Category: Writer

Sayings: Irons in the fire

There is an expression you hear a lot, here, there, and everywhere when referring to someone who is very busy, ‘oh, he has a lot of irons in the fire’.

These days we use it as an analogy not to have too many things on the go at the same time, and, in the end, none of them will be finished properly, or finished at all.

There are two old-time literal meanings that can apply to this analogy, the first being that in laundries, they used to have their irons in the fire, warming so that clothes could be ironed. Having too many meant sometimes one would be left too long, and end up scorching the clothes being ironed.

Hopefully, that didn’t happen to a very expensive dress!

The second meaning came from a blacksmith’s foundry where he had iron bars in the fire, heating up so that they could be worked on. Having too many in the fire at once sometimes meant that one became overheated, and ruined.

Conversely, having too many pieces of iron in the fire might cause the fire to be too cool to heat any of the metal bars.

These days, a lot of people need to have a lot of projects on the go at once, in the hope that one or more might suddenly become a winner.

Sadly, that doesn’t happen very often.

And, no, buying a lot of lottery tickets hoping one will win, that is not very likely either.

An excerpt from “One Last Look”: Charlotte is no ordinary girl

This is currently available at Amazon here:  http://amzn.to/2CqUBcz

…

I’d read about out-of-body experiences, and like everyone else, thought it was nonsense.  Some people claimed to see themselves in the operating theatre, medical staff frantically trying to revive them, and being surrounded by white light.

I was definitely looking down, but it wasn’t me I was looking at.

It was two children, a boy and a girl, with their parents, in a park.

The boy was Alan.  He was about six or seven.  The girl was Louise, and she was five years old.  She had long red hair and looked the image of her mother.

I remember it now, it was Louise’s birthday and we went down to Bournemouth to visit our Grandmother, and it was the last time we were all together as a family.

We were flying homemade kites our father had made for us, and after we lay there looking up at the sky, making animals out of the clouds.  I saw an elephant, Louise saw a giraffe.

We were so happy then.

Before the tragedy.

When I looked again ten years had passed and we were living in hell.  Louise and I had become very adept at survival in a world we really didn’t understand, surrounded by people who wanted to crush our souls.

It was not a life a normal child had, our foster parents never quite the sort of people who were adequately equipped for two broken-hearted children.  They tried their best, but their best was not good enough.

Every day it was a battle, to avoid the Bannister’s and Archie in particular, every day he made advances towards Louise and every day she fended him off.

Until one day she couldn’t.

Now I was sitting in the hospital, holding Louise’s hand.  She was in a coma, and the doctors didn’t think she would wake from it.  The damage done to her was too severe.

The doctors were wrong.

She woke, briefly, to name her five assailants.  It was enough to have them arrested.  It was not enough to have them convicted.

Justice would have to be served by other means.

I was outside the Bannister’s home.

I’d made my way there without really thinking, after watching Louise die.  It was like being on autopilot, and I had no control over what I was doing.  I had murder in mind.  It was why I was holding an iron bar.

Skulking in the shadows.  It was not very different from the way the Bannister’s operated.

I waited till Archie came out.  I knew he eventually would.  The police had taken him to the station for questioning, and then let him go.  I didn’t understand why, nor did I care.

I followed him up the towpath, waiting till he stopped to light a cigarette, then came out of the shadows.

“Wotcha got there Alan?” he asked when he saw me.  He knew what it was, and what it was for.

It was the first time I’d seen the fear in his eyes.  He was alone.

“Justice.”

“For that slut of a sister of yours.  I had nuffing to do with it.”

“She said otherwise, Archie.”

“She never said nuffing, you just made it up.”  An attempt at bluster, but there was no confidence in his voice.

I held up the pipe.  It had blood on it.  Willy’s blood.  “She may or may not have Archie, but Willy didn’t make it up.  He sang like a bird.  That’s his blood, probably brains on the pipe too, Archie, and yours will be there soon enough.”

“He dunnit, not me.  Lyin’ bastard would say anything to save his own skin.”  Definitely scared now, he was looking to run away.

“No, Archie.  He didn’t.  I’m coming for you.  All of you Bannisters.  And everyone who touched my sister.”

It was the recurring nightmare I had for years afterwards.

I closed my eyes and tried to shut out the thoughts, the images of Louise, the phone call, the visit to the hospital and being there when she succumbed to her injuries.  Those were the very worst few hours of my life.

She had asked me to come to the railway station and walk home with her, and I was running late.  If I had left when I was supposed to, it would never have happened and for years afterwards, I blamed myself for her death.

If only I’d not been late…

When the police finally caught the rapists, I’d known all along who they’d be; antagonists from school, the ring leader, Archie Bannister, a spurned boyfriend, a boy whose parents, ubiquitously known to all as ‘the Bannister’s, dealt in violence and crime and who owned the neighbourhood.  The sins of the father had been very definitely passed onto the son.

At school, I used to be the whipping boy, Archie, a few grades ahead of me, made a point of belting me and a few of the other boys, to make sure the rest did as they were told.  He liked Louise, but she had no time for a bully like him, even when he promised he would ‘protect’ me.

I knew the gang members, the boys who tow-kowed to save getting beaten up, and after the police couldn’t get enough information to prosecute them because everyone was too afraid to speak out, I went after Willy.  There was always a weak link in a group, and he was it.

He worked in a factory, did long hours on a Wednesday and came home after dark alone.  It was a half mile walk, through a park.  The night I approached him, I smashed the lights and left it in darkness.  He nearly changed his mind and went the long way home.

He didn’t.

It took an hour and a half to get the names.  At first, when he saw me, he laughed.  He said I would be next, and that was four words more than he knew he should have said.

When I found him alone the next morning I showed him the iron bar and told him he was on the list.  I didn’t kill him then, he could wait his turn, and worry about what was going to happen to him.

When the police came to visit me shortly after that encounter, no doubt at the behest of the Bannister’s, the neighbourhood closed ranks and gave me an ironclad alibi.  The Bannister’s then came to visit me and threatened me.  I told them their days were numbered and showed them the door.

At the trial, he and his friends got off on a technicality.  The police had failed to do their job properly, but it was not the police, but a single policeman, corrupted by the Bannisters.

Archie could help but rub it in my face.  He was invincible.

Joe Collins took 12 bullets and six hours to bleed out.  He apologized, he pleaded, he cried, he begged.  I didn’t care.

Barry Mills, a strong lad with a mind to hurting people, Archie’s enforcer, almost got the better of me.  I had to hit him more times than I wanted to, and in the end, I had to be satisfied that he died a short but agonizing death.

I revisited Willy in the hospital.  He’d recovered enough to recognize me, and why I’d come.  Suffocation was too good for him.

David Williams, second in command of the gang, was as tough and nasty as the Bannisters.  His family were forging a partnership with the Bannister’s to make them even more powerful.  Outwardly David was a pleasant sort of chap, affable, polite, and well mannered.  A lot of people didn’t believe he could be like, or working with, the Bannisters.

He and I met in the pub.  We got along like old friends.  He said Willy had just named anyone he could think of, and that he was innocent of any charges.  We shook hands and parted as friends.

Three hours later he was sitting in a chair in the middle of a disused factory, blindfolded and scared.  I sat and watched him, listened to him, first threatening me, and then finally pleading with me.  He’d guessed who it was that had kidnapped him.

When it was dark, I took the blindfold off and shone a very bright light in his eyes.  I asked him if the violence he had visited upon my sister was worth it.  He told me he was just a spectator.

I’d read the coroner’s report.  They all had a turn.  He was a liar.

He took nineteen bullets to die.

Then came Archie.

The same factory only this time there were four seats.  Anna Bannister, brothel owner, Spike Bannister, head of the family, Emily Bannister, sister, and who had nothing to do with their criminal activities.  She just had the misfortune of sharing their name.

Archie’s father told me how he was going to destroy me, and everyone I knew.

A well-placed bullet between the eyes shut him up.

Archie’s mother cursed me.  I let her suffer for an hour before I put her out of her misery.

Archie remained stony-faced until I came to Emily.  The death of his parents meant he would become head of the family.  I guess their deaths meant as little to him as they did me.

He was a little more worried about his sister.

I told him it was confession time.

He told her it was little more than a forced confession and he had done nothing to deserve my retribution.

I shrugged and shot her, and we both watched her fall to the ground screaming in agony.  I told him if he wanted her to live, he had to genuinely confess to his crimes.  This time he did, it all poured out of him.

I went over to Emily.  He watched in horror as I untied her bindings and pulled her up off the floor, suffering only from a small wound in her arm.  Without saying a word she took the gun and walked over to stand behind him.

“Louise was my friend, Archie.  My friend.”

Then she shot him.  Six times.

To me, after saying what looked like a prayer, she said, “Killing them all will not bring her back, Alan, and I doubt she would approve of any of this.  May God have mercy on your soul.”

Now I was in jail.  I’d spent three hours detailing the deaths of the five boys, everything I’d done; a full confession.  Without my sister, my life was nothing.  I didn’t want to go back to the foster parents; I doubt they’d take back a murderer.

They were not allowed to.

For a month I lived in a small cell, in solitary, no visitors.  I believed I was in the queue to be executed, and I had mentally prepared myself for the end.

Then I was told I had a visitor, and I was expecting a priest.

Instead, it was a man called McTavish. Short, wiry, and with an accent that I could barely understand.

“You’ve been a bad boy, Alan.”

When I saw it was not the priest I told the jailers not to let him in, I didn’t want to speak to anyone.  They ignored me.  I’d expected he was a psychiatrist, come to see whether I should be shipped off to the asylum.

I was beginning to think I was going mad.

I ignored him.

“I am the difference between you living or dying Alan, it’s as simple as that.  You’d be a wise man to listen to what I have to offer.”

Death sounded good.  I told him to go away.

He didn’t.  Persistent bugger.

I was handcuffed to the table.  The prison officers thought I was dangerous.  Five, plus two, murders, I guess they had a right to think that.  McTavish sat opposite me, ignoring my request to leave.

“Why’d you do it?”

“You know why.”  Maybe if I spoke he’d go away.

“Your sister.  By all accounts, the scum that did for her deserved what they got.”

“It was murder just the same.  No difference between scum and proper people.”

“You like killing?”

“No-one does.”

“No, I dare say you’re right.  But you’re different, Alan.  As clean and merciless killing I’ve ever seen.  We can use a man like you.”

“We?”

“A group of individuals who clean up the scum.”

I looked up to see his expression, one of benevolence, totally out of character for a man like him.  It looked like I didn’t have a choice.

Trained, cleared, and ready to go.

I hadn’t realized there were so many people who were, for all intents and purposes, invisible.  People that came and went, in malls, in hotels, trains, buses, airports, everywhere, people no one gave a second glance.

People like me.

In a mall, I became a shopper.

In a hotel, I was just another guest heading to his room.

On a bus or a train, I was just another commuter.

At the airport, I became a pilot.  I didn’t need to know how to fly; everyone just accepted a pilot in a pilot suit was just what he looked like.

I had a passkey.

I had the correct documents to get me onto the plane.

That walk down the air bridge was the longest of my life.  Waiting for the call from the gate, waiting for one of the air bridge staff to challenge me, stepping onto the plane.

Two pilots and a steward.  A team.  On the plane early before the rest of the crew.  A group that was committing a crime, had committed a number of crimes and thought they’d got away with it.

Until the judge, the jury and their executioner arrived.

Me.

Quick, clean, merciless.  Done.

I was now an operational field agent.

I was older now, and I could see in the mirror I was starting to go grey at the sides.  It was far too early in my life for this, but I expect it had something to do with my employment.

I didn’t recognize the man who looked back at me.

It was certainly not Alan McKenzie, nor was there any part of that fifteen-year-old who had made the decision to exact revenge.

Given a choice; I would not have gone down this path.

Or so I kept telling myself each time a little more of my soul was sold to the devil.

I was Barry Gamble.

I was Lenny Buckman.

I was Jimmy Hosen.

I was anyone but the person I wanted to be.

That’s what I told Louise, standing in front of her grave, and trying to apologize for all the harm, all the people I’d killed for that one rash decision.  If she was still alive she would be horrified, and ashamed.

Head bowed, tears streamed down my face.

God had gone on holiday and wasn’t there to hand out any forgiveness.  Not that day.  Not any day.

New York, New Years Eve.

I was at the end of a long tour, dragged out of a holiday and back into the fray, chasing down another scumbag.  They were scumbags, and I’d become an automaton hunting them down and dispatching them to what McTavish called a better place.

This time I failed.

A few drinks to blot out the failure, a blonde woman who pushed my buttons, a room in a hotel, any hotel, it was like being on the merry-go-round, round and round and round…

Her name was Silvia or Sandra, or someone I’d met before, but couldn’t quite place her.  It could be an enemy agent for all I knew or all I cared right then.

I was done.

I’d had enough.

I gave her the gun.

I begged her to kill me.

She didn’t.

Instead, I simply cried, letting the pent up emotion loose after being suppressed for so long, and she stayed with me, holding me close, and saying I was safe, that she knew exactly how I felt.

How could she?  No one could know what I’d been through.

I remembered her name after she had gone.

Amanda.

I remembered she had an imperfection in her right eye.

Someone else had the same imperfection.

I couldn’t remember who that was.

Not then.

I had a dingy flat in Kensington, a place that I rarely stayed in if I could help it.  After five-star hotel rooms, it made me feel shabby.

The end of another mission, I was on my way home, the underground, a bus, and then a walk.

It was late.

People were spilling out of the pub after the last drinks.  Most in good spirits, others slightly more boisterous.

A loud-mouthed chap bumped into me, the sort who had one too many, and was ready to take on all comers.

He turned on me, “Watch where you’re going, you fool.”

Two of his friends dragged him away.  He shrugged them off, squared up.

I punched him hard, in the stomach, and he fell backwards onto the ground.  I looked at his two friends.  “Take him home before someone makes mincemeat out of him.”

They grabbed his arms, lifted him off the ground and took him away.

Out of the corner of my eye, I could see a woman, early thirties, quite attractive, but very, very drunk.  She staggered from the bar, bumped into me, and finished up sitting on the side of the road.

I looked around to see where her friends were.  The exodus from the pub was over and the few nearby were leaving to go home.

She was alone, drunk, and by the look of her, unable to move.

I sat beside her.  “Where are your friends?”

“Dunno.”

“You need help?”

She looked up, and sideways at me.  She didn’t look the sort who would get in this state.  Or maybe she was, I was a terrible judge of women.

“Who are you?” she asked.

“Nobody.”  I was exactly how I felt.

“Well Mr Nobody, I’m drunk, and I don’t care.  Just leave me here to rot.”

She put her head back between her knees, and it looked to me she was trying to stop the spinning sensation in her head.

Been there before, and it’s not a good feeling.

“Where are your friends?” I asked again.

“Got none.”

“Perhaps I should take you home.”

“I have no home.”

“You don’t look like a homeless person.  If I’m not mistaken, those shoes are worth more than my weekly salary.”  I’d seen them advertised, in the airline magazine, don’t ask me why the ad caught my attention.

She lifted her head and looked at me again.  “You a smart fucking arse are you?”

“I have my moments.”

“Have them somewhere else.”

She rested her head against my shoulder.  We were the only two left in the street, and suddenly in darkness when the proprietor turned off the outside lights.

“Take me home,” she said suddenly.

“Where is your place?”

“Don’t have one.  Take me to your place.”

“You won’t like it.”

“I’m drunk.  What’s not to like until tomorrow.”

I helped her to her feet.  “You have a name?”

“Charlotte.”

The wedding was in a small church.  We had been away for a weekend in the country, somewhere in the Cotswolds, and found this idyllic spot.  Graves going back to the dawn of time, a beautiful garden tended by the vicar and his wife, an astonishing vista over hills and down dales.

On a spring afternoon with the sun, the flowers, and the peacefulness of the country.

I had two people at the wedding, the best man, Bradley, and my boss, Watkins.

Charlotte had her sisters Melissa and Isobel, and Isobel’s husband Giovanni, and their daughter Felicity.

And one more person who was as mysterious as she was attractive, a rather interesting combination as she was well over retirement age.  She arrived late and left early.

Aunt Agatha.

She looked me up and down with what I’d call a withering look.  “There’s more to you than meets the eye,” she said enigmatically.

“Likewise I’m sure,” I said.  It earned me an elbow in the ribs from Charlotte.  It was clear she feared this woman.

“Why did you come,” Charlotte asked.

“You know why.”

Agatha looked at me.  “I like you.  Take care of my granddaughter.  You do not want me for an enemy.”

OK, now she officially scared me.

She thrust a cheque into my hand, smiled, and left.

“Who is she,” I asked after we watched her depart.

“Certainly not my fairy godmother.”

Charlotte never mentioned her again.

Zurich in summer, not exactly my favourite place.

Instead of going to visit her sister Isobel, we stayed at a hotel in Beethovenstrasse and Isobel and Felicity came to us.  Her husband was not with her this time.

Felicity was three or four and looked very much like her mother.  She also looked very much like Charlotte, and I’d remarked on it once before and it received a sharp rebuke.

We’d been twice before, and rather than talk to her sister, Charlotte spent her time with Felicity, and they were, together, like old friends.  For so few visits they had a remarkable rapport.

I had not broached the subject of children with Charlotte, not after one such discussion where she had said she had no desire to be a mother.  It had not been a subject before and wasn’t once since.

Perhaps like all Aunts, she liked the idea of playing with a child for a while and then give it back.

Felicity was curious as to who I was, but never ventured too close.  I believed a child could sense the evil in adults and had seen through my facade of friendliness.  We were never close.

But…

This time, when observing the two together, something quite out of left field popped into my head.  It was not possible, not by any stretch of the imagination, but I thought she looked like my mother.

And Charlotte had seen me looking in their direction.  “You seem distracted,” she said.

“I was just remembering my mother.  Odd moment, haven’t done so for a very long time.”

“Why now?”  I think she had a look of concern on her face.

“Her birthday, I guess,” I said, the first excuse I could think of.

Another look and I was wrong.  She looked like Isobel or Charlotte, or if I wanted to believe it possible, Melissa too.

I was crying, tears streaming down my face.

I was in pain, searing pain from my lower back stretching down into my legs, and I was barely able to breathe.

It was like coming up for air.

It was like Snow White bringing Prince Charming back to life.  I could feel what I thought was a gentle kiss and tears dropping on my cheeks, and when I opened my eyes, I saw Charlotte slowly lifting her head, a hand gently stroking the hair off my forehead.

And in a very soft voice, she said, “Hi.”

I could not speak, but I think I smiled.  It was the girl with the imperfection in her right eye.  Everything fell into place, and I knew, in that instant that we were irrevocably meant to be together.

“Welcome back.”

© Charles Heath 2016-2019

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365 Days of writing, 2026 – 92

Day 92 – Holidays – Bah, humbug

…

The Blank Page, The Burnout, and the Necessity of Leaving Your Desk

There is a specific kind of romanticism attached to the image of the “tortured writer.” We envision the solitary figure, hunched over a desk in a dimly lit room, surrounded by stacks of paper and empty coffee mugs, finding their ultimate bliss in the quiet hum of creation.

If your ideal scenario—your slice of heaven—is sitting in a silent room with nothing but a blank sheet of paper and a pen, you might be wondering: Is there something wrong with me?

The short answer? No. But there is a danger in confusing “solitude” with “stagnation.”

The Comfort of the Void

For many of us, the blank page is the ultimate sanctuary. It is a space of pure potential, untainted by the messy, demanding realities of the outside world. When the world feels loud, chaotic, or overwhelming, the blank page is the only place where we can impose order. It’s a controlled environment where we are the architects of the universe.

However, that sanctuary can quickly become a cage. When you retreat into the vacuum of your own mind for too long, your writing begins to suffer. It loses its vitality, its texture, and its connection to the very thing it’s supposed to reflect: life.

The Myth of the Perpetual Engine

We feel guilty when we stop. We worry that if we step away from the desk, we’ll lose our momentum, our “voice,” or our discipline. But here is a hard truth every writer needs to internalise: To write about life, you must actually live it.

If you spend every waking hour staring at a blank page, you are not refilling the well; you are just watching the bottom of the bucket. Eventually, the well runs dry.

When you force yourself to stay in that room, you aren’t just risking a “writer’s block” or a mediocre draft; you are risking a breakdown. Writing requires a massive expenditure of emotional and intellectual energy. It is an act of extraction. If you never replenish, you begin to run on fumes. You become irritable, exhausted, and—perhaps worst of all—your writing starts to sound like a rehash of a rehash.

Why You Need to “Get Out”

Taking a break isn’t an act of laziness; it is a vital part of the creative process. Here is why you need to leave the room:

1. You need input to create output. Inspiration is rarely found at the desk. It is found in the way a stranger speaks on the bus, the changing colour of the leaves in the park, the frustrating delay of a train, or the taste of a meal you didn’t have to cook yourself. These experiences provide the “raw material” for your stories. Without them, your writing becomes abstract and hollow.

2. The subconscious needs room to breathe. Have you ever noticed that your best ideas come in the shower or while you’re out for a walk? That’s because your brain is a problem-solving machine that works best when it’s distracted. By stepping away, you give your subconscious permission to connect the dots that your conscious mind was too stubborn to see.

3. Perspective is a cure for perfectionism. When we sit in a room for too long, we lose our sense of proportion. A single paragraph feels like a life-or-death struggle. A week away from the work allows you to come back with fresh eyes, seeing the flaws you were blind to and the potential you had buried under anxiety.

The Holiday is Part of the Work

If you are currently feeling like the “ideal situation” of the blank page is starting to feel more like a prison cell, take it as your sign: Go on holiday.

It doesn’t need to be an exotic excursion. Go to a museum, sit in a crowded cafe, take a hike, or simply spend a weekend completely disconnected from your project. Give yourself the gift of being a person for a few days, rather than a “writer.”

When you return to that desk, you won’t be returning to a cage. You’ll be returning with pockets full of observations, a rested nervous system, and a surplus of energy.

The blank page will still be there. It’s not going anywhere. But it will be waiting for a version of you that has something new to say.

“What Sets Us Apart”, a mystery with a twist

David is a man troubled by a past he is trying to forget.

Susan is rebelling against a life of privilege and an exasperated mother who holds a secret that will determine her daughter’s destiny.

They are two people brought together by chance. Or was it?

When Susan discovers her mother’s secret, she goes in search of the truth that has been hidden from her since the day she was born.

When David realizes her absence is more than the usual cooling off after another heated argument, he finds himself being slowly drawn back into his former world of deceit and lies.

Then, back with his former employers, David quickly discovers nothing is what it seems as he embarks on a dangerous mission to find Susan before he loses her forever.

Find the Kindle version on Amazon here:  http://amzn.to/2Eryfth

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NaNoWriMo – April – 2026 – Day 19

As a result of a sit-down with Chester, who has been keeping an eye on the progress of the project, or at least that’s what he thinks, we’ve decided that there’s going to be a slight change.

Plan or not, writing the story was always going to go the way the characters want to go, and I’ve decided that the two protagonists are not going to have a happily ever after.

They can’t.

It was a pie in the sky notion that they could, given the nature of their professions. But it’s not only that; it comes down to the plans their employer has for them, and it certainly isn’t for them to be together.

So, the way it’s written, they were about to have that intimate moment when common sense took over, and instead of being together, they are apart in her apartment.

She wanted him to stay, he wanted to stay, but there are forces in play that dictate caution.

Then the plot twist no one saw coming.

I’m excited about the next ten days.

Stay tuned

The story behind the story: A Case of Working With the Jones Brothers

To write a private detective serial has always been one of the items at the top of my to-do list, though trying to write novels and a serial, as well as a blog, and maintain a social media presence, well, you get the idea.

But I made it happen, from a bunch of episodes I wrote a long, long time ago, used these to start it, and then continue on, then as now, never having much of an idea where it was going to end up, or how long it would take to tell the story.

That, I think is the joy of ad hoc writing, even you, as the author, have as much of an idea of where it’s going as the reader does.

It’s basically been in the mill since 1990, and although I finished it last year, it looks like the beginning to end will have taken exactly 30 years.  Had you asked me 30 years ago if I’d ever get it finished, the answer would be maybe?

My private detective, Harry Walthenson

I’d like to say he’s from that great literary mould of Sam Spade, or Mickey Spillane, or Phillip Marlow, but he’s not.

But I’ve watched Humphrey Bogart play Sam Spade with much interest, and modelled Harry and his office on it.  Similarly, I’ve watched Robert Micham play Phillip Marlow with great panache, if not detachment, and added a bit of him to the mix.

Other characters come into play, and all of them, no matter what period they’re from, always seem larger than life.  I’m not above stealing a little of Mary Astor, Peter Lorre or Sidney Greenstreet, to breathe life into beguiling women and dangerous men alike.

Then there’s the title, like

The Case of the Unintentional Mummy – this has so many meanings in so many contexts, though I imagine that back in Hollywood in the ’30s and ’40s, this would be excellent fodder for Abbott and Costello

The Case of the Three-Legged Dog – Yes, I suspect there may be a few real-life dogs with three legs, but this plot would involve something more sinister.  And if made out of plaster, yes, they’re always something else inside.

But for mine, to begin with, it was “The Case of the …”, because I had no idea what the case was going to be about, well, I did, but not specifically.

Then I liked the idea of calling it “The Case of the Brothers’ Revenge” because I began to have a notion there was a brother no one knew about, but that’s stuff for other stories, not mine, so then it went the way of the others.

Now it’s called ‘A Case of Working With the Jones Brothers’, finished the first three drafts, and I am at the editor for the last reading.

I have high hopes of publishing it mid 2026.  It even has a cover.

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The cinema of my dreams – It all started in Venice – Episode 5

A chance meeting with Juliet

…

I waited until her surveillance disappeared from view, then considered what to do next, or whether I’d created a problem for Juliet.  I had no doubt she would be informed of my intervention, so it would probably be better for me to chance upon her than the other way around and take it from there.

After watching her sip her coffee and take in the passing tourist traffic for a few minutes, I headed toward her.

And, with the right amount of surprise in my tone, I said, as I reached her and she turned to see who it was, “I recognize you, you’re Juliet, the doctor.”

She seemed genuinely shocked to see me, and immediately cast a glance over to the table where Giuseppe had been sitting, then, not seeing him, frantically looked around to see if he had moved.

“If you’re looking for a creepy-looking guy, I sent him packing.  I saw him watching you, so I threatened to get the police onto him.  I’m sure I could convince them he was part of a team of kidnappers.”

“You’re joking.”

She sounded horrified, which was either the result of very good acting, or she was in fact horrified that I’d tackle him.

“May I sit?”  I was starting to feel a little self-conscious standing in full view of everyone.

“Of course.  This is a pleasant and very unexpected surprise.”

I sat.  Clearly, she was not going to say why she was really in Venice, but a few harmless questions were in order, just to see how far she would bend the truth.

A waiter came and I ordered black coffee.  After he left I threw out the opening gambit.  “So, what’s a nice girl like you doing in a place like Venice?”

Her expression changed to one of bewilderment.  “How do you mean?”

“I’ve heard from so many visitors that this place is easy to get lost in, and you appear to be alone.  Just over-active curiosity.”

I realized that she might be offended, whether referring to her as a ‘nice girl’ or that she might get lost.

“I could ask the same.”  A frown, and brittle tone.  Perhaps it was better this way, and she would have to work harder in getting us together, though insulting her, if that was what she thought it was, hadn’t been my intention.

“That’s easy, I’m living here at the present time.”

“Living here?”  Brittle turned to astonishment.

“Yes, I have apartments in a few different cities, and I like to keep moving.  Venice is my current choice of city.”

“Then you’re not likely to get lost.”

Yes, a little dig, probably deserved.  “Not often but I have a few times in the past.”  But, back to the interrogation, “here for a visit, on a cruise ship passing through, or with purpose?”

With a subtle look up and down, and a moment’s silence, I had enough time to think about what she was making of my sudden appearance, and how fortunate, or unfortunate, it might be.

Time enough to throw away the bad thoughts, and move on.

“I’m staying in a quaint hotel overlooking the Canal.”

I bit my tongue before I could say ‘I know’.

“It can be a bit busy along there at times, but you’ll be close to a few good restaurants.  I can recommend a gondola ride if you get the right man.  And if you want to go anywhere, take the Vaporetto, the water taxis are very expensive.”

My coffee arrived, and while I thanked the waitress, she digested the information, and its intent, that I was not going to show her around.

I also took out the phone with the gadgets and put it on the table.  A few seconds later it vibrated, and rippling rings showed on the screen, a sigh there was a transmitter nearby.  Her phone was not far away.

She saw the blue rings.  “That’s an unusual ring tone.”

“Oh, that.  Not a ringtone.  A friend of mine is paranoid his wife’s tracking him, so he’s got all this stuff on his phone to track the trackers.”  I looked around at the others sitting nearby.  “Someone’s got a transmitting device nearby.”

“Wouldn’t a normal microphone set it off?”

She was remarkably calm for someone whose phone was setting it off.  Had Larry given her a phone and not tell her of its significance.  Knowing him, he probably didn’t trust her to report seeing me.  And it would be better if she didn’t know, she could react to any accusation just as she was now.

“I asked him that but apparently if the phone is recording data and relaying it, it will set it off.”

She looked around also.  There were at least five people nearby on their phones, some even with others sitting at the table.  Smartphones literally were conversation killers.

Then she simply shrugged.  “Why would you need to know if someone was relaying information?”

Good question.  There was no indignation in the question, just curiosity.

“That’s my security chief, he is the sort of man who suspects everyone of something until proven innocent.”

“You need a security chief?”  More surprise.

“You never know who’s lurking in the shadows, and I am worth a fair bit, so I can only travel with security.  They’re out there, on the perimeter where even I can’t see them.”

“Wasn’t that what you did once, when I first met you?”

“Me?  No, At that time I was running a desk and made the mistake of going into the field to follow a hunch.  Always in the background, never in the line of fire.  Anyway, after that, I quit and moved into software development.  My family always had money and I had to do something with it, and, luckily, I backed a winner.  Happily married until Violetta died recently, and now, trying to move on.  How about you?”

Another chance for her to tell me the truth, or a version of it.

“A doctor until I wasn’t.  I didn’t cope well with long shifts and a thankless work environment.  I made a few bad choices.  This is the new me, past that chapter.  I thought I’d lose myself in Europe to celebrate my sobriety, and, here I am.”

My phone beeped twice, the result of an alarm I set earlier, to remind me to call Alfie.

She looked at it, and then at me.

I shrugged.  “Business, even when I retired.  I have to go, but maybe we’ll run into each other again.”

I stood.  “Nice seeing you again.”  I gave her no option to join me.

…

© Charles Heath 2022

A to Z – April – 2026 – P

P is for – Princess

…

It was a mad dash from the office to the airport, and like most times when it came to personal travel, I just made it, or I was five minutes too late.

Of course, this time, I had a legitimate reason.  Because I had to clear the vacation days, I needed to go home and be with my mother, whose health had taken a turn for the worse, and it meant visiting HR.

And in HR was Adeline, the woman I had met at a staff function the week before and had spent a rather interesting evening.  I had a strict policy of not dating work colleagues, but for some reason, she seemed different.

It was not a date, and we had parted without any commitment to continue, though something inside me told me it might be worth pursuing.

I had to sign the vacation form, and she was the duty officer at the desk.  In the end, I had to run, but she had asked to exchange phone numbers.  I had no idea how long I would be gone, a few days or much longer, given my mother’s doctor wasn’t sure himself.

All I knew was that her time was almost up.  Stage four cancer was as unpredictable as it was relentless.  The only positive is that it has given me the time to get home and spend those last few weeks with her.

My brother and sister were on the other side of the world and wouldn’t be able to make it, though they were trying to get home.  The thing was that our mother was not all that keen for them to return.  It was an odd response and one I couldn’t understand.

Perhaps I would find out when I got there.

…

On a trip that involved two planes, one made at least a dozen times over the past two years without a glitch, was expected, discounting the circumstances, to be equally as easy.

Wrong.

It was like the universe was trying to tell me something.  A surplus bag left behind stopped my outward-bound first flight, delaying it to the point it was scrubbed, and everyone had to return the next day.

That killed the connecting flight, so that when I was finally on the ground, the second flight wasn’t leaving for another eleven hours.

I finally got home two days after I started out.  I was glad she was not at death’s door, or I would have missed seeing her alive and have those last few meaningless words we say to people who are dying.

It was a given that I would automatically ask how she was, knowing she was never going to feel well again.  And yet there was no stopping us because we had been indoctrinated a long time ago with such human concern.

She was propped up in a comfortable chair by the fire, reading a book when I got there, fighting off the beginnings of a snowstorm, and driving an unfamiliar car.

At best, I was expecting to be snowed in.  My mother’s last conversation over the phone while I was waiting for the second plane was upbeat, though I could hear the pain in her voice. She was on regulated morphine shots to manage that same pain.

I dumped my bag at the foot of the stairs and went into the large living space.  In winter, it could get very cold, but it was more the views in spring and summer that made up for the other two seasons.

“How could you read a book when the falling snow is so breathtakingly beautiful?”

In more ways than one.  The intense cold outside could make breathing difficult.  It used to affect me when I was younger.

“Richie, at last.”

I went over and gave her a hug.

Mrs Davis, her carer, came in carrying a tray with tea and coffee.  My mother had never acquired the taste for coffee, perhaps because of her family origins in England. 

She was, she always said, with a mischievous twinkle in her eye, that she should have been a princess, and only the thought of all that pomp and ceremony that came with the title had put her off, running away to America and a different sort of life.

And when we asked her what she meant, she would always say, ‘That’s for me to know and for you to find out’.  But it never escaped me that Dad always used to call her his ‘Princess’ with one of his enigmatic smiles, along with their story on how she came second in the Prom Queen stakes and therefore would always be his Princess.

I never understood what he meant, and the others just thought he was simply crazy in love with her.

It was the sort of love I wanted to find, but so far, I had not.

Mrs Davis poured the tea and left us.  I sat in the seat beside her, where Dad always sat.  It was strange that he always called the living room ‘the throne room’.

“You were lucky.  The airport just closed.  The snow is going to set in for a few days.”

God’s will, perhaps.

“Any word from the others?”  I could see the iPad beside her, a sure sign she had been video conferencing with my brother and sister.

“I told them it’s not urgent.  They have obligations and children to consider.  Unlike you, free as a bird.”

It was a blessing and, ironically, it was a curse.  She had hoped that she would have at least one grandchild from each of her children, and I had disappointed her.

There had been several candidates over the years, but I was not what they were looking for, and in the end, I decided not to try.  If it was meant to happen, it would.

“I’m sorry.”

“Don’t be.  I’d rather she were perfect for you than second best.”

“You were, according to Dad, and that’s all I ask for.”

“You’re not a second-best sort of person, Richie.  She’s out there. You just haven’t met her yet.”

It was the same every time I came home.  It saddened me that this would be the last time and that it was going to be hard to remain upbeat.

…

Several weeks passed, and it was very hard to watch her slowly decline.  Her bed was set up in the living room, making it easier for her to get from the bed to the seat

A steady stream of visitors showed how much the townsfolk adored her, everyone coming to pay their respects while she had the strength.

Now it was deserting her, so she remained in bed and held court from there.  A different colour dressing gown for each day of the week.

Our conversations were of childhood memories, hers and mine, though there were hardly any of mine that she wasn’t aware of, and a whole swathe of hers I had no idea about.  I don’t think any of us did, Dad included, and it sounded to me like she had another life before this one.  I didn’t believe in reincarnation, but the stories, well, they sounded too real to be just in her imagination.

She had lived a life that was quite literally beyond imagination.

Until…

A few days later, a visitor came.  Not your average visitor, but someone who looked vaguely familiar, someone I’d seen before.

Someone who called her mama.

She sat down opposite my mother and took her hand in hers.  It was like turning on a light switch and watching the brightness of an illuminated globe light up the room.

“Anastasia?”

“Yes, mama.  It is me.  It is your time.”

Mother looked at me with watery eyes and a big smile, happy in a way she had not been for a long time.  “I asked Anastasia to come see you.  I told her you were a good boy.”

Whatever that meant.

She then closed her eyes for so long I thought she had passed, finally content that her time had come, but then she said, with conviction, “You have heard this story a million times, but not quite.”

At first, I thought she was going to tell me one of her fairy tales, but she was not.  She had opened her eyes and was looking straight at me.

“What more could there be?” I asked.

“More than you could ever imagine.”

…

Then, it was like a light went on in my head.  The woman sitting next to my mother, holding her hand, looking angelic.

The Princess Anastasia.  I’d just been reading about her, from some obscure country tucked away in the mountainous region of Europe, a place few knew about and even less could visit.

And then looking between the two, the uncanny resemblance between the two.

“You can see it, can’t you?” Anastasia said.

“You are related.”

“She is my mother, yes.  She was banished many, many years ago, and I have only just found her.  You are her son.  Her dying wish was for you to return to her homeland, and if you honour her dying wish, I will be very happy to take you there.”

My mother looked at me with teary eyes.  “Will you?”

“What about the others?”

“Then need not know, and it would be of little concern to them.  They are not of your blood.  You are the son of a prince and a princess, Richard, and meant for greater things.  Please tell me you will return with Anastasia.”  She reached out for my hand, and when I took it in mine, it felt cold.  Her glow was beginning to fade, and the end was near.

To be honest, I thought she was off her rocker, but the earnestness in her tone, and the fact that I was sitting next to a real, live princess, and apparently my sister.  I think I just nodded dumbly.

With that, she passed, and though I was not to know then, a whole new world awaited me.

…

©  Charles Heath  2025-2026

NaNoWriMo – April – 2026 – Day 18

The problems of the day before are gone, and I get back to the plan.

Today I have concentrated on the side excursion I’d come up with the other day and thought it could wait, but I’m at a point, further on, where I need to have this written to feed into the main story.

I’m in two minds about how this should be written because I had two possible outcomes sketched out two possible outcomes, and one leads to quite a different ending.

The plan, son, the plan!

I edit it as it should be, and the other outcome gets crossed out, and the outline is sent to the ‘to be written sometime in the future’ pile.  It’s a strong enough ending to power its own story.

I might even become a sequel.

Hang on, don’t get carried away.  Get this one finished first.

365 Days of writing, 2026 – 91

Day 91 – The writing sprint inspired by an event years before

…

The Myth of the “Overnight” Success: What Jack Kerouac Can Teach Us About Creativity

We love the narrative of the “lightning bolt.” We want to believe that great art—the kind that defines a generation—is born in a flash of divine inspiration.

Take Jack Kerouac’s On the Road. The legend goes that he wrote the entire, sprawling masterpiece in one manic, caffeine-fueled, three-week sprint. It’s the ultimate romantic story for writers: lock yourself in a room, feed paper into a typewriter, and emerge with a bestseller.

But if we stop there, we miss the most important part of the process. We ignore the seven years of gasoline, asphalt, jazz clubs, and heartbreak that happened before the paper hit the typewriter.

The Seven-Year “Incubation”

Before that legendary three-week sprint in 1951, Kerouac wasn’t just sitting around waiting for a muse. He was living. He was riding buses across the American landscape, working on railroads, observing the rhythm of the beatniks, and—crucially—filling notebooks with sketches and observations.

He was conducting a seven-year masterclass in experience.

When people ask, “Is it really possible to write a bestseller in three weeks?” the answer is both yes and no. You can write the draft in three weeks, but you cannot live the life in three weeks.

Kerouac didn’t “write” On the Road in three weeks; he transcribed seven years of accumulated soul-searching. The writing was the harvest; the seven years were the soil, the rain, and the seasons.

Why Your “Sprints” Are Only as Good as Your “Strolls”

Many aspiring writers get stuck because they try to force the sprint without doing the strolling. They want the climax of the creative process without the tedious, often messy work of gathering material.

If you are feeling blocked, perhaps you aren’t lacking “inspiration.” Perhaps you are simply lacking input.

Creativity is a digestive process. You consume the world—people, conversations, nature, failure, thrill—and your subconscious ferments these experiences until they are ready to be poured out. If you try to sprint when your internal tank is empty, you’ll find yourself staring at a blank cursor, terrified.

The Power of the “Controlled Spill”

Kerouac’s three-week sprint was successful because it was a controlled spill. He had spent years thinking about the story, dreaming about the characters, and refining his voice. By the time he rolled that 120-foot scroll of paper into his typewriter, the story was already finished in his mind. He just had to get out of its way.

Here is how you can apply the “Kerouac Method” to your own work:

  1. Stop Trying to Sprint Every Day: You will burn out. Use your “off-days” to experience life. Collect curiosities. Write down fragments of dialogue. Store up the images that move you.
  2. Trust the Incubation Period: The best ideas often sit in the back of your brain for years. Don’t force them onto the page until they feel heavy, until they are practically vibrating and demanding to be let out.
  3. Prepare the Environment: When the time comes to sprint, clear the deck. Eliminate the distractions. Make the physical act of writing as seamless as possible. Kerouac famously used a continuous scroll to avoid the “interruption” of changing pages. Find your version of that.
  4. Accept the Mess: A three-week sprint is not about perfection; it’s about velocity. Leave the editing for a later date. Your goal during the sprint is to capture the lightning, not to organise the storm.

The Lesson

The myth of the three-week bestseller is a dangerous one if you think it means you can skip the hard work of living. But it is an empowering one if you realise that your life is your research.

Every conversation you have, every mile you travel, and every heartbreak you endure is a brick in the foundation of your future masterpiece. Spend your years gathering the material, and then, when the pressure becomes too much to hold inside, give yourself permission to run.

You might just find that you’re capable of writing your own version of brilliance.