Category: Writing

“The Things We Do For Love”

Would you give up everything to be with the one you love?

…

Is love the metaphorical equivalent to ‘walking the plank’; a dive into uncharted waters?

For Henry, the only romance he was interested in was a life at sea, and when away from it, he strived to find sanctuary from his family and perhaps life itself.  It takes him to a small village by the sea, a place he never expected to find another just like him, Michelle, whom he soon discovers is as mysterious as she is beautiful.

Henry had long since given up the notion of finding romance, and Michelle couldn’t get involved for reasons she could never explain, but in the end, both acknowledge that something happened the moment they first met.  

Plans were made, plans were revised, and hopes were shattered.

A chance encounter causes Michelle’s past to catch up with her, and whatever hope she had of having a normal life with Henry, or anyone else, is gone.  To keep him alive she has to destroy her blossoming relationship, an act that breaks her heart and shatters his.

But can love conquer all?

It takes a few words of encouragement from an unlikely source to send Henry and his friend Radly on an odyssey into the darkest corners of the red-light district in a race against time to find and rescue the woman he finally realizes is the love of his life.

The cover, at the moment, looks like this:

lovecoverfinal1

Is love the metaphorical equivalent to ‘walking the plank’; a dive into uncharted waters?

For Henry, the only romance he was interested in was a life at sea, and when away from it, he strived to find sanctuary from his family and perhaps life itself.  It takes him to a small village by the sea, s place he never expected to find another just like him, Michelle, whom he soon discovers is as mysterious as she is beautiful.

Henry had long since given up the notion of finding romance, and Michelle couldn’t get involved for reasons she could never explain, but in the end, both acknowledge that something happened the moment they first met.  

Plans were made, plans were revised, and hopes were shattered.

A chance encounter causes Michelle’s past to catch up with her, and whatever hope she had of having a normal life with Henry, or anyone else, is gone.  To keep him alive she has to destroy her blossoming relationship, an act that breaks her heart and shatters his.

But can love conquer all?

It takes a few words of encouragement from an unlikely source to send Henry and his friend Radly on an odyssey into the darkest corners of the red-light district in a race against time to find and rescue the woman he finally realizes is the love of his life.

The cover, at the moment, looks like this:

lovecoverfinal1

Writing a book in 365 days – 310

Day 310

Don’t preach, discover the truth

…

The Writer’s Quest: Not Preaching, But Discovering Truth

Milan Kundera, the literary titan behind “The Unbearable Lightness of Being,” posited a profound idea about the writer’s role: “To be a writer does not mean to preach the truth, it means to discover the truth.” This statement, seemingly simple, carries immense weight. It shifts our perception of literature from a didactic tool, a podium from which to dispense wisdom, to a more intricate, exploratory, and frankly, more human endeavor.

Think about the writers we truly admire. Are they the ones who confidently declare absolutes, who arrive with ready-made answers to life’s complex questions? Or are they the ones who delve into the murky depths of human experience, who ask the uncomfortable questions, who present us with characters grappling with dilemmas, whose narratives leave us with more to ponder than to accept? Kundera’s assertion points squarely to the latter.

The Perils of Preaching:

When a writer aims to “preach the truth,” they often fall into the trap of pronouncements and dogma. This can lead to a literature that feels rigid, self-righteous, and ultimately, less engaging. The reader, instead of being invited into a shared exploration, is positioned as a passive recipient, expected to nod in agreement. This approach can alienate, rather than connect, because it presumes a singular, universally applicable truth, which, as any honest observer of life knows, is a rare commodity.

Furthermore, the act of preaching implies certainty. But life, in its most compelling and resonant forms, is rarely certain. It’s a tapestry woven with doubt, ambiguity, and the constant negotiation between conflicting desires and circumstances. A writer who preaches a singular truth risks flattening this rich complexity, presenting a sanitized and incomplete version of reality.

The Power of Discovery:

Kundera’s alternative, “to discover the truth,” is an invitation to a journey. It acknowledges that truth is not a static object to be unearthed and displayed, but a fluid, multifaceted entity that can be approached from myriad angles. The writer, in this paradigm, becomes an explorer, venturing into the uncharted territories of the human psyche, societal structures, and the very fabric of existence.

This discovery process is inherently collaborative. The writer offers a map, a collection of observations, a series of carefully crafted questions, and the reader embarks alongside them. Through the act of reading, we engage with the writer’s discoveries, testing them against our own experiences, questioning them, and in doing so, forming our own understanding, our own truths.

What This Discovery Looks Like in Practice:

  • Embracing Ambiguity: Great literature often thrives on ambiguity. Characters are rarely all good or all bad. Situations are rarely clear-cut. The writer, through their art, allows these shades of gray to exist, inviting us to grapple with the moral and emotional complexities they represent. Think of the moral quandaries faced by characters in Dostoevsky or the existential struggles in Camus.
  • Asking Profound Questions: Instead of providing answers, the writer poses questions that resonate deeply. They might explore the nature of love, the weight of memory, the impact of power, or the search for meaning. These questions, presented through narrative and character, become prompts for our own introspection.
  • Illuminating the Human Condition: By focusing on the often-mundane yet profound experiences of individuals, writers can illuminate universal truths about what it means to be human. The act of observing and articulating these experiences, with honesty and nuance, is a form of discovery.
  • Challenging Assumptions: Effective writers don’t just reflect the world; they interrogate it. They use their stories to challenge our preconceived notions, to reveal hidden biases, and to offer fresh perspectives that might otherwise remain unseen.

In essence, Kundera’s statement liberates the writer. It frees them from the burden of certainty and empowers them to embrace the messy, beautiful, and often bewildering process of understanding. It reminds us that the true magic of literature lies not in being told what to believe, but in being guided to discover it for ourselves, thread by intricate thread, word by evocative word. And in that shared act of discovery, we find a deeper, more authentic connection to the stories we read and to each other.

An excerpt from “If Only” – a work in progress

Investigation of crimes doesn’t always go according to plan, nor does the perpetrator get either found or punished.

That was particularly true in my case.  The murderer was incredibly careful in not leaving any evidence behind, to the extent that the police could not rule out whether it was a male or a female.

At one stage the police thought I had murdered my own wife though how I could be on a train at the time of the murder was beyond me.  I had witnesses and a cast-iron alibi.

The officer in charge was Detective First Grade Gabrielle Walters.  She came to me on the day after the murder seeking answers to the usual questions like, when was the last time you saw your wife, did you argue, the neighbors reckon there were heated discussions the day before.

Routine was the word she used.

Her fellow detective was a surly piece of work whose intention was to get answers or, more likely, a confession by any or all means possible.  I could sense the raging violence within him.  Fortunately, common sense prevailed.

Over the course of the next few weeks, once I’d been cleared of committing the crime, Gabrielle made a point of keeping me informed of the progress.

After three months the updates were more sporadic, and when, for lack of progress, it became a cold case, communication ceased.

But it was not the last I saw of Gabrielle.

The shock of finding Vanessa was more devastating than the fact she was now gone, and those images lived on in the same nightmare that came to visit me every night when I closed my eyes.

For months I was barely functioning, to the extent I had all but lost my job, and quite a few friends, particularly those who were more attached to Vanessa rather than me.

They didn’t understand how it could affect me so much, and since it had not happened to them, my tart replies of ‘you wouldn’t understand’ were met with equally short retorts.  Some questioned my sanity, even, for a time, so did I.

No one, it seemed, could understand what it was like, no one except Gabrielle.

She was by her own admission, damaged goods, having been the victim of a similar incident, a boyfriend who turned out to be an awfully bad boy.  Her story varied only in she had been made to witness his execution.  Her nightmare, in reliving that moment in time, was how she was still alive and, to this day, had no idea why she’d been spared.

It was a story she told me one night, some months after the investigation had been scaled down.  I was still looking for the bottom of a bottle and an emotional mess.  Perhaps it struck a resonance with her; she’d been there and managed to come out the other side.

What happened become our secret, a once-only night together that meant a great deal to me, and by mutual agreement, it was not spoken of again.  It was as if she knew exactly what was required to set me on the path to recovery.

And it had.

Since then, we saw each about once a month in a cafe.   I had been surprised to hear from her again shortly after that eventful night when she called to set it up, ostensibly for her to provide me with any updates on the case, but perhaps we had, after that unspoken night, formed a closer bond than either of us wanted to admit.

We generally talked for hours over wine, then dinner and coffee.  It took a while for me to realize that all she had was her work, personal relationships were nigh on impossible in a job that left little or no spare time for anything else.

She’d always said that if I had any questions or problems about the case, or if there was anything that might come to me that might be relevant, even after all this time, all I had to do was call her.

I wondered if this text message was in that category.  I was certain it would interest the police and I had no doubt they could trace the message’s origin, but there was that tiny degree of doubt, about whether or not I could trust her to tell me what the message meant.

I reached for the phone then put it back down again.  I’d think about it and decide tomorrow.

© Charles Heath 2018-2020

In a word: Incline

When you first think of this word, it is with a slippery slope in mind.

I’ve been on a few of those in my time.

And while we’re on the subject, those inclines measured in degrees are very important if you want a train to get up and down the side of a mountain.

For the train, that’s an incline plane, the point where traction alone won’t get the iron horse up the hill.

Did I say ‘Iron Horse’?  Sorry, regressed there, back to the mid-1800s in the American West for a moment.

It’s not that important when it comes to trucks and cars, and less so if you like four-wheel driving; getting up near vertical mountainsides often present a welcome challenge to the true enthusiast

But for the rest of us, not so much if you find yourself sliding in reverse uncontrollably into the bay.  I’m sure it’s happened more than once.

Then…

Are you inclined to go?

A very different sort of incline, ie to be disposed towards an attitude or desire.

An inclination, maybe, not to go four wheel driving?

There is another, probably more obscure use of the word incline, and that relates to an elevated geological formation.  Not the sort of reference that crops up in everyday conversation at the coffee shop.

But, you never know.  Try it next time you have coffee and see what happens.

An excerpt from “One Last Look”: Charlotte is no ordinary girl

This is currently available at Amazon here:  http://amzn.to/2CqUBcz

…

I’d read about out-of-body experiences, and like everyone else, thought it was nonsense.  Some people claimed to see themselves in the operating theatre, medical staff frantically trying to revive them, and being surrounded by white light.

I was definitely looking down, but it wasn’t me I was looking at.

It was two children, a boy and a girl, with their parents, in a park.

The boy was Alan.  He was about six or seven.  The girl was Louise, and she was five years old.  She had long red hair and looked the image of her mother.

I remember it now, it was Louise’s birthday and we went down to Bournemouth to visit our Grandmother, and it was the last time we were all together as a family.

We were flying homemade kites our father had made for us, and after we lay there looking up at the sky, making animals out of the clouds.  I saw an elephant, Louise saw a giraffe.

We were so happy then.

Before the tragedy.

When I looked again ten years had passed and we were living in hell.  Louise and I had become very adept at survival in a world we really didn’t understand, surrounded by people who wanted to crush our souls.

It was not a life a normal child had, our foster parents never quite the sort of people who were adequately equipped for two broken-hearted children.  They tried their best, but their best was not good enough.

Every day it was a battle, to avoid the Bannister’s and Archie in particular, every day he made advances towards Louise and every day she fended him off.

Until one day she couldn’t.

Now I was sitting in the hospital, holding Louise’s hand.  She was in a coma, and the doctors didn’t think she would wake from it.  The damage done to her was too severe.

The doctors were wrong.

She woke, briefly, to name her five assailants.  It was enough to have them arrested.  It was not enough to have them convicted.

Justice would have to be served by other means.

I was outside the Bannister’s home.

I’d made my way there without really thinking, after watching Louise die.  It was like being on autopilot, and I had no control over what I was doing.  I had murder in mind.  It was why I was holding an iron bar.

Skulking in the shadows.  It was not very different from the way the Bannister’s operated.

I waited till Archie came out.  I knew he eventually would.  The police had taken him to the station for questioning, and then let him go.  I didn’t understand why, nor did I care.

I followed him up the towpath, waiting till he stopped to light a cigarette, then came out of the shadows.

“Wotcha got there Alan?” he asked when he saw me.  He knew what it was, and what it was for.

It was the first time I’d seen the fear in his eyes.  He was alone.

“Justice.”

“For that slut of a sister of yours.  I had nuffing to do with it.”

“She said otherwise, Archie.”

“She never said nuffing, you just made it up.”  An attempt at bluster, but there was no confidence in his voice.

I held up the pipe.  It had blood on it.  Willy’s blood.  “She may or may not have Archie, but Willy didn’t make it up.  He sang like a bird.  That’s his blood, probably brains on the pipe too, Archie, and yours will be there soon enough.”

“He dunnit, not me.  Lyin’ bastard would say anything to save his own skin.”  Definitely scared now, he was looking to run away.

“No, Archie.  He didn’t.  I’m coming for you.  All of you Bannisters.  And everyone who touched my sister.”

It was the recurring nightmare I had for years afterwards.

I closed my eyes and tried to shut out the thoughts, the images of Louise, the phone call, the visit to the hospital and being there when she succumbed to her injuries.  Those were the very worst few hours of my life.

She had asked me to come to the railway station and walk home with her, and I was running late.  If I had left when I was supposed to, it would never have happened and for years afterwards, I blamed myself for her death.

If only I’d not been late…

When the police finally caught the rapists, I’d known all along who they’d be; antagonists from school, the ring leader, Archie Bannister, a spurned boyfriend, a boy whose parents, ubiquitously known to all as ‘the Bannister’s, dealt in violence and crime and who owned the neighbourhood.  The sins of the father had been very definitely passed onto the son.

At school, I used to be the whipping boy, Archie, a few grades ahead of me, made a point of belting me and a few of the other boys, to make sure the rest did as they were told.  He liked Louise, but she had no time for a bully like him, even when he promised he would ‘protect’ me.

I knew the gang members, the boys who tow-kowed to save getting beaten up, and after the police couldn’t get enough information to prosecute them because everyone was too afraid to speak out, I went after Willy.  There was always a weak link in a group, and he was it.

He worked in a factory, did long hours on a Wednesday and came home after dark alone.  It was a half mile walk, through a park.  The night I approached him, I smashed the lights and left it in darkness.  He nearly changed his mind and went the long way home.

He didn’t.

It took an hour and a half to get the names.  At first, when he saw me, he laughed.  He said I would be next, and that was four words more than he knew he should have said.

When I found him alone the next morning I showed him the iron bar and told him he was on the list.  I didn’t kill him then, he could wait his turn, and worry about what was going to happen to him.

When the police came to visit me shortly after that encounter, no doubt at the behest of the Bannister’s, the neighbourhood closed ranks and gave me an ironclad alibi.  The Bannister’s then came to visit me and threatened me.  I told them their days were numbered and showed them the door.

At the trial, he and his friends got off on a technicality.  The police had failed to do their job properly, but it was not the police, but a single policeman, corrupted by the Bannisters.

Archie could help but rub it in my face.  He was invincible.

Joe Collins took 12 bullets and six hours to bleed out.  He apologized, he pleaded, he cried, he begged.  I didn’t care.

Barry Mills, a strong lad with a mind to hurting people, Archie’s enforcer, almost got the better of me.  I had to hit him more times than I wanted to, and in the end, I had to be satisfied that he died a short but agonizing death.

I revisited Willy in the hospital.  He’d recovered enough to recognize me, and why I’d come.  Suffocation was too good for him.

David Williams, second in command of the gang, was as tough and nasty as the Bannisters.  His family were forging a partnership with the Bannister’s to make them even more powerful.  Outwardly David was a pleasant sort of chap, affable, polite, and well mannered.  A lot of people didn’t believe he could be like, or working with, the Bannisters.

He and I met in the pub.  We got along like old friends.  He said Willy had just named anyone he could think of, and that he was innocent of any charges.  We shook hands and parted as friends.

Three hours later he was sitting in a chair in the middle of a disused factory, blindfolded and scared.  I sat and watched him, listened to him, first threatening me, and then finally pleading with me.  He’d guessed who it was that had kidnapped him.

When it was dark, I took the blindfold off and shone a very bright light in his eyes.  I asked him if the violence he had visited upon my sister was worth it.  He told me he was just a spectator.

I’d read the coroner’s report.  They all had a turn.  He was a liar.

He took nineteen bullets to die.

Then came Archie.

The same factory only this time there were four seats.  Anna Bannister, brothel owner, Spike Bannister, head of the family, Emily Bannister, sister, and who had nothing to do with their criminal activities.  She just had the misfortune of sharing their name.

Archie’s father told me how he was going to destroy me, and everyone I knew.

A well-placed bullet between the eyes shut him up.

Archie’s mother cursed me.  I let her suffer for an hour before I put her out of her misery.

Archie remained stony-faced until I came to Emily.  The death of his parents meant he would become head of the family.  I guess their deaths meant as little to him as they did me.

He was a little more worried about his sister.

I told him it was confession time.

He told her it was little more than a forced confession and he had done nothing to deserve my retribution.

I shrugged and shot her, and we both watched her fall to the ground screaming in agony.  I told him if he wanted her to live, he had to genuinely confess to his crimes.  This time he did, it all poured out of him.

I went over to Emily.  He watched in horror as I untied her bindings and pulled her up off the floor, suffering only from a small wound in her arm.  Without saying a word she took the gun and walked over to stand behind him.

“Louise was my friend, Archie.  My friend.”

Then she shot him.  Six times.

To me, after saying what looked like a prayer, she said, “Killing them all will not bring her back, Alan, and I doubt she would approve of any of this.  May God have mercy on your soul.”

Now I was in jail.  I’d spent three hours detailing the deaths of the five boys, everything I’d done; a full confession.  Without my sister, my life was nothing.  I didn’t want to go back to the foster parents; I doubt they’d take back a murderer.

They were not allowed to.

For a month I lived in a small cell, in solitary, no visitors.  I believed I was in the queue to be executed, and I had mentally prepared myself for the end.

Then I was told I had a visitor, and I was expecting a priest.

Instead, it was a man called McTavish. Short, wiry, and with an accent that I could barely understand.

“You’ve been a bad boy, Alan.”

When I saw it was not the priest I told the jailers not to let him in, I didn’t want to speak to anyone.  They ignored me.  I’d expected he was a psychiatrist, come to see whether I should be shipped off to the asylum.

I was beginning to think I was going mad.

I ignored him.

“I am the difference between you living or dying Alan, it’s as simple as that.  You’d be a wise man to listen to what I have to offer.”

Death sounded good.  I told him to go away.

He didn’t.  Persistent bugger.

I was handcuffed to the table.  The prison officers thought I was dangerous.  Five, plus two, murders, I guess they had a right to think that.  McTavish sat opposite me, ignoring my request to leave.

“Why’d you do it?”

“You know why.”  Maybe if I spoke he’d go away.

“Your sister.  By all accounts, the scum that did for her deserved what they got.”

“It was murder just the same.  No difference between scum and proper people.”

“You like killing?”

“No-one does.”

“No, I dare say you’re right.  But you’re different, Alan.  As clean and merciless killing I’ve ever seen.  We can use a man like you.”

“We?”

“A group of individuals who clean up the scum.”

I looked up to see his expression, one of benevolence, totally out of character for a man like him.  It looked like I didn’t have a choice.

Trained, cleared, and ready to go.

I hadn’t realized there were so many people who were, for all intents and purposes, invisible.  People that came and went, in malls, in hotels, trains, buses, airports, everywhere, people no one gave a second glance.

People like me.

In a mall, I became a shopper.

In a hotel, I was just another guest heading to his room.

On a bus or a train, I was just another commuter.

At the airport, I became a pilot.  I didn’t need to know how to fly; everyone just accepted a pilot in a pilot suit was just what he looked like.

I had a passkey.

I had the correct documents to get me onto the plane.

That walk down the air bridge was the longest of my life.  Waiting for the call from the gate, waiting for one of the air bridge staff to challenge me, stepping onto the plane.

Two pilots and a steward.  A team.  On the plane early before the rest of the crew.  A group that was committing a crime, had committed a number of crimes and thought they’d got away with it.

Until the judge, the jury and their executioner arrived.

Me.

Quick, clean, merciless.  Done.

I was now an operational field agent.

I was older now, and I could see in the mirror I was starting to go grey at the sides.  It was far too early in my life for this, but I expect it had something to do with my employment.

I didn’t recognize the man who looked back at me.

It was certainly not Alan McKenzie, nor was there any part of that fifteen-year-old who had made the decision to exact revenge.

Given a choice; I would not have gone down this path.

Or so I kept telling myself each time a little more of my soul was sold to the devil.

I was Barry Gamble.

I was Lenny Buckman.

I was Jimmy Hosen.

I was anyone but the person I wanted to be.

That’s what I told Louise, standing in front of her grave, and trying to apologize for all the harm, all the people I’d killed for that one rash decision.  If she was still alive she would be horrified, and ashamed.

Head bowed, tears streamed down my face.

God had gone on holiday and wasn’t there to hand out any forgiveness.  Not that day.  Not any day.

New York, New Years Eve.

I was at the end of a long tour, dragged out of a holiday and back into the fray, chasing down another scumbag.  They were scumbags, and I’d become an automaton hunting them down and dispatching them to what McTavish called a better place.

This time I failed.

A few drinks to blot out the failure, a blonde woman who pushed my buttons, a room in a hotel, any hotel, it was like being on the merry-go-round, round and round and round…

Her name was Silvia or Sandra, or someone I’d met before, but couldn’t quite place her.  It could be an enemy agent for all I knew or all I cared right then.

I was done.

I’d had enough.

I gave her the gun.

I begged her to kill me.

She didn’t.

Instead, I simply cried, letting the pent up emotion loose after being suppressed for so long, and she stayed with me, holding me close, and saying I was safe, that she knew exactly how I felt.

How could she?  No one could know what I’d been through.

I remembered her name after she had gone.

Amanda.

I remembered she had an imperfection in her right eye.

Someone else had the same imperfection.

I couldn’t remember who that was.

Not then.

I had a dingy flat in Kensington, a place that I rarely stayed in if I could help it.  After five-star hotel rooms, it made me feel shabby.

The end of another mission, I was on my way home, the underground, a bus, and then a walk.

It was late.

People were spilling out of the pub after the last drinks.  Most in good spirits, others slightly more boisterous.

A loud-mouthed chap bumped into me, the sort who had one too many, and was ready to take on all comers.

He turned on me, “Watch where you’re going, you fool.”

Two of his friends dragged him away.  He shrugged them off, squared up.

I punched him hard, in the stomach, and he fell backwards onto the ground.  I looked at his two friends.  “Take him home before someone makes mincemeat out of him.”

They grabbed his arms, lifted him off the ground and took him away.

Out of the corner of my eye, I could see a woman, early thirties, quite attractive, but very, very drunk.  She staggered from the bar, bumped into me, and finished up sitting on the side of the road.

I looked around to see where her friends were.  The exodus from the pub was over and the few nearby were leaving to go home.

She was alone, drunk, and by the look of her, unable to move.

I sat beside her.  “Where are your friends?”

“Dunno.”

“You need help?”

She looked up, and sideways at me.  She didn’t look the sort who would get in this state.  Or maybe she was, I was a terrible judge of women.

“Who are you?” she asked.

“Nobody.”  I was exactly how I felt.

“Well Mr Nobody, I’m drunk, and I don’t care.  Just leave me here to rot.”

She put her head back between her knees, and it looked to me she was trying to stop the spinning sensation in her head.

Been there before, and it’s not a good feeling.

“Where are your friends?” I asked again.

“Got none.”

“Perhaps I should take you home.”

“I have no home.”

“You don’t look like a homeless person.  If I’m not mistaken, those shoes are worth more than my weekly salary.”  I’d seen them advertised, in the airline magazine, don’t ask me why the ad caught my attention.

She lifted her head and looked at me again.  “You a smart fucking arse are you?”

“I have my moments.”

“Have them somewhere else.”

She rested her head against my shoulder.  We were the only two left in the street, and suddenly in darkness when the proprietor turned off the outside lights.

“Take me home,” she said suddenly.

“Where is your place?”

“Don’t have one.  Take me to your place.”

“You won’t like it.”

“I’m drunk.  What’s not to like until tomorrow.”

I helped her to her feet.  “You have a name?”

“Charlotte.”

The wedding was in a small church.  We had been away for a weekend in the country, somewhere in the Cotswolds, and found this idyllic spot.  Graves going back to the dawn of time, a beautiful garden tended by the vicar and his wife, an astonishing vista over hills and down dales.

On a spring afternoon with the sun, the flowers, and the peacefulness of the country.

I had two people at the wedding, the best man, Bradley, and my boss, Watkins.

Charlotte had her sisters Melissa and Isobel, and Isobel’s husband Giovanni, and their daughter Felicity.

And one more person who was as mysterious as she was attractive, a rather interesting combination as she was well over retirement age.  She arrived late and left early.

Aunt Agatha.

She looked me up and down with what I’d call a withering look.  “There’s more to you than meets the eye,” she said enigmatically.

“Likewise I’m sure,” I said.  It earned me an elbow in the ribs from Charlotte.  It was clear she feared this woman.

“Why did you come,” Charlotte asked.

“You know why.”

Agatha looked at me.  “I like you.  Take care of my granddaughter.  You do not want me for an enemy.”

OK, now she officially scared me.

She thrust a cheque into my hand, smiled, and left.

“Who is she,” I asked after we watched her depart.

“Certainly not my fairy godmother.”

Charlotte never mentioned her again.

Zurich in summer, not exactly my favourite place.

Instead of going to visit her sister Isobel, we stayed at a hotel in Beethovenstrasse and Isobel and Felicity came to us.  Her husband was not with her this time.

Felicity was three or four and looked very much like her mother.  She also looked very much like Charlotte, and I’d remarked on it once before and it received a sharp rebuke.

We’d been twice before, and rather than talk to her sister, Charlotte spent her time with Felicity, and they were, together, like old friends.  For so few visits they had a remarkable rapport.

I had not broached the subject of children with Charlotte, not after one such discussion where she had said she had no desire to be a mother.  It had not been a subject before and wasn’t once since.

Perhaps like all Aunts, she liked the idea of playing with a child for a while and then give it back.

Felicity was curious as to who I was, but never ventured too close.  I believed a child could sense the evil in adults and had seen through my facade of friendliness.  We were never close.

But…

This time, when observing the two together, something quite out of left field popped into my head.  It was not possible, not by any stretch of the imagination, but I thought she looked like my mother.

And Charlotte had seen me looking in their direction.  “You seem distracted,” she said.

“I was just remembering my mother.  Odd moment, haven’t done so for a very long time.”

“Why now?”  I think she had a look of concern on her face.

“Her birthday, I guess,” I said, the first excuse I could think of.

Another look and I was wrong.  She looked like Isobel or Charlotte, or if I wanted to believe it possible, Melissa too.

I was crying, tears streaming down my face.

I was in pain, searing pain from my lower back stretching down into my legs, and I was barely able to breathe.

It was like coming up for air.

It was like Snow White bringing Prince Charming back to life.  I could feel what I thought was a gentle kiss and tears dropping on my cheeks, and when I opened my eyes, I saw Charlotte slowly lifting her head, a hand gently stroking the hair off my forehead.

And in a very soft voice, she said, “Hi.”

I could not speak, but I think I smiled.  It was the girl with the imperfection in her right eye.  Everything fell into place, and I knew, in that instant that we were irrevocably meant to be together.

“Welcome back.”

© Charles Heath 2016-2019

onelastlookcoverfinal2

NANOWRIMO – November 2025 – Day 22

…

The Third Son of a Duke

…

Finally, our protagonist is travelling first class back to England.  He thinks to himself that if the ship is torpedoed, he might have a better chance at survival, but there is that thing about women and children first, so it’s a moot point.

A casualty of war seems his inevitable lot.

There are doctors and nurses on board, and he mentions he travelled out with a particular young lady and asks if they know her.  Only too well, and well, he does wish in the end that he didn’t ask.

It is not surprising, though, because Louise is a kind, gentle, but apparently fun-loving soul given the right circumstances, and he is, in a way, glad that she survived the voyage and found a way to be useful. And fortunately, perhaps, not married or in a serious relationship with a young doctor.

He would never be able to compete with that.

It’s a fascinating run, from Fremantle to Colombo, all the while wondering if there is a German ship out there waiting for them.

There is not.

Coaling in Aden, and then through the Red Sea, familiar territory, and heat, which he is almost accustomed to through his first stint on the way out, and then a year in outback Queensland.

No one believes him when he tells them he was cattle mustering.

They do, however, take his title seriously, and no one will call him David.

…

1915 words, for a total of 34945 words.

Writing about writing a book – Day 27

Well, it’s been a monumental process to get to the point where I think I can start writing Chapter One.

This, of course, might not be the first chapter; it might finish up somewhere else.

If there was a plan, then this would be chapter one.  In fact, right now, I’m going to sit down and do a plan with as much as I know about where the book is heading.

One, about Bill and his introduction to the reader

Two, a phone call to interrupt the dream

Three, having to go into work – there’s a disaster going on, and he’s the only one who can fix it.

Well, not necessarily others, but this is the nineteen seventies/eighties, and women were still not looked upon or considered as being able to hold the same position as Bill – we’ve certainly come a long way in forty years.

And that, of course, is another stream in the book, proving that a woman, and one in particular, is clever and given the recognition she deserves.

I’ve also got to remember that there is no internet, and there are no mobile phones and a lot of other stuff that is now regarded as commonplace and taken for granted.

We had telephone boxes, telephones on desks that connected to a switchboard, dumb terminals connected to mainframes, modems that were bulky and very, very slow, and communications ran very differently from those today, and networking was a variety of technologies that mostly don’t exist anymore, like Ethernet and token ring, and software like 3Com and Novell.

I know I’m going to forget sometimes because it’s going to be hard not to have the MC pull out his cellphone and call on the spot.

Anyway, here’s the first attempt…

…

A cool breeze blew briskly across meadows of tall grass, giving the impression of the ocean in a storm.  High above, clouds scudded across the sky, occasionally allowing the sun to shine through to bathe the ground in the sunshine, intensifying the richness of the greens and browns.

It was spring.  Trees were displaying new growth, and flowers were starting to show the promise of summery delight.  An occasional light shower of rain added to the delightful aromas, particularly where the grass had recently been mowed.

I was there, too, with my grandmother, the woman who had, for the most part, brought me up at her country residence.  But, as I got older, the dream changed, and sometimes there were storm clouds on the horizon, or I was caught in the rain, alone and frightened, or lost in the woods in the dark.

There were other visions like these from my childhood, now a million years away somewhere in a distant past that was hard to remember or say where and when they belonged.  It was a pity some were now based on images stolen from the start of a movie seen on TV late at night, as I was trying to get to sleep.  Or that the psychiatrist had said there was some trauma from my early childhood, trying to work its way out.

Like every other morning, these images came to me as I was hovering somewhere between conscious and unconscious, just before the alarm went off.  Then it did, filling the room with a shrill noise that would have woken the dead.

I cursed and then dragged myself over to the other side of the bed where I’d put the alarm clock, and hit it, killing the shrill sound.  I’d put it there, so I would have to wake up to turn it off.  And, worse, I’d forgotten to turn it off the night before because it was, technically, the first day of my holiday.

Not that I really wanted one because, since Ellen left, my life consisted of work, work, and more work.  It kept my mind off being alone, and in an empty apartment except for the books, a bed, a table, two chairs, a desk, and a well-worn lounge chair.  I’d been there for years and still hadn’t bought any new furniture or anything else for that matter.

And the last holiday I’d gone on had been organised by Ellen fifteen years ago in Italy after our two daughters had finished school and graduated almost top of their class.  We’d been happier then, but happiness was fleeting for me, and soon after, the rot had set in, and it was the beginning of the end.

I remembered it only too clearly, coming home, opening a letter addressed to her, and finding proof of what I think I’d known all along.  She was having an affair, had been for quite some time.

It should not have been a surprise given what I had put her through over the years, since my discharge from the Army, and the nightmares active service had fueled, but it was, and it sent me spiralling to a new low.

But that was five years ago.  I came out of the fog a year after that.  Ellen was gone, the girls came to see me from time to time, and all I had left were memories.

I rolled over and tried to go back to sleep.  I was on holiday.  No work, no pressure, nothing.  I could go back to my grandmother’s house and visit.  I had been promising myself I’d do that soon, even if it was now a country hotel.  From the advertising, it had not changed one bit; the house and grounds intact.

Or I could throw a dart at a map and get on the next plane there, though, knowing my ability with a dart, it would be in the middle of the ocean.

I could do almost anything I wanted.

….

It’s not much, just a taste.  But it’s enough for now.  I’ve made a start.  Now, all I have to do is come up with the next 100,000 words or so.

….

© Charles Heath 2016-2025

The cinema of my dreams – I never wanted to go to Africa – Episode 45

Our hero knows he’s in serious trouble.

The problem is, there are familiar faces and a question of who is a friend and who is foe made all the more difficult because of the enemy, if it was the enemy, simply because it didn’t look or sound or act like the enemy.

Now, it appears, his problems stem from another operation he participated in, and because of it, he has now been roped into what might be called a suicide mission.

 

We flew north at low altitude, crossing the border into the Sudan, then ran along the border, heading back to the landing field we’d arrived on in Uganda.

It was basically a two-hour flight that in the end was eventless.  After everything that had happened over the past 24 hours, it wasn’t hard to doze off, leaving Davies to get us back.

I was woken suddenly by a thump on my arm.

“Need your help landing this crate,” a squeaky voice in my ear said.

I could feel the plane losing altitude, and the engines not making the same noise as they had just before I’d dropped off to sleep.  It seemed like it was only a few minutes ago we were taking off.

She leveled the plane at 1000 feet, and flew over the airfield, the landing lights on, and I could see the strip from start to end.  It looked a lot longer than the one we’d taken off from.

Turning sharply, I could hear the landing gear being activated and saw green lights come on one the dashboard.  Down and locked I assumed.

She then went through a series of landing checks and told me what she wanted me to do to assists, and then everything seemingly OK, we came in to land.

This landing was a lot bumpier than that in the C130 earlier, but she got us there, throttled back, and slowed the speed before heading for the terminal buildings.

Once there, she let the engines run for about a minute or so before switching them off.

Once the propellers stopped turning, the silence in the cockpit was strange.  At the rear, the door was opened, and everyone was getting off, the Colonel first to make sure none of his men shot anyone by mistake, and then the rest of the team.

Davies and I were the last to leave.  I got the impression she would have stayed, just a little longer, and it was telling that she patted the dashboard in what I would call a loving manner, thanking the aircraft for its service.

“I can see you like flying these old planes,” I said, still seated and taking in the moment.

“There’s something about them.  You have to fly them, they don’t fly you, not like the F15’s or any of those other jets that have autopilots.  No, this comes from the days of real flying.”

“You said your Dad has one?”

“Yep.”

“Then the art of flying is not lost on you.  Perhaps one day when I get lost, somewhere where this plane lives, you can take me up.”

“Any time.”

She dragged herself out of the left seat and headed towards the rear of the plane.  I took a moment longer, then followed her.

Maybe she could teach me how to fly.

Or maybe not.

I keep forgetting I hate flying in planes.

As I stepped off the plane onto terra firma again, I could see just inside the range of my peripheral vision, some activity by the terminal building.

Suddenly, a man was running towards us.  He was also yelling out, words to the effect, ‘they’re coming’.

Who?

The Colonel looked up just as the man, almost hunched over out of breath, reached him.

“They’re coming.  A helicopter, heading towards us.”  Several more huge breaths, then, “An hour at best.”  He looked at me.  “You have to go.”

Then he handed the Colonel a sheet of paper, and he quickly scanned it.

Then he said, “Your friendly militia decided the ransom wasn’t enough and they’re coming to take them back.”

“How is that possible?  Can they just cross borders like that?”

“This is Africa.  Anything can happen.  By the time their mission is done, it’ll be too late for us to scramble anything to attack them.  You need to go.”

Davies had come back, assuming it had something to do with the plane, and after taking in what the Colonel had to say, said, “We need more fuel.  Not much, but it’ll take time.”

The fuel truck had already come out and begun the refueling.

“Go tell the driver how much you need.  You’ve probably got a half-hour, a little more before you take off and go before, they get here.”

She headed towards the fuel truck, muttering under her breath.

I yelled out to Monroe, “Round up everyone and get them back on the plane.  Wheels up in half an hour.”

I could see her mouth the word why.

“Seems we’re about to get a visit from some very unfriendly people.”

Enough said.

 

© Charles Heath 2020

Writing a book in 365 days – 309

Day 309

When words become more than words

…

From Page to Panorama: Weaving Mythopoetic Grandeur into the Fabric of Reality

We’ve all experienced it. That moment when a skilled author transports us, not just to a place, but into a feeling, a scent, a visceral understanding of something utterly foreign yet strangely resonant. It’s the magic of descriptive writing, the alchemical process of turning mere words into sensory experiences. But what happens when we take those finely honed fictional tools and turn them towards the canvas of our own reality? What happens when we begin to weave the mythopoetic grandeur, usually reserved for fantastical realms, into the mundane fabric of everyday life?

This is where the truly transformative power emerges. It’s not about escaping reality, but about re-enchanting it. It’s about recognising that the same imaginative muscles that conjured dragons and epic quests can, with a shift in perspective, illuminate the epic within the ordinary.

The Foundation: The Art of Observational Detail

Before we can imbue our reality with mythopoetic grandeur, we must first become masters of observation. Fictional writers are meticulous. They don’t just say a character is sad; they describe the slump of their shoulders, the way their eyes lose their sparkle, the quiet tremor in their voice. They don’t just say a forest is dark; they paint a picture of gnarled branches like skeletal fingers, shafts of light like ethereal swords, the damp, earthy scent of decay and rebirth.

Applying this to real life means waking up our senses. It means noticing the way the morning light bleeds across the linoleum of your kitchen, transforming it into a pool of molten gold. It’s observing the intricate, almost alien architecture of a spiderweb glistening with dew, a delicate, ephemeral fortress. It’s listening to the symphony of a city at dusk – the distant siren a mournful lament, the laughter of children a fleeting melody, the rumble of traffic a subterranean dragon stirring.

The Alchemy: Infusing Significance and Symbolism

Once we have our raw observational material, the next step is the alchemical process of infusing it with meaning. This is where the “mythopoetic” truly takes hold. We move beyond simple description to interpretation, imbuing our observations with layers of significance and symbolism, much like ancient storytellers did.

  • The Mundane Becomes Mythic: A walk to the grocery store isn’t just an errand. It can be a pilgrimage through the daily labyrinth, a quest for sustenance that echoes the ancient hunts. The cashier, with their practised smile, could be a guardian of provisions, a dispenser of earthly blessings.
  • The Everyday Becomes Archetypal: The familiar faces we encounter can be viewed through the lens of archetypes. The wise elder at the park bench might embody the archetype of the Sage. The boisterous teenager could be the Rebel, challenging the established order with youthful energy.
  • The Emotional Landscape Gains Depth: Sadness isn’t just a feeling; it’s a “gathering storm,” a “heavy cloak,” a “deep well of unspoken grief.” Joy isn’t just happiness; it’s a “sunburst,” a “lightness of being,” a “song rising from the soul.”

The Grandeur: Elevating the Narrative of Our Lives

The ultimate goal is to elevate the narrative of our own lives, to recognise the inherent grandeur that often lies dormant beneath the surface of routine. This doesn’t mean fabricating events or pretending our challenges aren’t real. Instead, it’s about framing them within a larger, more resonant context.

Consider a difficult conversation. Instead of simply recalling the angry words, we can describe the “clash of wills,” the “stalemate of emotions,” the “fragile truce that followed.” A moment of quiet contemplation isn’t just zoning out; it’s “diving into the depths of the inner sea,” “listening to the whispers of the subconscious.”

Why Does This Matter?

Turning fictional descriptive skills to the rendering of real life in mythopoetic grandeur is more than just a creative exercise. It’s a way to:

  • Deepen our appreciation for life: By seeing the extraordinary in the ordinary, we cultivate a richer, more vibrant experience of our existence.
  • Foster resilience: Framing challenges as epic struggles or tests of character can empower us to face them with greater courage and determination.
  • Connect with something larger than ourselves: Mythopoetic language often taps into universal themes of creation, struggle, love, and loss, fostering a sense of belonging to something ancient and profound.
  • Communicate more effectively and evocatively: Whether in personal writing, artistic expression, or even everyday conversation, this elevated language can captivate and resonate with others.

The world around us is a vast, intricate tapestry, already rich with potential for wonder and awe. By learning to wield the tools of fictional description with conscious intent, we can begin to see the mythopoetic grandeur woven into the very fabric of our reality. We can stop being passive observers and become active, imaginative narrators of our own magnificent lives. So, open your eyes, awaken your senses, and start painting the world in hues of myth and legend. The grandest stories, after all, are often the ones happening right under our noses.

Top 5 sights on the road less travelled – Bratislava

Beyond the Castle: 5 Offbeat Adventures in Bratislava You Won’t Find on Every Postcard

Bratislava. The name itself conjures images of a charming Old Town, the majestic castle perched above the Danube, and perhaps a quirky statue or two. And while these icons are undeniably wonderful, there’s a whole other side to Slovakia’s capital waiting to be discovered – a side that reveals the city’s true character, its rich history, and its vibrant local life, far from the well-trodden tourist paths.

If you’re ready to peel back the layers and experience Bratislava like a true explorer, here are five “road less travelled” adventures that promise unique memories and a deeper connection to this captivating city.

1. Ascend to Slavin Memorial: History, Views, and Serenity

While Bratislava Castle offers fantastic views, for a truly poignant and panoramic experience, head to Slavin Memorial. This colossal war memorial and cemetery honours the Soviet soldiers who fell liberating Bratislava during World War II. It’s a powerful, solemn place, but also one offering some of the most breathtaking, unobstructed views of the city, the Danube, and even the distant Austrian Alps.

Why it’s less travelled: Many tourists stick to the immediate Old Town. Slavin requires a short, scenic bus ride or a determined uphill walk, making it feel like a discovered secret.

What to expect: A grand staircase leading to an obelisk crowned with a triumphant soldier statue. Spend time walking among the graves, decorated with red stars, and then simply soak in the epic vista. It’s a place for reflection and stunning photography, especially at sunset.

How to get there: Take a local bus (such as number 203 or 207) from Hodžovo námestie (Presidential Palace) or take a taxi/ride-sharing service.

2. Explore the Small Carpathian Wine Route: A Taste of Local Tradition

Did you know Bratislava is the gateway to a historic wine region? Just a short drive or train ride from the city lies the Small Carpathian Wine Route (Malokarpatská Vínna Cesta), a picturesque trail dotted with charming winemaking villages like Pezinok and Modra. This region has been producing wine for centuries, and it’s a delightful escape from urban life.

Why it’s less travelled: While some tour operators offer trips, many independent travellers miss this authentic experience, opting for day trips to neighbouring capitals instead.

What to expect: Hop on a local train to Pezinok or Modra, and wander through their quaint streets. Look for traditional wine cellars (“vínne pivnice”) offering tastings of local varietals like Grüner Veltliner, Frankovka Modrá (Blaufränkisch), and Müller-Thurgau. Many wineries offer delicious regional snacks to accompany your tasting. If visiting in autumn, look out for the “burčiak,” a partially fermented young wine – a local delicacy!

How to get there: Take a regional train from Bratislava Hlavná Stanica (Main Station) to Pezinok or Modra. The journey takes around 20-30 minutes.

3. Discover the Danubiana Meulensteen Art Museum: Art on the Water

For a dose of contemporary art in an utterly unique setting, make your way to the Danubiana Meulensteen Art Museum. Located on a peninsula in the Danube River, about 15km south of Bratislava, this modern art gallery is a masterpiece in itself, offering stunning architecture, thought-provoking exhibitions, and incredible river views.

Why it’s less travelled: Its location outside the immediate city centre means it’s often overlooked by visitors with limited time.

What to expect: A captivating journey through modern and contemporary art, primarily by Slovak and international artists. The museum’s design allows natural light to flood the spaces, and the outdoor sculpture park, with its whimsical pieces set against the river backdrop, is a joy to explore. You can even enjoy a coffee with a view from their café.

How to get there: The most scenic (and recommended) way is by a special tourist boat that departs from Fajnorovo nábrežie near the Old Town (check seasonal schedules). Alternatively, take a local bus (number 90) from Nový Most (UFO Bridge) or a taxi/ride-sharing service.

4. Hike to Kamzík TV Tower & Koliba: Nature, Adventure, and Views

Escape the city hustle and immerse yourself in nature by heading up to the forested hills of Koliba, home to the iconic Kamzík TV Tower. This area is a beloved recreational spot for locals, offering hiking trails, a bobsled track, and, of course, the observation deck of the TV tower for breathtaking panoramic views.

Why it’s less travelled: Many tourists don’t realise such an extensive green space, complete with a TV tower offering great views, is so accessible from the city.

What to expect: Take the historic Kamzík cable car (Železná studnička – Koliba) up the hill, or hike one of the many well-marked trails. Once at the top, you can ascend the TV tower for 360-degree vistas (there’s also a rotating restaurant at the top if you’re feeling fancy!). In winter, it’s a popular spot for sledding, and in warmer months, you’ll find families picnicking and enjoying the fresh air.

How to get there: Take tram number 3 or 9 to the “Železná studnička” stop, then walk or take the cable car up to Koliba. Alternatively, bus number 203 or 207 will get you closer to the TV Tower area.

5. Dive into Local Life at Miletičova Tržnica (Market): A Sensory Feast

For an authentic slice of everyday Bratislava life, head to Miletičova Tržnica, the city’s largest outdoor and indoor market. This isn’t a quaint artisan market; it’s a bustling, vibrant hub where locals come to buy fresh produce, clothes, household goods, and indulge in hearty Slovak street food.

Why it’s less travelled: It’s located outside the immediate city centre in a residential area, away from the typical tourist routes.

What to expect: A kaleidoscope of sights, sounds, and smells! Browse stalls overflowing with seasonal fruits, vegetables, cheeses, and smoked meats. Discover quirky fashion, electronics, and souvenirs. But the real highlight is the food: grab a langoš (fried dough with garlic, cheese, and sour cream), a pecené kura (roasted chicken), or a classic halušky (potato dumplings) from one of the many unassuming food stands. It’s an affordable and delicious way to sample local flavours.

How to get there: Take a tram (e.g., number 8 or 9) or bus (e.g., number 50 or 53) to the “Miletičova” stop.

Bratislava is a city that rewards those who dare to venture beyond the obvious. These five experiences offer a taste of its diverse history, natural beauty, artistic spirit, and authentic local charm. So, next time you find yourself in Slovakia’s captivating capital, step off the well-worn path and create your own unique Bratislava story. You won’t regret it!