A Score to Settle – The Editors Draft – Day 1

I have the story, the editor is asking for it, and I’m putting the final touches to it

Or so it seems, but nothing is ever in concrete when working on a story. My first thoughts were, what led up to the start of the story, a veritable getting back in the saddle after the metaphorical horse has tossed you off with life-threatening injuries.

That’s basically the first chapter, or it might finish up as a prologue. There are arguments for and against prologues, so perhaps as the month and the story progresses, it might become clearer what is needed.

So, where are we?

Somewhere in Africa, a country that is run by the military with a so-called puppet president. A country that is ripe for revolution, where the people are plotting to take their country back.

With help, but just whose help is nebulous.

In the meantime, there’s a human rights conference about to happen, a rather ironic event in a country supposedly at the forefront of perpetrating such offences.

Why is our fractured main character there? To protect one of the keynote speakers and convenors of the conference, supposedly without her knowledge, but of course, secrets are only secrets if they remain so.

And with governments involved, nothing remains secret for long.

That’s the premise so far.

Today is much about fine-tuning the background of the main character, and what came before.

Today’s word count: 2,174 words, the same for the running total.

A Score to Settle – The Editors Draft – Day 1

I have the story, the editor is asking for it, and I’m putting the final touches to it

Or so it seems, but nothing is ever in concrete when working on a story. My first thoughts were, what led up to the start of the story, a veritable getting back in the saddle after the metaphorical horse has tossed you off with life-threatening injuries.

That’s basically the first chapter, or it might finish up as a prologue. There are arguments for and against prologues, so perhaps as the month and the story progresses, it might become clearer what is needed.

So, where are we?

Somewhere in Africa, a country that is run by the military with a so-called puppet president. A country that is ripe for revolution, where the people are plotting to take their country back.

With help, but just whose help is nebulous.

In the meantime, there’s a human rights conference about to happen, a rather ironic event in a country supposedly at the forefront of perpetrating such offences.

Why is our fractured main character there? To protect one of the keynote speakers and convenors of the conference, supposedly without her knowledge, but of course, secrets are only secrets if they remain so.

And with governments involved, nothing remains secret for long.

That’s the premise so far.

Today is much about fine-tuning the background of the main character, and what came before.

Today’s word count: 2,174 words, the same for the running total.

First Dig Two Graves – The Final Draft – Day 29

The second Zoe thriller.

In a day of going over old ground and making it new again, I have revisited Zoe’s residence in Paris at the time John called, and found it empty, except for some kid who was all ‘get lost or suffer the consequences.’

Who is he?  We flesh that story out, and how it relates to Zoe and those early days in the story.

Similarly, I’m not happy still with how Worthington discovers Zoe, and this is going to need some more work, and definitely a rewrite.

In fact, I might have to revisit his whole appearance in the story and make it a little less bombastic and a little more subdued seething anger.

The whole Marseilles episode is good, it’s just the end and this discovery of who is behind Zoe’s abduction that needs a little work.  This is where we sow the enigmatic sees of Romanov and his purpose for wanting Zoe if it is not revenge like it is assumed.

Similarly, that whole thing with the Russian Minister and Anton needs a lot more work because there appears to be a connection between him and Romanov, but there’s not.  This is just Olga leaning on her connections to get a result.

Then Zoe takes off to find Romanov, or is it those seeking revenge, it’s not quite clear, and leaves John to contemplate his future.  Perhaps a piece here between them that sets the tone for the relationship over the coming months would be good, and the trigger that sets John off on a quest to find her.

His excuses at the moment are wishy-washy at best.

Phew!!!  Never knew self-criticism could be so harsh!

Today’s writing, with Zoe languishing in a dungeon waiting for a white knight, 0 words, for a total of 8,871.

First Dig Two Graves – The Final Draft – Day 29

The second Zoe thriller.

In a day of going over old ground and making it new again, I have revisited Zoe’s residence in Paris at the time John called, and found it empty, except for some kid who was all ‘get lost or suffer the consequences.’

Who is he?  We flesh that story out, and how it relates to Zoe and those early days in the story.

Similarly, I’m not happy still with how Worthington discovers Zoe, and this is going to need some more work, and definitely a rewrite.

In fact, I might have to revisit his whole appearance in the story and make it a little less bombastic and a little more subdued seething anger.

The whole Marseilles episode is good, it’s just the end and this discovery of who is behind Zoe’s abduction that needs a little work.  This is where we sow the enigmatic sees of Romanov and his purpose for wanting Zoe if it is not revenge like it is assumed.

Similarly, that whole thing with the Russian Minister and Anton needs a lot more work because there appears to be a connection between him and Romanov, but there’s not.  This is just Olga leaning on her connections to get a result.

Then Zoe takes off to find Romanov, or is it those seeking revenge, it’s not quite clear, and leaves John to contemplate his future.  Perhaps a piece here between them that sets the tone for the relationship over the coming months would be good, and the trigger that sets John off on a quest to find her.

His excuses at the moment are wishy-washy at best.

Phew!!!  Never knew self-criticism could be so harsh!

Today’s writing, with Zoe languishing in a dungeon waiting for a white knight, 0 words, for a total of 8,871.

First Dig Two Graves – The Final Draft – Day 28

The second Zoe thriller.

So, what happened really happened to Worthington?

Did John get reunited with his mother in the hospital?

What of Rupert and Isobel?  Did she get to meet the elusive and enigmatic Tsar?

These are all questions that will be answered in due course.

There is also the matter of what happens when John and Zoe/Irina finally meet up after he learns that she regarded him as expendable, and knowing her as he did, didn’t doubt for a minute she meant it.

Is it the folly of falling in love with an assassin?

Once again we end up at the grandmother’s residence in Sorrento, languishing sans Zoe, contemplating the future, a future that might not have Zoe in it.

His idea of setting up an investigation bureau is alive and well, run by Rupert, staffed by people who have the skills but not the confidence of others who had employed them.  Rupert is the master of picking lame ducks and turning them into swans.

Isobel, on the other hand, does not improve with age or being in a somewhat iffy, long-range, possible romance, thing.

Does Zoe return, does she call, can she drag herself away from her recently rediscovered father?

Again, you’ll have to read the book.

There’s no word count at the moment because everything is in outline awaiting writing. That will happen, I hope, tomorrow.

First Dig Two Graves – The Final Draft – Day 29

The second Zoe thriller.

In a day of going over old ground and making it new again, I have revisited Zoe’s residence in Paris at the time John called, and found it empty, except for some kid who was all ‘get lost or suffer the consequences.’

Who is he?  We flesh that story out, and how it relates to Zoe and those early days in the story.

Similarly, I’m not happy still with how Worthington discovers Zoe, and this is going to need some more work, and definitely a rewrite.

In fact, I might have to revisit his whole appearance in the story and make it a little less bombastic and a little more subdued seething anger.

The whole Marseilles episode is good, it’s just the end and this discovery of who is behind Zoe’s abduction that needs a little work.  This is where we sow the enigmatic sees of Romanov and his purpose for wanting Zoe if it is not revenge like it is assumed.

Similarly, that whole thing with the Russian Minister and Anton needs a lot more work because there appears to be a connection between him and Romanov, but there’s not.  This is just Olga leaning on her connections to get a result.

Then Zoe takes off to find Romanov, or is it those seeking revenge, it’s not quite clear, and leaves John to contemplate his future.  Perhaps a piece here between them that sets the tone for the relationship over the coming months would be good, and the trigger that sets John off on a quest to find her.

His excuses at the moment are wishy-washy at best.

Phew!!!  Never knew self-criticism could be so harsh!

Today’s writing, with Zoe languishing in a dungeon waiting for a white knight, 0 words, for a total of 8,871.

First Dig Two Graves – The Final Draft – Day 29

The second Zoe thriller.

In a day of going over old ground and making it new again, I have revisited Zoe’s residence in Paris at the time John called, and found it empty, except for some kid who was all ‘get lost or suffer the consequences.’

Who is he?  We flesh that story out, and how it relates to Zoe and those early days in the story.

Similarly, I’m not happy still with how Worthington discovers Zoe, and this is going to need some more work, and definitely a rewrite.

In fact, I might have to revisit his whole appearance in the story and make it a little less bombastic and a little more subdued seething anger.

The whole Marseilles episode is good, it’s just the end and this discovery of who is behind Zoe’s abduction that needs a little work.  This is where we sow the enigmatic sees of Romanov and his purpose for wanting Zoe if it is not revenge like it is assumed.

Similarly, that whole thing with the Russian Minister and Anton needs a lot more work because there appears to be a connection between him and Romanov, but there’s not.  This is just Olga leaning on her connections to get a result.

Then Zoe takes off to find Romanov, or is it those seeking revenge, it’s not quite clear, and leaves John to contemplate his future.  Perhaps a piece here between them that sets the tone for the relationship over the coming months would be good, and the trigger that sets John off on a quest to find her.

His excuses at the moment are wishy-washy at best.

Phew!!!  Never knew self-criticism could be so harsh!

Today’s writing, with Zoe languishing in a dungeon waiting for a white knight, 0 words, for a total of 8,871.

First Dig Two Graves – The Final Draft – Day 28

The second Zoe thriller.

So, what happened really happened to Worthington?

Did John get reunited with his mother in the hospital?

What of Rupert and Isobel?  Did she get to meet the elusive and enigmatic Tsar?

These are all questions that will be answered in due course.

There is also the matter of what happens when John and Zoe/Irina finally meet up after he learns that she regarded him as expendable, and knowing her as he did, didn’t doubt for a minute she meant it.

Is it the folly of falling in love with an assassin?

Once again we end up at the grandmother’s residence in Sorrento, languishing sans Zoe, contemplating the future, a future that might not have Zoe in it.

His idea of setting up an investigation bureau is alive and well, run by Rupert, staffed by people who have the skills but not the confidence of others who had employed them.  Rupert is the master of picking lame ducks and turning them into swans.

Isobel, on the other hand, does not improve with age or being in a somewhat iffy, long-range, possible romance, thing.

Does Zoe return, does she call, can she drag herself away from her recently rediscovered father?

Again, you’ll have to read the book.

There’s no word count at the moment because everything is in outline awaiting writing. That will happen, I hope, tomorrow.

First Dig Two Graves – The Final Draft – Day 27

The second Zoe thriller.

It’s the final battle.

Never trust anyone else to do the job you should have done yourself in the first place.

It’s an interesting premise, but somehow encapsulates the ethos of this story.

Who is Romanov?  Zoe, Irina, whatever you want to call her, he’s her father.

But…

The notion that anonymously putting out a finder’s fee on his daughter’s head, coupled with the ire of Olga over the death of her son, sent everyone from the Minister in the Kremlin down into a tailspin.

The first effort, had the kidnappers just followed the rules, would have got an enormous payday, and everything would have been resolved there and then, in Marseilles.

No, people got greedy.

So did all the others, getting wind of what was at stake, enough to retire, or continue to retire in style.

Dominica, Yuri, and even Olga had she been smart.

She was not.

People didn’t have to die.  Zoe could have been spared a killing spree, and John some maybe quality time with Olga.  It’s a mistake Olga won’t make again.

And John, now with a father-in-law, well it’s just another surprise in a long list of surprises.

Today’s writing, with everyone, almost, getting their just desserts, 2,111 words, for a total of 65,265.

First Dig Two Graves – The Final Draft – Day 28

The second Zoe thriller.

So, what happened really happened to Worthington?

Did John get reunited with his mother in the hospital?

What of Rupert and Isobel?  Did she get to meet the elusive and enigmatic Tsar?

These are all questions that will be answered in due course.

There is also the matter of what happens when John and Zoe/Irina finally meet up after he learns that she regarded him as expendable, and knowing her as he did, didn’t doubt for a minute she meant it.

Is it the folly of falling in love with an assassin?

Once again we end up at the grandmother’s residence in Sorrento, languishing sans Zoe, contemplating the future, a future that might not have Zoe in it.

His idea of setting up an investigation bureau is alive and well, run by Rupert, staffed by people who have the skills but not the confidence of others who had employed them.  Rupert is the master of picking lame ducks and turning them into swans.

Isobel, on the other hand, does not improve with age or being in a somewhat iffy, long-range, possible romance, thing.

Does Zoe return, does she call, can she drag herself away from her recently rediscovered father?

Again, you’ll have to read the book.

There’s no word count at the moment because everything is in outline awaiting writing. That will happen, I hope, tomorrow.