Category: Writer

Searching for locations: The Longjing Pearl Factory, Beijing, China

The Longjing Pearl Factory is located at:
No.2 Zuoan Gate Inner Street, ChongWen District, Beijing 100061 China.

This Pearl Centre specialises in both freshwater and seawater pearls, with a reputation backed by the government of China, and a big selection of the highest quality.  There were all kinds of jewellery made of pearls in different colours, shapes, and sizes.

They also had, as an interesting sideline, famous Chinese traditional cosmetics such as pearl cream and pearl powder, reputed to make your skin smoother, tender, and most importantly, younger.

We were advised of all of this well before we arrived at the factory, and of course, one suspected the glowing review, with emphasis on the fact it was a government operation and therefore trustworthy, suggested we should buy, which meant the tour guide would receive a commission on each sale.

This is nothing new; it’s the same the world over, so it’s up to the visitor to buy or not to buy.

As soon as you get in the door, you are taken to the group’s guide for the tour (and afterwards, available for help on making purchases). who gives you a rundown on the different types and colours of pearls.  This is briefly,

Pearls come in two main categories: freshwater cultured pearls and saltwater cultured pearls. Various types of pearls are the result of the environment in which they live, and different cultivation techniques used by the pearl farmers. 

Freshwater cultured pearls are grown in lakes and rivers, whereas saltwater cultured pearls are grown in bodies of saltwater such as bays.  The most commonly used pearls are Freshwater pearls. 

Freshwater Pearls come in various pastel shades of white, pink, peach, lavender, plum, purple, and tangerine.  
South Sea cultured pearls come in shades of lustrous white, often with silver or rose overtones. 

Black pearls are known as Tahitian pearls and come most often in shades of black and grey. While a Tahitian pearl has a black body colour, it will vary in its overtones, which most often will be green or pink.

Then there’s a demonstration, where one of the tour group is selected to pick an oyster out of the tank, and then there’s the guessing game as to how many pearls are in the shell, with the winner getting a pearl.

Guesses ranged from 1 to 23, and the answer was 26.  Nearest wins, and one for the person who picked the oyster out of the tank.  After this demonstration, we move on to the ways we can tell the difference between real and fake pearls.

It seems strange that they would, but we were guaranteed by both the tour guide and the lady delivering the lecture that the pearls we were about to buy were real, so how could we suspect there was anything dodgy about them?  Besides, now we can tell real from fake!

We then move onto the showroom floor, where there are cases of pearl products, in the form of necklaces, earrings, and any number of variations and uses.  And, just to let you know, the prices are very, very high, even if they say they have a special.

Perhaps the best products, and those that found favour with many of the women on the tour, were the pearl creams and powders.  These were not expensive, and, as we discovered later, actually worked as described.

In a word: Rain

Well, isn’t it just like you to rain on my parade?

Yes, and don’t we need a lot of rain because of the bushfires that are burning out of control?

Rain is that stuff that falls from the sky, sometimes at the awkwardest of times, like when you leave your umbrella in the car.

And rain can be a problem in sub-zero temperatures and high winds when it almost takes on the form of multiple miniature knives.  Rain and snow together, sleep, but that’s something else.

Of course, it could always rain cats and dogs, a rather interesting occurrence if it ever happened.

This should not be confused with the word rein.

As any horseperson would know this is what helps control a horse

But, it doesn’t have to be a horse, it might be that you are told to rein in your attack dog

Or rein in your excesses

Or alternatively, give a person free rein to go about their business.

Then there is reign, that period of time when a monarch rules, and it seems in England women hold the record for the longest reign, Queen Victoria, and Queen Elizabeth II

That’s distinct from the office oligarchs who seem to think they reign over the plebs

“The Things We Do For Love”

Would you give up everything to be with the one you love?

…

Is love the metaphorical equivalent to ‘walking the plank’; a dive into uncharted waters?

For Henry, the only romance he was interested in was a life at sea, and when away from it, he strived to find sanctuary from his family and perhaps life itself.  It takes him to a small village by the sea, a place he never expected to find another just like him, Michelle, whom he soon discovers is as mysterious as she is beautiful.

Henry had long since given up the notion of finding romance, and Michelle couldn’t get involved for reasons she could never explain, but in the end, both acknowledged that something had happened the moment they first met.  

Plans were made, plans were revised, and hopes were shattered.

A chance encounter causes Michelle’s past to catch up with her, and whatever hope she had of having a normal life with Henry, or anyone else, is gone.  To keep him alive, she has to destroy her blossoming relationship, an act that breaks her heart and shatters his.

But can love conquer all?

It takes a few words of encouragement from an unlikely source to send Henry and his friend Radly on an odyssey into the darkest corners of the red-light district in a race against time to find and rescue the woman he finally realises is the love of his life.

The cover, at the moment, looks like this:

lovecoverfinal1

Is love the metaphorical equivalent to ‘walking the plank’; a dive into uncharted waters?

For Henry, the only romance he was interested in was a life at sea, and when away from it, he strived to find sanctuary from his family and perhaps life itself.  It takes him to a small village by the sea, s place he never expected to find another just like him, Michelle, whom he soon discovers is as mysterious as she is beautiful.

Henry had long since given up the notion of finding romance, and Michelle couldn’t get involved for reasons she could never explain, but in the end, both acknowledge that something happened the moment they first met.  

Plans were made, plans were revised, and hopes were shattered.

A chance encounter causes Michelle’s past to catch up with her, and whatever hope she had of having a normal life with Henry, or anyone else, is gone.  To keep him alive she has to destroy her blossoming relationship, an act that breaks her heart and shatters his.

But can love conquer all?

It takes a few words of encouragement from an unlikely source to send Henry and his friend Radly on an odyssey into the darkest corners of the red-light district in a race against time to find and rescue the woman he finally realizes is the love of his life.

The cover, at the moment, looks like this:

lovecoverfinal1

An excerpt from “If Only” – a work in progress

Investigation of crimes doesn’t always go according to plan, nor does the perpetrator get either found or punished.

That was particularly true in my case.  The murderer was incredibly careful in not leaving any evidence behind, to the extent that the police could not rule out whether it was a male or a female.

At one stage, the police thought I had murdered my own wife, though how I could be on a train at the time of the murder was beyond me.  I had witnesses and a cast-iron alibi.

The officer in charge was Detective First Grade Gabrielle Walters.  She came to me on the day after the murder seeking answers to the usual questions like, when was the last time you saw your wife, did you argue, the neighbours reckon there were heated discussions the day before.

Routine was the word she used.

Her fellow detective was a surly piece of work whose intention was to get answers or, more likely, a confession by any or all means possible.  I could sense the raging violence within him.  Fortunately, common sense prevailed.

Over the course of the next few weeks, once I’d been cleared of committing the crime, Gabrielle made a point of keeping me informed of the progress.

After three months, the updates were more sporadic, and when, for lack of progress, it became a cold case, communication ceased.

But it was not the last time I saw Gabrielle.

The shock of finding Vanessa was more devastating than the fact that she was now gone, and those images lived on in the same nightmare that came to visit me every night when I closed my eyes.

For months, I was barely functioning, to the extent that I had all but lost my job and quite a few friends, particularly those who were more attached to Vanessa rather than me.

They didn’t understand how it could affect me so much, and since it had not happened to them, my tart replies of ‘you wouldn’t understand’ were met with equally short retorts.  Some questioned my sanity, even, for a time, so did I.

No one, it seemed, could understand what it was like, no one except Gabrielle.

She was by her own admission, damaged goods, having been the victim of a similar incident, a boyfriend who turned out to be an awfully bad boy.  Her story varied only in that she had been made to witness his execution.  Her nightmare, in reliving that moment in time, was how she was still alive and, to this day, had no idea why she’d been spared.

It was a story she told me one night, some months after the investigation had been scaled down.  I was still looking for the bottom of a bottle and an emotional mess.  Perhaps it struck a resonance with her; she’d been there and managed to come out the other side.

What happened became our secret, a once-only night together that meant a great deal to me, and by mutual agreement, it was not spoken of again.  It was as if she knew exactly what was required to set me on the path to recovery.

And it had.

Since then, we saw each other about once a month in a cafe.   I had been surprised to hear from her again shortly after that eventful night when she called to set it up, ostensibly for her to provide me with any updates on the case, but perhaps we had, after that unspoken night, formed a closer bond than either of us wanted to admit.

We generally talked for hours over wine, then dinner and coffee.  It took a while for me to realise that all she had was her work; personal relationships were nigh on impossible in a job that left little or no spare time for anything else.

She’d always said that if I had any questions or problems about the case, or if there was anything that might come to me that might be relevant, even after all this time, all I had to do was call her.

I wondered if this text message was in that category.  I was certain it would interest the police, and I had no doubt they could trace the message’s origin, but there was that tiny degree of doubt about whether or not I could trust her to tell me what the message meant.

I reached for the phone, then put it back down again.  I’d think about it and decide tomorrow.

© Charles Heath 2018-2020

365 Days of writing, 2026 – 117

Day 117 – Is writing fiction an escape from reality

…

The Plunge: Why Fiction Isn’t an Escape—It’s a Collision with Reality

When people think of fiction, they often think of “escapism.” They imagine the reader curled up in a leather chair, clutching a paperback like a life raft, waiting to be spirited away to a land of dragons, interstellar empires, or swooning Victorian romances. The common assumption is that we read—and write—to get away from the messiness of our actual lives.

But the Southern Gothic master Flannery O’Connor had a vastly different, more jarring perspective. She famously suggested that writing (and reading) fiction is not a retreat into fantasy, but a “plunge into reality.” For O’Connor, fiction is not a sedative; it is a shock to the system.

But what did she mean by that? And why would a medium built on “made-up” stories be more real than the world we walk through every day?

The Myth of the Ivory Tower

We often treat reality as a surface-level phenomenon: the bills we pay, the traffic we sit in, and the small talk at the office. We mistake the mundane for the “real.”

O’Connor believed that our day-to-day lives are often shielded by habit, social propriety, and a deep-seated desire to look away from the darker, more profound truths of human existence. We live in a state of semi-consciousness, buffered by the comforts of our routines.

When you sit down to write serious fiction, you cannot stay on that surface level. To create a character that rings true, you have to strip away the pleasantries. You have to descend into the motivations, the flaws, the spiritual hungers, and the terrifying contradictions that define human nature.

Fiction as a “Shock to the System”

O’Connor’s stories—filled with grotesque characters, sudden violence, and moments of divine mystery—are famous for their lack of comfort. She didn’t write to soothe the reader; she wrote to wake them up.

When she talked about fiction being a “plunge into reality,” she was describing a process of confrontation. A well-crafted story forces the reader to look at things they’d rather ignore: the cruelty we are capable of, the absurdity of our own self-importance, and the jagged edges of truth.

If you are writing fiction, you aren’t hiding from reality; you are excavating it. You are taking the raw, incoherent chaos of the human experience and tightening it into a narrative lens. By the time the reader closes the book, if the work is good, they shouldn’t feel “escaped.” They should feel exposed. They should feel as though they’ve just been shaken awake.

The Mirror of the Grotesque

O’Connor famously said, “To the hard of hearing you shout, and for the almost-blind you draw large and startling figures.”

This is why her work is so often shocking. She used the “grotesque” not to be weird for the sake of it, but to force the reader to focus on reality. Because we have become so desensitised to the “normal” world, we need something startling—something slightly distorted—to help us see clearly again.

When we write fiction, we are essentially holding a mirror up to the world. But we don’t hold it up to show the world its own reflection in the mirror; we hold it up to show the world the things it refuses to see when it looks in the mirror of daily life.

Why It Matters

If we view writing only as an escape, we limit the power of the craft. We treat it as a toy rather than a tool.

When you approach the blank page, don’t ask yourself, “How can I make this world different from mine?” Instead, ask, “How can I capture the reality of this world more accurately?” How can I convey the heaviness of a choice, the shame of a secret, or the terror of an epiphany?

Writing isn’t about running away from the world. It is the brave act of diving headlong into the fray. It is the act of looking at the human condition—with all its blood, bone, and light—and refusing to blink.

As O’Connor knew, the truth is often a shock. But it is only through that shock that we ever truly find our way home.

An excerpt from “One Last Look”: Charlotte is no ordinary girl

This is currently available at Amazon here:  http://amzn.to/2CqUBcz

…

I’d read about out-of-body experiences, and like everyone else, thought it was nonsense.  Some people claimed to see themselves in the operating theatre, medical staff frantically trying to revive them, and being surrounded by white light.

I was definitely looking down, but it wasn’t me I was looking at.

It was two children, a boy and a girl, with their parents, in a park.

The boy was Alan.  He was about six or seven.  The girl was Louise, and she was five years old.  She had long red hair and looked the image of her mother.

I remember it now, it was Louise’s birthday and we went down to Bournemouth to visit our Grandmother, and it was the last time we were all together as a family.

We were flying homemade kites our father had made for us, and after we lay there looking up at the sky, making animals out of the clouds.  I saw an elephant, Louise saw a giraffe.

We were so happy then.

Before the tragedy.

When I looked again ten years had passed and we were living in hell.  Louise and I had become very adept at survival in a world we really didn’t understand, surrounded by people who wanted to crush our souls.

It was not a life a normal child had, our foster parents never quite the sort of people who were adequately equipped for two broken-hearted children.  They tried their best, but their best was not good enough.

Every day it was a battle, to avoid the Bannister’s and Archie in particular, every day he made advances towards Louise and every day she fended him off.

Until one day she couldn’t.

Now I was sitting in the hospital, holding Louise’s hand.  She was in a coma, and the doctors didn’t think she would wake from it.  The damage done to her was too severe.

The doctors were wrong.

She woke, briefly, to name her five assailants.  It was enough to have them arrested.  It was not enough to have them convicted.

Justice would have to be served by other means.

I was outside the Bannister’s home.

I’d made my way there without really thinking, after watching Louise die.  It was like being on autopilot, and I had no control over what I was doing.  I had murder in mind.  It was why I was holding an iron bar.

Skulking in the shadows.  It was not very different from the way the Bannister’s operated.

I waited till Archie came out.  I knew he eventually would.  The police had taken him to the station for questioning, and then let him go.  I didn’t understand why, nor did I care.

I followed him up the towpath, waiting till he stopped to light a cigarette, then came out of the shadows.

“Wotcha got there Alan?” he asked when he saw me.  He knew what it was, and what it was for.

It was the first time I’d seen the fear in his eyes.  He was alone.

“Justice.”

“For that slut of a sister of yours.  I had nuffing to do with it.”

“She said otherwise, Archie.”

“She never said nuffing, you just made it up.”  An attempt at bluster, but there was no confidence in his voice.

I held up the pipe.  It had blood on it.  Willy’s blood.  “She may or may not have Archie, but Willy didn’t make it up.  He sang like a bird.  That’s his blood, probably brains on the pipe too, Archie, and yours will be there soon enough.”

“He dunnit, not me.  Lyin’ bastard would say anything to save his own skin.”  Definitely scared now, he was looking to run away.

“No, Archie.  He didn’t.  I’m coming for you.  All of you Bannisters.  And everyone who touched my sister.”

It was the recurring nightmare I had for years afterwards.

I closed my eyes and tried to shut out the thoughts, the images of Louise, the phone call, the visit to the hospital and being there when she succumbed to her injuries.  Those were the very worst few hours of my life.

She had asked me to come to the railway station and walk home with her, and I was running late.  If I had left when I was supposed to, it would never have happened and for years afterwards, I blamed myself for her death.

If only I’d not been late…

When the police finally caught the rapists, I’d known all along who they’d be; antagonists from school, the ring leader, Archie Bannister, a spurned boyfriend, a boy whose parents, ubiquitously known to all as ‘the Bannister’s, dealt in violence and crime and who owned the neighbourhood.  The sins of the father had been very definitely passed onto the son.

At school, I used to be the whipping boy, Archie, a few grades ahead of me, made a point of belting me and a few of the other boys, to make sure the rest did as they were told.  He liked Louise, but she had no time for a bully like him, even when he promised he would ‘protect’ me.

I knew the gang members, the boys who tow-kowed to save getting beaten up, and after the police couldn’t get enough information to prosecute them because everyone was too afraid to speak out, I went after Willy.  There was always a weak link in a group, and he was it.

He worked in a factory, did long hours on a Wednesday and came home after dark alone.  It was a half mile walk, through a park.  The night I approached him, I smashed the lights and left it in darkness.  He nearly changed his mind and went the long way home.

He didn’t.

It took an hour and a half to get the names.  At first, when he saw me, he laughed.  He said I would be next, and that was four words more than he knew he should have said.

When I found him alone the next morning I showed him the iron bar and told him he was on the list.  I didn’t kill him then, he could wait his turn, and worry about what was going to happen to him.

When the police came to visit me shortly after that encounter, no doubt at the behest of the Bannister’s, the neighbourhood closed ranks and gave me an ironclad alibi.  The Bannister’s then came to visit me and threatened me.  I told them their days were numbered and showed them the door.

At the trial, he and his friends got off on a technicality.  The police had failed to do their job properly, but it was not the police, but a single policeman, corrupted by the Bannisters.

Archie could help but rub it in my face.  He was invincible.

Joe Collins took 12 bullets and six hours to bleed out.  He apologized, he pleaded, he cried, he begged.  I didn’t care.

Barry Mills, a strong lad with a mind to hurting people, Archie’s enforcer, almost got the better of me.  I had to hit him more times than I wanted to, and in the end, I had to be satisfied that he died a short but agonizing death.

I revisited Willy in the hospital.  He’d recovered enough to recognize me, and why I’d come.  Suffocation was too good for him.

David Williams, second in command of the gang, was as tough and nasty as the Bannisters.  His family were forging a partnership with the Bannister’s to make them even more powerful.  Outwardly David was a pleasant sort of chap, affable, polite, and well mannered.  A lot of people didn’t believe he could be like, or working with, the Bannisters.

He and I met in the pub.  We got along like old friends.  He said Willy had just named anyone he could think of, and that he was innocent of any charges.  We shook hands and parted as friends.

Three hours later he was sitting in a chair in the middle of a disused factory, blindfolded and scared.  I sat and watched him, listened to him, first threatening me, and then finally pleading with me.  He’d guessed who it was that had kidnapped him.

When it was dark, I took the blindfold off and shone a very bright light in his eyes.  I asked him if the violence he had visited upon my sister was worth it.  He told me he was just a spectator.

I’d read the coroner’s report.  They all had a turn.  He was a liar.

He took nineteen bullets to die.

Then came Archie.

The same factory only this time there were four seats.  Anna Bannister, brothel owner, Spike Bannister, head of the family, Emily Bannister, sister, and who had nothing to do with their criminal activities.  She just had the misfortune of sharing their name.

Archie’s father told me how he was going to destroy me, and everyone I knew.

A well-placed bullet between the eyes shut him up.

Archie’s mother cursed me.  I let her suffer for an hour before I put her out of her misery.

Archie remained stony-faced until I came to Emily.  The death of his parents meant he would become head of the family.  I guess their deaths meant as little to him as they did me.

He was a little more worried about his sister.

I told him it was confession time.

He told her it was little more than a forced confession and he had done nothing to deserve my retribution.

I shrugged and shot her, and we both watched her fall to the ground screaming in agony.  I told him if he wanted her to live, he had to genuinely confess to his crimes.  This time he did, it all poured out of him.

I went over to Emily.  He watched in horror as I untied her bindings and pulled her up off the floor, suffering only from a small wound in her arm.  Without saying a word she took the gun and walked over to stand behind him.

“Louise was my friend, Archie.  My friend.”

Then she shot him.  Six times.

To me, after saying what looked like a prayer, she said, “Killing them all will not bring her back, Alan, and I doubt she would approve of any of this.  May God have mercy on your soul.”

Now I was in jail.  I’d spent three hours detailing the deaths of the five boys, everything I’d done; a full confession.  Without my sister, my life was nothing.  I didn’t want to go back to the foster parents; I doubt they’d take back a murderer.

They were not allowed to.

For a month I lived in a small cell, in solitary, no visitors.  I believed I was in the queue to be executed, and I had mentally prepared myself for the end.

Then I was told I had a visitor, and I was expecting a priest.

Instead, it was a man called McTavish. Short, wiry, and with an accent that I could barely understand.

“You’ve been a bad boy, Alan.”

When I saw it was not the priest I told the jailers not to let him in, I didn’t want to speak to anyone.  They ignored me.  I’d expected he was a psychiatrist, come to see whether I should be shipped off to the asylum.

I was beginning to think I was going mad.

I ignored him.

“I am the difference between you living or dying Alan, it’s as simple as that.  You’d be a wise man to listen to what I have to offer.”

Death sounded good.  I told him to go away.

He didn’t.  Persistent bugger.

I was handcuffed to the table.  The prison officers thought I was dangerous.  Five, plus two, murders, I guess they had a right to think that.  McTavish sat opposite me, ignoring my request to leave.

“Why’d you do it?”

“You know why.”  Maybe if I spoke he’d go away.

“Your sister.  By all accounts, the scum that did for her deserved what they got.”

“It was murder just the same.  No difference between scum and proper people.”

“You like killing?”

“No-one does.”

“No, I dare say you’re right.  But you’re different, Alan.  As clean and merciless killing I’ve ever seen.  We can use a man like you.”

“We?”

“A group of individuals who clean up the scum.”

I looked up to see his expression, one of benevolence, totally out of character for a man like him.  It looked like I didn’t have a choice.

Trained, cleared, and ready to go.

I hadn’t realized there were so many people who were, for all intents and purposes, invisible.  People that came and went, in malls, in hotels, trains, buses, airports, everywhere, people no one gave a second glance.

People like me.

In a mall, I became a shopper.

In a hotel, I was just another guest heading to his room.

On a bus or a train, I was just another commuter.

At the airport, I became a pilot.  I didn’t need to know how to fly; everyone just accepted a pilot in a pilot suit was just what he looked like.

I had a passkey.

I had the correct documents to get me onto the plane.

That walk down the air bridge was the longest of my life.  Waiting for the call from the gate, waiting for one of the air bridge staff to challenge me, stepping onto the plane.

Two pilots and a steward.  A team.  On the plane early before the rest of the crew.  A group that was committing a crime, had committed a number of crimes and thought they’d got away with it.

Until the judge, the jury and their executioner arrived.

Me.

Quick, clean, merciless.  Done.

I was now an operational field agent.

I was older now, and I could see in the mirror I was starting to go grey at the sides.  It was far too early in my life for this, but I expect it had something to do with my employment.

I didn’t recognize the man who looked back at me.

It was certainly not Alan McKenzie, nor was there any part of that fifteen-year-old who had made the decision to exact revenge.

Given a choice; I would not have gone down this path.

Or so I kept telling myself each time a little more of my soul was sold to the devil.

I was Barry Gamble.

I was Lenny Buckman.

I was Jimmy Hosen.

I was anyone but the person I wanted to be.

That’s what I told Louise, standing in front of her grave, and trying to apologize for all the harm, all the people I’d killed for that one rash decision.  If she was still alive she would be horrified, and ashamed.

Head bowed, tears streamed down my face.

God had gone on holiday and wasn’t there to hand out any forgiveness.  Not that day.  Not any day.

New York, New Years Eve.

I was at the end of a long tour, dragged out of a holiday and back into the fray, chasing down another scumbag.  They were scumbags, and I’d become an automaton hunting them down and dispatching them to what McTavish called a better place.

This time I failed.

A few drinks to blot out the failure, a blonde woman who pushed my buttons, a room in a hotel, any hotel, it was like being on the merry-go-round, round and round and round…

Her name was Silvia or Sandra, or someone I’d met before, but couldn’t quite place her.  It could be an enemy agent for all I knew or all I cared right then.

I was done.

I’d had enough.

I gave her the gun.

I begged her to kill me.

She didn’t.

Instead, I simply cried, letting the pent up emotion loose after being suppressed for so long, and she stayed with me, holding me close, and saying I was safe, that she knew exactly how I felt.

How could she?  No one could know what I’d been through.

I remembered her name after she had gone.

Amanda.

I remembered she had an imperfection in her right eye.

Someone else had the same imperfection.

I couldn’t remember who that was.

Not then.

I had a dingy flat in Kensington, a place that I rarely stayed in if I could help it.  After five-star hotel rooms, it made me feel shabby.

The end of another mission, I was on my way home, the underground, a bus, and then a walk.

It was late.

People were spilling out of the pub after the last drinks.  Most in good spirits, others slightly more boisterous.

A loud-mouthed chap bumped into me, the sort who had one too many, and was ready to take on all comers.

He turned on me, “Watch where you’re going, you fool.”

Two of his friends dragged him away.  He shrugged them off, squared up.

I punched him hard, in the stomach, and he fell backwards onto the ground.  I looked at his two friends.  “Take him home before someone makes mincemeat out of him.”

They grabbed his arms, lifted him off the ground and took him away.

Out of the corner of my eye, I could see a woman, early thirties, quite attractive, but very, very drunk.  She staggered from the bar, bumped into me, and finished up sitting on the side of the road.

I looked around to see where her friends were.  The exodus from the pub was over and the few nearby were leaving to go home.

She was alone, drunk, and by the look of her, unable to move.

I sat beside her.  “Where are your friends?”

“Dunno.”

“You need help?”

She looked up, and sideways at me.  She didn’t look the sort who would get in this state.  Or maybe she was, I was a terrible judge of women.

“Who are you?” she asked.

“Nobody.”  I was exactly how I felt.

“Well Mr Nobody, I’m drunk, and I don’t care.  Just leave me here to rot.”

She put her head back between her knees, and it looked to me she was trying to stop the spinning sensation in her head.

Been there before, and it’s not a good feeling.

“Where are your friends?” I asked again.

“Got none.”

“Perhaps I should take you home.”

“I have no home.”

“You don’t look like a homeless person.  If I’m not mistaken, those shoes are worth more than my weekly salary.”  I’d seen them advertised, in the airline magazine, don’t ask me why the ad caught my attention.

She lifted her head and looked at me again.  “You a smart fucking arse are you?”

“I have my moments.”

“Have them somewhere else.”

She rested her head against my shoulder.  We were the only two left in the street, and suddenly in darkness when the proprietor turned off the outside lights.

“Take me home,” she said suddenly.

“Where is your place?”

“Don’t have one.  Take me to your place.”

“You won’t like it.”

“I’m drunk.  What’s not to like until tomorrow.”

I helped her to her feet.  “You have a name?”

“Charlotte.”

The wedding was in a small church.  We had been away for a weekend in the country, somewhere in the Cotswolds, and found this idyllic spot.  Graves going back to the dawn of time, a beautiful garden tended by the vicar and his wife, an astonishing vista over hills and down dales.

On a spring afternoon with the sun, the flowers, and the peacefulness of the country.

I had two people at the wedding, the best man, Bradley, and my boss, Watkins.

Charlotte had her sisters Melissa and Isobel, and Isobel’s husband Giovanni, and their daughter Felicity.

And one more person who was as mysterious as she was attractive, a rather interesting combination as she was well over retirement age.  She arrived late and left early.

Aunt Agatha.

She looked me up and down with what I’d call a withering look.  “There’s more to you than meets the eye,” she said enigmatically.

“Likewise I’m sure,” I said.  It earned me an elbow in the ribs from Charlotte.  It was clear she feared this woman.

“Why did you come,” Charlotte asked.

“You know why.”

Agatha looked at me.  “I like you.  Take care of my granddaughter.  You do not want me for an enemy.”

OK, now she officially scared me.

She thrust a cheque into my hand, smiled, and left.

“Who is she,” I asked after we watched her depart.

“Certainly not my fairy godmother.”

Charlotte never mentioned her again.

Zurich in summer, not exactly my favourite place.

Instead of going to visit her sister Isobel, we stayed at a hotel in Beethovenstrasse and Isobel and Felicity came to us.  Her husband was not with her this time.

Felicity was three or four and looked very much like her mother.  She also looked very much like Charlotte, and I’d remarked on it once before and it received a sharp rebuke.

We’d been twice before, and rather than talk to her sister, Charlotte spent her time with Felicity, and they were, together, like old friends.  For so few visits they had a remarkable rapport.

I had not broached the subject of children with Charlotte, not after one such discussion where she had said she had no desire to be a mother.  It had not been a subject before and wasn’t once since.

Perhaps like all Aunts, she liked the idea of playing with a child for a while and then give it back.

Felicity was curious as to who I was, but never ventured too close.  I believed a child could sense the evil in adults and had seen through my facade of friendliness.  We were never close.

But…

This time, when observing the two together, something quite out of left field popped into my head.  It was not possible, not by any stretch of the imagination, but I thought she looked like my mother.

And Charlotte had seen me looking in their direction.  “You seem distracted,” she said.

“I was just remembering my mother.  Odd moment, haven’t done so for a very long time.”

“Why now?”  I think she had a look of concern on her face.

“Her birthday, I guess,” I said, the first excuse I could think of.

Another look and I was wrong.  She looked like Isobel or Charlotte, or if I wanted to believe it possible, Melissa too.

I was crying, tears streaming down my face.

I was in pain, searing pain from my lower back stretching down into my legs, and I was barely able to breathe.

It was like coming up for air.

It was like Snow White bringing Prince Charming back to life.  I could feel what I thought was a gentle kiss and tears dropping on my cheeks, and when I opened my eyes, I saw Charlotte slowly lifting her head, a hand gently stroking the hair off my forehead.

And in a very soft voice, she said, “Hi.”

I could not speak, but I think I smiled.  It was the girl with the imperfection in her right eye.  Everything fell into place, and I knew, in that instant that we were irrevocably meant to be together.

“Welcome back.”

© Charles Heath 2016-2019

onelastlookcoverfinal2

The cinema of my dreams – I never wanted to go to Africa – Episode 8

…

Was that a battle of wits?

…

I think I won the battle of wits, or whatever it was.

A few moments later he sat on the other side, pushing the chair back from the table, and me, as a deliberate act.

Distancing.

Besides adopting the speak when spoken to route, I was also adopting that age old modus operandi of not volunteering anything. If they knew anything they would have to tell me what they knew.

So, to begin with, another round of silence.

Then, after a few more minutes, s thin knowing smile, as if he knew everything I’d do before I did. Perhaps he was a psychology professor.

“What we you doing in a no fly zone?”

Well that answered at least two questions right there. We were where we were not supposed to be, and, as a stab in the dark, knowing how good the pilot was, we had deliberately strayed there.

On orders, or curiosity. No, orders.

Reason, suspected enemy or other activity in a designated area being used as cover. Had the Commander known about this and ordered a discreet incursion.

It felt more like a routine operation.

“I was not the pilot. You’d have to ask him, although that might be difficult now he’s dead.”

“The nature of you pre op briefing, then?”

“There wasn’t one, or if there was, I wasn’t included.”

“That would be a violation of regulations would it not?”

“You’d have to ask the military lawyers. I just make up the numbers, and do as I’m told.” I could add more but don’t volunteer information. Let them dig for it.

“Then why were you on board?”

He asked that question as if it was a surprise to him or someone else.

I think at that moment I realised there might be bigger fish that might get fried from this interview. There was an arrangement in place that if the pilot wanted to go up for extra hours, he had to take someone like me along, for situations like that which had happened.

This had been sanctioned by the Commander, but I don’t think it included heading out to hot spots. If this man was from our side, he might be on a witch hunt.

I looked at him in a new light.

This man was trouble of a different sort.

…

© Charles Heath 2019-2021

“What Sets Us Apart”, a mystery with a twist

David is a man troubled by a past he is trying to forget.

Susan is rebelling against a life of privilege and an exasperated mother who holds a secret that will determine her daughter’s destiny.

They are two people brought together by chance. Or was it?

When Susan discovers her mother’s secret, she goes in search of the truth that has been hidden from her since the day she was born.

When David realizes her absence is more than the usual cooling off after another heated argument, he finds himself being slowly drawn back into his former world of deceit and lies.

Then, back with his former employers, David quickly discovers nothing is what it seems as he embarks on a dangerous mission to find Susan before he loses her forever.

Find the Kindle version on Amazon here:  http://amzn.to/2Eryfth

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The cinema of my dreams – It continued in London – Episode 30

Vittoria and Juliet

…

What was it that found me finding ways to run into a woman that I really didn’t want to run into or see again?  And yet, it seemed everything I did, since Rodby reappeared in my life, revolved around her.

And it crossed my mind, while I was trying to find where she was living in London, that having a mother like Vittoria might have contributed to her ‘downfall’.  The biography of Vittoria wasn’t that of a society angel, more the pretender who was little more than a petty criminal worming her way into a field of rich pickings.

She’d been in service in the count’s residence, and as much as I hoped wasn’t a continuation of the old practice of masters having their way with their employees, or servants back in the old days, he might have forced himself on her, but I suspect it was the other way around.

If she was a grifter then she would have made him aware of the girl he sired, and if he was good about it, would have adequately compensated her, if only to keep it quiet.  Very adequately and for a long time until he died.  I suspect the countess didn’t know, and like most women in those sorts of marriages, probably didn’t want to know.

The reason why there was no surveillance in Juliet was because no one had found a starting reference point.  In other words, no one knew where she was.  And Cecilia was right, London was a big place if I wanted to pound the pavement looking for her.

The file said an internet search on her was performed, but the only information relevant to her they found was her fall from grace and very little beyond that date range.  It seemed Juliet Ambrose only existed for three years before I first met her.

That meant she had been someone else before that, most likely Juliet, the name of her mother at the time.  That, of course, suggested one of two eventualities, that she wanted to escape her mother, or the Count’s family because of her mother, and changed her own name, or her mother had informed on some fellow criminals to leverage a free ticket and going into a form of witness protection.

Knowing Juliet as I did, the former was more likely than the latter.

Now there was a new possibility that wasn’t a scenario in the file.  Had the count told anyone about the daughter, and the mother’s no doubt incessant demands?  That could be a reason for a hitman to remove the problem or problems.

I looked at the biography for Vittoria Romano again and noted she had a number of aka’s, Gallo, Rossi, and her birth name Moretti.

A quick search told me the Italian version of Juliet was Giulietta, so I put Giulietta Moretti into the search engine and waited all of 35 nanoseconds to get the obligatory 20,000,000 hits.  Popular girl.

But…

There on page three of endless pages on a fading Italian Rock and Roll singer, there was a picture, albeit of Juliet in her younger days, taken on the grounds of a mansion in Sorrento.  The Count had a place in Sorrento, and I looked it up in the list provided.

Yes.  It still belonged to the family.  I tucked that away in the mental notes stored at the back of my mind.  It would be worth a visit when I went looking for the Countess.

A further search through 32 useless pages of items found another.

Giulietta Moretti published a paper in a medical journal about a year ago on the effects on the human body caused by car crashes, and it was getting recognition by her peers.  So much so, that she had been asked by a group of surgeons to talk about it at a conference in Blackpool.

The day after tomorrow.

And…

It had an address where she worked in London, a morgue in one of the larger hospitals.  I now had a starting point.

My curiosity then switched to Alessandro.

I wondered if he knew the background of Vittoria.  Surely his brother would have alerted him to the trouble she was causing him.  Or, and this was a huge leap, had the Count not told anyone about her, thinking he had alone contained the problem.

If Alessandro knew then was he in cahoots with Vittoria in removing the Countess from the playing field.

What bothered me was that I saw Alessandro at the hotel at the same time as the countess, and I had no doubt he was the problem she needed to attend to.  How had he managed to spirit her away, if he did?  If not, why would she sneak out of the hotel and disappear?

Was it something to do with that meeting between her and Alessandro?  All good questions for a Detective Inspector.

It was particularly troublesome that our surveillance on the main players managed to lose two of them for a lengthy period.  No one had thought to stay in the hotel and were relying on the hotel’s own CCTV.  That, of course, showed nothing other than the countess and Alessandro arriving, and nothing after that.

There were a dozen CCTV camera feeds and I had them sent to my phone and that afternoon went through all of them, looking for anomalies, people ridiculously disguised, large crates or cases that could hide bodies, anything to show she had left, albeit disguised.

What she would want to be seen was anyone’s guess, but it may have had something to do with Alessandro.  What bothered me, though, was a report from the people who installed the CCTV system at the hotel.  It was interesting that it found its way to the Department, but not as interesting as the fact the number installed, and locations, didn’t match the number that had returned video for the time.  A second sheet noted that seven of the CCTV cameras were not in operation at the time, with no reason given.

As for Alessandro, he and I were going to have a talk sooner rather than later, and I was going to use my Detective Inspector warrant card for the second time.

Long ago, when developing guises, I got the chance to follow around a real detective inspector and learned the ropes.  He was a good detective and a better teacher.  It was my first item on the list for the next morning.

© Charles Heath 2023

A 2am rant: Is that a light at the end of the tunnel?

It’s a long-standing joke that the light at the end of the tunnel is the headlight of an express train coming right at you.

Metaphorically speaking, this is quite often true if you are a pessimist, but since I’ve converted to being an optimist, a bit like changing religions, I believe I’ve seen the ‘light’.  It’s a lot like coming up from the bottom of a deep pool, breaking the surface and taking that first long gulp of air.

Along with that elated feeling that you’re not going to drown.

What’s this got to do with anything, you ask?

Perhaps nothing.

As an allegory, it represents, to me, a time when I finally got over a period of self-doubt, a period where a series of events started to make me question why I wanted to be a writer.

I mean, why put yourself through rejections, sometimes scathing criticism, and then have the people whom you thought were your friends suddenly start questioning your choices after initially wholeheartedly supporting them?

Are we only successful or supportable if we are earning a sufficient wage?  Or better still, a New York Times No. 1 bestselling author?  Or, even better, having sold a million copies?

Is this why so many people don’t give up their day job and then find themselves plying the ‘other’ trade into the dark hours of the night, only to find themselves being criticised for other but no less disparaging reasons?

It seems like a no-win situation, the times when your mettle is tested severely.  But, in the end, it is worth it when the book is finished and published, even if it is only on Amazon.

You can sit back and say with pride, I did that.

That metaphorical light, you may ask.

When somebody buys that first copy!