A photograph from the inspirational bin – 35

This is Railway Hotel in Gympie, adjacent to the old Gympie station

Just the name Railway Hotel conjured up a lot of interesting connotations. There’s one in almost every rural town that has Railway station, or perhaps a Junction Hotel, a Railway Hotel, or a Terminus Hotel.

And, once upon a time, there were nearly 600 of them, up until the 1920s, ubiquitous hotels build to house the people building the railways, and, then, when they were finished a lot disappeared, but a lot also remained to service the railway station and passengers coming and going.

These days, these old hotels that still exist are anachronisms of a bygone age, rather ornate wooden structures with big rooms and communal bathrooms, bars, saloons, and dining rooms, and only those curious about the past would stay there.

I’ve stayed in a few myself.

But, as for a story, well, the older, the better, because these would have ghosts.

They could also have infamous pasts, like a fire that destroys only part of the hotel, signs of which form part of the character.

A doorway into a now hidden room closed off because of something horrible happening there, could suddenly become a portal, where stepping through takes you back to the time of the event.

In fact, I’m in the mood to write just such a story…

Searching for locations: Innsbruck, Austria

On this occasion, we drove from Florence to Innsbruck, a journey of about 500 kilometers and via the E45, a trip that would take us about five and a half hours.

We drove conservatively, stopped once for lunch and took about seven hours, arriving in Innsbruck late in the afternoon

The main reason for this stay was to go to Swarovski in Wattens for the second time, to see if anything had changed, and to buy some pieces.  We were still members of the club, and looking forward to a visit to the exclusive lounge and some Austrian champagne.

Sadly, there were no new surprises waiting, and we came away a little disappointed.

We were staying at the Innsbruck Hilton, where we stayed the last time, and it only a short walk to the old town.

From the highest level of the hotel, it is possible to get a look at the mountains that surround the city.  This view is in the direction we had driven earlier, from Florence.

The change in the weather was noticeable the moment we entered the mountain ranges.

This view looks towards the old town and overlooks a public square.

This view shows some signs of the cold, but in summer, I doubted we were going to see any snow.

We have been here in winter, and it is quite cold, and there is a lot of snow.  The ski resorts are not very far away, and the airport is on the way to Salzburg.

There is a host of restaurants in the old town, and we tried a few during our stay.  The food, beer, and service were excellent.

On a previous visit, we did get Swiss Army Knives, literally, from a small store called Victorinox.

And, yes, we did see the golden roof.

Searching for locations: The Opera House, Paris, France

This was one of the more interesting experiences for the grandchildren as they were, as all young girls are, interested in ballet.

We thoroughly enjoyed our visit which included some time watching ballet practice.

I could not convince anyone to take the elevator back down to the ground floor as it was suspected we might be ‘attacked’ by the ‘phantom’.  Certainly, the elevator was very old and I think at the time it was being repaired.

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Part of the Grand Staircase in Palais Garnier Opera de Paris

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The ceiling above the main staircase.  The ceiling above the staircase was painted by Isidore Pils to depict The Triumph of ApolloThe Enchantment of Music Deploying its CharmsMinerva Fighting Brutality Watched by the Gods of Olympus, and The City of Paris Receiving the Plan of the New Opéra.

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The ceiling of Chagall at the Palais Garnier

On 23 September 1964, the new ceiling of the Opéra Garnier was inaugurated with great pomp.  It was painted by Marc Chagall at the request of André Malraux

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Amphitheatre and Orchestra Pit entrance

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Interior, and doorways to boxes

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Box seats in the auditorium

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Ornate ceilings and columns

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Seating inside the auditorium

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The day we were leaving Paris, was the first night of the Bolshoi Ballet.  My two granddaughters were greatly disappointed at missing out on the opportunity of a lifetime, to see the Bolshoi Ballet at the Paris Opera House.

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But we did get to see the principals practicing.

The cinema of my dreams – It continued in London – Episode 37

A talk with Juliet

If I had the time over again, I might have chosen a different path in advising her of the possible connection to the Burkhardt’s, but that cat was now out of the bag.  I had to play that card when the police started asking difficult questions.  It’s a bit hard to give a plausible reason for people shooting at you.

“It’s possible but unlikely, but it seems someone thinks you might be, hence the assassination attempt.”

“Do you think my father was the Count, and my mother one of the servants?”  There was a curious inflection in her tone like she was mentally calculating the billions she might be worth.

“What did your adoptive mother tell you about your father, other than he was important?

“Nothing.”

“Then the description ‘important person’ could be the butler or the head gardener to a lowly servant girl, so I wouldn’t be getting too many ideas.  The count has never admitted to having any children outside of marriage, and, in fact, had only one surviving family member, the countess.  Have you ever met her?”

“Seen her only in papers, and once from afar when I was watching the house in Sorrento.  Head gardener or butler, you do know how to dash a girl’s dreams.”

“Better to understand the reality before the family lawyers shred you in court if you try to press any sort of a claim.  And if they do know about you, and they believed you were an heir, then you could be in trouble.”

“You seem to know a lot about the family.  Are you working for them?”

An astute observation.  “The answer to that question is no.  My only interest in this was to escort the countess to the Opera as a favour to the man whom I used to work for, yes, I’m still retired, or getting there.  So, I’ve met the countess, but she never mentioned anything about children, only the count dying on her, and now, from my boss, the fact she is missing.  The truth of the matter, I’m only here to find the countess, then I’m back to Venice, or Paris, or anywhere other than here.”

“But there’s more to it than that.  I know you, there’s wheels within wheels.”

There might be, but I wasn’t going to humour her.  “Well, if she’s missing and doesn’t sign the inheritance papers, the estate goes to the next brother, Alessandro.  If he was aware there was a possibly more direct heir, if the count was your father, his situation would demand that you were eliminated from the list.  If he was that way inclined.”

“Then he’s your man.”

“He’s not.  I’ve spoken to him already.  But I have another more viable candidate, your birth mother, who could tell us if the count was your father, though, as a servant girl, and later criminal, I doubt the courts would believe her.”

“You know who my birth mother is then?”  it was spoken with a little more curiosity than she should, which told me she already knew and was covering it.  I wondered if Ceceila had any success.  I would sneak away and send her a text soon.  And ask her to drop in if she could.

“We think we do.”  After analysing everything Juliet said, and the physical evidence we had, like the photograph, it was possible that Vittoria was not.  All the evidence we had was circumstantial.

The waiter chose to arrive at our table with the pizza, and I decided we had to eat first, leaving her with a look of annoyance.  It could wait another few minutes, time taken to look at her and for any resemblance to Vittoria and the Count.  It seemed to me there was none, but Cecilia would know.  Time to send her a text to meet us at the restaurant, and what I wanted her to do.  I excused myself and went to the restrooms.

Just before I went in the door I glanced back and saw she was on the phone.  Who could she be calling?

When I came back, I decided to keep going down the direct route.  “Do you know a woman by the name of Vittoria Romano?”

I watched her carefully as I asked the question.  Everyone had a tell, and I think I knew hers.

“Should I?”

The curious thing about that reply was another of those inflections in her tone, one that told me she did.

That just added a whole new layer to the game.  It also told me why she was not so shaken up by the turn of events.  It might have been a surprise to see me, but not getting shot at.

“I have reason to believe she is your mother.  She has been trying to get closer to Alessandro, but the countess had warned him of her intentions.  We understand this Vittoria was getting a payment to look after you, whether by blackmail or otherwise, and when that stopped, she started making trouble.    She is, by the way, in London at the moment though we don’t know where.”

“And you think I might?”

“If I accompanied you to your apartment, would she be there?”

“I said I didn’t know her.”  She tried to put on an aggrieved tome that I would think that she was lying.

“You’ve said a lot of things in the past, especially to me, that are not true.  We know each other fairly well, Juliet.”

That tone was now accompanied by a pained expression that was mean to convey annoyance.  “I should get up and walk out, but as you say, we know each other fairly well, and I’m guessing you’d construe that as guilt.  I am disappointed.”

I saw Cecilia arrive outside, and now that the restaurant was quite full, she was easily able to get to our table without Juliet seeing her, not until she dropped into the third seat, and sigh, “Do you have any idea what it’s like getting across this city in the rush hour?”

The look on Juliet’s face was priceless.

© Charles Heath 2023

A photograph from the inspirational bin – 34

This is the moon, unexpectedly observable in the late afternoon.

For me, the moon provided inspiration for an episodic story I have entitled, for now, ‘I always wanted to see the planets’.

It’s about a freighter captain who gets a gig as First Officer on an exploratory starship, who by a series of inexplicable events gets promoted to captain, and has to navigate not only the outer reaches of space, but new species.

But in the back of my mind there is that expression ‘shoot for the moon’, which could mean almost anything.

It could mean going for the unobtainable, whether it be a job, or the partner of your dreams. Failing can be heartbreak. Success might mean you’d be ‘over the moon’.

Them there’s travelling to moon, perhaps the next logical step for regular people, heading off the spend a week on a moon base hotel. I’m not sure what we would see out there in space; Perhaps a UFO?

Fictionalised, a moon base might just be the meeting place for various species, and being the mystery writer I am, what if there was a murder?

As always, the possibilities are endless.

Searching for locations: The Opera House, Paris, France

This was one of the more interesting experiences for the grandchildren as they were, as all young girls are, interested in ballet.

We thoroughly enjoyed our visit which included some time watching ballet practice.

I could not convince anyone to take the elevator back down to the ground floor as it was suspected we might be ‘attacked’ by the ‘phantom’.  Certainly, the elevator was very old and I think at the time it was being repaired.

20140108_124100

Part of the Grand Staircase in Palais Garnier Opera de Paris

20140108_125843

The ceiling above the main staircase.  The ceiling above the staircase was painted by Isidore Pils to depict The Triumph of ApolloThe Enchantment of Music Deploying its CharmsMinerva Fighting Brutality Watched by the Gods of Olympus, and The City of Paris Receiving the Plan of the New Opéra.

20140108_123338

The ceiling of Chagall at the Palais Garnier

On 23 September 1964, the new ceiling of the Opéra Garnier was inaugurated with great pomp.  It was painted by Marc Chagall at the request of André Malraux

20140108_125807

Amphitheatre and Orchestra Pit entrance

20140108_122243

Interior, and doorways to boxes

20140108_123500

Box seats in the auditorium

20140108_123512

Ornate ceilings and columns

20140108_123332

Seating inside the auditorium

20140108_125603

The day we were leaving Paris, was the first night of the Bolshoi Ballet.  My two granddaughters were greatly disappointed at missing out on the opportunity of a lifetime, to see the Bolshoi Ballet at the Paris Opera House.

20140108_123359

But we did get to see the principals practicing.

Searching For Locations: Disneyland, Paris, France

Whilst I found this tree house to be interesting, it seems to be far from practical because there was little to keep the wind and rain out, though I suppose, in the book, that might not be such a problem.

Be that as it may, and if it was relatively waterproof, then the furnishings would probably survive, and one had to also assume that much of the furnishings, such as the writing desk below, would have washed up as debris from the shipwreck.

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The stove and oven would have to be built by hand, and it is ‘remarkable’ such well-fitting stones were available.  It doesn’t look like it’s been used for a while judging by the amount of gree on it.  Perhaps it is not in a waterproof area.

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The dining table and the shelf in the background have that rough-hewn look about them

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A bit of man-made equipment here for drawing water from the stream

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And though not made in the era of electricity, there is an opportunity to use the water wheel to do more than it appears to be doing

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And tucked away in a corner the all-important study where one can read, or play a little music on the organ.  One could say, for the period, one had all the comforts of home.

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Skeletons in the closet, and doppelgangers

A story called “Mistaken Identity”

How many of us have skeletons in the closet that we know nothing about? The skeletons we know about generally stay there, but those we do not, well, they have a habit of coming out of left field when we least expect it.

In this case, when you see your photo on a TV screen with the accompanying text that says you are wanted by every law enforcement agency in Europe, you’re in a state of shock, only to be compounded by those same police, armed and menacing, kicking the door down.

I’d been thinking about this premise for a while after I discovered my mother had a boyfriend before she married my father, a boyfriend who was, by all accounts, the man who was the love of her life.

Then, in terms of coming up with an idea for a story, what if she had a child by him that we didn’t know about, which might mean I had a half brother or sister I knew nothing about. It’s not an uncommon occurrence from what I’ve been researching.

There are many ways of putting a spin on this story.

Then, in the back of my mind, I remembered a story an acquaintance at work was once telling us over morning tea, that a friend of a friend had a mother who had a twin sister and that each of the sisters had a son by the same father, without each knowing of the father’s actions, both growing up without the other having any knowledge of their half brother, only to meet by accident on the other side of the world.

It was an encounter that in the scheme of things might never have happened, and each would have remained oblivious of the other.

For one sister, the relationship was over before she discovered she was pregnant, and therefore had not told the man he was a father. It was no surprise the relationship foundered when she discovered he was also having a relationship with her sister, a discovery that caused her to cut all ties with both of them and never speak to either from that day.

It’s a story with more twists and turns than a country lane!

And a great idea for a story.

That story is called ‘Mistaken Identity’.

The cinema of my dreams – It continued in London – Episode 36

Juliet has a secret identity

It bothered me that Juliet was not quite as fazed about being shot at as she should be.  Ordinarily, being shot at would bring on a bout of hysterics at the very least, but she was unmoved.

Was that because, after being coerced into criminal activity by the likes of Larry, and possibly others, she had been expecting something to happen, just not when.  Or did she know that it was quite possibly her mother that was gunning for her?

To me, I would take a less active approach and try to come to some arrangement with the possible heir to a very large estate.  There was no possible way her mother could get it, other than to marry and then kill, Alessandro, after taking care of the countess.  Or gain favour with her daughter and split the proceeds, after killing the other parties.

It seemed a lot of work, to me, and with no guarantees she could remain anonymous.  After all, we knew about her, how many others did?  I was still thinking about how quickly she had recovered from the attack.  I know my heart was still beating quite fast.

“After what happened back at the conference centre, do you think it’s possible we might be gunned down in the street?”

I had been thinking that exact same thought, not moments before, and it would be so easy, without the possibility of being caught.  I had been looking around to make sure there was no one, or anything, suspicious.

We had almost reached the underground station to take us to Russell Square, near where her apartment was.  I was hoping there would be a nearby restaurant where we could get dinner.

“Do you want to be a victim of a possible drive-by shooting?”

“No, but it is possible.  It’s the sort of thing that happens to other people, isn’t it, like real criminals.”

“That only happens to people who double cross or snitch on their bosses or fellow gang members.  Unless you are part of a gang, or thinking of ratting someone out, I’d say that was a result of reading too many crime novels.  I doubt you could classify yourself as a real criminal.”

“Perhaps not anymore, but you know that I was caught up in something I had no control over, at least not the last time.  I can promise you I don’t do stuff like that anymore.  I have a legitimate job, and a lot of respect from my fellow coroners.”

“Then why are you sounding concerned?  What is more concerning is why this isn’t bothering you?”

“Perhaps it’s because as much as I don’t want it to be, it seems that stuff like this happens to me.”

OK, what did she mean by that?  “Has it happened before?”

“Three times in the last month, if I let my imagination run wild.  Two weeks ago, a car came up on the footpath and I thought it was because the driver was trying to avoid a dog.  Very nearly ran me over.  Last week, another car didn’t stop at a pedestrian crossing, an old man, I thought it might be a medical incident.  Today just put those incidents into another perspective.  I’m sure you’ll tell me why eventually.”

I chose not to speak any more about the subject and got her to tell me about the presentation at the conference if only to take her mind off working on a barrage of difficult questions.

That consumed the train trip and the walk to an Italian Restaurant a block from her apartment.  It was reasonably empty before the later dinner rush which suited me; we could sit where I could keep an eye on everything.  I didn’t expect trouble in the restaurant, but maybe later when we left.

If they, whoever they were, knew where she lived.  I still hadn’t seen anyone following us, but it was London, and there were a lot of people about.  And I was still a little rusty.

After we ordered I could see she had been patient enough.  “So, tell me, why are you here?”

I shrugged.  There was no simple way around asking.  “What can you tell me about your mother?”

“My birth mother or my adoptive mother?”

If she was trying to surprise me, it didn’t work.  That she decided to be truthful did.  Given that I had seen the photo of her with Vittoria when she was about thirteen at Sorrento, how did that fit into the two-mother thing?  I guess it was just another question among many.

“Birth mother to begin with.”

“Not as much as I would like.”

“As in you’ve never known, no one told you, or you didn’t want to know?”

“As in I was never told her name, just that she lived in a large house in Italy, and that my father had been someone very important.  It was a condition that I should not be told because she didn’t want me to know.”

“A condition imposed on your adoptive mother?”

“Yes.  She was an Englishwoman who had been a servant in that large house in Italy, a friend of my mother.  My adoptive mother had found me in her room one morning, with a letter, telling her that I would be better off in her care.”

“Did you see your real mother again?”

“Yes.  Once.  When I was a teenager, we were holidaying in Italy.  We went to the large castle or chateau near Sorrento, and I met her and no one else, though my adoptive mother didn’t tell me it was her until after we left.  I have a photograph, the only thing I have of her.”

“Have you ever wanted to find out who she is?”

“Of course, I’ve been to Italy many times, even staked out the house, but I never saw her again.  You said it was possible I could inherit a lot of money.  It is from those people in that house?”

“Do you know who they are?”

“A family called Burkehardt I think.  Are you telling me I’m one of them?”

© Charles Heath 2023

A photograph from the Inspirational bin – 33

This is countryside somewhere inside the Lamington National Park in Queensland. It was one of those days where the rain come and went…

We were spending a week there, in the middle of nowhere on a working macadamia farm in a cottage, one of four, recuperating from a long exhausting lockdown.

It was not cold, and we were able to sit out of the verandah for most of the day, watching the rain come and pass over on its way up the valley, listing to the gentle pitter-patter of the rain on the roof and nearby leaves.

But as for inspiration:

This would be the ideal setting for a story about life, failed romance, or a couple looking to find what it was they lost.

It could be a story about recovering from a breakdown, or a tragic loss, to be anywhere else but in the middle of dealing with the constant reminders of what they had.

It could be a safe house, and as we all know, safe houses in stories are rarely safe houses, where it is given away by someone inside the program, or the person who it’s assigned to give it away because they can’t do as they’re supposed to; lay low.

Then there’s camping, the great outdoors, for someone who absolutely hates being outdoors, or those who go hunting, and sometimes become the hunted.

Oh, and watch out for the bears!