‘What Sets Us Apart’ – A beta readers view

There’s something to be said for a story that starts like a James Bond movie, throwing you straight in the deep end, a perfect way of getting to know the main character, David, or is that Alistair?

A retired spy, well not so much a spy as a retired errand boy, David’s rather wry description of his talents, and a woman that most men would give their left arm for, not exactly the ideal couple, but there is a spark in a meeting that may or may not have been a setup.

But as the story progressed, the question I kept asking myself was why he’d bother.

And, page after unrelenting page, you find out.

Susan is exactly the sort of woman to pique his interest.  Then, inexplicably, she disappears.  That might have been the end to it, but Prendergast, that shadowy enigma, David’s ex-boss who loves playing games with real people, gives him an ultimatum, find her or come back to work.

Nothing like an offer that’s a double-edged sword!

A dragon for a mother, a sister he didn’t know about, Susan’s BFF who is not what she seems or a friend indeed, and Susan’s father who, up till David meets her, couldn’t be less interested, his nemesis proves to be the impossible dream, and he’s always just that one step behind.

When the rollercoaster finally came to a halt, and I could start breathing again, it was an ending that was completely unexpected.

I’ve been told there’s a sequel in the works.

Bring it on!

…

The book can be purchased here:  http://amzn.to/2Eryfth

…

The Cinema of My Dreams – It ended in Sorrento – Episode 57

Setting up Francesca

…

I asked Alfie to send me a track of Francesca’s movements, yes, I cloned her phone too, because I didn’t trust her, and yes, she went to see Anna at the Burkehardt’s residence.

We had a recording of her conversation, but it didn’t amount to much and Anna finished up yelling at her and kicking her out of the house.  Not literally, but if she hadn’t left the house when she did…

She was sitting at the table with her computer open.  By the way she shut it quickly, I suspect it was a video call to her boss.

“Your boss not happy with progress?”

She glared at me.

“You should go and have a talk to Anna Burkehardt.  Charming lady.”

Cecelia snorted almost too loudly on her way to the bathroom.

Francesca shrugged.  “Where have you been?”

“Looking at vines, would you believe.”

“How is that going to help?

“It’s not.  But I’ve decided you can come with me to see the countess.”

“You found her?”

“Not exactly.  She’s always been here, waiting for the day to sign the documents.  I was going to keep her away from your lot, now I’m not so sure that’s a good idea.  You can recognise her if you see her?”

“Are you saying the woman you have is not the countess?”

“No.  I’m asking if you can recognise her.”

“Of course.  We have a half dozen photographs we used, and some that deliberately disguise her in case she’s trying to be anonymous.”

“Good.  Tomorrow morning.”

That simple conversation was to see if she called her boss and they make arrangements to ‘take’ the countess into their protective custody, or, take her to Anna von Burkehardt.

As I said to Cecelia later, we would soon find out who Francesca and her people were working for.  Because of the hostility that Anne had shown towards her, I was wondering if Anna was, in fact, the one who hired them to find the countess.

“You’re going to have a busy morning tomorrow,” I said to Cecelia.  “You need to watch is leave and see if anyone follows us.”

“Do you really think they’d be that unsubtle?”

“Yes.  When large sums of money are involved.”

“And what will Anna do to her?”

“Nothing.  She’ll know straight away it’s not the real Countess, so I’m sure after they snatch her, the Countess will escape.  She can’t afford to be unmasked.  Not yet.

The fact that Cecelia didn’t tell me what I was doing was risky, told me that it was risky.

During the night, tossing and turning, with various women on my mind, I went through various scenarios, each of which had a bad outcome, the worst where Francesca became collateral damage.

This whole exercise was to see the lengths the fake Countess would go to not to be identified.  Or whether she thought her cover was good enough to fool everyone.

Except perhaps Anna.

A mother knows her daughter-in-law, especially after all that time.  A fake could not replicate the mannerisms, the speech, the idiosyncrasies, or a lifetime of just being together.

And I was banking on Francesca’s boss being greedy and putting money before ethics.  Francesca didn’t strike me as one with ethical problems, but I had read books by their covers before and been horribly wrong.

If it all blew up in my face at the very least, I could use it as an example of what not to do, but I doubt Cecelia would thank me in a hurry.

By the time I was ready to go, Cecelia had gone out for her morning run, and Francesca was ready to go and see the countess.  We had just enough time to sort out how we were going to communicate, and it was going to be amusing having Cecelia’s voice in my head.

At one point I had heavy breathing in my ear and told her it was distracting.  She simply replied that I should get out and join her and get rid of some of that retirement flab.

She did not have to be so mean, even if she was right.

I finished the coffee Cecelia had made in the percolator an hour before and tasted over-brewed, then finally stopped running scenarios that ended in disaster in my head.

“You ready?” I asked her.

I’d seen the transcript of the call Francesca made to her boss after I told her I was taking her to see the countess, and I knew the answer to that question.  It was rhetorical, but I couldn’t tell her that.

I just hoped the team that descended on us at the hotel was not a smash-and-grab type, not afraid to leave bodies behind.

© Charles Heath 2023

The cinema of my dreams – I never wanted to go to Africa – Episode 13

It’s still a battle of wits, but our hero knows he’s in serious trouble.

The problem is, there are familiar faces and a question of who is a friend and who is foe made all the more difficult because the enemy if it is the enemy, doesn’t look or sound or act like the enemy.

If at first, you don’t succeed, try a few threats, or leverage.

Or just get rid of the problem

 

Back in my cell, delivered more forcibly than when they escorted me to the interrogation room, I had time to consider his words.

A tactic, I told myself.  Classic divide and conquer.

It was obvious that he wanted me to corroborate his suspicion that Breeman had sent the helicopter out to find his operation.  Did it sound like something she would do or any other commanding officer whose jurisdiction this operation fell under?

Why hadn’t they told her?  If t was military and being run by our side, why would they keep it secret from their own people, especially when something like what just happened, could happen?

It didn’t make sense.

Unless, of course, it was the CIA.  They seemed to be a law unto themselves, except in this case they needed something to incriminate her with in order to have her removed, and replaced with a more sympathetic commanding officer.

It was all too much for a gunnery sergeant like me to understand.

At least I didn’t know anything so I couldn’t tell them anything.  A little solace perhaps, but the trouble was, they’d never believe me.

I sighed.  Perhaps some sleep before they returned for the next round.

They came in the middle of the night.  Or day, I had no idea what it was outside because there were no windows in my cave cell.

They had no intention of being polite, I was dragged up by the scruff of the next and tossed in the direction of the door.  When I stumbled, still half asleep and unable to see properly, one of the guards kicked me and said he would do it again if I didn’t get up.

He did anyway because I took too long.

My ribs were hurting when I breathed, as I staggered in front of them, one behind me giving me a shove every two or three steps, perhaps hoping I’d stumble again so he could kick me.

At the interrogation room, a different one this time, he shoved me in and shut the door.  I didn’t hear a key in the lock, so perhaps they were hoping I’d try to escape.

There was only one chair in the room, and I sat in it.  I couldn’t sit up straight because it hurt, so I had to slump over.

A half hour later a man and a woman, both with white coats like a doctor would wear, came in.  Nothing was said.  The man took up a position behind me, then held me so I couldn’t move.

The woman then joined him, produced as a syringe, and jabbed it in my neck.

The man let me go, and a few seconds later I fell off the chair onto the floor hitting my head in the process, and a few more after that, it was lights out.

At least there was no more pain.

 

© Charles Heath 2019

The cinema of my dreams – Was it just another surveillance job – Episode 45

I’m back home and this story has been sitting on the back burner for a few months, waiting for some more to be written.

The trouble is, there are also other stories to write, and I’m not very good at prioritizing.

But, here we are, a few minutes opened up and it didn’t take long to get back into the groove.

Chasing leads, maybe


“Silly question, what were you doing in the hotel with this ‘operative’?”

Yes, it sounded odd the moment I said it, and, if it was the other way around, I’d be thinking the same.

“We joined forces, thinking we were in danger, at the time, not knowing that she was working with Dobbin.  I discovered that later, by chance.  She doesn’t know I know.”

“And she’ll be waiting at the hotel?”

“Dobbin wants the USB.  She believes we’re collaborating, after telling me she works for MI5, on a different mission involving O’Connell.  She had apparently been undercover as a fellow resident at the block where O’Connell had a flat, and a cat.  The cat, of course, had no idea his owner was a secret agent.  The flat was sparsely furnished and didn’t look lived in, so it may have been a safe house.”

“Wheels within wheels.”

“That’s the nature of the job.  Lies, lies, and more lies, nothing is as it seems, and trust no one.”

“Including you?”

“Including me, but keep an open mind, and try not to shoot me.  I’m as all at sea as you are.  And, just to be clear, I’m not sure I believe Quigley that the information is lost.  People like him, and especially his contact, if he was a journalist, tend to have two copies, just in case.  And the explosion might have killed the messenger, but not the information.  Lesson number one, anything is possible, nothing is impossible, and the truth, it really is stranger than fiction.”

“Great.”

A half-hour later I’d parked the car in a parking lot near Charing Cross station.  The plan, if it could be called that, was for me to go back to the room, and for Jennifer to remain in the foyer, and wait.  If anything went wrong she was to leave and wait for a call.  For all intents and purposes, no one knew of her, except perhaps for Severin and Maury, but I wasn’t expecting them to be lurking in the hotel foyer, waiting for me.

As for Dobbin, that was a different story.  It would depend on how impatient he was in getting information on the whereabouts of the USB, and whether he trusted Jan to find out.

I’d soon find out.

The elevator had three others in it, all of who had disembarked floors below mine.   As the last stepped out and the doors closed, it allayed fears of being attacked before I reached the room.

As the doors closed behind me, the silence of the hallway was working on my nerves, until a few steps towards my room I could hear the hissing of an air conditioning intake, and suddenly the starting up of a vacuum cleaner back in the direction I’d just come.

 A cleaner or….

Remember the training for going into confined spaces…

The room was at the end of the passage, a corner room, with two exits after exiting the front door.  I thought about knocking, but, it was my room too, so I used the key and went in.

Lying tied up on the bed was a very dead Maury, three shots to the heart.

And, over the sound of my heart beating very loudly, I could hear the sound of people out in the corridor, followed by pounding on the door.

Then, “Police.”

A second or two after that the door crashed open and six men came into the room, brandishing weapons and shouting for me to get on the floor and show my hands or I would be shot,”

…

© Charles Heath 2020-2021

First Dig Two Graves – the editor’s final draft – Day 11

This book has been sitting in the ‘to-be-done’ tray, so this month it is going to get the final revision.

…

We are now up to the part where we introduce Isobel properly and find out why such a talented person is drifting in the doldrums of Rupert’s private detective agency.

Aside from being a once high-flying legal eagle, she is also a computer hacker, or perhaps that’s what she evolved into in a devil finds work for idle hands type person.

This hacking is going to be useful, but it’s also going to bring problems, especially when she starts tracking down Zoe.

And, it seemed she had struck up a dark online relationship with another hacker with the handle Tzar.  What are the odds he is Russian?

She’s digging for information, and Tzar helps, and, suddenly it appears, briefly, then is gone, with a warning.  Stop digging.

And if she doesn’t.

People were coming for her.

Meanwhile, in the basement, Zoe has had enough time to devise a mask that might stave of the effects of the gas long enough to affect an escape.

And, it almost works, the mask that is.

She manages to get past all of the guards, but Romanov is waiting.

He doesn’t kill her, but he does give her some information, then leaves.  He knows how dangerous she can be, especially when wounded.

…

Skeletons in the closet, and doppelgangers

A story called “Mistaken Identity”

…

How many of us have skeletons in the closet that we know nothing about? The skeletons we know about generally stay there, but those we do not, well, they have a habit of coming out of left field when we least expect it.

In this case, when you see your photo on a TV screen with the accompanying text that says you are wanted by every law enforcement agency in Europe, you’re in a state of shock, only to be compounded by those same police, armed and menacing, kicking the door down.

I’d been thinking about this premise for a while after I discovered my mother had a boyfriend before she married my father, a boyfriend who was, by all accounts, the man who was the love of her life.

Then, in terms of coming up with an idea for a story, what if she had a child by him that we didn’t know about, which might mean I had a half brother or sister I knew nothing about. It’s not an uncommon occurrence from what I’ve been researching.

There are many ways of putting a spin on this story.

Then, in the back of my mind, I remembered a story an acquaintance at work was once telling us over morning tea, that a friend of a friend had a mother who had a twin sister and that each of the sisters had a son by the same father, without each knowing of the father’s actions, both growing up without the other having any knowledge of their half brother, only to meet by accident on the other side of the world.

It was an encounter that in the scheme of things might never have happened, and each would have remained oblivious of the other.

For one sister, the relationship was over before she discovered she was pregnant, and therefore had not told the man he was a father. It was no surprise the relationship foundered when she discovered he was also having a relationship with her sister, a discovery that caused her to cut all ties with both of them and never speak to either from that day.

It’s a story with more twists and turns than a country lane!

And a great idea for a story.

That story is called ‘Mistaken Identity’.

First Dig Two Graves – the editor’s final draft – Day 11

This book has been sitting in the ‘to-be-done’ tray, so this month it is going to get the final revision.

…

We are now up to the part where we introduce Isobel properly and find out why such a talented person is drifting in the doldrums of Rupert’s private detective agency.

Aside from being a once high-flying legal eagle, she is also a computer hacker, or perhaps that’s what she evolved into in a devil finds work for idle hands type person.

This hacking is going to be useful, but it’s also going to bring problems, especially when she starts tracking down Zoe.

And, it seemed she had struck up a dark online relationship with another hacker with the handle Tzar.  What are the odds he is Russian?

She’s digging for information, and Tzar helps, and, suddenly it appears, briefly, then is gone, with a warning.  Stop digging.

And if she doesn’t.

People were coming for her.

Meanwhile, in the basement, Zoe has had enough time to devise a mask that might stave of the effects of the gas long enough to affect an escape.

And, it almost works, the mask that is.

She manages to get past all of the guards, but Romanov is waiting.

He doesn’t kill her, but he does give her some information, then leaves.  He knows how dangerous she can be, especially when wounded.

…

“The Devil You Don’t”, she was the girl you would not take home to your mother!

Now only $0.99 at https://amzn.to/2Xyh1ow

…

John Pennington’s life is in the doldrums. Looking for new opportunities, and prevaricating about getting married, the only joy on the horizon was an upcoming visit to his grandmother in Sorrento, Italy.

Suddenly he is left at the check-in counter with a message on his phone telling him the marriage is off, and the relationship is over.

If only he hadn’t promised a friend he would do a favour for him in Rome.

At the first stop, Geneva, he has a chance encounter with Zoe, an intriguing woman who captures his imagination from the moment she boards the Savoire, and his life ventures into uncharted territory in more ways than one.

That ‘favour’ for his friend suddenly becomes a life-changing event, and when Zoe, the woman who he knows is too good to be true, reappears, danger and death follow.

Shot at, lied to, seduced, and drawn into a world where nothing is what it seems, John is dragged into an adrenaline-charged undertaking, where he may have been wiser to stay with the ‘devil you know’ rather than opt for the ‘devil you don’t’.

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The cinema of My Dreams – It ended in Sorrento – Episode 58

It goes exactly as planned

…

We were monitored from the moment we left the hotel.  Cecelia had taken up her vantage point, and watched as we came out the front door.  Two minutes later she said, quietly, “You’ve got two, man and woman.  The woman is in communication with someone.  Be careful.”

Francesca didn’t seem to have a care in the world.  I suspected she had her phone on so those following us could keep track of when they lost us, but I wouldn’t be dodging and weaving this morning.

“What do you think our chances are of getting snatched off the street in a white van,” I asked her, after about 10 minutes.

“Why?”

“I’ve seen a few.  Of course, they might just be delivery vans, and white is a common colour.  Perhaps I’m just being paranoid.”

“Perhaps you are.”  She gave me a curious look, enough to make me think she might think there might be trouble.

“What happened to Cecelia?”

Juliet was outside the hotel, coming back from a café not far up the road.  I noted she had not bought coffee for the other two women.

“Out on a run.  She’s one of these fitness freaks, or perhaps it has something to do with keeping in shape for the movies.”

Juliet looked Francesca up and down with the eye of a jealous woman, or so I wanted to believe.  It could be that she simply viewed her with suspicion, much the same as I would in her place.

She knew me well enough to know Francesca was not there simply as a visiting friend.  But just how curious would she be.

“Another actress friend of yours?”

Francesca views Juliet with a similar look of contempt.

Francesca looked at me.  “Who is this woman and what is she talking about.  You obviously know each other.”

“Is it that recognisable?  This is Juliet, and ye, far back in a long-forgotten past we did spend some time together.  And lately, for some strange reason, we keep running into each other. Other than that, she’s staying with the countess and her mother.”

“You brought her to see the countess?   Is that wise?”

“No.  But I’ve had a long talk to Francesca, that’s her name by the way, and she’s working with people who have the same goal as I have, protecting the countess and making sure she gets to the signing.”

“Who are her people?”

“Need to know Juliet.”

“Well, this is going to be a cat amongst the pigeon’s moment, Evan.  You’re up to something, I know it.”

Francesca looked at her, then me, and went to say something, then didn’t.  I wished, at that moment, that I could read minds.

In my ear, I could hear Cecelia.  “They’ve stopped at the café just up from the hotel and the woman is talking earnestly into the phone.  She is probably calling for reinforcements.”

“A white van, no doubt,” I said.

Francesca was beside me.  “What about a white van?  Did you see one?”

“No.  Just muttering to myself.”

Juliet went first as we went into the hotel, over to the elevator, and then up to the room floor.  The short distance to the room was slow, running into several other guests who were going down to the lobby.

Juliet was on first-name terms with them.

Cecelia was back.  “As you said.  A white van went down the alley to the back of the hotel.  The two are staying put at the café.  It’s either a delivery or your ride.  What do you want me to do?”

“Nothing.”  Alfie’s voice came on.

“What are you doing here?”

“Joining the party.  Leave the van to me.  If it is involved, we’ll be on it.  If they take any one of the three, and they take their phones, we’ll have a trace.  At any rate, I’ve got a car, and will follow the van, if necessary.”

“Ever been told about a party, and then not get an invite,” I asked no one in general.

Juliet gave me a strange look then unlocked the door, went in, I followed, and Francesca came in last and closed the door behind her.

The countess was sitting at the table and looked up.  She didn’t recognise Francesca or if she did, she was a good actress.

“Who is this?” she asked.

“A woman who claims she has been hired to protect you too.  There seems to be a few of us.”

“Protect or kill?”  She stood and backed away.  “Why did you bring her here?”

“The old adage, keep your friends close, and your enemies closer.  She’s better here than out there,” I waved my hand in the general direction of the street.

Francesca didn’t move, and, better still, didn’t produce a gun from her handbag.

“Who do you work for?” the countess asked.

“Anna von Burkehardt.  She is very keen for you to make it to the signing alive.  She also told us that she would like to have a chat about what you’re going to be doing with the property once the documents are signed.  She would like to make you an offer.  One, I believe, you can’t refuse.”

It sounded reasonable to me.  What wasn’t was that she hadn’t moved from the door.  That was a bad sign.

Cecelia again.  “I’m on the floor, three hostiles heading to your door.  Do you want me to stop them?”

“No.”

Francesca looked at me.  “What do you mean no?”

“No, she can’t refuse it, like you said.”

The countess didn’t look particularly impressed with either of us.  “That hag has no interest in making any offers other than putting a bullet in the back of my head.  Take her away, Evan.  She had no interest in protecting me.  And, because of your incompetence, now Anna knows where I am.

I saw Francesca turn the handle of the door and quickly step to one side as it burst open.  Standing on the side expecting such an entry, I saw the men come in weapons in hand, yelling for us to get on the floor.

Cecelia was in my ear again.  “What do you want me to do?”

“Wait.  But be ready.”

In the confusion, Francesca was too busy acting the part of a hostage, with adequate parts of fear and cringing on the floor.

One of the men pointed his gun at me.  I was not the target.

I just realised that Vittoria was not in the room, so she was outside.

“Watch out for Vittoria,” I said.

Teo men grabbed the countess and gagged her.  The one pointing the gun at me went back to the door and looked out.  He waved his gun to say the coast is clear, and they quickly went out.

“Let them go.  Alf, you better not lose them.”

“I won’t.”

Three minutes and it was over. 

I got up and sat against the wall, and watched Francesca slowly raise her head and look around.

When her eyes reached me, she didn’t see my angry face looking at her, she saw a silenced gun pointed at her head.

“What the hell…”

The door opened again, and Cecelia came in, gun aimed, ready to shoot anything that moved.  It too, ended up on Francesca.

“One chance.  The next thing you tell me better be the truth or I will shoot you dead where you lie.  Am I clear?”

© Charles Heath 2023

The story behind the story: A Case of Working With the Jones Brothers

To write a private detective serial has always been one of the items at the top of my to-do list, though trying to write novels and a serial, as well as a blog, and maintain a social media presence, well, you get the idea.

But I made it happen, from a bunch of episodes I wrote a long, long time ago, used these to start it, and then continue on, then as now, never having much of an idea where it was going to end up, or how long it would take to tell the story.

That, I think is the joy of ad hoc writing, even you, as the author, have as much idea of where it’s going as the reader does.

It’s basically been in the mill since 1990, and although I finished it last year, it looks like the beginning to end will have taken exactly 30 years.  Had you asked me 30 years ago if I’d ever get it finished, the answer would be maybe?

My private detective, Harry Walthenson

I’d like to say he’s from that great literary mold of Sam Spade, or Mickey Spillane, or Phillip Marlow, but he’s not.

But, I’ve watched Humphrey Bogart play Sam Spade with much interest, and modelled Harry and his office on it.  Similarly, I’ve watched Robert Micham play Phillip Marlow with great panache, if not detachment, and added a bit of him to the mix.

Other characters come into play, and all of them, no matter what period they’re from, always seem larger than life.  I’m not above stealing a little of Mary Astor, Peter Lorre or Sidney Greenstreet, to breathe life into beguiling women and dangerous men alike.

Then there’s the title, like

The Case of the Unintentional Mummy – this has so many meanings in so many contexts, though I imagine that back in Hollywood in the ’30s and ’40s, this would be excellent fodder for Abbott and Costello

The Case of the Three-Legged Dog – Yes, I suspect there may be a few real-life dogs with three legs, but this plot would involve something more sinister.  And if made out of plaster, yes, they’re always something else inside.

But for mine, to begin with, it was “The Case of the …”, because I had no idea what the case was going to be about, well, I did, but not specifically.

Then I liked the idea of calling it “The Case of the Brother’s Revenge” because I began to have a notion there was a brother no one knew about, but that’s stuff for other stories, not mine, so then went the way of the others.

Now it’s called ‘A Case of Working With the Jones Brothers’, finished the first three drafts, and at the editor for the last.

I have high hopes of publishing it in early 2021.  It even has a cover.

PIWalthJones1