Category: NaNoWriMo

A score to settle – The Editor’s draft – Day 2

I have the story, the editor is asking for it, and I’m putting the final touches to it

…

The story, in the planning stages, has a secondary theme running, that of the players involved in the events leading up to the assault on our main character, one that his handler was not aware of.

Why was he marked for execution, along with his previous partner?

That’s another story, one that will be teased out in this secondary theme and will run full circle and have some bearing on what happens at the end of the story.

Or not.

I’m not sure I will include any of this, and it might just become part of a novella that will stand on its own. For the most part, a lot of this story is about, and driven by, people he’s never met, but know of him, and his work.

It would be too easy to say he saw something he shouldn’t, because that’s not the case. It has to do with people he has worked with and been responsible for in the past, and whether or not there had been a conversation, without understanding the relevance of what might have been discussed at the time.

That part is nebulous at best, and you can see why it might not make the final cut.

It simply depends on how the main story goes, and the word count at the end. The rough plan calls for about 80 chapters and about 70,000 words, but I’m not one for sticking to plans.

Today’s work centres around the partner his handler has chosen for him, one that he’s not going to like when he finds out, the target he’s been tasked to watch over, and the location of the conference.

Of course, getting back to work after what happened to him is not as easy as saying he’s fine, but getting him to admit it’s anything but fine will be like getting proverbial blood from a stone.

…

Today’s word count: 1,990 words, for a running total of 4,164.

A Score to Settle – The Editors Draft – Day 1

I have the story, the editor is asking for it, and I’m putting the final touches to it

…

Or so it seems, but nothing is ever in concrete when working on a story. My first thoughts were, what led up to the start of the story, a veritable getting back in the saddle after the metaphorical horse has tossed you off with life-threatening injuries.

That’s basically the first chapter, or it might finish up as a prologue. There are arguments for and against prologues, so perhaps as the month and the story progresses, it might become clearer what is needed.

So, where are we?

Somewhere in Africa, a country that is run by the military with a so-called puppet president. A country that is ripe for revolution, where the people are plotting to take their country back.

With help, but just whose help is nebulous.

In the meantime, there’s a human rights conference about to happen, a rather ironic event in a country supposedly at the forefront of perpetrating such offences.

Why is our fractured main character there? To protect one of the keynote speakers and convenors of the conference, supposedly without her knowledge, but of course, secrets are only secrets if they remain so.

And with governments involved, nothing remains secret for long.

That’s the premise so far.

Today is much about fine-tuning the background of the main character, and what came before.

…

Today’s word count: 2,174 words, the same for the running total.

A score to settle – The Editor’s draft – Day 2

I have the story, the editor is asking for it, and I’m putting the final touches to it

…

The story, in the planning stages, has a secondary theme running, that of the players involved in the events leading up to the assault on our main character, one that his handler was not aware of.

Why was he marked for execution, along with his previous partner?

That’s another story, one that will be teased out in this secondary theme and will run full circle and have some bearing on what happens at the end of the story.

Or not.

I’m not sure I will include any of this, and it might just become part of a novella that will stand on its own. For the most part, a lot of this story is about, and driven by, people he’s never met, but know of him, and his work.

It would be too easy to say he saw something he shouldn’t, because that’s not the case. It has to do with people he has worked with and been responsible for in the past, and whether or not there had been a conversation, without understanding the relevance of what might have been discussed at the time.

That part is nebulous at best, and you can see why it might not make the final cut.

It simply depends on how the main story goes, and the word count at the end. The rough plan calls for about 80 chapters and about 70,000 words, but I’m not one for sticking to plans.

Today’s work centres around the partner his handler has chosen for him, one that he’s not going to like when he finds out, the target he’s been tasked to watch over, and the location of the conference.

Of course, getting back to work after what happened to him is not as easy as saying he’s fine, but getting him to admit it’s anything but fine will be like getting proverbial blood from a stone.

…

Today’s word count: 1,990 words, for a running total of 4,164.

A score to settle – The Editor’s draft – Day 2

I have the story, the editor is asking for it, and I’m putting the final touches to it

…

The story, in the planning stages, has a secondary theme running, that of the players involved in the events leading up to the assault on our main character, one that his handler was not aware of.

Why was he marked for execution, along with his previous partner?

That’s another story, one that will be teased out in this secondary theme and will run full circle and have some bearing on what happens at the end of the story.

Or not.

I’m not sure I will include any of this, and it might just become part of a novella that will stand on its own. For the most part, a lot of this story is about, and driven by, people he’s never met, but know of him, and his work.

It would be too easy to say he saw something he shouldn’t, because that’s not the case. It has to do with people he has worked with and been responsible for in the past, and whether or not there had been a conversation, without understanding the relevance of what might have been discussed at the time.

That part is nebulous at best, and you can see why it might not make the final cut.

It simply depends on how the main story goes, and the word count at the end. The rough plan calls for about 80 chapters and about 70,000 words, but I’m not one for sticking to plans.

Today’s work centres around the partner his handler has chosen for him, one that he’s not going to like when he finds out, the target he’s been tasked to watch over, and the location of the conference.

Of course, getting back to work after what happened to him is not as easy as saying he’s fine, but getting him to admit it’s anything but fine will be like getting proverbial blood from a stone.

…

Today’s word count: 1,990 words, for a running total of 4,164.

A Score to Settle – The Editors Draft – Day 1

I have the story, the editor is asking for it, and I’m putting the final touches to it

…

Or so it seems, but nothing is ever in concrete when working on a story. My first thoughts were, what led up to the start of the story, a veritable getting back in the saddle after the metaphorical horse has tossed you off with life-threatening injuries.

That’s basically the first chapter, or it might finish up as a prologue. There are arguments for and against prologues, so perhaps as the month and the story progresses, it might become clearer what is needed.

So, where are we?

Somewhere in Africa, a country that is run by the military with a so-called puppet president. A country that is ripe for revolution, where the people are plotting to take their country back.

With help, but just whose help is nebulous.

In the meantime, there’s a human rights conference about to happen, a rather ironic event in a country supposedly at the forefront of perpetrating such offences.

Why is our fractured main character there? To protect one of the keynote speakers and convenors of the conference, supposedly without her knowledge, but of course, secrets are only secrets if they remain so.

And with governments involved, nothing remains secret for long.

That’s the premise so far.

Today is much about fine-tuning the background of the main character, and what came before.

…

Today’s word count: 2,174 words, the same for the running total.

A Score to Settle – The Editors Draft – Day 1

I have the story, the editor is asking for it, and I’m putting the final touches to it

…

Or so it seems, but nothing is ever in concrete when working on a story. My first thoughts were, what led up to the start of the story, a veritable getting back in the saddle after the metaphorical horse has tossed you off with life-threatening injuries.

That’s basically the first chapter, or it might finish up as a prologue. There are arguments for and against prologues, so perhaps as the month and the story progresses, it might become clearer what is needed.

So, where are we?

Somewhere in Africa, a country that is run by the military with a so-called puppet president. A country that is ripe for revolution, where the people are plotting to take their country back.

With help, but just whose help is nebulous.

In the meantime, there’s a human rights conference about to happen, a rather ironic event in a country supposedly at the forefront of perpetrating such offences.

Why is our fractured main character there? To protect one of the keynote speakers and convenors of the conference, supposedly without her knowledge, but of course, secrets are only secrets if they remain so.

And with governments involved, nothing remains secret for long.

That’s the premise so far.

Today is much about fine-tuning the background of the main character, and what came before.

…

Today’s word count: 2,174 words, the same for the running total.

A Score to Settle – The Editors Draft – Day 1

I have the story, the editor is asking for it, and I’m putting the final touches to it

…

Or so it seems, but nothing is ever in concrete when working on a story. My first thoughts were, what led up to the start of the story, a veritable getting back in the saddle after the metaphorical horse has tossed you off with life-threatening injuries.

That’s basically the first chapter, or it might finish up as a prologue. There are arguments for and against prologues, so perhaps as the month and the story progresses, it might become clearer what is needed.

So, where are we?

Somewhere in Africa, a country that is run by the military with a so-called puppet president. A country that is ripe for revolution, where the people are plotting to take their country back.

With help, but just whose help is nebulous.

In the meantime, there’s a human rights conference about to happen, a rather ironic event in a country supposedly at the forefront of perpetrating such offences.

Why is our fractured main character there? To protect one of the keynote speakers and convenors of the conference, supposedly without her knowledge, but of course, secrets are only secrets if they remain so.

And with governments involved, nothing remains secret for long.

That’s the premise so far.

Today is much about fine-tuning the background of the main character, and what came before.

…

Today’s word count: 2,174 words, the same for the running total.

First Dig Two Graves – The Final Draft – Day 29

The second Zoe thriller.

…

In a day of going over old ground and making it new again, I have revisited Zoe’s residence in Paris at the time John called, and found it empty, except for some kid who was all ‘get lost or suffer the consequences.’

Who is he?  We flesh that story out, and how it relates to Zoe and those early days in the story.

Similarly, I’m not happy still with how Worthington discovers Zoe, and this is going to need some more work, and definitely a rewrite.

In fact, I might have to revisit his whole appearance in the story and make it a little less bombastic and a little more subdued seething anger.

The whole Marseilles episode is good, it’s just the end and this discovery of who is behind Zoe’s abduction that needs a little work.  This is where we sow the enigmatic sees of Romanov and his purpose for wanting Zoe if it is not revenge like it is assumed.

Similarly, that whole thing with the Russian Minister and Anton needs a lot more work because there appears to be a connection between him and Romanov, but there’s not.  This is just Olga leaning on her connections to get a result.

Then Zoe takes off to find Romanov, or is it those seeking revenge, it’s not quite clear, and leaves John to contemplate his future.  Perhaps a piece here between them that sets the tone for the relationship over the coming months would be good, and the trigger that sets John off on a quest to find her.

His excuses at the moment are wishy-washy at best.

Phew!!!  Never knew self-criticism could be so harsh!

…

Today’s writing, with Zoe languishing in a dungeon waiting for a white knight, 0 words, for a total of 8,871.

First Dig Two Graves – The Final Draft – Day 29

The second Zoe thriller.

…

In a day of going over old ground and making it new again, I have revisited Zoe’s residence in Paris at the time John called, and found it empty, except for some kid who was all ‘get lost or suffer the consequences.’

Who is he?  We flesh that story out, and how it relates to Zoe and those early days in the story.

Similarly, I’m not happy still with how Worthington discovers Zoe, and this is going to need some more work, and definitely a rewrite.

In fact, I might have to revisit his whole appearance in the story and make it a little less bombastic and a little more subdued seething anger.

The whole Marseilles episode is good, it’s just the end and this discovery of who is behind Zoe’s abduction that needs a little work.  This is where we sow the enigmatic sees of Romanov and his purpose for wanting Zoe if it is not revenge like it is assumed.

Similarly, that whole thing with the Russian Minister and Anton needs a lot more work because there appears to be a connection between him and Romanov, but there’s not.  This is just Olga leaning on her connections to get a result.

Then Zoe takes off to find Romanov, or is it those seeking revenge, it’s not quite clear, and leaves John to contemplate his future.  Perhaps a piece here between them that sets the tone for the relationship over the coming months would be good, and the trigger that sets John off on a quest to find her.

His excuses at the moment are wishy-washy at best.

Phew!!!  Never knew self-criticism could be so harsh!

…

Today’s writing, with Zoe languishing in a dungeon waiting for a white knight, 0 words, for a total of 8,871.

First Dig Two Graves – The Final Draft – Day 28

The second Zoe thriller.

…

So, what happened really happened to Worthington?

Did John get reunited with his mother in the hospital?

What of Rupert and Isobel?  Did she get to meet the elusive and enigmatic Tsar?

These are all questions that will be answered in due course.

There is also the matter of what happens when John and Zoe/Irina finally meet up after he learns that she regarded him as expendable, and knowing her as he did, didn’t doubt for a minute she meant it.

Is it the folly of falling in love with an assassin?

Once again we end up at the grandmother’s residence in Sorrento, languishing sans Zoe, contemplating the future, a future that might not have Zoe in it.

His idea of setting up an investigation bureau is alive and well, run by Rupert, staffed by people who have the skills but not the confidence of others who had employed them.  Rupert is the master of picking lame ducks and turning them into swans.

Isobel, on the other hand, does not improve with age or being in a somewhat iffy, long-range, possible romance, thing.

Does Zoe return, does she call, can she drag herself away from her recently rediscovered father?

Again, you’ll have to read the book.

…

There’s no word count at the moment because everything is in outline awaiting writing. That will happen, I hope, tomorrow.