the other side of a paddock.

Jack once again stopped.

Voices.

Jackerby and one of his men.

“I’m sure there used to be a drainage tunnel somewhere here.  Those men got into the tunnel yet?”

“Working on making a hole so they can jump down.  Not long now.”

“Go back and help them.  I’ll keep an eye out here in case they find the exit.”

I heard the other man leave.

A minute passed, then two.  Then Jackerby said, “I know you’re there, Sam.  I’m alone out here, and I’m on your side.”

…

© Charles Heath 2022

Skeletons in the closet, and doppelgangers

A story called “Mistaken Identity”

…

How many of us have skeletons in the closet that we know nothing about? The skeletons we know about generally stay there, but those we do not, well, they have a habit of coming out of left field when we least expect them.

In this case, when you see your photo on a TV screen with the accompanying text that says you are wanted by every law enforcement agency in Europe, you’re in a state of shock, only to be compounded by those same police, armed and menacing, kicking the door down.

I’d been thinking about this premise for a while after I discovered my mother had a boyfriend before she married my father, a boyfriend who was, by all accounts, the man who was the love of her life.

Then, in terms of coming up with an idea for a story, what if she had a child by him that we didn’t know about, which might mean I had a half-brother or sister I knew nothing about. It’s not an uncommon occurrence from what I’ve been researching.

There are many ways of putting a spin on this story.

Then, in the back of my mind, I remembered a story an acquaintance at work was once telling us over morning tea, that a friend of a friend had a mother who had a twin sister and that each of the sisters had a son by the same father, without each knowing of the father’s actions, both growing up without the other having any knowledge of their half brother, only to meet by accident on the other side of the world.

It was an encounter that in the scheme of things might never have happened, and each would have remained oblivious of the other.

For one sister, the relationship was over before she discovered she was pregnant, and therefore had not told the man he was a father. It was no surprise the relationship foundered when she discovered he was also having a relationship with her sister, a discovery that caused her to cut all ties with both of them and never speak to either from that day.

It’s a story with more twists and turns than a country lane!

And a great idea for a story.

That story is called ‘Mistaken Identity’.

The cinema of my dreams – I always wanted to go on a treasure hunt – Episode 5

My mind will not rest.

Down here, it is summer, and the last few days have been rather hot; well, it is summer after all, but tonight it is particularly hot.

So, as I can’t sleep, I’m lying on the couch staring at the ceiling, otherwise known as the cinema of my dreams.

Where am I?

Well, the location is in keeping with the weather; hot, humid, and cold drinks are mandatory.

I’ve got one now!

…

A sleepless night did nothing to make the idea of going on a treasure hunt more palatable. I couldn’t say I didn’t see it coming, because Boggs had been hinting he’d found something of his father’s when poking through his old stuff.

I was hoping it was money.

And visiting the bar, I thought that he had found a lead in his quest to find some information about his parents, two people he realised now, he knew very little about.

In that quest, I was only too willing to help.

When he finally told me about the treasure, I didn’t think he was the sort to believe in fairy tales, because everyone knew it was little more than that.

I didn’t flat-out debunk the myth, but I could see I was going to have to carefully get him off this track.  Real or not, we were hardly equipped, mentally or physically, to deal with whatever this quest might throw up.

Yes, in my mind’s eye, I had a Raiders of the Lost Ark scenario running through my head, from large rolling stones, through to a snake pit.  I hated snakes, too.

In fact, with the addition of Boggs’ uncle Rico in the mix, it seemed to me we would be better off spending our time looking for work rather than using any excuse not to, but that was the problem with our neighbourhood, too many people looking for work and not enough jobs.  Prosperity seemed to be everywhere else.

“No lounging around in bed, Sam.”  My mother’s voice came from the kitchen, where she would be throwing food into a container for her lunch.

She was suffering from the lack of employment too, being a qualified accounts clerk, but for the time being, working check out at the local supermarket.

A job was a job, but it barely paid the bills.

I made it to the kitchen just as she was about to leave.

“You need to try harder,” she said.  “Walter said they’re looking for people in the warehouse again.  Promise me you’ll go see them.”

I could see the strain of the odd shifts she worked, the fact that she didn’t want to be there, but unlike my father, she accepted responsibility, no matter what it cost.

“I promise.”

A kiss on the forehead, and she was gone.

The jobs at the warehouse were little more than slave labour, minimum pay, very hard work, and ungrateful supervisors.  Most of those, like Boggs and I, lasted a week or less because that way they didn’t have to pay you for the few days you worked.

But it was a job, and it was time I stepped up.

The treasure hunt would have to wait.

…

© Charles Heath 2019-2026

The 2am Rant: When is it ever an easy flight home?

The course of plane travel can run like clockwork, or rapidly come apart at the seams.

Every time you go to the airport, it can become an adventure. Checking in, battling the airline’s kiosk, printing and attaching bag labels, going to the bag drop, remembering that every airline does it differently.

Today, we are arriving at Hong Kong airport, which is huge, with endless boarding gates. Being dropped off in the zone that belongs to the airline you’re flying might lead you to think finding the check-in for your flights is going to be easy, but it’s not. The next step is to find the aisle letter where your flight is checking in, and then do the automated boarding pass and baggage label.

If it’s international travel, which it is today, there’s the added stress of negotiating immigration and the duty-free stores. We followed the rules, arrived early, had the usual problems at the kiosk that required assistance from two Cathay Pacific staff members, and finally made it to the initial departure concourse.

Next, there’s the temptation of overpriced airport food if you’re hungry, which we are not. But we have a McCafe coffee to satisfy a caffeine fix before the flight.

The shops are all expensive at the initial departure concourse, so we decide to see if there are other shops near our departure gate. To get to it, we descend to the train and get off at 40-80. It’s a short journey, and then when we arrive, there is a collection of more affordable shops where we proceed to buy, along with every man and his dog, a selection of sweets with our remaining Hong Kong dollars.

From there it’s a couple of travellators, which sounds ridiculously short, but are, in reality, very, very long, to our gate, and we get there ten minutes before boarding is supposed to commence.

Today we are travelling on an Airbus A350-900, a relatively new plane so you would think there could not be anything wrong with it. We had the same plane coming to Hong Kong, and no trouble with it.

We find a seat in the gate lounge and wait, along with everyone else. I’m still surprised at the number of able-bodied people who take the disabled seats for the sake of being closer to the start of the line, and worse, the woman who not only took up one of the seats but also another seat for her cabin baggage, which was extensive.

Boarding starts late, and routinely for the first, business, and disabled passengers. The rest now start to line up in the economy line. Some people haven’t moved; perhaps they know something we don’t.

We eventually join the line and go through the initial formalities while waiting. And waiting. As the minutes tick by and nothing is happening, other than what appears to be growing consternation by the gate staff. The tipping point for immediate concern is when the previously boarded passengers begin to come back through the boarding gate into the departure gate lounge.

One of those who had been on board came our way and said there was a problem with the plane. They were told it was due to technical difficulties; the official non-scary description for your plane is broken. In the face of growing consternation among the queued economy passengers, there was an official announcement that advised of the technical difficulties, and boarding would be delayed.

We all sat back down, but this time, there were several disabled and elderly people who needed seats, and our able-bodied lady and her baggage did not move. Shame on her. We are lucky that where we were in the waiting line was adjacent to nearby seats

Now we were able to watch the other passengers jockeying for position to race to be first in the economy class boarding queue, the second time around. I think they don’t realise they have the same seat if they are at the front of the line or the back. Because we were all asked to sit down, those at the front of the queue would now find themselves at the end.

After a delay of about an hour and a half, we are finally boarding. The worst aspect of this delay is losing our slot in the departures, and I’m guessing this was going to have an effect on our actual takeoff time. It appears to be the case. Boarding does not take very long, and shortly after the doors are closed, we’re pushing back from the gate.

From there, it becomes a chess game when we get a slot. We are in a queue of planes waiting our turn, and on the taxi ramp before the main runway, planes are separated into two queues, and we are in the second. Since we are the only ones, I suspect we’re in the delayed take-off queue, and sit watching four or so other planes take off before we finally get on the runway.

On the plane, we discovered one of the toilets was out of action, so perhaps that was the technical difficulty with our plane. It’s not full, so one toilet down will have little effect. Leaving in the early afternoon will get us into Brisbane late at night. It was meant to be around 11 pm, but with the delays, and possibly making up time in flight, it will now be after midnight when we arrive. Fortunately, we have a 24-hour airport in Brisbane.

The flight from Hong Kong to Brisbane is without incident. Lunch after takeoff, then a few hours later, an hour or so before landing, we have dinner. Neither of us is hungry. As expected, we landed after midnight, tired but glad to be home.

I can’t say at this moment in time that I miss travelling.

What I learned about writing – Coffee, Crumbs, and Creativity: The Writer’s Fuel Dilemma

There’s a specific kind of alchemy that happens when you’re truly in the writing zone. Words flow, ideas connect, and the world outside the screen (or notebook) fades into a hazy, unimportant blur. It’s a magical, almost spiritual state where the story dictates the pace and you’re merely its conduit.

But let’s be honest, that magic often comes at a cost, doesn’t it?

The Sustenance Struggle

For many of us, the quest for sustained creative output inevitably clashes with the very human need for sustenance. The ubiquitous cup of coffee, the endless mug of tea – these become less a beverage and more a life support system. We sip, we type, we chase the next sentence, convinced that stopping for something as mundane as a meal will shatter the fragile spell.

The thought of breaking that momentum, of stepping away from a scene that’s finally unravelling just right, for a sandwich or a proper dinner, feels like artistic treason. We tell ourselves we don’t have time. We can’t interrupt the process. The words are right there.

The Inevitable Crash

This fierce dedication, while admirable in its intensity, is a double-edged sword. Our brains, despite their boundless capacity for imagination, are still physical organs. They run on glucose, not just caffeine and sheer willpower. Our bodies, too, require fuel and rest.

So, what happens? We push through. We ignore the growling stomach, the flickering headache, the creeping brain fog. We power through on adrenaline and the rapidly diminishing returns of our stimulant of choice. Until, of course, the well dries up.

The words blur. The plot holes yawn. The characters suddenly feel flat. That vibrant spring of inspiration suddenly looks suspiciously like a dry puddle. We drop from exhaustion, or are forced to stop because the mental engine has finally sputtered out. The creative fire is banked, not because the ideas are gone, but because the vessel carrying them is depleted.

Refuelling for the Long Haul

It’s in this forced pause that the deeper sustenance often arrives. Sleep isn’t just downtime; it’s vital processing time. It’s where your subconscious untangles plot knots, brews new ideas from disparate elements, and recharges the very batteries you’ve drained. Perhaps dreams, those wild, untamed narratives of our minds, become fertile ground for unexpected inspiration, offering a fresh perspective when you finally return to the page.

The lesson? Nurturing your body isn’t a distraction from your craft; it’s an integral part of it. Think of fueling yourself not as an interruption, but as an investment into longer, more productive, and ultimately more enjoyable writing sessions.

  • Pre-emptive Power: Before you dive deep, have a proper meal or at least a substantial snack. Think protein and complex carbs to avoid that precipitous sugar crash.
  • Hydrate Smarter: Water is your brain’s best friend. Keep a bottle within reach and sip regularly.
  • Strategic Breaks: A five-minute stretch, a quick walk to the kitchen for that piece of fruit, genuinely stepping away for a meal – these aren’t breaks from writing, they’re part of a sustainable writing practice. They allow your subconscious to work, your eyes to rest, and your body to refuel.
  • Listen to Your Body: Learn to recognise the early signs of fatigue and hunger. Don’t wait until you’re crashing to address them.

So, next time you feel that familiar pull into the writing vortex, pause for a moment. Ask yourself: Is my body fueled? Is my mind sustained? Because the most brilliant stories are often born not just from passion, but from the well-being that allows that passion to truly flourish.

How do you navigate the delicate dance between creative flow and basic needs? Share your tips for staying nourished and inspired in the comments below!

365 Days of writing, 2026 – 159

Day 159 – If you want to be a writer, write

…

The Writer’s Paradox: Why Consumption Isn’t Creation

We live in a culture that loves to romanticise the “writer’s life.” We imagine it involves a worn leather notebook, a steaming cup of artisan coffee, and someone hunched over a desk, reading the classics until the prose is so deeply ingrained in their psyche that they eventually exhale a masterpiece.

But there is a dangerous misconception hidden in that romantic ideal. It is the belief that if you read enough, if you consume enough “good” writing, you will eventually wake up one morning and find that the words have seeped into your marrow, ready to flow out of you onto the page.

Here is the cold, hard truth: If reading is your pleasure, then simply read. Enjoy the stories. Let them move you. But do not mistake the act of consumption for the act of creation.

The Illusion of Osmosis

Many aspiring writers fall into the trap of “productive procrastination.” They justify spending six hours a day reading literary journals, studying sentence structures, and analysing plot devices, telling themselves, “I’m doing research. I’m filling my well.”

While reading is vital fuel for any writer, it is not the engine. You can read every shelf in the library, but your shelves will never write a paragraph for you. There is no biological osmosis in writing. The words you consume do not undergo a mystical transformation inside your bones and emerge as your own voice.

Reading is a passive experience. It is a dialogue between you and the author. Writing, however, is a monologue—a messy, uncomfortable, and often lonely exertion of will.

The Anatomy of a Writer

If you want to be a writer, you must stop waiting for the inspiration of others to do the heavy lifting for you.

When you read, you are a spectator. When you write, you are an athlete. You can watch the Olympics every single day for ten years, but that won’t make you a runner. To run, you have to strap on the shoes and hit the pavement when your lungs are burning, and your legs are heavy.

To write, you have to:

  • Face the blank cursor: It is the most terrifying and honest thing in the world.
  • Write badly: You have to produce “bone marrow” that isn’t quite ready yet. You have to write the rough, ugly, incoherent drafts before you can ever arrive at the polished prose you admire in others.
  • Commit to the output: A writer is defined by what they produce, not what they consume.

Stop Waiting, Start Doing

If you love books, keep reading. Let them be your sanctuary, your education, and your joy. But if you call yourself a writer, you must accept that your primary job is to create.

The words won’t flow out of your marrow until you force them out. They come from the friction of your own thoughts, your own experiences, and the sheer discipline of showing up to the page—even when you have nothing to say.

Don’t wait for the osmosis. Don’t wait for the “right time” or for your brain to be “full enough.”

If reading is your pleasure, read. But if you want to be a writer, write.

…

Top 5 sights on the road less travelled – Dublin

Escape the Crowds: Dublin’s Top 5 Hidden Gem Attractions

Dublin is a city of undeniable charm, buzzing with energy, history, and a legendary pub scene. While iconic spots like the Guinness Storehouse, Trinity College, and Dublin Castle are must-sees, they often come with lengthy queues and shoulder-to-shoulder crowds.

But what if you long for a taste of authentic Dublin culture and history without the tourist rush?

Luckily, the Irish capital is brimming with distinctive features tucked away in quieter corners. We’ve compiled a list of the top five visitor attractions in Dublin that offer unique experiences, fascinating stories, and, best of all, a peaceful respite from the throngs.

1. The Chester Beatty Library

Nestled within the walls of Dublin Castle (but often overlooked by those rushing to the main courtyard), the Chester Beatty is a true global treasure. This museum and library holds the collected works of Sir Alfred Chester Beatty, one of the greatest collectors of the 20th century.

Why it’s distinctive: This isn’t just a collection of old books. You’ll find exquisite manuscripts, rare books, miniature paintings, and decorative arts from across Asia, the Middle East, North Africa, and Europe. It houses some of the world’s most important holdings of Islamic, East Asian, and Western printed materials.

The Quiet Factor: While the Dublin Castle grounds can be busy, the library itself offers a tranquil, dimly lit haven perfect for quiet reflection. Best of all? Admission is free. Don’t forget to visit the rooftop garden café for stunning views over the city.

2. The Dublin Writers Museum (Temporarily Closed – See Alternative Below)

Note: While the original Dublin Writers Museum building is currently closed for relocation, the spirit of literary Dublin is still alive and accessible in less-crowded formats.

The Alternative: The Museum of Literature Ireland (MoLI)

Located in UCD’s stately Newman House on St. Stephen’s Green, MoLI is a beautiful, modern museum dedicated to the rich tapestry of Irish writing, from James Joyce to contemporary voices.

Why it’s distinctive: Set in the beautiful historic home where literary giants like Gerard Manley Hopkins and James Joyce once studied, MoLI offers interactive displays, beautiful exhibitions (including the original ‘Copy No. 1’ of Joyce’s Ulysses), and stunning period rooms.

The Quiet Factor: While popular with writers and literature lovers, MoLI rarely reaches the peak capacity of the larger city museums. It offers spacious exhibition rooms and one of the finest cultural gift shops in the city. The tranquil, hidden courtyard garden is a perfect spot to enjoy a coffee and escape the city noise.

3. Richmond Barracks, Inchicore

Stepping slightly outside the immediate city centre opens up historical venues of immense importance. Richmond Barracks, located in the Inchicore area, offers a deep dive into pivotal moments of Irish history, particularly the 1916 Easter Rising.

Why it’s distinctive: This site served as the primary holding place for over 3,000 men arrested after the 1916 Rising. It was here that Pádraig Pearse and the other executed leaders were court-martialed. Today, it operates as a heritage centre and a community hub, offering moving and highly informative tours detailing the barracks’ role through the centuries, including its post-independence use as housing for local families.

The Quiet Factor: Because it requires a short tram ride (the Luas Red Line to Suir Road), it naturally filters out the casual tourist crowd. You’ll likely enjoy a small, intimate guided tour that allows for detailed questions and reflection.

4. The Marsh’s Library

For those who crave the smell of old paper and the feeling of stepping back in time, Marsh’s Library is an essential visit. Dating back to 1707, it is one of the oldest public libraries in Ireland.

Why it’s distinctive: This library remains virtually unchanged since it opened its doors in the early 18th century. It features beautiful dark oak bookcases, wire cages (used to prevent the theft of valuable texts), and over 25,000 rare and fascinating books. You can walk the very aisles where writers like Bram Stoker and James Joyce once studied.

The Quiet Factor: Tucked away behind St. Patrick’s Cathedral, Marsh’s charges a small entrance fee, which helps keep visitor numbers manageable. The atmosphere is hushed and reverential—it’s an ideal place to spend an hour truly absorbing Dublin’s intellectual history without jostling for space.

5. The Botanic Gardens (National Botanic Gardens of Ireland)

While not entirely undiscovered, Dublin’s National Botanic Gardens in Glasnevin offers such a vast, sprawling space that crowds simply melt away amongst the lush greenery.

Why it’s distinctive: Spread across nearly 50 acres, the gardens feature stunning Victorian glasshouses (including the curvilinear range designed by Richard Turner), extensive plant collections, a tranquil arboretum, and historically significant grounds. It’s an essential centre for conservation and research.

The Quiet Factor: Located a short bus ride north of the city centre (near the Glasnevin Cemetery, another excellent, quiet spot), the gardens provide endless walking paths, hidden benches, and quiet corners. You can easily spend an entire afternoon wandering the grounds and enjoying the peace, particularly once you move past the main entrance and glasshouses.

Trade the Noise for Narrative

Dublin’s biggest attractions tell a powerful story, but sometimes the best narratives are found off the beaten path. By seeking out these quieter, distinctive attractions, you can enjoy a more personal, profound, and peaceful encounter with the heart and history of the Irish capital. Happy Exploring!

In a word: Nobody

This is sometimes how we must feel when overlooked or ignored, like a nobody.

And some people will treat you like a nobody, i.e. someone who is just not important.

That’s just one use of the word.

Another might be…

Who did that to your room?

‘Nobody’ is the plaintiff’s reply.  The infamous Mr Nobody.  We’ve never met him, but he’s always there.  And, what’s more, he seems to be able to be in more than one place at a time.

Then there’s that time when there’s nobody in the room, nobody agreed with me, hell, that happens all the time, and when I rang your phone nobody answered.

Nobody?  Was I expecting Mr Nobody to answer?  Surely the response should have been, ‘and you didn’t answer’.

Of course, let’s not delve too deep here, lest we might find out something we didn’t want to know.

I went to your house last night, but nobody was home.

How is it we refer to the people whom we know live in that house as ‘nobody’.  Shouldn’t we be saying, ‘none of you was at home’?

It seems nobody is one of those words we often use in vain.

An excerpt from “Amnesia”, a work in progress

I remembered a bang.

I remembered the car slewing sideways.

I remember another bang, and then it was lights out.

When I opened my eyes again, I saw the sky.

Or I could be underwater.

Everything was blurred.

I tried to focus, but I couldn’t. My eyes were full of water.

What happened?

Why was I lying down?

Where was I?

I cast my mind back, trying to remember.

It was a blank.

What, when, who, why and where are questions I should easily be able to answer. These are questions any normal person could answer.

I tried to move. Bad, bad mistake.

I did not realise the scream I heard was my own. Just before my body shut down.

“My God! What happened?”

I could hear, not see. I was moving, lying down, looking up.

I was blind. Everything was black.

“Car accident; hit a tree, sent the passenger flying through the windscreen. Pity to poor bastard didn’t get the message that seat belts save lives.”

Was I that poor bastard?

“Report?” A new voice, male, authoritative.

“Multiple lacerations, broken collar bone, broken arm in three places, both legs broken below the knees, one badly. We are not sure of internal injuries, but ruptured spleen, cracked ribs and pierced right lung are fairly evident, x-rays will confirm that and anything else.”

“What isn’t broken?”

“His neck.”

“Then I would have to say we are looking at the luckiest man on the planet.”

I heard the shuffling of pages.

“OR1 ready?”

“Yes. On standby since we were first advised.”

“Good. Let’s see if we can weave some magic.”

Magic.

It was the first word that popped into my head when I surfaced from the bottom of the lake. That first breath, after holding it for so long, was sublime, and, in reality, agonising.

Magic, because it seemed like I’d spent a long time underwater.

Or somewhere.

I tried to speak but couldn’t. The words were just in my head.

Was it night or was it day?

Was it hot, or was it cold?

Where was I?

Around me, it felt cool.

It was incredibly quiet. No noise except for the hissing of air through an air-conditioning vent. Or that was the sound of pure silence.  And with it the revelation that silence was not silent. It was noisy.

I didn’t try to move.

Instinctively, somehow, I knew not to.

A previous unpleasant experience?

I heard what sounded like a door opening, and noticeably quiet footsteps slowly came into the room. They stopped. I could hear breathing, slightly laboured, a sound I’d heard before.

My grandfather.

He had smoked all his life until he was diagnosed with lung cancer. But for years before that, he had emphysema. The person in the room was on their way down the same path. I could smell the smoke.

I wanted to tell whoever it was the hazards of smoking.

I couldn’t.

I heard a metallic clanging sound from the end of the bed. A moment later, the clicking of a pen, then writing.

“You are in a hospital.” A female voice suddenly said. “You’ve been in a bad accident. You cannot talk or move; all you can do, for the moment, is listen to me. I am a nurse. You have been here for 45 days and just came out of a medically induced coma. There is nothing to be afraid of.”

She had a very soothing voice.

Her fingers stroked the back of my hand.

“Everything is fine.”

Define fine, I thought. I wanted to ask her what ‘fine’ meant.

“Just count backwards from 10.”

Why?

I didn’t reach seven.

Over the next ten days, that voice became my lifeline to sanity. Every morning, I longed to hear it, if only for the few moments she was in the room, those few waking moments when I believed she, and someone else who never spoke, were doing tests. I knew it had to be someone else because I could smell the essence of lavender. My grandmother had worn a similar scent.

It rose above the disinfectant.

She was another doctor, not the one who had been there the day I arrived. Not the one who had used some ‘magic’ and kept me alive.

It was then, in those moments before she put me under again, that I thought, what if I was paralysed? It would explain a lot. A chill went through me.

The next morning, she was back.

“My name is Winifred. We don’t know what your name is, not yet. In a few days, you will be better, and you will be able to ask us questions. You were in an accident, and you were very severely injured, but I can assure you there will be no lasting damage.”

More tests, and then when I expected the lights to go out, they didn’t. Not for a few minutes more. This was how I would be integrated back into the world. A little bit at a time.

The next morning, she came later than usual, and I’d been awake for a few minutes. “You have bandages over your eyes and face. You had bad lacerations to your face and glass in your eyes. We will know more when the bandages come off in a few days. Your face will take longer to heal. It was necessary to do some plastic surgery.”

Lacerations, glass in my eyes, car accidents, plastic surgery. By logical deduction, I knew I was the poor bastard thrown through the windscreen. It was a fleeting memory from the day I was admitted.

How could that happen?

That was the first of many startling revelations. The second was the fact that I could not remember the crash. Equally shocking, in that same moment, was the fact that I could not remember before the crash either, or only vague memories after.

But the most shattering of all these revelations was the one where I realised I could not remember my name.

I tried to calm down, sensing a rising panic.

I was just disoriented, I told myself. After 45 days in an induced coma, it had messed with my mind, and it was only a temporary lapse. Yes, that’s what it was, a temporary lapse. I will remember tomorrow. Or the next day.

Sleep was a blessed relief.

The next day I didn’t wake up feeling nauseous. I think they’d lowered the pain medication. I’d heard that morphine could have that effect. Then, how could I know that but not who I am?

Now I knew Winifred, the nurse, was preparing me for something unbelievably bad. She was upbeat and soothing, giving me a new piece of information each morning. This morning, “You do not need to be afraid. Everything is going to be fine. The doctor tells me you are going to recover with little scarring. You will need some physiotherapy to recover from your physical injuries, but that’s in the future. We need to let you mend a little bit more before then.”

So, I was not going to be able to leap out of bed and walk out of the hospital any time soon. I don’t suppose I’d ever leapt out of bed, except as a young boy. I suspect I’d sustained a few broken bones. I guess learning to walk again was the least of my problems.

But there was something else. I picked it up in the timbre of her voice, a hesitation, or reluctance. It sent another chill through me.

This time, I was left awake for an hour before she returned.

This time, sleep was restless.

Scenes were playing in my mind, nothing I recognised, and nothing lasting longer than a glimpse. Me. Other people, I didn’t know. Or I knew them and couldn’t remember them.

Until they disappeared, slowly like the glowing dot in the centre of the computer screen, before finally fading to black.

The morning the bandages were to come off, she came in early and woke me. I had another restless night, the images becoming clearer, but nothing recognisable.

“This morning, the doctor will be removing the bandages over your eyes. Don’t expect an immediate effect. Your sight may come back quickly, or it may come back slowly, but we believe it will come back.”

I wanted to believe I was not expecting anything, but I was. It was human nature. I did not want to be blind as well as paralysed. I had to have at least one reason to live.

I dozed again until I felt a gentle hand on my shoulder. I could smell the lavender; the other doctor was back. And I knew the hand on my shoulder was Winifred’s. She told me not to be frightened.

I was amazed to realise at that moment, I wasn’t.

I heard the scissors cutting the bandages.

I felt the bandage being removed and the pressure coming off my eyes. I could feel the pads covering both eyes.

Then a moment when nothing happened.

Then the pads are gently lifted and removed.

Nothing.

I blinked my eyes, once, twice. Nothing.

“Just hold on a moment,” Winifred said. A few seconds later, I could feel a cool towel wiping my face, and then gently wiping my eyes. There was ointment or something else in them.

Then a flash. Well, not a flash, but like when a light is turned on and off. A moment later, it was brighter, not the inky blackness of before, but a shade of grey.

She wiped my eyes again.

I blinked a few more times, and then the light returned, and it was like looking through water, at distorted and blurry objects in the distance.

I blinked again, and she wiped my eyes again.

Blurry objects took shape. A face looking down on me, an elderly lady with a kindly face, surely Winifred, who was smiling. And on the opposite side of the bed, the doctor, a Chinese woman of indescribable beauty.

I nodded.

“You can see?”

I nodded again.

“Clearly?”

I nodded.

“Very good. We will just draw the curtains now. We don’t want to overdo it. Tomorrow we will be taking off the bandages on your face. Then, it will be the next milestone. Talking.”

I couldn’t wait.

When morning came, I found myself afraid. Winifred had mentioned scarring; there were bandages on my face. I knew, but wasn’t quite sure how I knew, I wasn’t the most handsome of men before the accident, so this might be an improvement.

I was not sure why I didn’t think it would be the case.

They came at mid-morning, the nurse, Winifred, and the doctor, the exquisite Chinese. She was the distraction, taking my mind off the reality of what I was about to see.

Another doctor came into the room before the bandages were removed, and he was introduced as the plastic surgeon who had ‘repaired’ the ravages of the accident. It had been no easy job, but, with a degree of egotism, he did say he was one of the best in the world.

I found it hard to believe that if he were, he would be at a small country hospital.

“Now just remember, what you might see now is not how you will look in a few months.”

Warning enough.

The Chinese doctor started removing the bandages. She did it slowly and made sure it did not hurt. My skin was very tender, and I suspect still bruised, either from the accident or the surgery, I didn’t know.

Then it was done.

The plastic surgeon gave his work a thorough examination and seemed pleased with it. “Coming along nicely,” he said to the other doctor. He issued some instructions on how to manage the skin, nodded to me, and I thanked him before he left.

I noticed Winifred had a mirror in her hand and was reticent in using it. “As I said,” she said, noticing me looking at the mirror, “what you see now will not be the result. The doctor said it was going to heal with little scarring. You have been extremely fortunate that he was available. Are you ready?”

I nodded.

She showed me.

I tried not to be reviled at the red and purple mess that used to be my face. At a guess, I would have to say he had to put it all back together again, but not knowing what I looked like before, I had no benchmark. All I had was a snippet of memory that told me I was not the tall, dark, and handsome type.

And I still could not talk. There was a reason; he had worked in that area too. Just breathing hurt. I think I would save up anything I had to say for another day. I could not even smile. Or frown. Or grimace.

“We’ll leave you for a while. Everyone needs a little time to get used to the change. I suspect you are not sure if there has been an improvement in last year’s model. Well, time will tell.”

A new face?

I could not remember the old one.

My memory still hadn’t returned.

…

©  Charles Heath  2024-2026

Top 5 sights on the road less travelled – Moscow

Beyond Red Square: 5 Unique Moscow Adventures on the Road Less Travelled

Moscow. The name alone conjures images of gilded domes, grand kremlins, and vast, historic squares. It’s a city of epic scale and monumental beauty, drawing millions to its iconic sights. But what if you’ve done the Red Square selfie, marvelled at St. Basil’s, and wandered the halls of the Kremlin? What if you crave a deeper, more authentic peek into the soul of this sprawling metropolis?

Fear not, intrepid traveller! Moscow is a city of endless layers, brimming with unexpected delights lurking just beyond the well-trodden tourist paths. If you’re ready to scratch beneath the gilded surface and uncover some truly unique experiences, here are five unforgettable adventures that promise a richer, more intimate understanding of Russia’s vibrant capital.

1. Step Back in Time at the Museum of Soviet Arcade Machines (Музей советских игровых автоматов)

Forget modern gaming consoles; this place is a nostalgic wonderland! Tucked away in a charming underground space, this museum is a playful pilgrimage to the Soviet era, featuring dozens of fully functional arcade machines from the 1970s and 80s. Think clunky joysticks, pixelated graphics, and wonderfully bizarre names like “Sea Battle,” “Safari,” and “Winter Hunt.”

Why it’s off the beaten path: While well-known among locals and a niche group of enthusiasts, it’s rarely on the itinerary of first-time visitors who stick to grander museums. It offers a unique cultural insight into Soviet-era leisure and technology.

What makes it special: Not only do you get to admire these relics, but your entry ticket often includes a handful of authentic 15-kopeck coins, allowing you to actually play the games! It’s a hands-on, interactive experience that’s both fun and surprisingly educational about a bygone era.

Pro-tip: Go with friends for some competitive fun. The staff are usually happy to explain the games and their history, even if your Russian is limited.

2. Wander the Fairytale Grounds of Tsaritsyno Museum-Reserve (Царицыно)

While Kolomenskoye often gets the nod for its royal history and wooden architecture, Tsaritsyno offers a completely different, equally stunning experience. This sprawling estate, once intended as Catherine the Great’s summer residence, features unique pseudo-Gothic palaces, picturesque ponds, and meticulously landscaped parks.

Why it’s off the beaten path: Located a bit further south of the city center, it requires a short metro journey, which deters many tourists. Its specific architectural style (a Russian take on Gothic Revival) is also a fascinating departure from the more common classical Russian styles.

What makes it special: The Grand Palace and the intricate bridges evoke a fantastical, almost theatrical atmosphere. The park itself is massive, perfect for a leisurely stroll, a boat ride on the ponds, or simply finding a quiet bench to soak in the beauty. Don’t miss the Singing Fountain, especially mesmerizing in the evenings (seasonal).

Pro-tip: Dedicate at least half a day. Wear comfortable shoes, as there’s a lot of ground to cover. Check their schedule for classical music concerts or light shows, which often take place in the warmer months.

3. Find Serenity at the Aptekarsky Ogorod (Botanical Garden of Moscow State University – “The Pharmacy Garden”)

Amidst Moscow’s urban hustle, this historical botanical garden is a true hidden oasis of calm. Founded by Peter the Great in 1706 as a garden for medicinal plants (hence “pharmacy garden”), it’s Moscow’s oldest botanical garden and a living museum of flora.

Why it’s off the beaten path: Despite its central location near Prospekt Mira, it’s a quiet retreat often overlooked by tourists rushing between major landmarks. It’s more of a local favourite for a peaceful escape.

What makes it special: Each season brings new beauty, from vibrant spring blooms and lush summer greenery to fiery autumn colours and serene winter landscapes. It features various themed sections, including extensive greenhouses with tropical plants, a vast collection of conifers, and charming ponds. It also hosts open-air exhibitions, concerts, and offers a lovely on-site cafe.

Pro-tip: Ideal for a relaxed afternoon. If you’re visiting in spring or early summer, you’ll be treated to an explosion of colours and fragrances. It’s perfect for photography enthusiasts seeking natural beauty away from the crowds.

4. Savor Global Flavors at Danilovsky Market (Даниловский рынок)

Forget the sterile supermarkets; Danilovsky Market is a gastronomic marvel and a vibrant hub of local life. Housed in a striking circular building with a domed roof, this renovated market seamlessly blends traditional Russian produce stalls with trendy international food vendors.

Why it’s off the beaten path: While gaining popularity, it’s still primarily a local hotspot rather than a primary tourist destination. It offers a more authentic taste of Moscow’s burgeoning food scene than many city-centre restaurants.

What makes it special: This isn’t just a place to buy groceries; it’s a culinary adventure. You can sample Georgian khachapuri, Vietnamese pho, Israeli falafel, Dagestani delicacies, and of course, classic Russian pelmeni and blini – all under one roof. The atmosphere is buzzing, friendly, and incredibly diverse.

Pro-tip: Go hungry! It’s an excellent spot for lunch or an early dinner, allowing you to graze from different stalls. It’s also a great place to pick up unique local treats and spices as souvenirs.

5. Explore the Ancient Streets of Zamoskvorechye (Замоскворечье)

Step across the Moscow River from the Kremlin, and you enter a different era. Zamoskvorechye (literally “beyond the Moskva River”) is one of Moscow’s oldest and most charming districts, known for its quiet, winding streets, traditional merchant houses, and numerous historic churches.

Why it’s off the beaten path: While home to the Tretyakov Gallery (a major draw), the neighbourhood itself is often overlooked by tourists who rush straight to the gallery and then leave. Exploring its backstreets offers a glimpse into a quieter, more preserved Moscow.

What makes it special: You’ll discover hidden courtyards, beautiful onion-domed churches (like the Church of St. Clement, Papa, a stunning example of Baroque architecture), and charming wooden houses nestled between more stately mansions. It feels like stepping into a 19th-century novel, with a tangible sense of history around every corner.

Pro-tip: Put away your map and simply wander. Get lost in its labyrinthine alleys. Pop into a small local café for a coffee. This district is best explored on foot, allowing you to soak in its unique atmosphere at your own pace.

Moscow is a city that constantly reinvents itself, yet always cherishes its past. By venturing beyond the well-worn tourist trails, you’ll discover a more nuanced, intimate, and often surprising side of this magnificent capital. So, pack your adventurous spirit, a sense of curiosity, and get ready to uncover Moscow’s hidden gems!

What hidden gems have you uncovered in Moscow? Share your discoveries in the comments below!