An excerpt from “Sunday in New York”

Now available on Amazon at:  https://amzn.to/2H7ALs8

…

Williams’ Restaurant, East 65th Street, New York, Saturday, 8:00 p.m.

We met the Blaines at Williams’, a rather upmarket restaurant that the Blaines frequently visited and had recommended.

Of course, during the taxi ride there, Alison reminded me that with my new job, we would be able to go to many more places like Williams’.  It was, at worst, more emotional blackmail, because as far as Alison was concerned, we were well on our way to posh restaurants, the Trump Tower Apartments, and the trappings of the ‘executive set’.

It would be a miracle if I didn’t strangle Elaine before the night was over.  It was she who had filled Alison’s head with all this stuff and nonsense.

Aside from the half-frown, half-smile, Alison was looking stunning.  It had been months since she had last dressed up, and she was especially wearing the dress I’d bought her for our 5th anniversary that cost a month’s salary.  On her, it was worth it, and I would have paid more if I had to.  She had adored it and me, for a week or so after.

For tonight, I think I was close to getting back on that pedestal.

She had the looks and figure to draw attention, the sort movie stars get on the red carpet, and when we walked into the restaurant, I swear there were at least five seconds of silence, and many more gasps.

I even had a sudden loss of breath earlier in the evening when she came out of the dressing room.  Once more, I was reminded of how lucky I was that she had agreed to marry me.  Amid all those self-doubts, I couldn’t believe she had loved me when there were so many others out there who were more appealing.

Elaine was out of her seat and came over just as the Head Waiter hovered into sight.  She personally escorted Alison to the table, allowing me to follow like the Queen’s consort, while she and Alison basked in the admiring glances of the other patrons.

More than once, I heard the muted question, “Who is she?”

Jimmy stood, we shook hands, and then we sat together.  It was not the usual boy, girl, boy, girl seating arrangement.  Jimmy and I on one side and Elaine and Alison on the other.

The battle lines were drawn.

Jimmy was looking fashionable, with a permanent blade one beard, unkempt hair, and a designer dinner suit that looked like he’d slept in it.  Alison insisted I wear a tuxedo, and I looked like the proverbial penguin or just a thinner version of Alfred Hitchcock.

The bow tie had been slightly crooked, but just before we stepped out, she had straightened it.  And took the moment to look deeply into my soul.  It was one of those moments when words were not necessary.

Then it was gone.

I relived it briefly as I sat and she looked at me.  A penetrating look that told me to ‘behave’.

When we were settled, Elaine said, in that breathless, enthusiastic manner of hers when she was excited, “So, Harry, you are finally moving up.”  It was not a question, but a statement.

I was not sure what she meant by ‘finally’, but I accepted it with good grace.  Sometimes, Elaine was prone to using figures of speech I didn’t understand.  I guessed she was talking about the new job.  “It was supposed to be a secret.”

She smiled widely.  “There are no secrets between Al and me, are there, Al?”

I looked at ‘Al’ and saw a brief look of consternation.

I was not sure Alison liked the idea of being called Al.  I tried it once and was admonished.  But it was interesting that her ‘best friend forever’ was allowed that distinction when I was not.  It was, perhaps, another indicator of how far I’d slipped in her estimation.

Perhaps, I thought, it was a necessary evil.  As I understood it, the Blaines were our mentors at the Trump Tower, because they didn’t just let ‘anyone’ in.  I didn’t ask if the Blaines thought we were just ‘anyone’ before I got the job offer.

And then there was that look between Alison and Elaine, quickly stolen before Alison realised I was looking at both of them.  I was out of my depth, in a place I didn’t belong, with people I didn’t understand.  And yet, apparently, Alison did.  I must have missed the memo.

“No,” Alison said softly, stealing a glance in my direction, “No secrets between friends.”

No secrets.  Her look conveyed something else entirely.

The waiter brought champagne, Krug, and poured glasses for each of us.  It was not the cheap stuff, and I was glad I brought a couple of thousand dollars with me.  We were going to need it.

Then, a toast.

To a new job and a new life.

“When did you decide?”  Elaine was effusive at the best of times, but with the champagne, it was worse.

Alison had a strange expression on her face.  It was obvious she had told Elaine it was a done deal, even before I’d made up my mind.  Perhaps she’d assumed I might be ‘refreshingly honest’ in front of Elaine, but it could also mean she didn’t really care what I might say or do.

Instead of consternation, she looked happy, and I realised it would be churlish, even silly, if I made a scene.  I knew what I wanted to say.  I also knew that it would serve little purpose provoking Elaine or upsetting Alison.  This was not the time or the place.  Alison had been looking forward to coming here, and I was not going to spoil it.

Instead, I said, smiling, “When I woke up this morning and found Alison missing.  If she had been there, I would not have noticed the water stain on the roof above our bed, and decided there and then how much I hated the place.” I used my reassuring smile, the one I used with the customers when all hell was breaking loose, and the forest fire was out of control.  “It’s the little things.  They all add up until one day …”  I shrugged.  “I guess that one day was today.”

I saw an incredulous look pass between Elaine and Alison, a non-verbal question; perhaps, is he for real?  Or, I told you he’d come around.

I had no idea the two were so close.

“How quaint,” Elaine said, which just about summed up her feelings towards me.  I think, at that moment, I lost some brownie points.  It was all I could come up with at short notice.

“Yes,” I added, with a little more emphasis than I wanted.  “Alison was off to get some studying in with one of her friends.”

“Weren’t the two of you off to the Hamptons, a weekend with some friends?” Jimmy piped up and immediately got the ‘shut up, you fool’ look that cut that line of conversation dead.  Someone forgot to feed Jimmy his lines.

It was followed by the condescending smile from Elaine, and “I need to powder my nose.  Care to join me, Al?”

A frown, then a forced smile for her new best friend.  “Yes.”

I watched them leave the table and head in the direction of the restroom, looking like they were in earnest conversation.  I thought ‘Al’ looked annoyed, but I could be wrong.

I had to say Jimmy looked more surprised than I did.

There was that odd moment of silence between us, Jimmy still smarting from his death stare, and for me, the Alison and Elaine show.  I was quite literally gob-smacked.

I drained my champagne glass, gathering some courage and turned to him.  “By the way, we were going to have a weekend away, but this legal tutorial thing came up.  You know Alison is doing her law degree.”

He looked startled when he realised I had spoken.  He was looking intently at a woman several tables over from us, one who’d obviously forgotten some basic garments when getting dressed.  Or perhaps it was deliberate.  She’d definitely had some enhancements done.

He dragged his eyes back to me.  “Yes.  Elaine said something or other about it.  But I thought she said the tutor was out of town and it had been postponed until next week.  Perhaps I got it wrong.  I usually do.”

“Perhaps I’ve got it wrong.”  I shrugged as the dark thoughts started swirling in my head again.  “This week or next, what does it matter?”

Of course, it mattered to me, and I digested what he said with a sinking heart.  It showed there was another problem between Alison and me; she might have been telling me lies.  If what he said was true and I had no reason to doubt him, where was she going tomorrow morning, and had she really been with a friend studying today?

We poured some more champagne, had a drink, then he asked, “This promotion thing, what’s it worth?”

“Trouble, I suspect.  Definitely more money, but less time at home.”

“Oh,” raised eyebrows.  Obviously, the women had not talked about the job in front of him, or, at least, not all the details.  “You sure you want to do that?”

At last, the voice of reason.  “Me?  No.”

“Yet you accepted the job.”

I sucked in a breath or two while I considered whether I could trust him.  Even if I couldn’t, I could see my ship was sinking, so it wouldn’t matter what I told him, or what Elaine might find out from him.  “Jimmy, between you and me, I haven’t as yet decided one way or another.  To be honest, I won’t know until I go up to Barclay’s office and he asks me the question.”

“Barclay?”

“My boss.”

“Elaine’s doing a job for a Barclay who recently moved into the tower a block down from us.  I thought I recognised the name.”

“How did Elaine get the job?”

“Oh, Alison put him onto her.”

“When?”

“A couple of months ago.  Why?”

I shrugged and tried to keep a straight face, while my insides were churning up like the wake of a supertanker.  I felt sick, faint, and wanted to die all at the same moment.  “Perhaps she said something about it, but it didn’t connect at the time.  Too busy with work, I expect.  I think I seriously need to get away for a while.”

I could hardly breathe, my throat was constricted, and I knew I had to keep it together.  I could see Elaine and Alison coming back, so I had to calm down.  I sucked in some deep breaths and put my ‘manage a complete and utter disaster’ look on my face.

And I had to change the subject, quickly, so I said, “Jimmy, Elaine told Alison, who told me, you were something of a guru of the cause and effects of the global economic meltdown.  Now, I have a couple of friends who have been expounding this theory …”

Like flicking a switch, I launched into the well-worn practice of ‘running a distraction’, like at work when we needed to keep the customer from discovering the truth.  It was one of the things I was good at, taking over a conversation and pushing it in a different direction.  It was salvaging a good result from an utter disaster, and if ever there was a time that it was required, it was right here, right now.

When Alison sat down and looked at me, she knew something had happened between Jimmy and me.  I might have looked pale or red-faced, or angry or disappointed, but it didn’t matter.  If that didn’t seal the deal for her, the fact that I took over the dining engagement did.  She knew well enough that the only time I did that was when everything was about to go to hell in a handbasket.  She’d seen me in action before and had been suitably astonished.

But I got into gear, kept the champagne flowing and steered the conversation, as much as one could from a seasoned professional like Elaine, and, I think, in Jimmy’s eyes, he saw the battle lines and knew who took the crown on points.  Neither Elaine nor Jimmy suspected anything, and if the truth be told, I had improved my stocks with Elaine.  She was at times both surprised and interested, even willing to take a back seat.

Alison, on the other hand, tried poking around the edges, and, once when Elaine and Jimmy had got up to have a cigarette outside, questioned me directly.  I chose to ignore her and pretend nothing had happened, rather than tell her how much I was enjoying the evening.

She had her ‘secrets’.  I had mine.

At the end of the evening, when I got up to go to the bathroom, I was physically sick from the pent-up tension and the implications of what Jimmy had told me.  It took a while for me to pull myself together; so long, in fact, that Jimmy came looking for me.  I told him I’d drunk too much champagne, and he seemed satisfied with that excuse.  When I returned, both Alison and Elaine noticed how pale I was, but neither made any comment.

It was a sad way to end what was supposed to be a delightful evening, which, to a large degree, it was for the other three.  But I had achieved what I set out to do: to play them at their own game, watching the deception once I knew there was one, as warily as a cat watches its prey.

I had also discovered Jimmy’s real calling; a professor of economics at the same University Alison was doing her law degree.  It was no surprise in the end, on a night where surprises abounded, that the world could really be that small.

We parted in the early hours of the morning, a taxi whisking us back to the Lower East Side, another taking the Blaines back to the Upper West Side.  But, in our case, as Alison reminded me, it would not be for much longer.  She showed concern for my health and asked me what was wrong.  It took all the courage I could muster to tell her it was most likely something I ate and the champagne, and that I would be fine in the morning.

She could see quite plainly it was anything other than what I told her, but she didn’t pursue it.  Perhaps she just didn’t care what I was playing at.

And yet, after everything that had happened, once inside our ‘palace’, the events of the evening were discarded, like her clothing, and she again reminded me of what we had together in the early years before the problems had set in.

It left me confused and lost.

I couldn’t sleep because my mind had now gone down that irreversible path that told me I was losing her, that she had found someone else, and that our marriage was in its last death throes.

And now I knew it had something to do with Barclay.

…

© Charles Heath 2015-2026

Sunday In New York

If I only had one day to stop over in – Santiago – what would I do?

One Day in Santiago? Make It Unforgettable With One Iconic Stop

Your 24‑hour layover, a single must‑see spot, and a story you’ll retell forever.


Why One Place Can Change a Whole Day

A layover is a sprint, not a marathon. You’re juggling luggage, flight‑times, and the inevitable jet‑lag, so the temptation is to “see everything.” The truth is, quality beats quantity. Pick a destination that captures the soul of the city, offers a splash of culture, a pinch of adventure, and an unbeatable view for that Instagram‑ready shot — and you’ve got a day you’ll remember long after you’re back on the tarmac.

In Santiago, that place is Cerro San Cristóbal, the crown jewel of the city’s sprawling Parque Metropolitano. It’s a natural high point, a cultural hub, and a shortcut to the essence of Chile’s capital, all wrapped into one unforgettable experience.


Cerro San Cristóbal: The One‑Stop‑Shop for a Memorable Stopover

What it offersWhy it matters for a 1‑day layover
Panoramic 360° city viewInstantly see Santiago’s skyline, Andes backdrop, and the Pacific Ocean on a clear day.
Easy access via funicular or cable carNo need for a long trek; you’re up in minutes.
Cultural landmarks (Statue of the Virgin, historic shrine, Japanese garden)A taste of Chilean faith, history, and international flair.
Botanical garden & zooA quick stroll among native flora or a peek at local wildlife if you have extra minutes.
Food & drink (Café San Cristóbal, food trucks)Refuel with a Chilean coffee, a “completo” hot dog, or a fresh fruit jug.
Free or low‑cost entryKeeps your budget intact for the rest of the trip.

How to Turn the Visit Into a Perfect 24‑Hour Itinerary

1️⃣ Before You Land – Set Yourself Up for Success

ActionDetails
Store your luggageUse lockers at Estación Central (metro Line 1) or the SCL Airport “Baggage Concierge” (≈ USD 4 per bag, 8‑hour limit).
Grab a Metro cardPurchase a Bip! card at the airport (cash or card) – it works on Metro, buses, and the funicular.
Check the weatherSantiago’s climate is Mediterranean: sunny most of the year, cool evenings in winter. Pack a light jacket for the summit.
Download the “Metro de Santiago” appReal‑time train arrivals, route maps, and fare calculator.

2️⃣ Morning – Touch Down, Freshen Up, Head to the City

  • 07:00 – 08:00 – Clear customs, store bags, and catch the Airport Express Bus (Bus 184) to Estación Pajaritos (Metro Line 1).
  • 08:30 – Hop on the Metro (green line) toward “Los Dominicos.” Get off at “Baquedano” (the interchange for Line 5) and transfer to Line 5 (green) toward “Plaza de Maipú.”
  • 09:00 – Arrive at “Plaza de Maipo” station – a short 5‑minute walk to the base of Cerro San Cristóbal.

3️⃣ Mid‑Morning – Ascend to the Summit

  • 09:10 – Purchase a funicular ticket (≈ CLP 650, ~USD 0.80). The ride is a nostalgic wooden carriage that climbs steeply in ~3 minutes.
  • 09:15 – Step out at the Cerro San Cristóbal station and follow the paved path to the Statue of the Virgin Mary (the highest point).
  • 09:30 – 10:30 – Take in the view. Snap panoramas of the Andes, the Mapocho River, and the bustling downtown. If you’re lucky, you’ll see snow‑capped peaks—perfect for those “I’m in the Andes” photos.

4️⃣ Late Morning – A Taste of Chilean Culture

  • 10:30 – 11:30 – Wander down to the Santiago Metropolitan Park:
    • Japanese Garden – A serene oasis with koi ponds and traditional tea houses.
    • Santuario de la Inmaculada Concepción – A small chapel with historic murals.
    • Botanical Terrace – Spot native flora like caupolí and copihue (Chile’s national flower).

5️⃣ Lunch Break – Eat Like a Local

  • 11:30 – 12:30 – Head to Café San Cristóbal (right near the funicular exit). Order a “café con leche” and a completo (hot dog topped with avocado, mayo, tomato, and sauerkraut). Pair it with a freshly squeezed “mote con huesillos” (a sweet peach‑nectar drink) for a truly Chilean experience.

6️⃣ Early Afternoon – Quick City Sweep (Optional)

If you have a few extra hours before your next flight, you can:

  • **Take the Cerro San Cristóbal cable car (Teleférico) down to Pío Nero station and hop on Metro Line 5 to “Baquedano.”
  • Stroll through Plaza de Armas, the historic heart of Santiago, to see the Catedral Metropolitana and Museo Histórico Nacional (both free).
  • Grab a quick pastel de choclo (corn pie) from a street vendor.

7️⃣ Return to the Airport

  • 13:30 – 14:30 – Retrieve your luggage at the locker, catch the Metro back to Estación Pajaritos, then the Airport Express Bus to SCL.
  • 15:00 – Arrive at the terminal, giving you plenty of time for security and a relaxed boarding.

Insider Pro Tips – Make the Most of Your Cerro San Cristóbal Visit

TipWhy It Helps
Visit on a weekdayFewer locals and tourists mean shorter lines for the funicular and more space for photos.
Bring a compact rain jacketEven on sunny days, a sudden drizzle can roll in from the Andes.
Carry a small power bankYou’ll be snapping photos and using maps non‑stop.
Buy a “Bip!” card before you landSaves you from hunting for a ticket booth after a long flight.
Ask the funicular operator for the “best photo spot” – usually the bench right in front of the Virgin statue.Locals know the golden hour lighting.
Don’t skip the Japanese Garden – it’s a hidden gem that many tourists miss.Adds a tranquil break to your high‑altitude adventure.

The Bottom Line: One Stop, Unlimited Memories

When you have only 24 hours in a vibrant capital like Santiago, you don’t need to cram every museum and market into your schedule. Cerro San Cristóbal delivers a panoramic snapshot of the city, a dose of Chilean culture, and a dash of adventure—all accessible within an hour of the airport.

Takeaway: If you can only see one place during a brief stopover in Santiago, climb Cerro San Cristóbal. From the moment the funicular pulls you up to when you sip a glass of fresh juice beneath the Andean peaks, you’ll carry a piece of Chile home with you.


Ready to make your layover legendary?

Pack a light jacket, grab a Bip! card, and set your sights on the hill that watches over Santiago. Your one‑day adventure starts at the top — and the memories will stay with you forever. Safe travels! 

✈️🌄

Skeletons in the closet, and doppelgangers

A story called “Mistaken Identity”

…

How many of us have skeletons in the closet that we know nothing about? The skeletons we know about generally stay there, but those we do not, well, they have a habit of coming out of left field when we least expect them.

In this case, when you see your photo on a TV screen with the accompanying text that says you are wanted by every law enforcement agency in Europe, you’re in a state of shock, only to be compounded by those same police, armed and menacing, kicking the door down.

I’d been thinking about this premise for a while after I discovered my mother had a boyfriend before she married my father, a boyfriend who was, by all accounts, the man who was the love of her life.

Then, in terms of coming up with an idea for a story, what if she had a child by him that we didn’t know about, which might mean I had a half-brother or sister I knew nothing about. It’s not an uncommon occurrence from what I’ve been researching.

There are many ways of putting a spin on this story.

Then, in the back of my mind, I remembered a story an acquaintance at work was once telling us over morning tea, that a friend of a friend had a mother who had a twin sister and that each of the sisters had a son by the same father, without each knowing of the father’s actions, both growing up without the other having any knowledge of their half brother, only to meet by accident on the other side of the world.

It was an encounter that in the scheme of things might never have happened, and each would have remained oblivious of the other.

For one sister, the relationship was over before she discovered she was pregnant, and therefore had not told the man he was a father. It was no surprise the relationship foundered when she discovered he was also having a relationship with her sister, a discovery that caused her to cut all ties with both of them and never speak to either from that day.

It’s a story with more twists and turns than a country lane!

And a great idea for a story.

That story is called ‘Mistaken Identity’.

365 Days of writing, 2026 – Beyond the second novel

The art of the series finale

…

The Art of the Series Finale (Without Actually Ending): How to Resolve Every Story on Its Own Terms

If you’re writing a book series, you’re playing a delicate psychological game with your readers. On one hand, you want to hook them so deeply that they immediately pre-order the next instalment. On the other hand, you have to deliver a satisfying reading experience for the book they just spent hours devouring.

Many aspiring series authors fall into a common trap: they treat an individual book as merely a glorified chapter in a massive, unending epic. They leave major storylines dangling, refuse to give the protagonist a definitive win, and roll the credits on a frustrating cliff-hanger.

The result? Disgruntled readers who feel cheated out of a complete narrative arc.

So, how do you keep the overarching plot of your series chugging along while still giving readers the satisfaction they crave? The secret lies in a golden rule of serialised storytelling: Make sure each story is resolved on its own terms.

Let’s dive into why this matters, the common pitfalls to avoid, and how you can master the balancing act of episodic resolution within a grand series arc.


The Myth of the Endless Middle

Some writers balk at the idea of providing a resolution at the end of each story in their series. “Surely,” they think, “the whole point is to keep the plot going, right?”

Well, yes… and no.

It is true that series fiction relies on momentum. You want readers to turn the final page of Book 1 and immediately race to buy Book 2. However, stretching a single plotline across multiple books without providing intermediate victories is a recipe for reader fatigue.

If you don’t provide some kind of resolution at the end of each novel, your reader will be left feeling frustrated that the story didn’t go anywhere. Without a self-contained narrative victory, the ending will probably come off as abrupt, meandering, and—worst of all—incomplete.

Readers are willing to invest their time in a multi-book journey, but they want milestones along the way. They want to feel like the protagonist’s struggles in this specific book mattered.


The Balancing Act: Resolution vs. Continuation

Of course, you don’t want to resolve everything, either. If you tie up every single loose end, answer every lingering mystery, and defeat the ultimate evil once and for all, you’ve just written a standalone novel—not a series.

You still need to keep elements of your overarching plot going for the next installment. So, what is an author to do?

The key is to resolve a key element of that individual story, without resolving the plot of the whole series.

Think of it like a single season of a great television drama. By the end of the season finale, the immediate threat of that season is dealt with, and the characters catch their breath. But the larger, series-spanning mystery deepens, or a new threat emerges just as the credits roll.

In novel terms, this might look like:

  • The Villain: The antagonist’s specific, localised evil plan for this book is foiled, but the villain manages to escape and live to fight another day.
  • The Protagonist: Your hero achieves a crucial, hard-fought goal—like rescuing a specific mentor or finding a magical artifact—but realises this artifact only points the way to a much larger war.
  • The Romance: The two main characters finally admit their feelings and get together, but now they must face an external kingdom-wide crisis side-by-side.

By wrapping up the micro-plot while keeping the macro-plot alive, you give the reader the best of both worlds: the dopamine hit of a satisfying conclusion, and the irresistible itch of anticipation for what comes next.


The Setup: Why Timing is Everything

You can’t just slap a random resolution onto the end of your book and call it a day. For a resolution to feel earned, it has to be integrated into the DNA of the story from the very beginning.

To pull this off successfully, follow these rules:

  1. Establish the stakes early: Set up the specific element that you’re going to resolve towards the beginning of your story.
  2. Keep it central: Ensure this objective remains a central issue throughout the narrative.
  3. Avoid last-minute reveals: It won’t feel like a true resolution if the thing you’re resolving only comes into focus in the final three chapters, or if it never really seemed all that important to begin with.

When a reader looks back at the journey, they should see a clear trajectory: Problem introduced, obstacles faced, struggle ensued, problem solved (with new complications on the horizon).


Final Thoughts: Satisfy Today, Hook Tomorrow

Writing a series is an exercise in pacing and promises. Your primary promise to the reader is that if they invest their time in your book, they will get a complete, emotionally resonant experience.

By making sure each story is resolved on its own terms, you honor that promise. You leave your readers feeling triumphant, deeply connected to your characters, and emotionally satisfied—which makes them more than eager to follow you into the very next adventure.

…

The cinema of my dreams – Was it just another surveillance job – Episode 64

This story is now on the list to be finished so over the new few weeks, expect a new episode every few days.

The reason why new episodes have been sporadic, there are also other stories to write, and I’m not very good at prioritizing.

But, here we are, a few minutes opened up and it didn’t take long to get back into the groove.

Things are about to get complicated…


There were so many pieces to this puzzle that most of it defied logic.

According to Quigley/O’Connell, Severin and Maury were the security guards at the lab where the USB secrets originated.  Their job had been to make sure the data wasn’t stolen and failed miserably.  But the inference was made that they had helped the person smuggle the data out.

At that time the data was stolen by a male scientist and put on the USB.  That scientist had a wife, Anna. Sometime after the data removal, the male scientist was murdered, and Anna, his wife, got a hold of the USB.

Quigley/O’Connell also asserted that he believed Severin and Maury helped her smuggle the data out of the facility.  Was it possible she was having an affair with one or the other, possibly Severin.  He seemed the more potential candidate.

So fact: data is stolen, data finds its way to Anna, and Severin let her leave the complex with the data.

The next question:  when did the data go up for sale, or, as Quigley/O’Connell said, become available for the newspapers to bid on?  And, following that, when did Dobbin find out, and use O’Connell to arrange for the purchase and delivery of the data.

That then led to when Severin and Maury realised that Anna had double-crossed them because that would be the only reason why they would set up an oversight surveillance team to follow the man they assumed was going to buy the data from Anna.

Why was there a six-month hiatus?  Was it because Anna had to stay in hiding until the ruckus about the theft blew over.  Did the owners of the lab actually tell anyone what had happened?  No, it seems.

So, need to find out why it took six months to seal the deal.

Next fact, Severin’s surveillance operation swings into action when O’Connell; goes to pick up the data.  The date was specific because it had been on Severin’s calendar at the training facility.

The surveillance goes awry.

The café where the meeting is to take place explodes when a bomb goes off.  O’Connell did not go in and was spared.  Whoever was in the café was thought to be killed and the USB was lost.  Later analysis of the CCTV footage at the time showed Anna rising from the ashes.  She still has the USB.

But…

Everyone believed because O’Connell survived the explosion, he had obtained the USB and became the focus of their attention.  And forces the continuation of the surveillance operation, when I tracked him to an alley where he was shot and killed.

Question:  How did the sniper know to be at that alley for the shot?

It is at this point that O’Connell advises he is working for Dobbin.  Thus, Dobbin knows about the USB and the history of it.  Dobbin had arranged to meet O’Connell at that alley, and had he been killed by the sniper or not, was taking him away.  Dobbin no doubt discovers at this point there is no USB in O’Connell’s hands.

Inference:  Dobbin was tracking O’Connell.  He had to be, to know where he was and for his squad to get there so quickly.

New Twist:  O’Connell discovered something about Dobbin, and disappears, presumably to re-hook up with Anna, who is now Josephine.  Dobbin employs me to find O’Connell and the USB but doesn’t say why O’Connell had gone rogue.

Assumption:  Josephine/Anna kills both Severin and Maury.  Why then does she torture Maury before killing him.  He doesn’t have the USB or any information useful to her.

Fact:  Dobbin has Jan on secondment from MI6.  Why, and for what purpose.  Jan is also working with Severin.  Why?  Dobbin says she is using initiative, but what is she after?

Supposition, did Jan kill Severin and Maury.  Based on what I saw at the park when I went to see him, it looked like Jan, but when we caught her, she furiously denied the accusation.  A good act or the truth? 

And if it wasn’t her, then who did kill them, and then more recently O’Connell, and why?

Fact:  Anna still had both the USBs and was running.

Fact:  O’Connell was with Anna up to the point where he was killed.  Logically it had to be Anna, not wanting to share the five million.  Greed trumps common sense.

What was left out of all of this was Monica and what she knew of and was party to, along with her operative, Joanne.  She had always been lurking on the fringe of my investigation, but I was beginning to think I’d been tiled by Joanne the whole time.

They were not in the room, so I had only the people in front of me to fill in the gaps.

…

© Charles Heath 2020-2023

“The Devil You Don’t”, she was the girl you would not take home to your mother!

Now only $0.99 at https://amzn.to/2Xyh1ow

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John Pennington’s life is in the doldrums. Looking for new opportunities and prevaricating about getting married, the only joy on the horizon was an upcoming visit to his grandmother in Sorrento, Italy.

Suddenly, he is left at the check-in counter with a message on his phone telling him the marriage is off, and the relationship is over.

If only he hadn’t promised a friend he would do a favour for him in Rome.

At the first stop, Geneva, he has a chance encounter with Zoe, an intriguing woman who captures his imagination from the moment she boards the Savoire, and his life ventures into uncharted territory in more ways than one.

That ‘favour’ for his friend suddenly becomes a life-changing event, and when Zoe, the woman who he knows is too good to be true, reappears, danger and death follow.

Shot at, lied to, seduced, and drawn into a world where nothing is what it seems, John is dragged into an adrenaline-charged undertaking, where he may have been wiser to stay with the ‘devil you know’ rather than opt for the ‘devil you don’t’.

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The cinema of my dreams – I always wanted to see the planets – Episode 29

Sometimes the easiest solution…

…

If I was to assume the recent visit by one of the so-called pirate ships as a benchmark for transporting a person between ships, then we’d have to get closer to the larger transport vessel where our crew member, logically, was being held.

The fact I was contemplating it was after the discussion with O’Mara, which, quite frankly, was like something out of a science fiction novel.

He’d started it with, “We have been working on a plan “

The same plan, I presumed, that the Lt Colonel had been referring to, only this time with more detail.

“You might not be aware that every member of this crew has a specific marker in their system that both enables us to track where they are, within a reasonable distance, and monitor their well-being.”

I was going to ask exactly what he meant by that, but amongst the reading material I’d been given before boarding, was a paper on the advances in medical science and how this related to space travel.

We all had a series of vaccinations, and I assumed one was to give us that specific marker. I suspect another was to give us nanites that would aid in our recovery as well as maintain our health in somewhat trying circumstances.

And, no, we’re were not meant to become super-soldiers, though work was being progressed on that too.

“It gives us the ability to track our people, and, yes, the two crew members’ life signs came back when we arrived here, and we are currently monitoring the scientist. That’s to say we know where she is, and that she had not been harmed.”

There was only one point about the plan that held any concern, we just didn’t transport people, not because we couldn’t, but because of the risk. Cargo was fine, but people were a little different. There had been testing, and it had worked, but then problems occurred, and it took only the slightest of issues during the transfer, for it to go wrong. After three accidental deaths, it was decided to ban it until the process could be more refined.

Of course, in line with everything else of this ship, the transporters were the latest versions with considerably upgraded hardware. The distance was still a problem, but getting a lock onto an individual was easier with the new markers provided to this crew.

We were, for all intents and purposes, guinea pigs for the new system, something else I didn’t know until now.

The question was, would she want to be transported? The fact the pirate ships were able to transport people with success was interesting given they would only have the old equipment, but they had an incentive to use it, it was a primary means for them to escape.

And that, too, had raised another issue, they had to have a marker, not necessarily the result of a vaccination, it could be a small device, and that could only be given to them by the guards, which meant it was likely the off-world prison authority was corrupt, not unheard of since it had been contracted out. It was just another paragraph in a report that was growing exponentially in size.

The Admiral was surprised to hear from me. I thought it best, in one of those cover your rear moments, to give him a heads up on what we were planning to do.

But to a more important matter I was sure he would be interested in hearing, “The trial for running at a much faster speed was a success, and that we are closer to travelling at the speed of light. But it seems we are not the first people to do so. It seems the people who stole the plutonium have the same capability.”

“The aliens?”

“No. Our scans of their ships and personnel show they are not. We believe the ships are older vessels discarded on the edge of space, refitted, and manned by escaped convicts from the Mars mining prison.” Saying it out loud didn’t quite sound the same as it had in my head.

“Or it is the result of a country that is not exactly playing by the rules that everyone agreed to for the exploration and exploitation of space.”

“So it was known we might run into some people who have another agenda?”

“Not in that direction, no.”

“Well, it seems they have a base on or under the surface of one of Uranus’s moons called Oberon. I suspect the plutonium is to fuel their base, which is far enough out of the mainstream that we might not have discovered it for years.”

“You then have to wonder why they told you about it?”

That answer was provided in a sudden and alarming manner.

“Bridge to Captain, we have three incoming vessels, and I think they are not here for a social visit.”

To the Admiral, “I have to go. Let’s hope the weapons we have are adequate.” I cut the call, saying, “Be there ASAP. Is the gunnery sergeant at her post?”

“Yes.”

“Then tell her she has permission to return fire if they attack.”

“Very good.”

I had considered why they hadn’t attacked when they had the chance earlier, but perhaps that visit was just to return the Captain’s body. If they were privy to information about our vessel, they might know of its capabilities, and not wish to engage. Of course, there was another reason, perhaps they were waiting until all three ships were free, and assume there was safety in numbers.

Whatever the reasons, we’d soon find out.

…

© Charles Heath 2021

What I learned about writing – You cannot force yourself to write

Yesterday, the dark clouds were swirling overhead, and there was an air of impending doom all around.

Much like those few hours before a storm is about to hit, one of those really big ones with very loud thunder that feels like it’s over your roof and not moving, and, a short time later, the deafening sound of torrential rain.

You know the feeling, you could cut the air with a knife.

I’ve been in that state of mind for some time now, but yesterday something changed.

It wasn’t the internet, that was still as dreadful as ever, despite the assurances we get that we will have the best internet in the world.  The best joke, I think they mean, after spending $50 billion on it, I had better speeds on my 300 baud modem 20 odd years ago.

Sorry, I had to have another whinge about it.  Politicians are such liars.

No, it was not something I could put my finger on.

But…

What was it?

Yes…

I found I could write again.

Well, I could always write, but it was a matter of forcing myself to sit down and do it, as if it were a chore I really didn’t want to do.   And how easy it was to get sidetracked on social media.

Not today.

Today, I simply looked at the writing I wanted to do, and it all came to me without having to stare at the blank screen, waiting for the words to appear, and then find myself deleting them over and over.  Yesterday, writing 500 words really meant writing 5,000 crappy words and continually revising.

Today I am going to write 5,000 words, and it will be all good.

Let’s hope it continues into tomorrow.

365 Days of writing, 2026 – 275

Day 275 – To win or not to win literary contests

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Get to the Point, Make ‘Em Laugh, and Ignore Fay Weldon (A Little Bit)

Let’s rip the bandage off right away: The most boring book wins literary contests.

That gem of a quote comes from the fiercely witty British novelist Fay Weldon. And honestly? She wasn’t wrong. Think about the last time you read a critically acclaimed, prize-winning heavyweight novel. Did it feel like a brisk jog through a comedy club, or did it feel like trudging through an intellectual swamp of heavy metaphors, agonizing grief, and sentences that stretch across three paragraphs?

Exactly.

We live in a culture obsessed with efficiency. Get to the point! Cut the fluff! Give me the TL;DR! But writing—especially the kind of writing you actually want to read and write—often rebels against this sterile efficiency.

So, what is the ultimate writing philosophy? Should we cut straight to the chase and inject a healthy dose of humor, or should we embrace the sprawling, solemn boredom that wins awards? Let’s dive in.


The Cult of “Get to the Point” (And Why Humor is Our Savior)

In the digital age, attention spans are shorter than a TikTok loop. If your opening paragraph doesn’t hook the reader, introduce a conflict, and promise emotional payoff, they’re gone. Click. Back to Instagram.

Because of this, modern copywriters, bloggers, and even fiction writers are told to get to the point. Brevity is king.

  • The Problem: Being purely concise is dangerously close to being boring. A user manual is concise. A tax form gets straight to the point. Nobody stays up until 3:00 AM crying over the IRS instructions.
  • The Solution: Humour.

Humour is the spoonful of sugar that helps the conciseness go down. It’s the human element. When you get to the point while making the reader snort coffee out of their nose, you’ve won. You’ve respected their time (by not rambling) while entertaining their soul (by being funny).

If Fay Weldon says boring books win prizes, humour is the rebellion against the prize committee. It says: I want people to actually enjoy this.


Why Fay Weldon Was Right About “Boring” Books

Let’s not throw Fay under the bus just yet. She knew the literary establishment’s inner workings better than most.

Literary prizes—think of the Booker, the Pulitzer, or heavy-hitting academic nods—often reward gravitas. A book about a happy couple who communicate well, pay their mortgage on time, and occasionally go to brunch does not win awards. Why? Because it lacks suffering and significance.

To win a literary contest, a book usually needs:

  1. Misery: Preferably historical, existential, or deeply psychological.
  2. Slow pacing: Often disguised as “rich atmospheric development.”
  3. Sentences that require a semicolon and a master’s degree to decode.

Weldon’s warning is a liberation for everyday writers. She is essentially telling us: Stop writing for the judges in ivory towers. Write for the human beings on the subway.

If your book is so thrilling, funny, and fast-paced that it disqualifies you from winning a dusty trophy in a wood-paneled room in London or New York… take it as a compliment.


Can You Have It All? (Point + Humor + Depth)

Is it a zero-sum game? Must we choose between being a humor-filled, punchy writer who people actually read, and a solemn literary genius who wins medals that nobody checks out at the library?

Not necessarily. The sweet spot of modern writing lies in the intersection of clarity, wit, and depth.

You can get to the point quickly, keep the reader laughing, and still deliver a profound emotional punch. Think of authors like David Sedaris, Nora Ephron, or Kurt Vonnegut. They didn’t write boring, prize-winning snoozefests. They wrote punchy, hilarious, deeply moving works that outlived the prize committees anyway.

How to Apply This to Your Writing:

  1. Respect the reader’s time: Get to the point. Don’t spend three pages describing a tree unless that tree is plotting a murder.
  2. Disarm with wit: Use humour as a vehicle for truth. If you have a heavy point to make, a joke is the best shock absorber.
  3. Ignore the gatekeepers: If you write something genuinely entertaining, fast-paced, and funny, the literary establishment might sniff at it. Let them. You’ll be too busy having an audience to notice.

The Verdict

So, what is the best thing to do?

Fay Weldon gave us great advice: don’t write the boring book just to impress the critics. But we also don’t need to live in a world of purely rushed, hyper-efficient bullet points, either.

The best thing to do is write the book you would want to read. Get to the point, make ’em laugh, and leave the boring, prize-winning misery to the people who enjoy sitting in silence.


What’s your take? Do you prefer a laugh-out-loud page-turner, or do you secretly love a 600-page historical epic about melancholy? Let us know in the comments below!

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If I only had one day to stop over in – Santiago – what would I do?

One Day in Santiago? Make It Unforgettable With One Iconic Stop

Your 24‑hour layover, a single must‑see spot, and a story you’ll retell forever.


Why One Place Can Change a Whole Day

A layover is a sprint, not a marathon. You’re juggling luggage, flight‑times, and the inevitable jet‑lag, so the temptation is to “see everything.” The truth is, quality beats quantity. Pick a destination that captures the soul of the city, offers a splash of culture, a pinch of adventure, and an unbeatable view for that Instagram‑ready shot — and you’ve got a day you’ll remember long after you’re back on the tarmac.

In Santiago, that place is Cerro San Cristóbal, the crown jewel of the city’s sprawling Parque Metropolitano. It’s a natural high point, a cultural hub, and a shortcut to the essence of Chile’s capital, all wrapped into one unforgettable experience.


Cerro San Cristóbal: The One‑Stop‑Shop for a Memorable Stopover

What it offersWhy it matters for a 1‑day layover
Panoramic 360° city viewInstantly see Santiago’s skyline, Andes backdrop, and the Pacific Ocean on a clear day.
Easy access via funicular or cable carNo need for a long trek; you’re up in minutes.
Cultural landmarks (Statue of the Virgin, historic shrine, Japanese garden)A taste of Chilean faith, history, and international flair.
Botanical garden & zooA quick stroll among native flora or a peek at local wildlife if you have extra minutes.
Food & drink (Café San Cristóbal, food trucks)Refuel with a Chilean coffee, a “completo” hot dog, or a fresh fruit jug.
Free or low‑cost entryKeeps your budget intact for the rest of the trip.

How to Turn the Visit Into a Perfect 24‑Hour Itinerary

1️⃣ Before You Land – Set Yourself Up for Success

ActionDetails
Store your luggageUse lockers at Estación Central (metro Line 1) or the SCL Airport “Baggage Concierge” (≈ USD 4 per bag, 8‑hour limit).
Grab a Metro cardPurchase a Bip! card at the airport (cash or card) – it works on Metro, buses, and the funicular.
Check the weatherSantiago’s climate is Mediterranean: sunny most of the year, cool evenings in winter. Pack a light jacket for the summit.
Download the “Metro de Santiago” appReal‑time train arrivals, route maps, and fare calculator.

2️⃣ Morning – Touch Down, Freshen Up, Head to the City

  • 07:00 – 08:00 – Clear customs, store bags, and catch the Airport Express Bus (Bus 184) to Estación Pajaritos (Metro Line 1).
  • 08:30 – Hop on the Metro (green line) toward “Los Dominicos.” Get off at “Baquedano” (the interchange for Line 5) and transfer to Line 5 (green) toward “Plaza de Maipú.”
  • 09:00 – Arrive at “Plaza de Maipo” station – a short 5‑minute walk to the base of Cerro San Cristóbal.

3️⃣ Mid‑Morning – Ascend to the Summit

  • 09:10 – Purchase a funicular ticket (≈ CLP 650, ~USD 0.80). The ride is a nostalgic wooden carriage that climbs steeply in ~3 minutes.
  • 09:15 – Step out at the Cerro San Cristóbal station and follow the paved path to the Statue of the Virgin Mary (the highest point).
  • 09:30 – 10:30 – Take in the view. Snap panoramas of the Andes, the Mapocho River, and the bustling downtown. If you’re lucky, you’ll see snow‑capped peaks—perfect for those “I’m in the Andes” photos.

4️⃣ Late Morning – A Taste of Chilean Culture

  • 10:30 – 11:30 – Wander down to the Santiago Metropolitan Park:
    • Japanese Garden – A serene oasis with koi ponds and traditional tea houses.
    • Santuario de la Inmaculada Concepción – A small chapel with historic murals.
    • Botanical Terrace – Spot native flora like caupolí and copihue (Chile’s national flower).

5️⃣ Lunch Break – Eat Like a Local

  • 11:30 – 12:30 – Head to Café San Cristóbal (right near the funicular exit). Order a “café con leche” and a completo (hot dog topped with avocado, mayo, tomato, and sauerkraut). Pair it with a freshly squeezed “mote con huesillos” (a sweet peach‑nectar drink) for a truly Chilean experience.

6️⃣ Early Afternoon – Quick City Sweep (Optional)

If you have a few extra hours before your next flight, you can:

  • **Take the Cerro San Cristóbal cable car (Teleférico) down to Pío Nero station and hop on Metro Line 5 to “Baquedano.”
  • Stroll through Plaza de Armas, the historic heart of Santiago, to see the Catedral Metropolitana and Museo Histórico Nacional (both free).
  • Grab a quick pastel de choclo (corn pie) from a street vendor.

7️⃣ Return to the Airport

  • 13:30 – 14:30 – Retrieve your luggage at the locker, catch the Metro back to Estación Pajaritos, then the Airport Express Bus to SCL.
  • 15:00 – Arrive at the terminal, giving you plenty of time for security and a relaxed boarding.

Insider Pro Tips – Make the Most of Your Cerro San Cristóbal Visit

TipWhy It Helps
Visit on a weekdayFewer locals and tourists mean shorter lines for the funicular and more space for photos.
Bring a compact rain jacketEven on sunny days, a sudden drizzle can roll in from the Andes.
Carry a small power bankYou’ll be snapping photos and using maps non‑stop.
Buy a “Bip!” card before you landSaves you from hunting for a ticket booth after a long flight.
Ask the funicular operator for the “best photo spot” – usually the bench right in front of the Virgin statue.Locals know the golden hour lighting.
Don’t skip the Japanese Garden – it’s a hidden gem that many tourists miss.Adds a tranquil break to your high‑altitude adventure.

The Bottom Line: One Stop, Unlimited Memories

When you have only 24 hours in a vibrant capital like Santiago, you don’t need to cram every museum and market into your schedule. Cerro San Cristóbal delivers a panoramic snapshot of the city, a dose of Chilean culture, and a dash of adventure—all accessible within an hour of the airport.

Takeaway: If you can only see one place during a brief stopover in Santiago, climb Cerro San Cristóbal. From the moment the funicular pulls you up to when you sip a glass of fresh juice beneath the Andean peaks, you’ll carry a piece of Chile home with you.


Ready to make your layover legendary?

Pack a light jacket, grab a Bip! card, and set your sights on the hill that watches over Santiago. Your one‑day adventure starts at the top — and the memories will stay with you forever. Safe travels! 

✈️🌄