The time has come to work on the second draft for the editor, taking into account all of the suggested changes, and there are quite a few. So much for thinking I could put in an almost flawless manuscript.

…

I’m not going to get this finished, but there is an upside.

After writing the latest parts to the story, it gave me a sense of how it is going to end.

This story is probably the first where I had the end written before it started, a novel idea to writing stories, and it’s good to realize that after neatly 80,000 words, the end ties up the story exactly the way I wanted it to end.

It’s just what happens between the beginning and the end changed a lot during the month.

I dropped out the revenge part, which became a short story in itself, so it will be told later in a novella, and it made sense to stick to the original plan, the main character starts out as the protector, and is slowly drawn into the revolution.

He doesn’t have an active role in it, just maintaining a presence in the background, until Teresa forces his hand.

The rest, well, you’ll have to read the story when it’s finished. Tomorrow I’m going to try and write a blurb, that will give the reader some idea of what the story is about.

The time has come to work on the second draft for the editor, taking into account all of the suggested changes, and there are quite a few. So much for thinking I could put in an almost flawless manuscript.

…

I’m not going to get this finished, but there is an upside.

After writing the latest parts to the story, it gave me a sense of how it is going to end.

This story is probably the first where I had the end written before it started, a novel idea to writing stories, and it’s good to realize that after neatly 80,000 words, the end ties up the story exactly the way I wanted it to end.

It’s just what happens between the beginning and the end changed a lot during the month.

I dropped out the revenge part, which became a short story in itself, so it will be told later in a novella, and it made sense to stick to the original plan, the main character starts out as the protector, and is slowly drawn into the revolution.

He doesn’t have an active role in it, just maintaining a presence in the background, until Teresa forces his hand.

The rest, well, you’ll have to read the story when it’s finished. Tomorrow I’m going to try and write a blurb, that will give the reader some idea of what the story is about.

The time has come to work on the second draft for the editor, taking into account all of the suggested changes, and there are quite a few. So much for thinking I could put in an almost flawless manuscript.

…

We’re near the end, and I have to say, it has been hard work.

Today I’ve been writing, revising and reading. There are aspects to the flow that are bothering me, and I know I’m supposed to let it mull for a while before I start editing, but I’m like that, I have to do something about it now, not later.

While I’m doing that, I’ve been working on a musical theme for the writing and hit upon the big band sounds of the 1940s and ’50s.

I have always been fascinated by that era of music, particularly Benny Goodman, but not so much the Dorsey brothers.

It then led to the final chapter, as I was playing Sing, Sing, Sing, I had the vision, in the ballroom, just our main character, and Teresa, with a few selected guests.

I’m also one of those people who like happy endings to the stories, or at least until the next book in the series starts.

Two days to go and I can rest.

Maybe. Maybe not. We’ll see.

The time has come to work on the second draft for the editor, taking into account all of the suggested changes, and there are quite a few. So much for thinking I could put in an almost flawless manuscript.

…

Sometimes it takes a failure to make a success.

Well, that’s the theme I’m running with.

Of course, the leaders of the revolution take that failed attempt as a bad sign, but a severe setback sometimes causes that sort of introspection.

And the revolutionaries never quite know who’s on their side and who isn’t.

And there are those who are trying to keep out of harm’s way, do their job, and still get caught up in the middle of a war.

Revolutions are more than just the capture of radio stations, army barracks, and the airport. It’s always a good thing when a country doesn’t have too many airports or army bases. It also helps that the country is small and manageable and that its current leaders are corrupt and self-serving, and some very dangerous.

They are also helped by having the heart and soul of the citizens, not so much that they would take up arms and fight, rather, do nothing and get in the way. That in itself could be dangerous, but sometimes people act without thinking of the consequences.

Those you would least expect to step up and be counted.

It’s going to take more words than I have before it is supposed to be written by the end of the month, so this story is going to run into overtime.

So, stay tuned, for daily reports on how the revolution is progressing.

The time has come to work on the second draft for the editor, taking into account all of the suggested changes, and there are quite a few. So much for thinking I could put in an almost flawless manuscript.

…

There is a history of strong female characters. They don’t have to be the lead character in order to become a focal point in the story.

I’m reminded of the CIA agent in Cuba in the latest James Bond Film, No Time To Die, where she literally kicks ass. To my mind, that is a girl to be reckoned with, and no, I would not want to meet her in a dark alley or be her enemy.

I wanted one, and put her in the Zoe series, an assassin without a conscience, but has one of those life-defining moments that doesn’t take away anything from her character, just adds another dimension.

This story is going to have one too, Teresa, only she is a different kettle of fish, to quote an analogy.

She is just the sort of person our main character’s handler recruits in a heartbeat. The fact she is in jail when we first meet her just adds to the mystique.

And when the main character and her meet, it’s like water and oil. She had a role to play, even if it’s not the one our main character is led to believe is.

The trouble is, I’m having too much fun playing to the two off against each other, so much so, I’m beginning to like her, as much as I would, in real life (if such a person existed) fear her.

Interesting question: how would I react if my imaginary world suddenly became all too real?

I guess that’s another story.

The time has come to work on the second draft for the editor, taking into account all of the suggested changes, and there are quite a few. So much for thinking I could put in an almost flawless manuscript.

…

Sometimes it takes a failure to make a success.

Well, that’s the theme I’m running with.

Of course, the leaders of the revolution take that failed attempt as a bad sign, but a severe setback sometimes causes that sort of introspection.

And the revolutionaries never quite know who’s on their side and who isn’t.

And there are those who are trying to keep out of harm’s way, do their job, and still get caught up in the middle of a war.

Revolutions are more than just the capture of radio stations, army barracks, and the airport. It’s always a good thing when a country doesn’t have too many airports or army bases. It also helps that the country is small and manageable and that its current leaders are corrupt and self-serving, and some very dangerous.

They are also helped by having the heart and soul of the citizens, not so much that they would take up arms and fight, rather, do nothing and get in the way. That in itself could be dangerous, but sometimes people act without thinking of the consequences.

Those you would least expect to step up and be counted.

It’s going to take more words than I have before it is supposed to be written by the end of the month, so this story is going to run into overtime.

So, stay tuned, for daily reports on how the revolution is progressing.

The time has come to work on the second draft for the editor, taking into account all of the suggested changes, and there are quite a few. So much for thinking I could put in an almost flawless manuscript.

…

Sometimes it takes a failure to make a success.

Well, that’s the theme I’m running with.

Of course, the leaders of the revolution take that failed attempt as a bad sign, but a severe setback sometimes causes that sort of introspection.

And the revolutionaries never quite know who’s on their side and who isn’t.

And there are those who are trying to keep out of harm’s way, do their job, and still get caught up in the middle of a war.

Revolutions are more than just the capture of radio stations, army barracks, and the airport. It’s always a good thing when a country doesn’t have too many airports or army bases. It also helps that the country is small and manageable and that its current leaders are corrupt and self-serving, and some very dangerous.

They are also helped by having the heart and soul of the citizens, not so much that they would take up arms and fight, rather, do nothing and get in the way. That in itself could be dangerous, but sometimes people act without thinking of the consequences.

Those you would least expect to step up and be counted.

It’s going to take more words than I have before it is supposed to be written by the end of the month, so this story is going to run into overtime.

So, stay tuned, for daily reports on how the revolution is progressing.

The time has come to work on the second draft for the editor, taking into account all of the suggested changes, and there are quite a few. So much for thinking I could put in an almost flawless manuscript.

…

There is a history of strong female characters. They don’t have to be the lead character in order to become a focal point in the story.

I’m reminded of the CIA agent in Cuba in the latest James Bond Film, No Time To Die, where she literally kicks ass. To my mind, that is a girl to be reckoned with, and no, I would not want to meet her in a dark alley or be her enemy.

I wanted one, and put her in the Zoe series, an assassin without a conscience, but has one of those life-defining moments that doesn’t take away anything from her character, just adds another dimension.

This story is going to have one too, Teresa, only she is a different kettle of fish, to quote an analogy.

She is just the sort of person our main character’s handler recruits in a heartbeat. The fact she is in jail when we first meet her just adds to the mystique.

And when the main character and her meet, it’s like water and oil. She had a role to play, even if it’s not the one our main character is led to believe is.

The trouble is, I’m having too much fun playing to the two off against each other, so much so, I’m beginning to like her, as much as I would, in real life (if such a person existed) fear her.

Interesting question: how would I react if my imaginary world suddenly became all too real?

I guess that’s another story.