Category: Writer

What I learned about writing – Days can disappear in the blink of an eye

I had so many things planned, those little bits and pieces that seem to get away from you.

It’s now Thursday night, and I have only just come back to this post to write some more or maybe finish it, but that should give you some idea of how easy simple things can get away from me.

To fill in the gaps in the story, I started to make a list of those bits and pieces, and that was the first mistake.

I frightened myself.

Tuesday disappeared in writing down what was on my writing slate. For instance,

Episodes 11 to 15 of the murder story, because my characters are having a fight in my head

The treasure hunt story is done, just needs a few tweaks

Episode 47 of the Castello di Brolio story, where the Germans are about to find themselves on the wrong end of the war

Episode 1 of the WW2 story – this has a start, but is it Episode 1?  What bothers me is that I wrote some of this on the plane, but it disappeared somewhere, so I’m not sure when this may get done.

Writing instead of insomnia  is actually giving me insomnia

Episodes 151 through 177 of Being Inspired, Maybe – Volume 4. This is a series of photographs, and the story inspired by them.  Volume 3 is at first draft, and the photos are being associated with the stories.

Just about finished editing Volume 2, and I’m about to publish Volume 1.

Episodes 60 through 63 of PI Walthenson’s second case, new additions to the story, and although there is a title, the jury’s still out on whether it’ll be adopted.  There’s an interesting dynamic developing between the son and the mother, a woman whom he is discovering to be nothing like the one he thought he knew.

And, don’t get me started on where I am with Strangers We’ve Become, I just finished the 10th read and edit.  The book is done, but rereading told me, or the cat did far more emphatically, there are a few gaps.  This needs to get done, and I need to ‘stick the courage to the sticking point’.

Wednesday arrived, and I was looking at the list, wondering what I was going to do next and realised that I’d been putting off writing the next few posts on the travelling blog, which desperately need to be done.

So…

Travelling blog times two, and now it’s Thursday.

Damn, where did the week go?

“What Sets Us Apart”, a mystery with a twist

David is a man troubled by a past he is trying to forget.

Susan is rebelling against a life of privilege and an exasperated mother who holds a secret that will determine her daughter’s destiny.

They are two people brought together by chance. Or was it?

When Susan discovers her mother’s secret, she goes in search of the truth that has been hidden from her since the day she was born.

When David realizes her absence is more than the usual cooling off after another heated argument, he finds himself being slowly drawn back into his former world of deceit and lies.

Then, back with his former employers, David quickly discovers nothing is what it seems as he embarks on a dangerous mission to find Susan before he loses her forever.

Find the kindle version on Amazon here:  http://amzn.to/2Eryfth

whatsetscover

Top 5 sights on the road less travelled – Prague

Prague Beyond the Crowds: Five Distinctive Gems for a Serene Escape

Prague. The very name conjures images of fairytale castles, winding cobblestone streets, and the timeless beauty of a city steeped in history. It’s truly magical – but that magic often comes with a hefty dose of crowds, especially in peak season.

If you’re dreaming of experiencing Prague’s unique charm without the elbow-to-elbow shuffling, you’re in luck! The Golden City holds countless hidden treasures that are just as distinctive, beautiful, and rich in history as their more famous counterparts, yet remain wonderfully uncrowded.

As a seasoned traveller and admirer of Prague, I’ve curated a list of five visitor attractions that offer a distinctive experience, breathtaking beauty, and, most importantly, a peaceful retreat from the madding crowds.

1. Vyšehrad: Prague’s Ancient Citadel with Panoramic Views

Often overshadowed by Prague Castle, Vyšehrad is older, equally significant, and immensely more tranquil. Perched on a dramatic rock overlooking the Vltava River, this historic fort and castle complex offers a captivating journey through Czech history, mythology, and art.

Why it’s distinctive:

  • Historical Significance: Believed to be the original seat of the Czech princes before Prague Castle.
  • St. Peter and Paul Basilica: A stunning neo-Gothic church with intricate frescoes and a peaceful atmosphere.
  • Slavín Cemetery: The final resting place of many famous Czech artists, writers, and composers (Dvořák, Smetana, and Mucha), featuring elaborate and beautiful tombstones.
  • Panoramic Views: Breathtaking vistas of the Vltava River, Prague Castle, and the entire city.
  • Rotunda of St. Martin: Prague’s oldest surviving Romanesque rotunda.

Why it’s not crowded: It’s slightly outside the immediate city centre, requiring a short tram or metro ride, which deters many casual tourists. Those who make the effort are rewarded with space, serenity, and discovery.

2. Strahov Monastery Library: A Baroque Masterpiece of Knowledge

Tucked away near Prague Castle, the Strahov Monastery Library is a truly awe-inspiring sight that feels like stepping into another world. While part of a larger monastery that sees some visitors, the library itself often requires pre-booked tours or specific entry, which naturally limits crowd size, allowing for a more intimate viewing experience.

Why it’s distinctive:

  • Philosophical Hall & Theological Hall: Two magnificent Baroque halls housing over 200,000 volumes.
  • Stunning Frescoes: Intricate ceiling frescoes depicting the history of mankind and the pursuit of knowledge.
  • Historical Globes & Curiosities: A collection of ancient globes, natural history specimens, and other fascinating artifacts.
  • Architectural Grandeur: The sheer scale and ornamentation of the halls are breathtaking.

Why it’s not crowded: Its location, slightly up a hill from Prague Castle (though easily walkable), and its specific entry requirements mean it’s not a place for a quick glance. Those who visit are genuinely interested in its unique beauty and history.

3. Wallenstein Garden (Valdštejnská Zahrada): Baroque Splendor in Malá Strana

Just a stone’s throw from the bustling Malá Strana (Lesser Town) square, the Wallenstein Garden is a Baroque masterpiece that often gets overlooked. Belonging to the Wallenstein Palace (home to the Czech Senate), this meticulously maintained garden is a tranquil oasis.

Why it’s distinctive:

  • Manicured Lawns & Hedges: Perfect geometric designs characteristic of Baroque gardens.
  • Exquisite Statues: Bronze sculptures by Adriaen de Vries, depicting mythological figures.
  • The Salla Terrena: A grand triple arch loggia adorned with frescoes, hosting concerts in summer.
  • Artificial Grotto (Grotta): A fantastical, stalactite-lined cave structure that’s utterly unique.
  • Peacocks: Elegant white peacocks roam freely, adding to the garden’s enchanting atmosphere.

Why it’s not crowded: It’s a bit hidden from the main tourist routes, and while many walk past the palace, fewer venture into the garden’s entrance. It’s often free to enter, making it an incredible value for such beauty. (Check seasonal opening times, as it’s typically closed in winter).

4. Vrtba Garden (Vrtbovská Zahrada): A Hidden Terraced Gem

Considered one of Prague’s most beautiful Baroque gardens, the Vrtba Garden is a true hidden gem, tucked away behind a modest archway in Malá Strana. This terraced garden ascends steeply, offering increasingly spectacular views as you climb.

Why it’s distinctive:

  • Intimate Baroque Design: Smaller and more secluded than Wallenstein, with a romantic, secret garden feel.
  • Terraced Levels: Each level reveals new perspectives, fountains, statues, and intricate floral arrangements.
  • Stunning Views: From the top terrace, you get a unique, close-up vista of Prague Castle, St. Nicholas Church, and the red rooftops of Malá Strana.
  • Rich Sculpture & Frescoes: Adorned with works by Matthias Braun and frescoes by Reiner.

Why it’s not crowded: Its rather unassuming entrance on Karmelitská Street means it’s easily missed. There’s a small entrance fee, which further deters casual visitors, ensuring a peaceful and exclusive experience for those who seek it out. (Another seasonal garden, typically closed in winter).

5. Letná Park (Letenské Sady): Iconic Views and Local Vibe

While popular with locals, Letná Park rarely sees the kind of tourist throngs that flood the Charles Bridge. This expansive park stretches along a plateau on the left bank of the Vltava River, offering some of the most iconic panoramic views of Prague.

Why it’s distinctive:

  • The Metronome: Standing on the former site of a gigantic Stalin monument, Prague’s giant metronome is a symbol of passing time and offers a fantastic photo op.
  • Beer Garden: A beloved spot, particularly in warmer months, where you can enjoy a Czech beer with an unparalleled backdrop of the city’s bridges and Old Town.
  • Skate Park & Open Spaces: Popular with skateboarders and locals enjoying a stroll, picnic, or simply relaxing.
  • Breathtaking Vistas: Arguably the best spot to capture the iconic shot of all of Prague’s bridges spanning the Vltava.

Why it’s not crowded: It’s a park designed for space and relaxation, so even with many people, it rarely feels cramped. It requires a bit of an uphill walk (or a short tram ride) from the river, which means it’s a destination rather than a stop on a crowded route.

Embark on a Prague adventure that’s truly yours. By venturing slightly off the most beaten path, you’ll discover a Prague that’s just as magnificent, but far more serene. You’ll not only see distinctive features but also gain a deeper connection to the city’s enduring charm, away from the hustle and bustle.

Have you discovered any other uncrowded Prague gems? Share your favourites in the comments below!

The story behind the story: A Case of Working With the Jones Brothers

To write a private detective serial has always been one of the items at the top of my to-do list, though trying to write novels and a serial, as well as a blog, and maintain a social media presence, well, you get the idea.

But I made it happen, from a bunch of episodes I wrote a long, long time ago, used these to start it, and then continue on, then as now, never having much of an idea where it was going to end up, or how long it would take to tell the story.

That, I think is the joy of ad hoc writing, even you, as the author, have as much idea of where it’s going as the reader does.

It’s basically been in the mill since 1990, and although I finished it last year, it looks like the beginning to end will have taken exactly 30 years.  Had you asked me 30 years ago if I’d ever get it finished, the answer would be maybe?

My private detective, Harry Walthenson

I’d like to say he’s from that great literary mold of Sam Spade, or Mickey Spillane, or Phillip Marlow, but he’s not.

But, I’ve watched Humphrey Bogart play Sam Spade with much interest, and modelled Harry and his office on it.  Similarly, I’ve watched Robert Micham play Phillip Marlow with great panache, if not detachment, and added a bit of him to the mix.

Other characters come into play, and all of them, no matter what period they’re from, always seem larger than life.  I’m not above stealing a little of Mary Astor, Peter Lorre or Sidney Greenstreet, to breathe life into beguiling women and dangerous men alike.

Then there’s the title, like

The Case of the Unintentional Mummy – this has so many meanings in so many contexts, though I imagine that back in Hollywood in the ’30s and ’40s, this would be excellent fodder for Abbott and Costello

The Case of the Three-Legged Dog – Yes, I suspect there may be a few real-life dogs with three legs, but this plot would involve something more sinister.  And if made out of plaster, yes, they’re always something else inside.

But for mine, to begin with, it was “The Case of the …”, because I had no idea what the case was going to be about, well, I did, but not specifically.

Then I liked the idea of calling it “The Case of the Brother’s Revenge” because I began to have a notion there was a brother no one knew about, but that’s stuff for other stories, not mine, so then went the way of the others.

Now it’s called ‘A Case of Working With the Jones Brothers’, finished the first three drafts, and at the editor for the last.

I have high hopes of publishing it in early 2021.  It even has a cover.

PIWalthJones1

Writing a book in 365 days – 309

Day 309

When words become more than words

…

From Page to Panorama: Weaving Mythopoetic Grandeur into the Fabric of Reality

We’ve all experienced it. That moment when a skilled author transports us, not just to a place, but into a feeling, a scent, a visceral understanding of something utterly foreign yet strangely resonant. It’s the magic of descriptive writing, the alchemical process of turning mere words into sensory experiences. But what happens when we take those finely honed fictional tools and turn them towards the canvas of our own reality? What happens when we begin to weave the mythopoetic grandeur, usually reserved for fantastical realms, into the mundane fabric of everyday life?

This is where the truly transformative power emerges. It’s not about escaping reality, but about re-enchanting it. It’s about recognising that the same imaginative muscles that conjured dragons and epic quests can, with a shift in perspective, illuminate the epic within the ordinary.

The Foundation: The Art of Observational Detail

Before we can imbue our reality with mythopoetic grandeur, we must first become masters of observation. Fictional writers are meticulous. They don’t just say a character is sad; they describe the slump of their shoulders, the way their eyes lose their sparkle, the quiet tremor in their voice. They don’t just say a forest is dark; they paint a picture of gnarled branches like skeletal fingers, shafts of light like ethereal swords, the damp, earthy scent of decay and rebirth.

Applying this to real life means waking up our senses. It means noticing the way the morning light bleeds across the linoleum of your kitchen, transforming it into a pool of molten gold. It’s observing the intricate, almost alien architecture of a spiderweb glistening with dew, a delicate, ephemeral fortress. It’s listening to the symphony of a city at dusk – the distant siren a mournful lament, the laughter of children a fleeting melody, the rumble of traffic a subterranean dragon stirring.

The Alchemy: Infusing Significance and Symbolism

Once we have our raw observational material, the next step is the alchemical process of infusing it with meaning. This is where the “mythopoetic” truly takes hold. We move beyond simple description to interpretation, imbuing our observations with layers of significance and symbolism, much like ancient storytellers did.

  • The Mundane Becomes Mythic: A walk to the grocery store isn’t just an errand. It can be a pilgrimage through the daily labyrinth, a quest for sustenance that echoes the ancient hunts. The cashier, with their practised smile, could be a guardian of provisions, a dispenser of earthly blessings.
  • The Everyday Becomes Archetypal: The familiar faces we encounter can be viewed through the lens of archetypes. The wise elder at the park bench might embody the archetype of the Sage. The boisterous teenager could be the Rebel, challenging the established order with youthful energy.
  • The Emotional Landscape Gains Depth: Sadness isn’t just a feeling; it’s a “gathering storm,” a “heavy cloak,” a “deep well of unspoken grief.” Joy isn’t just happiness; it’s a “sunburst,” a “lightness of being,” a “song rising from the soul.”

The Grandeur: Elevating the Narrative of Our Lives

The ultimate goal is to elevate the narrative of our own lives, to recognise the inherent grandeur that often lies dormant beneath the surface of routine. This doesn’t mean fabricating events or pretending our challenges aren’t real. Instead, it’s about framing them within a larger, more resonant context.

Consider a difficult conversation. Instead of simply recalling the angry words, we can describe the “clash of wills,” the “stalemate of emotions,” the “fragile truce that followed.” A moment of quiet contemplation isn’t just zoning out; it’s “diving into the depths of the inner sea,” “listening to the whispers of the subconscious.”

Why Does This Matter?

Turning fictional descriptive skills to the rendering of real life in mythopoetic grandeur is more than just a creative exercise. It’s a way to:

  • Deepen our appreciation for life: By seeing the extraordinary in the ordinary, we cultivate a richer, more vibrant experience of our existence.
  • Foster resilience: Framing challenges as epic struggles or tests of character can empower us to face them with greater courage and determination.
  • Connect with something larger than ourselves: Mythopoetic language often taps into universal themes of creation, struggle, love, and loss, fostering a sense of belonging to something ancient and profound.
  • Communicate more effectively and evocatively: Whether in personal writing, artistic expression, or even everyday conversation, this elevated language can captivate and resonate with others.

The world around us is a vast, intricate tapestry, already rich with potential for wonder and awe. By learning to wield the tools of fictional description with conscious intent, we can begin to see the mythopoetic grandeur woven into the very fabric of our reality. We can stop being passive observers and become active, imaginative narrators of our own magnificent lives. So, open your eyes, awaken your senses, and start painting the world in hues of myth and legend. The grandest stories, after all, are often the ones happening right under our noses.

An excerpt from “The Devil You Don’t”

Available on Amazon Kindle here:  https://amzn.to/2Xyh1ow

…

By the time I returned to the Savoie, the rain had finally stopped, and there was a streak of blue sky to offer some hope the day would improve.

The ship was not crowded, the possibility of bad weather perhaps holding back potential passengers.  Of those I saw, a number of them would be aboard for the lunch by Phillippe Chevrier.  I thought about it, but the Concierge had told me about several restaurants in Yvoire and had given me a hand-drawn map of the village.  I think he came from the area because he spoke with the pride and knowledge of a resident.

I was looking down from the upper deck observing the last of the boarding passengers when I saw a woman, notable for her red coat and matching shoes, making a last-minute dash to get on board just before the gangway was removed.  In fact, her ungainly manner of boarding had also captured a few of the other passenger’s attention.  Now they would have something else to talk about, other than the possibility of further rain.

I saw her smile at the deckhand, but he did not smile back.  He was not impressed with her bravado, perhaps because of possible injury.  He looked at her ticket then nodded dismissively, and went back to his duties in getting the ship underway.  I was going to check the departure time, but I, like the other passengers, had my attention diverted to the woman in red.

From what I could see there was something about her.  It struck me when the light caught her as she turned to look down the deck, giving me a perfect profile.  I was going to say she looked foreign, but here, as in almost anywhere in Europe, that described just about everyone.  Perhaps I was just comparing her to Phillipa, so definitively British, whereas this woman was very definitely not.

She was perhaps in her 30’s, slim or perhaps the word I’d use was lissom, and had the look and manner of a model.  I say that because Phillipa had dragged me to most of the showings, whether in Milan, Rome, New York, London, or Paris.  The clothes were familiar, and in the back of my mind, I had a feeling I’d seen her before.

Or perhaps, to me, all models looked the same.

She looked up in my direction, and before I could divert my eyes, she locked on.  I could feel her gaze boring into me, and then it was gone as if she had been looking straight through me.  I remained out on deck as the ship got underway, watching her disappear inside the cabin.  My curiosity was piqued, so I decided to keep an eye out for her.

I could feel the coolness of the air as the ship picked up speed, not that it was going to be very fast.  With stops, the trip would take nearly two hours to get to my destination.  It would turn back almost immediately, but I was going to stay until the evening when it returned at about half eight.  It would give me enough time to sample the local fare, and take a tour of the medieval village.

Few other passengers ventured out on the deck, most staying inside or going to lunch.  After a short time, I came back down to the main deck and headed forward.  I wanted to clear my head by concentrating on the movement of the vessel through the water, breathing in the crisp, clean air, and let the peacefulness of the surroundings envelope me.

It didn’t work.

I knew it wouldn’t be long before I started thinking about why things hadn’t worked, and what part I played in it.  And the usual question that came to mind when something didn’t work out.  What was wrong with me?

I usually blamed it on my upbringing.

I had one of those so-called privileged lives, a nanny till I was old enough to go to boarding school, then sent to the best schools in the land.  There I learned everything I needed to be the son of a Duke, or, as my father called it in one of his lighter moments, nobility in waiting.

Had this been five or six hundred years ago, I would need to have sword and jousting skills, or if it had been a few hundred years later a keen military mind.  If nothing else I could ride a horse, and go on hunts, or did until they became not the thing to do.

I learned six languages, and everything I needed to become a diplomat in the far-flung British Empire, except the Empire had become the Commonwealth, and then, when no-one was looking, Britain’s influence in the world finally disappeared.  I was a man without a cause, without a vocation, and no place to go.

Computers were the new vogue and I had an aptitude for programming.  I guess that went hand in hand with mathematics, which although I hated the subject, I excelled in.  Both I and another noble outcast used to toss ideas around in school, but when it came to the end of our education, he chose to enter the public service, and I took a few of those ideas we had mulled over and turned them into a company.

About a year ago, I was made an offer I couldn’t refuse.  There were so many zeroes on the end of it I just said yes, put the money into a very grateful bank, and was still trying to come to terms with it.

Sadly, I still had no idea what I was going to do with the rest of my life.  My parents had asked me to come back home and help manage the estate, and I did for a few weeks.  It was as long as it took for my parents to drive me insane.

Back in the city, I spent a few months looking for a mundane job, but there were very few that suited the qualifications I had, and the rest, I think I intimidated the interviewer simply because of who I was.  In that time I’d also featured on the cover of the Economist, and through my well-meaning accountant, started involving myself with various charities, earning the title ‘philanthropist’.

And despite all of this exposure, even making one of those ubiquitous ‘eligible bachelor’ lists, I still could not find ‘the one’, the woman I wanted to spend the rest of my life with.  Phillipa seemed to fit the bill, but in time she proved to be a troubled soul with ‘Daddy’ issues.  I knew that in building a relationship compromise was necessary, but with her, in the end, everything was a compromise and what had happened was always going to be the end result.

It was perhaps a by-product of the whole nobility thing.  There was a certain expectation I had to fulfill, to my peers, contemporaries, parents and family, and those who either liked or hated what it represented.  The problem was, I didn’t feel like I belonged.  Not like my friend from schooldays, and now obscure acquaintance, Sebastian.  He had been elevated to his Dukedom early when his father died when he was in his twenties.  He had managed to fade from the limelight and was rarely mentioned either in the papers or the gossip columns.  He was one of the lucky ones.

I had managed to keep a similarly low profile until I met Phillipa.  From that moment, my obscurity disappeared.  It was, I could see now, part of a plan put in place by Phillipa’s father, a man who hogged the limelight with his daughter, to raise the profile of the family name and through it their businesses.  He was nothing if not the consummate self-advertisement.

Perhaps I was supposed to be the last piece of the puzzle, the attachment to the establishment, that link with a class of people he would not normally get in the front door.  There was nothing refined about him or his family, and more than once I’d noticed my contemporaries cringe at the mention of his name, or any reference of my association with him.

Yet could I truthfully say I really wanted to go back to the obscurity I had before Phillipa?  For all her faults, there were times when she had been fun to be with, particularly when I first met her when she had a certain air of unpredictability.  That had slowly disappeared as she became part of her father’s plan for the future.  She just failed to see how much he was using her.

Or perhaps, over time, I had become cynical.

I thought about calling her.  It was one of those moments of weakness when I felt alone, more alone than usual.

I diverted my attention back to my surroundings and the shoreline.  Out of the corner of my eye, I could see the woman in the red coat, making a move.  The red coat was like a beacon, a sort of fire engine red.  It was not the sort of coat most of the women I knew would wear, but on her, it looked terrific.  In fact, her sublime beauty was the one other attribute that was distinctly noticeable, along with the fact her hair was short, rather than long, and jet black.

I had to wrench my attention away from her.

A few minutes later several other passengers came out of the cabin for a walk around the deck, perhaps to get some exercise, perhaps checking up on me, or perhaps I was being paranoid.  I waited till they passed on their way forward, and I turned and headed aft.

I watched the wake sluicing out from under the stern for a few minutes, before retracing my steps to the front of the ship and there I stood against the railing, watching the bow carve its way through the water.  It was almost mesmerizing.  There, I emptied my mind of thoughts about Phillipa, and thoughts about the woman in the red coat.

Until a female voice behind me said, “Having a bad day?”

I started, caught by surprise, and slowly turned.  The woman in the red coat had somehow got very close me without my realizing it.  How did she do that?  I was so surprised I couldn’t answer immediately.

“I do hope you are not contemplating jumping.  I hear the water is very cold.”

Closer up, I could see what I’d missed when I saw her on the main deck.  There was a slight hint of Chinese, or Oriental, in her particularly around the eyes, and of her hair which was jet black.  An ancestor twice or more removed had left their mark, not in a dominant way, but more subtle, and easily missed except from a very short distance away, like now.

Other than that, she was quite possibly Eastern European, perhaps Russian, though that covered a lot of territory.  The incongruity of it was that she spoke with an American accent, and fluent enough for me to believe English was her first language.

Usually, I could ‘read’ people, but she was a clean slate.  Her expression was one of amusement, but with cold eyes.  My first thought, then, was to be careful.

“No.  Not yet.”  I coughed to clear my throat because I could hardly speak.  And blushed, because that was what I did when confronted by a woman, beautiful or otherwise.

The amusement gave way to a hint of a smile that brightened her demeanor as a little warmth reached her eyes.  “So that’s a maybe.  Should I change into my lifesaving gear, just in case?”

It conjured up a rather interesting image in my mind until I reluctantly dismissed it.

“Perhaps I should move away from the edge,” I said, moving sideways until I was back on the main deck, a few feet further away.  Her eyes had followed me, and when I stopped she turned to face me again.  She did not move closer.

I realized then she had removed her beret and it was in her left side coat pocket.  “Thanks for your concern …?”

“Zoe.”

“Thanks for your concern, Zoe.  By the way, my name is John.”

She smiled again, perhaps in an attempt to put me at ease.  “I saw you earlier, you looked so sad, I thought …”

“I might throw myself overboard?”

“An idiotic notion I admit, but it is better to be safe than sorry.”

Then she tilted her head to one side then the other, looking intently at me.  “You seem to be familiar.  Do I know you?”

I tried to think of where I may have seen her before, but all I could remember was what I’d thought earlier when I first saw her; she was a model and had been at one of the showings.  If she was, it would be more likely she would remember Phillipa, not me.  Phillipa always had to sit in the front row.

“Probably not.”  I also didn’t mention the fact she may have seen my picture in the society pages of several tabloid newspapers because she didn’t look the sort of woman who needed a daily dose of the comings and goings, and, more often than not, scandal associated with so-called celebrities.

She gave me a look, one that told me she had just realized who I was.  “Yes, I remember now.  You made the front cover of the Economist.  You sold your company for a small fortune.”

Of course.  She was not the first who had recognized me from that cover.  It had raised my profile considerably, but not the Sternhaven’s.  That article had not mentioned Phillipa or her family.  I suspect Grandmother had something to do with that, and it was, now I thought about it, another nail in the coffin that was my relationship with Phillipa.

“I wouldn’t say it was a fortune, small or otherwise, just fortunate.”  Each time, I found myself playing down the wealth aspect of the business deal.

“Perhaps then, as the journalist wrote, you were lucky.  It is not, I think, a good time for internet-based companies.”

The latter statement was an interesting fact, one she read in the Financial Times which had made that exact comment recently.

“But I am boring you.”  She smiled again.  “I should be minding my own business and leaving you to your thoughts.  I am sorry.”

She turned to leave and took a few steps towards the main cabin.

“You’re not boring me,” I said, thinking I was letting my paranoia get the better of me.  It had been Sebastian on learning of my good fortune, who had warned me against ‘a certain element here and abroad’ whose sole aim would be to separate me from my money.  He was not very subtle when he described their methods.

But I knew he was right.  I should have let her walk away.

She stopped and turned around.  “You seem nothing like the man I read about in the Economist.”

A sudden and awful thought popped into my head.  Those words were part of a very familiar opening gambit.  “Are you a reporter?”

I was not sure if she looked surprised, or amused.  “Do I look like one?”

I silently cursed myself for speaking before thinking, and then immediately ignored my own admonishment.  “People rarely look like what they are.”

I saw the subtle shake of the head and expected her to take her leave.  Instead she astonished me.

“I fear we have got off on the wrong foot.  To be honest, I’m not usually this forward, but you seemed like you needed cheering up when probably the opposite is true.  Aside from the fact this excursion was probably a bad idea.  And,” she added with a little shrug, “perhaps I talk too much.”

I was not sure what I thought of her after that extraordinary admission. It was not something I would do, but it was an interesting way to approach someone and have them ignoring their natural instinct.  I would let Sebastian whisper in my ear for a little longer and see where this was going.

“Oddly enough, I was thinking the same thing.  I was supposed to be traveling with my prospective bride.  I think you can imagine how that turned out.”

“She’s not here?”

“No.”

“She’s in the cabin?”  Her eyes strayed in that direction for a moment then came back to me.  She seemed surprised I might be traveling with someone.

“No.  She is back in England, and the wedding is off.  So is the relationship.  She dumped me by text.”

OK, why was I sharing this humiliating piece of information with her?  I still couldn’t be sure she was not a reporter.

She motioned to an empty seat, back from the edge.  No walking the plank today.  She moved towards it and sat down.  She showed no signs of being cold, nor interested in the breeze upsetting her hair.  Phillipa would be having a tantrum about now, being kept outside, and freaking out over what the breeze might be doing to her appearance.

I wondered, if only for a few seconds if she used this approach with anyone else.  I guess I was a little different, a seemingly rich businessman alone on a ferry on Lake Geneva, contemplating the way his life had gone so completely off track.

She watched as I sat at the other end of the bench, leaving about a yard between us.  After I leaned back and made myself as comfortable as I could, she said, “I have also experienced something similar, though not by text message.  It is difficult, the first few days.”

“I saw it coming.”

“I did not.”  She frowned, a sort of lifeless expression taking over, perhaps brought on by the memory of what had happened to her.  “But it is done, and I moved on.  Was she the love of your life?”

OK, that was unexpected.

When I didn’t answer, she said, “I am sorry.  Sometimes I ask personal questions without realizing what I’m doing.  It is none of my business.”  She shivered.  “Perhaps we should go back inside.”

She stood, and held out her hand.  Should I take it and be drawn into her web?  I thought of Sebastian.  What would he do in this situation?

I took her hand in mine and let her pull me gently to my feet.  “Wise choice,” she said, looking up at the sky.

It just started to rain.

…

© Charles Heath 2015-2023

newdevilcvr6

In a word: There

Yes, the dog is over there. It’s a place somewhere other than where you are currently.

Or, you could say, there was a brave man, but he couldn’t help so there was no hope. It doesn’t refer to a place.

Or I’m taking you to the border, but from there you’re on your own.

Confused yet?

Let’s try by adding a similar word, their

It means belonging to a group as in, it was their dog that caused the damage.

Of course, this can be twisted a little, and you could say, everyone has to bring their own pack, meaning at times it could refer to one, or many,

Then just when you thought it was safe to go back into the water, there’s they’re.

This is a contraction for they are, so it’s they’re not going to fo as their told.

Wow, it starts getting complicated when you use two or more of those similar words in the same sentence.

Confusing?

That’s why it always pays to have a dictionary handy.

Just in case autocorrect fails, which it seems to quite often for me. I’m not sure why.

An excerpt from “What Sets Us Apart”, a mystery with a twist

See the excerpt from the story below, just a taste of what’s in store…

http://amzn.to/2Eryfth

whatsetscover

McCallister was old school, a man who would most likely fit in perfectly campaigning on the battlefields of Europe during the Second World War. He’d been like a fish out of water in the army, post-Falklands, and while he retired a hero, he still felt he’d more to give.

He’d applied and was accepted as head of a SWAT team, and, watching him now as he and his men disembarked from the truck in almost military precision, a look passed between Annette, the police liaison officer, and I that said she’d seen it all before. I know I had.

There was a one in four chance his team would be selected for this operation, and she had been hoping it would be one of the other three. While waiting for them to arrive she filled me in on the various teams. His was the least co-operative, and the more likely to make ad-hoc decisions rather than adhere to the plan, or any orders that may come from the officer in charge.

This, she said quite bluntly, was going to end badly.

I still had no idea why Prendergast instructed me to attend the scene of what looked to be a normal domestic operation, but as the nominated expert in the field in these types of situations, it was fairly clear he wasn’t taking any chances. It was always a matter of opinion between us, and generally I lost.

In this case, it was an anonymous report identifying what the authorities believed were explosives in one of the dockside sheds where explosives were not supposed to be.

The only reason why the report was given any credence was the man, while not identifying himself by name, said he’d been an explosive expert once and recognized the boxes. That could mean anything, but the Chief Constable was a cautious man.

With his men settled and preparing their weapons, McCallister came over to the command post, not much more than the SUV my liaison and I arrived in, with weapons, bulletproof vests, and rolls of tape to cordon off the area afterward. We both had coffee, steaming in the cold early morning air. Dawn was slowly approaching and although rain had been forecast it had yet to arrive.

A man by the name of Benson was in charge. He too had groaned when he saw McCallister.

“A fine morning for it.” McCallister was the only enthusiastic one here.

He didn’t say what ‘it’ was, but I thought it might eventually be mayhem.

“Let’s hope the rain stays away. It’s going to be difficult enough without it,” Benson said, rubbing his hands together. We had been waiting for the SWAT team to arrive, and another team to take up their position under the wharf, and who was in the final stages of securing their position.

While we were waiting we drew up the plan. I’d go in first to check on what we were dealing with, and what type of explosives. The SWAT team, in the meantime, were to ensure all the exits to the shed were covered. When I gave the signal, they were to enter and secure the building. We were not expecting anyone inside or out, and no movement had been detected in the last hour since our arrival and deployment.

“What’s the current situation?”

“I’ve got eyes on the building, and a team coming in from the waterside, underneath. Its slow progress, but they’re nearly there. Once they’re in place, we’re sending McKenzie in.”

He looked in my direction.

“With due respect sir, shouldn’t it be one of us?” McCallister glared at me with the contempt that only a decorated military officer could.

“No. I have orders from above, much higher than I care to argue with, so, McCallister, no gung-ho heroics for the moment. Just be ready to move on my command, and make sure you have three teams at the exit points, ready to secure the building.”

McCallister opened his mouth, no doubt to question those orders, but instead closed it again. “Yes sir,” he muttered and turned away heading back to his men.

“You’re not going to have much time before he storms the battlements,” Benson quietly said to me, a hint of exasperation in his tone. “I’m dreading the paperwork.”

It was exactly what my liaison officer said when she saw McCallister arriving.

The water team sent their ‘in position’ signal, and we were ready to go.

In the hour or so we’d been on site nothing had stirred, no arrivals, no departures, and no sign anyone was inside, but that didn’t mean we were alone. Nor did it mean I was going to walk in and see immediately what was going on. If it was a cache of explosives then it was possible the building was booby-trapped in any number of ways, there could be sentries or guards, and they had eyes on us, or it might be a false alarm.

I was hoping for the latter.

I put on the bulletproof vest, thinking it was a poor substitute for full battle armor against an exploding bomb, but we were still treating this as a ‘suspected’ case. I noticed my liaison officer was pulling on her bulletproof vest too.

“You don’t have to go. This is my party, not yours,” I said.

“The Chief Constable told me to stick to you like glue, sir.”

I looked at Benson. “Talk some sense into her please, this is not a kindergarten outing.”

He shrugged. Seeing McCallister had taken all the fight out of him. “Orders are orders. If that’s what the Chief Constable requested …”

Madness. I glared at her, and she gave me a wan smile. “Stay behind me then, and don’t do anything stupid.”

“Believe me, I won’t be.” She pulled out and checked her weapon, chambering the first round. It made a reassuring sound.

Suited up, weapons readied, a last sip of the coffee in a stomach that was already churning from nerves and tension, I looked at the target, one hundred yards distant and thought it was going to be the longest hundred yards I’d ever traversed. At least for this week.

A swirling mist rolled in and caused a slight change in plans.

Because the front of the buildings was constantly illuminated by large overhead arc lamps, my intention had been to approach the building from the rear where there was less light and more cover. Despite the lack of movement, if there were explosives in that building, there’d be ‘enemy’ surveillance somewhere, and, after making that assumption, I believed it was going to be easier and less noticeable to use the darkness as a cover.

It was a result of the consultation, and studying the plans of the warehouse, plans that showed three entrances, the main front hangar type doors, a side entrance for truck entry and exit and a small door in the rear, at the end of an internal passage leading to several offices. I also assumed it was the exit used when smokers needed a break. Our entry would be by the rear door or failing that, the side entrance where a door was built into the larger sliding doors. In both cases, the locks would not present a problem.

The change in the weather made the approach shorter, and given the density of the mist now turning into a fog, we were able to approach by the front, hugging the walls, and moving quickly while there was cover. I could feel the dampness of the mist and shivered more than once.

It was nerves more than the cold.

I could also feel rather than see the presence of Annette behind me, and once felt her breath on my neck when we stopped for a quick reconnaissance.

It was the same for McCallister’s men. I could feel them following us, quickly and quietly, and expected, if I turned around, to see him breathing down my neck too.

It added to the tension.

My plan was still to enter by the back door.

We slipped up the alley between the two sheds to the rear corner and stopped. I heard a noise coming from the rear of the building, and the light tap on the shoulder told me Annette had heard it too. I put my hand up to signal her to wait, and as a swirl of mist rolled in, I slipped around the corner heading towards where I’d last seen the glow of a cigarette.

The mist cleared, and we saw each other at the same time. He was a bearded man in battle fatigues, not the average dockside security guard.

He was quick, but my slight element of surprise was his undoing, and he was down and unconscious in less than a few seconds with barely a sound beyond the body hitting the ground. Zip ties secured his hands and legs, and tape his mouth. Annette joined me a minute after securing him.

A glance at the body then me, “I can see why they, whoever they are, sent you.”

She’d asked who I worked for, and I didn’t answer. It was best she didn’t know.

“Stay behind me,” I said, more urgency in my tone. If there was one, there’d be another.

Luck was with us so far. A man outside smoking meant no booby traps on the back door, and quite possibly there’d be none inside. But it indicated there were more men inside, and if so, it appeared they were very well trained. If that were the case, they would be formidable opponents.

The fear factor increased exponentially.

I slowly opened the door and looked in. A pale light shone from within the warehouse itself, one that was not bright enough to be detected from outside. None of the offices had lights on, so it was possible they were vacant. I realized then they had blacked out the windows. Why hadn’t someone checked this?

Once inside, the door closed behind us, progress was slow and careful. She remained directly behind me, gun ready to shoot anything that moved. I had a momentary thought for McCallister and his men, securing the perimeter.

At the end of the corridor, the extent of the warehouse stretched before us. The pale lighting made it seem like a vast empty cavern, except for a long trestle table along one side, and, behind it, stacks of wooden crates, some opened. It looked like a production line.

To get to the table from where we were was a ten-yard walk in the open. There was no cover. If we stuck to the walls, there was equally no cover and a longer walk.

We needed a distraction.

As if on cue, the two main entrances disintegrated into flying shrapnel accompanied by a deafening explosion that momentarily disoriented both Annette and I. Through the smoke and dust kicked up I saw three men appear from behind the wooden crates, each with what looked like machine guns, spraying bullets in the direction of the incoming SWAT members.

They never had a chance, cut down before they made ten steps into the building.

By the time I’d recovered, my head heavy, eyes watering and ears still ringing, I took several steps towards them, managing to take down two of the gunmen but not the third.

I heard a voice, Annette’s I think, yell out, “Oh, God, he’s got a trigger,” just before another explosion, though all I remember in that split second was a bright flash, the intense heat, something very heavy smashing into my chest knocking the wind out of me, and then the sensation of flying, just before I hit the wall.

I spent four weeks in an induced coma, three months being stitched back together and another six learning to do all those basic actions everyone took for granted. It was twelve months almost to the day when I was released from the hospital, physically, except for a few alterations required after being hit by shrapnel, looking the same as I always had.

But mentally? The document I’d signed on release said it all, ‘not fit for active duty; discharged’.

It was in the name of David Cheney. For all intents and purposes, Alistair McKenzie was killed in that warehouse, and for the first time ever, an agent left the Department, the first to retire alive.

I was not sure I liked the idea of making history.

© Charles Heath 2016-2020

NANOWRIMO – November 2025 – Day 21

…

The Third Son of a Duke

…

I’ve been researching the Melbourne of March 1915, and I was basically gobsmacked.

How can you live in a city for almost half your life and know absolutely nothing about it?

Why wasn’t any of this taught to us in school?  The joke of that is that I know every king and queen of England from William the Conqueror.  I could tell you more than three Australian prime ministers, or state premiers, from when Australia was born, which, by a miracle, I do know, 1901.

As for Victoria, no idea when it became a state, no idea how it was populated beyond a gold rush in the mid-1800s, and barely anything about the Ballarat goldfields and the revolt by the miners.

My great-great-great-grandfather emigrated from England to a place called Harrow in Victoria, a place I’ve never heard of until I started tracing my ancestors, said to be the first town in Victoria.

Since my grandmother features in this story, it is around the time she meets my great-grandfather and her husband-to-be in 1914/1915 in a place called Bairnsdale, a place my father used to mention but not with the fondness a child who was born and brought up there would.

What in hell’s name happened there?

Not our problem in this story, it is just the periphery, or what I think might have happened that interests us, but only as outsiders looking in.

We have a ship to catch. And hi ho hi ho it’s off to war we go!

…

1750 words, for a total of 33030 words.

Writing about writing a book – Day 26

On the surface, the relationship between Bill and Barry is an odd one.  I’ve thought about it, and at the moment, there’s some aspects that need to be written to provide background for what follows later.

I think I would like to make Barry one of those people who were built for soldiering, and not for civilian life, and it has to be said, he is a bit of a sloth once he becomes a civilian.

And, yet, under all of that, he’d be the first one in line to help his friends.

I just have to strike that balance so that I don’t make him too unsociable.

So, a little more about them, and Barry in particular.

…

A groan emanated from the table, and Barry moved his head slightly.

I shifted the drink in front of him, and then a hand went out and moved it back.  He lifted his head to look at me, and then lowered it again.

“I thought it was you.” A croak.

“Mate.  Not looking too good this afternoon?”

He groaned again, and then struggled to sit up, trying to smooth his hair back into place, and failing.  He rubbed his face and realized he had a week’s stubble, giving him the look of a deranged sanatorium inmate.

“Someone’s gotta try and get me off the gut rot Ogilvy calls booze.”  He nodded in Ogilvy’s direction, but typically, Ogilvy ignored him.

“You don’t have to drink it.”

“That’s what I keep telling myself.  Only it doesn’t work.”

“Perhaps you should try harder.”

He looked me over, looking for the changes since the last time he saw me, about four months ago.

“Where you been?”

“Hospital.”

“Not surprising.  Work too hard, no fun.”  He looked at the drink on the table, took it in his hand, then holding it up to the light.  Perhaps he thought it was the magic elixir that would fix him.

“Someone shot at me.  I nearly didn’t make it.  One thing it did, though.  Brought back all those memories I’d shut away.  Now I know why I did.”

“Shot at you?  Why?”

“I don’t know.  You should see the other guy.  He’s dead.”

“What other guy?”  He put the drink down, untouched.  He was beginning to look a little more alert.

I had not expected it would make much of a difference telling him about my problems, but it had.

“Take it from the top.”  Then, over towards Ogilvy, “Bring me some coffee.  Black.”

I started, a little hesitantly, not quite sure how much or little I should say.

Ogilvy came over with coffee for him and my orange juice.  He glared at me, then Barry.

“Your account is a little overdue,” Ogilvy said, standing over him.

“It’ll get paid.”

By little, I assumed it was more than Ogilvy was willing to stand.  He was kind, but kindness had its limits.

I pulled out two hundred dollar notes and gave them to him.  “Will this settle it?”

“I don’t want your money.  You should throw him in a detox center.  That would make more sense.”

“It’s only money.  If he wants to drink himself to death, who am I to argue?”

Ogilvy shrugged and took the money.  As he turned to leave, Barry said, “And take the scotch back.  I’ve had enough.”

He looked at Barry with surprise, no, I think it was more shock, but did as he was asked.  Out of the corner of my eye, I saw Ogilvy drink the scotch himself, and another for good measure.

I picked up the story where Aitchison and I were shot in the street and related what I knew from there.  He asked only two questions, who was Jennifer, and what had happened to Ellen.  He’d absorbed the rest, and judging by his reaction, probably not understood any of it.

“You have a friend?  Does Ellen know about this friend?”

“Ellen and I are divorced.  Don’t you remember me telling you several years ago?”

“Has it been that long?”

He’d been like this off and on over the last twenty years.  It had been getting worse in the last few years, his health failing, and, at times, his memory.  I watched him pick up the coffee cup, his hand shaking so badly, he needed to hold it was two.  It took a minute or so before he could drink it, and then, his face was of a child, taking medicine.

He looked over towards the bar.  “More coffee.”  He set the cup down carefully, and then looked back at me.

“What can I do?”

“I need someone to watch my back.  I have the odd feeling I’ve got myself into a situation.  The people I work for, well, I can’t put my finger on it, but they’re probably doing something they shouldn’t.  I have some evidence, and I think they know I’ve got it, and they’ve attacked me, like I said, at least once since I got out of the hospital.”

“You want me to get this Kowalski character and beat it out of him?

I smiled at the thought.  I had no doubt if I asked him, he would do exactly that.

“Not yet.  We have to get a better case against them first.”

“So, just watch your back?”

“For the moment.  And for Jennifer.”

“But you are not sure about her.  I get the impression you think she might be involved in more ways than one.”

“Did I give that impression?”  I had no idea he would pick up on my doubts.  But he was right.  I did.

“Yes.  But it doesn’t matter.  If she is we’ll find out soon enough.”

In the space of five minutes and the arrival of the second cup of coffee, to be followed by a third, his whole manner had changed.  There was still the pained look from the hangover, but the eyes were brighter, and he had a purpose.

“Then you’re in?”

“Might as well.  It’ll be better than the last bodyguard gig I had.  Had to thump the little turd.  Smart arse needed it.”

To be honest, I didn’t expect Barry to take up the challenge.  Perhaps I’d become used to seeing him down and out, and not expecting anything else.  It was the look in his eyes that changed my opinion.  The same look I’d seen all those years ago, in the jungle.

It was another good sign when he asked for an hour to clean up so he could become inconspicuous.  I told him he could take over my place, gave him the key, gave him some money, and then told him where he could find me in an hour.

It was exactly what I needed.  The Barry of old.

…

© Charles Heath 2016-2023