The cinema of my dreams – Was it just another surveillance job – Episode 3

I’ve had time to think about the next part of this opening sequence.

Long plane rides that leave in the dead of night are always conducive to working through plotlines because being on a plane in economy, the chances of getting any sleep is nigh on impossible.

And yet, this time the impossible is possible, which means that sleeping has overtaken the thinking process, and it will have to wait till I’ve woken up.

Of course, as usual, being in this interesting situation has provided another tangent, which is doing the impossible.  It reminds me of a saying I once heard, ‘if you want the impossible it will take some time if want a miracle, that will take a little longer’.  Temper that with ‘how long is a piece of string?’

When we last visited our intrepid wannabe hero, we were left with a cryptic ‘is anyone ever in the wrong place at the wrong time?’

Sometimes, but not for our particular hero.

 

It could be worse, I told myself, while the paramedic cleaned up my cuts and abrasions and gave me a concussion test, which, I suspect, might not quite discover if I was or not.  But, at that moment, it didn’t matter.

I’d lost the person I’d been assigned to keep under surveillance.

It was meant to be a doddle, but of course, no one could ever predict what the conditions might be in any exercise, and whilst I was one part of a team effort, it had been on my watch, and I only realized what it was that I’d been doing when a voice in my ear started asking for an update, because it was coming up to the changeover.

I was surprised the noise of the explosion hadn’t been transmitted to the others.  I waited till the paramedic had finished, a minute at most.

“I got caught up in an explosion, a couple of over-enthusiastic bank robbers, and taken down.  The target was ahead of me.”  I gave the team leader the exact location of where I’d last seen the target, then waited.

If the team was functioning properly, one of the other three should have been close enough to predict where the target would be at the change over point.

“Are you alright?”  It was a question I’d expected earlier.

“Got caught in the aftershock, got a few cut and abrasions, and a ringing in my ears, but otherwise ok.  The paramedics want me to go to the hospital to be checked over, mainly for a concussion, but I’m ok to resume if you want.”

A minute, two, of silence, then, “Do as they say.  We have the target still under surveillance.”

And that was it, what I regarded as a massive fail, despite the circumstances.

I watched the paramedics load the battered policeman onto a gurney and head towards the ambulance.  I went over to the cuffs and picked them up.  A souvenir of the event, if nothing else.

Lights flashing and siren wailing it left, heading for the hospital.

I took a last look at the scene and started walking away in the direction I was originally heading, and once past the perimeter, walked through the group of bystanders who’d gathered to watch the event unfold.  On the other side, I stopped, took another look back at the scene, and did the proverbial double take.

Standing not ten yards from me was the target.

And a quick look in every direction for the members of the surveillance team showed none of them was anywhere near the target.

I spoke quietly into the communication device.

“Target, I repeat, the target is in sight.  Is anyone nearby by?”

Silence.

 

So we now have a dilemma, if there is no answer from the team, are they maintaining radio silence, or is something more sinister afoot?

 

©  Charles Heath 2019

‘Sunday in New York’ – A beta reader’s view

I’m not a fan of romance novels but …

There was something about this one that resonated with me.

This is a novel about a world generally ruled by perception, and how people perceive what they see, what they are told, and what they want to believe.

I’ve been guilty of it myself as I’m sure we all have at one time or another.

For the main characters Harry and Alison there are other issues driving their relationship.

For Alison, it is a loss of self-worth through losing her job and from losing her mother and, in a sense, her sister.

For Harry, it is the fact he has a beautiful and desirable wife, and his belief she is the object of other men’s desires, and one in particular, his immediate superior.

Between observation, the less than honest motives of his friends, a lot of jumping to conclusions based on very little fact, and you have the basis of one very interesting story.

When it all comes to a head, Alison finds herself in a desperate situation, she realises only the truth will save their marriage.

But is it all the truth?

What would we do in similar circumstances?

Rarely does a book have me so enthralled that I could not put it down until I knew the result. They might be considered two people who should have known better, but as is often the case, they had to get past what they both thought was the truth.

And the moral of this story, if it could be said there is one, nothing is ever what it seems.

Available on Amazon here: amzn.to/2H7ALs8

The cinema of my dreams – Was it just another surveillance job – Episode 3

I’ve had time to think about the next part of this opening sequence.

Long plane rides that leave in the dead of night are always conducive to working through plotlines because being on a plane in economy, the chances of getting any sleep is nigh on impossible.

And yet, this time the impossible is possible, which means that sleeping has overtaken the thinking process, and it will have to wait till I’ve woken up.

Of course, as usual, being in this interesting situation has provided another tangent, which is doing the impossible.  It reminds me of a saying I once heard, ‘if you want the impossible it will take some time if want a miracle, that will take a little longer’.  Temper that with ‘how long is a piece of string?’

When we last visited our intrepid wannabe hero, we were left with a cryptic ‘is anyone ever in the wrong place at the wrong time?’

Sometimes, but not for our particular hero.

 

It could be worse, I told myself, while the paramedic cleaned up my cuts and abrasions and gave me a concussion test, which, I suspect, might not quite discover if I was or not.  But, at that moment, it didn’t matter.

I’d lost the person I’d been assigned to keep under surveillance.

It was meant to be a doddle, but of course, no one could ever predict what the conditions might be in any exercise, and whilst I was one part of a team effort, it had been on my watch, and I only realized what it was that I’d been doing when a voice in my ear started asking for an update, because it was coming up to the changeover.

I was surprised the noise of the explosion hadn’t been transmitted to the others.  I waited till the paramedic had finished, a minute at most.

“I got caught up in an explosion, a couple of over-enthusiastic bank robbers, and taken down.  The target was ahead of me.”  I gave the team leader the exact location of where I’d last seen the target, then waited.

If the team was functioning properly, one of the other three should have been close enough to predict where the target would be at the change over point.

“Are you alright?”  It was a question I’d expected earlier.

“Got caught in the aftershock, got a few cut and abrasions, and a ringing in my ears, but otherwise ok.  The paramedics want me to go to the hospital to be checked over, mainly for a concussion, but I’m ok to resume if you want.”

A minute, two, of silence, then, “Do as they say.  We have the target still under surveillance.”

And that was it, what I regarded as a massive fail, despite the circumstances.

I watched the paramedics load the battered policeman onto a gurney and head towards the ambulance.  I went over to the cuffs and picked them up.  A souvenir of the event, if nothing else.

Lights flashing and siren wailing it left, heading for the hospital.

I took a last look at the scene and started walking away in the direction I was originally heading, and once past the perimeter, walked through the group of bystanders who’d gathered to watch the event unfold.  On the other side, I stopped, took another look back at the scene, and did the proverbial double take.

Standing not ten yards from me was the target.

And a quick look in every direction for the members of the surveillance team showed none of them was anywhere near the target.

I spoke quietly into the communication device.

“Target, I repeat, the target is in sight.  Is anyone nearby by?”

Silence.

 

So we now have a dilemma, if there is no answer from the team, are they maintaining radio silence, or is something more sinister afoot?

 

©  Charles Heath 2019

‘Sunday in New York’ – A beta reader’s view

I’m not a fan of romance novels but …

There was something about this one that resonated with me.

This is a novel about a world generally ruled by perception, and how people perceive what they see, what they are told, and what they want to believe.

I’ve been guilty of it myself as I’m sure we all have at one time or another.

For the main characters Harry and Alison there are other issues driving their relationship.

For Alison, it is a loss of self-worth through losing her job and from losing her mother and, in a sense, her sister.

For Harry, it is the fact he has a beautiful and desirable wife, and his belief she is the object of other men’s desires, and one in particular, his immediate superior.

Between observation, the less than honest motives of his friends, a lot of jumping to conclusions based on very little fact, and you have the basis of one very interesting story.

When it all comes to a head, Alison finds herself in a desperate situation, she realises only the truth will save their marriage.

But is it all the truth?

What would we do in similar circumstances?

Rarely does a book have me so enthralled that I could not put it down until I knew the result. They might be considered two people who should have known better, but as is often the case, they had to get past what they both thought was the truth.

And the moral of this story, if it could be said there is one, nothing is ever what it seems.

Available on Amazon here: amzn.to/2H7ALs8

Inspiration comes from the most unlikely sources

And this was one of those times.

Before the COVID-19 pandemic, a time that is rapidly disappearing in our collective memories, we came down from Brisbane to Melbourne for a wedding, perhaps the last for this family for quite some time, this being my wife’s brother’s last daughter to tie the knot, so to speak.

And like someone said, as with births, weddings and funerals, it turned into a family reunion on my wife’s side of the family.

But there were extra benefits…

We got to meet the extended family of the groom.

And, we got an insight into their friends, the thirty-something, footloose and fancy-free acquaintances that had been off and on a part of the bride and groom’s life for about 15 or so years, and most of who had been to London, for various stints, and who are now scattered across Australia, and other international destinations.

I have to say that these people were quite interesting.

As an older person, I didn’t have much in common, so I followed one of my father’s old adages, if you’ve got nothing to say, shut up and listen.

And as a writer, I did something else, observe.

It was an eye-opening experience if nothing else, and a rather interesting look into what it might be like as an unmarried reasonably well-off thirty-something. For starters, you didn’t have to worry about the price of drinks, or how much you drank. You can just up and go anywhere in the world at the drop of a hat. For a few minutes there I was starting to feel envious.

It was sometimes overindulgence, but I noticed it was never to the point of becoming what some refer to as legless. Noisy perhaps, crude at times, yes, but in reminiscing, it was a curious phenomenon that they had all “hooked up” at some time or other.

Aside from learning what appeared to be a new “language”, there was also a running theme that at one time or another nearly all of them had lived with the groom in London for a period.

It got me thinking.

It would make a good story.

It was just trying to find a context, other than a wedding, that would bring them together, one where a series of vignettes that involved each of them, in turn, could bring the story of that person to life.

In this case, but not so much the reminiscing, it was the wedding.

What if it was an untimely funeral?

Trying to find joy in the midst of a very sad occasion.

I’m sure this has been done to death many times, but after hearing a lot of happy memories, it seems to me that in this case, it could be uplifting.

Yes, the ideas need a little work, but it’s firmly there in my mind.

Perhaps when I get back home, I might just start writing.

Inspiration comes from the most unlikely sources

And this was one of those times.

Before the COVID-19 pandemic, a time that is rapidly disappearing in our collective memories, we came down from Brisbane to Melbourne for a wedding, perhaps the last for this family for quite some time, this being my wife’s brother’s last daughter to tie the knot, so to speak.

And like someone said, as with births, weddings and funerals, it turned into a family reunion on my wife’s side of the family.

But there were extra benefits…

We got to meet the extended family of the groom.

And, we got an insight into their friends, the thirty-something, footloose and fancy-free acquaintances that had been off and on a part of the bride and groom’s life for about 15 or so years, and most of who had been to London, for various stints, and who are now scattered across Australia, and other international destinations.

I have to say that these people were quite interesting.

As an older person, I didn’t have much in common, so I followed one of my father’s old adages, if you’ve got nothing to say, shut up and listen.

And as a writer, I did something else, observe.

It was an eye-opening experience if nothing else, and a rather interesting look into what it might be like as an unmarried reasonably well-off thirty-something. For starters, you didn’t have to worry about the price of drinks, or how much you drank. You can just up and go anywhere in the world at the drop of a hat. For a few minutes there I was starting to feel envious.

It was sometimes overindulgence, but I noticed it was never to the point of becoming what some refer to as legless. Noisy perhaps, crude at times, yes, but in reminiscing, it was a curious phenomenon that they had all “hooked up” at some time or other.

Aside from learning what appeared to be a new “language”, there was also a running theme that at one time or another nearly all of them had lived with the groom in London for a period.

It got me thinking.

It would make a good story.

It was just trying to find a context, other than a wedding, that would bring them together, one where a series of vignettes that involved each of them, in turn, could bring the story of that person to life.

In this case, but not so much the reminiscing, it was the wedding.

What if it was an untimely funeral?

Trying to find joy in the midst of a very sad occasion.

I’m sure this has been done to death many times, but after hearing a lot of happy memories, it seems to me that in this case, it could be uplifting.

Yes, the ideas need a little work, but it’s firmly there in my mind.

Perhaps when I get back home, I might just start writing.

The fourth attempt, other factors, and people

There are two other characters that will be used in this rewrite, the second an addition to give the main character a means of letting the reader get to know a bit about him.

His name is Milt, an African American that’s always been on the fringe.  Another who is a victim of his circumstances but not letting it get the better of him, the sort of man who makes the best of a bad situation.

He’s seen active service in the army, honourably discharged, but still affected though not as bad as some of those he served with.  He is in fact the ideal man for the job, with combat experience, so he’s not likely to get flustered in a shit storm.

And probably not the man you want on this site.  Being in desperate circumstances doesn’t mean you do desperate things.

He is one of a team of four and our main character drew the straw to partner him.  There are two others, based on the other side of the park, neither of whom are trustworthy, Smithy, the overall leader, to whom they all report at shift start and end, and Carruthers, an Englishman reputed to be ex SAS, but no one is inclined to believe him. 

The scars on his neck tell a story, but it was left to the other’s imagination, as he doesn’t talk about it.  Milt was of the opinion he was captured in Afghanistan and tortured, but that could be just be canteen scuttlebutt.

Whatever the circumstances, Graham kept away from him as much as possible, and was glad when he didn’t have to partner him for the shift.

The other character. Penelope has featured in the earlier versions of the story.  Over the changes her background has changed, but I’ve settled on a medical surgeon career, renown for doing tricky procedures with a high success rate, and in doing so gained a reputation, some not always good.

Wealth and ego don’t always make a good pair, and marrying wealth brings its own rewards and pitfalls, particularly when you discover the man you married isn’t exactly whom you thought he was.

It is of course a typical scenario, but I’m going to try and weave it differently.  There will be no more teasers until the story starts.

But she will be introduced earlier than in the previous iterations because she needs some backstory too, otherwise just arriving at Graham’s work and getting shot, while provoking a volatile situation that drags the reader in, out of left field is not exactly the best start.

So, let’s begin.

© Charles Heath 2022

The fourth attempt, other factors, and people

There are two other characters that will be used in this rewrite, the second an addition to give the main character a means of letting the reader get to know a bit about him.

His name is Milt, an African American that’s always been on the fringe.  Another who is a victim of his circumstances but not letting it get the better of him, the sort of man who makes the best of a bad situation.

He’s seen active service in the army, honourably discharged, but still affected though not as bad as some of those he served with.  He is in fact the ideal man for the job, with combat experience, so he’s not likely to get flustered in a shit storm.

And probably not the man you want on this site.  Being in desperate circumstances doesn’t mean you do desperate things.

He is one of a team of four and our main character drew the straw to partner him.  There are two others, based on the other side of the park, neither of whom are trustworthy, Smithy, the overall leader, to whom they all report at shift start and end, and Carruthers, an Englishman reputed to be ex SAS, but no one is inclined to believe him. 

The scars on his neck tell a story, but it was left to the other’s imagination, as he doesn’t talk about it.  Milt was of the opinion he was captured in Afghanistan and tortured, but that could be just be canteen scuttlebutt.

Whatever the circumstances, Graham kept away from him as much as possible, and was glad when he didn’t have to partner him for the shift.

The other character. Penelope has featured in the earlier versions of the story.  Over the changes her background has changed, but I’ve settled on a medical surgeon career, renown for doing tricky procedures with a high success rate, and in doing so gained a reputation, some not always good.

Wealth and ego don’t always make a good pair, and marrying wealth brings its own rewards and pitfalls, particularly when you discover the man you married isn’t exactly whom you thought he was.

It is of course a typical scenario, but I’m going to try and weave it differently.  There will be no more teasers until the story starts.

But she will be introduced earlier than in the previous iterations because she needs some backstory too, otherwise just arriving at Graham’s work and getting shot, while provoking a volatile situation that drags the reader in, out of left field is not exactly the best start.

So, let’s begin.

© Charles Heath 2022

The fourth attempt, let’s look at the location

Equally important is the location.  Dark and brooding characters need dark and brooding locations.  It’s undeniable that there’s evil everywhere, we just have to look for it.

Of course, that’s not what I do, but …

I have been in a few tight corners, with some possibly dark and brooding characters where my heart rate has increased exponentially, and was saved by quick thinking, and a desire not to hang around and see what happens (for the purposes of a writable experience – no,, I’m not that stupid).

As the story stands, we move from a small staff room or restroom, and then we move out to the car park of … what?  It’s not exactly clear where it is, only that Graham is leaving work to go home.

Whether it’s clear or not, Graham is a security guard, part of a team that works on an industrial estate where there’s a number of factories and office blocks. 

Some of those buildings are empty, for a variety of reasons, so a back story for this might be created so that I can convey a clearer picture of not only the bricks and mortar but what it’s like there.

Ergo the first descriptive line, stepping outside into the epicenter of the south pole.  There is snow everywhere, which meant it was falling while he was inside at work, but now, the moment he leaves, it’s stopped.  Cold, then, and clear.

So it begins…

Now, as a secondary theme, it might not be obvious the owners are lax in the hiring of security staff to watch over their assets, staff that are relatively dubious in character, which might, in turn, mean that the notion of using cut-price security might mean something else is going on.

Are the empty factories empty?  Or have they been repurposed, and the guards are not sure what they’re guarding?  Do they want to know?  A job is a job, and in this situation, either from a hint from the employer, or the words of an old hand, and it doesn’t pay to poke a nose in where it’s not wanted.

So, as you can see, when starting the story I didn’t give proper thought to the background story, the fact that I could weave another or several storylines intertwined with what will be the master plotline.

What is the master plotline?

I have an idea or two, but let’s not get to ahead of ourselves.

Let’s stitch together a scenario or two for the back story and see where it takes us.  Remember that this was more or less part of the storyline originally in my mind but may not have been articulated in what I wrote at the time.

Basically, then, we’re dealing with a large industrial site on the outskirts of a city in decline.  Everyone can relate to the problematic times we’re in now, but this was written at the height of the last global financial meltdown about fifteen years ago, which caused a deep recession.

Within that framework, a lot of businesses and people went to the wall.  Graham, and others, lost a decent paying job, as well as his house, having finally got on the property ladder, only to find he couldn’t pay for it.

At the time he was not alone in that respect.  And lenders were not immune either, so there’s the possibility of one or two industrial park owners not exactly being legit in some of their business dealings, not after taking heavy hits financially.

In that scenario, there’s always the possibility of insurance fraud as a means of cutting losses, hence the need for security that might be asked to look the other way.

Another possibility could be that empty buildings and enterprising men, or women, fit the category of ‘the devil finds work for idle hands’. 

Or someone who recognizes an opportunity to make some money.  That particular scenario opens the door to a plethora of ideas.

© Charles Heath 2021

The fourth attempt, let’s look at the location

Equally important is the location.  Dark and brooding characters need dark and brooding locations.  It’s undeniable that there’s evil everywhere, we just have to look for it.

Of course, that’s not what I do, but …

I have been in a few tight corners, with some possibly dark and brooding characters where my heart rate has increased exponentially, and was saved by quick thinking, and a desire not to hang around and see what happens (for the purposes of a writable experience – no,, I’m not that stupid).

As the story stands, we move from a small staff room or restroom, and then we move out to the car park of … what?  It’s not exactly clear where it is, only that Graham is leaving work to go home.

Whether it’s clear or not, Graham is a security guard, part of a team that works on an industrial estate where there’s a number of factories and office blocks. 

Some of those buildings are empty, for a variety of reasons, so a back story for this might be created so that I can convey a clearer picture of not only the bricks and mortar but what it’s like there.

Ergo the first descriptive line, stepping outside into the epicenter of the south pole.  There is snow everywhere, which meant it was falling while he was inside at work, but now, the moment he leaves, it’s stopped.  Cold, then, and clear.

So it begins…

Now, as a secondary theme, it might not be obvious the owners are lax in the hiring of security staff to watch over their assets, staff that are relatively dubious in character, which might, in turn, mean that the notion of using cut-price security might mean something else is going on.

Are the empty factories empty?  Or have they been repurposed, and the guards are not sure what they’re guarding?  Do they want to know?  A job is a job, and in this situation, either from a hint from the employer, or the words of an old hand, and it doesn’t pay to poke a nose in where it’s not wanted.

So, as you can see, when starting the story I didn’t give proper thought to the background story, the fact that I could weave another or several storylines intertwined with what will be the master plotline.

What is the master plotline?

I have an idea or two, but let’s not get to ahead of ourselves.

Let’s stitch together a scenario or two for the back story and see where it takes us.  Remember that this was more or less part of the storyline originally in my mind but may not have been articulated in what I wrote at the time.

Basically, then, we’re dealing with a large industrial site on the outskirts of a city in decline.  Everyone can relate to the problematic times we’re in now, but this was written at the height of the last global financial meltdown about fifteen years ago, which caused a deep recession.

Within that framework, a lot of businesses and people went to the wall.  Graham, and others, lost a decent paying job, as well as his house, having finally got on the property ladder, only to find he couldn’t pay for it.

At the time he was not alone in that respect.  And lenders were not immune either, so there’s the possibility of one or two industrial park owners not exactly being legit in some of their business dealings, not after taking heavy hits financially.

In that scenario, there’s always the possibility of insurance fraud as a means of cutting losses, hence the need for security that might be asked to look the other way.

Another possibility could be that empty buildings and enterprising men, or women, fit the category of ‘the devil finds work for idle hands’. 

Or someone who recognizes an opportunity to make some money.  That particular scenario opens the door to a plethora of ideas.

© Charles Heath 2021