Category: NaNoWriMo

The Things We Do For Love – The final editor’s draft – Day 29

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What is a love story without a happy ending?

It’s just all the trials and tribulations in between that make it seem like it’s all too much effort with nothing but pain and misery punctuated by a few moments of utter delight.

I’m sure a story where everything works like clockwork might have been easier, but the thought of having some meaty characters standing between them and ultimate happiness was more interesting.

The idea of Emile, or the Turk, being an affable person, was modelled on Sidney Greenstreet, a rather interesting actor in Hollywood in the 1940s and 1950s, and I’d just seen his performance in The Maltese Falcon.

When I first started the story, I wanted Michelle to have a secret, but at the time, it wasn’t for her to be a prostitute, simply a fashion model who fell in with the wrong crowd and got into trouble with drugs and the high life.

But that wasn’t interesting enough.  By that time, I was dabbling in the thriller genre, and realised I couldn’t write a Mills and Boon-type book, so it veered into thriller territory.

Who doesn’t like a guy who wants to rescue a fallen angel?

Why not make the fallen angel an avenging angel?  Her friends help her escape, and then she decided to help her friends escape to the freedom she fleetingly had, and now, determined, would have again.

But, the idea of freedom and the actual getting of it are two entirely different concepts.  400 pages worth of angst, setbacks, love found, and love lost, the love found again.  Henry might be a little too naïve, but he had to be to provide the extreme contrast in backgrounds and notions of what life is like.

…

Mistaken Identity – The Third Editor’s Draft – Day 26

I have been working on the story, the editor is asking for a second draft after making suggested changes – and I’m now working on it

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This month has been exhausting, because not only have I been trying to get the NaNoWriMo project completed, which involves writing about 1,800 words a day, every day, I have been keeping up the A to Z blogging challenge with a new story every day bar Sunday.

You have no idea how much I looked forward to each of the Sundays.

Of course, a plan is needed if anyone is contemplating to do something similar.

It also requires you to be able to come up with a new idea every day for the story and try not to get caught up in a crossover.

And, try not to hit the wall.

This is exactly what happened yesterday, when I got halfway through the story, and the equivalent of deleting the file rather than saving it happened.

So few yards from the finishing line and kaput, I’m sitting there in front of a blank screen wondering where the next 2,5000 words for the story are coming from.

And questioning my sanity.

I missed the deadline, wrote zero words for the A to Z and went to bed.

Tomorrow, hopefully, will be a new day!

…

More tomorrow.

The Things We Do For Love – The final editor’s draft – Day 30

…

Well, it’s done.

516 pages in total, in a more refined form, a story from start to finish.

Now the hard part begins; waiting for the editor’s approval, or more changes. I’m sure there are a few continuity issues and at least one name change for one of the characters.

Other issues will need addressing, like Inspector Banner who seems to turn up out of thin air and needs a little more introduction.

Likewise, Henry’s brother Harry needs to have his timeline and actions given his disabilities looked at in terms of whether it’s possible he could do what he did.  I know it’s fiction, but characters lose credibility when they seem to have powers they simply could not possess.

Above all, Michelle needs to be more thoroughly introduced, though my intention originally was to have her this girl who is too good to be true, all of a sudden have this bad streak, whether by design or by accident.

I also think her relationship with the Turk needs more explanation because it seems in places quite wishy-washy for want of a better description. 

There may yet get to be a prologue that gives each a chance to see who they are before they get to the hotel by the sea.

Perhaps I’m, simply miffed that Diana aka Millie did not get a chance to shine before she appears much later in the book.

But, it is what it is for now, and the next edit, in a few weeks might or might not address all of these issues.

The Things We Do For Love – The final editor’s draft – Day 30

…

Well, it’s done.

516 pages in total, in a more refined form, a story from start to finish.

Now the hard part begins; waiting for the editor’s approval, or more changes. I’m sure there are a few continuity issues and at least one name change for one of the characters.

Other issues will need addressing, like Inspector Banner who seems to turn up out of thin air and needs a little more introduction.

Likewise, Henry’s brother Harry needs to have his timeline and actions given his disabilities looked at in terms of whether it’s possible he could do what he did.  I know it’s fiction, but characters lose credibility when they seem to have powers they simply could not possess.

Above all, Michelle needs to be more thoroughly introduced, though my intention originally was to have her this girl who is too good to be true, all of a sudden have this bad streak, whether by design or by accident.

I also think her relationship with the Turk needs more explanation because it seems in places quite wishy-washy for want of a better description. 

There may yet get to be a prologue that gives each a chance to see who they are before they get to the hotel by the sea.

Perhaps I’m, simply miffed that Diana aka Millie did not get a chance to shine before she appears much later in the book.

But, it is what it is for now, and the next edit, in a few weeks might or might not address all of these issues.

Mistaken Identity – The Third Editor’s Draft – Day 25

I have been working on the story, the editor is asking for a third draft after making suggested changes – and I’m now working on it

…

Planning was the order of the day, and I needed to see where this story was going.

Firstly, a meeting with Maryanne’s handler will give some perspective on what might be in the mysterious diary.

After rescuing Jack’s mother, Jack has a host of questions; about his biological father, who he was, and what happened to him when he was sent to prison.

Jack makes further contact with his biological father, now that his mother is free, and considers a meeting, but he has to be careful where and when.

This meeting, if it happens, is to get some insight into who is after the diary, and for Jack to possibly mediate a resolution between all of the people who are after it.

It’s naïve of him to think he can tread a path between them and not get hurt in the process, but people do foolish things.

Remember that Rosalie is still out there with the diary and there might be/will be a concerted effort to find her. McCallister, the people who want the diary, Jack’s mother (now regretting dragging Jack into her problems), Maryanne, and Jacob are looking for her.

There might be a possibility that Rosalie might read the diary, and then tell Jack – an eventuality that might cause more trouble.

Jacob is out there, very close, watching Jack, thinking Jack will lead him to the diary. Jack is going to ask McCallister to tell him about Jacob, though I’m not sure whether I want him to consider the possibility of talking to him about the past.

Where is Jack’s mother’s twin (Her name is Chloe), and what is she doing? The last time Jack saw her, she was tied up in the empty apartment building. The conversation with her didn’t go so well.

…

Now, possible outcomes:

Jack’s mother isn’t Jack’s mother but Chloe masquerading as her,

Rosalie does in fact get caught, because she foolishly decided to find Jack and tell him what’s in the diary,

Jack’s meeting with McCallister is interrupted by both Maryanne and Jacob, bullets fly, and people get injured,

Jack’s mother is not the innocent she pretends to be,

Jack’s life is far from what he thought it was.

…

Today’s effort amounts to 2,113 words, for a total, so far, of 60,200.

This story is not going to be finished inside the time limit, or the estimated 70,000 words. Not on current estimates anyway.

More tomorrow.

The Things We Do For Love – The final editor’s draft – Day 29

…

What is a love story without a happy ending?

It’s just all the trials and tribulations in between that make it seem like it’s all too much effort with nothing but pain and misery punctuated by a few moments of utter delight.

I’m sure a story where everything works like clockwork might have been easier, but the thought of having some meaty characters standing between them and ultimate happiness was more interesting.

The idea of Emile, or the Turk, being an affable person, was modelled on Sidney Greenstreet, a rather interesting actor in Hollywood in the 1940s and 1950s, and I’d just seen his performance in The Maltese Falcon.

When I first started the story, I wanted Michelle to have a secret, but at the time, it wasn’t for her to be a prostitute, simply a fashion model who fell in with the wrong crowd and got into trouble with drugs and the high life.

But that wasn’t interesting enough.  By that time, I was dabbling in the thriller genre, and realised I couldn’t write a Mills and Boon-type book, so it veered into thriller territory.

Who doesn’t like a guy who wants to rescue a fallen angel?

Why not make the fallen angel an avenging angel?  Her friends help her escape, and then she decided to help her friends escape to the freedom she fleetingly had, and now, determined, would have again.

But, the idea of freedom and the actual getting of it are two entirely different concepts.  400 pages worth of angst, setbacks, love found, and love lost, the love found again.  Henry might be a little too naïve, but he had to be to provide the extreme contrast in backgrounds and notions of what life is like.

…

The Things We Do For Love – The final editor’s draft – Day 28

…

Henry wakes to the realization that, one, he is in hospital with no memory of how he got there two, his brother Harry is nearby, three that he had no idea if his rescue mission succeeded or failed. And lastly, what happened to Radly.

The reality, he had been used as a human punching back, Michelle had disappeared, along with the Turk, and Harry made the conscious decision not to tell his little brother what had transpired while he was in the hospital.  Good news though, Diana and Radly were in the same hospital, and were alive.

Harry has pieced together the night’s events, and ever relating it, he wonders how any of them are still alive.

His father comes to visit, and it’s apparent he doesn’t know the real reason Henry is there.

There is light at the end of the tunnel.  Henry has bought a house in his now favourite village by the sea, easily accessible by train, for now, and plants to go there when discharged.

Michelle has not returned, and he has told himself that she might never.  It’s that old saying, better to have loved and lost than to never have loved at all.

Then it’s off to Morganville.

…

Mistaken Identity – The Third Editor’s Draft – Day 25

I have been working on the story, the editor is asking for a third draft after making suggested changes – and I’m now working on it

…

Planning was the order of the day, and I needed to see where this story was going.

Firstly, a meeting with Maryanne’s handler will give some perspective on what might be in the mysterious diary.

After rescuing Jack’s mother, Jack has a host of questions; about his biological father, who he was, and what happened to him when he was sent to prison.

Jack makes further contact with his biological father, now that his mother is free, and considers a meeting, but he has to be careful where and when.

This meeting, if it happens, is to get some insight into who is after the diary, and for Jack to possibly mediate a resolution between all of the people who are after it.

It’s naïve of him to think he can tread a path between them and not get hurt in the process, but people do foolish things.

Remember that Rosalie is still out there with the diary and there might be/will be a concerted effort to find her. McCallister, the people who want the diary, Jack’s mother (now regretting dragging Jack into her problems), Maryanne, and Jacob are looking for her.

There might be a possibility that Rosalie might read the diary, and then tell Jack – an eventuality that might cause more trouble.

Jacob is out there, very close, watching Jack, thinking Jack will lead him to the diary. Jack is going to ask McCallister to tell him about Jacob, though I’m not sure whether I want him to consider the possibility of talking to him about the past.

Where is Jack’s mother’s twin (Her name is Chloe), and what is she doing? The last time Jack saw her, she was tied up in the empty apartment building. The conversation with her didn’t go so well.

…

Now, possible outcomes:

Jack’s mother isn’t Jack’s mother but Chloe masquerading as her,

Rosalie does in fact get caught, because she foolishly decided to find Jack and tell him what’s in the diary,

Jack’s meeting with McCallister is interrupted by both Maryanne and Jacob, bullets fly, and people get injured,

Jack’s mother is not the innocent she pretends to be,

Jack’s life is far from what he thought it was.

…

Today’s effort amounts to 2,113 words, for a total, so far, of 60,200.

This story is not going to be finished inside the time limit, or the estimated 70,000 words. Not on current estimates anyway.

More tomorrow.

The Things We Do For Love – The final editor’s draft – Day 29

…

What is a love story without a happy ending?

It’s just all the trials and tribulations in between that make it seem like it’s all too much effort with nothing but pain and misery punctuated by a few moments of utter delight.

I’m sure a story where everything works like clockwork might have been easier, but the thought of having some meaty characters standing between them and ultimate happiness was more interesting.

The idea of Emile, or the Turk, being an affable person, was modelled on Sidney Greenstreet, a rather interesting actor in Hollywood in the 1940s and 1950s, and I’d just seen his performance in The Maltese Falcon.

When I first started the story, I wanted Michelle to have a secret, but at the time, it wasn’t for her to be a prostitute, simply a fashion model who fell in with the wrong crowd and got into trouble with drugs and the high life.

But that wasn’t interesting enough.  By that time, I was dabbling in the thriller genre, and realised I couldn’t write a Mills and Boon-type book, so it veered into thriller territory.

Who doesn’t like a guy who wants to rescue a fallen angel?

Why not make the fallen angel an avenging angel?  Her friends help her escape, and then she decided to help her friends escape to the freedom she fleetingly had, and now, determined, would have again.

But, the idea of freedom and the actual getting of it are two entirely different concepts.  400 pages worth of angst, setbacks, love found, and love lost, the love found again.  Henry might be a little too naïve, but he had to be to provide the extreme contrast in backgrounds and notions of what life is like.

…

The Things We Do For Love – The final editor’s draft – Day 29

…

What is a love story without a happy ending?

It’s just all the trials and tribulations in between that make it seem like it’s all too much effort with nothing but pain and misery punctuated by a few moments of utter delight.

I’m sure a story where everything works like clockwork might have been easier, but the thought of having some meaty characters standing between them and ultimate happiness was more interesting.

The idea of Emile, or the Turk, being an affable person, was modelled on Sidney Greenstreet, a rather interesting actor in Hollywood in the 1940s and 1950s, and I’d just seen his performance in The Maltese Falcon.

When I first started the story, I wanted Michelle to have a secret, but at the time, it wasn’t for her to be a prostitute, simply a fashion model who fell in with the wrong crowd and got into trouble with drugs and the high life.

But that wasn’t interesting enough.  By that time, I was dabbling in the thriller genre, and realised I couldn’t write a Mills and Boon-type book, so it veered into thriller territory.

Who doesn’t like a guy who wants to rescue a fallen angel?

Why not make the fallen angel an avenging angel?  Her friends help her escape, and then she decided to help her friends escape to the freedom she fleetingly had, and now, determined, would have again.

But, the idea of freedom and the actual getting of it are two entirely different concepts.  400 pages worth of angst, setbacks, love found, and love lost, the love found again.  Henry might be a little too naïve, but he had to be to provide the extreme contrast in backgrounds and notions of what life is like.

…