Investigation of crimes doesn’t always go according to plan, nor does the perpetrator get either found or punished.

That was particularly true in my case.  The murderer was incredibly careful in not leaving any evidence behind, to the extent that the police could not rule out whether it was a male or a female.

At one stage the police thought I had murdered my own wife though how I could be on a train at the time of the murder was beyond me.  I had witnesses and a cast-iron alibi.

The officer in charge was Detective First Grade Gabrielle Walters.  She came to me on the day after the murder seeking answers to the usual questions like, when was the last time you saw your wife, did you argue, the neighbors reckon there were heated discussions the day before.

Routine was the word she used.

Her fellow detective was a surly piece of work whose intention was to get answers or, more likely, a confession by any or all means possible.  I could sense the raging violence within him.  Fortunately, common sense prevailed.

Over the course of the next few weeks, once I’d been cleared of committing the crime, Gabrielle made a point of keeping me informed of the progress.

After three months the updates were more sporadic, and when, for lack of progress, it became a cold case, communication ceased.

But it was not the last I saw of Gabrielle.

The shock of finding Vanessa was more devastating than the fact she was now gone, and those images lived on in the same nightmare that came to visit me every night when I closed my eyes.

For months I was barely functioning, to the extent I had all but lost my job, and quite a few friends, particularly those who were more attached to Vanessa rather than me.

They didn’t understand how it could affect me so much, and since it had not happened to them, my tart replies of ‘you wouldn’t understand’ were met with equally short retorts.  Some questioned my sanity, even, for a time, so did I.

No one, it seemed, could understand what it was like, no one except Gabrielle.

She was by her own admission, damaged goods, having been the victim of a similar incident, a boyfriend who turned out to be an awfully bad boy.  Her story varied only in she had been made to witness his execution.  Her nightmare, in reliving that moment in time, was how she was still alive and, to this day, had no idea why she’d been spared.

It was a story she told me one night, some months after the investigation had been scaled down.  I was still looking for the bottom of a bottle and an emotional mess.  Perhaps it struck a resonance with her; she’d been there and managed to come out the other side.

What happened become our secret, a once-only night together that meant a great deal to me, and by mutual agreement, it was not spoken of again.  It was as if she knew exactly what was required to set me on the path to recovery.

And it had.

Since then, we saw each about once a month in a cafe.   I had been surprised to hear from her again shortly after that eventful night when she called to set it up, ostensibly for her to provide me with any updates on the case, but perhaps we had, after that unspoken night, formed a closer bond than either of us wanted to admit.

We generally talked for hours over wine, then dinner and coffee.  It took a while for me to realize that all she had was her work, personal relationships were nigh on impossible in a job that left little or no spare time for anything else.

She’d always said that if I had any questions or problems about the case, or if there was anything that might come to me that might be relevant, even after all this time, all I had to do was call her.

I wondered if this text message was in that category.  I was certain it would interest the police and I had no doubt they could trace the message’s origin, but there was that tiny degree of doubt, about whether or not I could trust her to tell me what the message meant.

I reached for the phone then put it back down again.  I’d think about it and decide tomorrow.

© Charles Heath 2018-2020

I hate it when other characters are drawn in, and without a proper introduction, the reader gets confused.

Well, let me tell you, the writer can get confused too.

The introduction of Jennifer cannot go without the introduction of Ellen Bill’s ex-wife, and we have talked a little about her background before.

She has a role, one that will have a major impact later on, but every now and then she is going to appear, adding to the backstory between her and Bill.  There is no real animosity between them, their parting amicable because both knew it was time to end.

Bill’s problems were brought about his military service, and her father has a part to play in the story, though I’m not sure how to weave this in yet.  But it’s not so much what Bill remembers of his service, but of what he has forgotten, or more to the point buried.

That will eventually rise to the surface.

However, at this time, it’s still at the part where the narrator has to introduce Jennifer.

There are three distinct stages to this relationship between the two most important characters, and as it happens it’s Ellen unknowingly that brings Bill and Jennifer together,

Then Ellen, my estranged, and sometimes difficult wife decided she wanted a divorce.  I had no objection, and that was most likely the problem.  Perhaps she had expected me to fight for her, but she had made it clear, many years before, that she was no longer interested in preserving the marriage and was only keeping it up until our two daughters were old enough to fend for themselves.

That time had come.

I found myself in a situation where I needed someone to talk to.  I was not one of those people who made friends easily, nor did I spend much time seeking the company of other women.  I had my work, and it had been enough.

But Ellen’s request for a divorce, for some reason, had shaken me, and the day I got the phone call, Jennifer has bustled into my office as she always did, dumping the pile of log file printouts on my desk, and instead of leaving, perhaps she had seen my look of dismay, or more to the point, utter shock, and stayed.

It caused a slight change in our relationship.

I’m still working on it, but there will be more.

Or fewer words perhaps, after all, it’s only meant to be a brief introduction.

See how simple things become complicated, very quickly.

© Charles Heath 2019

There’s something to be said for a story that starts like a James Bond movie, throwing you straight in the deep end, a perfect way of getting to know the main character, David, or is that Alistair?

A retired spy, well not so much a spy as a retired errand boy, David’s rather wry description of his talents, and a woman that most men would give their left arm for, not exactly the ideal couple, but there is a spark in a meeting that may or may not have been a setup.

But as the story progressed, the question I kept asking myself was why he’d bother.

And, page after unrelenting page, you find out.

Susan is exactly the sort of woman to pique his interest.  Then, inexplicably, she disappears.  That might have been the end to it, but Prendergast, that shadowy enigma, David’s ex-boss who loves playing games with real people, gives him an ultimatum, find her or come back to work.

Nothing like an offer that’s a double-edged sword!

A dragon for a mother, a sister he didn’t know about, Susan’s BFF who is not what she seems or a friend indeed, and Susan’s father who, up till David meets her, couldn’t be less interested, his nemesis proves to be the impossible dream, and he’s always just that one step behind.

When the rollercoaster finally came to a halt, and I could start breathing again, it was an ending that was completely unexpected.

I’ve been told there’s a sequel in the works.

Bring it on!

…

The book can be purchased here:  http://amzn.to/2Eryfth

…

To write a private detective serial has always been one of the items at the top of my to-do list, though trying to write novels and a serial, as well as a blog, and maintain a social media presence, well, you get the idea.

But I made it happen, from a bunch of episodes I wrote a long, long time ago, used these to start it, and then continue on, then as now, never having much of an idea where it was going to end up, or how long it would take to tell the story.

That, I think is the joy of ad hoc writing, even you, as the author, have as much idea of where it’s going as the reader does.

It’s basically been in the mill since 1990, and although I finished it last year, it looks like the beginning to end will have taken exactly 30 years.  Had you asked me 30 years ago if I’d ever get it finished, the answer would be maybe?

My private detective, Harry Walthenson

I’d like to say he’s from that great literary mold of Sam Spade, or Mickey Spillane, or Phillip Marlow, but he’s not.

But, I’ve watched Humphrey Bogart play Sam Spade with much interest, and modelled Harry and his office on it.  Similarly, I’ve watched Robert Micham play Phillip Marlow with great panache, if not detachment, and added a bit of him to the mix.

Other characters come into play, and all of them, no matter what period they’re from, always seem larger than life.  I’m not above stealing a little of Mary Astor, Peter Lorre or Sidney Greenstreet, to breathe life into beguiling women and dangerous men alike.

Then there’s the title, like

The Case of the Unintentional Mummy – this has so many meanings in so many contexts, though I imagine that back in Hollywood in the ’30s and ’40s, this would be excellent fodder for Abbott and Costello

The Case of the Three-Legged Dog – Yes, I suspect there may be a few real-life dogs with three legs, but this plot would involve something more sinister.  And if made out of plaster, yes, they’re always something else inside.

But for mine, to begin with, it was “The Case of the …”, because I had no idea what the case was going to be about, well, I did, but not specifically.

Then I liked the idea of calling it “The Case of the Brother’s Revenge” because I began to have a notion there was a brother no one knew about, but that’s stuff for other stories, not mine, so then went the way of the others.

Now it’s called ‘A Case of Working With the Jones Brothers’, finished the first three drafts, and at the editor for the last.

I have high hopes of publishing it in early 2021.  It even has a cover.

I hate it when other characters are drawn in, and without a proper introduction, the reader gets confused.

Well, let me tell you, the writer can get confused too.

The introduction of Jennifer cannot go without the introduction of Ellen Bill’s ex-wife, and we have talked a little about her background before.

She has a role, one that will have a major impact later on, but every now and then she is going to appear, adding to the backstory between her and Bill.  There is no real animosity between them, their parting amicable because both knew it was time to end.

Bill’s problems were brought about his military service, and her father has a part to play in the story, though I’m not sure how to weave this in yet.  But it’s not so much what Bill remembers of his service, but of what he has forgotten, or more to the point buried.

That will eventually rise to the surface.

However, at this time, it’s still at the part where the narrator has to introduce Jennifer.

There are three distinct stages to this relationship between the two most important characters, and as it happens it’s Ellen unknowingly that brings Bill and Jennifer together,

Then Ellen, my estranged, and sometimes difficult wife decided she wanted a divorce.  I had no objection, and that was most likely the problem.  Perhaps she had expected me to fight for her, but she had made it clear, many years before, that she was no longer interested in preserving the marriage and was only keeping it up until our two daughters were old enough to fend for themselves.

That time had come.

I found myself in a situation where I needed someone to talk to.  I was not one of those people who made friends easily, nor did I spend much time seeking the company of other women.  I had my work, and it had been enough.

But Ellen’s request for a divorce, for some reason, had shaken me, and the day I got the phone call, Jennifer has bustled into my office as she always did, dumping the pile of log file printouts on my desk, and instead of leaving, perhaps she had seen my look of dismay, or more to the point, utter shock, and stayed.

It caused a slight change in our relationship.

I’m still working on it, but there will be more.

Or fewer words perhaps, after all, it’s only meant to be a brief introduction.

See how simple things become complicated, very quickly.

© Charles Heath 2019

It’s time for the policewoman to arrive.

There is such a thing as pure dumb luck.

If she did not walk through the door when she did then Jack would have walked away.

From the policewoman’s perspective:

She crossed the street from the corner instead of remaining on the same side of the street as she did every other night.  When she reached the other sidewalk, she was about twenty yards from the nearest window of the store.

As she crossed, she got a better view of the three people in the store and noticed the woman, or girl, was acting oddly as if she had something in her hand, and, from time to time looked down beside her.

A yard or two from the window she stopped, took a deep breath, and then moved slowly, getting a better view of the scene with each step.

Then she saw the gun in the girl’s hand, and the two men, the shopkeeper and a customer facing her both with their hands raised.

It was a convenience store robbery in progress.

She reached for her radio, but it wasn’t there.  She was off duty.  Instead, she withdrew, and called the station on her mobile phone, and reported the robbery.  The officer at the end of the phone said a car would be there in five minutes.

In five minutes there could be dead bodies.

She had to do something, and reached into her bag and pulled out a gun.  Not her service weapon, but one she carried in case of personal danger.

Guns are dangerous weapons in the hands of professional and amateur alike.  You would expect a professional who has trained to use a gun to not have a problem but consider what might happen in exceptional circumstances.

People freeze under pressure.  Alternately, some shoot first and ask questions later.

We have an edgy and frightened girl with a loaded gun, one bullet or thirteen in a magazine, it doesn’t matter.  It only takes one bullet to kill someone.

Then there’s the trigger pressure, light or heavy, the recoil after the shot and whether it causes the bullet to go into or above the intended target, especially if the person has never used a gun.

The policewoman, with training, will need two hands to take the shot, but in getting into the shop she will need one to open the door, and then be briefly distracted before using that hand to steady the other.

It will take a lifetime, even if it is only a few seconds.

Actions have consequences:

The policewoman crouched below the window shelf line so the girl wouldn’t see her and made it to the door before straightening.  She was in dark clothes so the chances were the girl would not see her against the dark street backdrop.

Her hand was on the door handle about to push it inwards when she could feel it being yanked hard from the other side, and the momentum and surprise of it caused her to lose balance and crash into the man who was trying to get out.

What the hell…

A second or two later both were on the floor in a tangled mess, her gun hand caught underneath her, and a glance in the direction of the girl with the gun told her the situation had deteriorated.

The girl had swung the gun around, aimed it at her, and squeezed the trigger twice.

The two bangs in the small room were almost deafening and disorientating.

Behind her, the glass door disintegrated when the bullet hit it.

Neither she nor the man beside her had been hit.

Yet.

She felt a kick in the back and the tickling of glass then broke free as the man she’d run into rolled out of the way.

Quickly on her feet, she saw the girl had gone, and wasted precious seconds getting up off the floor, then out the door to find she had disappeared.

She could hear a siren in the distance.  They’d find her.

If the policewoman had not picked that precise moment to enter the shop, maybe the man would have got away.

Maybe.

If he’d been aware of the fact he was allowed to leave.

He was lucky not to be shot.

Yet there were two shots, and we know at least one of them broke the door’s glass panel.

Next – The end of the story

© Charles Heath 2016-2024

Whilst it is always an idea to sit down and write and keep going, not worrying too much about the narrative, there’s always the problem of ideas about characters, and relationships that come back and need to be addressed.

I have issues with Jennifer in that we will need to know something about her, and need a little backstory.

Jennifer is the second most important character in this novel and one that has more talents than what my main character, or anyone else for that matter, thinks she has.  Of course, that is deliberate on her part for a number of reasons that will be introduced at the appropriate time.

But, at the start, all we will have to work with, is the introduction provided by the narrator.

It may go something like this:

Jennifer Pennington Smythe was, as you might expect, very English, very reserved, and very private.  She was the definitive ‘don’t judge a book by its cover’, and I was guilty, at first, of suspecting she had once been a schoolmistress due to the severity of dress, demeanor, and expression.

HR had sent her to me when I’d requested an IT Specialist, though of what particular discipline it was never divulged, neither by HR nor by her.  She arrived one morning, told me she was to ‘help resolve our technical difficulties’, moved into an office that had been used as a storeroom, and worked hard to prove her worthiness in the role.

My first attempt at conversation was rebuffed, the second met with a very cold stare.  Everyone, including me, learned very quickly that any other topic of conversation than work would be ignored.  At the time it suited me, there was trouble in paradise and I didn’t want anything more on my plate to deal with.

So, what is this trouble?

There are three distinct stages of this relationship between the two most important characters, and it is the actions of one of the protagonists that brings them together.  This particular protagonist, of course, is the main character’s wife, a woman that is on the periphery for the period the novel covers, but a little background will be needed at some point before we reach this part of the narrative.

This now means that I will have to put together a back story for Bill and his ex-wife Ellen, not too much yet but enough to explain the next part of the evolving relationship between Bill and Jennifer.

I’m sure this topic is going to raise it’s head again and again…