The first case of PI Walthenson – “A Case of Working With the Jones Brothers”

This case has everything, red herrings, jealous brothers, femme fatales, and at the heart of it all, greed.

See below for an excerpt from the book…

Coming soon!

PIWalthJones1

An excerpt from the book:

When Harry took the time to consider his position, a rather uncomfortable position at that, he concluded that he was somehow involved in another case that meant very little to him.

Not that it wasn’t important in some way he was yet to determine, it was just that his curiosity had got the better of him, and it had led to this: sitting in a chair, securely bound, waiting for someone one of his captors had called Doug.

It was not the name that worried him so much, it was the evil laugh that had come after the name was spoken.

Doug what? Doug the ‘destroyer’, Doug the ‘dangerous’, Doug the ‘deadly’; there was any number of sinister connotations, and perhaps that was the point of the laugh, to make it more frightening than it was.

But there was no doubt about one thing in his mind right then: he’d made a mistake. A very big. and costly, mistake. Just how big the cost, no doubt he would soon find out.

His mother, and his grandmother, the wisest person he had ever known, had once told him never to eavesdrop.

At the time he couldn’t help himself and instead of minding his own business, listening to a one-sided conversation which ended with a time and a place. The very nature of the person receiving the call was, at the very least, sinister, and, because of the cryptic conversation, there appeared to be, or at least to Harry, criminal activity involved.

For several days he had wrestled with the thought of whether he should go. Stay on the fringe, keep out of sight, observe and report to the police if it was a crime. Instead, he had willingly gone down the rabbit hole.

Now, sitting in an uncomfortable chair, several heat lamps hanging over his head, he was perspiring, and if perspiration could be used as a measure of fear, then Harry’s fear was at the highest level.

Another runnel of sweat rolled into his left eye, and, having his hands tied, literally, it made it impossible to clear it. The burning sensation momentarily took his mind off his predicament. He cursed and then shook his head trying to prevent a re-occurrence. It was to no avail.

Let the stinging sensation be a reminder of what was right and what was wrong.

It was obvious that it was the right place and the right time, but in considering his current perilous situation, it definitely was the wrong place to be, at the worst possible time.

It was meant to be his escape, an escape from the generations of lawyers, what were to Harry, dry, dusty men who had been in business since George Washington said to the first Walthenson to step foot on American soil, ‘Why don’t you become a lawyer?” when asked what he could do for the great man.

Or so it was handed down as lore, though Harry didn’t think Washington meant it literally, the Walthenson’s, then as now, were not shy of taking advice.

Except, of course, when it came to Harry.

He was, Harry’s father was prone to saying, the exception to every rule. Harry guessed his father was referring to the fact his son wanted to be a Private Detective rather than a dry, dusty lawyer. Just the clothes were enough to turn Harry off the profession.

So, with a little of the money Harry inherited from one of his aunts, he leased an office in Gramercy Park and had it renovated to look like the Sam Spade detective agency, you know the one, Spade and Archer, and The Maltese Falcon.

There’s a movie and a book by Dashiell Hammett if you’re interested.

So, there it was, painted on the opaque glass inset of the front door, ‘Harold Walthenson, Private Detective’.

There was enough money to hire an assistant, and it took a week before the right person came along, or, more to the point, didn’t just see his business plan as something sinister. Ellen, a tall cool woman in a long black dress, or so the words of a song in his head told him, fitted in perfectly.

She’d seen the movie, but she said with a grin, Harry was no Humphrey Bogart.

Of course not, he said, he didn’t smoke.

Three months on the job, and it had been a few calls, no ‘real’ cases, nothing but missing animals, and other miscellaneous items. What he really wanted was a missing person. Or perhaps a beguiling, sophisticated woman who was as deadly as she was charming, looking for an errant husband, perhaps one that she had already ‘dispatched’.

Or for a tall, dark and handsome foreigner who spoke in riddles and in heavily accented English, a spy, or perhaps an assassin, in town to take out the mayor. The man was such an imbecile Harry had considered doing it himself.

Now, in a back room of a disused warehouse, that wishful thinking might be just about to come to a very abrupt end, with none of the romanticized trappings of the business befalling him. No beguiling women, no sinister criminals, no stupid policemen.

Just a nasty little man whose only concern was how quickly or how slowly Harry’s end was going to be.

© Charles Heath 2019

The cinema of my dreams – Was it just another surveillance job – Episode 22

I’m back home and this story has been sitting on a back burner for a few months, waiting for some more to be written.

The trouble is, there are also other stories to write, and I’m not very good at prioritising.

But, here we are, a few minutes opened up and it didn’t take long to get back into the groove.

An unlikely ally?

When we were far enough away, not far from the bridge that crossed the Thames towards the Houses of Parliament, and with the London Eye in the foreground, I slackened my pace.  There were enough people around to afford us cover if Maury and his team realised quickly enough what we had done to escape.

“What now?” she asked.

“Go back to your people, tell them you’ve been compromised, but only on the basis that your flat was tossed, don’t mention Nobbin or Severin unless you feel compelled you have to, and make sure you don’t go back to the flat.  Both of them will have it staked out by now.”

“And what are you doing to do?”

“Try and play them off against each other, which probably won’t work.  I’m not nearly good enough at this caper yet.  Unfortunately, I’m going to have to talk to both of them and tell them I’m onto McConnell, though that will hardly be a surprise to either of them.  After that, find somewhere safe to figure out what to do next.”

“Who was that back at the station?”

“A chap called Maury, and I think he’s one of Severin’s hatchet men.  He was one of those who trained me and several others.”

“You do realise what you’re saying?”

“That my situation is so screwed up, yes, I know.”

It was when I stopped to think about it.  Trained by a rogue group no one knew about, or so they said, and transferred to another group, but not told about it, well, not officially, anyway.

“Maybe we should keep each other’s back.  I mean, if what you say is true, if I go back to my people and tell them about this, it’s likely I’ll be putting a target on my back too.”

True.  I had considered that, but not that we might team up.  It would introduce a third group to the game, and it might be one too many, or act as a catalyst leading to catastrophic consequences.

“What are you saying?”  I asked her, just in case I was misinterpreting what she was saying.

“I’m not safe, you’re not safe, together we might be.  I might have something useful about O’Connell, but I wouldn’t know if it was useful of not.  You at least know what to look for, and basically who to avoid.  Who knows, we might make a great team.”

We might.  But it would have to be predicated on trust, and, right now, I was not sure if I could trust her.  That pen thing, she might have precipitated it, and was working with Severin.  It seemed logical in the circumstances.

But what was that saying, keep your friends close, and your enemies closer?  I’d soon find out.

“Ok.  What do you think we should do first?”

“Find a hotel, an obscure one, nearby, and you call your so-called friends, and see what happens, as you said.”

I nodded.  “Sounds like a plan.”

And, I thought to myself, ideal for her if she was insinuating herself into my world, much the same as she had in O’Connell’s case.  In was now in my nature to suspect everyone and everything, because a few words of one lesson came back to haunt me.  We trust people because we instinctively want to believe them, and in this line of work, the people we come across are good and sincere storytellers.

It was a question of how much truth they weaved into their story, that made it believable.  I wanted to believe her, but the facts, circumstantial or otherwise, pointed me in the other direction.

I would have to wait and see and make sure I was prepared for the worst.

It was Jan’s idea t stay near the Charing Cross station in a hotel that I would not normally stay in because of the cost.  I let Jan do the check-in and when we arrived at the room, I discovered she hadn’t booked two rooms, but a Studio Suite with two single beds and a sofa bed.

Apparently, we were brother and sister, which made sense after I had overheard some of the conversation with the check-in clerk.  I didn’t hear what her excuse was for lack of luggage.  Perhaps the airline had lost it, but I had to admit the girl could think on her feet.

Once inside the room, it felt cramped, but the beds looked comfortable, and it had a minibar.

“Before you make any calls, you need to disable the GPS in your phone.”

“They’ll still be able to track it.”

“Not if you are on it for a short period, and we are outside the hotel.”

Well, before that I need a drink.”

“So, do I.  Give me a minute to freshen up and we’ll go down to the bar.  It’ll be a lot cheaper than the minibar.  Then I think we both need to get some supplies.”

I wondered if this is what it was like to be married.

 

© Charles Heath 2019

First Dig Two Graves – the editor’s second draft – Day 17

This book has finally come back from the Editor, so this month it is going to get a second revision, a second draft for the editor, and beta readers.

…

Yesterday there was a moment where I went back over the plot, and whilst that exercise was a success in a way, it also got me thinking, and like always, I couldn’t sleep, thinking about how the timeline was working, but the narrative wasn’t.

Yes, I made the fatal mistake of considering editing in the middle of a writing marathon.

What brought this self-destructive mood on? A movie. No relevance at all to my story, but it was a study in interactions between disparate people, which is what I have going on between John and Zoe.

It works in the first story because they are thrown together and everything is new and crazy.

In the second, the premise is that the novelty of the thing they had is wearing off.

Zoe needs to keep occupied and doing something other than all she’s ever known is not exactly on her to-do list.

Of course, that’s all put on hold because she is now a target because of the death of Alistair, and it’s a problem she has to take care of. Alone.

I realize now there needs to be some discussion around this, and the way the story starts does not set the scene.

Similarly, there should be more definition of the relationship as it stands, or not as the case may be, and reasons why John decides to go after her, if only to get the truth because he believes she is using the people seeking revenge as an excuse to keep him at arm’s length.

And, from her perspective, it’s not so much she doesn’t want to be with him, it’s because she doesn’t want him to end up dead, given the sort of people she was up against. Not being able to articulate her feelings, as it’s not something she really knew how to do, there’s bound to be some confusion.

Inevitably he is going to find her, and when they d, the reasons why they are together are clear, but there are still many reasons why he shouldn’t be there. Her life is not the sort of life he would want, by choice, and it’s not going to improve, so where is this thing going to take them?

I haven’t thought it through, so I’m going to take some time out to sort it out. I’m 47,000 odd words into the narrative, so I have a day, two at the most to review, and perhaps rewrite to get the missing perspective I’m looking for

…

Today’s writing, a part of the assessment of their relationship underway, 560 words, for a total of 47,626.

“Sunday in New York”, a romantic adventure that’s not a walk in the park!

“Sunday in New York” is ultimately a story about trust, and what happens when a marriage is stretched to its limits.

When Harry Steele attends a lunch with his manager, Barclay, to discuss a promotion that any junior executive would accept in a heartbeat, it is the fact his wife, Alison, who previously professed her reservations about Barclay, also agreed to attend, that casts a small element of doubt in his mind.

From that moment, his life, in the company, in deciding what to do, his marriage, his very life, spirals out of control.

There is no one big factor that can prove Harry’s worst fears, that his marriage is over, just a number of small, interconnecting events, when piled on top of each other, points to a cataclysmic end to everything he had believed in.

Trust is lost firstly in his best friend and mentor, Andy, who only hints of impending disaster, Sasha, a woman whom he saved, and who appears to have motives of her own, and then in his wife, Alison, as he discovered piece by piece damning evidence she is about to leave him for another man.

Can we trust what we see with our eyes or trust what we hear?

Haven’t we all jumped to conclusions at least once in our lives?

Can Alison, a woman whose self-belief and confidence is about to be put to the ultimate test, find a way of proving their relationship is as strong as it has ever been?

As they say in the classics, read on!

Purchase:

http://tinyurl.com/Amazon-SundayInNewYork

Searching for locations: The Bund, Shanghai, China

The Bund

The architecture along the Bund or Waitan is a living museum of the colonial history of the 1800s.  The area centers on a section of Zhongshan Road within the former Shanghai International Settlement.

The word bund means an embankment or an embanked quay.   It was initially a British settlement; later the British and American settlements were combined in the International Settlement.

The Bund is a mile-long stretch of waterfront promenade along the Huangpu River. There are 52 buildings of various architectural styles, including Gothic, baroque, and neoclassical styles. The area is often referred to as “the museum of buildings”.

Building styles include Romanesque Revival, Gothic Revival, Renaissance Revival, Baroque Revival, Neo-Classical or Beaux-Arts, as well as a number in Art Deco style.

Having seen these buildings initially the night before, mostly lit up, our viewing this morning was from the land side, and particularly interesting in that the colonial architecture was really fascinating considering their location, but not surprising given Shanghai’s history.  A lot of these buildings would be more at home in London, that out in the far east.

The Bund waterfront is about two kilometers long and impossible to cover in the time allowed for this part of the tour.

There was just enough time to get photos of the waterfront and the old buildings.

Some of these buildings had odd shapes, like one on the far right that looks like a bottle opener.

And, for some odd reason, a bull.

On the other side of the water, the sights that had been quite colorful the night before, were equally impressive though somewhat diminished by the haze.

“Echoes From The Past”, the past doesn’t necessarily stay there


What happens when your past finally catches up with you?

…

Christmas is just around the corner, a time to be with family. For Will Mason, an orphan since he was fourteen, it is a time for reflection on what his life could have been, and what it could be.

Until a chance encounter brings back to life the reasons for his twenty years of self-imposed exile from a life only normal people could have. From that moment Will’s life slowly starts to unravel and it’s obvious to him it’s time to move on.

This time, however, there is more at stake.

Will has broken his number one rule, don’t get involved.

With his nemesis, Eddie Jamieson, suddenly within reach, and a blossoming relationship with an office colleague, Maria, about to change everything, Will has to make a choice. Quietly leave, or finally, make a stand.

But as Will soon discovers, when other people are involved there is going to be terrible consequences no matter what choice he makes.

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newechocover5rs

First Dig Two Graves – the editor’s second draft – Day 16

This book has finally come back from the Editor, so this month it is going to get a second revision, a second draft for the editor, and beta readers. second Zoe thriller.

…

I’ve been looking back at what’s been written, something you shouldn’t do when trying to get 50,000 words written in 30 days, but I’m ahead of the count, and a little checking is needed, just to make sure everything is running smoothly.

Not that any book written on the fly like this runs smoothly.

There are three themes to this story:

1 – Worthington, now head of the Intelligence agency, seeking revenge for Zoe killing his brother by mistake, a mistake that he caused

2 – Alistair’s mother deploys a collection of agents, some being Zoe’s colleagues once, to assassinate the woman who assassinated her son

3 – John’s ever-growing fear that Zoe is tired of him, and, after she leaves, even though she promised to come back, he doesn’t want to wait to find out he’s been dumped.

4 – Sebastian is always lurking in the background, ostensibly to recruit her as an assassin, but really because he’s jealous of John’s good fortune.

Our two intrepid heroes go off to save her in Marseilles where she learns of the identity of who is ostensibly looking for her and sets her off on a lone hunt for him.

We then deploy two new characters, Rupert and Isobel, who along with John will create a private detective agency, that John uses to locate Zoe by any and all means.

Isobel soon finds out that searching for Zoe on the internet brings risks, both at home and abroad, bringing her in contact with another hacker who seems to know where Zoe’s past is hiding. But can they be trusted?

John heads off to Vienna, after being supplied a file on Zoe, full of information he had not known about her. What he learns in Vienna leads him to Bratislava, when a photo identifying where she suddenly arrives on his phone.

John locates her, and she realizes he is being used as bait, and they leave, but not before the hit team almost completes their mission, and leave behind a trail of bodies as they get away, but not without injury.

John gets the answers he is seeking, that if he wants a life of looking over his shoulder, by all means, tag along. She is quite pleased to see him, not so much that he brought ‘friends’ but she might yet get to train him.

Sebastian, feeling left out, grills Isobel and Rupert, and gets sidelined by Worthington because anywhere Sebastian goes, trouble follows, and then convinces Isobel that John is in over his head and needs their help.

He’s not wrong because Worthington has dispatched another hit team to the main railway stations in Vienna where John and Zoe are looking to escape, only another shootout occurs as they once again escape when all the station’s exits are not covered.

The story has now reached a point where everyone is converging on Vienna.

Along with another person who John knows, and will least expect to arrive on his doorstep.

…

Today’s writing, with Zoe languishing in a dungeon waiting for a white knight, 3,999 words, for a total of 47,066.

An excerpt from “What Sets Us Apart”, a mystery with a twist

See the excerpt from the story below, just a taste of what’s in store…

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whatsetscover

McCallister was old school, a man who would most likely fit in perfectly campaigning on the battlefields of Europe during the Second World War. He’d been like a fish out of water in the army, post-Falklands, and while he retired a hero, he still felt he’d more to give.

He’d applied and was accepted as head of a SWAT team, and, watching him now as he and his men disembarked from the truck in almost military precision, a look passed between Annette, the police liaison officer, and I that said she’d seen it all before. I know I had.

There was a one in four chance his team would be selected for this operation, and she had been hoping it would be one of the other three. While waiting for them to arrive she filled me in on the various teams. His was the least co-operative, and the more likely to make ad-hoc decisions rather than adhere to the plan, or any orders that may come from the officer in charge.

This, she said quite bluntly, was going to end badly.

I still had no idea why Prendergast instructed me to attend the scene of what looked to be a normal domestic operation, but as the nominated expert in the field in these types of situations, it was fairly clear he wasn’t taking any chances. It was always a matter of opinion between us, and generally I lost.

In this case, it was an anonymous report identifying what the authorities believed were explosives in one of the dockside sheds where explosives were not supposed to be.

The only reason why the report was given any credence was the man, while not identifying himself by name, said he’d been an explosive expert once and recognized the boxes. That could mean anything, but the Chief Constable was a cautious man.

With his men settled and preparing their weapons, McCallister came over to the command post, not much more than the SUV my liaison and I arrived in, with weapons, bulletproof vests, and rolls of tape to cordon off the area afterward. We both had coffee, steaming in the cold early morning air. Dawn was slowly approaching and although rain had been forecast it had yet to arrive.

A man by the name of Benson was in charge. He too had groaned when he saw McCallister.

“A fine morning for it.” McCallister was the only enthusiastic one here.

He didn’t say what ‘it’ was, but I thought it might eventually be mayhem.

“Let’s hope the rain stays away. It’s going to be difficult enough without it,” Benson said, rubbing his hands together. We had been waiting for the SWAT team to arrive, and another team to take up their position under the wharf, and who was in the final stages of securing their position.

While we were waiting we drew up the plan. I’d go in first to check on what we were dealing with, and what type of explosives. The SWAT team, in the meantime, were to ensure all the exits to the shed were covered. When I gave the signal, they were to enter and secure the building. We were not expecting anyone inside or out, and no movement had been detected in the last hour since our arrival and deployment.

“What’s the current situation?”

“I’ve got eyes on the building, and a team coming in from the waterside, underneath. Its slow progress, but they’re nearly there. Once they’re in place, we’re sending McKenzie in.”

He looked in my direction.

“With due respect sir, shouldn’t it be one of us?” McCallister glared at me with the contempt that only a decorated military officer could.

“No. I have orders from above, much higher than I care to argue with, so, McCallister, no gung-ho heroics for the moment. Just be ready to move on my command, and make sure you have three teams at the exit points, ready to secure the building.”

McCallister opened his mouth, no doubt to question those orders, but instead closed it again. “Yes sir,” he muttered and turned away heading back to his men.

“You’re not going to have much time before he storms the battlements,” Benson quietly said to me, a hint of exasperation in his tone. “I’m dreading the paperwork.”

It was exactly what my liaison officer said when she saw McCallister arriving.

The water team sent their ‘in position’ signal, and we were ready to go.

In the hour or so we’d been on site nothing had stirred, no arrivals, no departures, and no sign anyone was inside, but that didn’t mean we were alone. Nor did it mean I was going to walk in and see immediately what was going on. If it was a cache of explosives then it was possible the building was booby-trapped in any number of ways, there could be sentries or guards, and they had eyes on us, or it might be a false alarm.

I was hoping for the latter.

I put on the bulletproof vest, thinking it was a poor substitute for full battle armor against an exploding bomb, but we were still treating this as a ‘suspected’ case. I noticed my liaison officer was pulling on her bulletproof vest too.

“You don’t have to go. This is my party, not yours,” I said.

“The Chief Constable told me to stick to you like glue, sir.”

I looked at Benson. “Talk some sense into her please, this is not a kindergarten outing.”

He shrugged. Seeing McCallister had taken all the fight out of him. “Orders are orders. If that’s what the Chief Constable requested …”

Madness. I glared at her, and she gave me a wan smile. “Stay behind me then, and don’t do anything stupid.”

“Believe me, I won’t be.” She pulled out and checked her weapon, chambering the first round. It made a reassuring sound.

Suited up, weapons readied, a last sip of the coffee in a stomach that was already churning from nerves and tension, I looked at the target, one hundred yards distant and thought it was going to be the longest hundred yards I’d ever traversed. At least for this week.

A swirling mist rolled in and caused a slight change in plans.

Because the front of the buildings was constantly illuminated by large overhead arc lamps, my intention had been to approach the building from the rear where there was less light and more cover. Despite the lack of movement, if there were explosives in that building, there’d be ‘enemy’ surveillance somewhere, and, after making that assumption, I believed it was going to be easier and less noticeable to use the darkness as a cover.

It was a result of the consultation, and studying the plans of the warehouse, plans that showed three entrances, the main front hangar type doors, a side entrance for truck entry and exit and a small door in the rear, at the end of an internal passage leading to several offices. I also assumed it was the exit used when smokers needed a break. Our entry would be by the rear door or failing that, the side entrance where a door was built into the larger sliding doors. In both cases, the locks would not present a problem.

The change in the weather made the approach shorter, and given the density of the mist now turning into a fog, we were able to approach by the front, hugging the walls, and moving quickly while there was cover. I could feel the dampness of the mist and shivered more than once.

It was nerves more than the cold.

I could also feel rather than see the presence of Annette behind me, and once felt her breath on my neck when we stopped for a quick reconnaissance.

It was the same for McCallister’s men. I could feel them following us, quickly and quietly, and expected, if I turned around, to see him breathing down my neck too.

It added to the tension.

My plan was still to enter by the back door.

We slipped up the alley between the two sheds to the rear corner and stopped. I heard a noise coming from the rear of the building, and the light tap on the shoulder told me Annette had heard it too. I put my hand up to signal her to wait, and as a swirl of mist rolled in, I slipped around the corner heading towards where I’d last seen the glow of a cigarette.

The mist cleared, and we saw each other at the same time. He was a bearded man in battle fatigues, not the average dockside security guard.

He was quick, but my slight element of surprise was his undoing, and he was down and unconscious in less than a few seconds with barely a sound beyond the body hitting the ground. Zip ties secured his hands and legs, and tape his mouth. Annette joined me a minute after securing him.

A glance at the body then me, “I can see why they, whoever they are, sent you.”

She’d asked who I worked for, and I didn’t answer. It was best she didn’t know.

“Stay behind me,” I said, more urgency in my tone. If there was one, there’d be another.

Luck was with us so far. A man outside smoking meant no booby traps on the back door, and quite possibly there’d be none inside. But it indicated there were more men inside, and if so, it appeared they were very well trained. If that were the case, they would be formidable opponents.

The fear factor increased exponentially.

I slowly opened the door and looked in. A pale light shone from within the warehouse itself, one that was not bright enough to be detected from outside. None of the offices had lights on, so it was possible they were vacant. I realized then they had blacked out the windows. Why hadn’t someone checked this?

Once inside, the door closed behind us, progress was slow and careful. She remained directly behind me, gun ready to shoot anything that moved. I had a momentary thought for McCallister and his men, securing the perimeter.

At the end of the corridor, the extent of the warehouse stretched before us. The pale lighting made it seem like a vast empty cavern, except for a long trestle table along one side, and, behind it, stacks of wooden crates, some opened. It looked like a production line.

To get to the table from where we were was a ten-yard walk in the open. There was no cover. If we stuck to the walls, there was equally no cover and a longer walk.

We needed a distraction.

As if on cue, the two main entrances disintegrated into flying shrapnel accompanied by a deafening explosion that momentarily disoriented both Annette and I. Through the smoke and dust kicked up I saw three men appear from behind the wooden crates, each with what looked like machine guns, spraying bullets in the direction of the incoming SWAT members.

They never had a chance, cut down before they made ten steps into the building.

By the time I’d recovered, my head heavy, eyes watering and ears still ringing, I took several steps towards them, managing to take down two of the gunmen but not the third.

I heard a voice, Annette’s I think, yell out, “Oh, God, he’s got a trigger,” just before another explosion, though all I remember in that split second was a bright flash, the intense heat, something very heavy smashing into my chest knocking the wind out of me, and then the sensation of flying, just before I hit the wall.

I spent four weeks in an induced coma, three months being stitched back together and another six learning to do all those basic actions everyone took for granted. It was twelve months almost to the day when I was released from the hospital, physically, except for a few alterations required after being hit by shrapnel, looking the same as I always had.

But mentally? The document I’d signed on release said it all, ‘not fit for active duty; discharged’.

It was in the name of David Cheney. For all intents and purposes, Alistair McKenzie was killed in that warehouse, and for the first time ever, an agent left the Department, the first to retire alive.

I was not sure I liked the idea of making history.

© Charles Heath 2016-2020

The cinema of my dreams – Was it just another surveillance job – Episode 22

I’m back home and this story has been sitting on a back burner for a few months, waiting for some more to be written.

The trouble is, there are also other stories to write, and I’m not very good at prioritising.

But, here we are, a few minutes opened up and it didn’t take long to get back into the groove.

An unlikely ally?

When we were far enough away, not far from the bridge that crossed the Thames towards the Houses of Parliament, and with the London Eye in the foreground, I slackened my pace.  There were enough people around to afford us cover if Maury and his team realised quickly enough what we had done to escape.

“What now?” she asked.

“Go back to your people, tell them you’ve been compromised, but only on the basis that your flat was tossed, don’t mention Nobbin or Severin unless you feel compelled you have to, and make sure you don’t go back to the flat.  Both of them will have it staked out by now.”

“And what are you doing to do?”

“Try and play them off against each other, which probably won’t work.  I’m not nearly good enough at this caper yet.  Unfortunately, I’m going to have to talk to both of them and tell them I’m onto McConnell, though that will hardly be a surprise to either of them.  After that, find somewhere safe to figure out what to do next.”

“Who was that back at the station?”

“A chap called Maury, and I think he’s one of Severin’s hatchet men.  He was one of those who trained me and several others.”

“You do realise what you’re saying?”

“That my situation is so screwed up, yes, I know.”

It was when I stopped to think about it.  Trained by a rogue group no one knew about, or so they said, and transferred to another group, but not told about it, well, not officially, anyway.

“Maybe we should keep each other’s back.  I mean, if what you say is true, if I go back to my people and tell them about this, it’s likely I’ll be putting a target on my back too.”

True.  I had considered that, but not that we might team up.  It would introduce a third group to the game, and it might be one too many, or act as a catalyst leading to catastrophic consequences.

“What are you saying?”  I asked her, just in case I was misinterpreting what she was saying.

“I’m not safe, you’re not safe, together we might be.  I might have something useful about O’Connell, but I wouldn’t know if it was useful of not.  You at least know what to look for, and basically who to avoid.  Who knows, we might make a great team.”

We might.  But it would have to be predicated on trust, and, right now, I was not sure if I could trust her.  That pen thing, she might have precipitated it, and was working with Severin.  It seemed logical in the circumstances.

But what was that saying, keep your friends close, and your enemies closer?  I’d soon find out.

“Ok.  What do you think we should do first?”

“Find a hotel, an obscure one, nearby, and you call your so-called friends, and see what happens, as you said.”

I nodded.  “Sounds like a plan.”

And, I thought to myself, ideal for her if she was insinuating herself into my world, much the same as she had in O’Connell’s case.  In was now in my nature to suspect everyone and everything, because a few words of one lesson came back to haunt me.  We trust people because we instinctively want to believe them, and in this line of work, the people we come across are good and sincere storytellers.

It was a question of how much truth they weaved into their story, that made it believable.  I wanted to believe her, but the facts, circumstantial or otherwise, pointed me in the other direction.

I would have to wait and see and make sure I was prepared for the worst.

It was Jan’s idea t stay near the Charing Cross station in a hotel that I would not normally stay in because of the cost.  I let Jan do the check-in and when we arrived at the room, I discovered she hadn’t booked two rooms, but a Studio Suite with two single beds and a sofa bed.

Apparently, we were brother and sister, which made sense after I had overheard some of the conversation with the check-in clerk.  I didn’t hear what her excuse was for lack of luggage.  Perhaps the airline had lost it, but I had to admit the girl could think on her feet.

Once inside the room, it felt cramped, but the beds looked comfortable, and it had a minibar.

“Before you make any calls, you need to disable the GPS in your phone.”

“They’ll still be able to track it.”

“Not if you are on it for a short period, and we are outside the hotel.”

Well, before that I need a drink.”

“So, do I.  Give me a minute to freshen up and we’ll go down to the bar.  It’ll be a lot cheaper than the minibar.  Then I think we both need to get some supplies.”

I wondered if this is what it was like to be married.

 

© Charles Heath 2019

First Dig Two Graves – the editor’s second draft – Day 17

This book has finally come back from the Editor, so this month it is going to get a second revision, a second draft for the editor, and beta readers.

…

Yesterday there was a moment where I went back over the plot, and whilst that exercise was a success in a way, it also got me thinking, and like always, I couldn’t sleep, thinking about how the timeline was working, but the narrative wasn’t.

Yes, I made the fatal mistake of considering editing in the middle of a writing marathon.

What brought this self-destructive mood on? A movie. No relevance at all to my story, but it was a study in interactions between disparate people, which is what I have going on between John and Zoe.

It works in the first story because they are thrown together and everything is new and crazy.

In the second, the premise is that the novelty of the thing they had is wearing off.

Zoe needs to keep occupied and doing something other than all she’s ever known is not exactly on her to-do list.

Of course, that’s all put on hold because she is now a target because of the death of Alistair, and it’s a problem she has to take care of. Alone.

I realize now there needs to be some discussion around this, and the way the story starts does not set the scene.

Similarly, there should be more definition of the relationship as it stands, or not as the case may be, and reasons why John decides to go after her, if only to get the truth because he believes she is using the people seeking revenge as an excuse to keep him at arm’s length.

And, from her perspective, it’s not so much she doesn’t want to be with him, it’s because she doesn’t want him to end up dead, given the sort of people she was up against. Not being able to articulate her feelings, as it’s not something she really knew how to do, there’s bound to be some confusion.

Inevitably he is going to find her, and when they d, the reasons why they are together are clear, but there are still many reasons why he shouldn’t be there. Her life is not the sort of life he would want, by choice, and it’s not going to improve, so where is this thing going to take them?

I haven’t thought it through, so I’m going to take some time out to sort it out. I’m 47,000 odd words into the narrative, so I have a day, two at the most to review, and perhaps rewrite to get the missing perspective I’m looking for

…

Today’s writing, a part of the assessment of their relationship underway, 560 words, for a total of 47,626.