It’s like working in two offices, one uptown, and one downtown.

I have two blogs, this one, and another which is purely for writing, and generally, a lot of starts and not a lot of finishes. I get ideas, and it’s a place to store them, and give a few people some amusement at my, sometimes, improbable situations and far-fetched stories.

Here I try to be more serious.

I have the ceiling, the cinema of my dreams. Here anything is possible, like jumping from a helicopter about to explode, and survive, and get out of a sinking ship, like Houdini. Of course, there is always one time when it doesn’t work, and Houdini knows that all too well.

Over there, I have a series which I started here, long ago, where I take a photograph and write a story inspired by it. The interesting thing about that is I could probably use the same photograph over and over, and it would inspire a different tale.

I know, if I was running a writing class, everyone would see that photograph differently.

But what amazes me sometimes is the fact the story is not directly related to the theme. It got me thinking about how we view our experiences, and what triggers memories. I’ve discovered that it doesn’t necessarily happen by correlation, say, for instance, a memory of being in New York might be triggered by a visit to a cafe in Cloncurry.

I try to do one of these every day, but sometimes it’s hard work. Writing itself can be some days, particularly when the words are lurking there, behind that invisible, impenetrable, rock wall.

OK, so I’m stuck in the middle of writing a piece over there, and I’ve come over here to whinge.

But, enough. I’ll let you know what the cinema of my dreams is showing, later.

Our hero knows he’s in serious trouble.

The problem is, there are familiar faces and a question of who is a friend and who is foe made all the more difficult because of the enemy, if it was the enemy, simply because it didn’t look or sound or act like the enemy.

Now, it appears, his problems stem from another operation he participated in.

…

Lallo delivered that statement with deceptive calm, and I didn’t miss the inference.  That is if he was trying to say that anyone associated with that operation was likely to end up dead sooner rather than later.

Food for thought indeed, and suddenly it explained the reason for this interrogation.  And though I didn’t want to believe it, or even think it possible, Breeman might be in some way connected with that operation.  Or someone involved in it.

Suddenly I found my mid connecting dots, real or imaginary, that led back to Breeman requesting my transfer, knowing who I was, and then becoming closer in a way that was not expected, or could be explained, which had consequences if it came to light.

That was what Bamfield was alluding to in the desert camp.

But even Lallo had to admit it would be stretch at best to tie what was a random event being selected for what was basically an off-book training flight to being shot down, and link to a failed operation, and a suspicious suicide by Treen. 

Especially when it was Bamfield’s own men who shot the helicopter out of the sky because we had so-called encroached the no-fly zone.  Yet, by extension, if those people knew the proximity of the helicopter to the ground, and how thorough my survival training had been, that posed a whole new raft of questions, which, right then, I didn’t want to think about.

No, it was utterly ridiculous.  My thoughts were simply the manna which drove conspiracy theories.  Lallo was jumping to conclusions, and even I was guilty of the same offence.

Time to put it out of my mind, and answer the question, even if it sounded rhetorical.  “It was the Colonel who tried to kill me, not the person who sent me on that operation.  Are you trying to tell me Bamfield is involved in more than one conspiracy?”

Lallo simply shook his head, made a note in his notebook, and turned the page.

“Let’s go back to the day you were assigned to the ill-fated exercise.  How many of your number at that particular base, are available for helicopter duty?”

“Four.”

“Who assigns the missions?”

“Operations.”

“Not the commanding officer?”

“No.”

“And in this particular case, when you were sent on the fatal mission?”

“I had to countersign the order.  I didn’t see her name on the form.”

“But she would know, or be able to make suggestions.”

There was a group who made those decisions, not any one person, and it was possible anyone of that group could make a suggestion.  But, as for Breeman, I doubt she was interested in that level of micromanagement.

Yet there was a suggestion I’d been moved off the active roster, and that it was possibly on her orders.  Perhaps it would be best not to say anything about that.  It also begged the question of why.  Had she known something might happen to me?  Or did she have an idea what might happen for another reason?

“Anything is possible, but I’m not privy to the machinations of command.  I just do as I’m ordered.”

He smiled thinly.  “I’m sure you’d say that even if it wasn’t true.”

Lallo was becoming an annoying little gnat, so I decided to treat him like one.  “Is there an actual point to these questions, other than to dredge up past history, make erroneous accusations, and base all your conclusions on conjecture?”

“I simply deal with the facts before me.”  It was almost a childish response.

A face hovered outside the ward door, and he noticed it.

“Excuse me.”  He put down the notebook and headed out the door.  Monroe remained, looking menacing.

Was someone else listening, and didn’t like the turn of events?

…

© Charles Heath 2019-2023

This story is now on the list to be finished so over the new few weeks, expect a new episode every few days.

The reason why new episodes have been sporadic, there are also other stories to write, and I’m not very good at prioritizing.

But, here we are, a few minutes opened up and it didn’t take long to get back into the groove.

Things are about to get complicated…

I thanked the CCTV operator and left with Joanne to go back to the third floor and Monica’s office.  Joanne had called her the moment we made the discovery, and she was there to make sure I made it.

It was a passing thought I leave, but I would not get past the soldier at the front door.

We waited for a few minutes in the outer office where an efficient personal assistant was typing faster than I could think.

A buzzing sound broke the steady keyboard sounds, and she said we could go in.

I could imagine another page and a half being entered in the time it took for us to get from the chairs to the door.

Inside, the office had wooden panelling, shelves lined with books, a minibar, benchtops covered in trinkets picked up in many travels, and strategically placed in a corner, four chairs and a coffee table.

Monica was sitting on one, and she motioned for us to sit in two others.

Was a fourth person expected?

If there was we were not waiting for them.  As soon as I was seated, she asked, “What did you find?”

She already knew, via Joanne, but perhaps this was a test.

“There were two people at the café, or perhaps one, the intermediary that O’Connell was looking for inside, and another nearby, like out the back of the café.

“I’d been too wrapped up in surviving the aftermath of the bomb to see O’Connell head for an alley near the café.  I thought it might be to check on the intermediary, but apparently, it was to meet someone else who obviously survived.”

“Anna Jacovich.”

Of course, Joanne had briefed her.  No secrets among friends.

“What do we know about her?”

Joanne answered that one, “She’s a fugitive, and Interpol is looking for her, as are the local police.”

“And she’s here?”

“If she hasn’t run.  A bomb nearby can do that.  She has to know people are out there actively trying to kill her like they did her husband.”

“He originally created the USB?”

“It looks like it.  And my guess, Dobbin was using O’Connell to act as a journalist and buy the information off her before it went to the highest bidder.  If we were to throw hypotheses out there, it’s not a stretch to believe Severin and Maury, as Westcott and Salvin, supposedly ex-department, were charged to get inside the lab and investigate the data breach, found out who it was, followed them here, and then set up an off-book surveillance group to watch the players culminating in the botched operation I was just on.  Severin wasn’t working for Dobbin but someone else, which means someone else in this department has an active interest in the breach, and who was running his or her own operation.  That wouldn’t be you would it?”

“That would be someone in a corner office.  I can barely see daylight here.  In other words, not high enough up in the food chain.  Like you, I’m staggering around in the dark.  Dobbin has a corner office.”

“Who’s in charge of matters concerning biological weapons?”

“The MOD.  Not us.”

“But you have experts.  You must come across credible threats from time to time, and I doubt you just hand it over.”

“We’re supposed to.  There is a chain of command you know.  It’s not like the movies.”

The way this operation had been running, that was exactly what I thought.

“That’s what I think I know.  Still no indication O’Connell is alive, but I suspect Dobbin does know, and just not telling.  Might also know where he is.  Perhaps while I’m trying to find him, you go over Dobbin’s head and find out.”

“Easier said than done.  You need help?”

“No.  Everyone I work with has their own axe to grind, so I’m better off alone.”

“That Jan woman?”

“Especially her.”

“OK.  Keep me, via Joanne, informed.  If you need anything, tell Joanne.”

Meeting over.

…

© Charles Heath 2020-2023

It’s like working in two offices, one uptown, and one downtown.

I have two blogs, this one, and another which is purely for writing, and generally, a lot of starts and not a lot of finishes. I get ideas, and it’s a place to store them, and give a few people some amusement at my, sometimes, improbable situations and far-fetched stories.

Here I try to be more serious.

I have the ceiling, the cinema of my dreams. Here anything is possible, like jumping from a helicopter about to explode, and survive, and get out of a sinking ship, like Houdini. Of course, there is always one time when it doesn’t work, and Houdini knows that all too well.

Over there, I have a series which I started here, long ago, where I take a photograph and write a story inspired by it. The interesting thing about that is I could probably use the same photograph over and over, and it would inspire a different tale.

I know, if I was running a writing class, everyone would see that photograph differently.

But what amazes me sometimes is the fact the story is not directly related to the theme. It got me thinking about how we view our experiences, and what triggers memories. I’ve discovered that it doesn’t necessarily happen by correlation, say, for instance, a memory of being in New York might be triggered by a visit to a cafe in Cloncurry.

I try to do one of these every day, but sometimes it’s hard work. Writing itself can be some days, particularly when the words are lurking there, behind that invisible, impenetrable, rock wall.

OK, so I’m stuck in the middle of writing a piece over there, and I’ve come over here to whinge.

But, enough. I’ll let you know what the cinema of my dreams is showing, later.