An excerpt from “If Only” – a work in progress

Investigation of crimes doesn’t always go according to plan, nor does the perpetrator get either found or punished.

That was particularly true in my case.  The murderer was incredibly careful in not leaving any evidence behind, to the extent that the police could not rule out whether it was a male or a female.

At one stage the police thought I had murdered my own wife though how I could be on a train at the time of the murder was beyond me.  I had witnesses and a cast-iron alibi.

The officer in charge was Detective First Grade Gabrielle Walters.  She came to me on the day after the murder seeking answers to the usual questions like, when was the last time you saw your wife, did you argue, the neighbors reckon there were heated discussions the day before.

Routine was the word she used.

Her fellow detective was a surly piece of work whose intention was to get answers or, more likely, a confession by any or all means possible.  I could sense the raging violence within him.  Fortunately, common sense prevailed.

Over the course of the next few weeks, once I’d been cleared of committing the crime, Gabrielle made a point of keeping me informed of the progress.

After three months the updates were more sporadic, and when, for lack of progress, it became a cold case, communication ceased.

But it was not the last I saw of Gabrielle.

The shock of finding Vanessa was more devastating than the fact she was now gone, and those images lived on in the same nightmare that came to visit me every night when I closed my eyes.

For months I was barely functioning, to the extent I had all but lost my job, and quite a few friends, particularly those who were more attached to Vanessa rather than me.

They didn’t understand how it could affect me so much, and since it had not happened to them, my tart replies of ‘you wouldn’t understand’ were met with equally short retorts.  Some questioned my sanity, even, for a time, so did I.

No one, it seemed, could understand what it was like, no one except Gabrielle.

She was by her own admission, damaged goods, having been the victim of a similar incident, a boyfriend who turned out to be an awfully bad boy.  Her story varied only in she had been made to witness his execution.  Her nightmare, in reliving that moment in time, was how she was still alive and, to this day, had no idea why she’d been spared.

It was a story she told me one night, some months after the investigation had been scaled down.  I was still looking for the bottom of a bottle and an emotional mess.  Perhaps it struck a resonance with her; she’d been there and managed to come out the other side.

What happened become our secret, a once-only night together that meant a great deal to me, and by mutual agreement, it was not spoken of again.  It was as if she knew exactly what was required to set me on the path to recovery.

And it had.

Since then, we saw each about once a month in a cafe.   I had been surprised to hear from her again shortly after that eventful night when she called to set it up, ostensibly for her to provide me with any updates on the case, but perhaps we had, after that unspoken night, formed a closer bond than either of us wanted to admit.

We generally talked for hours over wine, then dinner and coffee.  It took a while for me to realize that all she had was her work, personal relationships were nigh on impossible in a job that left little or no spare time for anything else.

She’d always said that if I had any questions or problems about the case, or if there was anything that might come to me that might be relevant, even after all this time, all I had to do was call her.

I wondered if this text message was in that category.  I was certain it would interest the police and I had no doubt they could trace the message’s origin, but there was that tiny degree of doubt, about whether or not I could trust her to tell me what the message meant.

I reached for the phone then put it back down again.  I’d think about it and decide tomorrow.

© Charles Heath 2018-2020

In a word: Line

The English language has some marvelous words that can be used so as to have any number of meanings

For instance,

Draw a line in the sand

We would all like to do this with our children, our job, our relationships, but for some reason, the idea sounds really good in our heads, but it never quite works out in reality. What does it mean, whatever it is, this I’d where it ends or changes because it can’t keep going the way it is.

Inevitably it leads to,

You’ve crossed the line

Which at some point in our lives, and particularly when children, we all do a few times until, if we’re lucky we learn where that line is. It’s usually considered 8n tandem with pushing boundaries.

Of course, there is

A line you should never cross

And I like to think we all know where that is. Unfortunately, some do not and often find their seemingly idyllic life totally shattered beyond repair. An affair from either side of a marriage or relationship can do that.

You couldn’t walk a straight line if you tried

While we might debate what straight might mean in this context, for this adaptation it means staying on the right side of legality. Some people find a life of crime more appealing than doing honest days work.

This goes hand in hand with,

You’re spinning me a line

Which means you are being somewhat loose with the truth, perhaps in explaining where you’ve been and what you’ve been doing. I think sometimes liars forget they need to have good memories.

Then there are the more practical uses of the word, such as

I have a new line of products

Is that a new fishing line?

Those I think most of us get, but it’s the more ambiguous that we have trouble with. Still, ambiguity is a writer’s best friend and we can make up a lot of stuff from just using one word.

‘What Sets Us Apart’ – A beta readers view

There’s something to be said for a story that starts like a James Bond movie, throwing you straight in the deep end, a perfect way of getting to know the main character, David, or is that Alistair?

A retired spy, well not so much a spy as a retired errand boy, David’s rather wry description of his talents, and a woman that most men would give their left arm for, not exactly the ideal couple, but there is a spark in a meeting that may or may not have been a setup.

But as the story progressed, the question I kept asking myself was why he’d bother.

And, page after unrelenting page, you find out.

Susan is exactly the sort of woman to pique his interest.  Then, inexplicably, she disappears.  That might have been the end to it, but Prendergast, that shadowy enigma, David’s ex-boss who loves playing games with real people, gives him an ultimatum, find her or come back to work.

Nothing like an offer that’s a double-edged sword!

A dragon for a mother, a sister he didn’t know about, Susan’s BFF who is not what she seems or a friend indeed, and Susan’s father who, up till David meets her, couldn’t be less interested, his nemesis proves to be the impossible dream, and he’s always just that one step behind.

When the rollercoaster finally came to a halt, and I could start breathing again, it was an ending that was completely unexpected.

I’ve been told there’s a sequel in the works.

Bring it on!

…

The book can be purchased here:  http://amzn.to/2Eryfth

…

The Cinema of My Dreams – It ended in Sorrento – Episode 48

An extra passenger

…

I was literally waiting for her to tell me she hadn’t anything to wear for our little trip, but instead said she would need to take a few things.  She added, in the same breath, that she would tell her bosses whatever they needed to hear.

I didn’t think that included that I’d take a shine to her.  I don’t think she quite knew what that meant.  At any rate, she had to go home, and I had to head to the car, and on the way, call Cecelia.

She wasn’t going to believe half of what I had to tell her.

I gave her the address of the parking garage and told her I would see her there in two hours.  I seriously doubted I would see her again.

Back on the train, I called Cecelia.  She answered straight away but with a noncommittal “Yes?”  Perhaps she was guarding against the phone falling into the wrong hands.  Hers and two others were the only numbers on speed dial.

“It’s me.”  I didn’t qualify ‘me’ she would know.

“Where are you?”

“Just leaving Rome after seeing the countess’s solicitor.”

“Did you get a voice recording from Rodby?”

“Yes.”

“Are you suitably surprised?”

“That we only get half, or in this case, a quarter of the story.  I didn’t see that coming, though I had an inkling that Martha wasn’t Martha, but then I wouldn’t recognise my mother some days.”

“Who’s that woman pretending to be the countess?”

“Anyone’s guess.  Did you get them into the hotel?”

“And left them to it.  I’ve been at the Sorrento mansion, waiting for the old lady.  The two boys are here, Alessandro and Fabio.”

“Given what we know about the fake Countess, you might want to stay away until I get there.  I’m not sure where Vittoria and Juliet fit into the puzzle yet, or whether the fake Countess is keeping them nearby for other reasons, but I’m sure the two of them can take care of themselves.”

As for the information the solicitor gave me, I would save that until I saw her.

“Just one other wrinkle, I picked up some surveillance, and now I have one of their team with me.  She’ll be coming to Sorrento.  I believe she’s working for a PI who’s working for the Burkehardt’s who want to know where the countess is.  They would want to know before the sealing of the inheritance, so extra eyes and ears might be useful.”

“She could be trouble.”

“Which I’m sure you’ll deal with like I will.  I’ll be there in three to four hours.  Have we got another hotel?  I don’t fancy staying with the others?”

“Yes.  I text you the name.  Take care.”

I waited in the café near the parking garage, and three minutes before the two hours were up I saw her getting out of a taxi, and leaning in to talk to someone who had accompanied her.

A husband, or a boss?

The taxi drove off and she looked around, then saw me sitting at the table on the street.  Not the safest place to be, but needs must.

I waited until she sat down and called the waiter over to order her coffee.

“Your supervisor in the car?”

“He insisted on coming with me.  I told him the truth, rather than what you said, and he wasn’t pleased.  However, at that moment, he said, our interests are aligned, so I would be better off staying with you.  At least then if you find the countess, so will we.

“Did you bring a gun?”

“What.  Wait.  Why would I?  A gun?”

She didn’t answer the question, so it was likely the boss just gave her one.  I wasn’t going to search her handbag right then, but maybe later.  It also raised a small red flag in my head, what if she was more than just a ‘pretty face’?

I shrugged.  “If you have, remember don’t point it at me.  I tend to get a little annoyed at people who do stupid things like that, with very bad consequences.  For them.  I hope you like 80s rock.  if you don’t then you only have to endure it for about three hours.”

She smiled wanly.  “I’d rather not be going, but we don’t always get what we want.”

© Charles Heath 2023

The cinema of my dreams – Was it just another surveillance job – Episode 49

I’m back home and this story has been sitting on the back burner for a few months, waiting for some more to be written.

The trouble is, there are also other stories to write, and I’m not very good at prioritizing.

But, here we are, a few minutes opened up and it didn’t take long to get back into the groove.

Chasing leads, maybe


Needing to know more about Severin, aka David Westcott trumped talking to Jan.  As it stood, it was difficult to know where her allegiances lay, with Dobbin, her handler, or someone else.

I hailed a cab and headed back to the office.  I wanted to spend some time on the computer, hoping I had enough clearance to poke around in the departmental records, in particular personnel.

Just as the taxi dropped me outside the anonymous sandstone building, my phone rang.  I doubt it would be Severin again.

“Where are you?”

Jan.

“I do actually have a life, despite what you or Dobbin might think.  I’m not sure I really want to have anything to do with you after what I saw you people do to Maury.  Aside from the fact that you told me he had found the tracker and disposed of it.  Once you start telling lies, there’s no going back.”

“I had nothing to do with that.”

“You were holding him for the interrogation squad.  That makes you complicit.  It also makes me very wary about what Dobbin will do to me if he thinks I know anything, which I don’t.”

“As far as I’m aware, all we have to do is find O’Connell.”

“And what?  Torture him too if he doesn’t fess up?  I know he doesn’t have it.  I had him under surveillance the whole time.  I frisked him after he was shot.  What do you know that I don’t?”

“No more than you.”

“Not if you’re suggesting that he’s alive.”  This was an interesting conversation, especially after O’Connell himself told me that Dobbin’s cleaners had come and rescued him, which meant Dobbin definitely knew he was still alive.

The question was, how many lies was she going to tell me.

“You know where O’Connell had his real residence.  When were you going to share that piece in information?”

Silence, then, “How?”

“I saw you there.”

“But…”

I knew what she was going to say, when was I going to share.  When I came back, not intending to find a dead body in the hotel room.

“Had you been in the room when I got back, we were going to have a frank conversation about who you’re working for, but I’ve just had that conversation with Dobbin himself.  No doubt he called you right after he dropped me off.

“He’s not happy.”

“Then that’s on him not trusting people.  You want to have a good hard look at what your options are when we next meet.  I’ll admit I haven’t been doing this very long, but one thing I have learned, is not to trust anyone.

“I suggest we meet up later tonight.  Bear in mind that it will be in an open space for obvious reasons, and quite frankly, I’m not sure how Dobbin thinks this collaboration is going to work.  I’ll text you the place and time.”

It might have been a little unfair to take my concerns about Dobbin out on her.  I’m not sure what I had expected would happen when I took this job on, certainly, the instructors had emphasized that being an agent was very dangerous to our health and that we could, ultimately, trust no one, even those closest to us.  Our world by its very nature was one of mistrust, lies, and deceit, that we would eventually not know who we really were and be doing things we never thought we could.

O’Connell was in the same situation, most likely because people were trying to kill him.  It was a small detail that stuck in the back of my mind.

If Severin and Maury wanted O’Connell alive, and that definitely was the end result of the surveillance operation, to allow the drop then to corral him, why would they have sanctioned his execution in the alley?

In fact, how could they know he would end up in that alley.

The only conclusion I could come up with, Dobbin had put a tracker on him, one that he didn’t know about, and also had surveillance on O’Connell.  It made sense because I was sure there were people in that area that didn’t look like they belonged.

So, a tracker on the USB was being tacked by an unidentified as yet party who no doubt wanted the information themselves, not Severin, and not Dobbin.

I shrugged.  I’m sure there would be more questions before the day was out.

…

© Charles Heath 2020-2022

A photograph from the inspirational bin – 46

What story does it inspire?

…

…

This is a photograph of the Leopoldskron Palace used for exterior shots in the movie “The Sound of Music”.

It was a very bleak day when we decided to go on the Sound of Music bus tour, and, yes, there was singing.

But…

It is a sombre setting and lends a great deal of inspiration to a story.

For instance…

There was a large uninhabited house on the edge of a lake where multiple fatalities occurred in the mid-1800s. The family was cursed from the moment the house was built because a gypsy family who had lived on the land before the building commenced were murdered because they would not leave.

The original owner died when falling from a ladder fetching a book from the top shelf in his library, the wife died when she accidentally slipped and fell on a knife in the kitchen, and the eldest son died when he fell from the roof. No one could explain how he got there.

The daughter left immediately after all of these events which happened in the first week of residence, and moved far away.

Move forward about 170 years and one of the ancestors discovered they are entitled to take ownership of the building that had not been lived in for a long, long time.

But…

It does not look any different from the day the last inhabitants died, and is in perfect condition.

How could this be after 170 years?

And what exactly is going on when the descendants come to live in the house?

Is it paranormal activity or is it just gold old fashioned scare tactics to send them away?

Writing a book in 365 days – 34

Day 34

The importance of backstories for characters.

This is an interesting topic to pop up, especially after the writing of the previous blog post in this series.

I always create legends for my characters, and perhaps the only planning I do for any story, that notion I should know each of the characters inside out so that I have a good idea of where they’re going to go.

There’s no point suddenly deciding the main character has an allergic reaction to cats. All this stuff needs to be known before putting pen to paper.

Then there are locations. I’m a bit like a movie studio in that I have the script and then send out the scouts to find places to follow the story. In this case, I’m looking for locations and writing the story after I have found them.

All the background work starts to feed the story. I usually have an idea before I start, and rather than sketch it out on a running board, at this beginning stage, nothing is concrete.

Sometimes this creation process can evolve over a long time, or, in others, it could go from a spark of an idea to the first draft complete, in a month.

Like the novel I’m going to write over the course of the 365 days. Just yesterday I was working on the main character’s back story.

Searching for locations: Venice, Italy (Again)

We have visited Venice twice, in 2006 and not so long ago.

Not much had changed from visit to visit.

Instead of staying in a hotel selected by a travel agent, the Savoia and Jolanda on the waterfront of Riva Degli Schiavoni, because I’m a Hilton Honors member, more recently we stayed at the Hilton Molino Stucky.  It was located on an island, Giudecca, and had its own transport from the hotel to St Mark’s Square for a very reasonable one-off charge for the stay.

hiltonmolinostuckey2

On our first visit, we traveled from Florence to Venice.  We were advised to take a water taxi to the hotel, not only the most direct route but to see some of Venice from the water.  The only drawback, you have to negotiate a price with the driver.

We were not very good negotiators, and it cost 60 Euros.

But, despite the cost, it was worth every Euro because the taxi driver took us by the scenic route, directly from the Station to the doorstep of our hotel.  For a first time in Venice, and you want to see it from the water, a water taxi is the best option.

2013-06-25 17.09.16

The first time we stayed at the Savoia and Jolanda Hotel, which was at the time quite old, and the room we had, on the ground floor, was comfortable enough, but being November, they had just stopped using the air conditioning, it was still quite warm and at times uncomfortable.

There were better rooms, but this was beyond the knowledge of the travel agent, and one of the reasons we stopped using agents to book hotels.

The most recent visit we had driven down from Salzburg to Venice airport where we had to return the hire car.  From there we were intending to take a private water taxi from the airport to the hotel, for an estimated 120 Euros.

We saved our money and took the ACTV public waterbus, from the airport to the hotel, with one stop.  It took a little over an hour and was equally as scenic.

venicecanals1

Our room in the Hilton was on one of the upper levels, floor four, and had a view of the canal, the large passenger ships coming and going, as well as a remarkable view of Venice itself as far up the canal to St Marks Square in one direction, and the port for the passenger ships in the other.

20130627_081601

We got to see three or four very large passenger ships come and go, along with a lot of other craft.  I hadn’t realized how busy the waterways, and the Grand Canal, were.

20130627_174408

Each evening after a day’s exploring we would end up in the Executive Lounge, and then one of the many restaurants, usually Il Molino for breakfast, and the Rialto Lobby Bar and Lounge for dinner.  After that, it was a stroll down the waterfront taking in the night air, and perhaps to walk off the delicious dinner.

I was just getting started when…

You know how it goes, you just get into a writing rhythm when the phone rings and it’s another of those pesky scam calls.

Or in my case not one but three, so far.

The first has to do with the NBN, which is Australia’s laughable answer to world-class internet, and which is, in reality, a complete stuff up that cost us, the taxpayers, 50 billion dollars, and for nothing.

Most nights during the peak hours, you cannot continuously stream without breaks, pixelation, or just nothing at all.  World-class?  I’m afraid not.  Perhaps I should relocate to Romania where I hear, the internet is much faster and more reliable.

Enough with the rant, the call this time around was the NBN scam, where they try logging into your computer and stealing everything, including banking information, credit card information, and the rest of your life, if it’s possible.

I have no life so they would be badly disappointed.

The second scam call is for solar panels.  Yes, they are selling solar panels, but they are the junk no one else wants, years out of date, and then charge three times what they’re worth, even when you get the government rebate.

I’ve got solar panels already, so I don’t care.  I just put the phone on the other side of the desk and let them prattle on.  They get the message eventually.

The next is for raffle tickets.  It generally relates to some form of charity, in which the caller goes through the charity’s functions chapter and verse and then tries to hit you up for ten tickets at a discounted price.

Sounds legit.  Yes, I’ve heard of the charity.  Yes, I know what it does.

But…

It’s not the real charity calling, but some scammer trying to get your credit card details, along with that all-important 3 digit cvc number.

Not today Josephine, or whatever your name was.

I’ve got an app on my phone that tells me if the caller is a scammer, and this one had red lights flashing and a large red ‘fraud’ stamped across it.

An hour later, all thoughts are gone.

I suppose I better have some lunch and try again later.

The story behind the story: A Case of Working With the Jones Brothers

To write a private detective serial has always been one of the items at the top of my to-do list, though trying to write novels and a serial, as well as a blog, and maintain a social media presence, well, you get the idea.

But I made it happen, from a bunch of episodes I wrote a long, long time ago, used these to start it, and then continue on, then as now, never having much of an idea where it was going to end up, or how long it would take to tell the story.

That, I think is the joy of ad hoc writing, even you, as the author, have as much idea of where it’s going as the reader does.

It’s basically been in the mill since 1990, and although I finished it last year, it looks like the beginning to end will have taken exactly 30 years.  Had you asked me 30 years ago if I’d ever get it finished, the answer would be maybe?

My private detective, Harry Walthenson

I’d like to say he’s from that great literary mold of Sam Spade, or Mickey Spillane, or Phillip Marlow, but he’s not.

But, I’ve watched Humphrey Bogart play Sam Spade with much interest, and modelled Harry and his office on it.  Similarly, I’ve watched Robert Micham play Phillip Marlow with great panache, if not detachment, and added a bit of him to the mix.

Other characters come into play, and all of them, no matter what period they’re from, always seem larger than life.  I’m not above stealing a little of Mary Astor, Peter Lorre or Sidney Greenstreet, to breathe life into beguiling women and dangerous men alike.

Then there’s the title, like

The Case of the Unintentional Mummy – this has so many meanings in so many contexts, though I imagine that back in Hollywood in the ’30s and ’40s, this would be excellent fodder for Abbott and Costello

The Case of the Three-Legged Dog – Yes, I suspect there may be a few real-life dogs with three legs, but this plot would involve something more sinister.  And if made out of plaster, yes, they’re always something else inside.

But for mine, to begin with, it was “The Case of the …”, because I had no idea what the case was going to be about, well, I did, but not specifically.

Then I liked the idea of calling it “The Case of the Brother’s Revenge” because I began to have a notion there was a brother no one knew about, but that’s stuff for other stories, not mine, so then went the way of the others.

Now it’s called ‘A Case of Working With the Jones Brothers’, finished the first three drafts, and at the editor for the last.

I have high hopes of publishing it in early 2021.  It even has a cover.

PIWalthJones1