O’Reilly’s Canungra Valley Vineyards located on Lamington National Park Road, Canungra, Queensland, is a 15-acre vineyard with the 163-year-old historic homestead ‘Killowen’ set up with dining rooms and long verandahs, and extensive grounds that are next to the Canungra creek where it is possible to find Platypus and turtles while partaking in a picnic.
There are about 6,000 vines of the (white) Semillon, Verdelho and (red) Chambourcin, Shiraz and Petit Vedot varieties.
We visited there in December when the vines were just starting to produce fruit.
That fruit is usually harvested in February and then turned into wine. The setting for picnics is, on a warm Summer’s day is idyllic, where you can wade in the creek, or go looking for a platypus. We did not see one there the day we visited but did spend some time sitting beside the creek.
Or to be more precise, the homestead at what is now O’Reilly’s vineyard, where there is a pleasant lawn out back running down to the river for picnics, an alpaca farm next door, and the homestead plays host to functions and wine tastings
My interest was that we had assumed there was a restaurant, and we were going to have lunch. There might be one, but not the day we visited, it was just cafe food or a picnic available.
I was more interested in the old homestead because it was a fine example of the homesteads built in the ‘outback’.
…
Today we are having lunch in the Platypus room, in the O’Reilly’s vineyard farmhouse, which, if you close your eyes and let your imagination run free, could see it as the master bedroom of a homestead.
Certainly, the building is old, made completely of timber, inside and out, with the traditional high ceilings to keep the heat at bay.
At one end, a large bay window, which would be ideal to sit and view the outside, past the sweeping verandah. There is a small lawn and a rotunda, but beyond that what might have been extended gardens, is the vineyard.
The homestead is in an ideal position midway between the main road and the river, has the traditional surrounding verandah, and shows signs of being extended on almost all sides.
On the other side of the wide corridor that leads you to the bar, and, coincidentally, down the centre of the house, is a smaller bedroom, also used as a dining room, and ubiquitously named the library.
It may be small but it does have a fireplace, which the assumed master bedroom does not, but now I’m thinking that room might have been the morning room.
Behind the room, we’re in is another bedroom, or perhaps this might be the master because it does have a fireplace and is quite large. And a name, the Ambassador room. Now it serves as the pickup place for picnic baskets.
There is another room on the opposite side of the corridor called the Drawing Room but is not open to the public. But, going into the room with the fireplace adjacent to it, you can sell the aroma of pizzas, so it’s probably an extension of the kitchen, and, walking around the outside that side of the house proves it to be the case.
After all, they do catering for weddings and need a very large food preparation area which I discovered runs down the whole of that side of the house.
At the end of the corridor I’d the bar and spare space, and running off that and behind that is where there is a large dining area, perhaps prior to COVID, the restaurant.
It’s not hard to imagine that area as a very large entertaining area, either for very large dinner parties, or dancing.
As for the food, it’s either a picnic basket or pizzas. We chose the latter, not realising the bases were not homemade, but bought in.
The toppings however were both plentiful and tasty. It could have been hotter, because it was a cold day, and it was cold in the room.
As for something to do other than taste the wine, and buy a few bottles, you can get up close to the vines, which, at this time of the year gave been pruned back and look quite dead, look at or walk an alpaca, even feed it, or all of them, or go down to the river and see if you can spot a Platypus.
Perhaps next time we’ll have a picnic down by the river.
How many of us have skeletons in the closet that we know nothing about? The skeletons we know about generally stay there, but those we do not, well, they have a habit of coming out of left field when we least expect it.
In this case, when you see your photo on a TV screen with the accompanying text that says you are wanted by every law enforcement agency in Europe, you’re in a state of shock, only to be compounded by those same police, armed and menacing, kicking the door down.
I’d been thinking about this premise for a while after I discovered my mother had a boyfriend before she married my father, a boyfriend who was, by all accounts, the man who was the love of her life.
Then, in terms of coming up with an idea for a story, what if she had a child by him that we didn’t know about, which might mean I had a half brother or sister I knew nothing about. It’s not an uncommon occurrence from what I’ve been researching.
There are many ways of putting a spin on this story.
Then, in the back of my mind, I remembered a story an acquaintance at work was once telling us over morning tea, that a friend of a friend had a mother who had a twin sister and that each of the sisters had a son by the same father, without each knowing of the father’s actions, both growing up without the other having any knowledge of their half brother, only to meet by accident on the other side of the world.
It was an encounter that in the scheme of things might never have happened, and each would have remained oblivious of the other.
For one sister, the relationship was over before she discovered she was pregnant, and therefore had not told the man he was a father. It was no surprise the relationship foundered when she discovered he was also having a relationship with her sister, a discovery that caused her to cut all ties with both of them and never speak to either from that day.
It’s a story with more twists and turns than a country lane!
Or to be more precise, the homestead at what is now O’Reilly’s vineyard, where there is a pleasant lawn out back running down to the river for picnics, an alpaca farm next door, and the homestead plays host to functions and wine tastings
My interest was that we had assumed there was a restaurant, and we were going to have lunch. There might be one, but not the day we visited, it was just cafe food or a picnic available.
I was more interested in the old homestead because it was a fine example of the homesteads built in the ‘outback’.
…
Today we are having lunch in the Platypus room, in the O’Reilly’s vineyard farmhouse, which, if you close your eyes and let your imagination run free, could see it as the master bedroom of a homestead.
Certainly, the building is old, made completely of timber, inside and out, with the traditional high ceilings to keep the heat at bay.
At one end, a large bay window, which would be ideal to sit and view the outside, past the sweeping verandah. There is a small lawn and a rotunda, but beyond that what might have been extended gardens, is the vineyard.
The homestead is in an ideal position midway between the main road and the river, has the traditional surrounding verandah, and shows signs of being extended on almost all sides.
On the other side of the wide corridor that leads you to the bar, and, coincidentally, down the centre of the house, is a smaller bedroom, also used as a dining room, and ubiquitously named the library.
It may be small but it does have a fireplace, which the assumed master bedroom does not, but now I’m thinking that room might have been the morning room.
Behind the room, we’re in is another bedroom, or perhaps this might be the master because it does have a fireplace and is quite large. And a name, the Ambassador room. Now it serves as the pickup place for picnic baskets.
There is another room on the opposite side of the corridor called the Drawing Room but is not open to the public. But, going into the room with the fireplace adjacent to it, you can sell the aroma of pizzas, so it’s probably an extension of the kitchen, and, walking around the outside that side of the house proves it to be the case.
After all, they do catering for weddings and need a very large food preparation area which I discovered runs down the whole of that side of the house.
At the end of the corridor I’d the bar and spare space, and running off that and behind that is where there is a large dining area, perhaps prior to COVID, the restaurant.
It’s not hard to imagine that area as a very large entertaining area, either for very large dinner parties, or dancing.
As for the food, it’s either a picnic basket or pizzas. We chose the latter, not realising the bases were not homemade, but bought in.
The toppings however were both plentiful and tasty. It could have been hotter, because it was a cold day, and it was cold in the room.
As for something to do other than taste the wine, and buy a few bottles, you can get up close to the vines, which, at this time of the year gave been pruned back and look quite dead, look at or walk an alpaca, even feed it, or all of them, or go down to the river and see if you can spot a Platypus.
Perhaps next time we’ll have a picnic down by the river.
Oh, that’s right, at the time we were in Canada, and the ice hockey channel was running in the background while I was trying to work.
It brought to mind, then, the interesting concept of movement through time zones, and how it was possible to live the same day for nearly two days, which is as close as I was going to get the ‘Groundhog Day’.
It’s not something that I’ve considered when writing stories because usually we are grounded in one particular time zone, or if we’re travelling, we just go from one chapter to the next, each a different location, and the reader is no wiser.
Except the editor is and pulls me up when it appears I think it’s during the day, when in reality it’s really 3am.
But, just to illustrate my point, the following is what I wrote two Christmases ago, and boy was it confusing at times.
Alright, we’ve arrived in Lake Louise from Kamloops, and there’s been a time change. Being from Australia, we lost or gained so many hours I don’t know whether I’m coming or going.
Yes, I left on the 26th of December, travelled around half the planet, and it’s still the 26th, after a stopover in Shanghai where it was the 27th.
Can someone tell me what the hell is going on?
On another day in Canada, it was the 30th. The day before, back home, it was my wife’s birthday in Australia and we got a number of calls on the 29th, which was amusing, to say the least.
Now, we’ve gone from Kamloops to Lake Louise, and apparently now that we are in Alberta, it’s an hour later.
The rental car we’re driving didn’t get it, and we’re still an hour behind.
My phone didn’t get it, but it is understandable because I didn’t connect it to the Canadian network to give us an internet connection because it was going to cost money.
It did on my wife’s phone which is connected to the network and it’s the only device we have that tells the correct time.
And why do we really need to know what time it is?
So we make the plane the day after tomorrow, from Calgary to Toronto.
I never realized that time was so important, and I wonder how people who travel the world remain sane with all the changes to the time zones.
This was one of the more interesting experiences for the grandchildren as they were, as all young girls are, interested in ballet.
We thoroughly enjoyed our visit which included some time watching ballet practice.
I could not convince anyone to take the elevator back down to the ground floor as it was suspected we might be ‘attacked’ by the ‘phantom’. Certainly, the elevator was very old and I think at the time it was being repaired.
Part of the Grand Staircase in Palais Garnier Opera de Paris
The ceiling above the main staircase. The ceiling above the staircase was painted by Isidore Pils to depict The Triumph of Apollo, The Enchantment of Music Deploying its Charms, Minerva Fighting Brutality Watched by the Gods of Olympus, and The City of Paris Receiving the Plan of the New Opéra.
The ceiling of Chagall at the Palais Garnier
On 23 September 1964, the new ceiling of the Opéra Garnier was inaugurated with great pomp. It was painted by Marc Chagall at the request of André Malraux
Amphitheatre and Orchestra Pit entrance
Interior, and doorways to boxes
Box seats in the auditorium
Ornate ceilings and columns
Seating inside the auditorium
The day we were leaving Paris, was the first night of the Bolshoi Ballet. My two granddaughters were greatly disappointed at missing out on the opportunity of a lifetime, to see the Bolshoi Ballet at the Paris Opera House.
This was one of the more interesting experiences for the grandchildren as they were, as all young girls are, interested in ballet.
We thoroughly enjoyed our visit which included some time watching ballet practice.
I could not convince anyone to take the elevator back down to the ground floor as it was suspected we might be ‘attacked’ by the ‘phantom’. Certainly, the elevator was very old and I think at the time it was being repaired.
Part of the Grand Staircase in Palais Garnier Opera de Paris
The ceiling above the main staircase. The ceiling above the staircase was painted by Isidore Pils to depict The Triumph of Apollo, The Enchantment of Music Deploying its Charms, Minerva Fighting Brutality Watched by the Gods of Olympus, and The City of Paris Receiving the Plan of the New Opéra.
The ceiling of Chagall at the Palais Garnier
On 23 September 1964, the new ceiling of the Opéra Garnier was inaugurated with great pomp. It was painted by Marc Chagall at the request of André Malraux
Amphitheatre and Orchestra Pit entrance
Interior, and doorways to boxes
Box seats in the auditorium
Ornate ceilings and columns
Seating inside the auditorium
The day we were leaving Paris, was the first night of the Bolshoi Ballet. My two granddaughters were greatly disappointed at missing out on the opportunity of a lifetime, to see the Bolshoi Ballet at the Paris Opera House.
Whilst I found this tree house to be interesting, it seems to be far from practical because there was little to keep the wind and rain out, though I suppose, in the book, that might not be such a problem.
Be that as it may, and if it was relatively waterproof, then the furnishings would probably survive, and one had to also assume that much of the furnishings, such as the writing desk below, would have washed up as debris from the shipwreck.
The stove and oven would have to be built by hand, and it is ‘remarkable’ such well-fitting stones were available. It doesn’t look like it’s been used for a while judging by the amount of gree on it. Perhaps it is not in a waterproof area.
The dining table and the shelf in the background have that rough-hewn look about them
A bit of man-made equipment here for drawing water from the stream
And though not made in the era of electricity, there is an opportunity to use the water wheel to do more than it appears to be doing
And tucked away in a corner the all-important study where one can read, or play a little music on the organ. One could say, for the period, one had all the comforts of home.
Whilst I found this tree house to be interesting, it seems to be far from practical because there was little to keep the wind and rain out, though I suppose, in the book, that might not be such a problem.
Be that as it may, and if it was relatively waterproof, then the furnishings would probably survive, and one had to also assume that much of the furnishings, such as the writing desk below, would have washed up as debris from the shipwreck.
The stove and oven would have to be built by hand, and it is ‘remarkable’ such well-fitting stones were available. It doesn’t look like it’s been used for a while judging by the amount of gree on it. Perhaps it is not in a waterproof area.
The dining table and the shelf in the background have that rough-hewn look about them
A bit of man-made equipment here for drawing water from the stream
And though not made in the era of electricity, there is an opportunity to use the water wheel to do more than it appears to be doing
And tucked away in a corner the all-important study where one can read, or play a little music on the organ. One could say, for the period, one had all the comforts of home.
It was a cold but far from a miserable day. We were taking our grandchildren on a tour of the most interesting sites in Paris, the first of which was the Eiffel Tower.
We took the overground train, which had double-decker carriages, a first for the girls, to get to the tower.
We took the underground, or Metro, back, and they were fascinated with the fact the train carriages ran on road tires.
Because it was so cold, and windy, the tower was only open to the second level. It was a disappointment to us, but the girls were content to stay on the second level.
There they had the French version of chips.
It was a dull day, but the views were magnificent.
Thrills, Spills, and just a dash of Romance 