365 Days of writing, 2026 – My Second Story 14

More about my second novel

…

It’s time to delve into the past that Zoe tries so hard not to remember because the memories are painful.

It was a time before she became the emotionless killer she was now, and the people who had turned her into one.

Friends, lovers, teachers, mentors, but, in the end, all people who wanted her for one thing or another because they were selfish.

Alistair’s mother, Olga, was one, the woman who first had the job of training her, the first to recognise that while gifted, she would be trouble.

She had been recommended to her by a man called Yuri, the first of many to take advantage of an innocent girl who didn’t know any better.

Once trained, she was placed with Alistair, and he, too, wanted her for himself, until he found her replacement, a man who wrongly thought she was so emotionless she would be happy to share him with others.

It was a mistake he wouldn’t be making again.

It was Yuri she discovered who had been in contact with the kidnappers in Marsailles, and perhaps inadvertently inserting himself into her quest for those seeking to kill her. He would know who it was seeking her, and who the name Romanov referred to.

After ensuring John was safe, she contacted him.

There’s a conversation, and he agrees to meet her, reluctantly, as being seen with a fugitive might harm his reputation.

It’s going to be an interesting conversation and reunion.

“The Things We Do For Love”

Would you give up everything to be with the one you love?

…

Is love the metaphorical equivalent to ‘walking the plank’; a dive into uncharted waters?

For Henry, the only romance he was interested in was a life at sea, and when away from it, he strived to find sanctuary from his family and perhaps life itself. It takes him to a small village by the sea, a place he never expected to find another just like him, Michelle, whom he soon discovers is as mysterious as she is beautiful.

Henry had long since given up the notion of finding romance, and Michelle couldn’t get involved for reasons she could never explain, but in the end, both acknowledged that something had happened the moment they first met.

Plans were made, plans were revised, and hopes were shattered.

A chance encounter causes Michelle’s past to catch up with her, and whatever hope she had of having a normal life with Henry, or anyone else, is gone. To keep him alive, she has to destroy her blossoming relationship, an act that breaks her heart and shatters his.

But can love conquer all?

It takes a few words of encouragement from an unlikely source to send Henry and his friend Radly on an odyssey into the darkest corners of the red-light district in a race against time to find and rescue the woman he finally realises is the love of his life.

The cover, at the moment, looks like this:

Is love the metaphorical equivalent to ‘walking the plank’; a dive into uncharted waters?

For Henry, the only romance he was interested in was a life at sea, and when away from it, he strived to find sanctuary from his family and perhaps life itself. It takes him to a small village by the sea, s place he never expected to find another just like him, Michelle, whom he soon discovers is as mysterious as she is beautiful.

Henry had long since given up the notion of finding romance, and Michelle couldn’t get involved for reasons she could never explain, but in the end, both acknowledge that something happened the moment they first met.

Plans were made, plans were revised, and hopes were shattered.

A chance encounter causes Michelle’s past to catch up with her, and whatever hope she had of having a normal life with Henry, or anyone else, is gone. To keep him alive she has to destroy her blossoming relationship, an act that breaks her heart and shatters his.

But can love conquer all?

The cover, at the moment, looks like this:

NaNoWriMo – April – 2026 – Day 28

I never thought I would get to this point, where there’s almost a complete novel.

It is quite remarkable that it is possible if you decide to focus on getting a novel out in a month.

What it does tell you is that proper planning is really a necessity if you want to succeed.

But…

It’s not the be-all to end all.

I’m not going to stop flying by the seat of my pants, but it’s given me another insight into the writing process.

I’m up to the business end of the story, and it requires concentration, and it will not be the first time I have written a page or two, gone back to reread it and made an adjustment.

I have to be careful not to be overly critical. After all, it is only the penultimate draft, and I’m striving for, but not necessarily expecting perfection.

It won’t be, but I can always hope.

An excerpt from “If Only” – a work in progress

Investigation of crimes doesn’t always go according to plan, nor does the perpetrator get either found or punished.

That was particularly true in my case. The murderer was incredibly careful in not leaving any evidence behind, to the extent that the police could not rule out whether it was a male or a female.

At one stage, the police thought I had murdered my own wife, though how I could be on a train at the time of the murder was beyond me. I had witnesses and a cast-iron alibi.

The officer in charge was Detective First Grade Gabrielle Walters. She came to me on the day after the murder seeking answers to the usual questions like, when was the last time you saw your wife, did you argue, the neighbours reckon there were heated discussions the day before.

Routine was the word she used.

Her fellow detective was a surly piece of work whose intention was to get answers or, more likely, a confession by any or all means possible. I could sense the raging violence within him. Fortunately, common sense prevailed.

Over the course of the next few weeks, once I’d been cleared of committing the crime, Gabrielle made a point of keeping me informed of the progress.

After three months, the updates were more sporadic, and when, for lack of progress, it became a cold case, communication ceased.

But it was not the last time I saw Gabrielle.

The shock of finding Vanessa was more devastating than the fact that she was now gone, and those images lived on in the same nightmare that came to visit me every night when I closed my eyes.

For months, I was barely functioning, to the extent that I had all but lost my job and quite a few friends, particularly those who were more attached to Vanessa rather than me.

They didn’t understand how it could affect me so much, and since it had not happened to them, my tart replies of ‘you wouldn’t understand’ were met with equally short retorts. Some questioned my sanity, even, for a time, so did I.

No one, it seemed, could understand what it was like, no one except Gabrielle.

She was by her own admission, damaged goods, having been the victim of a similar incident, a boyfriend who turned out to be an awfully bad boy. Her story varied only in that she had been made to witness his execution. Her nightmare, in reliving that moment in time, was how she was still alive and, to this day, had no idea why she’d been spared.

It was a story she told me one night, some months after the investigation had been scaled down. I was still looking for the bottom of a bottle and an emotional mess. Perhaps it struck a resonance with her; she’d been there and managed to come out the other side.

What happened became our secret, a once-only night together that meant a great deal to me, and by mutual agreement, it was not spoken of again. It was as if she knew exactly what was required to set me on the path to recovery.

And it had.

Since then, we saw each other about once a month in a cafe. I had been surprised to hear from her again shortly after that eventful night when she called to set it up, ostensibly for her to provide me with any updates on the case, but perhaps we had, after that unspoken night, formed a closer bond than either of us wanted to admit.

We generally talked for hours over wine, then dinner and coffee. It took a while for me to realise that all she had was her work; personal relationships were nigh on impossible in a job that left little or no spare time for anything else.

She’d always said that if I had any questions or problems about the case, or if there was anything that might come to me that might be relevant, even after all this time, all I had to do was call her.

I wondered if this text message was in that category. I was certain it would interest the police, and I had no doubt they could trace the message’s origin, but there was that tiny degree of doubt about whether or not I could trust her to tell me what the message meant.

I reached for the phone, then put it back down again. I’d think about it and decide tomorrow.

The cinema of my dreams – It all started in Venice – Episode 14

Larry has a plan

…

I watched Juliet head back towards the hotel, joining the throng of tourists out walking in the refreshing night air before going back to their hotels.

The walk along the grand canal was particularly good and I’d taken it more than once over the years. Perhaps I would again, tonight, before retiring to contemplate the next move in what was becoming a chess game.

Why had Larry decided after all this time to come after me? And why the softly softly approach? In bringing up Kerry’s mother in the conversation, it gave me the idea that perhaps I could ask her.

Of course given the fractious nature of the relationship between her and her son she might not know, but it was worth calling her if only to touch base after so long. I was sure she would know about what happened to Violetta and understand.

Just before she disappeared from sight I could see her answering a call on her cell phone. No doubt Larry was looking for more information after the revelations she had relayed to him.

Doing what I had was the equivalent of a double-edged sword, as the saying goes. On the one hand, he might consider her had the advantage of knowing when and where I was going, but on the other, I knew he would be waiting, and therefore be prepared, though often preparation counted for nothing with unpredictable people like him.

Still, it was done now. It also threw up another interesting sidebar, that Juliet didn’t like Cecilia if only for the reason she was with me. Was it jealousy? Surely she could not still have any feelings for me after all this time, and what she had gone through?

But, in normal circumstances, had she not been involved in this charade, and I had accidentally run into her in the street, what might my feelings be? They had been all over the place that last time, following a near-death experience, and when my service was in its infancy. It was a time when a lot of young agents got caught up in the euphoria of action, and some made fatal mistakes.

I had used one of my nine lives then, and several more since, before retiring. I had never intended to return, but circumstances change, and whatever I may have wanted might have to take a back seat until this matter was sorted. Then Rodby would make his play, as he always had, citing the losing battle we faced without people like me steering the ship in the right direction.

He was great with analogies, and praise, and putting you in a position where saying no was almost a crime against the state. A bridge I would have to cross eventually.

The restaurant was closing for the night and a waiter came to gently tell us to leave. It wasn’t late, but it was time to go.

I didn’t get far before a message appeared on my phone, a rendezvous outside the Doges Palace. Alfie no doubt had the gist of the incoming call Juliet received not a half-hour before.

He was loitering inconspicuously when I found him, pretending to have an animated conversation with someone on the other end of his cell phone, speaking and gesturing as all Italians seemed to do.

He waved when he saw me, then wound up the fictitious call.

“Perhaps you should also be in the movies. That was a very eloquent performance.”

He smiled. “It wouldn’t fool too many people.”

“Is this about Juliet’s call?”

He looked surprised.

“I saw her get a call after she left me to go back to the hotel.”

“Of course. And, yes. He seems very upset you called him a moron.”

“If the shoe fits… Don’t tell me he rang her just to vent over me calling him names.”

“No. Just to tell her where and when she had to take you to your impending doom. Seems the wait is over, and since you announced you’re going to visit his mother, he thought it was a perfect opportunity.”

I thought later, after I mentioned it, that it might present him with the means, and to use Juliet of who I would not suspect of luring me into a trap. It was, in a way, on his part, very clever.

“What was her response?”

“A few choices words, and the fact she was not that close she could make such a request.”

“And let me guess, if she wants to see her brother again, come up with a plan?”

“More or less. Do you really want to do this, this way?”

“Forewarned is forearmed. It’s better than going in blind. Is Cecilia a trained sniper?”

Many years ago Rodby insisted all his agents be trained to the highest proficiency in using a wide variety of guns. I was in the first intake to benefit, and I had to say, sniper work was the best.

“She is.”

“Then I’ll talk to her. And get her there ahead of time, you too if possible, unless your operating Rodby’s chessboard in Italy.”

“No, I can take time out. But I insist we have a solid plan before doing this. No ad hoc, spur-of-the-moment stuff that Rodby tells me you’re famous for.”

Sometimes it was the only way, because the more people who knew, the less chance of success, particularly if there was a foreign mole in your midst.

“You’ll know everything as soon as I do. Trust me.”

His look told me she did everything but trust me. “You think you might get a visit in the night?”

“Should I sleep with Cecilia just to make it more interesting?”

“She’s not your personal toy to play with.”

“Wasn’t going to. It’s just to make Juliet edgier, which, if she saw Cecilia in her pajamas, might push a button and catches her off guard.”

“It’s your call. Let me know when the plan is set.”

Another thought came to mind, something I’d been thinking about. “We don’t know where Larry has the bother holed up? As I understand it, his on a video link so it’s not out in the wide-open spaces.”

“Not at the moment, but we’re working on it. If it’s relevant I’ll let you know. It would give us an advantage if we had him, but at the moment, it’s not on the table. If and when you meet up with Larry, he will be asking you a lot of questions.

And, as if he hadn’t been there at all, he was gone. What was worrying was the reappearance of the Frenchman, nearby, and it was clear he had been following either me or Juliet. There was no doubt he’d seen me with Alfie, but since the whole conversation had been conducted in Italian, it was hard to tell what he would have made of it.

Time would tell. I would take a walk, consider the options and then go back to the hotel.

NaNoWriMo – April – 2026 – Day 27

It’s interesting that no matter how much you outline and plan a chapter, when it comes to actually putting words on paper, it doesn’t quite run the way it should.

Last night I toiled over the chapter that has the first of the plot twists.

It’s been writing itself in my head, and I’ve been making notes to supplement the plan and take those notes into consideration.

But…

When I wrote it, the first time around, it didn’t seem right. You know what that’s like. It’s not the second-guessing thing, it’s not the being over-critical thing, you write it, walk away, get a coffee, or in my case, a large Scotch and soda water, and go back.

You either tell yourself it’s utterly brilliant, or at the other end of the scale, complete rubbish.

I was somewhere in between, and the cat, who was skulking nearby, suddenly found himself a captive critic.

I read it out loud, he made weird faces, and, yes, I could see what was bothering me.

Three hours later, past two in the morning, it was in better shape than I was.

A to Z – April – 2026 – W

W is for – Who is that girl?

…

Have you ever just decided on the spur of the moment to get away?

Anywhere but home, or whatever you think home is, but really it’s just four walls slowly closing in on you because it turns out it had become nothing like what you were hoping for.

A bit like life, really.

I ran away from home, not literally, but practically, because everything back home reminded me of the miserable life I had, no respect, no friends to speak of, and parents who couldn’t see past the aspirations they had for me, my father’s to take over the hardware store, and my mother’s, to marry that nice girl Cindy, just up the road.

Cindy had no aspirations. The hardware store was a dinosaur from the past and would soon be superseded by the online suppliers who were cheaper and always in stock.

No one was listening, so I left.

Now, the same was happening. No one was listening, and I was getting stuck in a rut.

Time, I told myself, for a change.

New York Penn Station, the place to go anywhere other than New York.

I fired up my iPad and found the first trip it showed me, from Penn Station on West 34th Street to Kansas City the next morning at 10:45, Via Chicago. I’d never been to Chicago, but I’d just watched a rather bad musical movie called Calamity Jane, and it was a place in it.

I think they called that serendipity.

…

I packed my trusty backpack for a two-day travelling experience after booking a business class seat. I would, at the very least, travel in a little comfort, and was no stranger to sleeping in seats, given the number of red-eye specials I took travelling for the company.

I found the train and my seat, shown to me by a conductor, which was a surprise.

Then it was simply a matter of picking up my book and reading until it was time to sleep.

Except…

Just before the train departed, a girl, about my age, if I were to guess, came up the aisle, looking at seat numbers and then sitting next to me.

First reaction, she smelled of mothballs. An odd thought, had she been living in a clothes closet? Nothing would surprise me in New York.

Second revelation, surprise, she travelled with so little. Perhaps that was why she had so many clothes on: jeans, flannel shirt, jumper, jacket, scarf, gloves, sturdy boots.

She looked me up and down but said nothing. I tried not to look at her, but there was something about her. Had I seen her before? Was she ill? She looked very pale, and her eyes were watery. Did she have a cold or, worse, a variant of COVID? I really didn’t want to get sick before I got started on this odyssey.

For a few minutes, before the train started rolling out of the station, I seriously considered getting off the train.

I didn’t and hoped I wouldn’t regret it.

…

Six hours out, she looked like death warmed up. There was definitely something wrong with her, and I was considering going to the conductor to see if there was a doctor on board.

Then she woke up.

I had to ask, “Are you alright?”

“Why?”

“You look very ill.”

“I just feel out of sorts. Time of the year, between seasons. Hot one minute, cold the next.”

I’m surprised she told me, after the instant dagger look she gave me before I asked.

“Why take the train when you can fly?”

“Going to see my parents in Kansas City.”

“You live there?”

“No.”

Didn’t answer the question. Like everyone else I spoke to, it was impossible to get a straight answer to a clear question.

“But your parents live there?”

“Yes.”

“But you don’t?”

“No.”

“They moved to Kansas City?”

“No. Lived there all their lives.”

“But you don’t?”

“No.”

“Wouldn’t it be quicker to fly?”

“Not enough time.”

OK. Another strange answer that begged a hundred questions.

“For what?”

She gave me a seriously dangerous look, and I think if she had either a gun or a knife, I’d be dead now. “Do you always ask daft questions?”

“Mostly, it seems, but I’ll bite. Not enough time for what?”

“To think about what I will say to them?”

“About what?”

OK. That was not a question to ask, but she piqued my interest.

“A guy I knew in Kansas City.”

“But you don’t live there?”

“He followed me to New York. Thought I was the one. Seems he thought that about three of us, so he had three ‘the one’s’. If you know what I mean.”

I seriously considered going back to sleep. Or reading the Gideon version of the Bible, the one I stole from a hotel room.

“But you didn’t live in Kansas City?”

“Not now. No.”

“Then I’ll leave you to it.”

“To what?”

“Thinking.”

“About?”

“The not being the ‘one’.”

She looked at me strangely. “Are you sure you’re not an axe murderer? I mean, it would be just my luck…”

…

365 Days of writing, 2026 – 100

Day 100 – Write like a spy

…

The Art of the Dossier: What Writers Can Learn from the CIA’s Style Guide

In the world of espionage, information is the ultimate currency. But information is useless if it’s buried under a mountain of fluff, jargon, and muddy thinking.

The Central Intelligence Agency (CIA) is arguably the world’s most demanding editor. When an intelligence officer files a report, they aren’t writing for leisure; they are writing for a busy policymaker who needs to make life-or-death decisions in seconds. To ensure clarity, the CIA famously published Psychology of Intelligence Analysis and various internal style guides.

For the fiction writer or the essayist, these rules are more than just bureaucratic mandates—they are a masterclass in narrative tension and reader engagement. Here is how you can write like a spy to make your prose lethal.

1. The Principle of “Bottom-Line Up Front” (BLUF)

In intelligence, the most important information must come first. The CIA mandates that reports lead with the “BLUF”—the core conclusion or the most vital intelligence finding.

The Writer’s Takeaway: Stop burying the lede. If you’re writing a thriller, don’t spend three pages describing the weather before the murder happens. If you’re writing a blog post, don’t make the reader hunt for your thesis. If your reader has to guess what your point is, you’ve already lost them. Lead with the punch, and use the rest of the text to provide the evidence.

2. Radical Brevity

The CIA’s style guide is obsessed with brevity. Intelligence officers are taught to cut every word that doesn’t contribute to the meaning. Adjectives are suspicious; adverbs are practically treasonous.

The Writer’s Takeaway: Your readers aren’t sitting in a bunker waiting for your next sentence—they’re scrolling through a world of distractions. Every word you write that fails to advance the plot or the argument is a “dead drop” of wasted space. Use the “CIA Filter”: If you can delete a word without changing the meaning, delete it. Your prose will become muscular, cold, and confident.

3. Precision Over Poetry

“The night was dark and menacing.” To a spy, this is a useless sentence. It’s subjective. It tells us nothing.

The CIA demands objective, verifiable language. Instead of “menacing,” they want “the suspect was observed checking his watch every thirty seconds.”

The Writer’s Takeaway: Show, don’t tell—but do it through the lens of a forensic investigator. Instead of using purple prose to describe an emotion, focus on the physical tells. A character who is nervous doesn’t need to be described as “anxious”; have them obsessively clean their glasses or avoid eye contact. Precision creates a psychological atmosphere that “poetic” writing often ruins.

4. Know Your Audience’s “Knowledge Gap”

Spy reports are calibrated specifically to the knowledge base of the recipient. If you’re writing for a President, you don’t explain the history of a region; you explain how a regional event threatens national interests.

The Writer’s Takeaway: Who are you writing for? If you’re writing a technical guide for experts, use the jargon. If you’re writing for a general audience, simplify. The biggest mistake writers make is “The Curse of Knowledge”—assuming the reader knows what you know. A spy anticipates the reader’s ignorance and bridges the gap quickly, without condescension.

5. Differentiate Fact from Inference

This is the cardinal rule of intelligence: never confuse what you saw with what you think.

The Writer’s Takeaway: This is perhaps the best lesson for fiction writers. Writers often conflate a character’s internal thoughts with the objective reality of the scene. By maintaining a sharp line between “The gun went off” (fact) and “He felt like a coward” (inference), you create a much stronger narrative layer. It forces you to rely on external evidence to show internal truth.

The Verdict: Is it useful?

If you want your writing to be flowery, whimsical, or deeply introspective, the CIA’s style guide will feel like a straitjacket. But if you want your writing to be gripping, clear, and impossible to put down, it is the best advice you will ever receive.

Writing like a spy means respecting the reader’s time and intelligence. It means stripping away the ego of the author to focus entirely on the delivery of the mission—the story.

Next time you open a blank document, imagine the stakes are highest. Cut the fluff. Lead with the punch. Identify your objective.

Go dark, write sharp, and don’t get caught in the weeds.

Searching for locations: Castello di Monterinaldi, Tuscany, Italy

As part of a day tour by Very Tuscany Tours, we came to this quiet corner of Tuscany to have a look at an Italian winery, especially the Sangiovese grapes, and the Chianti produced here.

And what better way to sample the wine than to have a long leisurely lunch with matched wines. A very, very long lunch.

But first, a wander through the gardens to hone the appetite:

And a photo I recognize from many taken of the same building:

Then a tour of the wine cellar:

Then on to the most incredible and exquisite lunch and wine we have had. It was the highlight of our stay in Tuscany. Of course, we had our own private dining room:

And time to study the paintings and prints on the walls while we finished with coffee and a dessert wine.

And of course, more wine, just so we could remember the occasion.

“Quickly, quickly…” – a short story

It was odd having a voice in your head, well, not really in your head as such, but in your ear, and sounding like it was in your head.

You could truthfully say you were hearing voices.

It was the next step after going through some very intensive training, having someone else as your eyes and ears when breaching a secure compound, and avoiding the enemy.

I’d signed on for this extra training thinking one day it would land me in the thick of the action. Some of the others thought I was mad, but someone had to do it, and the fact it was quite dangerous added just that extra bit to it.

But as they say, what you learn in training, and practise in a non-hostile environment, is nothing like being in that same situation in reality.

Now on was on my first assignment, part of an elite team, packed and taken to what was to everyone else, an unspecified location, but to us, it was the point of incursion.

The mission?

To rescue a government official (that was how he was described to us) who had been illegally detained in a foreign prison.

Our job?

To break him out and get out without the knowledge of the prison staff, or anyone representing that government. Yes, what we were doing was highly illegal, and yes, if we were caught it was more likely than not we would be executed as spies.

…

We were under cover in an abandoned farmhouse about three miles from the prison. We had been brought in under cover of darkness, and had only a few hours to set up, and then wait it out until the following night.

It was now or never, the weather people predicting that there would be sufficient cloud cover to make us invisible. Two of us were going in, and two remaining strategically placed outside to monitor the inside of the prison through a system of infrared scanners. We also had a floor plan of the building in which the prisoner was being held, and intelligence supplied, supposedly, by one of the prison guards who had been paid a lot of money for information on guard movements.

To me, it was a gigantic leap of faith to trust him, but I kept those thoughts to myself.

We had been over the plan a dozen times, and I’d gone through the passageways, rooms, and doors so many times I’d memorised where they were and would be able to traverse the building as if I had worked there for a lifetime. Having people outside, talking me through it was just an added benefit, along with alerts on how near the guards were to our position.

I was sure the other person going with me, a more seasoned professional who had a number of successful missions under his belt, was going through the same motions I was. After all, it was he who had devised and conducted the training.

There was a free period of several hours before departure, time to listen to some music, empty the head of unwanted thoughts, and get into the right mindset. It was no place to get tangled up in what-ifs, if anything went wrong, it was a simple matter of adapting.

Our training had reinforced the necessity to instantly gauge a situation and make changes on the fly. There would literally be no time to think.

I listened to the nuances of Chopin’s piano concertos, pretending to play the piano myself, having translated every note onto a piano key, and observing it in my mind’s eye.

My opposite number played games of chess in his head. We all had a different method of relaxing.

Until it was 22:00 hours, and time to go.

…

“Go left, no, hang on, go right.” The voice on my ear sounded confused and it was possible to get lefts and rights mixed up, if you were not careful.

It didn’t faze me, I knew from my study of the plans that once inside the perimeter fence, I had to go right, and head towards a concrete building the roof of which was barely above the ground.

It was once used as a helipad, and underneath, before the site became a prison, the space was used to make munitions. And it was an exceptionally large space that practically ran under the whole of the prison, built above ground.

All that had happened was the lower levels were sealed, covered over and the new structures built on top. Our access was going to be from under the ground.

Quite literally, they would not see, or hear, us coming.

The meteorological people had got it right, there was cloud cover, the moon hidden from view, and the whole perimeter was in inky darkness. Dressed in black from head to foot, the hope was we would be invisible.

There were two of us heading to the same spot, stairs that led down to a door that was once one of the entrances to the underground bunker. We were going separate ways in case one of the other was intercepted in an unforeseen event.

But, that part of the plan worked seamlessly, and we both arrived at the same place nearly at the same time.

Without the planning, we might easily have missed it because I didn’t think it would be discernable even in daylight.

I followed the Sergeant downstairs, keeping a watchful eye behind us. I stopped at the point where I could see down, and across the area we had just traversed.

Nothing else was stirring.

As expected, the door was seamless and without an apparent handle. It may have had one once, but not anymore, so anyone who stumbled across it, couldn’t get in.

Except us. We had special explosives designed to break the lock, and once set, they did not make a lot of noise. Sixty seconds later, we were inside, and the door closed so no one would know we’d broken in.

I was carrying a beacon so that the voice in my head could follow my progress. The sergeant had one too, and he led.

“Straight ahead, 200 yards, then another door. It shouldn’t be locked, but it might be closed.”

In other words, we had no way of knowing. Our informant had said no one had been down in the dungeons, as he called them, since the munition factory closed, and had been sealed up soon after the prison building had been handed over for use.

We were using night goggles, and there was a lot of rubbish strewn over the floor area so we had to carefully pick our way through which took time we really didn’t have. It looked as though our informant was right, no one had been down there for a long time. We were leaving bootprints in the dust.

We reached the door ten minutes later than estimated. Losing time would have a flow-on effect, and this operation was on a very tight time constraint.

“Once you are through the door, there’s a passage. Turn left and go about 50 paces. There should be another passage to your right.”

“Anyone down here?”

“No, but there is a half dozen prison officers above you. Standard patrol, from guardhouse to guardhouse. Unless they can hear you through five feet of solid concrete, you’re safe.”

My instincts told me five feet of concrete were not enough, but I’ll let it ride for the moment.

The door was slightly ajar and it took the two of us to pull it open so that we could get past. Behind it was the passage, going left and right. Trusting my invisible guide was not getting mixed up again, I motioned right, and we headed down the passage.

Despite the fact we should be alone, both of us were careful not to make any noise and trod carefully.

At 50 or so paces, the passage came into sight. The sergeant went ahead. I stayed back and kept an eye in both directions. The passage before us was the one that would take us under the cell of the captive we were sent to retrieve.

There would be no blasting our way in. The floor to the cell had a grate, and when removed, a person could drop down into the ‘dungeon’. Currently, the grate was immovable, but we had the tools to fix that.

The sergeant would verify the grate was where it was supposed to be, then come back to get me.

Five minutes passed, then ten. It was not that far away.

I was about to go search when the voice in my head returned but with panic. “We’ve been compromised. Get the hell out of there, now. Quickly…”

Then I heard what sounded like gunshots, then nothing.

A minute later there was a new voice. “I don’t know who you are, but I’d strongly advise you to give yourself up to the guards. Failure to do so within one hour, I’ll execute the two men I now have in custody.”

Ahead of me, there was a sudden explosion, followed by a cloud of dust and fine debris.

A hand grenade, or mine, it didn’t matter. The sergeant wouldn’t be coming back.

I sighed.

Plan B it was.

…

Thrills, Spills, and just a dash of Romance

One writer's experiences, and battles with words

Category: Uncategorized

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