An excerpt from “One Last Look”: Charlotte is no ordinary girl

This is currently available at Amazon herehttp://amzn.to/2CqUBcz

I’d read about out-of-body experiences, and like everyone else, thought it was nonsense.  Some people claimed to see themselves in the operating theatre, medical staff frantically trying to revive them, and being surrounded by white light.

I was definitely looking down, but it wasn’t me I was looking at.

It was two children, a boy and a girl, with their parents, in a park.

The boy was Alan.  He was about six or seven.  The girl was Louise, and she was five years old.  She had long red hair and looked the image of her mother.

I remember it now, it was Louise’s birthday and we went down to Bournemouth to visit our Grandmother, and it was the last time we were all together as a family.

We were flying homemade kites our father had made for us, and after we lay there looking up at the sky, making animals out of the clouds.  I saw an elephant, Louise saw a giraffe.

We were so happy then.

Before the tragedy.

When I looked again ten years had passed and we were living in hell.  Louise and I had become very adept at survival in a world we really didn’t understand, surrounded by people who wanted to crush our souls.

It was not a life a normal child had, our foster parents never quite the sort of people who were adequately equipped for two broken-hearted children.  They tried their best, but their best was not good enough.

Every day it was a battle, to avoid the Bannister’s and Archie in particular, every day he made advances towards Louise and every day she fended him off.

Until one day she couldn’t.

Now I was sitting in the hospital, holding Louise’s hand.  She was in a coma, and the doctors didn’t think she would wake from it.  The damage done to her was too severe.

The doctors were wrong.

She woke, briefly, to name her five assailants.  It was enough to have them arrested.  It was not enough to have them convicted.

Justice would have to be served by other means.

I was outside the Bannister’s home.

I’d made my way there without really thinking, after watching Louise die.  It was like being on autopilot, and I had no control over what I was doing.  I had murder in mind.  It was why I was holding an iron bar.

Skulking in the shadows.  It was not very different from the way the Bannister’s operated.

I waited till Archie came out.  I knew he eventually would.  The police had taken him to the station for questioning, and then let him go.  I didn’t understand why, nor did I care.

I followed him up the towpath, waiting till he stopped to light a cigarette, then came out of the shadows.

“Wotcha got there Alan?” he asked when he saw me.  He knew what it was, and what it was for.

It was the first time I’d seen the fear in his eyes.  He was alone.

“Justice.”

“For that slut of a sister of yours.  I had nuffing to do with it.”

“She said otherwise, Archie.”

“She never said nuffing, you just made it up.”  An attempt at bluster, but there was no confidence in his voice.

I held up the pipe.  It had blood on it.  Willy’s blood.  “She may or may not have Archie, but Willy didn’t make it up.  He sang like a bird.  That’s his blood, probably brains on the pipe too, Archie, and yours will be there soon enough.”

“He dunnit, not me.  Lyin’ bastard would say anything to save his own skin.”  Definitely scared now, he was looking to run away.

“No, Archie.  He didn’t.  I’m coming for you.  All of you Bannisters.  And everyone who touched my sister.”

It was the recurring nightmare I had for years afterwards.

I closed my eyes and tried to shut out the thoughts, the images of Louise, the phone call, the visit to the hospital and being there when she succumbed to her injuries.  Those were the very worst few hours of my life.

She had asked me to come to the railway station and walk home with her, and I was running late.  If I had left when I was supposed to, it would never have happened and for years afterwards, I blamed myself for her death.

If only I’d not been late…

When the police finally caught the rapists, I’d known all along who they’d be; antagonists from school, the ring leader, Archie Bannister, a spurned boyfriend, a boy whose parents, ubiquitously known to all as ‘the Bannister’s, dealt in violence and crime and who owned the neighbourhood.  The sins of the father had been very definitely passed onto the son.

At school, I used to be the whipping boy, Archie, a few grades ahead of me, made a point of belting me and a few of the other boys, to make sure the rest did as they were told.  He liked Louise, but she had no time for a bully like him, even when he promised he would ‘protect’ me.

I knew the gang members, the boys who tow-kowed to save getting beaten up, and after the police couldn’t get enough information to prosecute them because everyone was too afraid to speak out, I went after Willy.  There was always a weak link in a group, and he was it.

He worked in a factory, did long hours on a Wednesday and came home after dark alone.  It was a half mile walk, through a park.  The night I approached him, I smashed the lights and left it in darkness.  He nearly changed his mind and went the long way home.

He didn’t.

It took an hour and a half to get the names.  At first, when he saw me, he laughed.  He said I would be next, and that was four words more than he knew he should have said.

When I found him alone the next morning I showed him the iron bar and told him he was on the list.  I didn’t kill him then, he could wait his turn, and worry about what was going to happen to him.

When the police came to visit me shortly after that encounter, no doubt at the behest of the Bannister’s, the neighbourhood closed ranks and gave me an ironclad alibi.  The Bannister’s then came to visit me and threatened me.  I told them their days were numbered and showed them the door.

At the trial, he and his friends got off on a technicality.  The police had failed to do their job properly, but it was not the police, but a single policeman, corrupted by the Bannisters.

Archie could help but rub it in my face.  He was invincible.

Joe Collins took 12 bullets and six hours to bleed out.  He apologized, he pleaded, he cried, he begged.  I didn’t care.

Barry Mills, a strong lad with a mind to hurting people, Archie’s enforcer, almost got the better of me.  I had to hit him more times than I wanted to, and in the end, I had to be satisfied that he died a short but agonizing death.

I revisited Willy in the hospital.  He’d recovered enough to recognize me, and why I’d come.  Suffocation was too good for him.

David Williams, second in command of the gang, was as tough and nasty as the Bannisters.  His family were forging a partnership with the Bannister’s to make them even more powerful.  Outwardly David was a pleasant sort of chap, affable, polite, and well mannered.  A lot of people didn’t believe he could be like, or working with, the Bannisters.

He and I met in the pub.  We got along like old friends.  He said Willy had just named anyone he could think of, and that he was innocent of any charges.  We shook hands and parted as friends.

Three hours later he was sitting in a chair in the middle of a disused factory, blindfolded and scared.  I sat and watched him, listened to him, first threatening me, and then finally pleading with me.  He’d guessed who it was that had kidnapped him.

When it was dark, I took the blindfold off and shone a very bright light in his eyes.  I asked him if the violence he had visited upon my sister was worth it.  He told me he was just a spectator.

I’d read the coroner’s report.  They all had a turn.  He was a liar.

He took nineteen bullets to die.

Then came Archie.

The same factory only this time there were four seats.  Anna Bannister, brothel owner, Spike Bannister, head of the family, Emily Bannister, sister, and who had nothing to do with their criminal activities.  She just had the misfortune of sharing their name.

Archie’s father told me how he was going to destroy me, and everyone I knew.

A well-placed bullet between the eyes shut him up.

Archie’s mother cursed me.  I let her suffer for an hour before I put her out of her misery.

Archie remained stony-faced until I came to Emily.  The death of his parents meant he would become head of the family.  I guess their deaths meant as little to him as they did me.

He was a little more worried about his sister.

I told him it was confession time.

He told her it was little more than a forced confession and he had done nothing to deserve my retribution.

I shrugged and shot her, and we both watched her fall to the ground screaming in agony.  I told him if he wanted her to live, he had to genuinely confess to his crimes.  This time he did, it all poured out of him.

I went over to Emily.  He watched in horror as I untied her bindings and pulled her up off the floor, suffering only from a small wound in her arm.  Without saying a word she took the gun and walked over to stand behind him.

“Louise was my friend, Archie.  My friend.”

Then she shot him.  Six times.

To me, after saying what looked like a prayer, she said, “Killing them all will not bring her back, Alan, and I doubt she would approve of any of this.  May God have mercy on your soul.”

Now I was in jail.  I’d spent three hours detailing the deaths of the five boys, everything I’d done; a full confession.  Without my sister, my life was nothing.  I didn’t want to go back to the foster parents; I doubt they’d take back a murderer.

They were not allowed to.

For a month I lived in a small cell, in solitary, no visitors.  I believed I was in the queue to be executed, and I had mentally prepared myself for the end.

Then I was told I had a visitor, and I was expecting a priest.

Instead, it was a man called McTavish. Short, wiry, and with an accent that I could barely understand.

“You’ve been a bad boy, Alan.”

When I saw it was not the priest I told the jailers not to let him in, I didn’t want to speak to anyone.  They ignored me.  I’d expected he was a psychiatrist, come to see whether I should be shipped off to the asylum.

I was beginning to think I was going mad.

I ignored him.

“I am the difference between you living or dying Alan, it’s as simple as that.  You’d be a wise man to listen to what I have to offer.”

Death sounded good.  I told him to go away.

He didn’t.  Persistent bugger.

I was handcuffed to the table.  The prison officers thought I was dangerous.  Five, plus two, murders, I guess they had a right to think that.  McTavish sat opposite me, ignoring my request to leave.

“Why’d you do it?”

“You know why.”  Maybe if I spoke he’d go away.

“Your sister.  By all accounts, the scum that did for her deserved what they got.”

“It was murder just the same.  No difference between scum and proper people.”

“You like killing?”

“No-one does.”

“No, I dare say you’re right.  But you’re different, Alan.  As clean and merciless killing I’ve ever seen.  We can use a man like you.”

“We?”

“A group of individuals who clean up the scum.”

I looked up to see his expression, one of benevolence, totally out of character for a man like him.  It looked like I didn’t have a choice.

Trained, cleared, and ready to go.

I hadn’t realized there were so many people who were, for all intents and purposes, invisible.  People that came and went, in malls, in hotels, trains, buses, airports, everywhere, people no one gave a second glance.

People like me.

In a mall, I became a shopper.

In a hotel, I was just another guest heading to his room.

On a bus or a train, I was just another commuter.

At the airport, I became a pilot.  I didn’t need to know how to fly; everyone just accepted a pilot in a pilot suit was just what he looked like.

I had a passkey.

I had the correct documents to get me onto the plane.

That walk down the air bridge was the longest of my life.  Waiting for the call from the gate, waiting for one of the air bridge staff to challenge me, stepping onto the plane.

Two pilots and a steward.  A team.  On the plane early before the rest of the crew.  A group that was committing a crime, had committed a number of crimes and thought they’d got away with it.

Until the judge, the jury and their executioner arrived.

Me.

Quick, clean, merciless.  Done.

I was now an operational field agent.

I was older now, and I could see in the mirror I was starting to go grey at the sides.  It was far too early in my life for this, but I expect it had something to do with my employment.

I didn’t recognize the man who looked back at me.

It was certainly not Alan McKenzie, nor was there any part of that fifteen-year-old who had made the decision to exact revenge.

Given a choice; I would not have gone down this path.

Or so I kept telling myself each time a little more of my soul was sold to the devil.

I was Barry Gamble.

I was Lenny Buckman.

I was Jimmy Hosen.

I was anyone but the person I wanted to be.

That’s what I told Louise, standing in front of her grave, and trying to apologize for all the harm, all the people I’d killed for that one rash decision.  If she was still alive she would be horrified, and ashamed.

Head bowed, tears streamed down my face.

God had gone on holiday and wasn’t there to hand out any forgiveness.  Not that day.  Not any day.

New York, New Years Eve.

I was at the end of a long tour, dragged out of a holiday and back into the fray, chasing down another scumbag.  They were scumbags, and I’d become an automaton hunting them down and dispatching them to what McTavish called a better place.

This time I failed.

A few drinks to blot out the failure, a blonde woman who pushed my buttons, a room in a hotel, any hotel, it was like being on the merry-go-round, round and round and round…

Her name was Silvia or Sandra, or someone I’d met before, but couldn’t quite place her.  It could be an enemy agent for all I knew or all I cared right then.

I was done.

I’d had enough.

I gave her the gun.

I begged her to kill me.

She didn’t.

Instead, I simply cried, letting the pent up emotion loose after being suppressed for so long, and she stayed with me, holding me close, and saying I was safe, that she knew exactly how I felt.

How could she?  No one could know what I’d been through.

I remembered her name after she had gone.

Amanda.

I remembered she had an imperfection in her right eye.

Someone else had the same imperfection.

I couldn’t remember who that was.

Not then.

I had a dingy flat in Kensington, a place that I rarely stayed in if I could help it.  After five-star hotel rooms, it made me feel shabby.

The end of another mission, I was on my way home, the underground, a bus, and then a walk.

It was late.

People were spilling out of the pub after the last drinks.  Most in good spirits, others slightly more boisterous.

A loud-mouthed chap bumped into me, the sort who had one too many, and was ready to take on all comers.

He turned on me, “Watch where you’re going, you fool.”

Two of his friends dragged him away.  He shrugged them off, squared up.

I punched him hard, in the stomach, and he fell backwards onto the ground.  I looked at his two friends.  “Take him home before someone makes mincemeat out of him.”

They grabbed his arms, lifted him off the ground and took him away.

Out of the corner of my eye, I could see a woman, early thirties, quite attractive, but very, very drunk.  She staggered from the bar, bumped into me, and finished up sitting on the side of the road.

I looked around to see where her friends were.  The exodus from the pub was over and the few nearby were leaving to go home.

She was alone, drunk, and by the look of her, unable to move.

I sat beside her.  “Where are your friends?”

“Dunno.”

“You need help?”

She looked up, and sideways at me.  She didn’t look the sort who would get in this state.  Or maybe she was, I was a terrible judge of women.

“Who are you?” she asked.

“Nobody.”  I was exactly how I felt.

“Well Mr Nobody, I’m drunk, and I don’t care.  Just leave me here to rot.”

She put her head back between her knees, and it looked to me she was trying to stop the spinning sensation in her head.

Been there before, and it’s not a good feeling.

“Where are your friends?” I asked again.

“Got none.”

“Perhaps I should take you home.”

“I have no home.”

“You don’t look like a homeless person.  If I’m not mistaken, those shoes are worth more than my weekly salary.”  I’d seen them advertised, in the airline magazine, don’t ask me why the ad caught my attention.

She lifted her head and looked at me again.  “You a smart fucking arse are you?”

“I have my moments.”

“Have them somewhere else.”

She rested her head against my shoulder.  We were the only two left in the street, and suddenly in darkness when the proprietor turned off the outside lights.

“Take me home,” she said suddenly.

“Where is your place?”

“Don’t have one.  Take me to your place.”

“You won’t like it.”

“I’m drunk.  What’s not to like until tomorrow.”

I helped her to her feet.  “You have a name?”

“Charlotte.”

The wedding was in a small church.  We had been away for a weekend in the country, somewhere in the Cotswolds, and found this idyllic spot.  Graves going back to the dawn of time, a beautiful garden tended by the vicar and his wife, an astonishing vista over hills and down dales.

On a spring afternoon with the sun, the flowers, and the peacefulness of the country.

I had two people at the wedding, the best man, Bradley, and my boss, Watkins.

Charlotte had her sisters Melissa and Isobel, and Isobel’s husband Giovanni, and their daughter Felicity.

And one more person who was as mysterious as she was attractive, a rather interesting combination as she was well over retirement age.  She arrived late and left early.

Aunt Agatha.

She looked me up and down with what I’d call a withering look.  “There’s more to you than meets the eye,” she said enigmatically.

“Likewise I’m sure,” I said.  It earned me an elbow in the ribs from Charlotte.  It was clear she feared this woman.

“Why did you come,” Charlotte asked.

“You know why.”

Agatha looked at me.  “I like you.  Take care of my granddaughter.  You do not want me for an enemy.”

OK, now she officially scared me.

She thrust a cheque into my hand, smiled, and left.

“Who is she,” I asked after we watched her depart.

“Certainly not my fairy godmother.”

Charlotte never mentioned her again.

Zurich in summer, not exactly my favourite place.

Instead of going to visit her sister Isobel, we stayed at a hotel in Beethovenstrasse and Isobel and Felicity came to us.  Her husband was not with her this time.

Felicity was three or four and looked very much like her mother.  She also looked very much like Charlotte, and I’d remarked on it once before and it received a sharp rebuke.

We’d been twice before, and rather than talk to her sister, Charlotte spent her time with Felicity, and they were, together, like old friends.  For so few visits they had a remarkable rapport.

I had not broached the subject of children with Charlotte, not after one such discussion where she had said she had no desire to be a mother.  It had not been a subject before and wasn’t once since.

Perhaps like all Aunts, she liked the idea of playing with a child for a while and then give it back.

Felicity was curious as to who I was, but never ventured too close.  I believed a child could sense the evil in adults and had seen through my facade of friendliness.  We were never close.

But…

This time, when observing the two together, something quite out of left field popped into my head.  It was not possible, not by any stretch of the imagination, but I thought she looked like my mother.

And Charlotte had seen me looking in their direction.  “You seem distracted,” she said.

“I was just remembering my mother.  Odd moment, haven’t done so for a very long time.”

“Why now?”  I think she had a look of concern on her face.

“Her birthday, I guess,” I said, the first excuse I could think of.

Another look and I was wrong.  She looked like Isobel or Charlotte, or if I wanted to believe it possible, Melissa too.

I was crying, tears streaming down my face.

I was in pain, searing pain from my lower back stretching down into my legs, and I was barely able to breathe.

It was like coming up for air.

It was like Snow White bringing Prince Charming back to life.  I could feel what I thought was a gentle kiss and tears dropping on my cheeks, and when I opened my eyes, I saw Charlotte slowly lifting her head, a hand gently stroking the hair off my forehead.

And in a very soft voice, she said, “Hi.”

I could not speak, but I think I smiled.  It was the girl with the imperfection in her right eye.  Everything fell into place, and I knew, in that instant that we were irrevocably meant to be together.

“Welcome back.”

© Charles Heath 2016-2019

onelastlookcoverfinal2

The cinema of my dreams – Was it just another surveillance job? – Episode 5

I’m back home and this story has been sitting on a back burner for a few months, waiting for some more to be written.

The trouble is, there are also other stories to write, and I’m not very good at prioritising.

But, here we are, a few minutes opened up and it didn’t take long to get back into the groove.

Is it going to be revenge or just plain bewilderment?

 

There were protocols to handle every situation.  It’s why I was stuck in a room with a dozen others for nearly six months, learning the ropes.

That’s what Alex called it.  He’d also said it was a waste of time because by the time we made it out into the field all the bad guys would be locked up.  Patience wasn’t one of his virtues.

That’s why Alex didn’t make it through the first cut.

It had been a long six months but it had been worth it when ten of us out of the original intake of 24 made it.  I considered myself lucky.

Now three of those men were missing, and I believed they were dead, or if not dead, incapacitated.  This was our first live mission.  We had been excited but held that in check.  We could celebrate our first mission together, and then if it was a success.

At this moment, in my mind, it was anything but a success.

And my anger was building.  I kept the target in sight, and once or twice he nearly slipped away, but I knew the area having studied the maps the day before.  I liked to know what it was like on the ground, and if it was the target’s home turf, then I didn’t want him to have the advantage.

It was those little things, our instructor said, that could make a difference.

It did.

I knew or thought I knew where he was going.

At some point, I was going to have to take a chance, and head him off.  It also meant I might lose him, but I had a point on the map where I believed if he didn’t go where I was anticipating, he’d still be within range to find him again.

Time.

He went right, I went straight ahead.

His most likely destination, the train station.  His training wasn’t much different from mine.  After a calamity, look to make an unexpected exit.  There were buses, but they led basically to the same place.

Five minutes, and I’d know.

I came out on the main street that ran alongside the train tracks, the station was behind me, and he would have to pass me to get there.

There was also a dead end lane between him and me, and that was where I would corral him.

Almost a minute passed, and it was too long.  Two.  The thought of possibly being wrong leapt into my mind, along with the sickening feeling in my stomach of failure.

Two and a half.  I took several steps in his possible direction, then I saw him turn the corner.  I stepped back and out of sight.  I needed him to get to the lane entrance before I made a move.

He was wary and looking around.  He knew I was on his tail.

As he approached the laneway, I stepped out and started walking slowly towards him.  It took a few steps before he realised it was me, and stopped.  Was he surprised at my enterprise, or shocked.

Predictably he turned into the lane.

I ran.

At the entrance to the lane, I stopped and saw him reach the dead end.  There was no climbing over the fence at the end,. Nor were there any ladders or climbable points either side.

He would have to get past me.

I had him, and he knew it.

 

© Charles Heath 2018-2019

“What Sets Us Apart”, a mystery with a twist

David is a man troubled by a past he is trying to forget.

Susan is rebelling against a life of privilege and an exasperated mother who holds a secret that will determine her daughter’s destiny.

They are two people brought together by chance. Or was it?

When Susan discovers her mother’s secret, she goes in search of the truth that has been hidden from her since the day she was born.

When David realizes her absence is more than the usual cooling off after another heated argument, he finds himself being slowly drawn back into his former world of deceit and lies.

Then, back with his former employers, David quickly discovers nothing is what it seems as he embarks on a dangerous mission to find Susan before he loses her forever.

Find the Kindle version on Amazon here:  http://amzn.to/2Eryfth

whatsetscover

The cinema of my dreams – I always wanted to go on a treasure hunt – Episode 61

Here’s the thing…

Every time I close my eyes, I see something different.

I’d like to think the cinema of my dreams is playing a double feature but it’s a bit like a comedy cartoon night on Fox.

But these dreams are nothing to laugh about.

Once again there’s a new installment of an old feature, and we’re back on the treasure hunt.

A late picnic

We spoke no more of bloodlines, and instead spread out the surprises she had brought.  Cheeses, cured meats, her mother’s creation learned long ago in the mother country, and wine from their Italian winery.

As a quirk of fate, she had lined the basket with old copies of treasure maps, and after indulging in the food and wine, looked them over. 

There were six different maps, each with a different detail as to where the treasure might be buried.  One had it on the edge of the lake, a lake by the way that had now disappeared, another at the foot of the hills, identified by a cutting high above the spot.

Another was on the mountainside, after following a track alongside the non-existent lake and past several buildings, one appearing to be a church.

I knew where that church was, not almost a ruin, but it was not alongside a lake or anything that might have been a lake in the past.  Or it could have been another church, definitely a ruin and gone, in a different place.

This was the problem interpreting maps that were drawn, purportedly, in the late eighteenth century when the land would be pristine and roamed over by native Americans.  It was why some of the maps had the word Seminole on them, to identify the land, perhaps, or the people. 

While I should have been listening to the history, I didn’t, and therefore missed the fact that a lot of the Indians had died out before the pirate captain arrived with his treasure, or whatever he might have buried, if in fact, he came at all.

I was beginning to have doubts.

Of course, the Spaniards were lurking around those parts too, and they were all about treasure, especially that stolen from South America but that was centuries before.  Was the pirate captain Spanish or part Spanish perhaps?

Questions, nothing but questions.

“Those coins that were found of the coast.  Were they Spanish?”

“Good question.”

“It seems the Spaniards were here, once upon a time.  Anything is possible.”

The joke, or irony, would be that if there was a treasure, it was off a Spanish ship that ran aground in a storm off the coast, and all of the maps and rumors were true, but for a very different reason.

That brought to mind a recent discovery of coins elsewhere in Florida, and I couldn’t help thinking that Boggs had also heard about the discovery and had conjured up in his mind that the treasure his father had been seeking existed and had embarked on this odyssey.

“I’ve got a couple of metal detectors,” Nadia said.  “Maybe we should go wandering along the shoreline and see what there might be.”

“I’m sure it’s been done to death already.”

She smiled.  “I’ve got nothing better to do, have you?”

“Sleeping in.”

“You can do that when you’re dead.  Until then, there’s a treasure to be found.  I’ll pick you up tomorrow morning, about 10ish.”

Treasure!  I was beginning to hate it.

She tossed the leftovers into the basket and dragged herself off the floor when we finished up.  “I’ll let you get back to work.”

© Charles Heath 2020-2022

The 2am Rant: Why is writing so hard

In just about every book about how to be a good writer, there seems to be a pile of problems that at some time in a writer’s life will need to be overcome.

Writer’s block

Don’t have it.  The ideas pour out of my head like water over a waterfall

Don’t use abstract descriptions in your writing

Damn, I do that all the time

But, back to writer’s block, is that where you write 37 chapters and there the story stops?

Oops.

Plan your book and have an outline so you can write it from start to finish

Plan?  What Plan?

That only happens when I’ve written the book and prior to the first edit, I make a precise of each chapter to make sure of continuity.

Plan your characters and give them a timeline

Oh God is that why characters’ names are often changing as the story progresses.

Believe it or not, I’m working on this issue.

Manage your time.

Still can’t get it right.

Write at least a thousand words a day, no matter if it’s rubbish or not.

Does that include writing for social media?

Apparently not.

At least this is one of the requirements I follow religiously. Sometimes it’s a lot more words but a least some writing finished up either on paper in on the word processor.

Now it’s time to write those thousand words.

Look, there, I’ve at least got one part of time management under control.

What I learned about writing: “Why a Budding Author Should Dive into Joan Didion’s Masterful Body of Work”

For aspiring writers, the journey to finding one’s voice is as much about discovery as it is about study. Joan Didion, a literary icon whose career spans decades, offers a treasure trove of insights for those seeking to refine their craft. From her sharp-eyed novels to her incisive essays, Didion’s work is a masterclass in clarity, emotional resonance, and the art of observation. Let’s explore how delving into her oeuvre—comprising five seminal novels, screenplays, and countless articles and essays—can illuminate the path for emerging authors.


1. Novels: The Power of Precision and Dissecting the Human Condition

Didion’s novels—Run, RiverPlay It as It LaysA Book of Common PrayerThe Last Thing He Wanted, and Marry Me—are defined by their sparse, crystalline prose and unflinching exploration of identity, disillusionment, and collapse. For a budding author, studying her work reveals a critical lesson: less is not just more—it’s everything. Didion strips language of excess, using plain, punchy sentences to evoke profound unease or beauty. “We tell ourselves stories in order to live,” she famously writes in The White Album—a philosophy that permeates her fiction, where characters are often unravelling personal myths in a disintegrating world.
Aspiring writers can learn to mirror this by focusing on what isn’t said and how silence, space, and subtext amplify meaning. Her characters also serve as case studies in emotional complexity; they’re flawed, often detached, yet achingly human. How does Didion achieve this? By grounding them in precise details—a crumbling California landscape, a flicker of a smile—that anchor the surreal in the real.


2. Screenplays: Visual Storytelling and the Art of Compression

Didion’s screenplays (notably A Point of No Return and Up at the Villas) offer a different but equally valuable lesson. Adapting her own stories and others’, she demonstrates how to transform prose into visceral, visual narratives. Screenwriting demands concision; dialogue must carry weight, and scenes must be sculpted to evoke emotion without over-explaining. For an author interested in crossing genres, Didion’s screenplays are a masterclass in pacing and economy.
Take Up at the Villas, adapted from her 1982 novel of the same name. The screenplay retains the novel’s cold, observational tone but distils its themes into sharp, symbolic images—a storm, a locked door—to convey what words alone might not. For writers, this is a reminder that showing, not telling, is a skill honed through ruthless editing. Studying her scripts can teach how to craft tension through structure and dialogue, even in literary works.


3. Essays and Journalism: The Alchemy of Observation and Truth-Telling

Joan Didion’s nonfiction—collected in volumes like The White AlbumSlouching Toward Bethlehem, and Where I Was From—is where her genius as a writer truly shines. Her essays are micro-surgeries of culture, politics, and personal history, blending reportage with poetic reflection. How can a budding author benefit from this?

  • The art of the unsparingly honest narrative: Didion doesn’t flinch from ambiguity. She asks, What do we do when we can’t believe the story we’ve told ourselves? This intellectual honesty teaches writers to dig deeper, to question their own assumptions.
  • The marriage of personal and political: In pieces like “Los Angeles Notebook” or “On Self Respect”, Didion ties intimate self-doubt to societal decay. Aspiring authors can learn to weave the private and the public, creating work that resonates beyond the individual.
  • Research as storytelling: Her essays are meticulously researched yet read like lyrical journeys. Writers can study how she transforms facts into narrative threads without losing a reader’s interest.

4. Beyond Technique: Embracing Didion’s Curiosity and Courage

Perhaps the most profound lesson from Didion’s work is her relentless curiosity and willingness to confront the uncomfortable. Her writing force-feeds the idea that truth is not a destination but a process. For emerging authors, this mindset—questioning, observing, and daring to write what feels fragile or controversial—can be transformative. Didion’s essays on the Vietnam War, the Manson Family, or her own grief in The Year of Magical Thinking demand that we look at the world with both empathy and rigour.


Conclusion: Let the Questions Be the Point

Reading Joan Didion is not just about learning how to write—it’s about learning how to see. Her work challenges authors to strip away the superfluous, to wield language like a scalpel, and to embrace the messiness of human experience. For a budding writer, this is an unparalleled education. Start with her essays; they are accessible and brimming with insight. Then, move to her novels and screenplays to understand how themes translate across genres. Finally, ask yourself: What story have I been avoiding, and how can I tell it with Didion’s clarity?

In a world of noise, Didion’s voice cuts through with surgical precision. For any writer seeking to carve their own path, her work is not just a blueprint—it’s an invitation to observe, to question, and to distil the chaos of life into something that might resonate for generations.

So pick up a Joan Didion. Let her words unsettle you. Then, let me know how far you’ve come.

365 Days of Writing, 2026 – 215

Day 215 – Too many adjectives?

Kill Your Darlings: Why Simple, Strong Words Beat Over-Adjectifying Every Time

We’ve all been there. You’re writing a blog post, a novel, or even a professional email, and you look at a sentence like this:

“The large, menacing, ferocious hound ran quickly across the damp, muddy, desolate field.”

It sounds descriptive, right? But to an experienced reader or an SEO expert looking at user engagement, it actually reads like linguistic clutter. It feels heavy, breathless, and—ironically—weak.

Many writers fall into the trap of believing that the more adjectives they use, the better their writing will become. Surely, adding more descriptors paints a clearer picture?

In reality, trying to use too many adjectives is often a symptom of weak writing. As the old saying goes: Simple, strong words are best—and you should avoid any words that leave people reaching for a dictionary.

Here is why less is almost always more when it comes to adjectives, and how you can transform your writing by embracing simplicity and strength.


The Adjective Trap: Why We Over-Decorate

Why do we do it? Why do we stack adjectives like cordwood?

  1. The Fear of Being Boring: We worry that without modifiers, our writing will sound dry and academic.
  2. The “Show, Don’t Tell” Shortcut: Instead of describing how a character feels through action, we slap an emotion word in front of them (e.g., “the deeply depressed, profoundly sad man”).
  3. The Myth of Granularity: We think precision requires length. We assume that saying “a glistening, shimmering, multifaceted diamond” is more effective than just saying “a diamond.”

The truth? Adjectives are the makeup of writing. A little bit highlights the natural features, but caking it on makes everything look fake, muddy, and overdone.


3 Reasons Why Too Many Adjectives Kill Your Writing

1. They Slow Down the Reader’s Momentum

Good writing has rhythm. It flows like a river, pulling the reader effortlessly downstream. Piling on adjectives acts like dropping boulders into that river. Every extra modifier forces the reader’s brain to pause, process, and adjust the mental image.

Compare these two sentences:

  • Over-adjectified: “The ancient, crumbling, dilapidated, forgotten wooden cabin stood alone.” (Exhausting.)
  • Simple and strong: “The ruin stood alone.” or “The rotting cabin stood alone.” (Punchy and immediate.)

2. They Weaken the Noun

Your nouns and verbs should be doing the heavy lifting. When you rely on adjectives to create impact, you rob your primary words of their power.

Instead of writing “a very large, towering hill,” use “a mountain.” Instead of writing “walked very quietly and stealthily,” use “prowled.”

By choosing a stronger noun or verb in the first place, you eliminate the need for adjectives entirely.

3. Obscure Words Alienate Your Audience

Another common pitfall when trying to “elevate” writing is using overly complex, high-register adjectives that most people don’t use in everyday conversation. Words like pusillanimouslugubrious, or perspicacious.

Unless you are writing for an academic journal, using obscure words doesn’t make you look smart—it makes you hard to read. If a reader has to stop and look up the definition of a word, you’ve broken their immersion. Clear communication always trumps vocabulary flexing. If people have trouble understanding the meaning of your words, they will simply click away.


How to Write with Simplicity and Strength

If you want to clean up your prose, boost your readability, and keep your readers hooked, adopt these three copywriting rules today:

Rule 1: One Adjective is a Maximum, Zero is Often Better

Before you publish a sentence, look at every noun. Does it have two or three adjectives attached to it? Delete at least half of them. Challenge yourself to find the exact right noun instead of modifying a weak one.

Rule 2: Audit Your Adverbs and Adjectives

Run your drafts through a readability checker or read them out loud. If you find yourself using filler modifiers like veryreallytrulyquite, or extremely, hit the backspace key. These words are crutches. They signal that the adjective (or verb) that follows isn’t strong enough on its own.

Rule 3: Write for the 8th-Grade Level (Even for Professionals)

Simplicity is not the same as dumbing down. The greatest writers in history—Ernest Hemingway, Stephen King, Maya Angelou—used remarkably simple language. Hemingway’s prose is famous for its punchy, unadorned strength. Write so that a general audience can grasp your meaning instantly, effortlessly, and with maximum emotional resonance.


The Bottom Line

Great writing isn’t about how many impressive words you can cram into a paragraph; it’s about how clearly you can transmit an idea from your brain to the reader’s.

The next time you’re tempted to write “a profoundly complex, deeply fascinating, intricately detailed problem,” stop. Take a breath.

Delete the makeup. Trust your nouns. Use simple, strong words—and let your ideas speak for themselves.

Top 5 sights on the road less travelled – Lima

Beyond the Typical Tourist Trail: 5 Unmissable, Off‑the‑Beaten‑Path Experiences in Lima

Lima—the City of Kings—is famous for its bustling historic centre, world‑renowned gastronomy, and the dramatic cliffs of Miraflores that gaze out over the Pacific. Yet, once you’ve sampled ceviche at a top‑rated restaurant and snapped a selfie at the Plaza de Armas, you’ll quickly realise there’s a whole hidden side to Peru’s capital that most guidebooks barely mention.

If you’re the kind of traveller who loves to wander where the crowds don’t, here are five carefully curated experiences that will let you see Lima through a local’s eyes, without missing out on comfort or safety.


1. Wander the Colorful Streets of Barranco’s “Paseo de los Artistas”

Why it’s special

Barranco is Lima’s bohemian heart, but most visitors stick to the main promenade and the famous Bridge of Sighs. A short walk inland leads you to a tucked‑away lane known as Paseo de los Artistas—a vibrant corridor of murals, independent galleries, and tiny ateliers where emerging Peruvian artists showcase everything from street‑art stencils to avant‑garde sculpture.

What to do

ActivityDetails
Mural huntingFollow the “Graffiti Trail” map (available at the Casa de la Literatura kiosk). Look for the giant “Cumbia de los Andes” piece by local legend Javier “Javi” Lira.
Mini‑workshopMany studios host free 30‑minute workshops—try your hand at pintura al óleo or corte de papel on Tuesdays at 4 p.m.
Coffee breakSlip into Café San Isidro (the tiny café with the green door) for a cup of café pasado made with beans roasted right in the neighbourhood.

Insider tip

If you’re there on a Saturday evening, the lane transforms into an impromptu open‑mic night. Bring a notebook and join the impromptu poetry circle.


2. Take a Morning Kayak on the Rimac River – “Río Verde”

Why it’s special

The Rimac River is usually known as a bustling waterway that runs past the historic centre. Few tourists realise that upstream, the river widens into a calm, emerald‑tinted stretch called Río Verde, flanked by a thin ribbon of mangrove forest. Small eco‑tour operators run guided kayak tours that reveal a different ecological face of Lima.

What to do

  • Early start – Depart from the Club de Regatas dock at 7 a.m. to avoid city traffic and catch the mist rolling off the water.
  • Spot wildlife – Look for the elusive cormorán (cormorant) nesting on the mangroves, and keep an eye out for tiny river otters (nutrias).
  • Picnic on the bank – Guides provide a traditional juane (rice‑stuffed banana leaf parcel) and a thermos of mate de coca for a post‑paddle snack.

Practicalities

  • Cost: US $35 per person (includes kayak, helmet, guide, and snack).
  • Skill level: Beginner‑friendly; paddles are stable, and guides are fluent in English and Spanish.

3. Explore the Pre‑Colonial Ruins of Pachacamac – A Hidden Archaeological Gem

Why it’s special

While many travellers flock to the grand ruins of Huaca Pucllana in Miraflores, the Pachacamac complex, located 30 km south of Lima, remains relatively quiet. This sacred site predates the Inca and was a major pilgrimage destination for the coastal cultures of pre‑Columbian Peru.

What to do

  • Guided tour – Book a small‑group tour (max 8 people) with Arqueología Viva to learn about the Ica and Nazca influences on the temple architecture.
  • Sunset ceremony – If you can stay until dusk, the site’s open terrace offers a spectacular view of the Pacific horizon, where local Aymara priests sometimes perform a traditional papa (offering) ritual.
  • Museum visit – The on‑site museum houses ceramic fragments and a reconstructed temple model that provides context to the ruins.

Travel note

Take the coastal highway (Panamericana Sur) and exit at the Pachacamac sign. Parking is free, and the entrance fee is modest (S/ 5).


4. Savour a Secret “Peruvian Street Food Tour” in the Cercado de Lima

Why it’s special

Most culinary tours focus on upscale restaurants in Miraflores or the famed Mercado de Surquillo. Yet the historic district’s narrow alleys hide a culinary underworld of anticuchospicarones, and cuy chactado served from modest, family‑run stalls.

What to do

DishWhere to find it
Anticuchos de corazón (grilled beef heart)Anticuchería El Buen Sazón on Calle San Martín (open only after 9 p.m.).
Picarones (sweet potato doughnuts)Dulcería La Senda in the Plaza de la Merced, served with chancaca syrup.
Cuy chactado (crispy guinea pig)Puesto del Cuy near the San Cristóbal market; the vendor will slice it open in front of you.
Chicha de jora (fermented corn drink)Small chichería behind the Casa de la Literatura, offering a tasting flight of 3 varieties.

How to join

The Lima Food Explorers collective runs a 4‑hour “Night Bites” tour every Thursday and Saturday, starting at 8 p.m. The price is US $25 per person, which includes a drink and a short cooking demo.

Safety tip

Stick to stalls that display a clean cooking area and have a visible Vigilancia Sanitaria (health inspection) sticker.


5. Unwind at Parque de la Reserva – The Secret Water Garden

Why it’s special

Everyone knows the Magic Water Circuit (Circuito Mágico del Agua), but few realise that behind the main show lies a quiet, Japanese‑inspired water garden that opens only during the early morning and late evening hours. Designed by renowned landscape architect Mario Lara, the garden features a series of koi ponds, stone lanterns, and a hidden bamboo grove.

What to do

  • Morning meditation – Arrive at 6:30 a.m. for a free, 15‑minute guided meditation session led by a local yoga instructor (check the park’s Facebook page for the schedule).
  • Photography walk – The soft morning light creates ethereal reflections; the garden’s shōji screens make a perfect backdrop for portrait shots.
  • Evening lantern release – On Fridays, the park hosts a community lantern‑lighting ceremony at 9 p.m., where you can write a wish on a biodegradable paper lantern and set it afloat on the central pond.

Practicalities

  • Entrance: Free (the Magic Circuit costs for the evening show).
  • Access: The garden is located behind the main fountain pavilion; look for signs pointing to “Jardín Secreto”.

How to Fit All Five Into a Long Weekend

DayMorningAfternoonEvening
FridayKayak at Río Verde (7 a.m.)Explore Pachacamac ruins (2 p.m.)Magic Water Circuit (8 p.m.)
SaturdaySecret Food Tour in Cercado (10 a.m.)Barranco’s Paseo de los Artistas (2 p.m.)Lantern ceremony at Parque de la Reserva (9 p.m.)
SundayRelaxed brunch in Barranco + optional mini‑workshopFree time for shopping or museum visitEarly flight or onward travel

If you have only one day, start with the kayak, then hop to Barrio Barranco for lunch, and finish with the secret garden at Parque de la Reserva.


Final Thoughts

Lima’s mainstream attractions are undeniably worth seeing, but the city’s true soul shines brightest in its quieter corners. From paddling on a serene river to tasting street‑food secrets that have survived centuries, these five off‑the‑beaten‑path experiences will give you a richer, more authentic connection to Peru’s coastal capital.

Pack comfortable shoes, a reusable water bottle, and an appetite for adventure—Lima’s hidden gems are waiting.

Ready to wander? Share your own lesser‑known Lima discoveries in the comments below, and let’s keep the conversation going!

In a word: Keep

Yes, this is an easy one.

I want to keep the car.  Especially if it’s a Lamborghini and it didn’t cost $500,000.

This form of the word simply means to hang on to something, or up the proper definition, to have or retain possession of

Paring it with other words is where it gets complicated.

For instance,

Keepings off, make sure that the ball doesn’t get into someone else’s possession.

Keep it to yourself, yes, here’s your chance to become the harbinger of secrets and not tell anyone else.  Not unless a lot of money is involved, or a Lamborghini.

You guessed it, the car is the running joke on this post.

How about, keep a low profile, been there tried that, it’s a lot harder than you think.

What about keeping your cards close to your chest, yes, this had both a literal and figurative meaning which makes it sort of unique.

That might follow the second definition, to continue, or cause to continue a particular state.

Another way of using keep is by delaying or stopping someone from doing something or getting somewhere; ie, I was kept waiting at the doctor’s surgery because he was late.

There are any number of examples of using the word keep in tandem with other words

One that specifically doesn’t relate to all the former examples, is simply the word keep.

What is it?

Usually the strongest part of the castle, and the last to fall in an attack.

At least, that was the theory.

The story behind the story: A Case of Working With the Jones Brothers

To write a private detective serial has always been one of the items at the top of my to-do list, though trying to write novels and a serial, as well as a blog, and maintain a social media presence, well, you get the idea.

But I made it happen, from a bunch of episodes I wrote a long, long time ago, used these to start it, and then continued on, then as now, never having much of an idea where it was going to end up, or how long it would take to tell the story.

That, I think, is the joy of ad hoc writing, even you, as the author, have as much of an idea of where it’s going as the reader does.

It’s basically been in the mill since 1990, and although I finished it last year, it looks like the beginning to end will have taken exactly 30 years.  Had you asked me 30 years ago if I’d ever get it finished, the answer would be maybe?

My private detective, Harry Walthenson

I’d like to say he’s from that great literary mould of Sam Spade, or Mickey Spillane, or Philip Marlowe, but he’s not.

But I’ve watched Humphrey Bogart play Sam Spade with much interest, and modelled Harry and his office on it.  Similarly, I’ve watched Robert Micham play Phillip Marlow with great panache, if not detachment, and added a bit of him to the mix.

Other characters come into play, and all of them, no matter what period they’re from, always seem larger than life.  I’m not above stealing a little of Mary Astor, Peter Lorre or Sidney Greenstreet, to breathe life into beguiling women and dangerous men alike.

Then there’s the title, like

The Case of the Unintentional Mummy – this has so many meanings in so many contexts, though I imagine that back in Hollywood in the ’30s and ’40s, this would be excellent fodder for Abbott and Costello

The Case of the Three-Legged Dog – Yes, I suspect there may be a few real-life dogs with three legs, but this plot would involve something more sinister.  And if made out of plaster, yes, they’re always something else inside.

But for mine, to begin with, it was “The Case of the …”, because I had no idea what the case was going to be about, well, I did, but not specifically.

Then I liked the idea of calling it “The Case of the Brothers’ Revenge” because I began to have a notion there was a brother no one knew about, but that’s stuff for other stories, not mine, so then it went the way of the others.

Now it’s called ‘A Case of Working With the Jones Brothers’, finished the first three drafts, and I am at the editor for the last reading.

I have high hopes of publishing it in mid-2026.  It even has a cover.

PIWalthJones1