The first case of PI Walthenson – “A Case of Working With the Jones Brothers”

This case has everything, red herrings, jealous brothers, femme fatales, and at the heart of it all, greed.

See below for an excerpt from the book…

Coming soon!

PIWalthJones1

An excerpt from the book:

When Harry took the time to consider his position, a rather uncomfortable position at that, he concluded that he was somehow involved in another case that meant very little to him.

Not that it wasn’t important in some way he was yet to determine, it was just that his curiosity had got the better of him, and it had led to this: sitting in a chair, securely bound, waiting for someone one of his captors had called Doug.

It was not the name that worried him so much, it was the evil laugh that had come after the name was spoken.

Doug what? Doug the ‘destroyer’, Doug the ‘dangerous’, Doug the ‘deadly’; there was any number of sinister connotations, and perhaps that was the point of the laugh, to make it more frightening than it was.

But there was no doubt about one thing in his mind right then: he’d made a mistake. A very big. and costly, mistake. Just how big the cost, no doubt he would soon find out.

His mother, and his grandmother, the wisest person he had ever known, had once told him never to eavesdrop.

At the time he couldn’t help himself and instead of minding his own business, listening to a one-sided conversation which ended with a time and a place. The very nature of the person receiving the call was, at the very least, sinister, and, because of the cryptic conversation, there appeared to be, or at least to Harry, criminal activity involved.

For several days he had wrestled with the thought of whether he should go. Stay on the fringe, keep out of sight, observe and report to the police if it was a crime. Instead, he had willingly gone down the rabbit hole.

Now, sitting in an uncomfortable chair, several heat lamps hanging over his head, he was perspiring, and if perspiration could be used as a measure of fear, then Harry’s fear was at the highest level.

Another runnel of sweat rolled into his left eye, and, having his hands tied, literally, it made it impossible to clear it. The burning sensation momentarily took his mind off his predicament. He cursed and then shook his head trying to prevent a re-occurrence. It was to no avail.

Let the stinging sensation be a reminder of what was right and what was wrong.

It was obvious that it was the right place and the right time, but in considering his current perilous situation, it definitely was the wrong place to be, at the worst possible time.

It was meant to be his escape, an escape from the generations of lawyers, what were to Harry, dry, dusty men who had been in business since George Washington said to the first Walthenson to step foot on American soil, ‘Why don’t you become a lawyer?” when asked what he could do for the great man.

Or so it was handed down as lore, though Harry didn’t think Washington meant it literally, the Walthenson’s, then as now, were not shy of taking advice.

Except, of course, when it came to Harry.

He was, Harry’s father was prone to saying, the exception to every rule. Harry guessed his father was referring to the fact his son wanted to be a Private Detective rather than a dry, dusty lawyer. Just the clothes were enough to turn Harry off the profession.

So, with a little of the money Harry inherited from one of his aunts, he leased an office in Gramercy Park and had it renovated to look like the Sam Spade detective agency, you know the one, Spade and Archer, and The Maltese Falcon.

There’s a movie and a book by Dashiell Hammett if you’re interested.

So, there it was, painted on the opaque glass inset of the front door, ‘Harold Walthenson, Private Detective’.

There was enough money to hire an assistant, and it took a week before the right person came along, or, more to the point, didn’t just see his business plan as something sinister. Ellen, a tall cool woman in a long black dress, or so the words of a song in his head told him, fitted in perfectly.

She’d seen the movie, but she said with a grin, Harry was no Humphrey Bogart.

Of course not, he said, he didn’t smoke.

Three months on the job, and it had been a few calls, no ‘real’ cases, nothing but missing animals, and other miscellaneous items. What he really wanted was a missing person. Or perhaps a beguiling, sophisticated woman who was as deadly as she was charming, looking for an errant husband, perhaps one that she had already ‘dispatched’.

Or for a tall, dark and handsome foreigner who spoke in riddles and in heavily accented English, a spy, or perhaps an assassin, in town to take out the mayor. The man was such an imbecile Harry had considered doing it himself.

Now, in a back room of a disused warehouse, that wishful thinking might be just about to come to a very abrupt end, with none of the romanticized trappings of the business befalling him. No beguiling women, no sinister criminals, no stupid policemen.

Just a nasty little man whose only concern was how quickly or how slowly Harry’s end was going to be.

© Charles Heath 2019-2024

“Sunday in New York”, a romantic adventure that’s not a walk in the park!

“Sunday in New York” is ultimately a story about trust, and what happens when a marriage is stretched to its limits.

When Harry Steele attends a lunch with his manager, Barclay, to discuss a promotion that any junior executive would accept in a heartbeat, it is the fact his wife, Alison, who previously professed her reservations about Barclay, also agreed to attend, that casts a small element of doubt in his mind.

From that moment, his life, in the company, in deciding what to do, his marriage, his very life, spirals out of control.

There is no one big factor that can prove Harry’s worst fears, that his marriage is over, just a number of small, interconnecting events, when piled on top of each other, points to a cataclysmic end to everything he had believed in.

Trust is lost firstly in his best friend and mentor, Andy, who only hints of impending disaster, Sasha, a woman whom he saved, and who appears to have motives of her own, and then in his wife, Alison, as he discovered piece by piece damning evidence she is about to leave him for another man.

Can we trust what we see with our eyes or trust what we hear?

Haven’t we all jumped to conclusions at least once in our lives?

Can Alison, a woman whose self-belief and confidence is about to be put to the ultimate test, find a way of proving their relationship is as strong as it has ever been?

As they say in the classics, read on!

Purchase:

http://tinyurl.com/Amazon-SundayInNewYork

In a word: Mine

Well, that’s his, and this is mine.  Possession is 9 points of the law, or so they say.

What’s mine is mine and what’s his is mine.  Sound like a divorce settlement?  Sure is!

There are often a lot of arguments over the possession of goods, and who they belong to.  Perhaps it’s best to own nothing, then no one can take it from you.

Sound like a lawyer contesting his own divorce?  Probably.

But that’s not the only mine.  Take for instance a land mine or a sea mine.

Devilish things to walk on or brush up against.  It spawned a new type of ship, a minesweeper, and I’ve read a few books about the exploits of those aboard, and how close they come to death when a ship hits one.

And land mines, the damage they can cause.

Then, of course, you can go underground, way underground, into a mine.

Gold in South Africa, coal in Wales, tin in Sumatra, copper in New Guinea.

And it doesn’t have to be underground.  You can have an open-cut mine, which accounts for a lot of coal mines in Australia.

Oddly, you can mine data, the sort that’s stored in databases on computers.  I’ve done a bit of that in a former life.

You can mine talent,

Or you can mine Bitcoin, but that’s a whole different ballgame, and everyone seems to be in on some sort of scam when it comes to Bitcoin.  It seems to me the only way you would make money out of Bitcoin was to buy units the very first day it was released.

It’s not, and never will be, something I’ll dabble in.

An excerpt from “Echoes from the Past”

Available on Amazon Kindle here:  https://amzn.to/2CYKxu4

With my attention elsewhere, I walked into a man who was hurrying in the opposite direction.  He was a big man with a scar running down the left side of his face from eye socket to mouth, and who was also wearing a black shirt with a red tie.

That was all I remembered as my heart almost stopped.

He apologized as he stepped to one side, the same way I stepped, as I also muttered an apology.

I kept my eyes down.  He was not the sort of man I wanted to recognize later in a lineup.  I stepped to the other side and so did he.  It was one of those situations.  Finally getting out of sync, he kept going in his direction, and I towards the bus, which was now pulling away from the curb.

Getting my breath back, I just stood riveted to the spot watching it join the traffic.  I looked back over my shoulder, but the man I’d run into had gone.  I shrugged and looked at my watch.  It would be a few minutes before the next bus arrived.

Wait, or walk?  I could also go by subway, but it was a long walk to the station.  What the hell, I needed the exercise.

At the first intersection, the ‘Walk’ sign had just flashed to ‘Don’t Walk’.  I thought I’d save a few minutes by not waiting for the next green light.  As I stepped onto the road, I heard the screeching of tires.

A yellow car stopped inches from me.

It was a high powered sports car, perhaps a Lamborghini.  I knew what they looked like because Marcus Bartleby owned one, as did every other junior executive in the city with a rich father.

Everyone stopped to look at me, then the car.  It was that sort of car.  I could see the driver through the windscreen shaking his fist, and I could see he was yelling too, but I couldn’t hear him.  I stepped back onto the sidewalk, and he drove on.  The moment had passed and everyone went back to their business.

My heart rate hadn’t come down from the last encounter.   Now it was approaching cardiac arrest, so I took a few minutes and several sets of lights to regain composure.

At the next intersection, I waited for the green light, and then a few seconds more, just to be sure.  I was no longer in a hurry.

At the next, I heard what sounded like a gunshot.  A few people looked around, worried expressions on their faces, but when it happened again, I saw it was an old car backfiring.  I also saw another yellow car, much the same as the one before, stopped on the side of the road.  I thought nothing of it, other than it was the second yellow car I’d seen.

At the next intersection, I realized I was subconsciously heading towards Harry’s new bar.   It was somewhere on 6th Avenue, so I continued walking in what I thought was the right direction.

I don’t know why I looked behind me at the next intersection, but I did.  There was another yellow car on the side of the road, not far from me.  It, too, looked the same as the original Lamborghini, and I was starting to think it was not a coincidence.

Moments after crossing the road, I heard the roar of a sports car engine and saw the yellow car accelerate past me.  As it passed by, I saw there were two people in it, and the blurry image of the passenger; a large man with a red tie.

Now my imagination was playing tricks.

It could not be the same man.  He was going in a different direction.

In the few minutes I’d been standing on the pavement, it had started to snow; early for this time of year, and marking the start of what could be a long cold winter.  I shuddered, and it was not necessarily because of the temperature.

I looked up and saw a neon light advertising a bar, coincidentally the one Harry had ‘found’ and, looking once in the direction of the departing yellow car, I decided to go in.  I would have a few drinks and then leave by the back door if it had one.

Just in case.

© Charles Heath 2015-2020

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The cinema of my dreams – I always wanted to go on a treasure hunt – Episode 20

Here’s the thing…

Every time I close my eyes, I see something different.

I’d like to think the cinema of my dreams is playing a double feature but it’s a bit like a comedy cartoon night on Fox.

But these dreams are nothing to laugh about.

Once again there’s a new instalment of an old feature, and we’re back on the treasure hunt.

As we all stood either on or off the boat, two things were clear to me.  The first, Rico’s genuine surprise at finding the body on his boat, and the second, how quickly the authorities had circled in for the kill.

I know calling 911 was supposed to get a rapid response to dire situations, but to get from the police station to the pier would take at least five minutes longer than it had, and that was breaking all the speed limits.

I might be jumping to conclusions, but someone wanted Rico to be found with an unexplainable body.  His recently departed friend’s maybe?

Johnson waited until the officer off the boat had finished his call, and asked, “What are we doing here?”

It was now obvious the men on the boat was either state police, the coast guard, or some Federal branch-like FBI or, if Rico was suspected of dealing or trafficking drugs, the DEA.

“Take him into custody.  Some of our people will be along to sit in on the questioning.  This is an FBI crime scene and we’ll take it from here.”

“These two?”  Johnson nodded in our direction.

“They’ve just found themselves in the wrong place at the wrong time.  Cut them loose, they have nothing to do with this, other than to contaminate our crime scene.”

And that was it, more men, this time in white overalls, came up from below the deck of the newly arrived boat and came over.  Crime scene investigators.

Johnson grabbed both of us by the scruff of the neck and shoved us in the direction of the shore.  “Get out of here before I find something to charge you with.”

Neither of us waited to be told a second time.  We were lucky, very lucky.

And Johnson was not happy his investigation had been pulled from under him.  He needed a case like this to enhance his prospects for the upcoming election for the new Sherriff.

On dry land again I stopped and turned to look back at the boat, and Rico, now handcuffed and guarded.

In the background something else caught my attention, slowly cruising past the unfolding scene aboard Rico’s boat.  A large ocean-going yacht, one that was owned by the Benderby’s.  With Alex standing at the back of the bridge looking at Rico’s boat, and two others at the stern, dressed in what looked like diving suits, putting equipment away.

Even from this far away I could see the smug expression on his face.

No prizes then, for guessing how the police got an early warning.

Equally so for guessing who it was most likely to dump a body on a boat and have someone else take the rap for it.  I had no doubt that a quantity of drugs would be found in some hidey-hole on Rico’s boat where he usually stashed the drugs he picked up from out in the sea lanes.  A win-win, for law enforcement on many levels, and Benderby.

The question then I needed an answer to was, who was the dead man, and what was his relationship with the Benderby’s.  I think I was now certain Rico had no idea who the man was, or why he was found on his boat, dead.

© Charles Heath 2019

The cinema of my dreams – I never wanted to go to Africa – Episode 42

Our hero knows he’s in serious trouble.

The problem is, there are familiar faces and a question of who is a friend and who is foe made all the more difficult because of the enemy, if it was the enemy, simply because it didn’t look or sound or act like the enemy.

Now, it appears, his problems stem from another operation he participated in, and because of it, he has now been roped into what might be called a suicide mission.

I was not sure how the Congo commander was going to react when four cars with people who looked more like mercenaries than a film crew turned up at the front gate.

Not that we had the film equipment to use as a cover. I guess that was the reason the kidnappers had removed it from our cars. One less reason to believe our story. I would have been curious to hear just how the commander had described us to his Congo counterpart.

Or what sort of treatment we were going to get. I don’t think the hostages were going to like the idea of becoming hostages again, albeit with a new set of ransom demands, and probably a lot of harsher treatment. Mercenaries could be rough, but they needed resources, and trying to negotiate with overly damaged goods wouldn’t set much of an example.

The Government military, on the other hand, would not be too particular. And capturing an invading enemy force, spies if you will, well, that was going to be a feather in the cap of the airfield commander.

But would he tip his hand at the gate or wait till we pulled up outside the headquarters building. If there was one.

We were about to find out. The gate was in sight and flanked by two very bright lights which we had all seen for about the last half mile, flickering through the undergrowth. The road was well made, and we would have made good time, but I deliberately slowed down to give Monroe time to get into place.

Another brief report from the Colonel told me they reckoned on 20 troops deployed at different parts of the field, just in case we decided to ‘sneak’ in on foot.

At the gate the road widened into a large turning circle for turning back cars.

I stopped right on top of the gate. A non-commissioned officer came out of a small shack by the gate and joined two men standing either side of the gate. Weapons weren’t pointed in our direction, but that could change quickly.

I was going with the film crew going home story first.

“Who are you?” I noticed the officer had a clipboard and made a show of looking at it, and the page underneath. “You are not on my list.”

“Probably not. We have been filming a documentary, and it’s time to go home. We have an aircraft coming in tomorrow morning to pick us up.”

One of the guards came through the gate and went down one side of each car, then came back up the other side, peering in through the windows. Back at the gate, he spoke to the officer.

“You have weapons. That is unusual for a film crew isn’t it?”

Highly, if we were anywhere else in the world. “We were warned about militias. Luckily we didn’t run into any.”

“Then, before you enter the airfield I suggest you, and your men, surrender any weapons.”

“Of course.” I relayed the instruction back through the cars. The soldier then came down the car and collected the weapons in a bag. As I’d assumed, we were not going to gain admission to the airstrip armed. It was probably also a law which in any country made perfect sense.

Once the soldier returned the officer had the gate opened, and came over to me.

“Fill in the form, and we’ll get you on your way soon enough.”

He handed me the clipboard, and then stepped away, taking out a radio unit of his own and spoke into it in a language I didn’t understand. Perhaps we should have kept Jacobi with us for a little longer so he could interpret.

When I filled out the form and handed it back, he said, “Drive up the road about a half-mile to a hanger and park your cars out the front. I suggest when getting out of the cars not to make any sudden or suspicious moves.”

Like we’d been told almost word for word back at the commander’s camp. Interesting.

The men at the gate didn’t follow us, but I did see, coming from two separate points back from the runway, or what looked to be the runway, two groups of five soldiers in each, in a proper formation. That was not the actions of a motley militia.

Serious soldiers perhaps.

It didn’t take long to reach the hanger, quite large, but in a sorry state of repair. Beside it was two old army huts that were in better repair and lit up. At the top of the steps of one stood the commander, a Captain. Clean, fresh, snug-fitting uniform, looking the part. Newly promoted, with something to prove.

With him were another six soldiers, armed and ready. That made 16 plus him. Where were the others?

Another non-commissioned officer came out of the hut and briefly spoke to his commander. Then he went back inside, and the commander came down the stairs to greet me. The rest of the team stood together, in front of the third car, and about 20 feet away. They were trying their best to cover the two hostages.

“Good evening Mr. James.” Reasonably good English, polite, but there was a slight edge to his tone.

“Good evening.”

“May I ask, which way do you come?”

“From Faradje, on the way to Nagero. I was going to drive into Nagero but changed my mind. Best to get here and be ready.”

“I heard there were some elements of the militia on the road. Did you meet any?”

“No. I was told that this country is quite safe and that we would not be harmed, thanks, I’m told to the good services of the Government’s military. You will be pleased to learn that it is quite safe, a point I will be spreading when I return home. Hopefully that will bring in more tourists.”

“If, as you say, you’ve been making a documentary, it seems odd to me that on one hand, you don’t have any equipment, and on the other, that you have not included Garamba.”

“A valid observation. We had to call the shooting off because two of our crew are ill and need to be returned home, and we left the equipment back in Faradje, our last stop, ready for the replacement crew who will be scheduled to fly in, in the next week or so.”

I had considered what I might say and tried to make it sound plausible, but in the end I don’t think it mattered what I said, especially if the other commander had forewarned the Captain of our impending arrival.

“Yes. That may be true, or it might not. I’m assuming the two sick members of your team are over next to the film crew. In that case, I believe both of us know that those men do not belong to your crew, but are escaped prisoners.”

He gestured towards his men and they went over to the group and extracted the two hostages.

Seemingly it was game over.

“So Commander Ntumba called you after we left?”

“Not a lot happens here without my knowing it. It was in his best interest to inform me.”

Something in the distance caught his eye, and I moved my line of sight to match his. Shurl, hands in the air, with two more soldiers behind him, coming from the bush line on the other side of the runway.

Commander Ntumba would also have told him about our sniper, as I’d surmised, and there was no mistaking the look of glee on his face. Outsmarting what he would consider a crack team of mercenaries from the United States.

I turned back and shrugged.

“Yes, he also told us about your sniper Mr. James. You didn’t think he was going to sneak up on us like he did Commander Ntumba did you?”

“It was worth a try,” I said in my best-defeated tone.

“Right. For the time being you will be kept in detention until I speak to my commander. You will not be leaving this airport. Your rescue plane, when it arrives, will be detained. I will have further questions for you later. Film crew indeed. Take them to B Block,” he said to the officer, then headed back up the stairs to his office.

As far as he was concerned, it had been all too easy.

© Charles Heath 2020

A photograph from the inspirational bin – 7

There is always something strange about certain photographs that is not evident when you take them.

For instance, the photograph above.

While this might look like some vegetation by the side of a river or stream, its that are of blackness behind what looks like steps up from the water level that adds a level of intrigue or mystery.

For instance:

We had spent two weeks slowly going upriver looking for a needle in a haystack. It was an apt description, because there had been quite a large number of likely spots, all of which after investigation, came to nothing.

I mean, the description Professor Bates had given is was as hazy as day is long in these parts.

His recollection: that it was what looked like a cave behind lush undergrowth, with steps fashioned out of stone.

It was all the more confuse. Because when we found him, he was drifting on a rough hewn and constructed raft, half dead from dehydration. We were told he’d been on the raft for nearly a week.

That meant the cave could be anywhere between where we found him at the 10 mile mark, and 200 miles further on based on river flow.

We were currently at the 150 mile mark and the river was losing depth and width, and soon there would not be enough water to continue in the boat.

It was dusk and too dark to continue. We’d been enthusiastic those first days, continuing on in the dark, on shifts, using the arc lamps.

Then after a week, having lights on made us target practise, and after sever brushes with death, and the loss of all the bulbs being shot out, we got the message.

There was the odd marauder during the day, but we had the width of the river for safety.  Now that had gone too, and we had lookouts posted, but seeing into the dense jungle was difficult.

But we got through another night with no activity, and come morning, what looked like the entrance to a cave was not fifteen feet from us.

All we had to was row over and check.

© Charles Heath 2020-2021

Searching for locations: Florence, Italy

Florence is littered with endless statues, and we managed to see quite a few,

If those statues came to life I wonder what they might tell us?

Like castles on the shores of the Rhine, there are only so many statues you can take photos of.  Below are some of those I thought significant

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Michelangelo’s David directs his warning gaze at someone else.

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The impressive muscles of Baccio Bandinelli’s Hercules from 1533. The worked-out demi-god is pulling the hair of Cacus, who will be clubbed and strangled.

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Achilles with Polyxena in arm, stepping over her brother’s body

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Menelaus supporting the body of Patroclus, in the Loggia dei Lan

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Statue of Hercules killing the Centaur by Giambologna in Loggia dei Lanzi. Piazza della Signoria.

On the back of the Loggia there are six marble female statues, probably coming from the Trajan’s Foro in Rome, discovered in 1541 and brought to Florence in 1789

‘The Devil You Don’t’ – A beta reader’s view

It could be said that of all the women one could meet, whether contrived or by sheer luck, what are the odds it would turn out to be the woman who was being paid a very large sum to kill you.

John Pennington is a man who may be lucky in business, but not so lucky in love. He has just broken up with Phillipa Sternhaven, the woman he thought was the one, but relatives and circumstances, and perhaps because she was a ‘princess’, may also have contributed to the end result.

So, what do you do when you are heartbroken?

That is a story that slowly unfolds, from the first meeting with his nemesis on Lake Geneva, all the way to a hotel room in Sorrento, where he learns the shattering truth.

What should have been solace after disappointment, turns out to be something else entirely, and from that point, everything goes to hell in a handbasket.

He suddenly realizes his so-called friend Sebastian has not exactly told him the truth about a small job he asked him to do, the woman he is falling in love with is not quite who she says she is, and he is caught in the middle of a war between two men who consider people becoming collateral damage as part of their business.

The story paints the characters cleverly displaying all their flaws and weaknesses. The locations add to the story at times taking me back down memory lane, especially to Venice where, in those back streets I confess it’s not all that hard to get lost.

All in all a thoroughly entertaining story with, for once, a satisfying end.

Available on Amazon here: https://amzn.to/2Xyh1ow

The cinema of my dreams – I always wanted to go on a treasure hunt – Episode 18

Here’s the thing…

Every time I close my eyes, I see something different.

I’d like to think the cinema of my dreams is playing a double feature but it’s a bit like a comedy cartoon night on Fox.

But these dreams are nothing to laugh about.

Once again there’s a new instalment of an old feature, and we’re back on the treasure hunt.

 

The pier had been moving gently up and down in response to a passing speed boat that had flouted the minimum speed law, like most of the speed boat owners.

On board the boat, the movement was more pronounced, and it was a bad time to remember that I get seasick, even standing on the pier.  My stomach was suddenly queasy.

Boggs was standing by the hatch that led down below.  It was locked with a big padlock so there was no way we were getting below.  Along the side of the boat was a raised section with windows, but there were curtained off, and the material was faded and looked dirty.

Boggs walked along the narrow walkway to the bow and tried the hatch in the middle of the foredeck.

I noticed the boat was tied to the pier fore and aft with some think rope and funny looking knots.  I don’t think I’d make a very good sailor.  I looked up to the top of the mast and it made me feel dizzy.  It was a long way up.

Behind me was an area where people could seat, and further back a large wheel which I assumed was how the boat was steered.  I could just see Rico standing behind it, captain’s hat on, looking all business-like.

“There’s nothing to see here,” I said, turning back towards Boggs, who was now coming along the other side of the cabin.  One slip and he’d be in the ocean.  I looked over the side and it didn’t look very deep.  I could even see some small fish swimming near the pylon that was covered below the waterline with seaweed.

Boggs stopped at the last window, then knelt down and peered in.

“What do you see?”

“There’s someone in there?”

“Rico?”

“No.  I saw him leave earlier.  Someone else.”

“You know who it is?”

“No.  Never seen him before.  A guy in a suit.  Not the sort of person I’d expect Rico to know, or have as a friend.”

“What’s he doing?”

Boggs changed his position to get a better look.  “He’s just sitting…oh my God, there’s blood.”

“Where?”

I moved quickly over to where Boggs was crouched.  “Give us a look?”  Curiosity was overtaking concern.

“Oh my God, oh my God,” Boggs said over and over.

I pulled out my phone and dialled 911.  When they asked me who I wanted, I said Police.  Then I looked over at the fishing shop and saw Rico and his friends coming back.

“Boggs.”

He ignored me, trying to get a better view.

“Boggs.  It’s Rico.”

Then the policeman answered, “What’s the nature of your emergency?”

“Dead man on a boat, Eden’s Landing, Pier 5, a boat called ‘Freedom Runner’.  And you’d better hurry.”

“Why?”

“Because the owners coming and he doesn’t look happy.”

Then to Boggs, “We got to get the hell out of here, now.”

But, by that time, there was nowhere to go.  Rico had seen us and was all but running to cut off our escape.

 

© Charles Heath 2019