Here’s the thing…

Every time I close my eyes, I see something different.

I’d like to think the cinema of my dreams is playing a double feature but it’s a bit like a comedy cartoon night on Fox.

But these dreams are nothing to laugh about.

Once again there’s a new installment of an old feature, and we’re back on the treasure hunt.

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The Ormiston’s from the papers

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It was a question of what was I looking for.  It would be easy to say I wanted a piece of paper that definitively said where the treasure was or finding a map that led straight to it.

Instead, there was, in one box, a dozen journals filled with the ramblings of a madman.

Searching for treasure had sent Ormiston senior mad.  For an hour, perhaps longer, I tried to decipher the spidery writing, and then gave up when it switched to German.

I assembled the journals in order of his expeditions and found the first easy to follow because it was a time of excitement and expectation, that he would find the treasure.  There were pages on exactly what he thought the treasure was worth, the sort of pieces they would find, and what he would do with the proceeds.

There were drawings of items off the map and his interpretation of what they represented.  It was a rather good description of the coastline and its anomalies as they related to map landmarks.  They were, almost all, the same as the Boggs interpretations.

When the discovery didn’t happen, when the first euphoria wore off and the search became bogged down in acrimony and arguments, and the realization the map they were using was not as clear as first believed, that was where it all began to fall apart.

Reading the words, feeling the disappointment seeping off the page, it must have been quite a blow.

The second expedition didn’t start off with the same fanfare, but almost as if they were expected to fail.  Too little time had been spent analyzing what went wrong and reidentifying the coastal landmarks.

And, when it did fail, the last comment in the diary was fairly succinct.  “What if there is no treasure?”

In another, scrawled heavily on several pages at the back, “look for the big A” was repeated several times, and much underlined.

There were five other boxes with papers, charts, notebooks, and books that belonged on a shelf but instead were neatly stacked.  They’d been in the boxes for some time, and had that aroma books got when left in the damp too long, and, in fact, when I tried to open some, the pages had stuck together.

A lot of the books were about pirates, reference texts, and fiction.  Part of one box was set aside for our particular pirate, and, reading through what could be read, a lot of the information was contradictory.  One book postulated that the said pirate wasn’t a pirate at all, casting doubt on whether he ever existed at all.

The maps were a different story, and, yes, they were all similar except for small details an observation I had made before.  None had what I would have called ‘new’ features, just a rehash of all the others.  Some were old, but most had the appearance of being made to look old.

Then, at the bottom of a box of books, were copies of newspaper articles, aged, stained, and some in various stages of disintegration.  The Bahama Argus, The Barbadian, The Antigua Herald and Gazette, The Bermuda Colonist, and the Dominica Chronicle.  All had references to Captain Johannsson, and his vessel, the Sea Serpent.

There was such a Captain, and there was such a ship, and there were reports of a vessel roving the seas, looking for prey.  And those reports covered a great deal of plunder, definitely the sort that would find its way into a number of sea chests.

But, was this the treasure that Ormiston believed was hidden somewhere in The Grove?

Something caught my attention on the first diary, the way it sat and the light reflected off it, and picking it up and looking at it showed no anomaly in the surface, not until it sat on a certain angle and in the sunlight.

A slight ripple down one edge of the spine, and with careful probing, there was a split in the material of the cover pasted back down, but in the time since it had been glued back, the glue had dissolved and the simple act of picking the book up and parted the split.

Lifting it gently, I could see a piece of paper tucked in and gently coaxed it out.

It was very thin and fragile, but the writing was clear.  Entries from what might have been a logbook.  I knew this only because I had been out of a sailing boat once when at school, and had seen the boat’s logbook, noting where the boat had been.

This page had only a few entries, the location of its departure, in latitude and longitude, a number of the daily distances traveled, and conditions, and the last, another latitude and longitude.

When I put the first coordinates into my GPS, it was near the island of Antigua, and then the destination, just up the coast near the old mall.  The name of the vessel, in almost illegible writing, the Sea Serpent.

So, there was a logbook, although it might not exist now, it did at some point in the past, and Ormiston had either found it or seen it.  The writing on the piece of paper was his. It proved, if it was authentic, there was a ship, and it did come to this coast.

I carefully folded it and hid it in my wallet, then replaced everything where I found it.  Enough research for today.  I tried not to look guilty when I left.

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© Charles Heath 2020-2022

It’s like working in two offices, one uptown, and one downtown.

I have two blogs, this one, and another which is purely for writing, and generally, a lot of starts and not a lot of finishes. I get ideas, and it’s a place to store them, and give a few people some amusement at my, sometimes, improbable situations and far-fetched stories.

Here I try to be more serious.

I have the ceiling, the cinema of my dreams. Here anything is possible, like jumping from a helicopter about to explode, and survive, and get out of a sinking ship, like Houdini. Of course, there is always one time when it doesn’t work, and Houdini knows that all too well.

Over there, I have a series which I started here, long ago, where I take a photograph and write a story inspired by it. The interesting thing about that is I could probably use the same photograph over and over, and it would inspire a different tale.

I know, if I was running a writing class, everyone would see that photograph differently.

But what amazes me sometimes is the fact the story is not directly related to the theme. It got me thinking about how we view our experiences, and what triggers memories. I’ve discovered that it doesn’t necessarily happen by correlation, say, for instance, a memory of being in New York might be triggered by a visit to a cafe in Cloncurry.

I try to do one of these every day, but sometimes it’s hard work. Writing itself can be some days, particularly when the words are lurking there, behind that invisible, impenetrable, rock wall.

OK, so I’m stuck in the middle of writing a piece over there, and I’ve come over here to whinge.

But, enough. I’ll let you know what the cinema of my dreams is showing, later.

There’s something to be said for a story that starts like a James Bond movie, throwing you straight in the deep end, a perfect way of getting to know the main character, David, or is that Alistair?

A retired spy, well, not so much a spy as a retired errand boy, David’s rather wry description of his talents, and a woman that most men would give their left arm for, not exactly the ideal couple, but there is a spark in a meeting that may or may not have been a setup.

But as the story progressed, the question I kept asking myself was why he’d bother.

And, page after unrelenting page, you find out.

Susan is exactly the sort of woman to pique his interest.  Then, inexplicably, she disappears.  That might have been the end of it, but Prendergast, that shadowy enigma, David’s ex-boss who loves playing games with real people, gives him an ultimatum: find her or come back to work.

Nothing like an offer that’s a double-edged sword!

A dragon for a mother, a sister he didn’t know about, Susan’s BFF who is not what she seems or a friend indeed, and Susan’s father, who, up till David meets her, couldn’t be less interested, his nemesis proves to be the impossible dream, and he’s always just that one step behind.

When the rollercoaster finally came to a halt, and I could start breathing again, it was an ending that was completely unexpected.

I’ve been told there’s a sequel in the works.

Bring it on!

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The book can be purchased here:  http://amzn.to/2Eryfth

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Here’s the thing…

Every time I close my eyes, I see something different.

I’d like to think the cinema of my dreams is playing a double feature but it’s a bit like a comedy cartoon night on Fox.

But these dreams are nothing to laugh about.

Once again there’s a new installment of an old feature, and we’re back on the treasure hunt.

…

The Ormiston’s from the papers

…

The Ormiston story and that of the thousand or so acres between the sea and the mountains are now known as Patterson’s reach, but once called The Grove, began in 1865 when the original Henrich Ormiston arrived from Germany.

Originally intending to go to Australia to grow grapes in South Australia, instead, his fate turned West to the Americas, and, eventually, this part of Florida.  He started out with the intention of growing grapes, but when that failed to materialize, he moved on to Oranges, hence the name, The Grove.

He had married before leaving Germany and had two children, Marta and Gunter before leaving, and Friedrich after he arrived in 1866.  That Friedrich died, according to the gravestone, in 1924.  Neither Marta nor Gunter stayed, leaving Friedrich to carry on the business, have an only child which he named after his father, Heinrich, born in 1899 and who died in 1976.  He in turn had a single son, which he named Friedrich, the infamous person with who Boggs father had a tempestuous business relationship.

Friedrich was born in 1932, during the depression, and it was about that time that the notion there might be buried treasure, somewhere along that coastal area of Florida, floated by a university professor, Emil Stravinsky, who specialized in old pirates.  He had published a book that basically speculated where treasure might be found, and one of those areas was right smack bang in the middle of The Grove.

This information was plucked from the paper’s births, death, and marriages column around the specified dates, the death notices giving some light on the respective Ormiston’s life and toils on their land.

Heinrich, Friedrich’s father, fell for the story hook line and sinker, and with a promise to share the proceeds of an estimated multimillion-dollar trove, invested a fair chunk of the savings he’d amassed over the years in the first of many treasure hunts.  The name Stravinsky rang a bell in my head.

A quick look forward to the most recent editions showed it was the man who had died on Rico’s boat, who was, in fact, a third-generation relative of the original professor, an archaeologist in his own right, and digging a bit further into the story, the paper had published a dozen or so extracts from the professor’s book, hinting their subject matter had been derived from a particular pirate’s log, and from notes made over the years of research by the professor.  It sounded like there was a diary.

I was going to have to find a copy of the professor’s book, which, if it had been published nearly 90 years ago, would now be out of print.

When the father, Heinrich had failed to locate the treasure, the son Friedrich continued the search, only he put more time and effort into more meticulous research rather than take the professor’s word of its whereabouts.

This was about the time Boggs’s father came into the picture.

He had lived and worked in the Caribbean and discovered quite by chance when a storm had blown his boat way off course on a weekend sailing run, the ruins of an encampment and hidden inlet on an uninhabited island where he believed the pirate had operated from.

While waiting to be rescued, the storm had damaged his boat, he took the time to explore, and although he hadn’t told anyone at the time of his rescue, he had discovered a box buried near where a building had once stood containing a map, several coins, a sextant, and a flag.  The news of those discoveries came some years later when it was revealed he’s struck a deal with Ormiston to renew the search for the treasure.

When the result of that expedition came to nothing, each of the partners blamed the other for the lack of success, with Ormiston all but telling anyone who would listen that Boggs had created the map himself for the purpose of extorting money under false pretenses.

Boggs then had to produce the map, where it was authenticated as a map that had been created at the time of the pirate’s reign, but no one could say whether it was just an invention of someone at the time, or it was real.  The fact nothing was found suggested the latter, and it marked to start of the feud between Boggs and Ormiston.

The question in my mind was whether Boggs had that particular map, and had he shown it briefly to me?  Certainly, one of the maps he had was quite old, but there were so many variations, and they all looked equally as old, it was hard to tell.

One point I was quite certain on, none of the maps I’d seen showed the treasure’s final resting place as being in a cave, and I got the impression just before when I’d run into Boggs, that it was exactly where he was going.

Had that been the clue his father had referred to?  Even with the so-called original map, if it showed the treasure hidden in a cave why did Boggs need Ormiston’s help?

Had Ormiston known that might be the final resting place of the treasure?

I would soon find out.  My next stop was the library.

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© Charles Heath 2020-2022

It could be said that of all the women one could meet, whether contrived or by sheer luck, what are the odds it would turn out to be the woman who was being paid a very large sum to kill you?

John Pennington is a man who may be lucky in business, but not so lucky in love. He has just broken up with Phillipa Sternhaven, the woman he thought was the one, but relatives and circumstances, and perhaps because she was a ‘princess’, may also have contributed to the end result.

So, what do you do when you are heartbroken?

That is a story that slowly unfolds, from the first meeting with his nemesis on Lake Geneva, all the way to a hotel room in Sorrento, where he learns the shattering truth.

What should have been solace after disappointment turns out to be something else entirely, and from that point, everything goes to hell in a handbasket.

He suddenly realises his so-called friend Sebastian has not exactly told him the truth about a small job he asked him to do, the woman he is falling in love with is not quite who she says she is, and he is caught in the middle of a war between two men who consider people becoming collateral damage as part of their business.

The story paints the characters, cleverly displaying all their flaws and weaknesses. The locations add to the story at times, taking me back down memory lane, especially to Venice, where, in those back streets, I confess it’s not all that hard to get lost.

All in all, a thoroughly entertaining story with, for once, a satisfying end.

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Available on Amazon here: https://amzn.to/2Xyh1ow

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