Category: Uncategorized

The cinema of my dreams – It continued in London – Episode 38

It was the orange ribbon

…

“It’s the orange ribbon, isn’t it,” Cecilia said.  “I thought it looked good with the yellow floral summer dress and the fake fur coat.”

I had thought Juliet was just shocked to see Cecelia again with me, that we were possibly having a relationship.  It was something else.

Cecelia looked at me.  “Alfie said Vittoria called Juliet while you were texting me, a bit like ships passing in the night, to tell her she was on her way, and this idiot woman in a fur coat and orange ribbon had almost knocked her off the sidewalk.  I mean, really, people buried in their phones should be knocked off the sidewalk.”

We both looked at Juliet.  I could see she was thinking fast on her feet, then smile at Cecelia, and say, “Wow!  What can I say?  How’s your acting career going?”

“Good actually.  I got a part as a mercenary.  Just need to do the training and figure out how I’m going to survive the Moroccan sun, I mean, with this skin?”

There were two slices of pizza.  “Do you mind,” Cecilia said, “I shouldn’t but it’s been one of those days.”

Juliet nodded.

“Now, Juliet, do you want to revise any answers?”

“Who are you really?  The two of you?”

“We find people.  Or I used to until Larry came after me, and then my boss decided I couldn’t retire, or maybe it was his wife this time.  She’s a good chum of the countess.  It seems if I found her, I can finally go back to my well-earned retirement.  So, one question, did your mother, Vittoria Romano, kidnap her?”

“No.”

No hesitation.  Interesting.

“She is up in your apartment at the moment?”

Juliet looked at Cecilia, reaching for the second slice.

“Yes.”

“How long have you known about her?”

“About three months.  She found me.  I didn’t believe it at first, but apparently, she had to wait until my adoptive mother died before she could see me in person.  It was the agreement they made.  By the way, she shared the money the count paid her for my upkeep and to go to medical school.”

“So, you are his daughter?”

“She showed me the birth certificate.  It has his name on it.  No one was ever supposed to know.”

“Until the money stopped.  Who did she go to?”

“The countess.  My mother had nothing to do with her disappearance.  You should be looking at the family, that Alessandro is a criminal, the whole family are.”

“They’re bankers,” Cecilia said.  “Is there a difference?”

“OK.  If she is not guilty of anything, then she will have no trouble talking to us?”

“I can ask?”

“No.  Not until we’re on the doorstep.  You may think she’s not guilty because she told you so, but unfortunately, I don’t have that luxury.  And you know me well enough to know that I keep an open mind about everything.”

“Do I have a choice?”

“You do.  But if we let you go and we find out you’ve lied to us, then we’ll hunt you down, no matter where you are, and we will not be as nice as we are now.”  The way Cecelia said it, it sounded like she relished hunting down criminals and liars.  The words were accompanied by a very mean look.

“Can we finish dinner first?”

“Of course.  I was looking forward to having some tiramisu.”

Cecelia was in a role.  She smiled.  I was glad she wouldn’t be hunting me.

Another small pizza, tiramisu, red wine, coffee and conversation, from the outside could be construed as three friends meeting up and having a leisurely dinner and reminiscing.

Cecelia was genuinely interested in car accident victims, to help her in her auditions, and Juliet was genuinely interested in the movie business.  I was fascinated watching the two women together, wondering if Juliet thought there was something between us.

Back in Venice, that was the impression she was giving Juliet.  Here, I got the occasional glance, and a touch on the hand, the sort of touchy-feely things a girlfriend might do.  I hadn’t thought of her a lot since Venice, but she hadn’t completely disappeared.

By the time we left, most of the other customers had gone, and the staff were cleaning up.  I paid the bill and said I would be back.  Those pizzas were to die for.  We had ordered another just before leaving, to take back for her mother.

If she was there.

Cecelia had gone ahead to make sure there wasn’t an ambush waiting for us, and when we reached the door of her apartment, she was waiting in the shadows.

Juliet got out her key and opened the door, and after opening it, yelled out “I’m home.”  Then she went in, and I followed.

There were two guns pointed at me as I stepped into the room, Vittoria was pointing one at me, and the countess was pointing the other at Cecelia.

© Charles Heath 2023

The cinema of my dreams – Was it just another surveillance job – Episode 40

I’m back home and this story has been sitting on a back burner for a few months, waiting for some more to be written.

The trouble is, there are also other stories to write, and I’m not very good at prioritizing.

But, here we are, a few minutes opened up and it didn’t take long to get back into the groove.

Chasing leads, maybe

…

Darkness fell in a noticeably short time, and we left the pub at about six. In the hour so we have been there I’d been keeping a close eye on the comings and goings, and in particular, if O’Connell came in, or someone else that might look like him.

He hadn’t, nor had any mythical family members.  Well, it had been a long shot.

Jennifer hadn’t volunteered anything more to the conversation and sat working her way through a piece of fried fish and a bowl of chips.  Neither had looked appetizing.  I would have bet she’d have the chicken, but I was wrong, and probably it wasn’t going to be the first time.

“Do you have a gun?”

It was after ten minutes of silence.  It worried me that she didn’t ask how far it was or how long it would take.  And then, out of nowhere, the gun question.

“No.  Why would I have a gun.?”

“We were issued with weapons.  I still have mine.”

“Did you bring it with you?”

“No.  Like I told you, I didn’t think I was still working for the Department.  They didn’t ask for it back, so I didn’t give it to them.”

“Or the identities?”

“No.  It was odd though; they didn’t ask about them either.”

“Maybe they were going to wait a while and then ask you back.”

This was a weird conversation to be having.  By this time we were in Peaslake Lane, and not far from the house I pulled over to the side of the road, under a tree.

The houses were set back in a rural setting.  Between the darkness and the undergrowth, the chances were we could get to the house without being seen.  From where I was sitting, no windows or doors were visible.

I made sure the car’s internal light didn’t go on the moment the door was open.

“Are you bringing your cell phone?”

“Why.  I’m not envisaging having to call anyone, nor am I expecting a call.”

I shrugged, and slipped mine into a pocket where I could easily reach it I needed to.

I got out of the car, and she followed.  She left he bag in the car.  The first sign of training kicking in; eave all un-necessary baggage behind.  Perhaps having a gun might have been a good option if we ran into trouble.

Oddly enough, now that I thought about it, Monica hadn’t asked for mine back either, but it was sitting at home in a safe, along with the five other identities Severin had issued each of us with.

I locked the car, equally as silent and invisible as she joined me.

“Which house?”

“Three along.  Follow me and keep your eyes and ears peeled.”

I didn’t have to tell her, but it didn’t hurt to emphasize the importance of stealth.  There were people home in other houses, lights in windows just discernible through the trees, one house a window without a curtain, a view into the dining room, but there was no one at the table.

If we were visiting them, perhaps we’d be in time for dinner.

The house we were looking for was in darkness from our approach.

“You keep an eye open this side, and I’ll go around the other, then come back.  I’ll see if there’s an easy entry point.”

“What if someone is home?”

“Doesn’t look like it from here, and I’ll be surprised if there is.”

A moment later she had disappeared into the shrub line and I was heading across the front of the house, heading for the other side.  I kept well away from the front door, just in case there was a motion light, or worse, a motion detector that might set off a silent alarm.

But, that might already have happened, and if it had, no one had made a move inside.

Down the side was walls and windows, no doors or French doors leading out into the garden.  None of the windows were at a decent height for us to clamber through, and if we had to, it was going to be difficult.

I continued on, around the back, where there was more success.  French doors leading onto a patio, and then the lawn.  In the corner was a greenhouse, and next to that a rose garden.  Or at least that was what both looked like in the dark.

The moon, for the moment, was hidden by dark clouds.

Perhaps it would rain, though it had not been in the forecast, but, this was England, and it could rain at any time, especially when you didn’t want or need it.  There was no light, or motion sensor over the French doors, so I crossed the patio and looked through the doors.

I had expected curtains, but these hadn’t been completely drawn.  No large light or lamp on, but there were indicator lights, several red and one a particularly bright blue, casting a rather long shadow over furniture and what looked to be a carpet square.

Out of curiosity, I tried the door.

It was open.

Then I had the blind panic moment of thinking it might be alarmed.

I shut it again and waited.

…

© Charles Heath 2020

A photograph from the inspirational bin – 35

This is Railway Hotel in Gympie, adjacent to the old Gympie station

Just the name Railway Hotel conjured up a lot of interesting connotations. There’s one in almost every rural town that has Railway station, or perhaps a Junction Hotel, a Railway Hotel, or a Terminus Hotel.

And, once upon a time, there were nearly 600 of them, up until the 1920s, ubiquitous hotels build to house the people building the railways, and, then, when they were finished a lot disappeared, but a lot also remained to service the railway station and passengers coming and going.

These days, these old hotels that still exist are anachronisms of a bygone age, rather ornate wooden structures with big rooms and communal bathrooms, bars, saloons, and dining rooms, and only those curious about the past would stay there.

I’ve stayed in a few myself.

But, as for a story, well, the older, the better, because these would have ghosts.

They could also have infamous pasts, like a fire that destroys only part of the hotel, signs of which form part of the character.

A doorway into a now hidden room closed off because of something horrible happening there, could suddenly become a portal, where stepping through takes you back to the time of the event.

In fact, I’m in the mood to write just such a story…

Writing a novel in 365 days – 24

Day 24

Today we’re talking about do’s and don’ts.

We’re not supposed to use cliches.

Well, long ago someone told me that, but I don’t think the message stuck because every now and then a cliche will appear.

Of course, the reason we don’t use them is that people generally will not know what they mean, and I dread to think what the translators must do when translating English to another language.

I mean, who doesn’t know what a wild goose chase is?

For those who don’t: “a foolish and hopeless search for or pursuit of something unattainable”.

Some might use it to describe their efforts to be published. I know, at times, that almost became my mantra until I discovered self-publishing.

Where it came from: In 1593, when discussing horsemanship, ‘a type of 16th-century horse race where everyone had to try to follow the erratic course of the lead horse like wild geese have to follow their leader in formation’.

I would have liked to have been there to see it.

By and large, they should not be used, and I only use them because they fit the character who is using them.

And, just the other day I was writing a short story which, it turns out, uses a number of metaphors or cliches for dramatic effect, and which are also explained

Searching for locations: Innsbruck, Austria

On this occasion, we drove from Florence to Innsbruck, a journey of about 500 kilometers and via the E45, a trip that would take us about five and a half hours.

We drove conservatively, stopped once for lunch and took about seven hours, arriving in Innsbruck late in the afternoon

The main reason for this stay was to go to Swarovski in Wattens for the second time, to see if anything had changed, and to buy some pieces.  We were still members of the club, and looking forward to a visit to the exclusive lounge and some Austrian champagne.

Sadly, there were no new surprises waiting, and we came away a little disappointed.

We were staying at the Innsbruck Hilton, where we stayed the last time, and it only a short walk to the old town.

From the highest level of the hotel, it is possible to get a look at the mountains that surround the city.  This view is in the direction we had driven earlier, from Florence.

The change in the weather was noticeable the moment we entered the mountain ranges.

This view looks towards the old town and overlooks a public square.

This view shows some signs of the cold, but in summer, I doubted we were going to see any snow.

We have been here in winter, and it is quite cold, and there is a lot of snow.  The ski resorts are not very far away, and the airport is on the way to Salzburg.

There is a host of restaurants in the old town, and we tried a few during our stay.  The food, beer, and service were excellent.

On a previous visit, we did get Swiss Army Knives, literally, from a small store called Victorinox.

And, yes, we did see the golden roof.

Is there a reason to get out of bed?

I sometimes wonder if there is.

Is that depression speaking, or am I just tired from all the late nights?

Unlike most writers, authors and bloggers I don’t have a day job.  You could say it’s one of the benefits of getting old, this retirement thing, but after a while, not having a reason to get out of bed starts working on your subconscious.

The idea of having a job, and going to work, is a good reason to drag yourself out of bed every morning.  And because of this, the idea of sleeping in takes on a whole new meaning.

You know, I’ll just lie here for a few more minutes, and then I’ll get up.  Having turned off the alarm, the eyelids flutter, and before you know it, half an hour had passed, and you wake up in fright, knowing you’re going to be late.

In retirement, that doesn’t happen.  There is no alarm, there is no guilty pleasure in spending those extra minutes in bed.

Of course, this tardiness, or lack of desire could be because I find I do my best writing in the dead of night, often not getting to bed before 2 a.m.   Last night it was a little later because of a story I’m working on came to life with a new idea.

It had been stagnating because it’s part two and whilst I had an idea about where it was going to go, in the end, we’re off in a different direction, and the words flowed.  You just don’t stop writing when you hit a vein.

But this isn’t always the case.  This morning I have an excuse to stay in bed, but most others I don’t.

Perhaps I should find something else to do, something that will give me that same reason I used to have to get up every morning.

Or maybe I should be more organized in my retirement life, you know, set a schedule and do things according to a timetable.  I was never one for being organized, but perhaps it’s time to start.

Just let me lie here for a few more minutes and think about that.

“Sunday in New York”, a romantic adventure that’s not a walk in the park!

“Sunday in New York” is ultimately a story about trust, and what happens when a marriage is stretched to its limits.

When Harry Steele attends a lunch with his manager, Barclay, to discuss a promotion that any junior executive would accept in a heartbeat, it is the fact his wife, Alison, who previously professed her reservations about Barclay, also agreed to attend, that casts a small element of doubt in his mind.

From that moment, his life, in the company, in deciding what to do, his marriage, his very life, spirals out of control.

There is no one big factor that can prove Harry’s worst fears, that his marriage is over, just a number of small, interconnecting events, when piled on top of each other, points to a cataclysmic end to everything he had believed in.

Trust is lost firstly in his best friend and mentor, Andy, who only hints of impending disaster, Sasha, a woman whom he saved, and who appears to have motives of her own, and then in his wife, Alison, as he discovered piece by piece damning evidence she is about to leave him for another man.

Can we trust what we see with our eyes or trust what we hear?

Haven’t we all jumped to conclusions at least once in our lives?

Can Alison, a woman whose self-belief and confidence is about to be put to the ultimate test, find a way of proving their relationship is as strong as it has ever been?

As they say in the classics, read on!

Purchase:

http://tinyurl.com/Amazon-SundayInNewYork

Searching for locations: The Opera House, Paris, France

This was one of the more interesting experiences for the grandchildren as they were, as all young girls are, interested in ballet.

We thoroughly enjoyed our visit which included some time watching ballet practice.

I could not convince anyone to take the elevator back down to the ground floor as it was suspected we might be ‘attacked’ by the ‘phantom’.  Certainly, the elevator was very old and I think at the time it was being repaired.

20140108_124100

Part of the Grand Staircase in Palais Garnier Opera de Paris

20140108_125843

The ceiling above the main staircase.  The ceiling above the staircase was painted by Isidore Pils to depict The Triumph of Apollo, The Enchantment of Music Deploying its Charms, Minerva Fighting Brutality Watched by the Gods of Olympus, and The City of Paris Receiving the Plan of the New Opéra.

20140108_123338

The ceiling of Chagall at the Palais Garnier

On 23 September 1964, the new ceiling of the Opéra Garnier was inaugurated with great pomp.  It was painted by Marc Chagall at the request of André Malraux

20140108_125807

Amphitheatre and Orchestra Pit entrance

20140108_122243

Interior, and doorways to boxes

20140108_123500

Box seats in the auditorium

20140108_123512

Ornate ceilings and columns

20140108_123332

Seating inside the auditorium

20140108_125603

The day we were leaving Paris, was the first night of the Bolshoi Ballet.  My two granddaughters were greatly disappointed at missing out on the opportunity of a lifetime, to see the Bolshoi Ballet at the Paris Opera House.

20140108_123359

But we did get to see the principals practicing.

“Echoes From The Past”, the past doesn’t necessarily stay there


What happens when your past finally catches up with you?

…

Christmas is just around the corner, a time to be with family. For Will Mason, an orphan since he was fourteen, it is a time for reflection on what his life could have been, and what it could be.

Until a chance encounter brings back to life the reasons for his twenty years of self-imposed exile from a life only normal people could have. From that moment Will’s life slowly starts to unravel and it’s obvious to him it’s time to move on.

This time, however, there is more at stake.

Will has broken his number one rule, don’t get involved.

With his nemesis, Eddie Jamieson, suddenly within reach, and a blossoming relationship with an office colleague, Maria, about to change everything, Will has to make a choice. Quietly leave, or finally, make a stand.

But as Will soon discovers, when other people are involved there is going to be terrible consequences no matter what choice he makes.

https://amzn.to/2CYKxu4

newechocover5rs

Writing a novel in 365 days – 24

Day 24

Today we’re talking about do’s and don’ts.

We’re not supposed to use cliches.

Well, long ago someone told me that, but I don’t think the message stuck because every now and then a cliche will appear.

Of course, the reason we don’t use them is that people generally will not know what they mean, and I dread to think what the translators must do when translating English to another language.

I mean, who doesn’t know what a wild goose chase is?

For those who don’t: “a foolish and hopeless search for or pursuit of something unattainable”.

Some might use it to describe their efforts to be published. I know, at times, that almost became my mantra until I discovered self-publishing.

Where it came from: In 1593, when discussing horsemanship, ‘a type of 16th-century horse race where everyone had to try to follow the erratic course of the lead horse like wild geese have to follow their leader in formation’.

I would have liked to have been there to see it.

By and large, they should not be used, and I only use them because they fit the character who is using them.

And, just the other day I was writing a short story which, it turns out, uses a number of metaphors or cliches for dramatic effect, and which are also explained