“One Last Look”, nothing is what it seems

A single event can have enormous consequences.

A single event driven by fate, after Ben told his wife Charlotte he would be late home one night, he left early, and by chance discovers his wife having dinner in their favourite restaurant with another man.

A single event where it could be said Ben was in the wrong place at the wrong time.

Who was this man? Why was she having dinner with him?

A simple truth to explain the single event was all Ben required. Instead, Charlotte told him a lie.

A single event that forces Ben to question everything he thought he knew about his wife, and the people who are around her.

After a near-death experience and forced retirement into a world he is unfamiliar with, Ben finds himself once again drawn back into that life of lies, violence, and intrigue.

From London to a small village in Tuscany, little by little Ben discovers who the woman he married is, and the real reason why fate had brought them together.

It is available on Amazon here:  http://amzn.to/2CqUBcz

A photograph from the inspirational bin – 6

For those who are wondering what this is a photograph of, it is a tree bordered stream that runs along a long valley that runs from outside Canungra, in Queensland, to the Lamington National Park.

It’s near a place we like to stay for a few days when we want to get away from everything, and I mean everything. There is no television, and cell phone reception is awful if not non existent.

So, you can see the benefits.

Sitting at the table on the veranda overlooking the fields, and this stream, you have time to just think, or not, about what it might have been like before the settlers came.

What is was like when the explorers we seeking new places to live, and they chanced upon this valley. It it was me back then, I would have followed the stream.

But, as for a story…

I have read a great many stories for the explorers of this country, and the hazardous nature of their treks.

What seemed to be the most common theme was crossing from south to north, that is from Melbourne to the Northern most tip of Queensland, or from Adelaide to the Northern Territory. In both cases they would have to traverse a very dry, very hot outback where the sight of a stream, or river, like above, would have been very welcome.

For some, it became an impossible quest, and stuck in the desert, they eventually perished. That in itself, the trials and tribulations of an early explorer would make a great story.

Australia is a very fertile country around the coastal regions, but one you start venturing inland, it is dry, dusty and almost uninhabitable. Unless there’s water from rivers, streams, or underground, or mining settlements, there is very little else to see.

The exceptions to this are Uluru and Kakadu National Park, in the Northern Territory, Shark Bay and The Pinnacles in Western Australia, MacKenzie Falls in Victoria, The Simpson Desert, the Boodjamulla (Lawn Hill) National Park, and the Carnarvon Gorge in Queensland, to name a few.

One day I might get to see them.

“Betrayal” – the penultimate final draft – Day 15

I’m sure I’ve been down this road more than once, and with the same novel, but whereas the last edit, which was probably the second or third, finished up in the pile, then forgotten.

I’m doing an active update to all my works in progress, and sending them to the editor, after going through the manuscript once again, with a view to publishing.  Hopefully, before the year is out.

…

It’s the halfway mark.

Checking the word count, I’m up to over 25,000 words so that’s around the halfway mark also.

But…

I’m simultaneously working on chapters 6 through 13 of part 3, and being partly written, and in outline, there are a few parts missing and I think I’m going to have to go back and, at the very least, read it again, and put in notes for the first edit.

Several tangents have caused issues going back, but it’s nothing major and if I have time before the month ends, I will fix it. Otherwise, it can wait until the first edit.

Otherwise, it’s not all doom and gloom.

Going forward, I have the outlines for chapters 14 through 20 and they follow along from those previous. And I still have to find a place for an interlude that will have a bearing later on.

Of course, in the meantime, all of it will run through the theatre of my dreams.

The cinema of my dreams – It continued in London – Episode 26

I have a small job

…

The trek from the car, along the red carpet, the flashing cameras, and reporters with microphones shoved in faces, was the longest 50 yards I’d ever taken.

To say I’d prefer to negotiate a minefield was an understatement.  She was polite, smiling, answering questions, and doing the red-carpet thing if that was what it was. 

I remained in the background adopting the bodyguard stance, not that of a partner or escort, guiding her on at the appropriate moment, and they left me alone.

Bodyguards were not news just an accouterment to the rich and famous.  I was glad that I fitted into the suit and didn’t look out of place.

On the other side, in that magical land of peace and quiet, an area that was reserved for the VIPs, I got a momentary look into a world that few were ever privy to.

Being a Royal Command Performance, I also got the unexpected surprise of being introduced to members of the Royal family, scary stuff indeed.  I’d only ever seen them in the papers and on TV, and oddly never in a good light.

How different they were in person.

Rodby seemed ill at ease, Martha in her element, and the countess took it all in her stride, perhaps showing that she was born into that life rather than acquiring it.

I’d found a quiet corner and Rodby it seemed had too.

“Another of your white lies comes home to roost.  You ask why I won’t come back, and this evening is all the proof you need.”

“It wasn’t anything to do with me.  Orders from above.”

“You don’t answer to anyone.”

The wry grin said otherwise.  “We all have our masters.”

“Who is she?”

At the moment she was across the room deep in conversation with one of the Royal party.

“A woman with a problem.”

And then it all became clear.  “This is low, even for you.”

“Not me.  This is Martha’s doing.  She has this unaccountable belief in you, which is surprising since I’ve never told her what it was you used to do.”

“And yet here we are.”

I was going to make a point of talking to Martha if only to dispute his account.  He could have chosen any one of a hundred more qualified people and yet here I was.  I had to believe it was not Martha’s intention for me to be here other than as a prospect for her friend the Countess.

“Indeed.”

The accompanying sigh was due to Martha making her way over to us. His brief moment of solitude was over.  I doubted Rodby had any time for what he called schmoozing, nor would he suffer the protection types that were in abundance in that room.  It reeked of wealth and privilege.

“There you two are.”

“I don’t like crowds,” I said.  At least I had a viable excuse.

She glared at Rodby.  “Go and make yourself amenable.  I want a moment with Evan.”

His dismay was complete.  I could tell he would rather face down a horde of enemy soldiers than face those people currently in the room.

After a moment where he might have considered an entirely different scenario, he thought the better of it and meandered off in the direction of the bar.

This was a Rodby I’d never seen before.

“Now, what are you doing with yourself these days?  Alan tells me you are adrift now Violetta is not there.”

How kind of him to say so.  Had I completely misjudged him, and this was going to be his pitch, by someone he knew I couldn’t say no to.

“I would not call in exactly adrift.”

“You know what I mean.  I’m sorry that I haven’t managed to catch up but I’ve been working on getting him to decide it’s time to retire.”

“I’m not sure what I could do to help you in that regard.”

“You don’t have to.  I have something else I would like you to do for me.  Heidi is one of those formidable forces that have the ability to take on the world, and beat it, but not when it comes to handling problems of her own.  The count, God bless him, used to take care of all that nonsense, but he’s not here, so, given what Alan has told me about you, nothing but glowing references I have to say, could you help her out?”

What could Rodby possibly say about me when he was sworn to secrecy?  In fact, why would he mention me to Martha above anyone else?  I was just an errand boy in terms of acquaintances.

“What exactly did he say?”

“Nothing of any importance other than to say you were a good man in a crisis.”  She smiled. “And we both know that could mean almost anything from catching a mug of coffee before it splashed over a tetchy diplomat to saving a pilotless plane about to crash into a mountain.  What I’m asking will not involve either of these scenarios or at least I hope not.”  Perhaps she just saw my expression, a mixture of curiosity and dismay.  “I’m not selling this very well, am I?”

“I’m not sure what you’re trying to sell.”

The bell rang to signify the audience to head for their seats, or in our case, a box.  Opera was so much better from the boxes, particularly when those below looked up in awe, expecting to see a celebrity.

“We’re having drinks after the opera.  We’ll talk more then.” 

Rodby was walking over with the countess.

The look on his face was priceless

© Charles Heath 2022

“The Things We Do For Love” – Coming soon


Is love the metaphorical equivalent to ‘walking the plank’; a dive into uncharted waters?

For Henry the only romance he was interested in was a life at sea, and when away from it, he strived to find sanctuary from his family and perhaps life itself.  It takes him to a small village by the sea, a place he never expected to find another just like him, Michelle, whom he soon discovers is as mysterious as she is beautiful.

Henry had long since given up the notion of finding romance, and Michelle couldn’t get involved for reasons she could never explain, but in the end both acknowledge that something happened the moment they first met.  

Plans were made, plans were revised, and hopes were shattered.

A chance encounter causes Michelle’s past to catch up with her, and whatever hope she had of having a normal life with Henry, or anyone else, is gone.  To keep him alive she has to destroy her blossoming relationship, an act that breaks her heart and shatters his.

But can love conquer all?

It takes a few words of encouragement from an unlikely source to send Henry and his friend Radly on an odyssey into the darkest corners of the red light district in a race against time to find and rescue the woman he finally realizes is the love of his life.

The cover, at the moment, looks like this:

lovecoverfinal1

Is love the metaphorical equivalent to ‘walking the plank’; a dive into uncharted waters?

For Henry the only romance he was interested in was a life at sea, and when away from it, he strived to find sanctuary from his family and perhaps life itself.  It takes him to a small village by the sea, s place he never expected to find another just like him, Michelle, whom he soon discovers is as mysterious as she is beautiful.

Henry had long since given up the notion of finding romance, and Michelle couldn’t get involved for reasons she could never explain, but in the end both acknowledge that something happened the moment they first met.  

Plans were made, plans were revised, and hopes were shattered.

A chance encounter causes Michelle’s past to catch up with her, and whatever hope she had of having a normal life with Henry, or anyone else, is gone.  To keep him alive she has to destroy her blossoming relationship, an act that breaks her heart and shatters his.

But can love conquer all?

It takes a few words of encouragement from an unlikely source to send Henry and his friend Radly on an odyssey into the darkest corners of the red light district in a race against time to find and rescue the woman he finally realizes is the love of his life.

The cover, at the moment, looks like this:

lovecoverfinal1

An excerpt from “If Only” – a work in progress

Investigation of crimes doesn’t always go according to plan, nor does the perpetrator get either found or punished.

That was particularly true in my case.  The murderer was incredibly careful in not leaving any evidence behind, to the extent that the police could not rule out whether it was a male or a female.

At one stage the police thought I had murdered my own wife though how I could be on a train at the time of the murder was beyond me.  I had witnesses and a cast-iron alibi.

The officer in charge was Detective First Grade Gabrielle Walters.  She came to me on the day after the murder seeking answers to the usual questions like, when was the last time you saw your wife, did you argue, the neighbors reckon there were heated discussions the day before.

Routine was the word she used.

Her fellow detective was a surly piece of work whose intention was to get answers or, more likely, a confession by any or all means possible.  I could sense the raging violence within him.  Fortunately, common sense prevailed.

Over the course of the next few weeks, once I’d been cleared of committing the crime, Gabrielle made a point of keeping me informed of the progress.

After three months the updates were more sporadic, and when, for lack of progress, it became a cold case, communication ceased.

But it was not the last I saw of Gabrielle.

The shock of finding Vanessa was more devastating than the fact she was now gone, and those images lived on in the same nightmare that came to visit me every night when I closed my eyes.

For months I was barely functioning, to the extent I had all but lost my job, and quite a few friends, particularly those who were more attached to Vanessa rather than me.

They didn’t understand how it could affect me so much, and since it had not happened to them, my tart replies of ‘you wouldn’t understand’ were met with equally short retorts.  Some questioned my sanity, even, for a time, so did I.

No one, it seemed, could understand what it was like, no one except Gabrielle.

She was by her own admission, damaged goods, having been the victim of a similar incident, a boyfriend who turned out to be an awfully bad boy.  Her story varied only in she had been made to witness his execution.  Her nightmare, in reliving that moment in time, was how she was still alive and, to this day, had no idea why she’d been spared.

It was a story she told me one night, some months after the investigation had been scaled down.  I was still looking for the bottom of a bottle and an emotional mess.  Perhaps it struck a resonance with her; she’d been there and managed to come out the other side.

What happened become our secret, a once-only night together that meant a great deal to me, and by mutual agreement, it was not spoken of again.  It was as if she knew exactly what was required to set me on the path to recovery.

And it had.

Since then, we saw each about once a month in a cafe.   I had been surprised to hear from her again shortly after that eventful night when she called to set it up, ostensibly for her to provide me with any updates on the case, but perhaps we had, after that unspoken night, formed a closer bond than either of us wanted to admit.

We generally talked for hours over wine, then dinner and coffee.  It took a while for me to realize that all she had was her work, personal relationships were nigh on impossible in a job that left little or no spare time for anything else.

She’d always said that if I had any questions or problems about the case, or if there was anything that might come to me that might be relevant, even after all this time, all I had to do was call her.

I wondered if this text message was in that category.  I was certain it would interest the police and I had no doubt they could trace the message’s origin, but there was that tiny degree of doubt, about whether or not I could trust her to tell me what the message meant.

I reached for the phone then put it back down again.  I’d think about it and decide tomorrow.

© Charles Heath 2018-2020

“Betrayal” – the penultimate final draft – Day 15

I’m sure I’ve been down this road more than once, and with the same novel, but whereas the last edit, which was probably the second or third, finished up in the pile, then forgotten.

I’m doing an active update to all my works in progress, and sending them to the editor, after going through the manuscript once again, with a view to publishing.  Hopefully, before the year is out.

…

It’s the halfway mark.

Checking the word count, I’m up to over 25,000 words so that’s around the halfway mark also.

But…

I’m simultaneously working on chapters 6 through 13 of part 3, and being partly written, and in outline, there are a few parts missing and I think I’m going to have to go back and, at the very least, read it again, and put in notes for the first edit.

Several tangents have caused issues going back, but it’s nothing major and if I have time before the month ends, I will fix it. Otherwise, it can wait until the first edit.

Otherwise, it’s not all doom and gloom.

Going forward, I have the outlines for chapters 14 through 20 and they follow along from those previous. And I still have to find a place for an interlude that will have a bearing later on.

Of course, in the meantime, all of it will run through the theatre of my dreams.

The story behind the story: A Case of Working With the Jones Brothers

To write a private detective serial has always been one of the items at the top of my to-do list, though trying to write novels and a serial, as well as a blog, and maintain a social media presence, well, you get the idea.

But I made it happen, from a bunch of episodes I wrote a long, long time ago, used these to start it, and then continue on, then as now, never having much of an idea where it was going to end up, or how long it would take to tell the story.

That, I think is the joy of ad hoc writing, even you, as the author, have as much idea of where it’s going as the reader does.

It’s basically been in the mill since 1990, and although I finished it last year, it looks like the beginning to end will have taken exactly 30 years.  Had you asked me 30 years ago if I’d ever get it finished, the answer would be maybe?

My private detective, Harry Walthenson

I’d like to say he’s from that great literary mold of Sam Spade, or Mickey Spillane, or Phillip Marlow, but he’s not.

But, I’ve watched Humphrey Bogart play Sam Spade with much interest, and modelled Harry and his office on it.  Similarly, I’ve watched Robert Micham play Phillip Marlow with great panache, if not detachment, and added a bit of him to the mix.

Other characters come into play, and all of them, no matter what period they’re from, always seem larger than life.  I’m not above stealing a little of Mary Astor, Peter Lorre or Sidney Greenstreet, to breathe life into beguiling women and dangerous men alike.

Then there’s the title, like

The Case of the Unintentional Mummy – this has so many meanings in so many contexts, though I imagine that back in Hollywood in the ’30s and ’40s, this would be excellent fodder for Abbott and Costello

The Case of the Three-Legged Dog – Yes, I suspect there may be a few real-life dogs with three legs, but this plot would involve something more sinister.  And if made out of plaster, yes, they’re always something else inside.

But for mine, to begin with, it was “The Case of the …”, because I had no idea what the case was going to be about, well, I did, but not specifically.

Then I liked the idea of calling it “The Case of the Brother’s Revenge” because I began to have a notion there was a brother no one knew about, but that’s stuff for other stories, not mine, so then went the way of the others.

Now it’s called ‘A Case of Working With the Jones Brothers’, finished the first three drafts, and at the editor for the last.

I have high hopes of publishing it in early 2021.  It even has a cover.

PIWalthJones1

A photograph from the inspirational bin – 7

There is always something strange about certain photographs that is not evident when you take them.

For instance, the photograph above.

While this might look like some vegetation by the side of a river or stream, its that are of blackness behind what looks like steps up from the water level that adds a level of intrigue or mystery.

For instance:

…

We had spent two weeks slowly going upriver looking for a needle in a haystack. It was an apt description, because there had been quite a large number of likely spots, all of which after investigation, came to nothing.

I mean, the description Professor Bates had given is was as hazy as day is long in these parts.

His recollection: that it was what looked like a cave behind lush undergrowth, with steps fashioned out of stone.

It was all the more confuse. Because when we found him, he was drifting on a rough hewn and constructed raft, half dead from dehydration. We were told he’d been on the raft for nearly a week.

That meant the cave could be anywhere between where we found him at the 10 mile mark, and 200 miles further on based on river flow.

We were currently at the 150 mile mark and the river was losing depth and width, and soon there would not be enough water to continue in the boat.

It was dusk and too dark to continue. We’d been enthusiastic those first days, continuing on in the dark, on shifts, using the arc lamps.

Then after a week, having lights on made us target practise, and after sever brushes with death, and the loss of all the bulbs being shot out, we got the message.

There was the odd marauder during the day, but we had the width of the river for safety.  Now that had gone too, and we had lookouts posted, but seeing into the dense jungle was difficult.

But we got through another night with no activity, and come morning, what looked like the entrance to a cave was not fifteen feet from us.

All we had to was row over and check.

…

© Charles Heath 2020-2021

“Betrayal” – the penultimate final draft – Day 14

I’m sure I’ve been down this road more than once, and with the same novel, but whereas the last edit, which was probably the second or third, finished up in the pile, then forgotten.

I’m doing an active update to all my works in progress, and sending them to the editor, after going through the manuscript once again, with a view to publishing.  Hopefully, before the year is out.

…

Distractions, distractions…

You guessed it, the Maple Leafs are playing the New York Islanders, and it’s not going to be pretty.

It’s made worse by the fact Chester has decided to barrack for the Islanders.

Turncoat!

But, it gives me an idea to dig myself out of a plot hole, and there’s more scribbling before I go to the master plan, now on the computer, and can easily move things around.

I was writing yesterday, and somehow my mind took the story off on a tangent.

Sleeping on it, it led to another part, and then will neatly fold back into the masterplan later on. It’s a twist no one will see coming, simply because I didn’t, at first.

As of last night, my word count is sitting at 25,044 words, which is good and gives me a buffer in case I get a blockage of some sort.

Today’s word count looks like it will be about 1,400 words.

The Maple Leafs are 2 to 0 down, and I think I’ll change the channel to a repeat of Murdoch Mysteries.

All I have to do is get the channel changer out from under the cat.

Maybe not.