Category: Uncategorized

“The Document” – the editor’s final draft – Day 6

This book has been sitting in the ‘to-be-done’ tray, so this month it is going to get the final revision.

And so it begins…

…

You see, this commitment to revising so many words a day becomes a little like a pressure cooker.

Having a plan is one thing, getting it done is another, but to keep going, now, there’s the thing.

Like this morning, sitting in front of the computer, knowing only five minutes before sitting down what I wanted to write about. A new twist in the tale.

Then the phone rings.

Up from the table, over to the phone, answer it.

A nuisance call, someone saying I had an accident when I didn’t, a new group of scammers trying to leverage money out of me. On top of the telecommunication scammers, and the endless charities looking for donations.

Distractions.

I sit down again, but my mind has switched off.

The words are gone.

Breakfast is looking good.

‘What Sets Us Apart’ – A beta readers view

There’s something to be said for a story that starts like a James Bond movie, throwing you straight in the deep end, a perfect way of getting to know the main character, David, or is that Alistair?

A retired spy, well not so much a spy as a retired errand boy, David’s rather wry description of his talents, and a woman that most men would give their left arm for, not exactly the ideal couple, but there is a spark in a meeting that may or may not have been a setup.

But as the story progressed, the question I kept asking myself was why he’d bother.

And, page after unrelenting page, you find out.

Susan is exactly the sort of woman to pique his interest.  Then, inexplicably, she disappears.  That might have been the end to it, but Prendergast, that shadowy enigma, David’s ex-boss who loves playing games with real people, gives him an ultimatum, find her or come back to work.

Nothing like an offer that’s a double-edged sword!

A dragon for a mother, a sister he didn’t know about, Susan’s BFF who is not what she seems or a friend indeed, and Susan’s father who, up till David meets her, couldn’t be less interested, his nemesis proves to be the impossible dream, and he’s always just that one step behind.

When the rollercoaster finally came to a halt, and I could start breathing again, it was an ending that was completely unexpected.

I’ve been told there’s a sequel in the works.

Bring it on!

…

The book can be purchased here:  http://amzn.to/2Eryfth

…

In a word: Line

The English language has some marvelous words that can be used so as to have any number of meanings

For instance,

Draw a line in the sand

We would all like to do this with our children, our job, our relationships, but for some reason, the idea sounds really good in our heads, but it never quite works out in reality. What does it mean, whatever it is, this I’d where it ends or changes because it can’t keep going the way it is.

Inevitably it leads to,

You’ve crossed the line

Which at some point in our lives, and particularly when children, we all do a few times until, if we’re lucky we learn where that line is. It’s usually considered 8n tandem with pushing boundaries.

Of course, there is

A line you should never cross

And I like to think we all know where that is. Unfortunately, some do not and often find their seemingly idyllic life totally shattered beyond repair. An affair from either side of a marriage or relationship can do that.

You couldn’t walk a straight line if you tried

While we might debate what straight might mean in this context, for this adaptation it means staying on the right side of legality. Some people find a life of crime more appealing than doing honest days work.

This goes hand in hand with,

You’re spinning me a line

Which means you are being somewhat loose with the truth, perhaps in explaining where you’ve been and what you’ve been doing. I think sometimes liars forget they need to have good memories.

Then there are the more practical uses of the word, such as

I have a new line of products

Is that a new fishing line?

Those I think most of us get, but it’s the more ambiguous that we have trouble with. Still, ambiguity is a writer’s best friend and we can make up a lot of stuff from just using one word.

The story behind the story: A Case of Working With the Jones Brothers

To write a private detective serial has always been one of the items at the top of my to-do list, though trying to write novels and a serial, as well as a blog, and maintain a social media presence, well, you get the idea.

But I made it happen, from a bunch of episodes I wrote a long, long time ago, used these to start it, and then continue on, then as now, never having much of an idea where it was going to end up, or how long it would take to tell the story.

That, I think is the joy of ad hoc writing, even you, as the author, have as much idea of where it’s going as the reader does.

It’s basically been in the mill since 1990, and although I finished it last year, it looks like the beginning to end will have taken exactly 30 years.  Had you asked me 30 years ago if I’d ever get it finished, the answer would be maybe?

My private detective, Harry Walthenson

I’d like to say he’s from that great literary mold of Sam Spade, or Mickey Spillane, or Phillip Marlow, but he’s not.

But, I’ve watched Humphrey Bogart play Sam Spade with much interest, and modelled Harry and his office on it.  Similarly, I’ve watched Robert Micham play Phillip Marlow with great panache, if not detachment, and added a bit of him to the mix.

Other characters come into play, and all of them, no matter what period they’re from, always seem larger than life.  I’m not above stealing a little of Mary Astor, Peter Lorre or Sidney Greenstreet, to breathe life into beguiling women and dangerous men alike.

Then there’s the title, like

The Case of the Unintentional Mummy – this has so many meanings in so many contexts, though I imagine that back in Hollywood in the ’30s and ’40s, this would be excellent fodder for Abbott and Costello

The Case of the Three-Legged Dog – Yes, I suspect there may be a few real-life dogs with three legs, but this plot would involve something more sinister.  And if made out of plaster, yes, they’re always something else inside.

But for mine, to begin with, it was “The Case of the …”, because I had no idea what the case was going to be about, well, I did, but not specifically.

Then I liked the idea of calling it “The Case of the Brother’s Revenge” because I began to have a notion there was a brother no one knew about, but that’s stuff for other stories, not mine, so then went the way of the others.

Now it’s called ‘A Case of Working With the Jones Brothers’, finished the first three drafts, and at the editor for the last.

I have high hopes of publishing it in early 2021.  It even has a cover.

PIWalthJones1

The cinema of my dreams – It continued in London – Episode 23

What’s the Opera got to do with it?

…

I had hoped never to see Rodby again, and yet here I was in that oppressively warm wood polish-smelling office of his, sitting uncomfortably opposite him, a very large and clear desk between us.

In all the time I’d known him, and those visits to his office, there had never been anything on it.  Not even a phone.

The last time I was in this position, to inform him of my retirement, I’d been reluctant to put the resignation envelope on the pristine surface.

Significantly, it was a month to the day after I left Larry’s mother’s house in Sorrento.

The day after I went with Cecilia to her audition, and she smashed it, getting the role from a rather astonished casting director, and director.  He was calling it a possible break-out performance, in a whole different language that I didn’t understand.

That same night I found Juliet dining alone in the hotel restaurant and told her the good news, but her brother had already called her.  We had dinner, and it could have been more, but there was that Cecilia thing in the back of her mind so we parted as friends.

And at a loose end, Venice no longer hold any significance for me, I moved back to London.

I should have gone to Paris.  There, it would have been harder for Alfie to find me.

He had been giving me the ‘come back’ look, one that I had taken a long time to learn how to ignore.

Seeing he wasn’t making any impact, he said, “They found Larry.”

An enigmatic statement.  Who found Larry?

“The Italian police recovered the body, in a little-used area of Lake Como.  No signs of physical damage, not shot or stabbed, but apparently, he died of natural causes.  We’re still waiting for a definitive coroner’s report.  You never really elaborated on what happened at his mother’s house.”

My report was short and lacked detail, more notable for what I didn’t say rather than what I did.

“Nothing to tell.  Brenda just told him his days of running the organization were over, she and Jaime Meyers had collaboratively taken over, and things would be different.  I notice several other hard-line criminals have been taken off the streets since, so Inspector Crowley’s arrangement with her is working.  A win-win situation.  And you don’t have to deal with Larry anymore.”

“That’s the problem.  If something is too good to be true, it generally is. I have to wonder what has replaced him.”

“I’m retired sir.  No longer interested.  Why am I here?”

I could see he had more, possibly to pique my interest, but just shrugged.

“Nothing of any importance.  I thought you might want to know what happened to Larry.  And Martha wants me to go to the opera tonight and she specifically asked me to ask you, and as you know she does not take no for an answer.”

I shrugged.  He was right about his wife, a force of nature to be reckoned with.  I had met her several times, and she had been intrigued with Violetta and had been devastated when she learned of her death.

“Then I guess I’d better dust off the monkey suit.”

“Good.  I’ll text you where and when and send a driver to pick you up.”

© Charles Heath 2022

Sayings: Irons in the fire

There is an expression you hear a lot, here, there, and everywhere when referring to someone who is very busy, ‘oh, he has a lot of irons in the fire’.

These days we use it as an analogy not to have too many things on the go at the same time, and, in the end, none of them will be finished properly, or finished at all.

There are two old-time literal meanings that can apply to this analogy, the first being that in laundries, they used to have their irons in the fire, warming so that clothes could be ironed. Having too many meant sometimes one would be left too long, and end up scorching the clothes being ironed.

Hopefully, that didn’t happen to a very expensive dress!

The second meaning came from a blacksmith’s foundry where he had iron bars in the fire, heating up so that they could be worked on. Having too many in the fire at once sometimes meant that one became overheated, and ruined.

Conversely, having too many pieces of iron in the fire might cause the fire to be too cool to heat any of the metal bars.

These days, a lot of people need to have a lot of projects on the go at once, in the hope that one or more might suddenly become a winner.

Sadly, that doesn’t happen very often.

And, no, buying a lot of lottery tickets hoping one will win, that is not very likely either.

The cinema of my dreams – Was it just another surveillance job – Episode 9

I’m back home and this story has been sitting on a back burner for a few months, waiting for some more to be written.

The trouble is, there are also other stories to write, and I’m not very good at prioritising.

But, here we are, a few minutes opened up and it didn’t take long to get back into the groove.

An interrogation and a revelation.

…

I think I just about reached that same conclusion just seconds before she uttered it.  But, I didn’t think this was the time to air my own thoughts on the matter.

The question I did ask was, “It appears our service has been compromised.”

She glanced at me almost condescendingly.  “It appears so.  Have you got your cell phone?”

I had it with me and gave it to her.  I had it ready because I knew they would ask for it.  It had a record of orders given, and phone conversations made, before, during, and after the operation.

For a review, or in this case, a search for the guilty.

I watched her put in the passcode, and go to the messages, and bring up the one sent to me, to attend the briefing.  It was all in order, no different to the previous five, with all the right designations and protocols.

“There was no reason to suspect it was anything but a real callout.”

Another glance at the screen, she put it on the desk next to the file.  “No, it looks real enough.”

Thought best kept to myself; how the hell did someone outside our organisation, know so well our inner workings?  I wanted to ask the question but refrained from doing so.

It also explained, now that I thought about it, the reason why the target had said he was one of us.  We had been hunting him so someone else, and enemy organisation perhaps, so they could kill him.  The question was, why?  Had he made a discovery, the evidence he was referring to that a certain Alfred Nobbin might have.

Perhaps a good idea, for the time being, to keep that snippet of information to myself.  After all, this new person in front of me could be one of Severin’s people.

Where I was sitting was not a familiar place to me, though I had been to the building before, which is why I knew where to go for this interview.  AS for the people, everyone I’d met so far, other than the other team members, bar one, I’d known from training.

So, now another expected question from me, or at least, if I was on the other side of the table, it’s one I’d expect to be asked.  “Just who was I working for, if it was not for us?”

Assuming she was one of us.

“That’s what we intend to find out.  Who was the target?”

I gave her the description we’d been given, and a copy of his photograph that had been circulated at the briefing.  I’d kept one of them, and luckily no one noticed it missing.  It was fortuitous that’s I’d copied the photo before I had to give it to her, which was right then.

There was not a flicker of recognition in her eyes.

“So, not one of us?” I asked.

For an interrogation, she wasn’t asking many relevant questions.

She looked up.  “Why would you say that, if your mission was to keep him under surveillance?”

“Which we now know was not sanctioned, so we have to assume that we had been persuaded to find and track one of our own agents.  You look as though you didn’t recognise him?”

“I don’t try to remember every agent we have in the field, here and overseas.  There a few too many for that.  But I’ve got a request out for his identity.  He didn’t say who he was?”

“No.”

“Anything at all that might be useful?”

“That he was one of us, who’d made a mistake, and feared we’d set the dogs on him.”

“Yes.  Someone definitely did that.”

© Charles Heath 2019

“The Document” – the editor’s Final draft – Day 5

This book has been sitting in the ‘to-be-done’ tray, so this month it is going to get the final revision.

And so it begins…

…

It might be a little pedantic, but I have to pay more attention to the word count and make sure the revision is spaced correctly over the thirty days.

Today, day 5, the count is 1,862 words, making a total of 8,943 words so far.

What I have to be careful about is not to let the pressure get to me. I mean, I have to revise about 1,700 words a day to maintain the target. It seems a small amount, but remember this is supposed to produce a reasonably polished manuscript that an editor will not throw back at me.

If I miss a day, or the creative juices stop flowing…

OK, not something we need to think about.

Just a minor issue, though, I left a section out the first time around to be written, because I was not sure what I wanted to write. Perhaps what is coming may give some insight.

In the meantime, yet another yellow post-it note. Or I could just get it done.

People do do overtime don’t they?

I’m thinking of getting a new colour for the post-it notes, perhaps a more soothing pale green.

Port Macquarie – Day 5 – Part 3

The timber mill

This timber mill was typical of the time, the mid to late 1800’s and into the 1900’s. It could be assembled and disassembled quite quickly and moved to where the wood was being felled.

It was run by a single portable steam engine which made it possible to have a mill near where the trees were being felled

The engine drives vertical and horizontal saw blades by a series of belts and driveshafts

Where do you write?

Here’s an interesting question, where do you find the most comfortable place to write?  Is it in an office, in a room overlooking the ocean, and basement where you can make it dark and creepy for atmosphere, is it at a train station, at work, which could end up presenting you with problems, or somewhere else.

Some people have an office, mine is a converted garage, and the walls are lined with books.  It isn’t the greatest place though.  There’s a smart alec cat always on my case.

There’s a couch in the living room where, late at night, I sometimes sit and ponder over about a thousand words of whatever the current story is in my head.  Cat withstanding.

It could be a cafe or restaurant, where it starts out as notes on the ambiance, the food, the people, then a little more, and gets me into trouble with my dining companions.

They should not have created writing programs for mobile phones.  Or for that matter, allow the phones to get smarter than their users.

But…

That’s a whole other story.

So having found that special or nonspecial spot in the house, or out there in the universe, how do you become creative?

Is it you’ve been carrying the ideas around in your head for a while and you just need somewhere neutral to get them on paper, or in that pesky smartphone?

Is it sitting by the window with a cup of coffee and a mice cream-filled cake, when something catches your eye, and instantly the words begin forming?

Are you with someone, a muse, a partner, a spouse, a friend, a secret friend, or just a stranger, and you start getting the wrong ideas?  Or the right ideas if it’s a different sort of book.

Sometimes I move seats and sit opposite the writer’s chair to take a good long hard look at the person, the so-called writer, conjuring up in my mind, if I was someone I’d just dragged in off the street, what would I ask?

They, no doubt would be cynical.

Why bother when there are a million others out there trying to do the same thing?

That’s the easy question.  Every story is different.  Why?  Because every writer has a different point of view, a different set of experiences, a different personality, different friends, this could go on forever…

Here’s a test, outline a story and give that outline to ten different writers.  You’d get ten different stories.

Where do you get the motivation?

Don’t know.  Some days I don’t want to get out of bed, others, I can’t go to sleep until the words have stopped.  Go figure.

What do you do for inspiration?

Inside, outside, upside down, everywhere and anywhere.

Just remember, always have a notebook and pencil on hand.  Why pencil, I never have any luck with pens.