Category: Mystery

Inspiration, maybe – Volume 1

50 photographs, 50 stories, of which there is one of the 50 below.

They all start with –

A picture paints … well, as many words as you like.  For instance:

lookingdownfromcoronetpeak

And the story:

It was once said that a desperate man has everything to lose.

The man I was chasing was desperate, but I, on the other hand, was more desperate to catch him.

He’d left a trail of dead people from one end of the island to the other.

The team had put in a lot of effort to locate him, and now his capture was imminent.  We were following the car he was in, from a discrete distance, and, at the appropriate time, we would catch up, pull him over, and make the arrest.

There was nowhere for him to go.

The road led to a dead-end, and the only way off the mountain was back down the road were now on.  Which was why I was somewhat surprised when we discovered where he was.

Where was he going?

“Damn,” I heard Alan mutter.  He was driving, being careful not to get too close, but not far enough away to lose sight of him.

“What?”

“I think he’s made us.”

“How?”

“Dumb bad luck, I’m guessing.  Or he expected we’d follow him up the mountain.  He’s just sped up.”

“How far away?”

“A half-mile.  We should see him higher up when we turn the next corner.”

It took an eternity to get there, and when we did, Alan was right, only he was further on than we thought.”

“Step on it.  Let’s catch him up before he gets to the top.”

Easy to say, not so easy to do.  The road was treacherous, and in places just gravel, and there were no guard rails to stop a three thousand footfall down the mountainside.

Good thing then I had the foresight to have three agents on the hill for just such a scenario.

Ten minutes later, we were in sight of the car, still moving quickly, but we were going slightly faster.  We’d catch up just short of the summit car park.

Or so we thought.

Coming quickly around another corner we almost slammed into the car we’d been chasing.

“What the hell…” Aland muttered.

I was out of the car, and over to see if he was in it, but I knew that it was only a slender possibility.  The car was empty, and no indication where he went.

Certainly not up the road.  It was relatively straightforward for the next mile, at which we would have reached the summit.  Up the mountainside from here, or down.

I looked up.  Nothing.

Alan yelled out, “He’s not going down, not that I can see, but if he did, there’s hardly a foothold and that’s a long fall.”

Then where did he go?

Then a man looking very much like our quarry came out from behind a rock embedded just a short distance up the hill.

“Sorry,” he said quite calmly.  “Had to go if you know what I mean.”

I’d lost him.

It was as simple as that.

I had been led a merry chase up the hill, and all the time he was getting away in a different direction.

I’d fallen for the oldest trick in the book, letting my desperation blind me to the disguise that anyone else would see through in an instant.

It was a lonely sight, looking down that road, knowing that I had to go all that way down again, only this time, without having to throw caution to the wind.

“Maybe next time,” Alan said.

“We’ll get him.  It’s just a matter of time.”

© Charles Heath 2019-2021

Find this and other stories in “Inspiration, maybe”  available soon.

InspirationMaybe1v1

An excerpt from “The Things We Do For Love”

In the distance he could hear the dinner bell ringing and roused himself.  Feeling the dampness of the pillow, and fearing the ravages of pent up emotion, he considered not going down but thought it best not to upset Mrs. Mac, especially after he said he would be dining.

In the event, he wished he had reneged, especially when he discovered he was not the only guest staying at the hotel.

Whilst he’d been reminiscing, another guest, a young lady, had arrived.  He’d heard her and Mrs. Mac coming up the stairs, and then shown to a room on the same floor, perhaps at the other end of the passage.

Henry caught his first glimpse of her when she appeared at the door to the dining room, waiting for Mrs. Mac to show her to a table.

She was about mid-twenties, slim, long brown hair, and the grace and elegance of a woman associated with countless fashion magazines.  She was, he thought, stunningly beautiful with not a hair out of place, and make-up flawlessly applied.  Her clothes were black, simple, elegant, and expensive, the sort an heiress or wife of a millionaire might condescend to wear to a lesser occasion than dinner.

Then there was her expression; cold, forbidding, almost frightening in its intensity.  And her eyes, piercingly blue and yet laced with pain.  Dracula’s daughter was his immediate description of her.

All in all, he considered, the only thing they had in common was, like him, she seemed totally out of place.

Mrs. Mac came out of the kitchen, wiping her hands on her apron.  She was, she informed him earlier, chef, waitress, hotelier, barmaid, and cleaner all rolled into one.  Coming up to the new arrival she said, “Ah, Miss Andrews, I’m glad you decided to have dinner.  Would you like to sit with Mr. Henshaw, or would you like to have a table of your own?”

Henry could feel her icy stare as she sized up his appeal as a dining companion, making the hair on the back on his neck stand up.  He purposely didn’t look back.  In his estimation, his appeal rating was minus six.  Out of a thousand!

“If Mr. Henshaw doesn’t mind….”  She looked at him, leaving the query in mid-air.

He didn’t mind and said so.  Perhaps he’d underestimated his rating.

“Good.”  Mrs. Mac promptly ushered her over.  Henry stood, made sure she was seated properly and sat.

“Thank you.  You are most kind.”  The way she said it suggested snobbish overtones.

“I try to be when I can.”  It was supposed to nullify her sarcastic tone but made him sound a little silly, and when she gave him another of her icy glares, he regretted it.

Mrs. Mac quickly intervened, asking, “Would you care for the soup?”

They did, and, after writing the order on her pad, she gave them each a look, imperceptibly shook her head, and returned to the kitchen.

Before Michelle spoke to him again, she had another quick look at him, trying to fathom who and what he might be.  There was something about him.

His eyes, they mirrored the same sadness she felt, and, yes, there was something else, that it looked like he had been crying?  There was a tinge of redness.

Perhaps, she thought, he was here for the same reason she was.

No.  That wasn’t possible.

Then she said, without thinking, “Do you have any particular reason for coming here?”  Seconds later she realized she’s spoken it out loud, had hadn’t meant to actually ask, it just came out.

It took him by surprise, obviously not the first question he was expecting her to ask of him.

“No, other than it is as far from civilization, and home, as I could get.”

At least we agree on that, she thought.

It was obvious he was running away from something as well.

Given the isolation of the village and lack of geographic hospitality, it was, from her point of view, ideal.  All she had to do was avoid him, and that wouldn’t be difficult.

After getting through this evening first.

“Yes,” she agreed.  “It is that.”

A few seconds passed, and she thought she could feel his eyes on her and wasn’t going to look up.

Until he asked, “What’s your reason?”

Slight abrupt in manner, perhaps as a result of her question, and the manner in which she asked it.

She looked up.  “Rest.  And have some time to myself.”

She hoped he would notice the emphasis she had placed on the word ‘herself’ and take due note.  No doubt, she thought,  she had completely different ideas of what constituted a holiday than he, not that she had actually said she was here for a holiday.

Mrs. Mac arrived at a fortuitous moment to save them from further conversation.

 

Over the entree, she wondered if she had made a mistake coming to the hotel.  Of course, there had been no possible way she could know than anyone else might have booked the same hotel, but realized it was foolish to think she might end up in it by herself.

Was that what she was expecting?

Not a mistake then, but an unfortunate set of circumstances, which could be overcome by being sensible.

Yet, there he was, and it made her curious, not that he was a man, by himself, in the middle of nowhere, hiding like she was, but for very different reasons.

On discreet observance whilst they ate, she gained the impression his air of light-heartedness was forced and he had no sense of humor.

This feeling was engendered by his looks, unruly dark hair, and permanent frown.  And then there was his abysmal taste in clothes on a tall, lanky frame.  They were quality but totally unsuited to the wearer.

Rebellion was written all over him.

The only other thought crossing her mind, and rather incongruously, was he could do with a decent feed.  In that respect, she knew now from the mountain of food in front of her, he had come to the right place.

“Mr. Henshaw?”

He looked up.  “Henshaw is too formal.  Henry sounds much better,” he said, with a slight hint of gruffness.

“Then my name is Michelle.”

Mrs. Mac came in to take their order for the only main course, gather up the entree dishes, then return to the kitchen.

“Staying long?” she asked.

“About three weeks.  Yourself?”

“About the same.”

The conversation dried up.

Neither looked at the other, rather at the walls, out the window, towards the kitchen, anywhere.  It was, she thought, almost unbearably awkward.

 

Mrs. Mac returned with a large tray with dishes on it, setting it down on the table next to theirs.

“Not as good as the usual cook,” she said, serving up the dinner expertly, “but it comes a good second, even if I do say so myself.  Care for some wine?”

Henry looked at Michelle.  “What do you think?”

“I’m used to my dining companions making the decision.”

You would, he thought.  He couldn’t help but notice the cutting edge of her tone.  Then, to Mrs. Mac, he named a particular White Burgundy he liked and she bustled off.

“I hope you like it,” he said, acknowledging her previous comment with a smile that had nothing to do with humor.

“Yes, so do I.”

Both made a start on the main course, a concoction of chicken and vegetables that were delicious, Henry thought, when compared to the bland food he received at home and sometimes aboard my ship.

It was five minutes before Mrs. Mac returned with the bottle and two glasses.  After opening it and pouring the drinks, she left them alone again.

Henry resumed the conversation.  “How did you arrive?  I came by train.”

“By car.”

“Did you drive yourself?”

And he thought, a few seconds later, that was a silly question, otherwise she would not be alone, and certainly not sitting at this table. With him.

“After a fashion.”

He could see that she was formulating a retort in her mind, then changed it, instead, smiling for the first time, and it served to lighten the atmosphere.

And in doing so, it showed him she had another more pleasant side despite the fact she was trying not to look happy.

“My father reckons I’m just another of ‘those’ women drivers,” she added.

“Whatever for?”

“The first and only time he came with me I had an accident.  I ran up the back of another car.  Of course, it didn’t matter to him the other driver was driving like a startled rabbit.”

“It doesn’t help,” he agreed.

“Do you drive?”

“Mostly people up the wall.”  His attempt at humor failed.  “Actually,” he added quickly, “I’ve got a very old Morris that manages to get me where I’m going.”

The apple pie and cream for dessert came and went and the rapport between them improved as the wine disappeared and the coffee came.  Both had found, after getting to know each other better, their first impressions were not necessarily correct.

“Enjoy the food?” Mrs. Mac asked, suddenly reappearing.

“Beautifully cooked and delicious to eat,” Michelle said, and Henry endorsed her remarks.

“Ah, it does my heart good to hear such genuine compliments,” she said, smiling.  She collected the last of the dishes and disappeared yet again.

“What do you do for a living,” Michelle asked in an off-hand manner.

He had a feeling she was not particularly interested and it was just making conversation.

“I’m a purser.”

“A what?”

“A purser.  I work on a ship doing the paperwork, that sort of thing.”

“I see.”

“And you?”

“I was a model.”

“Was?”

“Until I had an accident, a rather bad one.”

“Oh, I’m sorry.”

So that explained the odd feeling he had about her.

As the evening had worn on, he began to think there might be something wrong, seriously wrong with her because she didn’t look too well.  Even the carefully applied makeup, from close up, didn’t hide the very pale, and tired look, or the sunken, dark ringed eyes.

“I try not to think about it, but it doesn’t necessarily work.  I’ve come here for peace and quiet, away from doctors and parents.”

“Then you will not have to worry about me annoying you.  I’m one of those fall-asleep-reading-a-book types.”

Perhaps it would be like ships passing in the night and then smiled to himself about the analogy.

Dinner now over, they separated.

Henry went back to the lounge to read a few pages of his book before going to bed, and Michelle went up to her room to retire for the night.

But try as he might, he was unable to read, his mind dwelling on the unusual, yet the compellingly mysterious person he would be sharing the hotel with.

Overlaying that original blurred image of her standing in the doorway was another of her haunting expressions that had, he finally conceded, taken his breath away, and a look that had sent more than one tingle down his spine.

She may not have thought much of him, but she had certainly made an impression on him.

 

© Charles Heath 2015-2020

lovecoverfinal1

The fourth attempt, let’s look at the main character

So there’s words on paper, and three times I’ve tried to fix it, or, perhaps just make it sound better, because reading it in my head, there’s too little background, and too many questions.

The flow of the story isn’t working for me, so I guess it’s time to sit down and work out what it is I’m trying to say.

The notion that our main character, Graham, is a loser seems to shine through, and that’s not what I’m trying to portray him as.  No, far from it, it’s been a lifetime of bad choices that have put him where he is, and he knows it.

So, in part, this is about owning your mistakes, and it’s my job to make him come across as a hero in waiting.  There’s good in him, perhaps too much, but there is also that attitude that led to all those bad choices, the one that can get him into trouble, and a sort of intransience inherited from his father, that has more or less got him ostracised from the family. 

I want this character to be a chop off the old block, both of whom are the type not to back down, not to say sorry, and, to quote a rather apt allegory, would cut their nose off to spite their face.

Graham’s intransience led to his refusal to follow his father into business, refusal to go to University despite having the necessary qualifications, and just to round out the defiance, his choice of women whom he knew would meet with family disapproval.

And these factors, over a period of time, saw him bounce from a low paying job to jobs with no prospects, and a string of failed relationships, until this moment in time, where he was basically on his own, working the graveyard shift as a security guard.  The sort of job where qualifications weren’t looked for and workmates looked like and probably were ex-cons.

There are a few more details like the older brother, Jackson, politician and schemer, the same as his father before him (the seat was passed down through the family), like the younger sister who is a highly successful surgeon, married into immense wealth.  His brother had been less successful in the marital stakes but what he lacked in a wife was more than made up with a string of highly eligible and beautiful women.

And, no, he doesn’t resent the fact they’re rich, or that his parents were, too, just that they treated him with contempt.

It was almost five years since the last time he had seen any of them, that last time he attended the family Christmas in Martha’s Vineyard, the ‘Stockdale Residence’ an ostentatious sprawling fifty room mansion that, in a drunken rage, he’s tried to burn down.

Once again, he had not received an invitation to the next, due in a few days, and it was not entirely unexpected.

Graham has his faults, but that even, five years ago, had pulled him off the road to self-destruction, helped along by a year stint in jail where he learned a great many lessons about life itself, and survival.

The four years since?

A lot of regret, and a lot of repentance.  Life after jail was a lot worse than life trying to defy the family and the system.  There were two roads he could have gone down, and thankfully for him, it was not the wrong one.

So, he’s back on the path, a whole lot wiser, a whole lot tougher.

That might not have been exactly what I was thinking for him over the first three attempts.  I don’t think any character really begins to shine until halfway through, as you find him meeting various challenges in ways even you, as the writer, find quite unexpected.

Is that the end result of being a pantser over being a planner?

I don’t think, even as a planner, you can create a character that’s not going to change, or ever surprise you, as the story evolves.

And somehow I don’t think I’m about to change from one to the other.

Well, not completely.

But there’s more, and no, it’s not steak knives!

© Charles Heath 2020

The fourth attempt, let’s look at the location

Equally important is the location.  Dark and brooding characters need dark and brooding locations.  It’s undeniable that there’s evil everywhere, we just have to look for it.

Of course, that’s not what I do, but …

I have been in a few tight corners, with some possibly dark and brooding characters where my heart rate has increased exponentially, and was saved by quick thinking, and a desire not to hang around and see what happens (for the purposes of a writable experience – no,, I’m not that stupid).

As the story stands, we move form a small staff room, or rest room, and then we move out to the car park of … what?  It’s not exactly clear where it is, only that Graham is leaving work to go home.

Whether it’s clear or not, Graham is a security guard, part of a team that work on an industrial estate where there’s a number of factories and office blocks. 

Some of those buildings are empty, for a variety of reasons, so a back story for this might be created so that I can convey a clearer picture of not only the bricks and mortar, but what it’s like there.

Ergo the first descriptive line, steeping outside into the epicentre of the south pole.  There is snow everywhere, which meant it was falling while he was inside at work, but now, the moment he leaves, it’s stopped.  Cold, then, and clear.

So it begins…

Now, as a secondary theme, it might not be obvious the owners are lax in the hiring of security staff to watch over their assets, staff that are relatively dubious in character, which might, in turn, mean that the notion of using cut-price security might mean something else is going on.

Are the empty factories empty?  Or have they been repurposed, and the guards are not sure what their guarding?  Do they want to know?  A job is a job, and in this situation, either from a hint from the employer, or the words of an old hand, and it doesn’t pay to poke a nose in where it’s not wanted.

So, as you can see, when starting the story I didn’t give proper thought to the background story, the fact that I could weave another or several storylines intertwined with what will be the master plotline.

What is the master plotline?

I have an idea or two, but let’s not get to ahead of ourselves.

Let’s stitch together a scenario or two for the back story and see where it takes us.  Remember that this was more or less part of the storyline originally in my mind but may not have been articulated in what I wrote at the time.

Basically, then, we’re dealing with a large industrial site on the outskirts of a city in decline.  Everyone can relate to the problematic times we’re in now, but this was written at the height of the last global financial meltdown about fifteen year ago, which caused a deep recession.

Within that framework a lot of businesses and people went to the wall.  Graham, and others, lost a decent paying job, as well as his house, having finally got on the property ladder, only to find he couldn’t pay for it.

At the time he was not alone in that respect.  And lenders were not immune either, so there’s the possibility of one or two industrial park owners not exactly being legit in some of their business dealings, not after taking heavy hits financially.

In that scenario, there’s always the possibility of insurance fraud as a means of cutting losses, hence the need for security that might be asked to look the other way.

Another possibility could be that empty buildings and enterprising men, or women, fit the category of ‘the devil finds work for idle hands’. 

Or someone who recognises an opportunity to make some money.  That particular scenario opens the door to a plethora of ideas.

© Charles Heath 2020

“Sunday in New York”, it’s a bumpy road to love

“Sunday in New York” is ultimately a story about trust, and what happens when a marriage is stretched to its limits.

When Harry Steele attends a lunch with his manager, Barclay, to discuss a promotion that any junior executive would accept in a heartbeat, it is the fact his wife, Alison, who previously professed her reservations about Barclay, also agreed to attend, that casts a small element of doubt in his mind.

From that moment, his life, in the company, in deciding what to do, his marriage, his very life, spirals out of control.

There is no one big factor that can prove Harry’s worst fears, that his marriage is over, just a number of small, interconnecting events, when piled on top of each other, points to a cataclysmic end to everything he had believed in.

Trust is lost firstly in his best friend and mentor, Andy, who only hints of impending disaster, Sasha, a woman whom he saved, and who appears to have motives of her own, and then in his wife, Alison, as he discovered piece by piece damning evidence she is about to leave him for another man.

Can we trust what we see with our eyes or trust what we hear?

Haven’t we all jumped to conclusions at least once in our lives?

Can Alison, a woman whose self-belief and confidence is about to be put to the ultimate test, find a way of proving their relationship is as strong as it has ever been?

As they say in the classics, read on!

Purchase:

http://tinyurl.com/Amazon-SundayInNewYork

After the third attempt, still needs work

I have a stab at improving this starting piece every now and then, a project that started about a year or so ago, and I find myself rewriting the start over and over because I’m not satisfied with the characterization.

It’s not so much the storyline, as it is in trying to create sympathy for the character, and not find him as dull as ditchwater.  He’s improving with age.  As writers, we tend to create colourful characters and shy away from those who are dull and boring, because after all, as a reader, you want to become something or someone who is far from ordinary.  Well, Graham is starting out ordinary, but he will be anything but by the time I write those words ‘The End’.

I promise.

 

I am the master of my own destiny.

My father had drummed that into me, as well as my older brother and younger sister, over and over, until it became a mantra.

For them.

I could not say I didn’t have the same advantages afforded to them, afforded to me.  I did.

But somewhere lost in the translation, someone forgot to tell me that it was only advice, not an order, and mistaking it for the latter, I struck out on my own path.

And for the next ten years, it was a long and winding path that led me to this point in time, in a small room that held nothing to tell me where I came from, or who I really was.

My parents were very wealthy with an Upper Westside Apartment in Manhattan and a holiday house in Martha’s Vineyard, my sister had a successful medical career and married a most eligible bachelor, as expected, and my brother, he was a politician.

I’d not seen any of them in at least five years, and they hadn’t called me.

You see, I was the black sheep of the family.  I dropped out of college when it all became too much, and drifted.  Seasonal labourer, farmhand, factory worker, add job man, and night watchman. 

At least now I had a uniform, and a gun, and looked like I’d made something of myself.

It was hard to say why, just before I was about to head out of the factory to end my shift, that those thoughts about them came into my mind.   They might be gone, but I guess I would never forget about them.  I wondered briefly if any of them thought about me.

 

It was 3 a.m. and it was like standing on the exact epicentre of the South Pole.  I’d just stepped from the factory warehouse into the car park.

The car was covered in snow.  The weather was clear now, but I could feel more snow was coming.  A white Christmas?  That’s all I needed.  I hoped I remembered to put the antifreeze in my radiator this time.

As I approached my car, the light went on inside an SUV parked next to my car.  The door opened and what looked to be a woman was getting out of the car.

“Graham?”

It was a voice I was familiar with, though I hadn’t heard it for a long time.

I looked again and was shocked to see my ultra-successful sister, Penelope.  She was leaning against the front fender, and from what I could see, didn’t look too well.

How on earth did she find me, after all the years that had passed?  Perhaps that sparked my un-conciliatory question, “What do you want?”

I could see the surprise and then hurt in her expression.  Perhaps I had been a little harsh.  Whatever she felt, it passed, and she said, “Help.”

My help?  Help with what? I was the last person who could help her, or anyone for that matter, with anything.   But curiosity got the better of me.  “Why?”

“I think my husband is trying to kill me.”

Then, with that said, she slid down the side of the car, and I could see, in the arc lamps lighting the car park, a trail of blood.

My first thought, she needed the help of a doctor, not a stupid brother, then a second thought, call 911, which I did, and hoped like hell they got here in time.

And, yes, there was a third thought that crossed my mind.  Whether or not I would be blamed for this event.

 

© Charles Heath 2020

The second attempt looks a little better, but not much

The process of writing is rewriting editing and more rewriting.

The other day l wrote some words.  I didn’t like them.  But it had laid the groundwork for a second draft.

Here it is:

 

Growing up I did not believe l had one of those lovable faces.

My brother, known in school as the best looking boy of his graduating class, said it was a face only a mother could love.

He was mean.

Simone, a girl who was a friend, not a girlfriend, said my face had character.

She was charming and polite.

Looking now, in the mirror, l decided I’d aged gracefully.

I could truthfully say my brother had not, but that was as far as the comparison went.

My overachieving brother was the epitome of success in business, a veritable god zillionaire.  Everything he touched turned to gold.

My ultra successful sister, Penelope, had married into the right family perhaps by chance, but she was also a very learned scholar whose life was divided between her chair and the university and her social life with the rich and famous.

Then there was me.

I gave up on my chance at university because l was not the scholarly sort and didn’t last long.  Sadly l was the first of my family to be sent down from Oxford.

Instead, l took on a series of professions such as seasonal laborer, farmhand, factory worker, and lastly, night watchman.  At least now I had a uniform and looked like I’d made something of myself.

It would not be enough for my parents who every year didn’t say it out loud but the disappointment was always there in their expressions.

My brother in his usual blunt manner said l was a loser and would never change.

My sister was not quite so blunt.  She simply said it was disappointing so much potential was going to waste.  I only asked her once what she meant and lost me after the first four-syllable word.

Finally, I’d taken their comments to heart and decided l would not be going home to the family Christmas holiday reunion.

I told my boss l was available to work the night shift over the holidays, the shift no one else wanted.

It was he said the time for reflection.  He hated his family as much as I did so we would be able to lament our bad luck though the long cold hours from dusk till dawn.

It was 3 a.m. and it was like standing on the exact epicenter of the North Pole.  I’d just stepped from the warehouse into the car park.

The car was covered in snow.  The weather was clear now, but more snow was coming.

It was going to be a white Christmas, all I needed.  I hoped I remembered to put the antifreeze in my radiator this time.

As I approached my car, the light went on in an SUV parked next to my car.  The door opened and what looked to be a woman was climbing down from the driver’s seat.

She closed the door and leaned against the side of the car.  “Graham?”

It was a voice I was familiar with, though I hadn’t heard it for a long time, my ultra-successful sister, Penelope.  From what I could see, she didn’t look too well.

“What do you want?”

“Help.”

My help, I was the last person to help her or anyone for that matter.  But curiosity got the better of me.  “Why?”

“Because my husband is trying to kill me.”

The instant the last word left her lips I saw her jerk back into the car, and then start sliding down to the ground.  There was no mistaking the red streak following her as she fell.

She’d been shot from what could be a sniper rifle, which meant …

 

It still needs work but I’ve got the gist of where I want to go.

The idea is not to make a character so loathsome no one would want to read about him.

This will evolve and you can if you like come along for the ride!

 

© Charles Heath 2020

In a word: Page

We as authors always like to see two little words in every review, page turner.

Alas, sometimes they’re not, but usually this applied to non fiction simple because they’re reference books. Then another two words apply: boat anchor.

The good stuff is usually over the page.

Page in this instance refers to a leaf in a book, which generally has many pages.

Then the is a page boy, not what you’d find lurking around these days but were more common in days past, but refers to a boy in training to become a knight, or an errand boy for a nobleman.

These days a page boy opens doors and runs messages in a hotel.

Another variation is being paged over the P.A. system, always a major cause of embarrassment because you and everyone else thinks your in trouble.

Of course, before there were mobile phones, there were pagers, and sometimes in the deathly silence of the classroom, it went off. Definitely not advisable to have one on you if you are trying to sneak up on someone. Same goes for the modern equivalent, the mobile phone.

For the person who uses a word processor, you are familiar with pages, and having the software generate page numbers, of course, not for the title page, and a different numbering for other pages like an index, before the story starts.

Complicated? Sometimes.

And many years ago a boss of mine often used to say I needed to turn over a new page, and it did make much sense to me. That might have been because I was young and stupid. But, later on I realised what he was really saying was that I needed to turn over a new leaf.

Kind of strange, but then a lot saying are.

And did I?

Eventually.

And just to end on a high note, Paige is also the name of a girl, I think, and one I’ve decided to use in a story.

The story behind the story: A Case of Working With the Jones Brothers

To write a private detective serial has always been one of the items at the top of my to-do list, though trying to write novels and a serial, as well as a blog, and maintain a social media presence, well, you get the idea.

But I made it happen, from a bunch of episodes I wrote a long, long time ago, used these to start it, and then continue on, then as now, never having much of an idea where it was going to end up, or how long it would take to tell the story.

That, I think is the joy of ad hoc writing, even you, as the author, have as much idea of where it’s going as the reader does.

It’s basically been in the mill since 1990, and although I finished it last year, it looks like the beginning to end will have taken exactly 30 years.  Had you asked me 30 years ago if I’d ever get it finished, the answer would be maybe?

My private detective, Harry Walthenson

I’d like to say he’s from that great literary mold of Sam Spade, or Mickey Spillane, or Phillip Marlow, but he’s not.

But, I’ve watched Humphrey Bogart play Sam Spade with much interest, and modeled Harry and his office on it.  Similarly, I’ve watched Robert Micham play Phillip Marlow with great panache, if not detachment, and added a bit of him to the mix.

Other characters come into play, and all of them, no matter what period they’re from, always seem larger than life.  I’m not above stealing a little of Mary Astor, Peter Lorre or Sidney Greenstreet, to breathe life into beguiling women and dangerous men alike.

Then there’s the title, like

The Case of the Unintentional Mummy – this has so many meanings in so many contexts, though I image back in Hollywood in the ’30s and ’40s, this would be excellent fodder for Abbott and Costello

The Case of the Three-Legged Dog – Yes, I suspect there may be a few real-life dogs with three legs, but this plot would involve something more sinister.  And if made out of plaster, yes, they’re always something else inside.

But for mine, to begin with, it was “The Case of the …”, because I had no idea what the case was going to be about, well, I did, but not specifically.

Then I liked the idea of calling it “The Case of the Brother’s Revenge” because I began to have a notion there was a brother no one knew about, but that’s stuff for other stories, not mine, so then went the way of the others.

Now it’s called ‘A Case of Working With the Jones Brothers’, finished the first three drafts, and at the editor for the last.

I have high hopes of publishing it in early 2021.  It even has a cover.

PIWalthJones1

The first case of PI Walthenson – “A Case of Working With the Jones Brothers”

This case has everything, red herrings, jealous brothers, femme fatales, and at the heart of it all, greed.

See below for an excerpt from the book…

Coming soon!

PIWalthJones1

An excerpt from the book:

When Harry took the time to consider his position, a rather uncomfortable position at that, he concluded that he was somehow involved in another case that meant very little to him.

Not that it wasn’t important in some way he was yet to determine, it was just that his curiosity had got the better of him, and it had led to this: sitting in a chair, securely bound, waiting for someone one of his captors had called Doug.

It was not the name that worried him so much, it was the evil laugh that had come after the name was spoken.

Doug what? Doug the ‘destroyer’, Doug the ‘dangerous’, Doug the ‘deadly’; there was any number of sinister connotations, and perhaps that was the point of the laugh, to make it more frightening than it was.

But there was no doubt about one thing in his mind right then: he’d made a mistake. A very big. and costly, mistake. Just how big the cost, no doubt he would soon find out.

His mother, and his grandmother, the wisest person he had ever known, had once told him never to eavesdrop.

At the time he couldn’t help himself and instead of minding his own business, listening to a one-sided conversation which ended with a time and a place. The very nature of the person receiving the call was, at the very least, sinister, and, because of the cryptic conversation, there appeared to be, or at least to Harry, criminal activity involved.

For several days he had wrestled with the thought of whether he should go. Stay on the fringe, keep out of sight, observe and report to the police if it was a crime. Instead, he had willingly gone down the rabbit hole.

Now, sitting in an uncomfortable chair, several heat lamps hanging over his head, he was perspiring, and if perspiration could be used as a measure of fear, then Harry’s fear was at the highest level.

Another runnel of sweat rolled into his left eye, and, having his hands tied, literally, it made it impossible to clear it. The burning sensation momentarily took his mind off his predicament. He cursed and then shook his head trying to prevent a re-occurrence. It was to no avail.

Let the stinging sensation be a reminder of what was right and what was wrong.

It was obvious that it was the right place and the right time, but in considering his current perilous situation, it definitely was the wrong place to be, at the worst possible time.

It was meant to be his escape, an escape from the generations of lawyers, what were to Harry, dry, dusty men who had been in business since George Washington said to the first Walthenson to step foot on American soil, ‘Why don’t you become a lawyer?” when asked what he could do for the great man.

Or so it was handed down as lore, though Harry didn’t think Washington meant it literally, the Walthenson’s, then as now, were not shy of taking advice.

Except, of course, when it came to Harry.

He was, Harry’s father was prone to saying, the exception to every rule. Harry guessed his father was referring to the fact his son wanted to be a Private Detective rather than a dry, dusty lawyer. Just the clothes were enough to turn Harry off the profession.

So, with a little of the money Harry inherited from one of his aunts, he leased an office in Gramercy Park and had it renovated to look like the Sam Spade detective agency, you know the one, Spade and Archer, and The Maltese Falcon.

There’s a movie and a book by Dashiell Hammett if you’re interested.

So, there it was, painted on the opaque glass inset of the front door, ‘Harold Walthenson, Private Detective’.

There was enough money to hire an assistant, and it took a week before the right person came along, or, more to the point, didn’t just see his business plan as something sinister. Ellen, a tall cool woman in a long black dress, or so the words of a song in his head told him, fitted in perfectly.

She’d seen the movie, but she said with a grin, Harry was no Humphrey Bogart.

Of course not, he said, he didn’t smoke.

Three months on the job, and it had been a few calls, no ‘real’ cases, nothing but missing animals, and other miscellaneous items. What he really wanted was a missing person. Or perhaps a beguiling, sophisticated woman who was as deadly as she was charming, looking for an errant husband, perhaps one that she had already ‘dispatched’.

Or for a tall, dark and handsome foreigner who spoke in riddles and in heavily accented English, a spy, or perhaps an assassin, in town to take out the mayor. The man was such an imbecile Harry had considered doing it himself.

Now, in a back room of a disused warehouse, that wishful thinking might be just about to come to a very abrupt end, with none of the romanticized trappings of the business befalling him. No beguiling women, no sinister criminals, no stupid policemen.

Just a nasty little man whose only concern was how quickly or how slowly Harry’s end was going to be.

© Charles Heath 2019