This story is now on the list to be finished so over the new few weeks, expect a new episode every few days.

The reason why new episodes have been sporadic, there are also other stories to write, and I’m not very good at prioritizing.

But, here we are, a few minutes opened up and it didn’t take long to get back into the groove.

Things are about to get complicated…

“Turn around and head towards the trees, we’re not very far from you,” the voice in my head said.

I turned, saw the trees and moved towards them.

“Straight ahead.”

Then I could just see her, beside one of the tree trunks, under the cover of the canopy.

For the moment we would not be seen, but if someone was looking intently, we would be seen.

Jennifer was kneeling, her knees and weight keeping the assailant on the ground.  She handed me the gun, a silenced Baretta, with the distinct aroma of a discharged bullet.

Jennifer had pulled off the balaclava.  Jan.

Not working for Severin, but Dobbin.  Or someone else?

“Who ordered the hit?”

“Go fuck yourself.”

Not entirely unexpected.

I pulled out my phone and dialled the number for the Detective Inspector that had been at Maury’s crime scene.  I knew there was going to be a need to call her in the not-too-distant future.  And Jan needed to be in a safe place where she couldn’t be got at.

“Who is this?”

My number would have come up as a ‘private number’.

“We met at the hotel where Maury died.”

“The spy?”

“Of sorts.  I’m sorry to say that his companion, Severin, is also now very dead in the rotunda at the Italian Gardens at Hyde Park.  I’d get someone down here before the body is removed or found by a member of the public.”

I heard a scream and deduced it came from the rotunda.

“Too late.  Hurry before the crime scene is contaminated.”

“Where are you?”

“Nearby.  And if you’re especially quick, we have a surprise for you.”

Two constables arrived in four minutes, most likely nearby for another reason.  The Detective Inspector and her Sergeant arrived within 20 minutes, but by that time Jennifer and Jan had retreated to the car, parked away from the gardens.

Anyone seeing us heading away would have picked us for three drunken fools escorting a friend who had passed out.  Jan had struggled to get free, and it had been necessary to subdue her.

I had wanted to ask further questions, but circumstances didn’t allow it.  Not yet.

Leaving Jennifer with Jan, securely tied up, but looking like she was sleeping of a long drinking session, I went back to the crime scene just as the Detective Inspector was coming out of the rotunda.

She recognised me and called me over to the tape that separated the public from the scene.  The forensic team had just arrived and was setting up.  I doubted she would let me into the crime scene area, but I had seen enough when I’d been there with Severin.

“Why are you here, and give me a good reason not to take you into custody.”

“He called me earlier and wanted to talk.  I think he found out Maury was dead, and he was next.  I didn’t kill him, but I know who did, but I’m not sure we’re going to be able to prove it.”

“That weedy little man that saved your ass the last time?”

“Richards or Dobbin?  Either or together or one of their henchmen.  Not sure, to be honest.  All I knop is it’s possible Maury was killed during an intense interrogation.  I suspect Severin was killed to silence him.”

“Because of what?”

“I believe it is about the existence of a formula for a biological weapon.”

…

© Charles Heath 2020-2023

Just when you think that the story is done, and you’re on the third re-read, just to make sure…

Damn!

I don’t like the way that chapter reads, and what’s worse, it’s about the tenth time I’ve looked at it.

It doesn’t matter the last three times you read it, it was just fine, or, the editor has read it and the chapter passed without any major comment.

I think the main problem I have is letting go.  For some odd reason, certain parts of a story sometimes seem to me as though they are not complete, or can be missing a vital clue or connection for the continuity of the story.

That, of course, happens when you rewrite a section that is earlier on in the story, and then have to make ongoing changes.

Yes, I hear the stern warnings, that I should have made a comprehensive outline at the beginning, but the trouble is, I can change the ending, as I’m writing it and then have to go back and add the hooks earlier on.  Not the best method, but isn’t that what an editor is for, to pick up the missed connections, and out of the blue events that happen for no reason?

I find that often after leaving a finished story for a month before the next reading, the whole picture must formulate itself in my head, so when I re-read, there was always a problem, one I didn’t want to think about until the re-read.

Even then it might survive a second pass.

I know the scene is in trouble when I get to it and alarm bells are going off.  I find anything else to do but look at it.

So, here I am, making major changes.

But, at least now I am satisfied with where it’s going.

Only 325 pages to go!

There’s something to be said for a story that starts like a James Bond movie, throwing you straight in the deep end, a perfect way of getting to know the main character, David, or is that Alistair?

A retired spy, well not so much a spy as a retired errand boy, David’s rather wry description of his talents, and a woman that most men would give their left arm for, not exactly the ideal couple, but there is a spark in a meeting that may or may not have been a setup.

But as the story progressed, the question I kept asking myself was why he’d bother.

And, page after unrelenting page, you find out.

Susan is exactly the sort of woman to pique his interest.  Then, inexplicably, she disappears.  That might have been the end to it, but Prendergast, that shadowy enigma, David’s ex-boss who loves playing games with real people, gives him an ultimatum, find her or come back to work.

Nothing like an offer that’s a double-edged sword!

A dragon for a mother, a sister he didn’t know about, Susan’s BFF who is not what she seems or a friend indeed, and Susan’s father who, up till David meets her, couldn’t be less interested, his nemesis proves to be the impossible dream, and he’s always just that one step behind.

When the rollercoaster finally came to a halt, and I could start breathing again, it was an ending that was completely unexpected.

I’ve been told there’s a sequel in the works.

Bring it on!

…

The book can be purchased here:  http://amzn.to/2Eryfth

…

To write a private detective serial has always been one of the items at the top of my to-do list, though trying to write novels and a serial, as well as a blog, and maintain a social media presence, well, you get the idea.

But I made it happen, from a bunch of episodes I wrote a long, long time ago, used these to start it, and then continue on, then as now, never having much of an idea where it was going to end up, or how long it would take to tell the story.

That, I think is the joy of ad hoc writing, even you, as the author, have as much idea of where it’s going as the reader does.

It’s basically been in the mill since 1990, and although I finished it last year, it looks like the beginning to end will have taken exactly 30 years.  Had you asked me 30 years ago if I’d ever get it finished, the answer would be maybe?

My private detective, Harry Walthenson

I’d like to say he’s from that great literary mold of Sam Spade, or Mickey Spillane, or Phillip Marlow, but he’s not.

But, I’ve watched Humphrey Bogart play Sam Spade with much interest, and modelled Harry and his office on it.  Similarly, I’ve watched Robert Micham play Phillip Marlow with great panache, if not detachment, and added a bit of him to the mix.

Other characters come into play, and all of them, no matter what period they’re from, always seem larger than life.  I’m not above stealing a little of Mary Astor, Peter Lorre or Sidney Greenstreet, to breathe life into beguiling women and dangerous men alike.

Then there’s the title, like

The Case of the Unintentional Mummy – this has so many meanings in so many contexts, though I imagine that back in Hollywood in the ’30s and ’40s, this would be excellent fodder for Abbott and Costello

The Case of the Three-Legged Dog – Yes, I suspect there may be a few real-life dogs with three legs, but this plot would involve something more sinister.  And if made out of plaster, yes, they’re always something else inside.

But for mine, to begin with, it was “The Case of the …”, because I had no idea what the case was going to be about, well, I did, but not specifically.

Then I liked the idea of calling it “The Case of the Brother’s Revenge” because I began to have a notion there was a brother no one knew about, but that’s stuff for other stories, not mine, so then went the way of the others.

Now it’s called ‘A Case of Working With the Jones Brothers’, finished the first three drafts, and at the editor for the last.

I have high hopes of publishing it in early 2021.  It even has a cover.