Would you give up everything to be with the one you love?
…
Is love the metaphorical equivalent to ‘walking the plank’; a dive into uncharted waters?
For Henry, the only romance he was interested in was a life at sea, and when away from it, he strived to find sanctuary from his family and perhaps life itself. It takes him to a small village by the sea, a place he never expected to find another just like him, Michelle, whom he soon discovers is as mysterious as she is beautiful.
Henry had long since given up the notion of finding romance, and Michelle couldn’t get involved for reasons she could never explain, but in the end, both acknowledgedthat something had happened the moment they first met.
Plans were made, plans were revised, and hopes were shattered.
A chance encounter causes Michelle’s past to catch up with her, and whatever hope she had of having a normal life with Henry, or anyone else, is gone. To keep him alive, she has to destroy her blossoming relationship, an act that breaks her heart and shatters his.
But can love conquer all?
It takes a few words of encouragement from an unlikely source to send Henry and his friend Radly on an odyssey into the darkest corners of the red-light district in a race against time to find and rescue the woman he finally realises is the love of his life.
The cover, at the moment, looks like this:
Is love the metaphorical equivalent to ‘walking the plank’; a dive into uncharted waters?
For Henry, the only romance he was interested in was a life at sea, and when away from it, he strived to find sanctuary from his family and perhaps life itself. It takes him to a small village by the sea, s place he never expected to find another just like him, Michelle, whom he soon discovers is as mysterious as she is beautiful.
Henry had long since given up the notion of finding romance, and Michelle couldn’t get involved for reasons she could never explain, but in the end, both acknowledge that something happened the moment they first met.
Plans were made, plans were revised, and hopes were shattered.
A chance encounter causes Michelle’s past to catch up with her, and whatever hope she had of having a normal life with Henry, or anyone else, is gone. To keep him alive she has to destroy her blossoming relationship, an act that breaks her heart and shatters his.
But can love conquer all?
It takes a few words of encouragement from an unlikely source to send Henry and his friend Radly on an odyssey into the darkest corners of the red-light district in a race against time to find and rescue the woman he finally realizes is the love of his life.
For a story that was conceived during those long boring hours flying in a steel cocoon, striving to keep away the thoughts that the plane and everyone in it could just simply disappear as planes have in the past, it has come a long way.
Whilst I have always had a fascination in what happened during the second worlds war, not the battles or fighting, but in the more obscure events that took place, I decided to pen my own little sidebar to what was a long and bitter war.
And, so, it continues…
…
There were tyre tracks leading up to the doorways from trucks that had recently made deliveries, or taken people away, maybe.
It was a short lane leading to another narrow roadway which I could see led away towards the front of the castle and the main road. It was not part of the original castle and the track had been made recently, no doubt because of the need for secrecy.
We went across the laneway and continued into the trees where we would have enough coverage to reach the stream, it was a stream now but in winter I was sure it would be a river and able to allow a boat to navigate.
Jack seemed to know where he was going, but he, like me, probably just wanted to get as far away from the castle as we could. The undergrowth was denser as we approached the stream bank, and I had to pick my way carefully, and as quietly as I could.
It had sounded like a herd of elephants passing by.
At the stream edge, I looked at the water level. Not very deep, and in places just thinly connected pools of stagnant water. A boat could not be launched, not even a small rowboat.
I had previously committed a map of the area to memory, and I remembered the stream lead towards the village, veering off in two directions about half a mile before it got there. I wanted the right branch, which I was hoping had more water in it, and hoping I might find a house with a boat.
Jack seemed nervous, coming up to me and moving his head, as if to say, let’s get moving.
He was right. I had no doubt it wouldn’t be long before they found me missing.
I had no idea who my saviour was, or why he had helped, but I was sure he was one of the men who’d parachuted in the day before. How had my superior, if it was him, manage to get a man to infiltrate that group?
Or was it something else?
Had this been orchestrated so they could let me lead them to the other members of the resistance, and take care of that problem. I doubted, with the compartmentalisation that ? would have insisted on, that the whole resistance in this area had been caught and neutralised.
Damn.
I hadn’t thought that far, or consider the possibility.
I would have to be careful.
I stopped, and immediately Jack came over to me. His eyes were telling me, no stopping.
Unfortunately, I would have to, and, worse, might have to backtrack to test my theory.
I knelt down beside him. “Sorry. I have to go back a little to see if we’re being followed. You stay here and keep an eye open.”
He just looked at me. Perhaps he only understood German.
I started moving back the way I had come, and he followed. I stopped, he stopped. Then I heard it, a laugh, and the cracking of a dry branch. I’d been trying to avoid them.
There was a sort of track beside the stream we’d been following. It wasn’t very distinguishable because I didn’t think it had been used in years, and it was hard to say if it was one that led from the castle to the village, but if I was to guess, it probably was the means for the castle owner to take a shortcut, as the crow flies.
No point going back now, we headed in the opposite direction, with haste, until we reached a small offshoot of the stream that leads into the woods, but there was no path beside it, so obviously there was nothing of interest along it. I slid down into the stream and walked on the rocks in the water along the offshoot.
I hoped it covered my tracks.
Jack and I managed to get about twenty yards along, having in the last five, pick our way through the undergrowth, to a point where it stopped at the side of a hill. Water ran down the hillside into the stream, but not today. It was dry, but it would be a different story if it was raining, and with the rocky outcrop I suspected there might be something akin to a waterfall.
At least it proved cover and my pursuers would have to climb through the undergrowth to get to me, and then they would have to contend with Jack.
Investigations of crimes don’t always go according to plan, nor does the perpetrator get found or punished.
That was particularly true in my case. The murderer was incredibly careful in not leaving any evidence behind, to the extent that the police could not rule out whether it was a male or a female.
At one stage, the police thought I had murdered my own wife, though how I could be on a train at the time of the murder was beyond me. I had witnesses and a cast-iron alibi.
The officer in charge was Detective First Grade Gabrielle Walters. She came to me on the day after the murder seeking answers to the usual questions like, when was the last time you saw your wife, did you argue, the neighbours reckon there were heated discussions the day before.
Routine was the word she used.
Her fellow detective was a surly piece of work whose intention was to get answers or, more likely, a confession by any or all means possible. I could sense the raging violence within him. Fortunately, common sense prevailed.
Over the course of the next few weeks, once I’d been cleared of committing the crime, Gabrielle made a point of keeping me informed of the progress.
After three months, the updates were more sporadic, and when, for lack of progress, it became a cold case, communication ceased.
But it was not the last time I saw Gabrielle.
The shock of finding Vanessa was more devastating than the fact that she was now gone, and those images lived on in the same nightmare that came to visit me every night when I closed my eyes.
For months, I was barely functioning, to the extent that I had all but lost my job and quite a few friends, particularly those who were more attached to Vanessa rather than me.
They didn’t understand how it could affect me so much, and since it had not happened to them, my tart replies of ‘you wouldn’t understand’ were met with equally short retorts. Some questioned my sanity, even, for a time, so did I.
No one, it seemed, could understand what it was like, no one except Gabrielle.
She was by her own admission, damaged goods, having been the victim of a similar incident, a boyfriend who turned out to be an awfully bad boy. Her story varied only in that she had been made to witness his execution. Her nightmare, in reliving that moment in time, was how she was still alive and, to this day, had no idea why she’d been spared.
It was a story she told me one night, some months after the investigation had been scaled down. I was still looking for the bottom of a bottle and an emotional mess. Perhaps it struck a resonance with her; she’d been there and managed to come out the other side.
What happened became our secret, a once-only night together that meant a great deal to me, and by mutual agreement, it was not spoken of again. It was as if she knew exactly what was required to set me on the path to recovery.
And it had.
Since then, we saw each other about once a month in a cafe. I had been surprised to hear from her again shortly after that eventful night when she called to set it up, ostensibly for her to provide me with any updates on the case, but perhaps we had, after that unspoken night, formed a closer bond than either of us wanted to admit.
We generally talked for hours over wine, then dinner and coffee. It took a while for me to realise that all she had was her work; personal relationships were nigh on impossible in a job that left little or no spare time for anything else.
She’d always said that if I had any questions or problems about the case, or if there was anything that might come to me that might be relevant, even after all this time, all I had to do was call her.
I wondered if this text message was in that category. I was certain it would interest the police, and I had no doubt they could trace the message’s origin, but there was that tiny degree of doubt about whether or not I could trust her to tell me what the message meant.
I reached for the phone, then put it back down again. I’d think about it and decide tomorrow.
Every time I close my eyes, I see something different.
I’d like to think the cinema of my dreams is playing a double feature but it’s a bit like a comedy cartoon night on Fox.
But these dreams are nothing to laugh about.
Once again there’s a new instalment of an old feature, and we’re back on the treasure hunt.
…
Feeling a little miffed at Boggs’ dismissal, I decided to go on my own fact-finding mission.
Of course, it depended a lot on whether the Cossatino’s still hung out at the same bar, and whether I’d get a foot in the door.
I was going to talk to Nadia, or at least try to.
The Lantern Inn was about as far from the image the name threw up, it was more a place where respectable people wouldn’t be caught dead in.
And, as I recall, a few had. Seemingly respectable people anyway.
It was the place to go if you were looking for three things, not necessarily all at once, trouble, girls, and drugs. Soggy, a friend of Boggs and I, had always looked older than his age and was able to get into places like the Lantern Inn, mainly to buy us beer, and we would go down to the beach and drink it before going home.
When I found a spot to keep an eye on the place and assess whether it was safe or not to go in, now I was old enough, I saw old man Gattle, Soggy’s foster father stagger out, on his way home. It brought back memories of Joel, Soggy’s real name.
Soggy got his name because he was always falling in the water, whether it was a pool or the ocean, and one day, after too many beers, he fell in and didn’t come back up. Boggs and I almost finished up in jail for that, since we were with him, but there was no way we could rescue him as it was in a spot where there was often a rip, and he had been carried away before we could get to him.
And, the body was never recovered. I thought, at the time, he may have jumped in, because his life with foster parents was no fairy tale, and he had suffered. Of course, those foster parents were friends with the Benderby’s so they were never held to account.
It would be easy to lie in wait in a dark alley and simply hit him over the head with a four by two, but I doubt it would make me feel any better.
I watched him stagger and fall several times before I looked back at the Inn. In days past, the patrons often spilled out onto the sidewalk where there used to be tables and chairs. Now, it was just the Inn, and it didn’t look like many people were there.
Had it changed from a den of iniquity to something more respectable?
A large truck, an F350 by the look of it, stopped outside the front entrance, the passenger door opened and what looked like Nadia, or another Amazonian woman, got out. She spoke to the driver, slammed the door, and the truck left.
The light over the door shone on her face, yes, it was a woman, and yes, it was Nadia. By herself? Was that Vince who dropped her off, or Willy, her younger brother, and why didn’t they join her?
I guess I was not going to get any answers from where I was sitting.
Time to make my first foray into the place my mother always told me never to step foot in.
It is not raining when we woke, but it had been most of the night. After a cold start, the weather, seems to have improved, if only for the time being.
Today’s expedition is the Cascade Brewery, which doesn’t have tours at the moment because of staff issues with Covid, but does have a bar and restaurant. There is also a historic site, an old women’s prison, and botanical gardens. I’m not sure how far we’ll get in the gardens, but the bar and restaurant is looking good.
We get there and decide on lunch first then a visit to the women’s prison.
Fail. The bar and restaurant are packed and there are no tables left. Time for a photograph of the old brewery, and move on.
Instead of going to the prison, just down the road, we go off in a different direction, to Mt Wellington, thinking it might give excellent views of Hobart.
Only a sign says the road is supposed to be closed, but it is not, so we and a dozen others are venturing up the road towards the summit.
The road was probably opened temporarily, but it is getting more treacherous as the snow appears and the road is wet. We make it about 2km before deciding it’s unsafe.
The adventure continues because at the bottom of the hill we decided to go to Huonville, hoping to chance upon the apple orchards and all things apple.
It was an immense letdown. There was nothing, except for one innocuous building with a sign out front saying it was open, but for all intents and purposes looked like it was completely empty.
Until you drove around the back to the carpark where there were hundreds of cars, and inside, totally packed.
It’s where everyone in Huonville had gone.
And not where we were going to get a distinctly Tasmanian meal.
We had to settle for another pie from Banjo’s in Sandy Bay.
The Endless Edit: Why We Keep Redrawing the Line in the Sand
And 10 Practical Ways to Tell Ourselves, “It’s Done.”
1. The Paradox of Perfection
If you’ve ever stared at a blank canvas, a half‑finished manuscript, or a spreadsheet teeming with conditional formatting, you know the feeling: the line you thought was final is suddenly a faint suggestion, begging for another tweak.
In our hyper‑connected world, the “edit forever” mindset has become almost reflexive. It’s not just a habit—it’s a cultural artifact shaped by three forces:
Force
How It Fuels the Edit Loop
Technology
Unlimited “undo,” auto‑save, and real‑time collaboration make every change feel reversible and safe, so we never feel pressured to settle.
Perfectionism
The myth that “perfect” equals “valuable” convinces us that any flaw will invalidate the whole piece.
Feedback Flood
Social media, peer reviews, and analytics serve up a constant stream of opinions, each of which can be interpreted as a reason to revise.
When these forces converge, we end up continuously re‑drawing the line in the sand, never quite willing to say, “That’s it.”
2. The Cost of Perpetual Editing
Cost
Real‑World Example
Time Drain
A marketing copywriter spends 12 hours polishing a 300‑word email that could have been sent in 2.
Creative Burnout
A designer abandons a brand identity after 30 iterations, losing the original spark that made it compelling.
Decision Fatigue
A product manager flips between feature sets, delaying launch and confusing the team.
Opportunity Loss
A researcher keeps adding “future work” sections, never publishing and never gaining citations.
The hidden toll isn’t just lost hours—it’s the erosion of confidence and the stifling of momentum.
3. How Do We Break the Cycle?
Below are 10 concrete strategies that move you from “always editing” to “confidently done.” Each one is paired with a quick implementation tip so you can start using it today.
#
Strategy
Why It Works
Quick Implementation
1
Set a hard deadline (not a “soft” one)
A deadline creates a psychological “stop” signal that overrides perfectionist impulses.
Put the due date on a visible wall calendar and block the final hour for “final review only.”
2
Define Done before you start
When “done” is a concrete checklist, the project has a clear finish line.
Write a 3‑item “Definition of Done” (e.g., “All headings formatted, 2‑round peer review completed, file exported to PDF”).
3
Apply the 80/20 Rule
80 % of impact comes from 20 % of effort; the remaining 20 % yields diminishing returns.
After the first major revision, ask: “What 20 % of the remaining changes will give 80 % of the benefit?”
4
Limit the number of revision cycles
A fixed ceiling forces you to prioritise the most critical changes.
Decide on “max 3 full passes”—after the third, the work is locked.
5
Use a “Freeze” checkpoint
Temporarily lock the file so you can view it without the temptation to edit.
On the final day, rename the file “FINAL_2025-10-22” and open only the read‑only copy.
6
Get a single external audit
One fresh set of eyes can surface the most important blind spots, after which further changes are often unnecessary.
Invite a colleague to do a 5‑minute critique focused on the “Definition of Done” checklist.
7
Embrace “Good Enough” as a virtue
Shifting language from “perfect” to “good enough” reduces anxiety and reframes completion as a win.
Add a sticky note on your workspace: “Good enough wins the day.”
8
Celebrate the finish line
Celebration creates a positive reinforcement loop that the brain associates with ending a task.
Schedule a 10‑minute “launch toast”—a coffee break, a quick walk, or a team shout‑out.
9
Separate creation from evaluation
Editing while you create clouds judgment; separating phases restores flow.
Use a timer: 25 min “create,” then 5 min “no edit—just observe.”
10
Practice “Version Mortality”
Accept that every version will die; the next one will replace it.
After you ship, archive the file with a note: “Version X – retired 2025-10-22.”
4. A Mini‑Exercise: The “One‑Pass” Challenge
Pick a small project (a blog post, a slide deck, a short code snippet).
Write a “Definition of Done” with exactly three bullet points.
Set a timer for 45 minutes and work without opening any editing tools or feedback channels.
When the timer ends, stop—no matter how incomplete it feels.
Do one final, 5‑minute review against your checklist. If it meets all three points, hit “publish.”
Result: You’ll experience how much you can accomplish when you deliberately stop editing. Most people are shocked to find the output already valuable.
5. When “Done” Isn’t a Destination, It’s a Habit
The goal isn’t to become a sloppy producer; it’s to become a deliberate one. By embedding the practices above into your daily workflow, you turn “finished” from a rare event into a reliable habit.
Takeaway: The compulsion to edit forever is a symptom of abundant tools, cultural perfectionism, and endless feedback. The antidote is structure: clear deadlines, explicit “done” criteria, and a finite number of revisions. When you give yourself permission to close a project, you free mental bandwidth for the next creative spark.
6. Closing Thought
Imagine a shoreline where the tide recedes just enough to reveal a clean, straight line in the sand—a line that says, “We built this, and we’re proud of it.” That line isn’t a mistake; it’s a statement.
The next time you feel the urge to keep polishing, ask yourself:
“Am I adding value, or am I just keeping the tide from coming in?”
If the answer leans toward the latter, it’s time to step back, declare it done, and let the next wave of ideas wash onto the beach.
Happy creating—and happy finishing!
Feel free to share your own “done” rituals in the comments. Let’s build a community that celebrates completion as much as it does creation.
The Beautiful Surrender: Why Perfectionism is the Enemy of Creation
“With each project, you eventually have to surrender the perfect version of the work to make room for what you actually create.”
When I first read this quote by Leslie Jamison, it felt like a gentle exhale. As creators—whether we are writing, coding, painting, or strategising—we spend an exhausting amount of time living in the “Perfect Version.”
The Perfect Version is that pristine, shimmering ghost of a project that lives in your head. It is the version where the prose is flawless, the code is bug-free on the first run, and the design captures the exact emotion you intended without a single misplaced pixel.
But there is a problem with the Perfect Version: It doesn’t actually exist.
The Trap of the Platonic Ideal
We often treat the “Perfect Version” as a gold standard. We think that if we just push a little harder, work a few more nights, or refine one more sentence, we will finally bridge the gap between that mental ideal and reality.
But as Jamison suggests, holding onto that perfection isn’t a pursuit of excellence; it’s a form of obstruction. The Perfect Version is static and sterile. It is a monument to what could be, but it prevents the birth of what is. By obsessing over the ideal, we stifle the messy, human, and surprising elements that make a project truly alive.
Why We Must Surrender
To “surrender the perfect version” sounds like giving up, but it is actually an act of bravery. Here is why it is the most important step in any creative process:
1. Reality is more interesting than abstraction. The Perfect Version is safe because it hasn’t been tested. The work you actually create, however, is shaped by your limitations, your constraints, and the real-world feedback you receive. There is a jagged beauty in the edges of a real project that a perfect, abstract idea could never replicate.
2. Perfectionism is a form of procrastination. It is easy to stay in the “planning” or “polishing” phase because that is where the work remains safe from criticism. To release a project into the world is to risk being judged. Surrendering the perfect vision is the only way to move from “dreaming” to “doing.”
3. The work needs room to breathe. A piece of art or a professional project is not a static object; it is a conversation. It needs to breathe. When you surrender your rigid expectations, you allow the project to evolve. You allow it to be better than you initially imagined because you are no longer forcing it to conform to a pre-defined mould.
How to Practice the Surrender
If you’re currently stuck in the grip of the Perfect Version, try these three shifts in perspective:
Define “Done” before you start. Perfection has no finish line. By setting clear parameters for completion (e.g., “I will spend four hours on this draft, and then I will send it off”), you force yourself to prioritise the work over the fantasy.
Embrace the “First Draft Energy.” Recognise that the first iteration is meant to be a rough sketch. If you treat it as a sandbox rather than a masterpiece, you remove the pressure to be perfect and open the door to being authentic.
Focus on the “What” rather than the “How.” Instead of obsessing over whether the work is perfectly executed, focus on whether the work effectively communicates your message or solves the problem.
Final Thoughts
The next time you find yourself stuck, replaying the same project over and over in your mind, remember Leslie Jamison’s words. Your desire for perfection is a barrier.
Give yourself permission to let the ideal version die. It is only in that surrender that you can reclaim the space to create something real, something tangible, and—most importantly—something done.
What project have you been holding onto because it wasn’t “perfect” enough? Maybe today is the day to let it go.
Beyond Ban Jelačić: 5 Hidden Gems That Define the Real Zagreb
Zagreb. The name conjures images of the iconic red roofs of the Upper Town, the vibrant café culture of the Lower Town, and the mandatory selfies by the Funicular. It’s a beautifully manageable European capital, often praised for its charm and easy walkability.
But for the seasoned traveller—the one who seeks the unvarnished truth of a city—the real magic often lies where the tourist map runs thin.
If you’ve already checked off the Museum of Broken Relationships and sipped your coffee on Cvjetni Trg, it’s time to venture deeper. We’ve compiled the five essential experiences that will take you off the beaten path and into the authentic heart of Zagreb.
1. Descend into History: The Grič Tunnel
While many tourists stick to the surface, locals know that a fascinating, slightly eerie piece of history lies just beneath the cobblestones of the Upper Town.
The Grič Tunnel is a 350-meter-long passage originally constructed during World War II as an air-raid shelter. For decades, it was mostly forgotten, dark, and damp. Today, it has been beautifully renovated and repurposed as a public walkway, linking Radićeva Street (near the main square) to the other side of Grič Hill (near Mesnička Street).
It’s often used for fashion shows, art installations, and even the spectacular Advent in Zagreb Christmas market features sections here. But even on a quiet Tuesday afternoon, walking through its vast, vaulted halls offers a cool, dramatic escape and a poignant reminder of Zagreb’s turbulent past.
Why it’s RLT (Road Less Travelled): Many tourists assume it’s a construction site or just a side alley, missing the entrance entirely.
Insider Tip: While there are several entrances, try the one on Radićeva Street for the full dramatic walk-through experience.
2. A Silent Architectural Masterpiece: Mirogoj Cemetery
Admittedly, the word “cemetery” might not immediately sound like a key tourist destination, but Mirogoj is unlike any other burial ground. Designed in 1876 by the famed architect Hermann Bollé, Mirogoj is less a cemetery and more an open-air art gallery and park.
What defines the space are the massive, sweeping neo-Renaissance arcades clad in green ivy, housing the tombs of Croatia’s most influential figures, from writers and artists to politicians. The central dome and the rows of elegant statues create an atmosphere of serene, melancholy beauty.
This is a space that speaks volumes about Croatian history, artistry, and respect for the departed. It’s quiet, reflective, and stunningly photogenic—a short bus ride from the city centre, but a world away from the city noise.
Why it’s RLT (Road Less Travelled): It requires a slight detour (Bus 106 from Kaptol), discouraging day-trippers focused solely on the centre.
Best Time to Visit: Early morning or late afternoon, when the sun casts dramatic shadows across the ivy-covered arcades.
3. The Unassuming Heart of Local Life: Trešnjevka Market
To truly feel the pulse of local Zagreb life, you need to leave the polished centre and head west to the bustling district of Trešnjevka. While Dolac Market is mandatory viewing, Trešnjevački plac (Trešnjevka Market) is where real Zagreb families shop.
This market is large, chaotic, affordable, and incredibly authentic. You won’t just find your typical kumice (market grandmothers) selling produce; you’ll find everything from hardware stalls and used clothing to cheap, traditional dining halls (gableci) serving hearty lunch deals.
Wander the indoor stalls filled with vintage clothing and household trinkets, or browse the outdoor stands overflowing with local cheeses, fresh meats, and flowers. This is the perfect place to grab a ridiculously inexpensive lunch and observe the daily rhythm of the city’s working class.
Why it’s RLT (Road Less Travelled): Located outside the traditional tourist triangle, it requires using the tram system (Trams 3, 9, 12).
What to Try: Look for a gablec (daily lunch) sign—usually a simple, filling meal like goulash or stuffed peppers for under €7.
4. Find the Inventors’ Spirit: The Technical Museum Nikola Tesla
While art and history museums abound in Zagreb, the Technical Museum often gets overlooked in favor of flashier attractions. This is a mistake, especially for those interested in science, industry, and the incredible contributions of Croatian minds.
Named after the world-famous inventor Nikola Tesla, this museum is a fantastic throwback, filled with retro industrial machinery, firefighting equipment, and displays dedicated to engineering breakthroughs. Highlights include a full-scale coal mine model (which you can walk through!), vintage trams, and a dedicated room honouring Tesla himself.
It’s hands-on, slightly dusty in a charming way, and a beautiful testament to Croatia’s industrial history and inventive spirit.
Why it’s RLT (Road Less Travelled): It isn’t located directly in the central museum quadrant, requiring a short tram ride south of the main train station.
Must-See: Check the schedule for the planetarium shows. They are highly rated and offer an excellent break from walking.
5. Escape to the Peak: Medvednica Nature Park
If you feel the need for fresh mountain air and stunning city views that rival those from Lotrščak Tower, hop on a bus or drive toward the northern edge of the city and ascend the Medvednica mountain range.
Medvednica, with its highest peak, Sljeme, is Zagreb’s essential backyard playground. It offers miles of hiking/biking trails, the historic Medvedgrad (a medieval fortified town), and, most importantly, numerous traditional mountain huts (planinarski domovi) serving classic, hearty Croatian mountain food.
Spend a day hiking to one of the lookouts, explore the Veternica cave, or just drive up for lunch at the top. The views are spectacular, and the atmosphere is entirely different from the busy city below.
Why it’s RLT (Road Less Travelled): Requires dedicated travel time and is not a quick walk-by attraction.
What to Try: Order štrukli (baked cheese pastry) at a mountain hut after a long walk—it’s the ultimate Croatian comfort food, and it tastes better high up in the woods.
The Reward of the Detour
Zagreb is a city built on layers of history, culture, and architecture. While the central squares offer undeniable beauty, the true reward comes when you step off the main path.
These five spots provide a window into the life that sustains the city, whether that’s the silent dignity of a historic park, the daily bustle of a working market, or the rugged landscape that surrounds it.
So, put away the polished guidebook, grab a tram, and go discover the real, complex, and captivating Zagreb.
Yes, it’s that huge device that is attached to a tall building and either raises or lowers building materials. I’ve often wondered how the driver, so far up in the air, can see where to pick up or drop a load.
Typically, cranes are used to move large or heavy loads, like large fibreglass swimming pools, from the roadside into the front or back yard.
There are train breakdown cranes, dockside cranes and broken down cranes, usually on the road in the middle of rush hour.
They used to have dog men, people who hung on grimly, going up or down with the load. Not me when the building is sixty or seventy floors up.
There can be smaller cranes built on trucks that are for smaller jobs like lifting boats or sometimes parts of houses. We had one near us once, lifting a swimming pool into a front yard.
Then there is the crane, a bird. Cranes are usually tall birds with long legs.
In Asia, the crane symbolises happiness and eternal youth, whereas in Japan, the crane symbolises good fortune and longevity.
And other uses such as:
The boy craned his neck to see the batter hit a home run.
Usually, if I crane my neck, it causes days of muscular pain, i.e., literally the definition of a pain in the neck!
It means to distort your body or neck in order to see something more clearly, especially if you are in a bad position, like behind a pylon or tree.
It can also be used to describe a trolley with a large boom with a camera attached.
I’d read about out-of-body experiences, and like everyone else, thought it was nonsense. Some people claimed to see themselves in the operating theatre, medical staff frantically trying to revive them, and being surrounded by white light.
I was definitely looking down, but it wasn’t me I was looking at.
It was two children, a boy and a girl, with their parents, in a park.
The boy was Alan. He was about six or seven. The girl was Louise, and she was five years old. She had long red hair and looked the image of her mother.
I remember it now, it was Louise’s birthday and we went down to Bournemouth to visit our Grandmother, and it was the last time we were all together as a family.
We were flying homemade kites our father had made for us, and after we lay there looking up at the sky, making animals out of the clouds. I saw an elephant, Louise saw a giraffe.
We were so happy then.
Before the tragedy.
When I looked again ten years had passed and we were living in hell. Louise and I had become very adept at survival in a world we really didn’t understand, surrounded by people who wanted to crush our souls.
It was not a life a normal child had, our foster parents never quite the sort of people who were adequately equipped for two broken-hearted children. They tried their best, but their best was not good enough.
Every day it was a battle, to avoid the Bannister’s and Archie in particular, every day he made advances towards Louise and every day she fended him off.
Until one day she couldn’t.
Now I was sitting in the hospital, holding Louise’s hand. She was in a coma, and the doctors didn’t think she would wake from it. The damage done to her was too severe.
The doctors were wrong.
She woke, briefly, to name her five assailants. It was enough to have them arrested. It was not enough to have them convicted.
Justice would have to be served by other means.
I was outside the Bannister’s home.
I’d made my way there without really thinking, after watching Louise die. It was like being on autopilot, and I had no control over what I was doing. I had murder in mind. It was why I was holding an iron bar.
Skulking in the shadows. It was not very different from the way the Bannister’s operated.
I waited till Archie came out. I knew he eventually would. The police had taken him to the station for questioning, and then let him go. I didn’t understand why, nor did I care.
I followed him up the towpath, waiting till he stopped to light a cigarette, then came out of the shadows.
“Wotcha got there Alan?” he asked when he saw me. He knew what it was, and what it was for.
It was the first time I’d seen the fear in his eyes. He was alone.
“Justice.”
“For that slut of a sister of yours. I had nuffing to do with it.”
“She said otherwise, Archie.”
“She never said nuffing, you just made it up.” An attempt at bluster, but there was no confidence in his voice.
I held up the pipe. It had blood on it. Willy’s blood. “She may or may not have Archie, but Willy didn’t make it up. He sang like a bird. That’s his blood, probably brains on the pipe too, Archie, and yours will be there soon enough.”
“He dunnit, not me. Lyin’ bastard would say anything to save his own skin.” Definitely scared now, he was looking to run away.
“No, Archie. He didn’t. I’m coming for you. All of you Bannisters. And everyone who touched my sister.”
It was the recurring nightmare I had for years afterwards.
I closed my eyes and tried to shut out the thoughts, the images of Louise, the phone call, the visit to the hospital and being there when she succumbed to her injuries. Those were the very worst few hours of my life.
She had asked me to come to the railway station and walk home with her, and I was running late. If I had left when I was supposed to, it would never have happened and for years afterwards, I blamed myself for her death.
If only I’d not been late…
When the police finally caught the rapists, I’d known all along who they’d be; antagonists from school, the ring leader, Archie Bannister, a spurned boyfriend, a boy whose parents, ubiquitously known to all as ‘the Bannister’s, dealt in violence and crime and who owned the neighbourhood. The sins of the father had been very definitely passed onto the son.
At school, I used to be the whipping boy, Archie, a few grades ahead of me, made a point of belting me and a few of the other boys, to make sure the rest did as they were told. He liked Louise, but she had no time for a bully like him, even when he promised he would ‘protect’ me.
I knew the gang members, the boys who tow-kowed to save getting beaten up, and after the police couldn’t get enough information to prosecute them because everyone was too afraid to speak out, I went after Willy. There was always a weak link in a group, and he was it.
He worked in a factory, did long hours on a Wednesday and came home after dark alone. It was a half mile walk, through a park. The night I approached him, I smashed the lights and left it in darkness. He nearly changed his mind and went the long way home.
He didn’t.
It took an hour and a half to get the names. At first, when he saw me, he laughed. He said I would be next, and that was four words more than he knew he should have said.
When I found him alone the next morning I showed him the iron bar and told him he was on the list. I didn’t kill him then, he could wait his turn, and worry about what was going to happen to him.
When the police came to visit me shortly after that encounter, no doubt at the behest of the Bannister’s, the neighbourhood closed ranks and gave me an ironclad alibi. The Bannister’s then came to visit me and threatened me. I told them their days were numbered and showed them the door.
At the trial, he and his friends got off on a technicality. The police had failed to do their job properly, but it was not the police, but a single policeman, corrupted by the Bannisters.
Archie could help but rub it in my face. He was invincible.
Joe Collins took 12 bullets and six hours to bleed out. He apologized, he pleaded, he cried, he begged. I didn’t care.
Barry Mills, a strong lad with a mind to hurting people, Archie’s enforcer, almost got the better of me. I had to hit him more times than I wanted to, and in the end, I had to be satisfied that he died a short but agonizing death.
I revisited Willy in the hospital. He’d recovered enough to recognize me, and why I’d come. Suffocation was too good for him.
David Williams, second in command of the gang, was as tough and nasty as the Bannisters. His family were forging a partnership with the Bannister’s to make them even more powerful. Outwardly David was a pleasant sort of chap, affable, polite, and well mannered. A lot of people didn’t believe he could be like, or working with, the Bannisters.
He and I met in the pub. We got along like old friends. He said Willy had just named anyone he could think of, and that he was innocent of any charges. We shook hands and parted as friends.
Three hours later he was sitting in a chair in the middle of a disused factory, blindfolded and scared. I sat and watched him, listened to him, first threatening me, and then finally pleading with me. He’d guessed who it was that had kidnapped him.
When it was dark, I took the blindfold off and shone a very bright light in his eyes. I asked him if the violence he had visited upon my sister was worth it. He told me he was just a spectator.
I’d read the coroner’s report. They all had a turn. He was a liar.
He took nineteen bullets to die.
Then came Archie.
The same factory only this time there were four seats. Anna Bannister, brothel owner, Spike Bannister, head of the family, Emily Bannister, sister, and who had nothing to do with their criminal activities. She just had the misfortune of sharing their name.
Archie’s father told me how he was going to destroy me, and everyone I knew.
A well-placed bullet between the eyes shut him up.
Archie’s mother cursed me. I let her suffer for an hour before I put her out of her misery.
Archie remained stony-faced until I came to Emily. The death of his parents meant he would become head of the family. I guess their deaths meant as little to him as they did me.
He was a little more worried about his sister.
I told him it was confession time.
He told her it was little more than a forced confession and he had done nothing to deserve my retribution.
I shrugged and shot her, and we both watched her fall to the ground screaming in agony. I told him if he wanted her to live, he had to genuinely confess to his crimes. This time he did, it all poured out of him.
I went over to Emily. He watched in horror as I untied her bindings and pulled her up off the floor, suffering only from a small wound in her arm. Without saying a word she took the gun and walked over to stand behind him.
“Louise was my friend, Archie. My friend.”
Then she shot him. Six times.
To me, after saying what looked like a prayer, she said, “Killing them all will not bring her back, Alan, and I doubt she would approve of any of this. May God have mercy on your soul.”
Now I was in jail. I’d spent three hours detailing the deaths of the five boys, everything I’d done; a full confession. Without my sister, my life was nothing. I didn’t want to go back to the foster parents; I doubt they’d take back a murderer.
They were not allowed to.
For a month I lived in a small cell, in solitary, no visitors. I believed I was in the queue to be executed, and I had mentally prepared myself for the end.
Then I was told I had a visitor, and I was expecting a priest.
Instead, it was a man called McTavish. Short, wiry, and with an accent that I could barely understand.
“You’ve been a bad boy, Alan.”
When I saw it was not the priest I told the jailers not to let him in, I didn’t want to speak to anyone. They ignored me. I’d expected he was a psychiatrist, come to see whether I should be shipped off to the asylum.
I was beginning to think I was going mad.
I ignored him.
“I am the difference between you living or dying Alan, it’s as simple as that. You’d be a wise man to listen to what I have to offer.”
Death sounded good. I told him to go away.
He didn’t. Persistent bugger.
I was handcuffed to the table. The prison officers thought I was dangerous. Five, plus two, murders, I guess they had a right to think that. McTavish sat opposite me, ignoring my request to leave.
“Why’d you do it?”
“You know why.” Maybe if I spoke he’d go away.
“Your sister. By all accounts, the scum that did for her deserved what they got.”
“It was murder just the same. No difference between scum and proper people.”
“You like killing?”
“No-one does.”
“No, I dare say you’re right. But you’re different, Alan. As clean and merciless killing I’ve ever seen. We can use a man like you.”
“We?”
“A group of individuals who clean up the scum.”
I looked up to see his expression, one of benevolence, totally out of character for a man like him. It looked like I didn’t have a choice.
Trained, cleared, and ready to go.
I hadn’t realized there were so many people who were, for all intents and purposes, invisible. People that came and went, in malls, in hotels, trains, buses, airports, everywhere, people no one gave a second glance.
People like me.
In a mall, I became a shopper.
In a hotel, I was just another guest heading to his room.
On a bus or a train, I was just another commuter.
At the airport, I became a pilot. I didn’t need to know how to fly; everyone just accepted a pilot in a pilot suit was just what he looked like.
I had a passkey.
I had the correct documents to get me onto the plane.
That walk down the air bridge was the longest of my life. Waiting for the call from the gate, waiting for one of the air bridge staff to challenge me, stepping onto the plane.
Two pilots and a steward. A team. On the plane early before the rest of the crew. A group that was committing a crime, had committed a number of crimes and thought they’d got away with it.
Until the judge, the jury and their executioner arrived.
Me.
Quick, clean, merciless. Done.
I was now an operational field agent.
I was older now, and I could see in the mirror I was starting to go grey at the sides. It was far too early in my life for this, but I expect it had something to do with my employment.
I didn’t recognize the man who looked back at me.
It was certainly not Alan McKenzie, nor was there any part of that fifteen-year-old who had made the decision to exact revenge.
Given a choice; I would not have gone down this path.
Or so I kept telling myself each time a little more of my soul was sold to the devil.
I was Barry Gamble.
I was Lenny Buckman.
I was Jimmy Hosen.
I was anyone but the person I wanted to be.
That’s what I told Louise, standing in front of her grave, and trying to apologize for all the harm, all the people I’d killed for that one rash decision. If she was still alive she would be horrified, and ashamed.
Head bowed, tears streamed down my face.
God had gone on holiday and wasn’t there to hand out any forgiveness. Not that day. Not any day.
New York, New Years Eve.
I was at the end of a long tour, dragged out of a holiday and back into the fray, chasing down another scumbag. They were scumbags, and I’d become an automaton hunting them down and dispatching them to what McTavish called a better place.
This time I failed.
A few drinks to blot out the failure, a blonde woman who pushed my buttons, a room in a hotel, any hotel, it was like being on the merry-go-round, round and round and round…
Her name was Silvia or Sandra, or someone I’d met before, but couldn’t quite place her. It could be an enemy agent for all I knew or all I cared right then.
I was done.
I’d had enough.
I gave her the gun.
I begged her to kill me.
She didn’t.
Instead, I simply cried, letting the pent up emotion loose after being suppressed for so long, and she stayed with me, holding me close, and saying I was safe, that she knew exactly how I felt.
How could she? No one could know what I’d been through.
I remembered her name after she had gone.
Amanda.
I remembered she had an imperfection in her right eye.
Someone else had the same imperfection.
I couldn’t remember who that was.
Not then.
I had a dingy flat in Kensington, a place that I rarely stayed in if I could help it. After five-star hotel rooms, it made me feel shabby.
The end of another mission, I was on my way home, the underground, a bus, and then a walk.
It was late.
People were spilling out of the pub after the last drinks. Most in good spirits, others slightly more boisterous.
A loud-mouthed chap bumped into me, the sort who had one too many, and was ready to take on all comers.
He turned on me, “Watch where you’re going, you fool.”
Two of his friends dragged him away. He shrugged them off, squared up.
I punched him hard, in the stomach, and he fell backwards onto the ground. I looked at his two friends. “Take him home before someone makes mincemeat out of him.”
They grabbed his arms, lifted him off the ground and took him away.
Out of the corner of my eye, I could see a woman, early thirties, quite attractive, but very, very drunk. She staggered from the bar, bumped into me, and finished up sitting on the side of the road.
I looked around to see where her friends were. The exodus from the pub was over and the few nearby were leaving to go home.
She was alone, drunk, and by the look of her, unable to move.
I sat beside her. “Where are your friends?”
“Dunno.”
“You need help?”
She looked up, and sideways at me. She didn’t look the sort who would get in this state. Or maybe she was, I was a terrible judge of women.
“Who are you?” she asked.
“Nobody.” I was exactly how I felt.
“Well Mr Nobody, I’m drunk, and I don’t care. Just leave me here to rot.”
She put her head back between her knees, and it looked to me she was trying to stop the spinning sensation in her head.
Been there before, and it’s not a good feeling.
“Where are your friends?” I asked again.
“Got none.”
“Perhaps I should take you home.”
“I have no home.”
“You don’t look like a homeless person. If I’m not mistaken, those shoes are worth more than my weekly salary.” I’d seen them advertised, in the airline magazine, don’t ask me why the ad caught my attention.
She lifted her head and looked at me again. “You a smart fucking arse are you?”
“I have my moments.”
“Have them somewhere else.”
She rested her head against my shoulder. We were the only two left in the street, and suddenly in darkness when the proprietor turned off the outside lights.
“Take me home,” she said suddenly.
“Where is your place?”
“Don’t have one. Take me to your place.”
“You won’t like it.”
“I’m drunk. What’s not to like until tomorrow.”
I helped her to her feet. “You have a name?”
“Charlotte.”
The wedding was in a small church. We had been away for a weekend in the country, somewhere in the Cotswolds, and found this idyllic spot. Graves going back to the dawn of time, a beautiful garden tended by the vicar and his wife, an astonishing vista over hills and down dales.
On a spring afternoon with the sun, the flowers, and the peacefulness of the country.
I had two people at the wedding, the best man, Bradley, and my boss, Watkins.
Charlotte had her sisters Melissa and Isobel, and Isobel’s husband Giovanni, and their daughter Felicity.
And one more person who was as mysterious as she was attractive, a rather interesting combination as she was well over retirement age. She arrived late and left early.
Aunt Agatha.
She looked me up and down with what I’d call a withering look. “There’s more to you than meets the eye,” she said enigmatically.
“Likewise I’m sure,” I said. It earned me an elbow in the ribs from Charlotte. It was clear she feared this woman.
“Why did you come,” Charlotte asked.
“You know why.”
Agatha looked at me. “I like you. Take care of my granddaughter. You do not want me for an enemy.”
OK, now she officially scared me.
She thrust a cheque into my hand, smiled, and left.
“Who is she,” I asked after we watched her depart.
“Certainly not my fairy godmother.”
Charlotte never mentioned her again.
Zurich in summer, not exactly my favourite place.
Instead of going to visit her sister Isobel, we stayed at a hotel in Beethovenstrasse and Isobel and Felicity came to us. Her husband was not with her this time.
Felicity was three or four and looked very much like her mother. She also looked very much like Charlotte, and I’d remarked on it once before and it received a sharp rebuke.
We’d been twice before, and rather than talk to her sister, Charlotte spent her time with Felicity, and they were, together, like old friends. For so few visits they had a remarkable rapport.
I had not broached the subject of children with Charlotte, not after one such discussion where she had said she had no desire to be a mother. It had not been a subject before and wasn’t once since.
Perhaps like all Aunts, she liked the idea of playing with a child for a while and then give it back.
Felicity was curious as to who I was, but never ventured too close. I believed a child could sense the evil in adults and had seen through my facade of friendliness. We were never close.
But…
This time, when observing the two together, something quite out of left field popped into my head. It was not possible, not by any stretch of the imagination, but I thought she looked like my mother.
And Charlotte had seen me looking in their direction. “You seem distracted,” she said.
“I was just remembering my mother. Odd moment, haven’t done so for a very long time.”
“Why now?” I think she had a look of concern on her face.
“Her birthday, I guess,” I said, the first excuse I could think of.
Another look and I was wrong. She looked like Isobel or Charlotte, or if I wanted to believe it possible, Melissa too.
I was crying, tears streaming down my face.
I was in pain, searing pain from my lower back stretching down into my legs, and I was barely able to breathe.
It was like coming up for air.
It was like Snow White bringing Prince Charming back to life. I could feel what I thought was a gentle kiss and tears dropping on my cheeks, and when I opened my eyes, I saw Charlotte slowly lifting her head, a hand gently stroking the hair off my forehead.
And in a very soft voice, she said, “Hi.”
I could not speak, but I think I smiled. It was the girl with the imperfection in her right eye. Everything fell into place, and I knew, in that instant that we were irrevocably meant to be together.