The cinema of My Dreams – It ended in Sorrento – Episode 58

It goes exactly as planned

…

We were monitored from the moment we left the hotel.  Cecelia had taken up her vantage point, and watched as we came out the front door.  Two minutes later she said, quietly, “You’ve got two, man and woman.  The woman is in communication with someone.  Be careful.”

Francesca didn’t seem to have a care in the world.  I suspected she had her phone on so those following us could keep track of when they lost us, but I wouldn’t be dodging and weaving this morning.

“What do you think our chances are of getting snatched off the street in a white van,” I asked her, after about 10 minutes.

“Why?”

“I’ve seen a few.  Of course, they might just be delivery vans, and white is a common colour.  Perhaps I’m just being paranoid.”

“Perhaps you are.”  She gave me a curious look, enough to make me think she might think there might be trouble.

“What happened to Cecelia?”

Juliet was outside the hotel, coming back from a café not far up the road.  I noted she had not bought coffee for the other two women.

“Out on a run.  She’s one of these fitness freaks, or perhaps it has something to do with keeping in shape for the movies.”

Juliet looked Francesca up and down with the eye of a jealous woman, or so I wanted to believe.  It could be that she simply viewed her with suspicion, much the same as I would in her place.

She knew me well enough to know Francesca was not there simply as a visiting friend.  But just how curious would she be.

“Another actress friend of yours?”

Francesca views Juliet with a similar look of contempt.

Francesca looked at me.  “Who is this woman and what is she talking about.  You obviously know each other.”

“Is it that recognisable?  This is Juliet, and ye, far back in a long-forgotten past we did spend some time together.  And lately, for some strange reason, we keep running into each other. Other than that, she’s staying with the countess and her mother.”

“You brought her to see the countess?   Is that wise?”

“No.  But I’ve had a long talk to Francesca, that’s her name by the way, and she’s working with people who have the same goal as I have, protecting the countess and making sure she gets to the signing.”

“Who are her people?”

“Need to know Juliet.”

“Well, this is going to be a cat amongst the pigeon’s moment, Evan.  You’re up to something, I know it.”

Francesca looked at her, then me, and went to say something, then didn’t.  I wished, at that moment, that I could read minds.

In my ear, I could hear Cecelia.  “They’ve stopped at the café just up from the hotel and the woman is talking earnestly into the phone.  She is probably calling for reinforcements.”

“A white van, no doubt,” I said.

Francesca was beside me.  “What about a white van?  Did you see one?”

“No.  Just muttering to myself.”

Juliet went first as we went into the hotel, over to the elevator, and then up to the room floor.  The short distance to the room was slow, running into several other guests who were going down to the lobby.

Juliet was on first-name terms with them.

Cecelia was back.  “As you said.  A white van went down the alley to the back of the hotel.  The two are staying put at the café.  It’s either a delivery or your ride.  What do you want me to do?”

“Nothing.”  Alfie’s voice came on.

“What are you doing here?”

“Joining the party.  Leave the van to me.  If it is involved, we’ll be on it.  If they take any one of the three, and they take their phones, we’ll have a trace.  At any rate, I’ve got a car, and will follow the van, if necessary.”

“Ever been told about a party, and then not get an invite,” I asked no one in general.

Juliet gave me a strange look then unlocked the door, went in, I followed, and Francesca came in last and closed the door behind her.

The countess was sitting at the table and looked up.  She didn’t recognise Francesca or if she did, she was a good actress.

“Who is this?” she asked.

“A woman who claims she has been hired to protect you too.  There seems to be a few of us.”

“Protect or kill?”  She stood and backed away.  “Why did you bring her here?”

“The old adage, keep your friends close, and your enemies closer.  She’s better here than out there,” I waved my hand in the general direction of the street.

Francesca didn’t move, and, better still, didn’t produce a gun from her handbag.

“Who do you work for?” the countess asked.

“Anna von Burkehardt.  She is very keen for you to make it to the signing alive.  She also told us that she would like to have a chat about what you’re going to be doing with the property once the documents are signed.  She would like to make you an offer.  One, I believe, you can’t refuse.”

It sounded reasonable to me.  What wasn’t was that she hadn’t moved from the door.  That was a bad sign.

Cecelia again.  “I’m on the floor, three hostiles heading to your door.  Do you want me to stop them?”

“No.”

Francesca looked at me.  “What do you mean no?”

“No, she can’t refuse it, like you said.”

The countess didn’t look particularly impressed with either of us.  “That hag has no interest in making any offers other than putting a bullet in the back of my head.  Take her away, Evan.  She had no interest in protecting me.  And, because of your incompetence, now Anna knows where I am.

I saw Francesca turn the handle of the door and quickly step to one side as it burst open.  Standing on the side expecting such an entry, I saw the men come in weapons in hand, yelling for us to get on the floor.

Cecelia was in my ear again.  “What do you want me to do?”

“Wait.  But be ready.”

In the confusion, Francesca was too busy acting the part of a hostage, with adequate parts of fear and cringing on the floor.

One of the men pointed his gun at me.  I was not the target.

I just realised that Vittoria was not in the room, so she was outside.

“Watch out for Vittoria,” I said.

Teo men grabbed the countess and gagged her.  The one pointing the gun at me went back to the door and looked out.  He waved his gun to say the coast is clear, and they quickly went out.

“Let them go.  Alf, you better not lose them.”

“I won’t.”

Three minutes and it was over. 

I got up and sat against the wall, and watched Francesca slowly raise her head and look around.

When her eyes reached me, she didn’t see my angry face looking at her, she saw a silenced gun pointed at her head.

“What the hell…”

The door opened again, and Cecelia came in, gun aimed, ready to shoot anything that moved.  It too, ended up on Francesca.

“One chance.  The next thing you tell me better be the truth or I will shoot you dead where you lie.  Am I clear?”

© Charles Heath 2023

The Cinema of My Dreams – It ended in Sorrento – Episode 59

Aftermath of a kidnapping

…

“You knew what was going to happen?”

“Of course.  Did you think you were dealing with rank amateurs?”

“Maybe my boss did.  Who are you two really?”

“We’re the sort of people who kill people like you, then go down the pub and have a few pints and laugh about it.”  It was almost a treat to see Cecelia acting so cavalier.

I glanced up at her, and her expression told me this was just another role, she was playing the bitch from hell.  And so much more dripping venom than Anna would ever muster.

That statement, of course, delivered in the deadpan voice of a deranged killer had the desired effect.  Francesca was suitably frightened.

“It was not my idea.  I just do as I’m told.”

“That’s what the Germans said at the Nuremberg trials.  Didn’t save there for being shot or hug or whatever.  Can I shoot her now?”  I almost laughed at the sincerity.

Francesca looked at me.  “You only told me because you knew what I’d do?  I told you who we were working for?”

“Who your boss told you to tell me.  Now we’re going to find out the truth.  I hope he told you the truth because if he didn’t, he isn’t going to be your boss for much longer.”

“Finally,” Cecelia sighed.

I almost laughed.  She was playing the role too well.

Alfie’s voice returned.  “What were you expecting?”

“Another party stepping in the rescue the countess.”

“How…”

“She can’t afford to have Anna find out who she really is.  Not yet.  Not until it is fait accompli/”

“When were you going to tell me?”

“At the appropriate time, which is now.  Let it go for now.  I know who’s got her.  And I know where she will go though not the exact location yet.  We have more work to do.”

“Who are you talking to?” Francesca asked.

“I have a plethora of friends Francesca, a plethora of friends.”

What happened next was like watching a bad stage play unfold in an unexpected manner.

Vittoria decided to turn up after the party had ended.

Seeing the door half open she blundered in and ended up with Cecelia’s gun in the back of her head, the door closing, and Francesca slowly getting back up off the floor.

Cecelia told Vittoria to walk slowly into the room and not try anything.  Vittoria was smart.  She did as she was told.

Francesca did the same.  She knew she had to humour me.  Then her phone rang.

“That will be your boss.  Answer it on speaker.”

She pulled it out of her bag and did as she was told.

“Sir.”

“What the hell is going on?”

I decided to answer that question for her.  “I might ask the same of you.  Had you just simply come and asked me, we could have sorted this out together, but no, you had to do it your way.  Now you have nothing.”

“Neither have you.”

“No.  What happened was exactly what I wanted to happen.  It gave me three valuable pieces of information.  Now you get nothing.  Go back to Rome and leave the professionals to get this done.  I am keeping Francesca with me.  She is the one concession I’m granting you.”

“That’s not how this works.”

“Then you will have to explain to her family how you got her killed because unless you agree, she will not leave this room alive.  Make up your mind.  My assistant has no patience and an itchy trigger finger.”

I counted to ten under my breath.  Francesca was getting more terrified by the minute.

“This is not acceptable, but I agree, only under extreme duress.  If anything happens to her, I will hold you personally responsible.”

“Agreed.  She will keep you posted.”

Francesca disconnected the call.

“It was a good job while it lasted,” she muttered.

“You’re a private detective and an art historian.  I’m not sure which day job you should not give up, but you can do better.  Now, enough retrospection.  We have work to do, and more feet on the ground.  Alfie, back to our hotel for a meeting.”

I heard him mutter, so I took that to mean he would be there soon.

In all the excitement I had forgotten about Juliet, and when I looked over to where she had been standing, near the countess before they took her, I saw her on the ground, just moving.

I went to her and knelt down to check on her head.

There was a bloody gash on the back of it, and it appeared one of the intruders had hit her.  Then I realised that I had seen her try to grab the countess back from one of the intruders and the other hit her with the butt of his gun.

She turned her head and looked at me with glassy eyes.  “What happened?”

“You tried to be brave, and as the saying goes, no good deed goes unpunished.”

“And a lot of good that did.  She’s not here.”  That was the result of her quick search.

“Never take on impossible odds.  Bad for your health.  Stay there and I’ll get a wet cloth.  You’re going to have a bad headache for a while.”

Vittoria had taken in the scene, seen her daughter, and yet it was me who got to her first to help.  It only reinforced my assumption about her.  No one could be that callous towards their daughter.

“Where’s the countess?” she asked, finally realising she was not there.

“Masked gunmen took her away,” I said.  “I believe they were taking her to Anna Von Burkehardt.  That’s going to be some reunion, don’t you think?”

The look on her face was priceless.

© Charles Heath 2023

The Cinema of My Dreams – It ended in Sorrento – Episode 57

Setting up Francesca

…

I asked Alfie to send me a track of Francesca’s movements, yes, I cloned her phone too, because I didn’t trust her, and yes, she went to see Anna at the Burkehardt’s residence.

We had a recording of her conversation, but it didn’t amount to much and Anna finished up yelling at her and kicking her out of the house.  Not literally, but if she hadn’t left the house when she did…

She was sitting at the table with her computer open.  By the way she shut it quickly, I suspect it was a video call to her boss.

“Your boss not happy with progress?”

She glared at me.

“You should go and have a talk to Anna Burkehardt.  Charming lady.”

Cecelia snorted almost too loudly on her way to the bathroom.

Francesca shrugged.  “Where have you been?”

“Looking at vines, would you believe.”

“How is that going to help?

“It’s not.  But I’ve decided you can come with me to see the countess.”

“You found her?”

“Not exactly.  She’s always been here, waiting for the day to sign the documents.  I was going to keep her away from your lot, now I’m not so sure that’s a good idea.  You can recognise her if you see her?”

“Are you saying the woman you have is not the countess?”

“No.  I’m asking if you can recognise her.”

“Of course.  We have a half dozen photographs we used, and some that deliberately disguise her in case she’s trying to be anonymous.”

“Good.  Tomorrow morning.”

That simple conversation was to see if she called her boss and they make arrangements to ‘take’ the countess into their protective custody, or, take her to Anna von Burkehardt.

As I said to Cecelia later, we would soon find out who Francesca and her people were working for.  Because of the hostility that Anne had shown towards her, I was wondering if Anna was, in fact, the one who hired them to find the countess.

“You’re going to have a busy morning tomorrow,” I said to Cecelia.  “You need to watch is leave and see if anyone follows us.”

“Do you really think they’d be that unsubtle?”

“Yes.  When large sums of money are involved.”

“And what will Anna do to her?”

“Nothing.  She’ll know straight away it’s not the real Countess, so I’m sure after they snatch her, the Countess will escape.  She can’t afford to be unmasked.  Not yet.

The fact that Cecelia didn’t tell me what I was doing was risky, told me that it was risky.

During the night, tossing and turning, with various women on my mind, I went through various scenarios, each of which had a bad outcome, the worst where Francesca became collateral damage.

This whole exercise was to see the lengths the fake Countess would go to not to be identified.  Or whether she thought her cover was good enough to fool everyone.

Except perhaps Anna.

A mother knows her daughter-in-law, especially after all that time.  A fake could not replicate the mannerisms, the speech, the idiosyncrasies, or a lifetime of just being together.

And I was banking on Francesca’s boss being greedy and putting money before ethics.  Francesca didn’t strike me as one with ethical problems, but I had read books by their covers before and been horribly wrong.

If it all blew up in my face at the very least, I could use it as an example of what not to do, but I doubt Cecelia would thank me in a hurry.

By the time I was ready to go, Cecelia had gone out for her morning run, and Francesca was ready to go and see the countess.  We had just enough time to sort out how we were going to communicate, and it was going to be amusing having Cecelia’s voice in my head.

At one point I had heavy breathing in my ear and told her it was distracting.  She simply replied that I should get out and join her and get rid of some of that retirement flab.

She did not have to be so mean, even if she was right.

I finished the coffee Cecelia had made in the percolator an hour before and tasted over-brewed, then finally stopped running scenarios that ended in disaster in my head.

“You ready?” I asked her.

I’d seen the transcript of the call Francesca made to her boss after I told her I was taking her to see the countess, and I knew the answer to that question.  It was rhetorical, but I couldn’t tell her that.

I just hoped the team that descended on us at the hotel was not a smash-and-grab type, not afraid to leave bodies behind.

© Charles Heath 2023

Skeletons in the closet, and doppelgangers

A story called “Mistaken Identity”

…

How many of us have skeletons in the closet that we know nothing about? The skeletons we know about generally stay there, but those we do not, well, they have a habit of coming out of left field when we least expect it.

In this case, when you see your photo on a TV screen with the accompanying text that says you are wanted by every law enforcement agency in Europe, you’re in a state of shock, only to be compounded by those same police, armed and menacing, kicking the door down.

I’d been thinking about this premise for a while after I discovered my mother had a boyfriend before she married my father, a boyfriend who was, by all accounts, the man who was the love of her life.

Then, in terms of coming up with an idea for a story, what if she had a child by him that we didn’t know about, which might mean I had a half brother or sister I knew nothing about. It’s not an uncommon occurrence from what I’ve been researching.

There are many ways of putting a spin on this story.

Then, in the back of my mind, I remembered a story an acquaintance at work was once telling us over morning tea, that a friend of a friend had a mother who had a twin sister and that each of the sisters had a son by the same father, without each knowing of the father’s actions, both growing up without the other having any knowledge of their half brother, only to meet by accident on the other side of the world.

It was an encounter that in the scheme of things might never have happened, and each would have remained oblivious of the other.

For one sister, the relationship was over before she discovered she was pregnant, and therefore had not told the man he was a father. It was no surprise the relationship foundered when she discovered he was also having a relationship with her sister, a discovery that caused her to cut all ties with both of them and never speak to either from that day.

It’s a story with more twists and turns than a country lane!

And a great idea for a story.

That story is called ‘Mistaken Identity’.

The cinema of My Dreams – It ended in Sorrento – Episode 58

It goes exactly as planned

…

We were monitored from the moment we left the hotel.  Cecelia had taken up her vantage point, and watched as we came out the front door.  Two minutes later she said, quietly, “You’ve got two, man and woman.  The woman is in communication with someone.  Be careful.”

Francesca didn’t seem to have a care in the world.  I suspected she had her phone on so those following us could keep track of when they lost us, but I wouldn’t be dodging and weaving this morning.

“What do you think our chances are of getting snatched off the street in a white van,” I asked her, after about 10 minutes.

“Why?”

“I’ve seen a few.  Of course, they might just be delivery vans, and white is a common colour.  Perhaps I’m just being paranoid.”

“Perhaps you are.”  She gave me a curious look, enough to make me think she might think there might be trouble.

“What happened to Cecelia?”

Juliet was outside the hotel, coming back from a café not far up the road.  I noted she had not bought coffee for the other two women.

“Out on a run.  She’s one of these fitness freaks, or perhaps it has something to do with keeping in shape for the movies.”

Juliet looked Francesca up and down with the eye of a jealous woman, or so I wanted to believe.  It could be that she simply viewed her with suspicion, much the same as I would in her place.

She knew me well enough to know Francesca was not there simply as a visiting friend.  But just how curious would she be.

“Another actress friend of yours?”

Francesca views Juliet with a similar look of contempt.

Francesca looked at me.  “Who is this woman and what is she talking about.  You obviously know each other.”

“Is it that recognisable?  This is Juliet, and ye, far back in a long-forgotten past we did spend some time together.  And lately, for some strange reason, we keep running into each other. Other than that, she’s staying with the countess and her mother.”

“You brought her to see the countess?   Is that wise?”

“No.  But I’ve had a long talk to Francesca, that’s her name by the way, and she’s working with people who have the same goal as I have, protecting the countess and making sure she gets to the signing.”

“Who are her people?”

“Need to know Juliet.”

“Well, this is going to be a cat amongst the pigeon’s moment, Evan.  You’re up to something, I know it.”

Francesca looked at her, then me, and went to say something, then didn’t.  I wished, at that moment, that I could read minds.

In my ear, I could hear Cecelia.  “They’ve stopped at the café just up from the hotel and the woman is talking earnestly into the phone.  She is probably calling for reinforcements.”

“A white van, no doubt,” I said.

Francesca was beside me.  “What about a white van?  Did you see one?”

“No.  Just muttering to myself.”

Juliet went first as we went into the hotel, over to the elevator, and then up to the room floor.  The short distance to the room was slow, running into several other guests who were going down to the lobby.

Juliet was on first-name terms with them.

Cecelia was back.  “As you said.  A white van went down the alley to the back of the hotel.  The two are staying put at the café.  It’s either a delivery or your ride.  What do you want me to do?”

“Nothing.”  Alfie’s voice came on.

“What are you doing here?”

“Joining the party.  Leave the van to me.  If it is involved, we’ll be on it.  If they take any one of the three, and they take their phones, we’ll have a trace.  At any rate, I’ve got a car, and will follow the van, if necessary.”

“Ever been told about a party, and then not get an invite,” I asked no one in general.

Juliet gave me a strange look then unlocked the door, went in, I followed, and Francesca came in last and closed the door behind her.

The countess was sitting at the table and looked up.  She didn’t recognise Francesca or if she did, she was a good actress.

“Who is this?” she asked.

“A woman who claims she has been hired to protect you too.  There seems to be a few of us.”

“Protect or kill?”  She stood and backed away.  “Why did you bring her here?”

“The old adage, keep your friends close, and your enemies closer.  She’s better here than out there,” I waved my hand in the general direction of the street.

Francesca didn’t move, and, better still, didn’t produce a gun from her handbag.

“Who do you work for?” the countess asked.

“Anna von Burkehardt.  She is very keen for you to make it to the signing alive.  She also told us that she would like to have a chat about what you’re going to be doing with the property once the documents are signed.  She would like to make you an offer.  One, I believe, you can’t refuse.”

It sounded reasonable to me.  What wasn’t was that she hadn’t moved from the door.  That was a bad sign.

Cecelia again.  “I’m on the floor, three hostiles heading to your door.  Do you want me to stop them?”

“No.”

Francesca looked at me.  “What do you mean no?”

“No, she can’t refuse it, like you said.”

The countess didn’t look particularly impressed with either of us.  “That hag has no interest in making any offers other than putting a bullet in the back of my head.  Take her away, Evan.  She had no interest in protecting me.  And, because of your incompetence, now Anna knows where I am.

I saw Francesca turn the handle of the door and quickly step to one side as it burst open.  Standing on the side expecting such an entry, I saw the men come in weapons in hand, yelling for us to get on the floor.

Cecelia was in my ear again.  “What do you want me to do?”

“Wait.  But be ready.”

In the confusion, Francesca was too busy acting the part of a hostage, with adequate parts of fear and cringing on the floor.

One of the men pointed his gun at me.  I was not the target.

I just realised that Vittoria was not in the room, so she was outside.

“Watch out for Vittoria,” I said.

Teo men grabbed the countess and gagged her.  The one pointing the gun at me went back to the door and looked out.  He waved his gun to say the coast is clear, and they quickly went out.

“Let them go.  Alf, you better not lose them.”

“I won’t.”

Three minutes and it was over. 

I got up and sat against the wall, and watched Francesca slowly raise her head and look around.

When her eyes reached me, she didn’t see my angry face looking at her, she saw a silenced gun pointed at her head.

“What the hell…”

The door opened again, and Cecelia came in, gun aimed, ready to shoot anything that moved.  It too, ended up on Francesca.

“One chance.  The next thing you tell me better be the truth or I will shoot you dead where you lie.  Am I clear?”

© Charles Heath 2023

Searching for locations: Brisbane botanical gardens, Australia

The flowers were out in full bloom the day we took the grandchildren for ‘a walk in the park’.

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Of particular interest was the Japanese garden with a trail with rocks,and mini waterfalls

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And as a fitting end to the day, a chance to feed a family of ducks

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The Cinema of My Dreams – It ended in Sorrento – Episode 56

Looking for a missing countess

…

No one mentioned the real Countess or her sister.

Did they know?  Did Dicostini have them?  He had to.

Cecilia was very disappointed she couldn’t shoot anyone.  I was too, for different reasons.

Perhaps the only good thing to come out of it was that it didn’t look like Juliet was a party to the whole plan, just a part of it if Plan A didn’t work.

Cecelia packed up the rifle and I replaced everything in the hamper. 

“That was fun?”

“Wasn’t it?”

“How did you guess?”

“I would have sooner if the research team had done its job properly.  There was only one thing that could cause this level of trouble.  Greed.  It’s not what we usually deal with.  I prefer power-crazy megalomaniacs trying to take over the world.”

“I could write a script.  What do you think?”

“Been done to death I would think.”

“Are we going back to smash a few heads?  I feel like a little gratuitous violence, especially against that lot.”

“As tempting as those sounds, no.  We now have to do a search of every one of their properties, starting with those without any signs of life.  Long, hard, and tedious.”

“Are you trying to make it sound exciting?”

I gave her a searching look.  “You’re crazy, you know that.”

“Of course.  Why do you think I’m here with you.”

We had a week, but I was hoping it would not take that long.  There were less than ten other properties where the women could be located, and we started with the two closest.

The property we were on, now, would have to wait until after dark.  Cecelia had noted that there were a half dozen workers tending the vines during the day, as well as office and maintenance staff.  Quite a few employees for a place that wasn’t financially viable.

The nearest was another plot of vines, with a different grape variety, and I suspect possibly added from another winery that wasn’t viable.  Cecelia picked them as either Trebbiano or Vermentino, using her cell phone to identify them.

That’s how boring the search was going.  Three outbuildings that reeked of musty wine, quite a few old barrels, or barrels waiting to be filled, and old farm machinery that was rusting out.

There was also a vintage BMW under a tarpaulin that might be worth quite a sum of money.  If it didn’t have the front smashed in.  I took a photograph of the car for future reference, that thought that Anna believed Dicostini was responsible for the death of her husband.

Was that the car involved in the accident?

The second property was more of less the same as the first, but this one had a villa on it, fallen into disrepair.  There were a few people working in the fields next to the property, so we had to be careful not to be seen.

It was a large house, musty, with little furniture and large open spaces.  It must have been a comfortable place once.  I checked for a basement while Cecelia checked for an attic, or signs of life upstairs.  I found there were new locks in the doors and a room with two beds, unmade, and by the look of the dust layer, hadn’t been used in a few years.

It was an initial ray of hope very quickly snuffed out.

Day one was over, with no progress to report.  I sent a message to Rodby in code, just in case his new ‘wife’ accidentally on purpose picked up his phone.

I wondered how that was going for him.  It would be a situation he had not had to deal with before, and maybe this would hasten his thoughts to retiring and getting out of what was becoming a very dirty business.

On our way back to the hotel, Cecilia said, “What do you think Francesca’s been up to?”

“I’d be surprised if she didn’t go to see Anna.”

“For what purpose.”

“I’m sure her boss would like her to touch base, and assure her everything that can be done, is being done.”

“Except they’re waiting for us to do their job for them.”

“As long as we find them, it doesn’t matter.  It’s going to get a little tricky if we can’t liberate them without letting anyone know.  There’s no telling how much collateral damage there’ll be.”

“There never is, but I like to try and avoid it if possible.  Rodby likes his ‘by any and all means possible’, but, as you know, I operate differently.  You stick with me for too long you might lose your objectivity.”

“Maybe that’s why I’m here.  I’m usually the exact opposite.”

I would not have pegged her for an ‘all means possible’ person, but then she was an actress and was very good at being different people.  Her strength lay in being a total chameleon.  Then that picture in my mind of her with the sniper rifle at Larry’s mother’s place left me with a shiver down my spine.

I would wrap this up as quickly as possible, send her home, and go back to my once quiet life.

© Charles Heath 2023

Searching for locations: The Mary Valley Rattler, Gympie, Queensland, Australia

I have a passion for visiting transport museums, to see old trains, planes, buses, cars, even ships if it’s possible.

This has led to taking a number of voyages on the TSS Earnslaw in Queenstown, New Zealand.

Many, many, many years ago on Puffing Billy, a steam train in the Dandenongs, Victoria, Australia.

The steam train in Kingston, New Zealand, before it was closed down, but hopefully it will reopen sometime in the future.

The London Transport Museum in London England, which had a lot of buses.

The Workshops Railway Museum in Ipswich, Queensland, where once the many steam engines were built and maintained, and now had only a handful of engines remaining.

However, in the quest for finding and experiencing old transportation methods, we came across the Mary Valley Rattler, which runs out of Gympie, Queensland, Australia.

The ride begins in Gympie at the old Gympie Railway station, and as can be seen below, is one of the relics of the past, and, nothing like the new more modern stations.  Thankfully.

If you’re going to have a vintage train, then you have to have a vintage station.

The Class of engine, seen below, is the C17, a superheated upgrade to the C16 it was based on, and first run in 1903.  This particular engine was built in 1951, although the first of its type was seen in  1920 and the last of 227 made in 1953.  It was the most popular of the steam engines used by Queensland Railways.

The C designation meant it had four driving axels and 17 was the diameter of the cylinder, 17 inches.  It is also known as a 4-8-0 steam locomotive
 and nicknamed one of the “Brown Bombers” because of its livery, brown with green and red trimming.

Also, this engine was built in Maryborough, not far from Gympie by Walkers Limited, one of 138.

This photo was taken as the train returned from Amamoor, a trip that takes up to an hour.

The locomotive is detached from the carriages, then driven to the huge turntable to turn around for the return journey to Amamoor.

This is the locomotive heading down to the water station, and then taking on water.  After that, it will switch lines, and reverse back to reconnect the carriages for the trip to Amamoor.

The carriages are completely restored and are extremely comfortable.  It brings back, for me, many memories of riding in older trains in Melbourne when I was a child.

The trains, then, were called Red Rattlers.

This is the locomotive climbing one of the hilly parts of the line before crossing over the Mary River on a trestle bridge.

This is the engine at Amamoor near the picnic area where young children and excited parents and grandparents can get on the locomotive itself and look inside where the driver sits.

And, no, I didn’t volunteer to shovel coal.

This particular locomotive spent most of its working life between Townsville and Mount Isa and was based in Cloncurry, Charters Towers, and Townsville, before being sent, at the end of its useful days in the late 1960s, to the Ipswich Railway Workshops.

The Cinema of My Dreams – It ended in Sorrento – Episode 57

Setting up Francesca

…

I asked Alfie to send me a track of Francesca’s movements, yes, I cloned her phone too, because I didn’t trust her, and yes, she went to see Anna at the Burkehardt’s residence.

We had a recording of her conversation, but it didn’t amount to much and Anna finished up yelling at her and kicking her out of the house.  Not literally, but if she hadn’t left the house when she did…

She was sitting at the table with her computer open.  By the way she shut it quickly, I suspect it was a video call to her boss.

“Your boss not happy with progress?”

She glared at me.

“You should go and have a talk to Anna Burkehardt.  Charming lady.”

Cecelia snorted almost too loudly on her way to the bathroom.

Francesca shrugged.  “Where have you been?”

“Looking at vines, would you believe.”

“How is that going to help?

“It’s not.  But I’ve decided you can come with me to see the countess.”

“You found her?”

“Not exactly.  She’s always been here, waiting for the day to sign the documents.  I was going to keep her away from your lot, now I’m not so sure that’s a good idea.  You can recognise her if you see her?”

“Are you saying the woman you have is not the countess?”

“No.  I’m asking if you can recognise her.”

“Of course.  We have a half dozen photographs we used, and some that deliberately disguise her in case she’s trying to be anonymous.”

“Good.  Tomorrow morning.”

That simple conversation was to see if she called her boss and they make arrangements to ‘take’ the countess into their protective custody, or, take her to Anna von Burkehardt.

As I said to Cecelia later, we would soon find out who Francesca and her people were working for.  Because of the hostility that Anne had shown towards her, I was wondering if Anna was, in fact, the one who hired them to find the countess.

“You’re going to have a busy morning tomorrow,” I said to Cecelia.  “You need to watch is leave and see if anyone follows us.”

“Do you really think they’d be that unsubtle?”

“Yes.  When large sums of money are involved.”

“And what will Anna do to her?”

“Nothing.  She’ll know straight away it’s not the real Countess, so I’m sure after they snatch her, the Countess will escape.  She can’t afford to be unmasked.  Not yet.

The fact that Cecelia didn’t tell me what I was doing was risky, told me that it was risky.

During the night, tossing and turning, with various women on my mind, I went through various scenarios, each of which had a bad outcome, the worst where Francesca became collateral damage.

This whole exercise was to see the lengths the fake Countess would go to not to be identified.  Or whether she thought her cover was good enough to fool everyone.

Except perhaps Anna.

A mother knows her daughter-in-law, especially after all that time.  A fake could not replicate the mannerisms, the speech, the idiosyncrasies, or a lifetime of just being together.

And I was banking on Francesca’s boss being greedy and putting money before ethics.  Francesca didn’t strike me as one with ethical problems, but I had read books by their covers before and been horribly wrong.

If it all blew up in my face at the very least, I could use it as an example of what not to do, but I doubt Cecelia would thank me in a hurry.

By the time I was ready to go, Cecelia had gone out for her morning run, and Francesca was ready to go and see the countess.  We had just enough time to sort out how we were going to communicate, and it was going to be amusing having Cecelia’s voice in my head.

At one point I had heavy breathing in my ear and told her it was distracting.  She simply replied that I should get out and join her and get rid of some of that retirement flab.

She did not have to be so mean, even if she was right.

I finished the coffee Cecelia had made in the percolator an hour before and tasted over-brewed, then finally stopped running scenarios that ended in disaster in my head.

“You ready?” I asked her.

I’d seen the transcript of the call Francesca made to her boss after I told her I was taking her to see the countess, and I knew the answer to that question.  It was rhetorical, but I couldn’t tell her that.

I just hoped the team that descended on us at the hotel was not a smash-and-grab type, not afraid to leave bodies behind.

© Charles Heath 2023

Searching for locations: Coffs Harbour, New South Wales, Australia, and resorts Wyndham style

We have stayed in two different types of accommodation in Coffs Harbour, New South Wales, Australia, as a timeshare owner who can trade their week for a week anywhere in the world.

Both are resorts, but different sorts of resorts.  The first was a typical RCI resort, where everything is laid back and relaxing, with all the amenities one can expect from a resort.

The other, this one, the Wyndham in Coffs Harbour, is very different, and you notice it when you walk in the front door.  You are virtually assaulted by hard-nosed timeshare sales staff who really don’t take no for an answer, and then when you finally escape, ring you every day to make an appointment.

I left the phone off the hook.

Aside from that, the place is excellent, the accommodation very good, and the situation one of the best with what could be called a private beach.  There are also a number of bushwalks that cater to old people like me.

As you can see, lakes and greenery, and even a putting green.

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And in places, they try very hard to hide the ugly multi-story buildings in amongst the trees

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It is only a short walk to the ‘private beach’ and it is sufficiently long enough for a morning walk before breakfast.  You could even try to catch some fish for breakfast, though I’m not sure if anyone actually caught anything

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Or you can just stare out to sea

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And, back in the room, this is the view we had from our verandah

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