First Dig Two Graves – the editor’s final draft – Day 12

This book has been sitting in the ‘to-be-done’ tray, so this month it is going to get the final revision.

Today we are in Vienna, at the hotel where Zoe was staying trying to get information out of the hotel staff. This leads to a contact on a riverboat that goes from Vienna to Bratislava in Slovakia.

Yes, we’re off to Bratislava, chasing Zoe down.

In the background, we have the shadowy Worthington, pulling endless strings, gathering information on her whereabouts for John. He had deduced that if John can find her, she will pause long enough for Worthington’s hit team to get there.

John does not realize he has ulterior motives, but, then John doesn’t fully understand the spy business.

John also tasks his newfound private investigators to track her down, and Isobel doesn’t disappoint.

Then, a photo of her from Worthington arrives, she is discovered, and, as you can surmise, all hell breaks loose.

I’ve always wanted to go to Bratislava, ever since I saw it in a James Bond movie. That showed it had trams, and I’m one of those people who love trams, trains, buses, and anything that reeks of travel.

I would also like to hop a boat and travel up the river, perhaps from Vienna to Bratislava, or beyond.

One day.

‘The Devil You Don’t’ – A beta reader’s view

It could be said that of all the women one could meet, whether contrived or by sheer luck, what are the odds it would turn out to be the woman who was being paid a very large sum to kill you.

John Pennington is a man who may be lucky in business, but not so lucky in love. He has just broken up with Phillipa Sternhaven, the woman he thought was the one, but relatives and circumstances, and perhaps because she was a ‘princess’, may also have contributed to the end result.

So, what do you do when you are heartbroken?

That is a story that slowly unfolds, from the first meeting with his nemesis on Lake Geneva, all the way to a hotel room in Sorrento, where he learns the shattering truth.

What should have been solace after disappointment, turns out to be something else entirely, and from that point, everything goes to hell in a handbasket.

He suddenly realizes his so-called friend Sebastian has not exactly told him the truth about a small job he asked him to do, the woman he is falling in love with is not quite who she says she is, and he is caught in the middle of a war between two men who consider people becoming collateral damage as part of their business.

The story paints the characters cleverly displaying all their flaws and weaknesses. The locations add to the story at times taking me back down memory lane, especially to Venice where, in those back streets I confess it’s not all that hard to get lost.

All in all a thoroughly entertaining story with, for once, a satisfying end.

Available on Amazon here: https://amzn.to/2Xyh1ow

The Cinema of My Dreams – It ended in Sorrento – Episode 59

Aftermath of a kidnapping

“You knew what was going to happen?”

“Of course.  Did you think you were dealing with rank amateurs?”

“Maybe my boss did.  Who are you two really?”

“We’re the sort of people who kill people like you, then go down the pub and have a few pints and laugh about it.”  It was almost a treat to see Cecelia acting so cavalier.

I glanced up at her, and her expression told me this was just another role, she was playing the bitch from hell.  And so much more dripping venom than Anna would ever muster.

That statement, of course, delivered in the deadpan voice of a deranged killer had the desired effect.  Francesca was suitably frightened.

“It was not my idea.  I just do as I’m told.”

“That’s what the Germans said at the Nuremberg trials.  Didn’t save there for being shot or hug or whatever.  Can I shoot her now?”  I almost laughed at the sincerity.

Francesca looked at me.  “You only told me because you knew what I’d do?  I told you who we were working for?”

“Who your boss told you to tell me.  Now we’re going to find out the truth.  I hope he told you the truth because if he didn’t, he isn’t going to be your boss for much longer.”

“Finally,” Cecelia sighed.

I almost laughed.  She was playing the role too well.

Alfie’s voice returned.  “What were you expecting?”

“Another party stepping in the rescue the countess.”

“How…”

“She can’t afford to have Anna find out who she really is.  Not yet.  Not until it is fait accompli/”

“When were you going to tell me?”

“At the appropriate time, which is now.  Let it go for now.  I know who’s got her.  And I know where she will go though not the exact location yet.  We have more work to do.”

“Who are you talking to?” Francesca asked.

“I have a plethora of friends Francesca, a plethora of friends.”

What happened next was like watching a bad stage play unfold in an unexpected manner.

Vittoria decided to turn up after the party had ended.

Seeing the door half open she blundered in and ended up with Cecelia’s gun in the back of her head, the door closing, and Francesca slowly getting back up off the floor.

Cecelia told Vittoria to walk slowly into the room and not try anything.  Vittoria was smart.  She did as she was told.

Francesca did the same.  She knew she had to humour me.  Then her phone rang.

“That will be your boss.  Answer it on speaker.”

She pulled it out of her bag and did as she was told.

“Sir.”

“What the hell is going on?”

I decided to answer that question for her.  “I might ask the same of you.  Had you just simply come and asked me, we could have sorted this out together, but no, you had to do it your way.  Now you have nothing.”

“Neither have you.”

“No.  What happened was exactly what I wanted to happen.  It gave me three valuable pieces of information.  Now you get nothing.  Go back to Rome and leave the professionals to get this done.  I am keeping Francesca with me.  She is the one concession I’m granting you.”

“That’s not how this works.”

“Then you will have to explain to her family how you got her killed because unless you agree, she will not leave this room alive.  Make up your mind.  My assistant has no patience and an itchy trigger finger.”

I counted to ten under my breath.  Francesca was getting more terrified by the minute.

“This is not acceptable, but I agree, only under extreme duress.  If anything happens to her, I will hold you personally responsible.”

“Agreed.  She will keep you posted.”

Francesca disconnected the call.

“It was a good job while it lasted,” she muttered.

“You’re a private detective and an art historian.  I’m not sure which day job you should not give up, but you can do better.  Now, enough retrospection.  We have work to do, and more feet on the ground.  Alfie, back to our hotel for a meeting.”

I heard him mutter, so I took that to mean he would be there soon.

In all the excitement I had forgotten about Juliet, and when I looked over to where she had been standing, near the countess before they took her, I saw her on the ground, just moving.

I went to her and knelt down to check on her head.

There was a bloody gash on the back of it, and it appeared one of the intruders had hit her.  Then I realised that I had seen her try to grab the countess back from one of the intruders and the other hit her with the butt of his gun.

She turned her head and looked at me with glassy eyes.  “What happened?”

“You tried to be brave, and as the saying goes, no good deed goes unpunished.”

“And a lot of good that did.  She’s not here.”  That was the result of her quick search.

“Never take on impossible odds.  Bad for your health.  Stay there and I’ll get a wet cloth.  You’re going to have a bad headache for a while.”

Vittoria had taken in the scene, seen her daughter, and yet it was me who got to her first to help.  It only reinforced my assumption about her.  No one could be that callous towards their daughter.

“Where’s the countess?” she asked, finally realising she was not there.

“Masked gunmen took her away,” I said.  “I believe they were taking her to Anna Von Burkehardt.  That’s going to be some reunion, don’t you think?”

The look on her face was priceless.

© Charles Heath 2023

First Dig Two Graves – the editor’s final draft – Day 10

This book has been sitting in the ‘to-be-done’ tray, so this month it is going to get the final revision.

John is in Vienna, Austria.

It’s been quite some years since we were in Vienna, and I remember it was a very pleasant experience, and the copious notes and photographs I took have aided in the writing of this chapter.

There is no doubting the zeal Worthington will put into the capture or assassination of Zoe, if and when she is discovered, and John would be horrified if he knew he was being used in such a manner.

At times it is going to be a bit like reading an Eric Ambler thriller, going to the hotel, getting information from concierges, and then tracking her movements. Money, as always, speaks one language, pay enough and you will find out what you want to know.

We know Zoe is languishing in a basement somewhere in Bratislava.

John is about to find out that is where she went, but searching for someone in Bratislava is going to be completely different from searching for someone in Austria.

The same rules don’t apply in Hungary.

As for our visit, we stayed in the Hilton Vienna Park, though the park had a different name then. It wax also when we have our first authentic Vienna Schnitzel and sampled Austrian cherries.

From there we took the train to Schonbrunn Palace, with its extensive gardens and maze, and the impressive architecture, old rooms and paintings, and at the end, so many sets of crockery.

There was also a kitchen nearby that made Apple Strudel, where we watched it being made and then had a slice to taste afterward.

We also went to a Wiener Palace which served a large and varied number of sausages.

Unfortunately, there were no music recitals or orchestral events at the time of our visit.

An excerpt from “If Only” – a work in progress

Investigation of crimes doesn’t always go according to plan, nor does the perpetrator get either found or punished.

That was particularly true in my case.  The murderer was incredibly careful in not leaving any evidence behind, to the extent that the police could not rule out whether it was a male or a female.

At one stage the police thought I had murdered my own wife though how I could be on a train at the time of the murder was beyond me.  I had witnesses and a cast-iron alibi.

The officer in charge was Detective First Grade Gabrielle Walters.  She came to me on the day after the murder seeking answers to the usual questions like, when was the last time you saw your wife, did you argue, the neighbors reckon there were heated discussions the day before.

Routine was the word she used.

Her fellow detective was a surly piece of work whose intention was to get answers or, more likely, a confession by any or all means possible.  I could sense the raging violence within him.  Fortunately, common sense prevailed.

Over the course of the next few weeks, once I’d been cleared of committing the crime, Gabrielle made a point of keeping me informed of the progress.

After three months the updates were more sporadic, and when, for lack of progress, it became a cold case, communication ceased.

But it was not the last I saw of Gabrielle.

The shock of finding Vanessa was more devastating than the fact she was now gone, and those images lived on in the same nightmare that came to visit me every night when I closed my eyes.

For months I was barely functioning, to the extent I had all but lost my job, and quite a few friends, particularly those who were more attached to Vanessa rather than me.

They didn’t understand how it could affect me so much, and since it had not happened to them, my tart replies of ‘you wouldn’t understand’ were met with equally short retorts.  Some questioned my sanity, even, for a time, so did I.

No one, it seemed, could understand what it was like, no one except Gabrielle.

She was by her own admission, damaged goods, having been the victim of a similar incident, a boyfriend who turned out to be an awfully bad boy.  Her story varied only in she had been made to witness his execution.  Her nightmare, in reliving that moment in time, was how she was still alive and, to this day, had no idea why she’d been spared.

It was a story she told me one night, some months after the investigation had been scaled down.  I was still looking for the bottom of a bottle and an emotional mess.  Perhaps it struck a resonance with her; she’d been there and managed to come out the other side.

What happened become our secret, a once-only night together that meant a great deal to me, and by mutual agreement, it was not spoken of again.  It was as if she knew exactly what was required to set me on the path to recovery.

And it had.

Since then, we saw each about once a month in a cafe.   I had been surprised to hear from her again shortly after that eventful night when she called to set it up, ostensibly for her to provide me with any updates on the case, but perhaps we had, after that unspoken night, formed a closer bond than either of us wanted to admit.

We generally talked for hours over wine, then dinner and coffee.  It took a while for me to realize that all she had was her work, personal relationships were nigh on impossible in a job that left little or no spare time for anything else.

She’d always said that if I had any questions or problems about the case, or if there was anything that might come to me that might be relevant, even after all this time, all I had to do was call her.

I wondered if this text message was in that category.  I was certain it would interest the police and I had no doubt they could trace the message’s origin, but there was that tiny degree of doubt, about whether or not I could trust her to tell me what the message meant.

I reached for the phone then put it back down again.  I’d think about it and decide tomorrow.

© Charles Heath 2018-2020

In a word: well

At first, you would think this word has something to do with your health.

You’d be right.  “Are you well?” or “Are you well enough?”

Of course, it can cause some confusion, because how do you measure degrees of wellness.

Reasonably well, very well, not well, or just well.  Not a good descriptive word for the state of your health, maybe.

How about what if the team played well.  Not health this time, but a standard.

There’s ordinary, mediocre, as a team, brilliantly, and then there’s well.

It seems it can be used to describe an outcome.

Well, well.

Hang on, that’s something else again.

What about, then, we use the word to describe a hole in the ground with water at the bottom.

Or not if it is a drought.

A lot of people get water from a well, in fact in the olden days that was a common sight in a village.

What about those environment destroyers, oilmen.  They have oil wells, don’t they?

And when I went to school, there were ink wells on every desk.

Messy too, because I was once the ink monitor.

But if the well’s dried up?

It becomes a metaphor for a whole new bunch of stuff.

OR what about a stairwell?

And at the complexity of it all, for such a small word, tears well up in my eyes.

‘What Sets Us Apart’ – A beta readers view

There’s something to be said for a story that starts like a James Bond movie, throwing you straight in the deep end, a perfect way of getting to know the main character, David, or is that Alistair?

A retired spy, well not so much a spy as a retired errand boy, David’s rather wry description of his talents, and a woman that most men would give their left arm for, not exactly the ideal couple, but there is a spark in a meeting that may or may not have been a setup.

But as the story progressed, the question I kept asking myself was why he’d bother.

And, page after unrelenting page, you find out.

Susan is exactly the sort of woman to pique his interest.  Then, inexplicably, she disappears.  That might have been the end to it, but Prendergast, that shadowy enigma, David’s ex-boss who loves playing games with real people, gives him an ultimatum, find her or come back to work.

Nothing like an offer that’s a double-edged sword!

A dragon for a mother, a sister he didn’t know about, Susan’s BFF who is not what she seems or a friend indeed, and Susan’s father who, up till David meets her, couldn’t be less interested, his nemesis proves to be the impossible dream, and he’s always just that one step behind.

When the rollercoaster finally came to a halt, and I could start breathing again, it was an ending that was completely unexpected.

I’ve been told there’s a sequel in the works.

Bring it on!

The book can be purchased here:  http://amzn.to/2Eryfth

The Cinema of My Dreams – It ended in Sorrento – Episode 57

Setting up Francesca

I asked Alfie to send me a track of Francesca’s movements, yes, I cloned her phone too, because I didn’t trust her, and yes, she went to see Anna at the Burkehardt’s residence.

We had a recording of her conversation, but it didn’t amount to much and Anna finished up yelling at her and kicking her out of the house.  Not literally, but if she hadn’t left the house when she did…

She was sitting at the table with her computer open.  By the way she shut it quickly, I suspect it was a video call to her boss.

“Your boss not happy with progress?”

She glared at me.

“You should go and have a talk to Anna Burkehardt.  Charming lady.”

Cecelia snorted almost too loudly on her way to the bathroom.

Francesca shrugged.  “Where have you been?”

“Looking at vines, would you believe.”

“How is that going to help?

“It’s not.  But I’ve decided you can come with me to see the countess.”

“You found her?”

“Not exactly.  She’s always been here, waiting for the day to sign the documents.  I was going to keep her away from your lot, now I’m not so sure that’s a good idea.  You can recognise her if you see her?”

“Are you saying the woman you have is not the countess?”

“No.  I’m asking if you can recognise her.”

“Of course.  We have a half dozen photographs we used, and some that deliberately disguise her in case she’s trying to be anonymous.”

“Good.  Tomorrow morning.”

That simple conversation was to see if she called her boss and they make arrangements to ‘take’ the countess into their protective custody, or, take her to Anna von Burkehardt.

As I said to Cecelia later, we would soon find out who Francesca and her people were working for.  Because of the hostility that Anne had shown towards her, I was wondering if Anna was, in fact, the one who hired them to find the countess.

“You’re going to have a busy morning tomorrow,” I said to Cecelia.  “You need to watch is leave and see if anyone follows us.”

“Do you really think they’d be that unsubtle?”

“Yes.  When large sums of money are involved.”

“And what will Anna do to her?”

“Nothing.  She’ll know straight away it’s not the real Countess, so I’m sure after they snatch her, the Countess will escape.  She can’t afford to be unmasked.  Not yet.

The fact that Cecelia didn’t tell me what I was doing was risky, told me that it was risky.

During the night, tossing and turning, with various women on my mind, I went through various scenarios, each of which had a bad outcome, the worst where Francesca became collateral damage.

This whole exercise was to see the lengths the fake Countess would go to not to be identified.  Or whether she thought her cover was good enough to fool everyone.

Except perhaps Anna.

A mother knows her daughter-in-law, especially after all that time.  A fake could not replicate the mannerisms, the speech, the idiosyncrasies, or a lifetime of just being together.

And I was banking on Francesca’s boss being greedy and putting money before ethics.  Francesca didn’t strike me as one with ethical problems, but I had read books by their covers before and been horribly wrong.

If it all blew up in my face at the very least, I could use it as an example of what not to do, but I doubt Cecelia would thank me in a hurry.

By the time I was ready to go, Cecelia had gone out for her morning run, and Francesca was ready to go and see the countess.  We had just enough time to sort out how we were going to communicate, and it was going to be amusing having Cecelia’s voice in my head.

At one point I had heavy breathing in my ear and told her it was distracting.  She simply replied that I should get out and join her and get rid of some of that retirement flab.

She did not have to be so mean, even if she was right.

I finished the coffee Cecelia had made in the percolator an hour before and tasted over-brewed, then finally stopped running scenarios that ended in disaster in my head.

“You ready?” I asked her.

I’d seen the transcript of the call Francesca made to her boss after I told her I was taking her to see the countess, and I knew the answer to that question.  It was rhetorical, but I couldn’t tell her that.

I just hoped the team that descended on us at the hotel was not a smash-and-grab type, not afraid to leave bodies behind.

© Charles Heath 2023

The cinema of my dreams – Was it just another surveillance job – Episode 45

I’m back home and this story has been sitting on the back burner for a few months, waiting for some more to be written.

The trouble is, there are also other stories to write, and I’m not very good at prioritizing.

But, here we are, a few minutes opened up and it didn’t take long to get back into the groove.

Chasing leads, maybe


“Silly question, what were you doing in the hotel with this ‘operative’?”

Yes, it sounded odd the moment I said it, and, if it was the other way around, I’d be thinking the same.

“We joined forces, thinking we were in danger, at the time, not knowing that she was working with Dobbin.  I discovered that later, by chance.  She doesn’t know I know.”

“And she’ll be waiting at the hotel?”

“Dobbin wants the USB.  She believes we’re collaborating, after telling me she works for MI5, on a different mission involving O’Connell.  She had apparently been undercover as a fellow resident at the block where O’Connell had a flat, and a cat.  The cat, of course, had no idea his owner was a secret agent.  The flat was sparsely furnished and didn’t look lived in, so it may have been a safe house.”

“Wheels within wheels.”

“That’s the nature of the job.  Lies, lies, and more lies, nothing is as it seems, and trust no one.”

“Including you?”

“Including me, but keep an open mind, and try not to shoot me.  I’m as all at sea as you are.  And, just to be clear, I’m not sure I believe Quigley that the information is lost.  People like him, and especially his contact, if he was a journalist, tend to have two copies, just in case.  And the explosion might have killed the messenger, but not the information.  Lesson number one, anything is possible, nothing is impossible, and the truth, it really is stranger than fiction.”

“Great.”

A half-hour later I’d parked the car in a parking lot near Charing Cross station.  The plan, if it could be called that, was for me to go back to the room, and for Jennifer to remain in the foyer, and wait.  If anything went wrong she was to leave and wait for a call.  For all intents and purposes, no one knew of her, except perhaps for Severin and Maury, but I wasn’t expecting them to be lurking in the hotel foyer, waiting for me.

As for Dobbin, that was a different story.  It would depend on how impatient he was in getting information on the whereabouts of the USB, and whether he trusted Jan to find out.

I’d soon find out.

The elevator had three others in it, all of who had disembarked floors below mine.   As the last stepped out and the doors closed, it allayed fears of being attacked before I reached the room.

As the doors closed behind me, the silence of the hallway was working on my nerves, until a few steps towards my room I could hear the hissing of an air conditioning intake, and suddenly the starting up of a vacuum cleaner back in the direction I’d just come.

 A cleaner or….

Remember the training for going into confined spaces…

The room was at the end of the passage, a corner room, with two exits after exiting the front door.  I thought about knocking, but, it was my room too, so I used the key and went in.

Lying tied up on the bed was a very dead Maury, three shots to the heart.

And, over the sound of my heart beating very loudly, I could hear the sound of people out in the corridor, followed by pounding on the door.

Then, “Police.”

A second or two after that the door crashed open and six men came into the room, brandishing weapons and shouting for me to get on the floor and show my hands or I would be shot,”

© Charles Heath 2020-2021

First Dig Two Graves – the editor’s final draft – Day 11

This book has been sitting in the ‘to-be-done’ tray, so this month it is going to get the final revision.

We are now up to the part where we introduce Isobel properly and find out why such a talented person is drifting in the doldrums of Rupert’s private detective agency.

Aside from being a once high-flying legal eagle, she is also a computer hacker, or perhaps that’s what she evolved into in a devil finds work for idle hands type person.

This hacking is going to be useful, but it’s also going to bring problems, especially when she starts tracking down Zoe.

And, it seemed she had struck up a dark online relationship with another hacker with the handle Tzar.  What are the odds he is Russian?

She’s digging for information, and Tzar helps, and, suddenly it appears, briefly, then is gone, with a warning.  Stop digging.

And if she doesn’t.

People were coming for her.

Meanwhile, in the basement, Zoe has had enough time to devise a mask that might stave of the effects of the gas long enough to affect an escape.

And, it almost works, the mask that is.

She manages to get past all of the guards, but Romanov is waiting.

He doesn’t kill her, but he does give her some information, then leaves.  He knows how dangerous she can be, especially when wounded.