Knowledge can be dangerous… – A short story

It was, perhaps, the saddest week of my life.

It started with a phone call, then a visit by two police officers.  It was about my parents, but the news could not be imparted over the phone, only in person.  That statement alone told me it was very bad news, so I assumed the worst.

The two police officers, standing at the front door, grim expressions on their faces, completed the picture.  The news, my parents were dead, killed in a freak car accident.

At first, it didn’t sink in.  They were on their way back from another of their extensive holidays, one of many since my father had retired.  I’d seen them probably six months out of the last five years, and the only reason they were returning this time was that my mother needed an operation.

They hadn’t told me why, not that they ever told me very much any time since the day I’d been born, but that was who they were.  I thought them eccentric, being older when I’d come along, and others thought them, well, eccentric.

And being an only child, they packed me off to boarding school, then university, and then found me a job in London, and set me up so that I would only see them weekends if they were home.

I had once wondered if they ever cared about me, keeping me at arm’s length, but my mother some time ago had taken me aside and explained why.  It was my father’s family tradition.  The only part I’d missed was a nanny.

It most likely explained why I didn’t feel their passing as much as I should.

A week later, after a strange funeral where a great many people I’d never met before, and oddly who knew about me, I found myself sitting in the sunroom, a glass of scotch in one hand, and an envelope with my name on it, in the other.

The solicitor, a man I’d never met before, had given it to me at the funeral.   We had, as far as I knew an elderly fellow, one of my father’s old school friends, as the family solicitor, but he hadn’t shown at the funeral and wasn’t at home when I called in on my way home.

It was all very odd.

I refilled the glass and took another look at the envelope.  It was not new, in fact, it had the yellow tinge of age, with discoloration where the flap was.  The writing was almost a scrawl, but identifiable as my father’s handwriting, perhaps an early version as it was now definitely an illegible scrawl.

I’d compared it with the note he’d left me before they had embarked on their last adventure, everything I had to do while caretaking their house.  The last paragraph was the most interesting, instructing me to be present when the cleaning lady came, he’d all but accused her of stealing the candlesticks.

To be honest, I hadn’t realized there were candlesticks to steal, but there they were, on the mantlepiece over the fire in the dining room.  The whole house was almost like being in an adventure park, stairs going up to an array of rooms, mostly no longer used, and staircase to the attic, and then another going down to the cellar.  The attic was locked and had been for as long as I could remember, and the cellar was dank and draughty.

Much like the whole house, but not surprising, it was over 200 years old.

And perhaps it was now mine.  The solicitor, a man by the name of Sir Percival Algernon Bridgewater, had intimated that it might be the last will and testament and had asked me to tell him if it was.  I was surprised that Sir Percival didn’t have the document in question.

And equally. so that the man I knew as his solicitor, Lawerence Wellingham, didn’t have a copy of my father’s last will and testament either.

I finished the drink, picked up the envelope, and opened it.

It contained two sheets of paper, the will, and a letter.  A very short letter.

“If you are reading this I have died before my time.  You will need to find Albert Stritching, and ask him to help you find the murderer.”

Even the tenor of that letter didn’t faze me as it should have, because at this point nothing would surprise me.  In fact, as I  unfolded the document that proclaimed it was the will, I was ready for it to say that whole of his estate and belongings were to be left to some charity, and I would get an annual stipend of a thousand pounds.

In fact, it didn’t.  The whole of his estate was left to my mother should she outlive him, or in the event of her prior decease, to me.

I had to put all of those surprises on hold to answer a knock on the door.

Lawerence Wellingham.

I stood too e side, let him pass, closed the door, and followed him into the front room, the one my mother called the ‘drawing room’ though I never knew why.

He sat in one of the large, comfortable lounge chairs.  I sat in the other.

I showed him the will.  I kept the other back, not knowing what to make of it.

“No surprise there,” Wellingham said.

“Did you have any idea what my father used to do, beyond being, as he put it, a freelance diplomat?”

I thought it a rather odd description but it was better than one he once proffered, ‘I do odd jobs for the government’.

“I didn’t ask.  Knowledge can be dangerous, particularly when associated with your father.  Most of us preferred not to know, but one thing I can tell you.  If anyone tries to tell you what happened to your parents was not an accident, ignore them.  Go live your life, and keep those memories you have of them in the past, and don’t look back.  They were good people, Ken, remember them as such.”

We reminisced for the next hour, making a dent in the scotch, one of my father’s favorite, and he left.

Alone again, the thoughts went back to the second note from my father.  That’s when the house phone rang.

Before I could answer it, a voice said, “My name is Stritching.  Your father might have mentioned me?  We need to talk.”

—-

© Charles Heath 2020-2021

The story behind the story: A Case of Working With the Jones Brothers

To write a private detective serial has always been one of the items at the top of my to-do list, though trying to write novels and a serial, as well as a blog, and maintain a social media presence, well, you get the idea.

But I made it happen, from a bunch of episodes I wrote a long, long time ago, used these to start it, and then continue on, then as now, never having much of an idea where it was going to end up, or how long it would take to tell the story.

That, I think is the joy of ad hoc writing, even you, as the author, have as much idea of where it’s going as the reader does.

It’s basically been in the mill since 1990, and although I finished it last year, it looks like the beginning to end will have taken exactly 30 years.  Had you asked me 30 years ago if I’d ever get it finished, the answer would be maybe?

My private detective, Harry Walthenson

I’d like to say he’s from that great literary mold of Sam Spade, or Mickey Spillane, or Phillip Marlow, but he’s not.

But, I’ve watched Humphrey Bogart play Sam Spade with much interest, and modeled Harry and his office on it.  Similarly, I’ve watched Robert Micham play Phillip Marlow with great panache, if not detachment, and added a bit of him to the mix.

Other characters come into play, and all of them, no matter what period they’re from, always seem larger than life.  I’m not above stealing a little of Mary Astor, Peter Lorre or Sidney Greenstreet, to breathe life into beguiling women and dangerous men alike.

Then there’s the title, like

The Case of the Unintentional Mummy – this has so many meanings in so many contexts, though I image back in Hollywood in the ’30s and ’40s, this would be excellent fodder for Abbott and Costello

The Case of the Three-Legged Dog – Yes, I suspect there may be a few real-life dogs with three legs, but this plot would involve something more sinister.  And if made out of plaster, yes, they’re always something else inside.

But for mine, to begin with, it was “The Case of the …”, because I had no idea what the case was going to be about, well, I did, but not specifically.

Then I liked the idea of calling it “The Case of the Brother’s Revenge” because I began to have a notion there was a brother no one knew about, but that’s stuff for other stories, not mine, so then went the way of the others.

Now it’s called ‘A Case of Working With the Jones Brothers’, finished the first three drafts, and at the editor for the last.

I have high hopes of publishing it in early 2021.  It even has a cover.

PIWalthJones1

The cinema of my dreams – It’s a treasure hunt – Episode 91

Here’s the thing…

Every time I close my eyes, I see something different.

I’d like to think the cinema of my dreams is playing a double feature but it’s a bit like a comedy cartoon night on Fox.

But these dreams are nothing to laugh about.

Once again there’s a new instalment of an old feature, and we’re back on the treasure hunt.

…

The aftermath and goodbye

…

No one in the room, of those who had been forced to remain, could quite comprehend what just happened.

You could read about it in a newspaper, or hear about it on television during the news hour, and think, well, I wasn’t there but it must have been traumatic for those who were, but traumatic didn’t even begin to describe what I just witnessed.

It took everyone more than a few minutes to process those last few seconds before they could move, let alone think about what they were going to do.  With the threat incapacitated, there was no reason to, at least, not straight away.

I was surprised then, that after however long it had been since those events, I heard Charlene’s voice cutting through the fog.

“Are you alright?”

She was shaking me by the shoulder, sitting on the floor next to me, and she looked, and sounded, visibly upset.  I was surprised she was still in town much less anywhere near here.

“I wasn’t the target,” I said, and then realized that was hardly relevant to anything; it was just the first response that popped into my head.

I could then suddenly hear everything as if someone had turned up the volume, and the first background sound was Benderby’s daughter crying.

“You were almost in the line of fire for one of the marksmen.  I thought he’d misaimed. For a moment there, when I saw you fall…

She still cared, which was something I should appreciate.  I took a moment before lifting myself off the floor to sit beside her.

“This was a disaster.  Your father should have realized a woman with a gun would be hell-bent on revenge and wasn’t going to be talked down.  She probably used the time it took to get me to mentally prepare so she could kill the pair of them.  And I’m surprised you didn’t see it coming.”

“It might not have come to this if she hadn’t known Alex and Vince were suspected of killing her son.  Did you tell her about Alex and Vince?”

It was a meaningful look, one that conveyed disapproval because she was right, it had to come from me because I was only one of a very few who knew the actual facts of the matter.”

Better then, to admit it.  “No.  But I told my mother, while I was in hospital before I had time to consider the ramifications.  That was some deal Benderby pulled off, to have Vince strung up and a signing a confession to get Alex off the hook.”

“He didn’t exactly get away scot-free.  He still has a string of minor charges to face, and there will be jail time, one way or another.”

I glanced over at Mrs. Boggs spread out on the floor where she had collapsed after being shot at least twice.

Almost before she hit the floor, two deputies were beside her, removing the gun, and checking if she was still alive.  I imagine the sheriff, by the door, phone to his ear, had called for medical assistance, perhaps out of deference to a woman who was a friend, or because he had to show all care and respect for her so a good defense attorney didn’t find a reason to have the case dismissed for lack of respect.  There had been problems handling perpetrators in the past, perpetrators who got off on technicalities.

But all that was moot if she was dead.  She seemed to be alive when she hit the floor, and then hadn’t moved in the last few minutes.  My first thought was that they had killed her, but I saw her hand move, which meant she was still alive, incredibly good shooting on the part of the marksmen considering the obstacles, and the inclination to stop the perpetrator permanently.

Around us, several other deputies were escorting the remainder of the patrons out of the room, now officially a crime scene designated by the ‘do not cross’ tape lines going up.

The sheriff had made it his job to escort Mrs. Benderby, and her daughter, out of the room, and, no doubt get a statement after being checked out by a paramedic.

I could hear sirens in the distance, so they would be arriving imminently.

A. Minute or so later, I was the last civilian in the room. 

I turned to Charlene, “You do realize that both Boggs senior and Ormiston were in that cave, before Alex and Vince cleaned up.”

She smiled.  “Actually, as a matter of fact, I do.  I took a forensic team back to see if we could find either of Alex’s or Vince’s DNA, and not only did we fund it, but the skeletal remains of what appears to be four individuals.”

“Boggs, Ormiston, and two pirates.  One had a sword through the rib cage so I suspect there was a little dissent when the treasure was being divvied up.”

“I’m sure that will be confirmed soon.  I wanted to nail Alex’s ass to the wall, now it appears we might have enough evidence to put old man Cossatino away too.  He was picked up at the airport trying to leave the country.  An all-around good day for team justice.”

“Except for Mrs. Boggs”

“I’m sure she’ll plead temporary insanity, overcome by the grief of losing her son.”

Flippant, perhaps, or just cynical?  It was a bit early in her career to be like that, so perhaps that might be a little of her father rubbing off.

“Perhaps she was hoping the police would kill her.  After all, she has very little left to live for.  I doubt pleading insanity was her first thought when she walked into this room.  You might want to study up on the human condition a little before you start labeling people, and especially if you are thinking of continuing on this detective thing.”

That came out wrong, more a rebuke than an observation, and judging by her expression, she took it as the former.

“There will always be a lot of things we could do better.  You might consider next time to dissuade your friends from doing stupid things, like Nadia kidnapping Alex and Vince in the first place.”

“If you had done your job…”

Neither of us had seen the sheriff come over, and he was there long enough to be privy to the last comments.  “I’m sure at the end of the day, justice will prevail despite the convoluted route it took us to get there.  But for argument’s sake, neither Alex nor Vince would press charges against Nadia, so it was not kidnapping, and since the mall belongs to the Benderbys, neither wanted to press for trespass, so, all in all, no harm done.”

He glared at his daughter.  “I asked you to get his statement, not debate the legalities of the situation. Get it done and get back to the station.”

With that said, he left.

Charlene stood up, glared at me, then said, “no good deed goes unpunished.  Do you want to give it here, or at the station?”

…

© Charles Heath 2020-2022

An excerpt from “Strangers We’ve Become” – Coming Soon

I wandered back to my villa.

It was in darkness.  I was sure I had left several lights on, especially over the door so I could see to unlock it.

I looked up and saw the globe was broken.

Instant alert.

I went to the first hiding spot for the gun, and it wasn’t there.  I went to the backup and it wasn’t there either.  Someone had found my carefully hidden stash of weapons and removed them.

Who?

There were four hiding spots and all were empty.  Someone had removed the weapons.  That could only mean one possibility.

I had a visitor, not necessarily here for a social call.

But, of course, being the well-trained agent I’d once been and not one to be caught unawares, I crossed over to my neighbor and relieved him of a weapon that, if found, would require a lot of explaining.

Suitably armed, it was time to return the surprise.

There were three entrances to the villa, the front door, the back door, and a rather strange escape hatch.  One of the more interesting attractions of the villa I’d rented was its heritage.  It was built in the late 1700s, by a man who was, by all accounts, a thief.  It had a hidden underground room which had been in the past a vault but was now a wine cellar, and it had an escape hatch by which the man could come and go undetected, particularly if there was a mob outside the door baying for his blood.

It now gave me the means to enter the villa without my visitors being alerted, unless, of course, they were near the vicinity of the doorway inside the villa, but that possibility was unlikely.  It was not where anyone could anticipate or expect a doorway to be.

The secret entrance was at the rear of the villa behind a large copse, two camouflaged wooden doors built into the ground.  I move aside some of the branches that covered them and lifted one side.  After I’d discovered the doors and rusty hinges, I’d oiled and cleaned them, and cleared the passageway of cobwebs and fallen rocks.  It had a mildew smell, but nothing would get rid of that.  I’d left torches at either end so I could see.

I closed the door after me, and went quietly down the steps, enveloped in darkness till I switched on the torch.  I traversed the short passage which turned ninety degrees about halfway to the door at the other end.  I carried the key to this door on the keyring, found it and opened the door.  It too had been oiled and swung open soundlessly.

I stepped in the darkness and closed the door.

I was on the lower level under the kitchen, now the wine cellar, the ‘door’ doubling as a set of shelves which had very little on them, less to fall and alert anyone in the villa.

Silence, an eerie silence.

I took the steps up to the kitchen, stopping when my head was level with the floor, checking to see if anyone was waiting.  There wasn’t.  It seemed to me to be an unlikely spot for an ambush.

I’d already considered the possibility of someone coming after me, especially because it had been Bespalov I’d killed, and I was sure he had friends, all equally as mad as he was.  Equally, I’d also considered it nigh on impossible for anyone to find out it was me who killed him because the only people who knew that were Prendergast, Alisha, a few others in the Department, and Susan.

That raised the question of who told them where I was.

If I was the man I used to be, my first suspect would be Susan.  The departure this morning, and now this was too coincidental.  But I was not that man.

Or was I?

I reached the start of the passageway that led from the kitchen to the front door and peered into the semi-darkness.  My eyes had got used to the dark, and it was no longer an inky void.  Fragments of light leaked in around the door from outside and through the edge of the window curtains where they didn’t fit properly.  A bone of contention upstairs in the morning, when first light shone and invariably woke me up hours before I wanted to.

Still nothing.

I took a moment to consider how I would approach the visitor’s job.  I would get a plan of the villa in my head, all entrances, where a target could be led to or attacked where there would be no escape.

Coming in the front door.  If I was not expecting anything, I’d just open the door and walk-in.  One shot would be all that was required.

Contract complete.

I sidled quietly up the passage staying close to the wall, edging closer to the front door.  There was an alcove where the shooter could be waiting.  It was an ideal spot to wait.

Crunch.

I stepped on some nutshells.

Not my nutshells.

I felt it before I heard it.  The bullet with my name on it.

And how the shooter missed, from point-blank range, and hit me in the arm, I had no idea.  I fired off two shots before a second shot from the shooter went wide and hit the door with a loud thwack.

I saw a red dot wavering as it honed in on me and I fell to the floor, stretching out, looking up where the origin of the light was coming and pulled the trigger three times, evenly spaced, and a second later I heard the sound of a body falling down the stairs and stopping at the bottom, not very far from me.

Two assassins.

I’d not expected that.

The assassin by the door was dead, a lucky shot on my part.  The second was still breathing.

I checked the body for any weapons and found a second gun and two knives.  Armed to the teeth!

I pulled off the balaclava; a man, early thirties, definitely Italian.  I was expecting a Russian.

I slapped his face, waking him up.  Blood was leaking from several slashes on his face when his head had hit the stairs on the way down.  The awkward angle of his arms and legs told me there were broken bones, probably a lot worse internally.  He was not long for this earth.

“Who employed you?”

He looked at me with dead eyes, a pursed mouth, perhaps a smile.  “Not today my friend.  You have made a very bad enemy.”  He coughed and blood poured out of his mouth.  “There will be more …”

Friends of Bespalov, no doubt.

I would have to leave.  Two unexplainable bodies, I’d have a hard time explaining my way out of this mess.  I dragged the two bodies into the lounge, clearing the passageway just in case someone had heard anything.

Just in case anyone was outside at the time, I sat in the dark, at the foot of the stairs, and tried to breathe normally.  I was trying not to connect dots that led back to Susan, but the coincidence was worrying me.

A half-hour passed and I hadn’t moved.  Deep in thought, I’d forgotten about being shot, unaware that blood was running down my arm and dripping onto the floor.

Until I heard a knock on my front door.

Two thoughts, it was either the police, alerted by the neighbors, or it was the second wave, though why would they be knocking on the door?

I stood, and immediately felt a stabbing pain in my arm.  I took out a handkerchief and turned it into a makeshift tourniquet, then wrapped a kitchen towel around the wound.

If it was the police, this was going to be a difficult situation.  Holding the gun behind my back, I opened the door a fraction and looked out.

No police, just Maria.  I hoped she was not part of the next ‘wave’.

“You left your phone behind on the table.  I thought you might be looking for it.”  She held it out in front of her.

When I didn’t open the door any further, she looked at me quizzically, and then asked, “Is anything wrong?”

I was going to thank her for returning the phone, but I heard her breathe in sharply, and add, breathlessly, “You’re bleeding.”

I looked at my arm and realized it was visible through the door, and not only that, the towel was soaked in blood.

“You need to go away now.”

Should I tell her the truth?  It was probably too late, and if she was any sort of law-abiding citizen she would go straight to the police.

She showed no signs of leaving, just an unnerving curiosity.  “What happened?”

I ran through several explanations, but none seemed plausible.  I went with the truth.  “My past caught up with me.”

“You need someone to fix that before you pass out from blood loss.  It doesn’t look good.”

“I can fix it.  You need to leave.  It is not safe to be here with me.”

The pain in my arm was not getting any better, and the blood was starting to run down my arm again as the tourniquet loosened.  She was right, I needed it fixed sooner rather than later.

I opened the door and let her in.  It was a mistake, a huge mistake, and I would have to deal with the consequences.  Once inside, she turned on the light and saw the pool of blood just inside the door and the trail leading to the lounge.  She followed the trail and turned into the lounge, turned on the light, and no doubt saw the two dead men.

I expected her to scream.  She didn’t.

She gave me a good hard look, perhaps trying to see if I was dangerous.  Killing people wasn’t something you looked the other way about.  She would have to go to the police.

“What happened here?”

“I came home from the cafe and two men were waiting for me.  I used to work for the Government, but no longer.  I suspect these men were here to repay a debt.  I was lucky.”

“Not so much, looking at your arm.”

She came closer and inspected it.

“Sit down.”

She found another towel and wrapped it around the wound, retightening the tourniquet to stem the bleeding.

“Do you have medical supplies?”

I nodded.  “Upstairs.”  I had a medical kit, and on the road, I usually made my own running repairs.  Another old habit I hadn’t quite shaken off yet.

She went upstairs, rummaged, and then came back.  I wondered briefly what she would think of the unmade bed though I was not sure why it might interest her.

She helped me remove my shirt, and then cleaned the wound.  Fortunately, she didn’t have to remove a bullet.  It was a clean wound but it would require stitches.

When she’d finished she said, “Your friend said one day this might happen.”

No prizes for guessing who that friend was, and it didn’t please me that she had involved Maria.

“Alisha?”

“She didn’t tell me her name, but I think she cares a lot about you.  She said trouble has a way of finding you, gave me a phone and said to call her if something like this happened.”

“That was wrong of her to do that.”

“Perhaps, perhaps not.  Will you call her?”

“Yes.  I can’t stay here now.  You should go now.  Hopefully, by the time I leave in the morning, no one will ever know what happened here, especially you.”

She smiled.  “As you say, I was never here.”

…

© Charles Heath 2018-2022

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In a word: Page

We as authors always like to see two little words in every review, page turner.

Alas, sometimes they’re not, but usually this applied to non fiction simple because they’re reference books. Then another two words apply: boat anchor.

The good stuff is usually over the page.

Page in this instance refers to a leaf in a book, which generally has many pages.

Then the is a page boy, not what you’d find lurking around these days but were more common in days past, but refers to a boy in training to become a knight, or an errand boy for a nobleman.

These days a page boy opens doors and runs messages in a hotel.

Another variation is being paged over the P.A. system, always a major cause of embarrassment because you and everyone else thinks your in trouble.

Of course, before there were mobile phones, there were pagers, and sometimes in the deathly silence of the classroom, it went off. Definitely not advisable to have one on you if you are trying to sneak up on someone. Same goes for the modern equivalent, the mobile phone.

For the person who uses a word processor, you are familiar with pages, and having the software generate page numbers, of course, not for the title page, and a different numbering for other pages like an index, before the story starts.

Complicated? Sometimes.

And many years ago a boss of mine often used to say I needed to turn over a new page, and it did make much sense to me. That might have been because I was young and stupid. But, later on I realised what he was really saying was that I needed to turn over a new leaf.

Kind of strange, but then a lot saying are.

And did I?

Eventually.

And just to end on a high note, Paige is also the name of a girl, I think, and one I’ve decided to use in a story.

In a word: bark

Yes, this is exactly what a dog does, sometimes annoyingly all night, that sharp explosive cry of a dog or, believe it or not, a seal

Much better if the dog is a guard dog, because then you need it to bark when there is intruders

Then there’s another form of bark, that which grows on a tree, and makes excelled burning material, if not a little smoky, for a BBQ.

Ot that the bark of some trees can be used as material for carving, and of others, like the paperbark, to make was seems like paper to write on.

Then there are expressions that start to make you think, concerning this word, such as:

He was a boss that liked to bark orders.  I had one like that, almost looked like a dog too.  Never could ask someone kindly.

He was barking up the wrong tree.  Never seen a dog do this, but many people gave so the literal meaning is to waste your time looking in the wrong place

Then there’s bark or barque, the name of a certain type of boat or masted ship with three or more masts, dating back to sailing days

And then, just top it all off, someone goes and says your barking mad.  Probably just after you were barking up the wrong tree, looking for the barking dog on a barque.

The cinema of my dreams – I always wanted to write a war story – Episode 18

For a story that was conceived during those long boring hours flying in a steel cocoon, striving to keep away the thoughts that the plane and everyone in it could just simply disappear as planes have in the past, it has come a long way.

Whilst I have always had a fascination in what happened during the second world war, not the battles or fighting, but in the more obscure events that took place, I decided to pen my own little sidebar to what was a long and bitter war.

And, so, it continues…

 

It was clear, however, that Marina was familiar with the man and very annoyed with the woman.

When I took a longer look at the man, I realised he was not a man at all, but a boy in his teens, blessed by the fact he looked older than he was.  My guess, about 16.  I was surprised he had not been conscripted into the war, there seemed very few young men in the area.

Marina went straight over to him and snatched the elderly rifle he was holding away from him, the glared at Chiara

“Are you stark staring mad.  Enrico is not supposed to be out in the open, hell, it’s been a battle to keep him hidden away.  What will his parents think when they discover he’s here?”

“Pleased,” Enrico said.  “My father said it’s about time I did something to rid of the Germans, of the English too for that matter.  None of you has any right to be here.”

Fervently spoken, and to the wrong person, it would earn him a bullet to the back of the head.  But I agreed with him.

“All well and good,” Marina said to him, “but now there’s no easy way of doing that.  We must be careful, and you must stay put with your parents.  What we’re doing isn’t a game, you are neither trained or equipped to take anyone on, except perhaps rabbits.”

Back at Chiara.  “Take him home, and never bring him back here.  You don’t want to be the one who has to tell his mother if he gets killed.  Now, both of you go now, before I shoot both of you myself.”

“This is not the end of the matter,” Enrico said.

“And when you’ve taken him back, come back here.  We need to talk.”

Chiara said nothing, just nodded sullenly.  I think she believed the less said the better and did as she was asked, nodding her head in his direction, and adding a few choice phrases in Italian to him that I couldn’t understand.  It also just occurred to me that she had not asked Chiara the questions about the two men from the castle.  I guess that would have to wait until the safety of Enrico was settled, and she returned.

“Make sure they’re safe,” she said to Carlo, and he disappeared, leaving us alone.

“I thought all of the young men had been taken away by the Italian Army.”

“Not all.  We managed to hide a few away, but as you can see, despite our best efforts, they don’t seem to appreciate the trouble they could get into.  We used to have about a hundred young men from 14 through to 20 at the start of the war.  Two have found their way back, casualties of war, the rest, we may never see them again.  Enrico just doesn’t see the trouble he could get into.”

“It’s called youthful enthusiasm.  In the first world war, joining up, or going to war, was a lark.  It was a little less so this time because most of the parents knew from firsthand experience what it was like and tried to shield them.  And if you didn’t join up, questions were asked, and quite often jail, except for some who landed cushy jobs away from the fighting.”

“You were not so lucky?”

“No, I was one of those mad buggers who thought joining up to fight would be an adventure.  That quickly faded when the enemy started shooting at me.”

“And now you’re here, and a spy to boot.  That’s what they’ll hang on you if you get caught.”

“Then I shall try very hard not to get caught.  Again.”

 

Chiara came back about an hour later.  It seemed to me it was a lot safer to move around at night with the blackout, and I doubted Thompson would spare any men from the castle to check up on the local farmers.

And while I was at the castle, I didn’t hear anything raised about the local resistance, which I thought odd at the time, but now I knew why.  Most of them had joined him.  Better that than be hunted down and killed.

Chiara still looked sullen.  A closer look showed she was not very old herself, barely out of her twenties, and surprising that the Italian army, or Thomson for that matter, had not rounded her up for ‘duties’ at the castle.

There were a number of the local women working up at the castle, but they were mostly staff, or more likely forced labour, though I had thought we, when I believed it to be a British outpost, would be fairer to the locals than either the Germans or their own Italian military.  It’s odd how you tend to look at certain situations because of who you are, and the fact you would not do similar things at home.  The Germans, however, we would always treat differently, because they were the enemy, and because we expected the worst from them.  At that moment, though, wouldn’t the Germans think the same of us if the positions were reversed?

Best not to think about that.  My view of the war and the people in it was clouded enough.

Chiara, however, clearly thought the worst of me, and of those in the castle, and certainly didn’t think I was as neutral as I appeared.  A gun always in hand, I was sure she would shoot me again with the least provocation.

We sat, both Chiara and Marina with their weapons on the table in front of them.  I wasn’t trusted enough to be given a weapon.

Marina’s first question was directed at Chiara, “I’m told there were two men from the castle following Sam, and that he told you about them.”

“He did.  We did not see them.  We didn’t take the path, because, as you know, it’s not safe.”

It was a reasonable answer.  If the men at the castle were unfamiliar with the area, as I’m sure they would be, because they hadn’t been there for very long, and I doubt Thompson would want to advertise the nationality of those at the castle unless he had to, they would stick to the clearly-marked roads and paths.

I had on my way to the castle, from a different direction.  It didn’t explain why I had not been met by the leader of the resistance as arranged, but that was now explained, both by the former leader trying to kill me in a roadside explosion, and then what I learned at the castle in the last few days.

“Even so, there’s not that much distance between the two, and it is possible to shadow them.”

“I keep well away from them.  Perhaps Leonardo saw them.  He doesn’t have to worry about what they might do because they use him to supply food.  Maybe he knows more.”

“Perhaps I shall ask him next time I see him.  We need to know who from the castle is about and when so that we don’t get caught.”

“I’ll remember next time.  Is that all?”

“Yes.”

Chiara picked up her gun, gave me an extra-long sullen stare.  “I don’t trust this one, Marina.  You 

need to be careful.”

“I will.”

We waited a few minutes until after she had departed, and then Marina said, “We should be going too.  This place is a little eerie at night.  There are far too many ghosts for my liking.”

I shuddered, then followed her out.

 

© Charles Heath 2019

The cinema of my dreams – Was it just another surveillance job – Episode 33

I’m back home and this story has been sitting on a back burner for a few months, waiting for some more to be written.

The trouble is, there are also other stories to write, and I’m not very good at prioritizing.

But, here we are, a few minutes opened up and it didn’t take long to get back into the groove.

Chasing leads, maybe

 

Monica, from the last interrogation, had brought a file.  It looked the same as the last one she brought with her, the one with my name on it.

This time it was thicker.

Intelligence gathering at its finest.  There’d be stuff in there that even I didn’t know about me.

She didn’t open it, just looked at me.

“What have you been doing?”

“Working?”

“For whom?”

“Nobbin, of course.  I am now assigned to his section.  Did you do that?”

“He did.  He tells me you’re working on the O’Connell investigation.”

“Is that what it’s called.  He never told me that.  And I had to find out where I’d been assigned by logging onto a computer.  An email or letter would have made my life a little easier.”

“You’re just lucky you’re still working here.  Now, tell me more about this Severin character.”

“I told you everything I knew the last time you spoke to me.  Apparently, you seemed to know who it was.  Perhaps you might tell me, too.”

“It’s…”

“And,” I interrupted, “don’t tell me it’s above my pay grade.  I was potentially working for traitors and could have finished up in jail for treason.”

“You might still get there.”

Then why hadn’t she had me arrested and thrown in a dungeon the last time we met?  There was an easy answer to that question.  She needed me out in the field.  Nobbin needed me in the field.  They presumably needed me to remain available to Severin for whatever reason.

“What do you want?”

She opened the file, turned a few pages, and stopped at a yellow sheet of paper.  I wasn’t able to read it upside down, but it had very small spidery writing on it.

Then she looked at me again.

“Some secret documents appear to have gone missing.  We believe that is to say Director Dobbin thinks these may have been on a USB drive that was in the possession of O’Connell at the time of his death.  You were there at the time of his death.  You can see where this is going…”

No matter which answers I gave it was the wrong one, which led to do not pass go and do not collect two hundred dollars, or pounds as the case may be.

“I haven’t got it, and he didn’t tell me where it was, and I saw him die.”

“If you say so.”  She went back to the file and turned some more pagers.

“What do you mean?”

She looked up.  “So far, there’s no body been recovered, or any evidence there was a shooting where you said it was.”

“Are you trying to tell me he’s alive, because if you are, then I must be a very poor judge of people who have no pulse.  He was not about to get up and walk away.”

“Did you see the body removed?”

Now there’s an interesting point.  I had done as I was told and left when told to.  I assumed Severin would sort the problem out, in fact, hadn’t he called in the cleaners?  I saw a white van.

Actually, when I thought about it, I had no idea what happened after I left.  And, now that I remember, I didn’t see anyone get out of the white van.

Could bodies get up and walk?

I was beginning to think they could.

© Charles Heath 2020

A photograph from the inspirational bin – 2

It’s the obvious items in the photograph that you see first, or that your eyes go to first.

The ocean, the beach, the buildings. You can see a shopping mall with MacDonald’s sign above it.

Yes, it’s late afternoon, and you can see long shadows of the buildings.

So, if I asked you what did you see in this photo, what would your reply be?

From a thriller writer or murder mystery writer’s point of view, it’s what you don’t necessarily see.

So, for the purposes of the story, the opening line for the world-weary detective, handing the photo to his partner, “What’s is it you can’t see in this photo?”

A partner that hadn’t been on the job very long, in from the suburbs, and had seen little more than break and enters car theft, and school kids hi-jinks.

“What am I supposed to be looking for?”

“You want to be a detective, or be looking for old ladies cats?”

His partner takes the photo in hand and looks at it again.  There has to be a reason why the old man had given it to him, or perhaps there wasn’t and he was just playing with him again.

No, he thought, there has to be something…

And then he saw it, quite by accident.  A hand, a gun, and following the line of fire, at the end, what looked like someone in the bushes.

In a photo taken from a higher floor of the building over the road, looking down on what was supposed to be a rooftop recreational area.

Only there had been no report of a missing person or a gunshot wound in the last seven days.

“When was it taken?”

“Two days ago?”

“And no reports of a shooting, or a body?”

“No.  And yet the person who took this swears he saw a body, but by the time he came back, there was nothing.”

The detective handed his partner a second photo.  Time-stamped five minutes later.  With no gun and no body.

What will happen next?

I just want to be finished

Just when you think that the story is done, and you’re on the third re-read, just to make sure…

Damn!

I don’t like the way that chapter reads, and what’s worse, it’s about the tenth time I’ve looked at it.

It doesn’t matter whether the last three times you read it, it was just fine, or, the editor has read it and the chapter passed without any major comment.

I think the main problem I have is letting go.  For some odd reason, certain parts of a story sometimes seem to me as though they are not complete, or can be missing a vital clue or connection for the continuity of the story.

That, of course, happens when you rewrite a section that is earlier on in the story, and then have to make ongoing changes.

Yes, I hear the stern warnings, that I should have made a comprehensive outline at the beginning, but the trouble is, I can change the ending, as I’m writing it and then have to go back and add the hooks earlier on.  Not the best method, but isn’t that what an editor is for, to pick up the missed connections, and out-of-the-blue events that happen for no reason?

I find that often after leaving a finished story for a month before the next reading, the whole picture must formulate itself in my head, so when I re-read, there was always a problem, one I didn’t want to think about until the re-read.

Even then it might survive a second pass.

I know the scene is in trouble when I get to it and alarm bells are going off.  I find nothing else to do but look at it.

So, here I am, making major changes.

But, at least now I am satisfied with where it’s going.

Only 325 pages to go!