It could be said that of all the women one could meet, whether contrived or by sheer luck, what are the odds it would turn out to be the woman who was being paid a very large sum to kill you.

John Pennington is a man who may be lucky in business, but not so lucky in love. He has just broken up with Phillipa Sternhaven, the woman he thought was the one, but relatives and circumstances, and perhaps because she was a ‘princess’, may also have contributed to the end result.

So, what do you do when you are heartbroken?

That is a story that slowly unfolds, from the first meeting with his nemesis on Lake Geneva, all the way to a hotel room in Sorrento, where he learns the shattering truth.

What should have been solace after disappointment, turns out to be something else entirely, and from that point, everything goes to hell in a handbasket.

He suddenly realizes his so-called friend Sebastian has not exactly told him the truth about a small job he asked him to do, the woman he is falling in love with is not quite who she says she is, and he is caught in the middle of a war between two men who consider people becoming collateral damage as part of their business.

The story paints the characters cleverly displaying all their flaws and weaknesses. The locations add to the story at times taking me back down memory lane, especially to Venice where, in those back streets I confess it’s not all that hard to get lost.

All in all a thoroughly entertaining story with, for once, a satisfying end.

…

Available on Amazon here: https://amzn.to/2Xyh1ow

…

Here’s the thing…

Every time I close my eyes, I see something different.

I’d like to think the cinema of my dreams is playing a double feature but it’s a bit like a comedy cartoon night on Fox.

But these dreams are nothing to laugh about.

Once again there’s a new instalment of an old feature, and we’re back on the treasure hunt.

 

The pier had been moving gently up and down in response to a passing speed boat that had flouted the minimum speed law, like most of the speed boat owners.

On board the boat, the movement was more pronounced, and it was a bad time to remember that I get seasick, even standing on the pier.  My stomach was suddenly queasy.

Boggs was standing by the hatch that led down below.  It was locked with a big padlock so there was no way we were getting below.  Along the side of the boat was a raised section with windows, but there were curtained off, and the material was faded and looked dirty.

Boggs walked along the narrow walkway to the bow and tried the hatch in the middle of the foredeck.

I noticed the boat was tied to the pier fore and aft with some think rope and funny looking knots.  I don’t think I’d make a very good sailor.  I looked up to the top of the mast and it made me feel dizzy.  It was a long way up.

Behind me was an area where people could seat, and further back a large wheel which I assumed was how the boat was steered.  I could just see Rico standing behind it, captain’s hat on, looking all business-like.

“There’s nothing to see here,” I said, turning back towards Boggs, who was now coming along the other side of the cabin.  One slip and he’d be in the ocean.  I looked over the side and it didn’t look very deep.  I could even see some small fish swimming near the pylon that was covered below the waterline with seaweed.

Boggs stopped at the last window, then knelt down and peered in.

“What do you see?”

“There’s someone in there?”

“Rico?”

“No.  I saw him leave earlier.  Someone else.”

“You know who it is?”

“No.  Never seen him before.  A guy in a suit.  Not the sort of person I’d expect Rico to know, or have as a friend.”

“What’s he doing?”

Boggs changed his position to get a better look.  “He’s just sitting…oh my God, there’s blood.”

“Where?”

I moved quickly over to where Boggs was crouched.  “Give us a look?”  Curiosity was overtaking concern.

“Oh my God, oh my God,” Boggs said over and over.

I pulled out my phone and dialled 911.  When they asked me who I wanted, I said Police.  Then I looked over at the fishing shop and saw Rico and his friends coming back.

“Boggs.”

He ignored me, trying to get a better view.

“Boggs.  It’s Rico.”

Then the policeman answered, “What’s the nature of your emergency?”

“Dead man on a boat, Eden’s Landing, Pier 5, a boat called ‘Freedom Runner’.  And you’d better hurry.”

“Why?”

“Because the owners coming and he doesn’t look happy.”

Then to Boggs, “We got to get the hell out of here, now.”

But, by that time, there was nowhere to go.  Rico had seen us and was all but running to cut off our escape.

 

© Charles Heath 2019

Our hero knows he’s in serious trouble.

The problem is, there are familiar faces and a question of who is a friend and who is foe made all the more difficult because of the enemy, if it was the enemy, simply because it didn’t look or sound or act like the enemy.

Now, it appears, his problems stem from another operation he participated in, and because of it, he has now been roped into what might be called a suicide mission.

I was not sure how the Congo commander was going to react when four cars with people who looked more like mercenaries than a film crew turned up at the front gate.

Not that we had the film equipment to use as a cover. I guess that was the reason the kidnappers had removed it from our cars. One less reason to believe our story. I would have been curious to hear just how the commander had described us to his Congo counterpart.

Or what sort of treatment we were going to get. I don’t think the hostages were going to like the idea of becoming hostages again, albeit with a new set of ransom demands, and probably a lot of harsher treatment. Mercenaries could be rough, but they needed resources, and trying to negotiate with overly damaged goods wouldn’t set much of an example.

The Government military, on the other hand, would not be too particular. And capturing an invading enemy force, spies if you will, well, that was going to be a feather in the cap of the airfield commander.

But would he tip his hand at the gate or wait till we pulled up outside the headquarters building. If there was one.

We were about to find out. The gate was in sight and flanked by two very bright lights which we had all seen for about the last half mile, flickering through the undergrowth. The road was well made, and we would have made good time, but I deliberately slowed down to give Monroe time to get into place.

Another brief report from the Colonel told me they reckoned on 20 troops deployed at different parts of the field, just in case we decided to ‘sneak’ in on foot.

At the gate the road widened into a large turning circle for turning back cars.

I stopped right on top of the gate. A non-commissioned officer came out of a small shack by the gate and joined two men standing either side of the gate. Weapons weren’t pointed in our direction, but that could change quickly.

I was going with the film crew going home story first.

“Who are you?” I noticed the officer had a clipboard and made a show of looking at it, and the page underneath. “You are not on my list.”

“Probably not. We have been filming a documentary, and it’s time to go home. We have an aircraft coming in tomorrow morning to pick us up.”

One of the guards came through the gate and went down one side of each car, then came back up the other side, peering in through the windows. Back at the gate, he spoke to the officer.

“You have weapons. That is unusual for a film crew isn’t it?”

Highly, if we were anywhere else in the world. “We were warned about militias. Luckily we didn’t run into any.”

“Then, before you enter the airfield I suggest you, and your men, surrender any weapons.”

“Of course.” I relayed the instruction back through the cars. The soldier then came down the car and collected the weapons in a bag. As I’d assumed, we were not going to gain admission to the airstrip armed. It was probably also a law which in any country made perfect sense.

Once the soldier returned the officer had the gate opened, and came over to me.

“Fill in the form, and we’ll get you on your way soon enough.”

He handed me the clipboard, and then stepped away, taking out a radio unit of his own and spoke into it in a language I didn’t understand. Perhaps we should have kept Jacobi with us for a little longer so he could interpret.

When I filled out the form and handed it back, he said, “Drive up the road about a half-mile to a hanger and park your cars out the front. I suggest when getting out of the cars not to make any sudden or suspicious moves.”

Like we’d been told almost word for word back at the commander’s camp. Interesting.

The men at the gate didn’t follow us, but I did see, coming from two separate points back from the runway, or what looked to be the runway, two groups of five soldiers in each, in a proper formation. That was not the actions of a motley militia.

Serious soldiers perhaps.

It didn’t take long to reach the hanger, quite large, but in a sorry state of repair. Beside it was two old army huts that were in better repair and lit up. At the top of the steps of one stood the commander, a Captain. Clean, fresh, snug-fitting uniform, looking the part. Newly promoted, with something to prove.

With him were another six soldiers, armed and ready. That made 16 plus him. Where were the others?

Another non-commissioned officer came out of the hut and briefly spoke to his commander. Then he went back inside, and the commander came down the stairs to greet me. The rest of the team stood together, in front of the third car, and about 20 feet away. They were trying their best to cover the two hostages.

“Good evening Mr. James.” Reasonably good English, polite, but there was a slight edge to his tone.

“Good evening.”

“May I ask, which way do you come?”

“From Faradje, on the way to Nagero. I was going to drive into Nagero but changed my mind. Best to get here and be ready.”

“I heard there were some elements of the militia on the road. Did you meet any?”

“No. I was told that this country is quite safe and that we would not be harmed, thanks, I’m told to the good services of the Government’s military. You will be pleased to learn that it is quite safe, a point I will be spreading when I return home. Hopefully that will bring in more tourists.”

“If, as you say, you’ve been making a documentary, it seems odd to me that on one hand, you don’t have any equipment, and on the other, that you have not included Garamba.”

“A valid observation. We had to call the shooting off because two of our crew are ill and need to be returned home, and we left the equipment back in Faradje, our last stop, ready for the replacement crew who will be scheduled to fly in, in the next week or so.”

I had considered what I might say and tried to make it sound plausible, but in the end I don’t think it mattered what I said, especially if the other commander had forewarned the Captain of our impending arrival.

“Yes. That may be true, or it might not. I’m assuming the two sick members of your team are over next to the film crew. In that case, I believe both of us know that those men do not belong to your crew, but are escaped prisoners.”

He gestured towards his men and they went over to the group and extracted the two hostages.

Seemingly it was game over.

“So Commander Ntumba called you after we left?”

“Not a lot happens here without my knowing it. It was in his best interest to inform me.”

Something in the distance caught his eye, and I moved my line of sight to match his. Shurl, hands in the air, with two more soldiers behind him, coming from the bush line on the other side of the runway.

Commander Ntumba would also have told him about our sniper, as I’d surmised, and there was no mistaking the look of glee on his face. Outsmarting what he would consider a crack team of mercenaries from the United States.

I turned back and shrugged.

“Yes, he also told us about your sniper Mr. James. You didn’t think he was going to sneak up on us like he did Commander Ntumba did you?”

“It was worth a try,” I said in my best-defeated tone.

“Right. For the time being you will be kept in detention until I speak to my commander. You will not be leaving this airport. Your rescue plane, when it arrives, will be detained. I will have further questions for you later. Film crew indeed. Take them to B Block,” he said to the officer, then headed back up the stairs to his office.

As far as he was concerned, it had been all too easy.

© Charles Heath 2020

50 photographs, 50 stories, of which there is one of the 50 below.

They all start with –

A picture paints … well, as many words as you like.  For instance:

And the story:

It was once said that a desperate man has everything to lose.

The man I was chasing was desperate, but I, on the other hand, was more desperate to catch him.

He’d left a trail of dead people from one end of the island to the other.

The team had put in a lot of effort to locate him, and now his capture was imminent.  We were following the car he was in, from a discrete distance, and, at the appropriate time, we would catch up, pull him over, and make the arrest.

There was nowhere for him to go.

The road led to a dead-end, and the only way off the mountain was back down the road were now on.  Which was why I was somewhat surprised when we discovered where he was.

Where was he going?

“Damn,” I heard Alan mutter.  He was driving, being careful not to get too close, but not far enough away to lose sight of him.

“What?”

“I think he’s made us.”

“How?”

“Dumb bad luck, I’m guessing.  Or he expected we’d follow him up the mountain.  He’s just sped up.”

“How far away?”

“A half-mile.  We should see him higher up when we turn the next corner.”

It took an eternity to get there, and when we did, Alan was right, only he was further on than we thought.”

“Step on it.  Let’s catch him up before he gets to the top.”

Easy to say, not so easy to do.  The road was treacherous, and in places just gravel, and there were no guard rails to stop a three thousand footfall down the mountainside.

Good thing then I had the foresight to have three agents on the hill for just such a scenario.

Ten minutes later, we were in sight of the car, still moving quickly, but we were going slightly faster.  We’d catch up just short of the summit car park.

Or so we thought.

Coming quickly around another corner we almost slammed into the car we’d been chasing.

“What the hell…” Aland muttered.

I was out of the car, and over to see if he was in it, but I knew that it was only a slender possibility.  The car was empty, and no indication where he went.

Certainly not up the road.  It was relatively straightforward for the next mile, at which we would have reached the summit.  Up the mountainside from here, or down.

I looked up.  Nothing.

Alan yelled out, “He’s not going down, not that I can see, but if he did, there’s hardly a foothold and that’s a long fall.”

Then where did he go?

Then a man looking very much like our quarry came out from behind a rock embedded just a short distance up the hill.

“Sorry,” he said quite calmly.  “Had to go if you know what I mean.”

I’d lost him.

It was as simple as that.

I had been led a merry chase up the hill, and all the time he was getting away in a different direction.

I’d fallen for the oldest trick in the book, letting my desperation blind me to the disguise that anyone else would see through in an instant.

It was a lonely sight, looking down that road, knowing that I had to go all that way down again, only this time, without having to throw caution to the wind.

“Maybe next time,” Alan said.

“We’ll get him.  It’s just a matter of time.”

© Charles Heath 2019-2021

Find this and other stories in “Inspiration, maybe”  available soon.

I wandered back to my villa.

It was in darkness.  I was sure I had left several lights on, especially over the door so I could see to unlock it.

I looked up and saw the globe was broken.

Instant alert.

I went to the first hiding spot for the gun, and it wasn’t there.  I went to the backup and it wasn’t there either.  Someone had found my carefully hidden stash of weapons and removed them.

Who?

There were four hiding spots and all were empty.  Someone had removed the weapons.  That could only mean one possibility.

I had a visitor, not necessarily here for a social call.

But, of course, being the well-trained agent I’d once been and not one to be caught unawares, I crossed over to my neighbor and relieved him of a weapon that, if found, would require a lot of explaining.

Suitably armed, it was time to return the surprise.

There were three entrances to the villa, the front door, the back door, and a rather strange escape hatch.  One of the more interesting attractions of the villa I’d rented was its heritage.  It was built in the late 1700s, by a man who was, by all accounts, a thief.  It had a hidden underground room which had been in the past a vault but was now a wine cellar, and it had an escape hatch by which the man could come and go undetected, particularly if there was a mob outside the door baying for his blood.

It now gave me the means to enter the villa without my visitors being alerted, unless, of course, they were near the vicinity of the doorway inside the villa, but that possibility was unlikely.  It was not where anyone could anticipate or expect a doorway to be.

The secret entrance was at the rear of the villa behind a large copse, two camouflaged wooden doors built into the ground.  I move aside some of the branches that covered them and lifted one side.  After I’d discovered the doors and rusty hinges, I’d oiled and cleaned them, and cleared the passageway of cobwebs and fallen rocks.  It had a mildew smell, but nothing would get rid of that.  I’d left torches at either end so I could see.

I closed the door after me, and went quietly down the steps, enveloped in darkness till I switched on the torch.  I traversed the short passage which turned ninety degrees about halfway to the door at the other end.  I carried the key to this door on the keyring, found it and opened the door.  It too had been oiled and swung open soundlessly.

I stepped in the darkness and closed the door.

I was on the lower level under the kitchen, now the wine cellar, the ‘door’ doubling as a set of shelves which had very little on them, less to fall and alert anyone in the villa.

Silence, an eerie silence.

I took the steps up to the kitchen, stopping when my head was level with the floor, checking to see if anyone was waiting.  There wasn’t.  It seemed to me to be an unlikely spot for an ambush.

I’d already considered the possibility of someone coming after me, especially because it had been Bespalov I’d killed, and I was sure he had friends, all equally as mad as he was.  Equally, I’d also considered it nigh on impossible for anyone to find out it was me who killed him because the only people who knew that were Prendergast, Alisha, a few others in the Department, and Susan.

That raised the question of who told them where I was.

If I was the man I used to be, my first suspect would be Susan.  The departure this morning, and now this was too coincidental.  But I was not that man.

Or was I?

I reached the start of the passageway that led from the kitchen to the front door and peered into the semi-darkness.  My eyes had got used to the dark, and it was no longer an inky void.  Fragments of light leaked in around the door from outside and through the edge of the window curtains where they didn’t fit properly.  A bone of contention upstairs in the morning, when first light shone and invariably woke me up hours before I wanted to.

Still nothing.

I took a moment to consider how I would approach the visitor’s job.  I would get a plan of the villa in my head, all entrances, where a target could be led to or attacked where there would be no escape.

Coming in the front door.  If I was not expecting anything, I’d just open the door and walk-in.  One shot would be all that was required.

Contract complete.

I sidled quietly up the passage staying close to the wall, edging closer to the front door.  There was an alcove where the shooter could be waiting.  It was an ideal spot to wait.

Crunch.

I stepped on some nutshells.

Not my nutshells.

I felt it before I heard it.  The bullet with my name on it.

And how the shooter missed, from point-blank range, and hit me in the arm, I had no idea.  I fired off two shots before a second shot from the shooter went wide and hit the door with a loud thwack.

I saw a red dot wavering as it honed in on me and I fell to the floor, stretching out, looking up where the origin of the light was coming and pulled the trigger three times, evenly spaced, and a second later I heard the sound of a body falling down the stairs and stopping at the bottom, not very far from me.

Two assassins.

I’d not expected that.

The assassin by the door was dead, a lucky shot on my part.  The second was still breathing.

I checked the body for any weapons and found a second gun and two knives.  Armed to the teeth!

I pulled off the balaclava; a man, early thirties, definitely Italian.  I was expecting a Russian.

I slapped his face, waking him up.  Blood was leaking from several slashes on his face when his head had hit the stairs on the way down.  The awkward angle of his arms and legs told me there were broken bones, probably a lot worse internally.  He was not long for this earth.

“Who employed you?”

He looked at me with dead eyes, a pursed mouth, perhaps a smile.  “Not today my friend.  You have made a very bad enemy.”  He coughed and blood poured out of his mouth.  “There will be more …”

Friends of Bespalov, no doubt.

I would have to leave.  Two unexplainable bodies, I’d have a hard time explaining my way out of this mess.  I dragged the two bodies into the lounge, clearing the passageway just in case someone had heard anything.

Just in case anyone was outside at the time, I sat in the dark, at the foot of the stairs, and tried to breathe normally.  I was trying not to connect dots that led back to Susan, but the coincidence was worrying me.

A half-hour passed and I hadn’t moved.  Deep in thought, I’d forgotten about being shot, unaware that blood was running down my arm and dripping onto the floor.

Until I heard a knock on my front door.

Two thoughts, it was either the police, alerted by the neighbors, or it was the second wave, though why would they be knocking on the door?

I stood, and immediately felt a stabbing pain in my arm.  I took out a handkerchief and turned it into a makeshift tourniquet, then wrapped a kitchen towel around the wound.

If it was the police, this was going to be a difficult situation.  Holding the gun behind my back, I opened the door a fraction and looked out.

No police, just Maria.  I hoped she was not part of the next ‘wave’.

“You left your phone behind on the table.  I thought you might be looking for it.”  She held it out in front of her.

When I didn’t open the door any further, she looked at me quizzically, and then asked, “Is anything wrong?”

I was going to thank her for returning the phone, but I heard her breathe in sharply, and add, breathlessly, “You’re bleeding.”

I looked at my arm and realized it was visible through the door, and not only that, the towel was soaked in blood.

“You need to go away now.”

Should I tell her the truth?  It was probably too late, and if she was any sort of law-abiding citizen she would go straight to the police.

She showed no signs of leaving, just an unnerving curiosity.  “What happened?”

I ran through several explanations, but none seemed plausible.  I went with the truth.  “My past caught up with me.”

“You need someone to fix that before you pass out from blood loss.  It doesn’t look good.”

“I can fix it.  You need to leave.  It is not safe to be here with me.”

The pain in my arm was not getting any better, and the blood was starting to run down my arm again as the tourniquet loosened.  She was right, I needed it fixed sooner rather than later.

I opened the door and let her in.  It was a mistake, a huge mistake, and I would have to deal with the consequences.  Once inside, she turned on the light and saw the pool of blood just inside the door and the trail leading to the lounge.  She followed the trail and turned into the lounge, turned on the light, and no doubt saw the two dead men.

I expected her to scream.  She didn’t.

She gave me a good hard look, perhaps trying to see if I was dangerous.  Killing people wasn’t something you looked the other way about.  She would have to go to the police.

“What happened here?”

“I came home from the cafe and two men were waiting for me.  I used to work for the Government, but no longer.  I suspect these men were here to repay a debt.  I was lucky.”

“Not so much, looking at your arm.”

She came closer and inspected it.

“Sit down.”

She found another towel and wrapped it around the wound, retightening the tourniquet to stem the bleeding.

“Do you have medical supplies?”

I nodded.  “Upstairs.”  I had a medical kit, and on the road, I usually made my own running repairs.  Another old habit I hadn’t quite shaken off yet.

She went upstairs, rummaged, and then came back.  I wondered briefly what she would think of the unmade bed though I was not sure why it might interest her.

She helped me remove my shirt, and then cleaned the wound.  Fortunately, she didn’t have to remove a bullet.  It was a clean wound but it would require stitches.

When she’d finished she said, “Your friend said one day this might happen.”

No prizes for guessing who that friend was, and it didn’t please me that she had involved Maria.

“Alisha?”

“She didn’t tell me her name, but I think she cares a lot about you.  She said trouble has a way of finding you, gave me a phone and said to call her if something like this happened.”

“That was wrong of her to do that.”

“Perhaps, perhaps not.  Will you call her?”

“Yes.  I can’t stay here now.  You should go now.  Hopefully, by the time I leave in the morning, no one will ever know what happened here, especially you.”

She smiled.  “As you say, I was never here.”

…

© Charles Heath 2018-2022

Here’s the thing…

Every time I close my eyes, I see something different.

I’d like to think the cinema of my dreams is playing a double feature but it’s a bit like a comedy cartoon night on Fox.

But these dreams are nothing to laugh about.

Once again there’s a new instalment of an old feature, and we’re back on the treasure hunt.

And the perils of writing on the fly often leads to back revisions to aid moving forward, and this is one of those occasions.  A few revisions were required.

 

Short of jumping over the side, there was no way we were getting away.  And judging from the expression on Rico’s face, now very plain to see halfway along the pier, he was not happy to see us.

Boggs stepped off the deck and joined me on the pier, just as Rico made it to where we were standing, just as it started in a gentle up and down motion with the water, churned up by a passing speed boat, but it was fear rather than the pier’s motions making me feel sick.

The sound of another boat caused me to glance in the opposite direction, out towards the sandbar, where I could see another large boat coming in our direction very quickly, and by the shape of it, quite possibly a police launch or the coast guard. 

Rico had seen it too.  “What have you done?”

“I called the police,” I said, trying to act braver than I felt.  Even with the police on their way, Rico could still do something we’d all regret.

“Why?”

Movement by the fishing store caught my eye, and I saw it was two of the men who’d left the boat with Rico earlier, retreating.  They’d seen the situation and were retreating.  A police car with its siren blaring and lights flashing just stopped at the entrance to the pier and two officers were getting out, guns in hand.

Those men would getaway.  Rico had seen them too and looked relieved.  Odd for a man about to find himself in a lot of trouble.

Boggs blurted out, “There’s a dead body in the cabin.”

Rico shook his head.  “That’s not possible.  I’ve been gone for an hour and it isn’t possible he put himself there.”

He looked around to see the officers coming from the land side of the pier.  There was no escape for him, or for us, but this could still end up a sticky situation for us if Rico decided to shoot his way out.  Boggs said he owned a gun, and if it was not on him, it might be in the boat.

Rico climbed on board and then moved to the hatch.  He lifted the hatch cover and folded it back to show an opening into the cabin.  It hadn’t been locked; it just looked like it was.  Just as the officers made it to the boat, he stepped in, then down into the cabin.

A minute later, when he came up  Rico looked visibly shaken like he’d seen a ghost.

The police launch had arrived just off the stern, kicking up the water and causing the boat and pier to rock violently, two men at either end ready to secure their boat to ours.  The land-based officers also arrived, somewhat out of breath, to join Boggs and I on the pier.

I recognised the officer who appeared to be in charge, a man called Johnson, the police chief’s deputy.  He was known to shoot first and ask questions later.  What worried me the most, he had his gun drawn and ready to shoot.

He looked at me, Rico, Boggs, then back to me.  “What’s this all about?”

“There’s a body in the cabin,” Boggs said before I could say a word, still sounding very frightened, but whether it was the body in the cabin, Rico’s fury at his meddling or the fact the police were involved was hard to say.

He switched his glare to Rico.  “That true?”

Rico nodded.  “I don’t know where it came from, but it wasn’t there an hour ago.”  A last look back at the cabin, he stepped off the boat onto the pier.

The seaman aboard the police launch slipped a rope over the bollard at the rear of our boat and then jumped on board to secure it.  Another seaman did the same at the bow.  Two more jumped on board, one covering Rico and the other going into the cabin.

When he came back up on deck he was talking into his cell phone.

I think Rico had a lot of explaining to do.

 

© Charles Heath 2019