Inspiration, maybe – Volume 1

50 photographs, 50 stories, of which there is one of the 50 below.

They all start with –

A picture paints … well, as many words as you like.  For instance:

lookingdownfromcoronetpeak

And the story:

It was once said that a desperate man has everything to lose.

The man I was chasing was desperate, but I, on the other hand, was more desperate to catch him.

He’d left a trail of dead people from one end of the island to the other.

The team had put in a lot of effort to locate him, and now his capture was imminent.  We were following the car he was in, from a discrete distance, and, at the appropriate time, we would catch up, pull him over, and make the arrest.

There was nowhere for him to go.

The road led to a dead-end, and the only way off the mountain was back down the road were now on.  Which was why I was somewhat surprised when we discovered where he was.

Where was he going?

“Damn,” I heard Alan mutter.  He was driving, being careful not to get too close, but not far enough away to lose sight of him.

“What?”

“I think he’s made us.”

“How?”

“Dumb bad luck, I’m guessing.  Or he expected we’d follow him up the mountain.  He’s just sped up.”

“How far away?”

“A half-mile.  We should see him higher up when we turn the next corner.”

It took an eternity to get there, and when we did, Alan was right, only he was further on than we thought.”

“Step on it.  Let’s catch him up before he gets to the top.”

Easy to say, not so easy to do.  The road was treacherous, and in places just gravel, and there were no guard rails to stop a three thousand footfall down the mountainside.

Good thing then I had the foresight to have three agents on the hill for just such a scenario.

Ten minutes later, we were in sight of the car, still moving quickly, but we were going slightly faster.  We’d catch up just short of the summit car park.

Or so we thought.

Coming quickly around another corner we almost slammed into the car we’d been chasing.

“What the hell…” Aland muttered.

I was out of the car, and over to see if he was in it, but I knew that it was only a slender possibility.  The car was empty, and no indication where he went.

Certainly not up the road.  It was relatively straightforward for the next mile, at which we would have reached the summit.  Up the mountainside from here, or down.

I looked up.  Nothing.

Alan yelled out, “He’s not going down, not that I can see, but if he did, there’s hardly a foothold and that’s a long fall.”

Then where did he go?

Then a man looking very much like our quarry came out from behind a rock embedded just a short distance up the hill.

“Sorry,” he said quite calmly.  “Had to go if you know what I mean.”

I’d lost him.

It was as simple as that.

I had been led a merry chase up the hill, and all the time he was getting away in a different direction.

I’d fallen for the oldest trick in the book, letting my desperation blind me to the disguise that anyone else would see through in an instant.

It was a lonely sight, looking down that road, knowing that I had to go all that way down again, only this time, without having to throw caution to the wind.

“Maybe next time,” Alan said.

“We’ll get him.  It’s just a matter of time.”

© Charles Heath 2019-2021

Find this and other stories in “Inspiration, maybe”  available soon.

InspirationMaybe1v1

An excerpt from “Strangers We’ve Become” – Coming Soon

I wandered back to my villa.

It was in darkness.  I was sure I had left several lights on, especially over the door so I could see to unlock it.

I looked up and saw the globe was broken.

Instant alert.

I went to the first hiding spot for the gun, and it wasn’t there.  I went to the backup and it wasn’t there either.  Someone had found my carefully hidden stash of weapons and removed them.

Who?

There were four hiding spots and all were empty.  Someone had removed the weapons.  That could only mean one possibility.

I had a visitor, not necessarily here for a social call.

But, of course, being the well-trained agent I’d once been and not one to be caught unawares, I crossed over to my neighbor and relieved him of a weapon that, if found, would require a lot of explaining.

Suitably armed, it was time to return the surprise.

There were three entrances to the villa, the front door, the back door, and a rather strange escape hatch.  One of the more interesting attractions of the villa I’d rented was its heritage.  It was built in the late 1700s, by a man who was, by all accounts, a thief.  It had a hidden underground room which had been in the past a vault but was now a wine cellar, and it had an escape hatch by which the man could come and go undetected, particularly if there was a mob outside the door baying for his blood.

It now gave me the means to enter the villa without my visitors being alerted, unless, of course, they were near the vicinity of the doorway inside the villa, but that possibility was unlikely.  It was not where anyone could anticipate or expect a doorway to be.

The secret entrance was at the rear of the villa behind a large copse, two camouflaged wooden doors built into the ground.  I move aside some of the branches that covered them and lifted one side.  After I’d discovered the doors and rusty hinges, I’d oiled and cleaned them, and cleared the passageway of cobwebs and fallen rocks.  It had a mildew smell, but nothing would get rid of that.  I’d left torches at either end so I could see.

I closed the door after me, and went quietly down the steps, enveloped in darkness till I switched on the torch.  I traversed the short passage which turned ninety degrees about halfway to the door at the other end.  I carried the key to this door on the keyring, found it and opened the door.  It too had been oiled and swung open soundlessly.

I stepped in the darkness and closed the door.

I was on the lower level under the kitchen, now the wine cellar, the ‘door’ doubling as a set of shelves which had very little on them, less to fall and alert anyone in the villa.

Silence, an eerie silence.

I took the steps up to the kitchen, stopping when my head was level with the floor, checking to see if anyone was waiting.  There wasn’t.  It seemed to me to be an unlikely spot for an ambush.

I’d already considered the possibility of someone coming after me, especially because it had been Bespalov I’d killed, and I was sure he had friends, all equally as mad as he was.  Equally, I’d also considered it nigh on impossible for anyone to find out it was me who killed him because the only people who knew that were Prendergast, Alisha, a few others in the Department, and Susan.

That raised the question of who told them where I was.

If I was the man I used to be, my first suspect would be Susan.  The departure this morning, and now this was too coincidental.  But I was not that man.

Or was I?

I reached the start of the passageway that led from the kitchen to the front door and peered into the semi-darkness.  My eyes had got used to the dark, and it was no longer an inky void.  Fragments of light leaked in around the door from outside and through the edge of the window curtains where they didn’t fit properly.  A bone of contention upstairs in the morning, when first light shone and invariably woke me up hours before I wanted to.

Still nothing.

I took a moment to consider how I would approach the visitor’s job.  I would get a plan of the villa in my head, all entrances, where a target could be led to or attacked where there would be no escape.

Coming in the front door.  If I was not expecting anything, I’d just open the door and walk-in.  One shot would be all that was required.

Contract complete.

I sidled quietly up the passage staying close to the wall, edging closer to the front door.  There was an alcove where the shooter could be waiting.  It was an ideal spot to wait.

Crunch.

I stepped on some nutshells.

Not my nutshells.

I felt it before I heard it.  The bullet with my name on it.

And how the shooter missed, from point-blank range, and hit me in the arm, I had no idea.  I fired off two shots before a second shot from the shooter went wide and hit the door with a loud thwack.

I saw a red dot wavering as it honed in on me and I fell to the floor, stretching out, looking up where the origin of the light was coming and pulled the trigger three times, evenly spaced, and a second later I heard the sound of a body falling down the stairs and stopping at the bottom, not very far from me.

Two assassins.

I’d not expected that.

The assassin by the door was dead, a lucky shot on my part.  The second was still breathing.

I checked the body for any weapons and found a second gun and two knives.  Armed to the teeth!

I pulled off the balaclava; a man, early thirties, definitely Italian.  I was expecting a Russian.

I slapped his face, waking him up.  Blood was leaking from several slashes on his face when his head had hit the stairs on the way down.  The awkward angle of his arms and legs told me there were broken bones, probably a lot worse internally.  He was not long for this earth.

“Who employed you?”

He looked at me with dead eyes, a pursed mouth, perhaps a smile.  “Not today my friend.  You have made a very bad enemy.”  He coughed and blood poured out of his mouth.  “There will be more …”

Friends of Bespalov, no doubt.

I would have to leave.  Two unexplainable bodies, I’d have a hard time explaining my way out of this mess.  I dragged the two bodies into the lounge, clearing the passageway just in case someone had heard anything.

Just in case anyone was outside at the time, I sat in the dark, at the foot of the stairs, and tried to breathe normally.  I was trying not to connect dots that led back to Susan, but the coincidence was worrying me.

A half-hour passed and I hadn’t moved.  Deep in thought, I’d forgotten about being shot, unaware that blood was running down my arm and dripping onto the floor.

Until I heard a knock on my front door.

Two thoughts, it was either the police, alerted by the neighbors, or it was the second wave, though why would they be knocking on the door?

I stood, and immediately felt a stabbing pain in my arm.  I took out a handkerchief and turned it into a makeshift tourniquet, then wrapped a kitchen towel around the wound.

If it was the police, this was going to be a difficult situation.  Holding the gun behind my back, I opened the door a fraction and looked out.

No police, just Maria.  I hoped she was not part of the next ‘wave’.

“You left your phone behind on the table.  I thought you might be looking for it.”  She held it out in front of her.

When I didn’t open the door any further, she looked at me quizzically, and then asked, “Is anything wrong?”

I was going to thank her for returning the phone, but I heard her breathe in sharply, and add, breathlessly, “You’re bleeding.”

I looked at my arm and realized it was visible through the door, and not only that, the towel was soaked in blood.

“You need to go away now.”

Should I tell her the truth?  It was probably too late, and if she was any sort of law-abiding citizen she would go straight to the police.

She showed no signs of leaving, just an unnerving curiosity.  “What happened?”

I ran through several explanations, but none seemed plausible.  I went with the truth.  “My past caught up with me.”

“You need someone to fix that before you pass out from blood loss.  It doesn’t look good.”

“I can fix it.  You need to leave.  It is not safe to be here with me.”

The pain in my arm was not getting any better, and the blood was starting to run down my arm again as the tourniquet loosened.  She was right, I needed it fixed sooner rather than later.

I opened the door and let her in.  It was a mistake, a huge mistake, and I would have to deal with the consequences.  Once inside, she turned on the light and saw the pool of blood just inside the door and the trail leading to the lounge.  She followed the trail and turned into the lounge, turned on the light, and no doubt saw the two dead men.

I expected her to scream.  She didn’t.

She gave me a good hard look, perhaps trying to see if I was dangerous.  Killing people wasn’t something you looked the other way about.  She would have to go to the police.

“What happened here?”

“I came home from the cafe and two men were waiting for me.  I used to work for the Government, but no longer.  I suspect these men were here to repay a debt.  I was lucky.”

“Not so much, looking at your arm.”

She came closer and inspected it.

“Sit down.”

She found another towel and wrapped it around the wound, retightening the tourniquet to stem the bleeding.

“Do you have medical supplies?”

I nodded.  “Upstairs.”  I had a medical kit, and on the road, I usually made my own running repairs.  Another old habit I hadn’t quite shaken off yet.

She went upstairs, rummaged, and then came back.  I wondered briefly what she would think of the unmade bed though I was not sure why it might interest her.

She helped me remove my shirt, and then cleaned the wound.  Fortunately, she didn’t have to remove a bullet.  It was a clean wound but it would require stitches.

When she’d finished she said, “Your friend said one day this might happen.”

No prizes for guessing who that friend was, and it didn’t please me that she had involved Maria.

“Alisha?”

“She didn’t tell me her name, but I think she cares a lot about you.  She said trouble has a way of finding you, gave me a phone and said to call her if something like this happened.”

“That was wrong of her to do that.”

“Perhaps, perhaps not.  Will you call her?”

“Yes.  I can’t stay here now.  You should go now.  Hopefully, by the time I leave in the morning, no one will ever know what happened here, especially you.”

She smiled.  “As you say, I was never here.”

© Charles Heath 2018-2022

strangerscover9

“Sunday in New York”, a romantic adventure that’s not a walk in the park!

“Sunday in New York” is ultimately a story about trust, and what happens when a marriage is stretched to its limits.

When Harry Steele attends a lunch with his manager, Barclay, to discuss a promotion that any junior executive would accept in a heartbeat, it is the fact his wife, Alison, who previously professed her reservations about Barclay, also agreed to attend, that casts a small element of doubt in his mind.

From that moment, his life, in the company, in deciding what to do, his marriage, his very life, spirals out of control.

There is no one big factor that can prove Harry’s worst fears, that his marriage is over, just a number of small, interconnecting events, when piled on top of each other, points to a cataclysmic end to everything he had believed in.

Trust is lost firstly in his best friend and mentor, Andy, who only hints of impending disaster, Sasha, a woman whom he saved, and who appears to have motives of her own, and then in his wife, Alison, as he discovered piece by piece damning evidence she is about to leave him for another man.

Can we trust what we see with our eyes or trust what we hear?

Haven’t we all jumped to conclusions at least once in our lives?

Can Alison, a woman whose self-belief and confidence is about to be put to the ultimate test, find a way of proving their relationship is as strong as it has ever been?

As they say in the classics, read on!

Purchase:

http://tinyurl.com/Amazon-SundayInNewYork

The cinema of My Dreams – It ended in Sorrento – Episode 58

It goes exactly as planned

We were monitored from the moment we left the hotel.  Cecelia had taken up her vantage point, and watched as we came out the front door.  Two minutes later she said, quietly, “You’ve got two, man and woman.  The woman is in communication with someone.  Be careful.”

Francesca didn’t seem to have a care in the world.  I suspected she had her phone on so those following us could keep track of when they lost us, but I wouldn’t be dodging and weaving this morning.

“What do you think our chances are of getting snatched off the street in a white van,” I asked her, after about 10 minutes.

“Why?”

“I’ve seen a few.  Of course, they might just be delivery vans, and white is a common colour.  Perhaps I’m just being paranoid.”

“Perhaps you are.”  She gave me a curious look, enough to make me think she might think there might be trouble.

“What happened to Cecelia?”

Juliet was outside the hotel, coming back from a café not far up the road.  I noted she had not bought coffee for the other two women.

“Out on a run.  She’s one of these fitness freaks, or perhaps it has something to do with keeping in shape for the movies.”

Juliet looked Francesca up and down with the eye of a jealous woman, or so I wanted to believe.  It could be that she simply viewed her with suspicion, much the same as I would in her place.

She knew me well enough to know Francesca was not there simply as a visiting friend.  But just how curious would she be.

“Another actress friend of yours?”

Francesca views Juliet with a similar look of contempt.

Francesca looked at me.  “Who is this woman and what is she talking about.  You obviously know each other.”

“Is it that recognisable?  This is Juliet, and ye, far back in a long-forgotten past we did spend some time together.  And lately, for some strange reason, we keep running into each other. Other than that, she’s staying with the countess and her mother.”

“You brought her to see the countess?   Is that wise?”

“No.  But I’ve had a long talk to Francesca, that’s her name by the way, and she’s working with people who have the same goal as I have, protecting the countess and making sure she gets to the signing.”

“Who are her people?”

“Need to know Juliet.”

“Well, this is going to be a cat amongst the pigeon’s moment, Evan.  You’re up to something, I know it.”

Francesca looked at her, then me, and went to say something, then didn’t.  I wished, at that moment, that I could read minds.

In my ear, I could hear Cecelia.  “They’ve stopped at the café just up from the hotel and the woman is talking earnestly into the phone.  She is probably calling for reinforcements.”

“A white van, no doubt,” I said.

Francesca was beside me.  “What about a white van?  Did you see one?”

“No.  Just muttering to myself.”

Juliet went first as we went into the hotel, over to the elevator, and then up to the room floor.  The short distance to the room was slow, running into several other guests who were going down to the lobby.

Juliet was on first-name terms with them.

Cecelia was back.  “As you said.  A white van went down the alley to the back of the hotel.  The two are staying put at the café.  It’s either a delivery or your ride.  What do you want me to do?”

“Nothing.”  Alfie’s voice came on.

“What are you doing here?”

“Joining the party.  Leave the van to me.  If it is involved, we’ll be on it.  If they take any one of the three, and they take their phones, we’ll have a trace.  At any rate, I’ve got a car, and will follow the van, if necessary.”

“Ever been told about a party, and then not get an invite,” I asked no one in general.

Juliet gave me a strange look then unlocked the door, went in, I followed, and Francesca came in last and closed the door behind her.

The countess was sitting at the table and looked up.  She didn’t recognise Francesca or if she did, she was a good actress.

“Who is this?” she asked.

“A woman who claims she has been hired to protect you too.  There seems to be a few of us.”

“Protect or kill?”  She stood and backed away.  “Why did you bring her here?”

“The old adage, keep your friends close, and your enemies closer.  She’s better here than out there,” I waved my hand in the general direction of the street.

Francesca didn’t move, and, better still, didn’t produce a gun from her handbag.

“Who do you work for?” the countess asked.

“Anna von Burkehardt.  She is very keen for you to make it to the signing alive.  She also told us that she would like to have a chat about what you’re going to be doing with the property once the documents are signed.  She would like to make you an offer.  One, I believe, you can’t refuse.”

It sounded reasonable to me.  What wasn’t was that she hadn’t moved from the door.  That was a bad sign.

Cecelia again.  “I’m on the floor, three hostiles heading to your door.  Do you want me to stop them?”

“No.”

Francesca looked at me.  “What do you mean no?”

“No, she can’t refuse it, like you said.”

The countess didn’t look particularly impressed with either of us.  “That hag has no interest in making any offers other than putting a bullet in the back of my head.  Take her away, Evan.  She had no interest in protecting me.  And, because of your incompetence, now Anna knows where I am.

I saw Francesca turn the handle of the door and quickly step to one side as it burst open.  Standing on the side expecting such an entry, I saw the men come in weapons in hand, yelling for us to get on the floor.

Cecelia was in my ear again.  “What do you want me to do?”

“Wait.  But be ready.”

In the confusion, Francesca was too busy acting the part of a hostage, with adequate parts of fear and cringing on the floor.

One of the men pointed his gun at me.  I was not the target.

I just realised that Vittoria was not in the room, so she was outside.

“Watch out for Vittoria,” I said.

Teo men grabbed the countess and gagged her.  The one pointing the gun at me went back to the door and looked out.  He waved his gun to say the coast is clear, and they quickly went out.

“Let them go.  Alf, you better not lose them.”

“I won’t.”

Three minutes and it was over. 

I got up and sat against the wall, and watched Francesca slowly raise her head and look around.

When her eyes reached me, she didn’t see my angry face looking at her, she saw a silenced gun pointed at her head.

“What the hell…”

The door opened again, and Cecelia came in, gun aimed, ready to shoot anything that moved.  It too, ended up on Francesca.

“One chance.  The next thing you tell me better be the truth or I will shoot you dead where you lie.  Am I clear?”

© Charles Heath 2023

The cinema of my dreams – Was it just another surveillance job – Episode 59

This story is now on the list to be finished so over the new few weeks, expect a new episode every few days.

The reason why new episodes have been sporadic, there are also other stories to write, and I’m not very good at prioritizing.

But, here we are, a few minutes opened up and it didn’t take long to get back into the groove.

Things are about to get complicated…


With Jan safely in custody, probably for about 15 minutes when Dobbin discovered she was in police hands, Jennifer and I were free to chase up O’Connell and maybe we would also find Anna.

It was a long shot at best.

But we had to find out more about Anna Jacovich.  For that, we would have to go back to the office and talk to Joanne.  I told Jennifer what I intended to do and dropped her at the safe house for some much-needed rest before we went after O’Connell.

Then, back in the car, I called the number I had for Joanne.

“Sam.”

“Memorised my number?”

“I like to know who’s calling before I answer.”

“Then this isn’t a restricted line?”

“Restricted enough.”

“I found your little toy?”

Did I hear a sigh? 

“You know the world we live in Sam, trust no one not even your mother.  Hard for me to trust or not trust her, she passed away when I was seven.  Monica said you were good.  What can I do for you?”

“A full workup on Anna Jacovich.  I’m coming into the office now, and will be there in about half an hour.”

“No pressure then?”

“Not at all.”

“Try not to irritate security this time.”

I’m sure I saw a grim expression on the face of the soldier that had been there the last time I tried to run the gauntlet, and then disappointment when my card worked.  I signed in and put the name of the department I was visiting down as Research.

When he asked for a name, I gave him Joanne’s.  No doubt he would call her long before I got to her.

She met me at the second level of defence and then took me to a room where two folders sat at opposite ends of a table, two desk lamps shining light down on them.  The rest of the room was in darkness.

When she shut the door, I said, “Please tell me there in;t a firing squad in black camouflage just waiting to shoot me.”

She smiled.  “If it was more sensitive information, I’d let you read it, then have you shot.  Not today.

That was a relief.  Oddly, I believed that she would if the circumstances warranted it.  Joanne was scary, nor scary than Jan.  It’s the quiet ones you had to worry about.”

We sat.

“Read. Then I’ll answer questions.”

For the ten minutes, it took me to discover that Anna was a biochemist herself, and had worked in a not-so-secret government laboratory that had been unmasked with disastrous results, adding another dimension to the problem.  I was beginning to think she might be the one who created the monster and had set her husband up to take the blame.

If that was the case, she was never going to pass it on to O’Connell or sell it to him, other than to take the money and run.  If that was the case, Severin knew it was her all along, and how dangerous she was.

But and there was a big but in all of this.  She needed an accomplice to get to England, which was O’Connell.  Now he was no longer needed…

Yes, she would also need both Severin and Maury off her tail, and that had been taken care of.

Jan?  Unless I completely misread her, it was not possible she could be the accomplice; she was doing what Dobbin requested.  Or had she?  Dobbin did say she was able to make executive decisions on the fly.

“The threat isn’t O’Connell.  He’s just a pawn.”

“Not just a pretty face then?”

“I never regard my face as pretty.”

She shook her head.  “It’s Anna.  She played Severin and Maury, she played Dobbin, and she played Dobbin’s little toy soldier, O’Connell.  Or Quigley I believe his real name is.  I hesitate to say O’Connell played you.”

“Call a dog a dog, Joanne.  If I had more experience and more information I might have seen that.  You can’t keep people in the dark, and then expect miracles.”

“I’m the messenger, Sam.”

“I’ve been known to shoot messengers, just because I can.”

“Save your bullets for the bad guys.”

“How do I know you and Monica are not the bad guys?”

Another shake of the head.  “OK.  You’ve passed the scepticism test, Sam.  Now put it away.  We have to work together on this.  It’s a condition for continuing to work on the case.”

“And if I don’t?”

“I don’t need to answer that.  But, I get it.  You’re a self-starter and will keep at it, with or without us.  I can see why people like you.  To me, your just another dangerous amateur.”

There were words I could say, but judging by the reek of self-aggrandisement, it would not penetrate the thick hide.

I smiled.  “Not noted for your charm then.”

“No.  Where is Jan?”

“Who?”

“Don’t play games, Sam.  They don’t become you.  You went to see Severin, but he ended up dead, and she shot him.  Why?”

“You read this file?”  I picked it up and dropped it on the table.

She was the sort that read the first page, the preamble, and the last page, the result or desired result.

“I did.”

“Then you know why, as for Jan, if you know I was there when Severin was shot, you’d know where Jan is.”

“She disappeared into the trees.  And no doubt in the wind.  You should know she’s a trained MI5 assassin on loan to Dobbin.”

Who was now in jail somewhere pending the Detective Inspectors leisure, unless she filed a report.  If she did, she would be out now, and looking for O’Connell and Anna.

“Then how should I know?”

She shrugged.  “I thought I’d ask.  I’m not sure I like having to peel away the layers of this story one by one.”

“Be more forthcoming.”  I stood.  I had what I needed.  “If that’s all, I’ll go on with the job.”

“O’Connell?”

“He’s probably dead by now, but I have to find him, one way or another.”

“Keep me in the loop.  Monica wants to know.”

“Of course.”

© Charles Heath 2020-2023

A photograph from the inspirational bin – 56

What story does it inspire?

While the first thought you might have of what this photograph represents might be of the water, yet again, as it is the same place as that of yesterday, in contrast, this was two days later and later in the day.

What fascinated me this time was the clouds.

I have it in mind that we always seem to imagine that very large alien spaceships are going to come out of the clouds, and that one I saw, well, I stood there for a while half expecting to witness the first alien visit.

It’s probably too much to expect that they would come to Australia first before they went to America, and even less so Queensland.

Except of course, they came to see Surfer’s Paradise, stay in one of the many hotels overlooking the beach and ocean, go to one of a zillion restaurants, get in some surfing, or just laze around for a week or so before they did what they came to do.

Just think, your famous catchline could be, “A funny thing happened on the way to the casino … I ran into this group of aliens … or at least I think they were aliens, it’s hard to tell the way our younger generation gets around these days…”

In a word: Prize

What you win, first prize in a raffle, though I don’t think I’ve ever won first prize.  Second maybe.  But, aren’t all raffles rigged?  

But despite my unfortunate run of luck, a prize is generally give to someone who works hard, or wins a race

Or I could have been a prize fighter but lacked the size and the strength, and out of curiosity how many prize fighters didn’t win a prize?

And if I had been a pirate, I could have sailed the seven seas to find a prize, namely a ship to attack and take as my own.

And as a prime example, a Chelsea supporter walking into a bar full of Manchester United fans could be called a prize idiot.

This is not to be confused with the word prise

Don’t relatives prise the last dollar out of a dying man’s hand?

Or prise the truth out of a witness, or a perpetrator

Or prise a window open like thieves do when we forget to lock them properly?

‘The Devil You Don’t’ – A beta reader’s view

It could be said that of all the women one could meet, whether contrived or by sheer luck, what are the odds it would turn out to be the woman who was being paid a very large sum to kill you.

John Pennington is a man who may be lucky in business, but not so lucky in love. He has just broken up with Phillipa Sternhaven, the woman he thought was the one, but relatives and circumstances, and perhaps because she was a ‘princess’, may also have contributed to the end result.

So, what do you do when you are heartbroken?

That is a story that slowly unfolds, from the first meeting with his nemesis on Lake Geneva, all the way to a hotel room in Sorrento, where he learns the shattering truth.

What should have been solace after disappointment, turns out to be something else entirely, and from that point, everything goes to hell in a handbasket.

He suddenly realizes his so-called friend Sebastian has not exactly told him the truth about a small job he asked him to do, the woman he is falling in love with is not quite who she says she is, and he is caught in the middle of a war between two men who consider people becoming collateral damage as part of their business.

The story paints the characters cleverly displaying all their flaws and weaknesses. The locations add to the story at times taking me back down memory lane, especially to Venice where, in those back streets I confess it’s not all that hard to get lost.

All in all a thoroughly entertaining story with, for once, a satisfying end.

Available on Amazon here: https://amzn.to/2Xyh1ow

The Cinema of My Dreams – It ended in Sorrento – Episode 57

Setting up Francesca

I asked Alfie to send me a track of Francesca’s movements, yes, I cloned her phone too, because I didn’t trust her, and yes, she went to see Anna at the Burkehardt’s residence.

We had a recording of her conversation, but it didn’t amount to much and Anna finished up yelling at her and kicking her out of the house.  Not literally, but if she hadn’t left the house when she did…

She was sitting at the table with her computer open.  By the way she shut it quickly, I suspect it was a video call to her boss.

“Your boss not happy with progress?”

She glared at me.

“You should go and have a talk to Anna Burkehardt.  Charming lady.”

Cecelia snorted almost too loudly on her way to the bathroom.

Francesca shrugged.  “Where have you been?”

“Looking at vines, would you believe.”

“How is that going to help?

“It’s not.  But I’ve decided you can come with me to see the countess.”

“You found her?”

“Not exactly.  She’s always been here, waiting for the day to sign the documents.  I was going to keep her away from your lot, now I’m not so sure that’s a good idea.  You can recognise her if you see her?”

“Are you saying the woman you have is not the countess?”

“No.  I’m asking if you can recognise her.”

“Of course.  We have a half dozen photographs we used, and some that deliberately disguise her in case she’s trying to be anonymous.”

“Good.  Tomorrow morning.”

That simple conversation was to see if she called her boss and they make arrangements to ‘take’ the countess into their protective custody, or, take her to Anna von Burkehardt.

As I said to Cecelia later, we would soon find out who Francesca and her people were working for.  Because of the hostility that Anne had shown towards her, I was wondering if Anna was, in fact, the one who hired them to find the countess.

“You’re going to have a busy morning tomorrow,” I said to Cecelia.  “You need to watch is leave and see if anyone follows us.”

“Do you really think they’d be that unsubtle?”

“Yes.  When large sums of money are involved.”

“And what will Anna do to her?”

“Nothing.  She’ll know straight away it’s not the real Countess, so I’m sure after they snatch her, the Countess will escape.  She can’t afford to be unmasked.  Not yet.

The fact that Cecelia didn’t tell me what I was doing was risky, told me that it was risky.

During the night, tossing and turning, with various women on my mind, I went through various scenarios, each of which had a bad outcome, the worst where Francesca became collateral damage.

This whole exercise was to see the lengths the fake Countess would go to not to be identified.  Or whether she thought her cover was good enough to fool everyone.

Except perhaps Anna.

A mother knows her daughter-in-law, especially after all that time.  A fake could not replicate the mannerisms, the speech, the idiosyncrasies, or a lifetime of just being together.

And I was banking on Francesca’s boss being greedy and putting money before ethics.  Francesca didn’t strike me as one with ethical problems, but I had read books by their covers before and been horribly wrong.

If it all blew up in my face at the very least, I could use it as an example of what not to do, but I doubt Cecelia would thank me in a hurry.

By the time I was ready to go, Cecelia had gone out for her morning run, and Francesca was ready to go and see the countess.  We had just enough time to sort out how we were going to communicate, and it was going to be amusing having Cecelia’s voice in my head.

At one point I had heavy breathing in my ear and told her it was distracting.  She simply replied that I should get out and join her and get rid of some of that retirement flab.

She did not have to be so mean, even if she was right.

I finished the coffee Cecelia had made in the percolator an hour before and tasted over-brewed, then finally stopped running scenarios that ended in disaster in my head.

“You ready?” I asked her.

I’d seen the transcript of the call Francesca made to her boss after I told her I was taking her to see the countess, and I knew the answer to that question.  It was rhetorical, but I couldn’t tell her that.

I just hoped the team that descended on us at the hotel was not a smash-and-grab type, not afraid to leave bodies behind.

© Charles Heath 2023

The cinema of my dreams – Was it just another surveillance job – Episode 58

This story is now on the list to be finished so over the new few weeks, expect a new episode every few days.

The reason why new episodes have been sporadic, there are also other stories to write, and I’m not very good at prioritizing.

But, here we are, a few minutes opened up and it didn’t take long to get back into the groove.

Things are about to get complicated…


“You’re not a target.  Yet.”

“Severin?”

“A loose end who was a rather bad blunt instrument, like his friend Maury.  They learned of a plan to steal some military secrets, tried to stop it and in the end almost destroyed 12 months of painstaking undercover work.  O’Connell had it within his grasp, and therefore in safe hands when those two wrecked a perfectly good retrieval.  Four potential agents dead and then there’s you, persistent I will admit, and one other, Jennifer, I believe her name is.”

“But you don’t have O’Connell, do you?”

“My, you have been working hard.  My first mistake was to trust O’Connell.  My second was to underestimate you, Jackson.  I don’t intend to make a third.  You don’t trust me, do you?”

Was it possible I’d get some version of the truth?

“Apparently he didn’t for some reason.”

“You found him.  Jan said you were being all secretive.  There was something you found in that flat in Peaslake.”

“No.  He told me that in the alley.” 

I sensed he knew way more than I did, but I had a missing piece, and he was going to play nice to get it.   The thing is, I didn’t know what that was.  Not the whole truth from me.

“Yes.  Of course, he did.”

“Perhaps it was self-preservation, not that it did much since someone did shoot him.”

“Not with the intention of killing him.  It was all arranged.”

“You knew he would be at that alley?”

“One of three escape routes.  Neither of us anticipated you would be good enough to follow him.  Severin got lucky with you, probably why he made you the lead.”

Severin hadn’t said as much when he told the group before the exercise began, that I would take point.  I thought it was simply because in the prior five tests, I’d only failed one.  Everyone else had varying results.

“Have you seen the CCTV footage of the explosion?”

“Several times.  It must have been harrowing for you to relive that and see how close you came.”

“It did.  But it did afford a view that I missed while preoccupied.  McConnell and the wife of the scientist I believe stole the formulas.”

“Yes, Anna.   What do you make of her?”

“From a single glimpse?”

“A good agent doesn’t need much to form an opinion.  As you know, that opinion could be the difference between life and death.”

He was starting to sound like Severin.  He said we had to be able to judge a book by its cover and make the right decision based on it.  What did I think of Anna?

“Capable, determined.  She survived an explosion that might well have been directed at her.  Not your average scientist’s wife. “

“Did you check her out?”

“Not yet.  I had this thing with Severin.”

“What did he want?”

“I don’t know.  Jan killed him before he could tell me.”

“A guess?”

“He wanted to come in from the cold before he ended up like Maury.  He knew his days were numbered.  It also means that he knew something that someone didn’t want to be repeated.  You, perhaps?  I mean, you can help make the connection.  Your idea for Jan to get his confidence?”

“Hers.  She’s a good agent, so don’t worry about her.  Find O’Connell.  When you do, you will find Anna, and perhaps, a copy of that USB.”

“And if I don’t?”

“Then the department has lost five million pounds.”

© Charles Heath 2020-2023