Writing a book in 365 days – 337

Day 337

Authors to study from the past

Mastering the Craft: Must-Read Authors from the 1940s and Beyond to Elevate Your Writing

When it comes to mastering the art of writing—whether it’s crafting intricate plots, developing multidimensional characters, or diving into profound themes—there are countless literary giants whose works serve as masterclasses in storytelling. Starting from the 1940s and moving backwards in time, these authors offer timeless lessons in style, structure, and substance. Here’s a curated list of authors and their works that can transform your approach to writing.


1. William Golding (1954) – Lord of the Flies

Lesson: Human Nature and Allegory
Golding’s Lord of the Flies is a masterclass in allegorical storytelling and psychological depth. By placing a group of boys on a deserted island, he peels back the veneer of civilisation to reveal primal instincts. For writers, Golding teaches how to use a microcosmic setting to explore universal themes like power, fear, and morality. His sparse yet brutal prose shows how simplicity can amplify tension and symbolism.


2. Evelyn Waugh (1945) – Brideshead Revisited

Lesson: Structure and Societal Critique
Waugh’s semi-autobiographical novel combines lush prose with a fragmented, reflective narrative. Brideshead Revisited is a lesson in balancing character development with thematic depth. Writers can learn how to weave personal introspection with societal critique (e.g., the decline of British aristocracy) and how to structure a narrative around memory and emotional resonance.


3. Graham Greene (1940s–1950s) – The Power and the Glory (1940), The Quiet American (1955)

Lesson: Moral Ambiguity and Pacing
Greene’s novels, set against politically turbulent backdrops, explore moral ambiguity with razor-sharp precision. In The Power and the Glory, he uses a flawed priest to ask, “What makes a man good?” Writers can study Greene’s lean, taut prose, his ability to build tension through understatement, and how to embed philosophical questions into action-driven plots.


4. John Steinbeck (1939–1952) – The Grapes of WrathEast of Eden

Lesson: Social Justice and Emotional Resonance
Steinbeck’s unflinching portrayal of the human condition, from the Joad family’s plight in The Grapes of Wrath to the complex family dynamics in East of Eden, teaches the power of empathy in storytelling. His ability to balance epic scope with intimate moments is a guide to creating narratives that are both socially relevant and emotionally gripping.


5. F. Scott Fitzgerald (1925) – The Great Gatsby

Lesson: Symbolism and Narrative Voice
Though published in the 1920s, Fitzgerald’s The Great Gatsby remains a touchstone for writers. Nick Carraway’s reflective narration and Gatsby’s glittering, tragic world showcase how symbolism (e.g., the green light, the Valley of Ashes) can anchor themes of aspiration and decay. His lyrical prose reminds us that language itself can be a character in the story.


6. Ernest Hemingway (1940s–1950s) – Across the River and into the Trees (1950)

Lesson: The Iceberg Theory
Hemingway’s famous “theory of omission” (hide the deeper meaning beneath the surface) is best learned by studying his sparse, understated prose. His 1950s works, while less celebrated, demonstrate how much can be said with minimal words. A lesson in restraint: show, don’t tell.


7. George Orwell (1949) – 1984

Lesson: Dystopian Storytelling and Warning Narratives
Orwell’s 1984 endures as a chilling exploration of authoritarianism and language manipulation. For writers, it’s a blueprint for constructing cautionary tales: how to create a world that feels grounded in reality, yet pushes the boundaries of imagination to provoke thought.


8. Virginia Woolf (1920s–1930s) – To the LighthouseMrs. Dalloway

Lesson: Stream of Consciousness and Subjective Time
Woolf’s modernist experiments with time and perspective teach writers how to capture the inner lives of characters. Her fluid narratives, like the fragmented days of Mrs. Dalloway, show how to blur the lines between external action and internal emotion.


9. Truman Capote (1960) – In Cold Blood

Lesson: Narrative Non-Fiction
Though published in the 1960s, Capote’s blend of journalism and novelistic technique in In Cold Blood redefined true crime. It’s a masterclass in pacing, interview-driven storytelling, and how to humanise even the most heinous characters.


10. Harper Lee (1960) – To Kill a Mockingbird

Lesson: Moral Courage in Character Development
Lee’s iconic novel, published in the early 1960s, is a case study in using a child’s perspective to critique systemic racism. Atticus Finch’s quiet moral authority and Scout’s growth illustrate how to embed ethical dilemmas into character arcs without sermonizing.


Conclusion: The Timeless Classroom of Literature

From Golding’s haunting allegories to Hemingway’s clipped prose, these authors offer a rich tapestry of techniques to inspire modern writers. Whether you’re drawn to the moral complexity of Greene, the symbolic depth of Fitzgerald, or the socio-political acuity of Orwell, reading backward from the 1940s is a journey into the heart of what makes storytelling enduring. So, dive in—your next story’s secret might be hidden in the pages of their masterpieces.


Final Tip: As you explore these works, don’t just read—annotate, imitate, and experiment. The best writing lessons come when you let these authors’ voices influence your own unique style. Happy writing!

Top 5 sights on the road less travelled – Belgrade

Uncovering the Hidden Gems of Belgrade: 5 Off-the-Beaten-Path Experiences

Belgrade, the vibrant capital of Serbia, is a city that seamlessly blends Eastern and Western cultures, offering a unique and exciting travel experience. While most tourists flock to the famous Kalemegdan Fortress and Saint Sava Temple, there’s more to Belgrade than meets the eye. As a seasoned traveller, I’m excited to share with you the top five other things to do in Belgrade that will take you off the beaten path and into the heart of this fascinating city.

1. Explore the Street Art Scene in Savamala

Tucked away in the Savamala neighbourhood, Belgrade’s street art scene is a treasure trove of creativity and self-expression. This former industrial area has been transformed into a vibrant arts district, featuring stunning murals, graffiti, and quirky installations. Take a self-guided walking tour to discover the works of local and international artists, and experience the city’s edgy, avant-garde side. Be sure to check out the famous “Savamala” mural, which has become a symbol of the neighbourhood’s revitalisation.

2. Visit the Nikola Tesla Museum

While many visitors to Belgrade are familiar with the famous scientist’s name, few know about the fascinating museum dedicated to his life and work. The Nikola Tesla Museum is a must-visit for anyone interested in science, technology, and innovation. Located in a beautiful villa, the museum showcases an impressive collection of Tesla’s personal belongings, experiments, and inventions, including his famous Tesla coil. The museum’s interactive exhibits and guided tours offer a unique glimpse into the mind of a genius.

3. Take a Stroll through the Botanical Garden

Escape the hustle and bustle of the city and find serenity in the beautiful Botanical Garden, also known as the Jevremovac Botanical Garden. This peaceful oasis is home to over 1,000 plant species, including some rare and endangered ones. As you wander through the gardens, you’ll discover a variety of flora, from roses and lavender to cacti and succulents. The garden’s tranquil atmosphere and stunning natural beauty make it an ideal spot for relaxation and contemplation.

4. Discover the Vinča Culture at the Vinča Archaeological Site

Located just outside Belgrade, the Vinča Archaeological Site is a fascinating glimpse into the city’s ancient past. This Neolithic settlement, dating back over 7,000 years, is one of the oldest and most important archaeological sites in Europe. Explore the excavated ruins, which feature remnants of ancient homes, pottery, and tools, and learn about the daily lives of the Vinča people. The site’s museum offers a wealth of information and artifacts, providing a unique insight into the region’s rich cultural heritage.

5. Enjoy a Night Out in the Cvetni Trg Neighbourhood

For a truly authentic Belgrade experience, head to the Cvetni Trg (Flower Square) neighbourhood, known for its lively atmosphere, charming cafes, and eclectic nightlife. This trendy area is home to a variety of bars, clubs, and live music venues, offering everything from jazz and rock to traditional Serbian folk music. As you explore the neighbourhood, you’ll discover a mix of old and new, with historic buildings, street performers, and modern art installations adding to the area’s vibrant energy. Be sure to try some of the local cuisine, including delicious ćevapi and pljeskavica, at one of the many restaurants and food stalls.

In conclusion, Belgrade is a city that offers so much more than its famous landmarks. By venturing off the beaten path, you’ll discover a wealth of hidden gems, from street art and science museums to ancient archaeological sites and vibrant nightlife. Whether you’re a culture vulture, a foodie, or an adventure-seeker, Belgrade has something for everyone. So come and explore the real Belgrade, and experience the city’s unique blend of tradition, innovation, and warmth.

What I learned about writing – You can write anywhere

It’s amazing how quickly you discover the imperfections of road makers.

As odd as that sounds, a recent trip on a bus, actually earlier today, in fact, got me thinking about just how bad some of our roads really are.

As any writer will tell you, that half an hour or so on the trip to work or home, is just waiting for a few lines to be written, on your phone, or on your tablet.  I venture to suggest a laptop computer just might be a little difficult, and prone to stray eyes from the people sitting or standing near you.

And the tightness of the space available to you.  I know, I’ve tried.

But, if you’re not in the mood to research, I did a little of that too, by the way, the desire to write is tempered by the movement of the bus and your ability to type coherent words on a small keyboard in a very large, rocking, metal thing.

I have to say I have a large streak of jealousy for those people who can hammer out large texts to their friends while riding the bus, and in the most awkward of conditions, using both thumbs, and carrying 26 bags of groceries and dry cleaning, as well as having a full on political discussion with the person sitting/standing next to them.

Even when the bus hits a pothole, does a sudden lurch that sents the unsuspecting sprawling.

With my interactive word completer turned on, it is astonishing what words finish up in my small attempt at writing as my fingers fail to find the right letters, and creates what only could be described as the ramblings of a madman.

Perhaps I might have better luck tomorrow.

 

 

Top 5 sights on the road less travelled – Helsinki

Discover Helsinki Beyond the Usual: 5 Hidden Gems to Explore

Helsinki, the vibrant capital of Finland, is renowned for its architectural splendour, vibrant art scene, and serene access to the archipelago. Yet, beyond the iconic Senate Square and the UNESCO-listed Suomenlinna, there’s a trove of offbeat experiences waiting to be uncovered. If you’re eager to venture off the well-trodden path, here are five lesser-known treasures to add to your Helsinki itinerary.


1. Stroll Through the Helsinki Botanical Garden (Kaisaniemi)

Tucked near the parliament building in Kaisaniemi, this haven of greenery offers a tranquil escape from the city’s hustle. Established in 1855, the garden spans 5.6 hectares and features a glasshouse housing over 12,000 plant species from around the world. In summer, the lush herb garden and seasonal flowerbeds are a riot of colour, while autumn brings fiery foliage. A peaceful walk here is the perfect way to appreciate Helsinki’s natural beauty without the crowds.

Pro Tip: Combine your visit with a constitutional at the adjacent Parliament Square (Kanssakuntori) for a slice of Helsinki’s political and ecological charm.


2. Unwind on Ulvila Cathedral Island

Just a short bus and ferry ride from central Helsinki lies Ulvila, a quiet island known for its historic cathedral and serene atmosphere. Once the favoured retreat of Finnish presidents, this hidden gem is accessible via a scenic 40-minute ferry ride. Explore the 17th-century Ulvila Church, stroll through its secluded cemetery, or simply soak in the views of the surrounding archipelago. With no restaurants or shops, it’s a spot to disconnect and reconnect with nature.

Pro Tip: Pack a picnic to enjoy on the island’s rocky shoreline, where the Baltic Sea shimmers under the midnight sun in summer.


3. Shop for Local Crafts at the Kadu Market

Nestled in Helsinki’s Design District (Kadu), the Kadu Market is a weekly pop-up paradise for design lovers. Held every Saturday in the summer and on weekends during winter, this market showcases handmade crafts, vintage finds, and locally sourced Nordic products. From organic skincare to handcrafted jewellery, it’s a vibrant window into Helsinki’s creative community.

Pro Tip: Stay afterwards to explore Kadu’s boutique shops and cafés, like the cozy Apartment 42 café, known for its Instagram-worthy sundaes.


4. Get Lost in the Kiasma Museum of Contemporary Art

Helsinki’s modern art scene is on full display at Kiasma, a striking building designed by American architect Steven Holl. The museum’s ever-changing exhibits blend international and Finnish art, often pushing boundaries with avant-garde installations. Its unique, glass-clad structure and spiral layout make it a visual treat, while the free guided tours (in multiple languages) offer deeper insights into the works.

Pro Tip: Visit during the museum’s opening hours (weekends often have extended hours) to fully absorb the atmosphere without the weekday rush.


5. Picnic in Rastila Park, Helsinki’s Oldest Public Park

Founded in 1838, Rastila Park is a green oasis nestled between the Baltic Sea and Helsinki’s city centre. This lesser-known park is ideal for solo walks, family outings, or a quiet picnic on its grassy lawns. The park’s modest charm lies in its simplicity—think ancient trees, children playing on the playground, and the distant hum of the city. It’s a rare spot where Helsinki’s past and present coexist harmoniously.

Pro Tip: Pair your visit with a stop at Kahvila Rastila, a nearby café serving excellent Nordic-inspired dishes.


Final Thoughts

While Helsinki’s landmarks are undeniably captivating, these hidden spots offer a more intimate and personal experience of the city. Whether you’re wandering through a historic island, discovering modern art, or simply relaxing in nature, these destinations showcase Helsinki’s diversity and depth. Pack your curiosity, embrace the unexpected, and let the road less travelled reveal itself.

Ready to explore Helsinki beyond the usual? These five spots are waiting to become your favourite stories.

Inspiration, Maybe – Volume 2

50 photographs, 50 stories, of which there is one of the 50 below.

They all start with –

A picture paints … well, as many words as you like.  For instance:

And, the story:

Have you ever watched your hopes and dreams simply just fly away?

Everything I thought I wanted and needed had just left in an aeroplane, and although I said I was not going to, i came to the airport to see the plane leave.  Not the person on it, that would have been far too difficult and emotional, but perhaps it was symbolic, the end of one life and the start of another.

But no matter what I thought or felt, we had both come to the right decision.  She needed the opportunity to spread her wings.  It was probably not the best idea for her to apply for the job without telling me, but I understood her reasons.

She was in a rut.  Though her job was a very good one, it was not as demanding as she had expected, particularly after the last promotion, but with it came resentment from others on her level, that she, the youngest of the group would get the position.

It was something that had been weighing down of her for the last three months, and if noticed it, the late nights, the moodiness, sometimes a flash of temper.  I knew she had one, no one could have such red hair and not, but she had always kept it in check.

And, then there was us, together, and after seven years, it felt like we were going nowhere.  Perhaps that was down to my lack of ambition, and though she never said it, lack of sophistication.  It hadn’t been an issue, well, not until her last promotion, and the fact she had to entertain more, and frankly I felt like an embarrassment to her.

So, there it was, three days ago, the beginning of the weekend, and we had planned to go away for a few days and take stock.  We both acknowledged we needed to talk, but it never seemed the right time.

It was then she said she had quit her job and found a new one.  Starting the following Monday.

Ok, that took me by surprise, not so much that it something I sort of guessed might happen, but that she would just blurt it out.

I think that right then, at that moment, I could feel her frustration with everything around her.

What surprised her was my reaction.  None.

I simply asked where who, and when.

A world-class newspaper, in New York, and she had to be there in a week.

A week.

It was all the time I had left with her.

I remember I just shrugged and asked if the planned weekend away was off.

She stood on the other side of the kitchen counter, hands around a cup of coffee she had just poured, and that one thing I remembered was the lone tear that ran down her cheek.

Is that all you want to know?

I did, yes, but we had lost that intimacy we used to have when she would have told me what was happening, and we would have brainstormed solutions. I might be a cabinet maker but I still had a brain, was what I overheard her tell a friend once.

There’s not much to ask, I said.  You’ve been desperately unhappy and haven’t been able to hide it all that well, you have been under a lot of pressure trying to deal with a group of troglodytes, and you’ve been leaning on Bentley’s shoulder instead of mine, and I get it, he’s got more experience in that place,  and the politics that go with it, and is still an ally.

Her immediate superior and instrumental in her getting the position, but unlike some men in his position he had not taken advantage of a situation like some men would.  And even if she had made a move, which I doubted, that was not the sort of woman she was, he would have politely declined.

One of the very few happily married men in that organisation, so I heard.

So, she said, you’re not just a pretty face.

Par for the course for a cabinet maker whose university degree is in psychology.  It doesn’t take rocket science to see what was happening to you.  I just didn’t think it was my place to jump in unless you asked me, and when you didn’t, well, that told me everything I needed to know.

Yes, our relationship had a use by date, and it was in the next few days.

I was thinking, she said, that you might come with me,  you can make cabinets anywhere.

I could, but I think the real problem wasn’t just the job.  It was everything around her and going with her, that would just be a constant reminder of what had been holding her back. I didn’t want that for her and said so.

Then the only question left was, what do we do now?

Go shopping for suitcases.  Bags to pack, and places to go.

Getting on the roller coaster is easy.  On the beginning, it’s a slow easy ride, followed by the slow climb to the top.  It’s much like some relationships, they start out easy, they require a little work to get to the next level, follows by the adrenaline rush when it all comes together.

What most people forget is that what comes down must go back up, and life is pretty much a roller coaster with highs and lows.

Our roller coaster had just come or of the final turn and we were braking so that it stops at the station.

There was no question of going with her to New York.  Yes, I promised I’d come over and visit her, but that was a promise with crossed fingers behind my back.  After a few months in t the new job the last thing shed want was a reminder of what she left behind.  New friends new life.

We packed her bags, three out everything she didn’t want, a free trips to the op shop with stiff she knew others would like to have, and basically, by the time she was ready to go, there was nothing left of her in the apartment, or anywhere.

Her friends would be seeing her off at the airport, and that’s when I told her I was not coming, that moment the taxi arrived to take her away forever.  I remember standing there, watching the taxi go.  It was going to be, and was, as hard as it was to watch the plane leave.

So, there I was, finally staring at the blank sky, around me a dozen other plane spotters, a rather motley crew of plane enthusiasts.

Already that morning there’s been 6 different types of plane depart, and I could hear another winding up its engines for take-off.

People coming, people going.

Maybe I would go to New York in a couple of months, not to see her, but just see what the attraction was.  Or maybe I would drop in, just to see how she was.

As one of my friends told me when I gave him the news, the future is never written in stone, and it’s about time you broadened your horizons.

Perhaps it was.


© Charles Heath 2020-2021

Coming soon.  Find the above story and 49 others like it in:

Writing a book in 365 days – 337

Day 337

Authors to study from the past

Mastering the Craft: Must-Read Authors from the 1940s and Beyond to Elevate Your Writing

When it comes to mastering the art of writing—whether it’s crafting intricate plots, developing multidimensional characters, or diving into profound themes—there are countless literary giants whose works serve as masterclasses in storytelling. Starting from the 1940s and moving backwards in time, these authors offer timeless lessons in style, structure, and substance. Here’s a curated list of authors and their works that can transform your approach to writing.


1. William Golding (1954) – Lord of the Flies

Lesson: Human Nature and Allegory
Golding’s Lord of the Flies is a masterclass in allegorical storytelling and psychological depth. By placing a group of boys on a deserted island, he peels back the veneer of civilisation to reveal primal instincts. For writers, Golding teaches how to use a microcosmic setting to explore universal themes like power, fear, and morality. His sparse yet brutal prose shows how simplicity can amplify tension and symbolism.


2. Evelyn Waugh (1945) – Brideshead Revisited

Lesson: Structure and Societal Critique
Waugh’s semi-autobiographical novel combines lush prose with a fragmented, reflective narrative. Brideshead Revisited is a lesson in balancing character development with thematic depth. Writers can learn how to weave personal introspection with societal critique (e.g., the decline of British aristocracy) and how to structure a narrative around memory and emotional resonance.


3. Graham Greene (1940s–1950s) – The Power and the Glory (1940), The Quiet American (1955)

Lesson: Moral Ambiguity and Pacing
Greene’s novels, set against politically turbulent backdrops, explore moral ambiguity with razor-sharp precision. In The Power and the Glory, he uses a flawed priest to ask, “What makes a man good?” Writers can study Greene’s lean, taut prose, his ability to build tension through understatement, and how to embed philosophical questions into action-driven plots.


4. John Steinbeck (1939–1952) – The Grapes of WrathEast of Eden

Lesson: Social Justice and Emotional Resonance
Steinbeck’s unflinching portrayal of the human condition, from the Joad family’s plight in The Grapes of Wrath to the complex family dynamics in East of Eden, teaches the power of empathy in storytelling. His ability to balance epic scope with intimate moments is a guide to creating narratives that are both socially relevant and emotionally gripping.


5. F. Scott Fitzgerald (1925) – The Great Gatsby

Lesson: Symbolism and Narrative Voice
Though published in the 1920s, Fitzgerald’s The Great Gatsby remains a touchstone for writers. Nick Carraway’s reflective narration and Gatsby’s glittering, tragic world showcase how symbolism (e.g., the green light, the Valley of Ashes) can anchor themes of aspiration and decay. His lyrical prose reminds us that language itself can be a character in the story.


6. Ernest Hemingway (1940s–1950s) – Across the River and into the Trees (1950)

Lesson: The Iceberg Theory
Hemingway’s famous “theory of omission” (hide the deeper meaning beneath the surface) is best learned by studying his sparse, understated prose. His 1950s works, while less celebrated, demonstrate how much can be said with minimal words. A lesson in restraint: show, don’t tell.


7. George Orwell (1949) – 1984

Lesson: Dystopian Storytelling and Warning Narratives
Orwell’s 1984 endures as a chilling exploration of authoritarianism and language manipulation. For writers, it’s a blueprint for constructing cautionary tales: how to create a world that feels grounded in reality, yet pushes the boundaries of imagination to provoke thought.


8. Virginia Woolf (1920s–1930s) – To the LighthouseMrs. Dalloway

Lesson: Stream of Consciousness and Subjective Time
Woolf’s modernist experiments with time and perspective teach writers how to capture the inner lives of characters. Her fluid narratives, like the fragmented days of Mrs. Dalloway, show how to blur the lines between external action and internal emotion.


9. Truman Capote (1960) – In Cold Blood

Lesson: Narrative Non-Fiction
Though published in the 1960s, Capote’s blend of journalism and novelistic technique in In Cold Blood redefined true crime. It’s a masterclass in pacing, interview-driven storytelling, and how to humanise even the most heinous characters.


10. Harper Lee (1960) – To Kill a Mockingbird

Lesson: Moral Courage in Character Development
Lee’s iconic novel, published in the early 1960s, is a case study in using a child’s perspective to critique systemic racism. Atticus Finch’s quiet moral authority and Scout’s growth illustrate how to embed ethical dilemmas into character arcs without sermonizing.


Conclusion: The Timeless Classroom of Literature

From Golding’s haunting allegories to Hemingway’s clipped prose, these authors offer a rich tapestry of techniques to inspire modern writers. Whether you’re drawn to the moral complexity of Greene, the symbolic depth of Fitzgerald, or the socio-political acuity of Orwell, reading backward from the 1940s is a journey into the heart of what makes storytelling enduring. So, dive in—your next story’s secret might be hidden in the pages of their masterpieces.


Final Tip: As you explore these works, don’t just read—annotate, imitate, and experiment. The best writing lessons come when you let these authors’ voices influence your own unique style. Happy writing!

‘The Devil You Don’t’ – A beta reader’s view

It could be said that of all the women one could meet, whether contrived or by sheer luck, what are the odds it would turn out to be the woman who was being paid a very large sum to kill you.

John Pennington is a man who may be lucky in business, but not so lucky in love. He has just broken up with Phillipa Sternhaven, the woman he thought was the one, but relatives and circumstances, and perhaps because she was a ‘princess’, may also have contributed to the end result.

So, what do you do when you are heartbroken?

That is a story that slowly unfolds, from the first meeting with his nemesis on Lake Geneva, all the way to a hotel room in Sorrento, where he learns the shattering truth.

What should have been solace after disappointment, turns out to be something else entirely, and from that point, everything goes to hell in a handbasket.

He suddenly realizes his so-called friend Sebastian has not exactly told him the truth about a small job he asked him to do, the woman he is falling in love with is not quite who she says she is, and he is caught in the middle of a war between two men who consider people becoming collateral damage as part of their business.

The story paints the characters cleverly displaying all their flaws and weaknesses. The locations add to the story at times taking me back down memory lane, especially to Venice where, in those back streets I confess it’s not all that hard to get lost.

All in all a thoroughly entertaining story with, for once, a satisfying end.

Available on Amazon here: https://amzn.to/2Xyh1ow

In a word: Might

We might have to use some might to beat the mite.  Confused?

Might is force, so expending might be much the same as what Thor does with his hammer.

We might expend some force; this might be a maybe.  You’re never quite sure when someone uses the word might, whether or not they will actually do it.

I might do a lot of things, but somehow, I never seem to get around to actually doing them,

Of and just for the record, it’s the past tense of the word may.  You know, you may do something, or you might not.

You might also use the word might when being polite, which seems to be a rarity these days because everyone is terse, tense, and in a hurry.

So might I go to the movie will always get a resounding no if it means you get home late at night.   And you’re only 10 years old.

I might be interested, but I don’t think so.  Let me think about it.  Which also means no.

Of course, if you’re slack in doing homework, you might want to try a little harder next time.

What might have been if only you tried harder?

Then there’s that little pest called a mite, though it goes by a lot of other names, one of which is everywhere, a termite.

Or a dust mite.

It also could be used slangily for a child in distress, that is, look at that poor little mite, he looks so tired.

Or another word for slightly, for example, the girl seemed a mite embarrassed.

Third son of a Duke – The research behind the story – 19

All stories require some form of research, quite often to place a character in a place at a particular time, especially if it is in a historical context. This series will take you through what it was like in 1914 through 1916.

What sort of people would be seeking to travel by ship back to England from Australia in April 1915

In April 1915, civilians seeking to travel by ship from Australia to England would have been predominantly British subjects with deep ties to the “mother country”. The outbreak of World War I in August 1914 had drastically changed the context of ocean travel, transforming passenger liners into military transports while introducing new dangers from German U-boats. The people who made this risky journey would have had compelling and urgent reasons, unlike the voluntary migration that defined the pre-war era. 

Military-related reasons

The Gallipoli campaign began on April 25, 1915, but Australian troops had already been in training in Egypt since early 1915. Civilian travel was therefore strongly influenced by military matters. 

  • Families of soldiers: The families of soldiers preparing to fight in Europe or the Middle East would have had a range of motivations to travel. Some may have been seeking to visit relatives fighting in the war, while others could have been returning to England to wait out the war closer to family there.
  • Returning wounded soldiers: Some of the earliest wounded troops from the Gallipoli campaign may have been shipped back to England for treatment.
  • Soldiers on leave: Troops who were ill or wounded were sometimes sent to England to recover before returning to the front or being repatriated to Australia. 

Personal and professional reasons

Despite the war, some civilians with urgent matters still had to travel, though the number of civilian passengers had dropped significantly. 

  • Settling estates or dealing with family emergencies: Individuals might have needed to travel to manage pressing family matters, such as inheriting an estate or attending to a sick or dying relative.
  • Business trips: Essential business-related travel, though rare, would have been undertaken by those with connections to the war effort or other vital industries.
  • Government officials: Personnel in government service or diplomacy would have been required to travel between Australia and the UK for official duties. 

Impeded migration

Travel was not happening in the typical fashion. Normal migration patterns to Australia from Britain had been disrupted by the war, meaning that few people were moving for purely leisurely reasons. 

  • Government restrictions: The British government had fixed age limits for conscription, which, combined with the shortages of shipping, heavily restricted the movement of male immigrants.
  • Fewer migrants: In turn, this meant fewer assisted passage immigrants were travelling to Australia, reducing the overall pool of travellers. 

“More or less…” – A short story

It was meant to be time to reacquaint as brothers.

Louis and I had not seen each other for decades, and when he returned, about a week before, I got the impression there was more than just ‘missing his brother’ going on.

But that was Louis. He was never one to say what or how he felt about anything, preferring to be the strong silent type, and it had not fared well for him transitioning from teenager to adult.

As for me, when our parents split up, Louis went with our father, and I stayed with our mother, and, given the amount of acrimony there was attached to the split, it was no surprise to anyone that Louis and I had effectively become estranged.

In fact, when I had tried to find them, about two years after the split and our mother had died suddenly, all I found were loose ends. They had effectively vanished.

With that part of my life effectively over, I had married, had children and watched 30 years disappear before Louis suddenly popped up. He simply knocked on the front door one afternoon, Helen answered it, and within minutes they were the best of friends. I’d had that rapport, once, many years before, but life and circumstances had all but ruined that.

Or perhaps that was just me, worn down by that same life and circumstances we were all supposed to take on the chin.

His arrival was a welcome distraction, and when, after a week, he suggested that he and I go on a hike, the sort our father used to take us on when we were a family, I agreed. Helen was happy to be rid of me, and I guess a week without our arguing would suit everyone.

It was probably fortuitous timing. Helen and I had finally got to the point where divorce lawyers were about to be called in. The children had all moved on and had children and problems of their own, and we, as parents just didn’t gel anymore.

Besides, I said, just before I joined Louis in the truck, ready to embark for the wilderness, it would be time to clear my head.

And by day two, my head was clear, and Louis, taking the lead, led us along the ridgeline, a trek he said, that would take us about seven hours. We’d stopped the previous night in a base camp and then headed out the next morning. We were the only two, it being early in the season with snow still on the ground.

Above was the clear cloudless blue sky and in front of us, trees and mountains. There was snow on the ground but it was not solid and showed no signs of human footsteps, only animals. The air was fresh, and it was good to be away from the city and its pressures.

Approaching noon, I’d asked him if we were about halfway. I knew he was holding back, being the fitter of us.

“More or less.”

“More or less what, more closer or less close than we should be.”

I watched him do a 360-degree turn, scoping out our position. It was a maneuver I was familiar with from my time with the National Guard. I’d used my backcountry experience that I’d learned from my father, as a skill I thought they might be able to, and eventually did, use. I got the feeling Louis was looking for something.

“You get the impression we’re not alone?” I asked. I had that nagging feeling something was not right, not from about two miles back in the forest. It was like my sixth sense being switched on.

“Doesn’t seem so, though there have been a few animals lurking behind us, probably surprised anyone’s about this time of the year. It’s been a while, so I’m just getting a feel for the trail. This is, for now, our mountain.”

There was a time, from a time when we were kids, that I could tell when he was lying. He was better at covering it, but it was still there.

Where we’d stopped was a small clearing, a staging point that would be used by other trekkers, still overgrown because of lack of trekkers. Ahead there were the signs of a trail, and after six months, it would become clear again. In places, as we had made our way from the base camp, sections of the distinctive trail had all but disappeared, but Louis seemed to know where he was going, and it was not long before we had picked up the trail again. This spot was a lookout, giving a spectacular view of the valley below, and a fast running river through it.

I walked to the edge and looked up and down the valley, and at the trail that ran along the cliff for a short distance. I looked down, not the wisest of things to do, but it was long enough to catch sight of several charred pieces of wood. On top of the snow. The thing is, someone had been along this trail before us, and recently, something I thought wise to keep to myself.

Back at the log, I sat for a moment and drank some water, while Louis stood patiently, but impatiently, for me to join him.

“You look like you’ve got somewhere to be.” Probably not the wisest thing to say but it was out before I could stop it.

A flicker of annoyance crossed his face, then it was gone. “If we stop too long, joints will freeze up, especially when it gets colder.”

“Sorry.” I put the container back in the pack and joined him. “Let’s go. The cold and I don’t get along very well, and it’s been a long time since the last time I ventured into the great unknown.”

“Helen said you gave up trekking when you married her.”

“She wasn’t a trekker, Robbie. We all have to give up something, sooner or later.”

Another hour, feeling rather weary, we’d come to another small clearing and a place where I could sit down.

“You always were the weak link, Robbie. Admittedly you were younger, but you never seemed to grasp the concept of exercise and fitness.”

I looked up at him and could see my father, the exact stance, the exact words, the exact same sneer in his voice. It all came rushing back as if it was yesterday, the reasons why I chose to go with our mother, that another day with his bullying would be one too many. And he was a bully. And, in an instant, I could see the apple hadn’t fallen far from the tree.

“Out of shape after languishing in an office, perhaps,” I said, “but I was never the disappointment our father always considered me.”

“You didn’t join the army, follow in his footsteps, as he wanted us to do. I did. Proudly served, too.”

I could see it. Like father, like son. No surprise Robbie had followed in his father’s footsteps. And it was a clue as to what Robbie had been doing since I saw him last.

“So, tell me about it.”

“You wouldn’t understand.”

“No, I probably wouldn’t. Let’s push on.”

I’d also thought, along the way, he might ask questions, delve further into the problems that Helen and I were having, but I knew she had told him all he needed to know. I’d been held up at the office, and had rung to ask her to take him to dinner, get to know him, she might get to learn something of my life before I met her, details of which I hadn’t told her other than that my mother was dead, my father had left and taken Robbie with him. My past, I’d told her from the outset, was not something I would talk about.

I didn’t ask what they talked about, but I could see a change in both of them. Perhaps she had succumbed to Robbie’s charm, back in school all the girls did, but they all soon learned he was not a nice person, not once you got to know him. I didn’t warn her, and perhaps that was regrettable on my part, but it reflected the state in which our relationship had reached.

I’d also tried, once or twice, to find out if our father was still alive, but he deflected it, changing the subject. That meant he was still alive, somewhere, perhaps annoyed at Robbie for coming to see me. If I was a betting man, I’d bet our father would have denied permission for
Robbie to do so, even if he was a grown man and capable of making his own decisions.

Odd, but not surprising. Even now I could remember my father had secrets, and those secrets had fed into the breakup of our parents.

“So, you’ve been dodging it for days now, but you still haven’t told me if dad is alive or dead. He’d be about seventy-odd now.”

He stopped and turned to face me. “Would it matter if he was alive? I doubt you’d want to see him after what mother must have said about him.”

Interesting that he would think so. “She never had a bad word for him, and wouldn’t hear of one spoken, by me or anyone. And I have wondered what became of him, and you. At least now I know you spent time in the Army. If I was to guess what happened, that would be high on my list.”

“No surprise then you became an office wanker.”

Blunt, but, to him, it was a fact. I’d used that expression when telling Helen one time after a very bad day.

“We can’t all be heroes, Robbie.”

I put my hand up. Alarm bells were going off in my head. “You can come out now,” I yelled.

Robbie looked puzzled.

“I know you’re there. You’ve been behind us for about a half-mile now.”

A few seconds passed before the cracking of a twig, and then a person in a camouflage kit came towards us.

He’d aged, hair and beard grey in places but almost white now, but the face was familiar.

“What brings you to this part of the woods, Dad. Or is it just an unlucky coincidence?”

—–

© Charles Heath 2020-2021